Say It Isnt So Pt.2 [CD-single] [Import]

Say It Isnt So Pt.2 [CD-single] [Import]

Say It Isnt So Pt.2 [CD-single] [Import]

Editorial Reviews
Product Description
UK version of the second single off the New Jersey rocker's 2000 album, 'Crush'. Tracks, 'Say It Isn't So', 'Ordinary People' (Demo), 'Welcome To The Good Times' (Demo). Includes a fold out poster. Standard jewel case. 2000 release.

Say It Isn't So #2,Bon Jovi,Phantom Sound & Visi
Brokeback Mountain
Average customer rating: 4.5 out of 5 stars
  • iPod owners be warned
  • Axe Rufus Wainwright, and it would be 5 stars
  • Yes, it's one of the best albums I own
  • Brokeback Mountain
  • A matter of taste...
 Brokeback Mountain
Gustavo Santaolalla , and Various Artists
Manufacturer: Verve Forecast
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Brokeback Mountain (Widescreen Edition)
  2. Brokeback Mountain: Story to Screenplay
  3. Brokeback Mountain: Now a Major Motion Picture
  4. Close Range: Wyoming Stories
  5. Memoirs of a Geisha

ASIN: B000BEZQ18
Release Date: 2005-11-01

Tracks:

  1. Opening - Gustavo Santaolalla
  2. He Was A Friend Of Mine - Willie Nelson
  3. Brokeback Mountain 1 - Gustavo Santaolalla
  4. A Love That Will Never Grow Old - Emmylou Harris
  5. King Of The Road - Rufus Wainwright
  6. Snow - Gustavo Santaolalla
  7. The Devil's Right Hand - Steve Earle
  8. No One's Gonna Love You Like Me - Mary McBride
  9. Brokeback Mountain 2 - Gustavo Santaolalla
  10. I Don't Want To Say Goodbye - Teddy Thompson
  11. I Will Never Let You Go - Jackie Greene
  12. Riding Horses - Gustavo Santaolalla
  13. An Angel Went Up In Flames - The Gas Band
  14. Its So Easy - Linda Ronstadt
  15. Brokeback Mountain 3 - Gustavo Santaolalla
  16. The Maker Makes - Rufus Wainwright
  17. The Wings - Gustavo Santaolalla

Amazon.com

Argentina-born, California-based Gustavo Santaolalla helped shape the rock en Español movement by producing Mexican bands Molotov and Café Tacuba , and Colombian singer Juanes. In the late 1990s he made a switch to soundtracks, working on well-received albums for Amores Perros and The Motorcycle Diaries. His instrumental contributions to Ang Lee's tale of two cowboys in love are acoustic guitar-based and, let's face it, a bit on the sonic-wallpaper side.

The vocal tracks, on the other hand, are uniformly lovely, even if the selection of interpreters falls on the predictable side. Linda Ronstadt, Steve Earle, Willie Nelson, and Mary McBride on the soundtrack to a contemporary Western? What a shock! Still, they're all wonderful and Santaolalla wrote at least a couple of classic-sounding country ballads ("A Love That Will Never Grow Old," sung by Emmylou Harris, and "No One's Gonna Love You Like Me," sung by Mary McBride). And don't miss Teddy Thompson and Rufus Wainwright's sweet cover of Roger Miller's 1964 "King of the Road." --Elisabeth Vincentelli

Customer Reviews:

4 out of 5 stars iPod owners be warned.......2007-08-01

I loved the movie and the music. However, I'm very disappointed to discover that I cannot get the CD to copy to my iPod. This is a pet peeve of mine - I buy the music, I should get to listen to it on whatever device I choose.

4 out of 5 stars Axe Rufus Wainwright, and it would be 5 stars.......2007-06-13

This album is a mixture of the instrumental theme, which is incredibly beautiful and haunting, and some very solid country songs. I was surprised by how good the other songs were (you still have to like country music, though). There are only two songs that I don't like at all, and those are the two by Rufus Wainwright - one a cover of "King of the Road" (originally by Roger Miller). They are great demonstrations of him at his most nasal and whiny. It sounds like he is a French guy holding his nose and singing too slow. It's too bad, because they are good songs otherwise. I guess if you like him, you're golden; but I can't stand these versions. Fortunately, the rest of the disc is really good.

5 out of 5 stars Yes, it's one of the best albums I own.......2007-06-03

I listened to it over and over and over last year. Such quality all 'round.

5 out of 5 stars Brokeback Mountain.......2007-05-13

The product is what I expected. It arrived on time and in the condition advertised.

3 out of 5 stars A matter of taste..........2007-05-08

I didn't really pay a lot of attention to the music in the film, except for in the most intense of scenes. Perhaps this is why I was so, completely, disappointed with this soundtrack. I felt that if it did even half of what the film did for me it would be a worthy buy. My friends, this soundtrack is shat. It's mostly country and folk, which I am plainly not into. If you like these things then check this out - if not, turn away.
Dowland - The Collected Works / The Consort of Musicke, Rooley
Average customer rating: 5 out of 5 stars
  • The greatest songs ever?
  • A musical treasure-box
  • a beautiful journey into melancholy
 Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Dowland: Complete Lute Works, Vol.1-5
  2. William Byrd: Consort Songs
  3. Bach: The Landowska Recordings
  4. Britten Conducts Britten
  5. Janácek: Operas

ASIN: B000004CYV
Release Date: 2007-03-13

Tracks:

  1. First Booke Of Songes: I. Unquiet Thoughts
  2. First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
  3. First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
  4. First Booke Of Songes: IV. If My Complaints Could Passions Move
  5. First Booke Of Songes: V. Can She Excuse My Wrongs
  6. First Booke Of Songes: VI. Now, O Now, I Needs Must Part
  7. First Booke Of Songes: VII. Dear, If You Change
  8. First Booke Of Songes: VIII. Burst Fourth My Tears
  9. First Booke Of Songes: IX. Go Crystal Tears
  10. First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
  11. First Booke Of Songes: XI. Come Away, Come Sweet Love
  12. First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
  13. First Booke Of Songes: XIII. Sleep, Wayward Thoughts
  14. First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
  15. First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
  16. First Booke Of Songes: XVI. Would My Conceit
  17. First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
  18. First Booke Of Songes: XVIII. His Golden Locks
  19. First Booke Of Songes: XIX. Awake, Sweet Love
  20. First Booke Of Songes: XX. Come, Heavy Sleep
  21. First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

  1. Second Booke Of Songs: I. I Saw My Lady Weep
  2. Second Booke Of Songs: II. Flow My Tears
  3. Second Booke Of Songs: III. Sorrow, Stay
  4. Second Booke Of Songs: IV. Die Not Before Thy Day
  5. Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
  6. Second Booke Of Songs: VI. Time's Eldest Son
  7. Second Booke Of Songs: VII. Then Sit Thee Down
  8. Second Booke Of Songs: VIII. When Others Sing Venite
  9. Second Booke Of Songs: IX. Praise Blindness Eyes
  10. Second Booke Of Songs: X. O Sweet Woods
  11. Second Booke Of Songs: XI. If Floods Of Tears
  12. Second Booke Of Songs: XII. Fine Knacks For Ladies
  13. Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
  14. Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
  15. Second Booke Of Songs: XV. White As Lilies Was Her Face
  16. Second Booke Of Songs: XVI. Woeful Heart
  17. Second Booke Of Songs: XVII. A Shepherd In A Shade
  18. Second Booke Of Songs: XVIII. Faction That Ever Dwells
  19. Second Booke Of Songs: XIX. Shall I Sue
  20. Second Booke Of Songs: XX. Toss Not My Soul
  21. Second Booke Of Songs: XXI. Clear Or Cloudy
  22. Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

  1. Third Booke Of Songs 1603: I. Farewell, Too Fair
  2. Third Booke Of Songs 1603: II. Time Stands Still
  3. Third Booke Of Songs 1603: III. Behold A Wonder Here
  4. Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
  5. Third Booke Of Songs 1603: V. Me, Me, And None But Me
  6. Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
  7. Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
  8. Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
  9. Third Booke Of Songs 1603: IX. What If I Never Speed?
  10. Third Booke Of Songs 1603: X. Love Stood Amazed
  11. Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
  12. Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
  13. Third Booke Of Songs 1603: XIII. O What Hath Overwrought
  14. Third Booke Of Songs 1603: XIV. Farewell, Unkind
  15. Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
  16. Third Booke Of Songs 1603: XVI. Fie On This Feigning!
  17. Third Booke Of Songs 1603: XVII. I Must Complain
  18. Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
  19. Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
  20. Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
  21. Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

  1. A Pilgrimes Solace: I. Disdain Me Still
  2. A Pilgrimes Solace: II. Sweet Stay Awhile
  3. A Pilgrimes Solace: III. To Ask For All Thy Love
  4. A Pilgrimes Solace: IV. Love, Those Beams That Breed
  5. A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
  6. A Pilgrimes Solace: VI. Were Every Thought An Eye
  7. A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
  8. A Pilgrimes Solace: VIII. Tell Me, True Love
  9. A Pilgrimes Solace: IX. Go Nightly Cares
  10. A Pilgrimes Solace: X. From Silent Night
  11. A Pilgrimes Solace: XI. Lasso vita mia
  12. A Pilgrimes Solace: XII. In This Trembling Shadow Cast
  13. A Pilgrimes Solace: XIII. If That A Sinner's Sights
  14. A Pilgrimes Solace: XIV. Thou Mighty God
  15. A Pilgrimes Solace: XV. When David's Life
  16. A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

  1. A Pilgrimes Solace: XVII. Where Sin Sore Wounding
  2. A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
  3. A Pilgrimes Solace: XIX. Up Merry Mates
  4. A Pilgrimes Solace: XX. Welcome Black Night
  5. A Pilgrimes Solace: XXI. Cease, Cease These False Sports
  6. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
  7. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
  8. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
  9. Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
  10. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
  11. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
  12. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
  13. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
  14. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
  15. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
  16. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
  17. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

  1. Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
  2. Mr. Henry Noell Lamentations: II. Domine ne in furore
  3. Mr. Henry Noell Lamentations: III. Miserere mei Deus
  4. Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
  5. Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
  6. Mr. Henry Noell Lamentations: VI. De profundis
  7. Mr. Henry Noell Lamentations: VII. Domine exaudi
  8. Lachrimae: Lachrimae Antiquae
  9. Lachrimae: Lachrimae Antiquae Novae
  10. Lachrimae: Lachrimae Gementes
  11. Lachrimae: Lachrimae Tristes
  12. Lachrimae: Lachrimae Coactae
  13. Lachrimae: Lachrimae Amantis
  14. Lachrimae: Lachrimae Verae
  15. Lachrimae: Mr. John Langton's Pavan
  16. Lachrimae: Mr. Nicholas Gryffith His Galiard
  17. Lachrimae: Sir John Souch His Galiard
  18. Lachrimae: Semper Dowland Semper Dolens
  19. Lachrimae: Mr. Giles Hobies Galiard
  20. Lachrimae: The King Of Denmark's Galiard
  21. Lachrimae: Sir Henry Umpton's Funerall
  22. Lachrimae: Mr. Henry Noell His Galiard
  23. Lachrimae: The Earl Of Essex Galiard
  24. Lachrimae: Mr. Bucton His Galiard
  25. Lachrimae: Mr. George Whitehead His Almand
  26. Lachrimae: Captain Digorie Piper His Galiard
  27. Lachrimae: Mr. Thomas Collier His Galiard
  28. Lachrimae: Mrs. Nichols Almand

Tracks:

  1. Sacred Songs: Sorrow, Come!
  2. Sacred Songs: I Shame At Mine Unworthiness
  3. Sacred Songs: An Heart That's Broken And Contrite
  4. Psalms: Psalm 100: All People That On Earth Do Dwell
  5. Psalms: Psalm 38: Put Me Not To Rebuke O Lord
  6. Psalms: Psalm 130: Lord To Thee I Make My Moan
  7. Psalms: Psalm 104: My Soul Praise The Lord
  8. Psalms: Psalm 100: All People That On Earth Do Dwell
  9. Psalms: Psalm 134: Behold And Have Regard
  10. A Prayer For The Queen's Most Excellent Majesty
  11. Instrumental Music: Solus cum sola pavan
  12. Instrumental Music: Lachrimae
  13. Instrumental Music: Galliard
  14. Instrumental Music: Pipers Pavan
  15. Instrumental Music: Lachrimae
  16. Instrumental Music: Lady Rich Galliard
  17. Instrumental Music: Earl Of Essex Galliard
  18. Instrumental Music: If My Complaints
  19. Instrumental Music: Lachrimae Doolande
  20. Instrumental Music: Lord Willoughbie's Welcome Home
  21. Instrumental Music: My Lord Chamberlaine His Galliard
  22. Instrumental Music: Comagain
  23. Instrumental Music: Pavan Lachrymae
  24. Instrumental Music: Sorrow Stay

Tracks:

  1. Lute Music: Preludium
  2. Lute Music: Lachrimae
  3. Lute Music: Can She Excuse
  4. Lute Music: Dr. Case's Pavan
  5. Lute Music: Melancholy Galliard
  6. Lute Music: Sir John Smith, His Almain
  7. Lute Music: Fantasia
  8. Lute Music: A Dream
  9. Lute Music: Almain
  10. Lute Music: The Queen's Galliard
  11. Lute Music: Coranto
  12. Lute Music: Resolution
  13. Lute Music: Mrs. Vaux Galliard
  14. Lute Music: Almain
  15. Lute Music: Mr. Dowland's MIdnight
  16. Lute Music: Fantasia
  17. Lute Music: Loth To Depart
  18. Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
  19. Lute Music: The Earl Of Essex, His Galliard
  20. Lute Music: Pavan
  21. Lute Music: John Dowland's Galliard
  22. Lute Music: Aloe
  23. Lute Music: The Lady Clifton's Spirit
  24. Lute Music: What If A Day
  25. Lute Music: Mr. Giles Hobie's Galliard
  26. Lute Music: Come Away (Song arrangement)
  27. Lute Music: Galliard
  28. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Lachrimae (Basic Version)
  2. Lute Music: Galliard To Lachrimae
  3. Lute Music: [Jig]
  4. Lute Music: Galliard On 'Wasingham'
  5. Lute Music: Complaint (Ballad Setting)
  6. Lute Music: Mignarda (Galliard)
  7. Lute Music: Semper Dowland Semper Dolens (Pavan)
  8. Lute Music: The Frog Galliard
  9. Lute Music: A Fancy (Fantasia)
  10. Lute Music: Fancy (Fantasia)
  11. Lute Music: Piper's Pavan
  12. Lute Music: Captain Digorie Piper's Galliard
  13. Lute Music: Lady Laiton's Almain
  14. Lute Music: Dowland's Galliard
  15. Lute Music: Dowland's First Galliard
  16. Lute Music: Tarleton's Jig
  17. Lute Music: Walsingham (ballad Setting)
  18. Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
  19. Lute Music: Sir Henry Guilforde, His Almain
  20. Lute Music: Pavan (Related To 'Lachrimae')
  21. Lute Music: Mr. Langton's Galliard
  22. Lute Music: Mrs. Clifton's Almain
  23. Lute Music: Galliard
  24. Lute Music: Lady Hunsdon's Puffe (Almain)
  25. Lute Music: Galliard
  26. Lute Music: Go From My Window (Ballad Setting)
  27. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Pavana Johan Douland
  2. Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
  3. Lute Music: La mia Barbara
  4. Lute Music: Sir Henry Umpton's Funeral (Pavan)
  5. Lute Music: Lachrimae
  6. Lute Music: Farewell Fancy (Chromatic Fantasia)
  7. Lute Music: Farewell (On The 'In Nomine' Theme)
  8. Lute Music: The King of Denmark's Galliard
  9. Lute Music: Mrs. Vaux's Jig
  10. Lute Music: Mrs. Nichol's Almain
  11. Lute Music: Galliard
  12. Lute Music: Lord Strang's March
  13. Lute Music: Mrs. Winter's Jump
  14. Lute Music: Can She Excuse (Galliard)
  15. Lute Music: The Shoemaker's Wife, A Toy
  16. Lute Music: Mrs. Norrish's Delight
  17. Lute Music: Galliard
  18. Lute Music: Mrs. White's Thing (Almain)
  19. Lute Music: Mrs. White's Nothing
  20. Lute Music: The Frog Galliard
  21. Lute Music: Solus cum sola
  22. Lute Music: The Lord Viscount Lisle, His Galliard
  23. Lute Music: Orlando Sleepeth (Ballad Setting)
  24. Lute Music: Robin (Ballad Setting)
  25. Lute Music: Galliard (On A Galliard By Daniel Bacheler)
  26. Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)

Tracks:

  1. Lute Music: The Lady Russell's Pavan
  2. Lute Music: Fancy (Fantasia)
  3. Lute Music: Sir John Langton's Pavan
  4. Lute Music: Earl Of Derby, His Galliard
  5. Lute Music: A Coy Toy
  6. Lute Music: Fortune My Foe
  7. Lute Music: [Almain]
  8. Lute Music: Mr. Knight's Galliard
  9. Lute Music: Sir John Souch His Galliard
  10. Lute Music: Tarletone's Riserrectione
  11. Lute Music: The Lady Rich, Her Galliard
  12. Consort Music: Lachrimae Pavan
  13. Consort Music: Can She Excuse Galliard
  14. Consort Music: Captain Piper's Pavan And Galliard
  15. Consort Music: The Frog Galliard
  16. Consort Music: Round Battell Galliard
  17. Consort Music: Fortune My Foe
  18. Consort Music: Dowland's First Galliard
  19. Consort Music: Katherine Darcie's Galliard
  20. Consort Music: Tarleton's Jigge
  21. Consort Music: Almain a 2
  22. Consort Music: Mistress Nichols Almain a 2
  23. Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
  24. Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
  25. Opusculum: Mr. John Langton Pavan And Galliard
  26. Opusculum: La mia Barbara Pavan and Galliard
  27. Opusculum: Lachrimae Antiquae Novae Pavan and Galliard

Tracks:

  1. Consort Music: Mistress NIchols Almain
  2. Consort Music: Volta a 4 ('Ioh. Douland')
  3. Consort Music: Were Every Thought an Eye
  4. Consort Music: Lady If You So Spite Me
  5. Consort Music: Pavan a 4
  6. A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
  7. A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
  8. A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
  9. A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
  10. A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
  11. A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
  12. A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
  13. A Musicall Banquet: VIII. Far From Triumphing Court
  14. A Musicall Banquet: IX. Lady, If You So Spite Me
  15. A Musicall Banquet: X. In Darkness Let Me Dwell
  16. A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
  17. A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
  18. A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
  19. A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
  20. A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
  21. A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
  22. A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
  23. A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
  24. A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
  25. A Musicall Banquet: XX. O bella piu (Anon, Italian)

Customer Reviews:

5 out of 5 stars The greatest songs ever?.......2007-07-26

I heard 'clear or cloudy', from this recording, on the radio recently and had to purchase it. It is strange but it is the sort of song that makes life prior to listening to it different from life after. I find it sad that so many people haven't heard it. There are also many other wonderful works in this collection. Given you get twelve well recorded CDs with top quality performances, this has to be one of the bargains of the age.

Please buy it.

5 out of 5 stars A musical treasure-box.......2006-09-10

Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.

The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).

This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.

I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.

5 out of 5 stars a beautiful journey into melancholy.......2001-06-15

I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.

Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).
Rodgers & Hammerstein: Songbook for Orchestra (Orchestral Suites)
Average customer rating: 5 out of 5 stars
  • Irresistible
  • "Some Enchanted Evening" with Kunzel and the Cincinnati Pops
  • Excellent!
  • Great Arrangments
 Rodgers & Hammerstein: Songbook for Orchestra (Orchestral Suites)

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

WaltzesWaltzes | Ballets & Dances | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Pop | Styles | Music
GeneralGeneral | Easy Listening | Pop | Styles | Music
Orchestral PopOrchestral Pop | Easy Listening | Pop | Styles | Music
Movie ScoresMovie Scores | Soundtracks | Styles | Music
Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
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GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
GeneralGeneral | Broadway & Vocalists | Styles | Music
Similar Items:
  1. Lerner & Loewe Songbook for Orchestra
  2. Rodgers & Hammerstein - The Complete Overtures ~ Opening Night / Hollywood Bowl Orchestra · Mauceri
  3. Puttin' on the Ritz: The Great Hollywood Musicals
  4. The Sound Of Music (1987 Studio Cast)
  5. Classics of the Silver Screen

ASIN: B000003CXQ
Release Date: 1992-01-28

Tracks:

  1. Oklahoma!
  2. Carousel
  3. State Fair
  4. South Pacific
  5. The King And I
  6. Cinderella Waltz
  7. Flower Drum Song
  8. The Sound Of Music

Customer Reviews:

5 out of 5 stars Irresistible.......2005-07-29

From beginning to end this CD is pure delight. A great recording has great music, a great performance, and great sound; this one scores on all three counts.

Rodgers and Hammerstein's musicals dominated Broadway in the 1940s and 1950s, and American musical theater has produced no more consistently eloquent and durable voice than Richard Rodgers. From his fertile genius flowed a surprising number of memorable songs, many of which have passed into and become an accepted and beloved part of modern American culture.

This well-filled CD (77:36) features symphonic arrangements (all but two by Robert Russell Bennett) of the music from Oklahoma (1943), Carousel (1945), State Fair (1945), South Pacific (1949), The King and I (1951), Flower Drum Song (1958), and The Sound of Music (1959). All the great tunes are here in suites from each musical that average 10-12 minutes in length. The arrangements are expert: rich, varied, and colorful. The performances are polished, idiomatic, and irresistible; Kunzel and this orchestra are thorough masters of this kind of material. And Telarc's sound (recorded 1991) is state-of-the-art (engineer Michael Bishop deserves to take a bow).

In short, there's nothing here to cloud your listening pleasure (the only quibble I can imagine is that some of your favorites may not last long enough), so it's hard for me to envision anyone with ears and a taste for music who wouldn't enjoy this CD. Warmly recommended. Finally, if you like this one as much as I do, you might want to know that the same team has produced a companion volume, the Lerner & Lowe Songbook for Orchestra.

5 out of 5 stars "Some Enchanted Evening" with Kunzel and the Cincinnati Pops.......2003-12-26

Erich Kunzel's Rodgers and Hammerstein anthology with the Cincinatti Pops Orchestra is one of the best and most ravishing instrumental Rodgers and Hammerstein albums of all time. With sumptuous arrangements and warm, natural Telarc recording, this glorious 77-minute CD presents sweeping, melodic arrangements of over 60 Rodgers and Hammerstein selections, spanning eight scores, and Kunzel allows the Pops to play with a characterful and polished understanding of the Rodgers and Hammerstein idiom. The disc is enough to cheer you up on a dull day and make you smile, and it might even want to make you feel like a convert to Rodgers and Hammerstein musicals.

This CD has all the scores arranged chronologically. The OKLAHOMA! suite that opens this disc promises a feast for the senses, Kunzel ably evokes the territory's "bright, golden haze" in the way he conducts the various excerpts, until you feel the atmosphere of the country charm of the show, and the love-affair between Curly and Laurey. Then, in CAROUSEL, he ably evokes the pathos of this tragic R&H masterwork, especially in the truncated Waltz, but he leads a wonderfully melodic "June is Bustin' Out All Over" and a devotional "You'll Never Walk Alone." Although this suite does not include Billy's pivotal Soliloquy, it includes "If I Loved You" as an expression of his love for Julie, and within minutes you could be soaked in the ups and downs of the show's mood.

After a brief STATE FAIR suite, with sweeping renditions of "It Might As Well Be Spring" and "It's a Grand Night for Singing", we are brought into the disc's showstopping highlights. These highlights are the excerpts from SOUTH PACIFIC, THE KING AND I, and THE SOUND OF MUSIC. But yet Kunzel conducts the rest of the disc until the various suites amount to a series of showstoppers. These three suites present wonderfully-arranged versions of their many familiar classic songs, with well-played solos. The SOUTH PACIFIC suite presents the songs in chronological order, yet preserves the atmosphere of the show at the same time. Kunzel ably brings out the romance in "Some Enchanted Evening" and "Younger than Springtime," and contrasts it with the exotic and dreamlike "Bali Hai'i" and the comic "There is Nothing like a Dame" and "I'm Gonna Wash That Man Right Outa My Hair". Although the suite ends quietly with a reprise of "Dites-Moi" rather than the reprise of "Some Enchanted Evening," within minutes we are swept into the KING AND I suite. Kunzel ably brings out the Oriental pathos in this score, and he captures the warmth of Anna's rapport with the King's Siamese children in "Getting to Know You", and with the King himself in "Shall We Dance." There is also romance in the love ballads "I Have Dreamed" and "We Kiss in a Shadow." Similarly, in the selection from THE SOUND OF MUSIC, Kunzel conducts this until the orchestra soaks itself in the atmosphere of this Austrian R&H score. This SOUND OF MUSIC suite has more of a feel of the score compared to the bonus track on Sony's reissued version of the Broadway recording. You can almost feel as if you are following the progress of the Trapp family and how it lifts its spirits with the joy of music. Kunzel gives us a soaring version of the title song, and spirited versions of "Do-Re-Mi" and "My Favourite Things." He balances it with the open-air quality of "Edelweiss" and "The Lonely Goatherd." Although this suite could have included "Something Good," the love ballad written for the film, the three recollections of the songs that were cut from the movie only last for a while. And, the towering version of "Climb Every Mountain" crowns this portion of the disc, and this sumptuously-produced recording. But, I should also mention the infectuous FLOWER DRUM SONG medley, where Kunzel turns this underrated score into a work of art, until it convinces you to buy the cast recording. And, don't forget about the brief CINDERELLA WALTZ, too, when Kunzel conducts it magically, until you feel like you are in the company of Cinderella and the Prince. He is able to show how this R&H score marked a comeback for R&H after the failiures of Me and Juliet, and Pipe Dream.

Overall, this glorious Rodgers and Hammerstein recording is guarunteed to make you want to pucker your lips out for a whistle or sing along (to paraphrase another revew for Kunzel's Disney Spectacular disc) - even if this recording is music only, and as long as you know the words to the songs (and you might know a large handful of them already.) There is always a certain magic in this fine CD that makes you feel like you're sitting in the theatre watching these musicals, until it makes you feel like it is truly, to borrow two R&H song titles, "Some Enchanted Evening" and "Something Wonderful" to be in Kunzel's company for this R&H offering. It would certainly be one recording that could make you feel willing to buy the complete cast recordings of the shows. And I guaruntee that it will make you feel willing to pull out your existing copies of the cast recordings to listen to them again. I also guaruntee that it will be a cornerstone in any Rodgers and Hammerstein collection, just as it is in mine. Recommended heartily to any Rodgers and Hammerstein enthusiast and to fans of Erich Kunzel's work. And, you can play it while reading the Richard Rodgers biography, Musical Stages, until Rodgers himself would count this as his favourite disc in the afterlife.

By the way, most of the arrangements for the suites on this CD were done by the veteran R&H orchestrator Robert Russell Bennett, and it surely adds to the appeal of this recording. This itself is enough to amount to the icing on the cake, since Kunzel conducts them well on here, and since this recording still allows the suites to have the original theatrical atmosphere. And, although this recording is like the Mauceri collection of the Rodgers & Hammerstein overtures in compiling orchestral suites of Rodgers & Hammerstein, I think that I like the Kunzel recording even more because Kunzel has more magic in his conducting of these suites.

5 out of 5 stars Excellent!.......2003-04-08

This is one of the best Erich Kunzel/Cincinnati Pops collections we own! A must for Rodgers and Hammerstein fans, too.

5 out of 5 stars Great Arrangments.......2001-09-02

This is a first rate album with great arrangments and orchestrations. If you're a Rodgers and Hammerstein fan, you can't afford to miss this specatacular album
Handel: The Masterworks (Box Set)
Average customer rating: Not rated
    		Handel: The Masterworks (Box Set)

    Manufacturer: Brilliant Classics
    ProductGroup: Music
    Binding: Audio CD

    TriosTrios | Chamber Music | Classical | Styles | Music
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    5. Schubert: The Masterworks [Box Set]

    ASIN: B00062FLI8
    Release Date: 2004-11-30
    Kiri Sings Berlin
    Average customer rating: 4.5 out of 5 stars
    • Irving Berlin at his best
    • Get's my vote!
    • Jazzy and Beautiful
    • I love it!
    • Simply Dreadful
    		 Kiri Sings Berlin
    Irving Berlin , Jonathan Tunick , Abbey Road Ensemble , and Dame Kiri Te Kanawa
    Manufacturer: Angel Records
    ProductGroup: Music
    Binding: Audio CD

    Character PiecesCharacter Pieces | Short Forms | Forms & Genres | Classical | Styles | Music
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    Te Kanawa, KiriTe Kanawa, Kiri | Divas | Opera & Vocal | Styles | Music
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    2. Kiri Sings Porter; Dame Kiri TeKanawa
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    4. Kiri
    5. Kiri! Her Greatest Hits Live

    ASIN: B000002RYP
    Release Date: 1998-01-20

    Tracks:

    1. Let's Face The Music And Dance
    2. I Got The Sun In The Morning
    3. How Deep Is The Ocean?
    4. What'll I Do?
    5. Blue Skies
    6. It's A Lovely Day Today
    7. They Say It's Wonderful
    8. Say It Isn't So
    9. Cheek To Cheek
    10. Isn't This A Lovely Day?
    11. Always
    12. The Song Is Ended
    13. I've Got My Love To Keep Me Warm
    14. It Only Happens When I Dance With You
    15. Easter Parade

    Amazon.com

    After several recordings of American popular music, Te Kanawa has become a very effective crooner, phrasing with heretofore missing panache. The easy, jazzy Riddle-like arrangements are bouncy and appealing. But after 15 selections, the mysterious dissatisfaction of eating Chinese food and feeling hungry an hour later remains. Tunick writes in his program notes that "the waltz ballads ... are poignant and moving, but never stray into sentimentality." But why not? A little mushiness would serve this recording well, and also contribute to a desperately lacking variety of interpretation. Still, the voice is consistently gorgeous; it would just be nice to distinguish the happy songs from the sad. --Barbara Eisner Bayer

    Customer Reviews:

    5 out of 5 stars Irving Berlin at his best.......2007-06-26

    Kiri's glorious voice interprets Irving Berlin masterpieces beautifully with expression and respect for these American favorites.

    5 out of 5 stars Get's my vote!.......2004-04-03

    OK. Full disclosure: I'm one of those helpless souls who is just madly in love with the sounds that emanate from Dame Kiri Te Kanawa's vocal chords. I suppose there are many artists who can interpret Irving Berlin's songs with more, what's the word, authenticity?

    And I've heard many of them, and I love their work.

    But Kiri Te Kanawa is different. She was given one of the most beautiful instruments in the history of sound recordings. Thank God the recording companies figured out what they had and put her in front of a microphone early and often.

    We have had a rare opportunity to experience a great artist from almost the start of her career clear through to what now must be it's final stages.

    I, for one, feel privileged.

    Thank you, Dame Kiri. The world is a little better place because of you.

    5 out of 5 stars Jazzy and Beautiful.......2002-09-01

    This album exemplifies Kiri's amazing, vast dose of talent for musical interpretation. Though I tend to enjoy mostly classical music, this album has opened doors to a wonderful world of classical-jazz, which I find quite beautiful! Perhaps for some, it is an aquired taste...yet I was hooked the moment I heard track one...and have since become quite the "modern Kiri" fan!~Brava once again~

    5 out of 5 stars I love it!.......2002-05-14

    If you like Irving Berlin and Kiri Te Kanawa you'll probably enjoy this album as much as I do!

    I can imagine Nick and Nora Charles listening to this at one of Nick's favorite dives! It will transport you to a sophisticated time and place that may have never existed except in literature and debutante coming out parties.

    Gatsby would have loved it, and surely would have invited Kiri to all his parties!

    1 out of 5 stars Simply Dreadful.......2001-01-17

    Just terrible! Although her voice has mellowed and is quite beautiful, Ms Te Kanawa has absolutely no instinct or feel for this distinctly American music. She's just lost in her own peculiar Kiwi wonderland. She is not aided but what have to be some of the worst arrangements of this music ever recorded.

    Her version of "What'll I do" alone earns her a place on the top ten list of abominable recordings of American music.
    Sounds of the Eighties: 1983-1984
    Average customer rating: Not rated
      		Sounds of the Eighties: 1983-1984
      Various artists , I Want A New Drug - Huey Lewis & News/Head Over Heels - Go-Go's/Electric Avenue - Eddy Grant/Miss Me Blind - Culture Club/Cruel Summer - Bananarama/(Keep Feeling) Fascination - Human League/ Twilight Zone - Golden Earring / , Naked Eyes/Love Is A Battlefield - Pat Benatar (studio version)/She Works Hard For The Money - Donna Summer/ Sunglasses At Night - Corey Hart , Chaka Khan/Say It Isn't So - Daryl Hall & John Oates/Puttin' On The Ritz - Taco/I'm So Excited - Pointer Sisters/Suddenly Last Summer - Motels , and Rock Me Tonite - Billy Squier/ She's A Beauty - Tubes
      ProductGroup: Music
      Binding: Audio CD

      New WaveNew Wave | New Wave & Post-Punk | Alternative Rock | Styles | Music
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      ASIN: B000NI37JK

      Product Description

      R988-11 (Cema Special Markets S21-18602) - Sounds of the Eighties: 1983-1984 - Various Artists [1995] All tracks stereo. I Want A New Drug - Huey Lewis & News/Head Over Heels - Go-Go's/Electric Avenue - Eddy Grant/Miss Me Blind - Culture Club/Cruel Summer - Bananarama/(Keep Feeling) Fascination - Human League/Twilight Zone - Golden Earring/Promises Promises - Naked Eyes/Love Is A Battlefield - Pat Benatar (studio version)/She Works Hard For The Money - Donna Summer/Sunglasses At Night - Corey Hart/I Feel For You - Chaka Khan/Say It Isn't So - Daryl Hall & John Oates/Puttin' On The Ritz - Taco/I'm So Excited - Pointer Sisters/Suddenly Last Summer - Motels (not much high end)/Rock Me Tonite - Billy Squier/She's A Beauty - Tubes
      Bless Yore Beautiful Hide
      Average customer rating: 5 out of 5 stars
      • Bravos belong to beloved baritone Howard Keel
      		 Bless Yore Beautiful Hide

      Manufacturer: Asv Living Era
      ProductGroup: Music
      Binding: Audio CD

      All Works by PorterAll Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
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      1. And I Love You So
      2. Howard Keel
      3. The Incomparable...
      4. Only Make Believe: My Life in Show Business
      5. Lovely to Look at

      ASIN: B0007KTBH6
      Release Date: 2005-03-08

      Tracks:

      1. My Defences Are Down - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
      2. Girl That I Marry [From Annie, Get Your Gun] - Adolph Deutsch, Betty Hutton, Howard Keel, MGM Studio Orchestra
      3. They Say It's Wonderful [From Annie, Get Your Gun] - Adolph Deutsch, Betty Hutton, Howard Keel, MGM Studio Orchestra
      4. Anything You Can Do [From Annie, Get Your Gun] - Adolph Deutsch, Betty Hutton, Howard Keel, MGM Studio Orchestra
      5. Pagan Love Song [From Pagan Love Song] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
      6. House of the Singing Bamboo [From Pagan Love Song] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
      7. Tahiti [From Pagan Love Song] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
      8. Make Believe [From Show Boat] - Adolph Deutsch, Kathryn Grayson, Howard Keel, MGM Studio Orchestra
      9. You Are Love [From Show Boat] - Adolph Deutsch, Kathryn Grayson, Howard Keel, MGM Studio Orchestra
      10. Why Do I Love You? [From Show Boat] - Adolph Deutsch, Kathryn Grayson, Howard Keel, MGM Studio Orchestra
      11. Young Folks Should Get Married [From Texas Carnival] - Howard Keel, MGM Studio Orchestra,
      12. Lovely to Look At [From Lovely to Look At] - Carmen Dragon, Howard Keel, MGM Studio Orchestra
      13. You're Devastating [From Lovely to Look At] - Carmen Dragon, Kathryn Grayson, Howard Keel, MGM Studio Orchestra
      14. Touch of Your Hand [From Lovely to Look At] - Carmen Dragon, Kathryn Grayson, Howard Keel, MGM Studio Orchestra
      15. Higher Than a Hawk [From Calamity Jane] - Ray Heindorf, Howard Keel,
      16. I Can Do Without You [From Calamity Jane] - Doris Day, Ray Heindorf, Howard Keel,
      17. So in Love [From Kiss Me, Kate] - Kathryn Grayson, Howard Keel, MGM Studio Orchestra, Andrrevin,
      18. Were Thine That Special Face [From Kiss Me, Kate] - Howard Keel, MGM Studio Orchestra, Andrrevin,
      19. Wunderbar - Kathryn Grayson, Howard Keel, MGM Studio Orchestra, Andrrevin,
      20. I've Come to Wive It Wealthily in Padua [From Kiss Me, Kate] - Howard Keel, MGM Studio Orchestra, Andrrevin,
      21. Where Is the Life That Late I Led? [From Kiss Me, Kate] - Howard Keel, MGM Studio Orchestra, Andrrevin,
      22. Right Place for a Girl [From Rose Marie] - Howard Keel, MGM Studio Orchestra, Georgie Stoll's Trio
      23. Rose Marie [From Rose Marie] - Howard Keel, MGM Studio Orchestra, Georgie Stoll's Trio
      24. Bless Yore Beautiful Hide [From Seven Brides for Seven Brothers] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
      25. Sobbin' Women [From Seven Brides for Seven Brothers] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
      26. When You're in Love [From Seven Brides for Seven Bothers] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra, Jane Powell
      27. Your Land and My Land [From Deep in My Heart] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra

      Customer Reviews:

      5 out of 5 stars Bravos belong to beloved baritone Howard Keel.......2005-08-30

      Travel back in time to an era when songs were created to enjoy like a rich desert that your mom would make. Howard Keel and his various duet partners have done just this! This CD has a wonderful selection from the great musicals of the 1950's and makes you smile....sigh....and seek to hear them again and again. I would encourage you to add this to your collection as I have. I've even shared it with many of my friends who have come back with the same remarks of great music from one of the great singers of our recent past.
      Say It Is So
      Average customer rating: 3.5 out of 5 stars
      • Nearly There.
      • Sonically vast & adventurous. Better than Feeding The Gods.
      • Better than you think
      • A must have for Finn Fanz
      • I've Waited 25 Years For This....Thanks Tim....
      		 Say It Is So
      Tim Finn
      Manufacturer: What Are Records
      ProductGroup: Music
      Binding: Audio CD

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      ASIN: B00004NHEI
      Release Date: 2000-02-29

      Tracks:

      1. Underwater Mountain
      2. Shiver
      3. Good Together
      4. Roadtrip
      5. Currents
      6. Need To Be Right
      7. Twinkle
      8. Big Wave Rider
      9. Death Of A Popular Song
      10. Some Dumb Reason
      11. Rest

      Amazon.com

      Tim Finn's Say It Is So underscores a perpetually restless creativity that's carried the New Zealander from the New Wave powerhouse Split Enz through Crowded House and other partnerships with younger brother Tim, to ALT (his earthy collaboration with Hothouse Flowers) to a handful of diverse solo efforts. Throwing in with Nashville producer-guitarist Jay Joyce (Patty Griffin, John Hiatt, the Wallflowers), Finn has produced a record bristling with indie spirit and musical playfulness. The dry expressiveness of his vocals often contrast starkly with the moody mix of muscular guitars, looped samples, and spare harmonies that frame them. Finn's pop sensibility won't be denied, be it straightforward (the Enz-ish "Underwater Mountain") or techno-adventurous ("Roadtrip"), but he's typically worked very hard at finding new voices and sounds to express it. If he stumbles a little (the pedantic sludge of "Need to Be Right"), it's just another sign that Finn is a musician brave enough to occasionally reach beyond his grasp. --Jerry McCulley

      Customer Reviews:

      4 out of 5 stars Nearly There........2007-02-02

      Tim Finn, how we missed you. To some he is Neil Finn light, to some just the older not quite as lucky brother. There's Tim Finn, part time Crowded House member (Woodface) and finally Tim Finn, charter member of that 70's and 80's Kiwi export, Split Enz. To me he is mostly the latter. Being 35 years old I remember them from back in the day, and I have grown into a devout fan of the Enz and even more so, of Crowded House and Neil Finn. So, to discover Tim Finn it is esential that you listen to Split Enz (I recommend Time and Tide from 1982, it is very Tim Finn). So, how about Tim Finn the returning solo artist? Well, up until now I personally find it has been a rather dodgy afair. In my ears he seems to do his damndest to sound NOT like Tim Finn through most of his earlier work (like 1993's Before and After). It sounds restrained and not at all very imaginative (And in some cases very outdated by it's 80's sound). You are left with the feeling that he is incapable of unleashing his talent without his younger brother (The exellent first Finn Brother album 'Finn' from 1995 is a good example). But then came Say It Is So. I have to admit I bought it mianly because he was in Split Enz and Crowded House and I was in Sydney Australia at the time. But this time I enjoyed myself, I really did. This is a fine album, this SOUNDS like Tim Finn (Underwater Mountain is a gorgeous song). There are a couple of songs on this album that are a little dull, but everytime you feel a bit let down there's a new song to lift you back up. I don't know the man, just his music, but I feel I can say as much, Tim Finn sounds like he enjoys being Tim Finn, and that makes for a very good time in his company.

      5 out of 5 stars Sonically vast & adventurous. Better than Feeding The Gods........2003-05-07

      This album has recieved a lot of negative critcism in the popular media here in Australiasia. Many complained it showcased a weaker Tim Finn voice. Well for the record I think Tim's voice sounds fine. I found this album to be more adventurous and sonically more varied, advanced and experimental than the straight foward album after - the mainly guitar rock driven Feeding The Gods. So yes it is a better album. I love and respect the way the LP closes with a deeply profound philosphical heartfelt ode to the 20th century with Rest...Other lyrical trends through out the album is the Neil Finn similar (to his One Nil/One All song Driving Me Mad) Need To Be Right, which many compared to Neil Young & Crazy Horse's unique guitar sound. I think this album has everything in variety you could want from a Finn album. From the Neil Finn like Recurring Dream guitar riffs of the joyous beach scenery of Currents and Big Wave Rider to the straightfoward pop classicalism of Death Of A Popular Song and Good Together, this album has enough mix and match garden salad variety spice to convert any hardened Neil Finn/Crowded House only fans to Tim's solo camp.

      4 out of 5 stars Better than you think.......2001-05-21

      I am a big fan of Neil Finn, Crowded House and Split Enz (mostly the Neil Finn era enz), I have recently started liking Tim Finn's contribution to these groups, as well as Finn Brothers. I find this to be a consistently satisfying group of songs. His voice may not be Neil's or what it once was, but his songwriting, sense of melody and the ability to know the limitations of his voice are there. Of course, there is nothing as good as persuasion on this one, but then he is not the songwriter Richard Thompson is. Another collaboration with him would be wonderful. If you like Tim Finn, you will love this CD.

      4 out of 5 stars A must have for Finn Fanz.......2001-04-25

      If you like a Finn or have ever heard of a Finn, you will love this cd, eventually. It's a varied lot for sure, but you will be surprised and enjoy it. If you don't, listen to it again. Tim is sneakier than his brother. His aural charms are worth the effort. \

      5 out of 5 stars I've Waited 25 Years For This....Thanks Tim...........2001-03-19

      I was first introduced to Tim's singing when I was 13 years old, living in Canada...way back in 1975....I borrowed a copy of Split Enz's Mental Notes and my musical barriers were blown wide open. Initially I was smitten with the combination of Tim's and Phil Judd's vocals -- I loved how they contrasted each other and how they sounded so 'dangerous' together. I lost that sensation when Phil left the group. Even though Tim remained, I felt that he had somehow painted himself into a corner -- afraid to stray from the vocal style that had made him what he was up to that point. Finally, Tim has taken the complete plunge, and not only as a singer, but also as a songwriter -- he dares to be naked -- and he let's the scars show....and it's all beautiful... ...thanks Tim for an album that I wil cherish forever....
      Say It Ain't So
      Average customer rating: 4.5 out of 5 stars
      • DONT SHOW THIS REVIEW BUT JUST A HINT FOR YOU
      • It happened to him and to Nick Drake
      • Good Musical Taste Begins Here ->
      • A taste of what could have been the big time for Murray Head
      • An Impressive Follow Up To "Nigel Lived"
      		 Say It Ain't So
      Murray Head
      Manufacturer: Polygram Int'l
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Alternative Rock | Styles | Music
      New WaveNew Wave | New Wave & Post-Punk | Alternative Rock | Styles | Music
      GeneralGeneral | Pop | Styles | Music
      Pop RockPop Rock | Pop | Styles | Music
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      Folk RockFolk Rock | Rock | Styles | Music
      GeneralGeneral | Rock | Styles | Music
      RockRock | Imports | Stores | Music
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      1. Murray Head - Greatest Hits [Resurgent]
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      ASIN: B000007ZF8
      Release Date: 2002-07-22

      Tracks:

      1. Say It Ain't So, Joe
      2. Boy on the Bridge
      3. Boats Away
      4. When I'm Yours
      5. Someone's Rocking My Dreamboat
      6. She's Such a Drag
      7. Never Even Thought
      8. Silence Is a Strong Reply
      9. Don't Forget Him Now
      10. You're So Tasty

      Customer Reviews:

      4 out of 5 stars DONT SHOW THIS REVIEW BUT JUST A HINT FOR YOU.......2002-04-26

      Hi,
      I dont want you to show this review, but I just want to tell you that I am usually buying my stuff with you guys. (not a frequent buyer but looking often) I just bought that cd on the the web site cd nom for just 13$. I just tought it could be helpfull to you. I love you very much but got disapointed to see that major of a difference.

      5 out of 5 stars It happened to him and to Nick Drake.......2001-05-22

      Nick Drake is a good comparison, here. A slightly later period but the same simple accoustic and the same touching sensitive voice. They should have both been so much bigger. Check out the 4 cd set of Nick Drake if you like this. You will never ever regret it! Say it aint so is one of the best songs of its time. I'm so glad I found it again after all these years. Peter Chelsom.

      5 out of 5 stars Good Musical Taste Begins Here ->.......2001-04-10

      Contains the greatest song ever written and performed ("Joe"), in itself worth 50 stars. The other songs are brilliant, but pale inevitably in comparison. If you only ever buy one album in your life...

      4 out of 5 stars A taste of what could have been the big time for Murray Head.......2000-07-10

      This album was Murray Head's biggest, and best shot at stardom. Sadly, it didn't make as much of a splash as he'd likely hoped, and subsequent albums were more popular in the Francophonic world than in Britain or the U.S.A.

      "Say It Ain't So" is still a very strong record, with strong ballads and a uniquely 1975 rock sensibility, notably the David Gilmour-esque guitar playing on "Boy on the Bridge".

      The centerpiece of the album is the title track, "Say It Ain't So Joe", as haunting a ballad as ever appeared in the 1970's, featuring Murray's alternatingly smooth, raspy, and finally agonized voice in a quietly escalating song about Josef Stalin.

      Other strong tracks are the steel drum tinged "Boats Away", "Boy on the Bridge", "When I'm Yours", and "Never Even Thought". One track keeps this from being a five star record, the bizarre dixieland trombone filled "Someone's Rocking My Dreamboat". It breaks the continuity of the (otherwise almost early Peter Gabriel like) record, and just isn't a very good song. Luckily for Murray's reputation, it's a cover song.

      The liner notes state that most of the songs were written for a musical called "Atlantis". The musical appears to have sunk into the ocean, but "Say It Ain't So" remains. Murray Head had one of the best voices in rock. It's sad that inept management kept him from having the standout career he deserves.

      5 out of 5 stars An Impressive Follow Up To "Nigel Lived".......2000-03-05

      According to the liner notes, this album was the soundtrack for a musical called "Atlantis," which to my knowledge has never been produced for the stage. While lyrics are included, you can only guess what plot Murray had in mind when he was writing this album.

      Acoustic numbers dominate (including the famous title track), along with the plaintive, "When I'm Yours," "Never Even Thought," and the hopeful anthem, "Boats Away." Electric guitar fans can enjoy "Boy On The Bridge," "Don't Forget Him Now," and the over-the-top sensuality of the duet "You're So Tasty" with Vicky Brown. SIAS breaks out of its dreamy, swooning feel with the scorchingly gay, "She's Such A Drag," a song that must have literally been a scream to record.

      All songs written by Murray with the exceptions of "Silence Is A Strong Reply," co-written with Bob Weston, and "Someone's Rocking My Dreamboat." The Rene, Scott, Rene standard gets a 1970's updating with Murray crooning his way through most of it, before a sassy trombone/clarinet/trumpet trio join in for a dixieland finish. Produced by Paul Samwell-Smith, who also worked with Murray on the album "Voices."
      Handel: Belshazzar
      Average customer rating: 4 out of 5 stars
      • ISSUE RESOLVED ON THE EUPHRATES
      • Enjoiyable, but lacking, too.
      		 Handel: Belshazzar

      Manufacturer: Archiv Produktion
      ProductGroup: Music
      Binding: Audio CD

      MinuetsMinuets | Ballets & Dances | Classical | Styles | Music
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      Pinnock, TrevorPinnock, Trevor | ( P ) | Featured Performers, A-Z | Classical | Styles | Music
      GeneralGeneral | Classical | Styles | Music
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      OratoriosOratorios | Opera & Vocal | Styles | Music
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      5. Handel: Solomon

      ASIN: B0001ZWGHY
      Release Date: 2004-06-15

      Tracks:

      1. Overture
      2. Vain, Fluctuating State Of Human Empire!
      3. Thou, God Most High, And Thou Alone
      4. The Fate Of Babylon, I Fear, Is Nigh
      5. Lament Not Thus, Oh Queen, In Vain!
      6. Behold, By Persia's Hero Made
      7. Well May They Laugh/Oh Memory! Still Bitter To My Soul
      8. Opprest With Never-Ceasing Grief
      9. Dry Thoes Unavailing Tears
      10. Be Comforted: Safe Though The Tyrant Seem/Methought, As On The Bank Of Deep Euphrates
      11. Now, Tell Me, Gobrias
      12. Behold The Monstrous Human Beast
      13. Can You Then Think It Strange
      14. Great God! Who, Yet But Darkly Known
      15. My Friends, Be Confident
      16. All Empires Upon God Depend
      17. Oh Sacred Oracles Of Truth!
      18. Rejoyce, My Countrymen
      19. Sing, Oh Ye Heav'ns!

      Tracks:

      1. Let Festal Joy Triumphant Reign!
      2. For You, My Friends
      3. The Leafy Honours Of The Field
      4. It Is The Custom, I May Say, The Law
      5. Recall, Oh King! Thy Rash Command
      6. They Tell You True
      7. Oh Dearer Than My Life, Forebear!
      8. By Slow Degrees The Wrath Of God
      9. See, From His Post Euphrates Flies!
      10. You See, My Friends, A Path
      11. Amaz'd To Find The Foe So Near
      12. To Arms, To Arms! No More Delay!
      13. Ye Tutelar Gods Of Our Empire
      14. Let The Deep Bowl Thy Praise Confess
      15. Where Is The God Of Judah's Boasted Pow'r?
      16. Call All My Wise Men

      Tracks:

      1. A Singony (Allegro Postillions)
      2. Ye Sages! Welcome Always To Your King/Alas! Too Hard A Task The King Imposes
      3. Oh Misery! - Oh Terror! - Hopeless Grief!
      4. Oh King, Live For Ever!
      5. No! To Thyself Thy Trifles Be
      6. Yet, To Obey His Dread Command
      7. Oh Sentence To Severe!
      8. Oh God Of Truth! Oh Faithful Guide!
      9. You, Gobrias, Lead Directly To The Palace
      10. Oh Glorious Prince!
      11. Alternate Hopes And Fears
      12. Fain Would I Hope
      13. Can The Black Aethiop Change His Skin?
      14. My Hopes Revive
      15. Bel Boweth Down!
      16. I Thank, Thee, Sesach
      17. A Martial Symphony
      18. To Pow'e Immortal My First Thanks
      19. Be It Thy Care, Good Gobrias
      20. Great Victor, At Your Feet I Bow
      21. Say, Venerable Prophet
      22. Tell It Out Among The Heathen
      23. Yes, I Will Build Thy City
      24. I Will Magnify Thee

      Customer Reviews:

      5 out of 5 stars ISSUE RESOLVED ON THE EUPHRATES.......2005-06-19

      One question I might find among the more difficult in my life would be - which is my favourite Handel oratorio? I suspect that my answer would generally be 'the one I heard most recently', and that, as I write this, is Belshazzar. It is a magnificent thing, a heavenly thing. It has taken me longer than it should have to come to an appreciation of what makes Handel the phenomenon - as a genius, as an artist, as a craftsman - that he is, but I am comforted to reflect that no less a genius than Haydn, at the age of nearly 70 gaining a more thorough knowledge of Handel in performance, was driven to say that he felt a mere apprentice. In his sense of how to pace a dramatic narrative, in his instinct for how to use the human voice in song and above all in chorus, in the matchless flexibility and adroitness he displays at word-setting and in the audacity of his melodic and harmonic effects I can think of nobody who can approach Handel on his own terms.

      Belshazzar was not a great success at the box-office, although this may have had more to do with difficulties in the casting than because it was deemed insufficiently biblical for oratorio, which seems to have been the fate of Hercules. It seems to me to be perfectly well described as oratorio in other ways too, with (for one thing) the extensive use of the chorus that we find in, say, Samson but not in Hercules. The one passage that cries out for visual effects is of course the apparition of the moving finger itself. Even here the composer can go a long way with sheer power of suggestion, by the strange unaccompanied violin figure creeping upwards and the frightened brevity of the vocal numbers. Otherwise for me Belshazzar is as much an oratorio as Samson is. It has the same librettist too, the crusty and formidable Jennens, who had also collaborated with Handel on Saul and on Messiah itself. Jennens' full text is not provided, but I think if you read the synopsis first and then follow the work from the headlines to each number you will have no difficulty in catching the words, so clear is the enunciation by soloists and chorus alike. As usual, Handel was driven to make alterations to the score for practical reasons. He had been a little concerned about its length, roughly 2 hours and 50 minutes in this performance, but where he wishes to be expansive he gives us full measure - two arias in Act I scene 4 take well over 7 minutes each. The liner-essay (a good one, by Anthony Hicks) goes into the issue of the version of the score used here, and I personally have no problem with it.

      I have no faults to find with the performance in any way. Pinnock is an established specialist, the instruments are period instruments and vocal cadenzas at the end of the arias are kept minimal. Anthony Rolfe Johnson, James Bowman and David Wilson-Johnson are tried and trusted Handel singers and at their best here, and Nicolas Robertson and Richard Wistreich in the smaller parts are every bit as good. The part of Cyrus is a soprano part, taken by Catherine Robbin, and when I thought I heard just one touch of strain in `Destructive War' in the final scene she makes up for it instantly in her superb duet with Arleen Auger in the following number. Auger as Nitocris the mother of Belshazzar has the biggest part, and she covers herself with glory all the way through.

      The recording is perfect, and when I saw an aria entitled `Destructive War, thy limits know' near the end I felt a sharp sense of irony in the year 2005. Cyrus, Handel, Jennens, you should all have been living at this hour.

      3 out of 5 stars Enjoiyable, but lacking, too........2004-08-16

      This 3CD set of George Frederic Handel's (1685-1759) "Belshazzar", from Archiv Production, a division of Universal Music, is proof again that transfer from vinyl to tape to disc brings with it improvements in listening that make the purchase a worthwhile addition to anyone's listening library. Written in 1744, "Belshazzar" is an oratorio in the operatic style that is wonderful oratorio, but lacking the true depth one expects to hear in an opera. London opera audiences of Handel's day agreed, as both "Belshazzar" and Handel's other offering of the period in the same style, "Hercules", were not terribly successful. Instead of the scheduled 24 performances only 16 were given and Handel never offered a full season of oratorio again. The Libretto by Charles Jennens (1700-1773) is, as the production notes say, meant "not only to show the fall of Babylon but to show it as a fulfillment of divine prediction and to confirm the biblical testimony by reference to classical history." There's only one problem, as good a quality as the CDs are, it is not possible to follow the full libretto and the accompanying booklet includes no text, which is a shame. I think the listening experience would have been increased immeasurably if one was able to follow the text of what is being sung. Nonetheless the dramatic narrative is fluid and even, and the English Concert and Choir provide nice balance to the less full vocal passages, as in Disc 3s "Oh Glorious prince", cut 10. There is enough of this throughout to keep one's interest, but disappointing if what one expects is another ""Messiah".

      Music Info:

      1. Scarred for Life
      2. Schizophrenia
      3. Shades of God
      4. Sheer Greed [Original recording remastered]
      5. Sign of Truth
      6. Skid Row [Import]
      7. Slippery When Wet [Import]
      8. Spectrum of Death
      9. Steeler
      10. Strike Ten

      Music Info

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