Condemned
Condemned
Track Listings
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1. Alone
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2. Prepare Yourself
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3. Collapse Into Despair
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4. Defining Happiness
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5. Uncontrolled
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6. Condemned
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7. Eve of Salvation
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8. Stain
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9. Suffer
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Condemned,Confessor,Relativity,Alternative Metal,Doom Metal,Heavy Metal,Popular Music,Rock
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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- The Mahler Symphonies: An Owner's Manual (includes 1 CD)
- The Young Person's Guide to the Orchestra (Book & CD)
- What to Listen for in Music
- Study of Orchestration, Third Edition
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- ok
- Metal may be king, but your TRIPPIN>>>>
- How Much Screaming Can You Take?
- Maybe the best hardcore album ever made...
- Hard to Pin Down
|
Condemned To Suffer
All Out War
Manufacturer: Victory Records
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Hardcore
| Hardcore & Punk
| Alternative Rock
| Styles
| Music
Punk
| Hardcore & Punk
| Alternative Rock
| Styles
| Music
Indie Rock
| Indie & Lo-Fi
| Alternative Rock
| Styles
| Music
General
| Rock
| Styles
| Music
General
| Hard Rock & Metal
| Styles
| Music
General
| Alternative Rock
| Indie Music
| Stores
| Music
Metal
| Hard Rock & Metal
| Rock
| Indie Music
| Stores
| Music
Similar Items:
- For Those Who Were Crucified
- Assassins In The House Of God
- Pray for Death
- Killafornia
- As the Last Light Drains
ASIN: B0000DG015
Release Date: 2003-10-21 |
Tracks:
- Straight Toward Extinction
- Condemned to Suffer
- Bleeding the Weak free
- Heaven's Coming Down
- Two-Thousand Years
- From the Bottom
- Destined to Burn
- Pray for Salvation
- Hypocrites of the Revolution
- Vengeance for the Angels
- Rise of the Anti-Christ
- Gone Forever
Album Description
New York's ALL OUT WAR is a punishing display of the aggression of hardcore crossed with the brutality of metal while avoiding the shortcomings of both genres. To get a taste of ALL OUT WAR's musical style, envision Slayer's "Reign In Blood" colliding head on with "Age of Quarrel" era Cro-Mags. Two styles as different as they come, but ALL OUT WAR combines the two to form a Crossover attack unmatched by today's standards. While so many bands are creating a diluted mixture of Metal and Hardcore, ALL OUT WAR brings you their brand of Crossover in the tradition of bands like NUCLEAR ASSAULT, CRUMBSUCKERS, SUICIDAL TENDENCIES and S.O.D.. "Condemned To Suffer", their first record in five years, will once again solidify ALL OUT WAR's position as one of the most brutal bands - period. With their trademark social commentary on such diverse subjects as the Holocaust, ecocide and the degradation of the hard music scene, one will be hard pressed not to feel the effects of this record. "Condemned To Suffer" is destined to be a Crossover classic and the album that could very well bring the genre back to life.
Customer Reviews:
ok.......2006-03-20
ok cd, nothing significant about it either. Same ol brutal Metal that 1/2 a billion other bands are trying to do.
Metal may be king, but your TRIPPIN>>>>.......2005-07-17
You know, this disc transcendes the genre. It is SOOOO hard, yet Mike Scores vocals seem to be a bit crisper and more decipherable than their previous efforts. I LIKE an album that kicks your teeth down your throat and punches you in the gut like this one. If metal truly is king, than All Out War is the kings plunder. The new to All Out War crowd may want to start with (For those who were crucified). But if your want it hard, you got it here. Just know what your in for...
How Much Screaming Can You Take?.......2005-07-03
I bought this CD because it came with a sticker that said All Out War was similar to bands I started listening to in the 1980's, like Nuclear Assault. Was I in for a disappointment. Bands like Nuclear Assault were fast and heavy, but they also had a sense of dynamics in their sound. When you listened to a Nuclear Assault album, all of the songs sounded different. All of the songs on CONDEMNED TO SUFFER sound pretty much the same.
Musically, All Out War are similar to Slayer. Their vocalist - if you want to call him that - just screams at the top of his lungs on every songs. There's nothing dynamic in his approach. I was worn out after listening to six or seven songs.
True Crossover is C.O.C., D.R.I., the Crumbsuckers, the Cro-Mags, early Suicidal Tendencies, Sacrilege B.C., and S.O.D. All Out War doesn't come close to being anything like those bands.
Maybe the best hardcore album ever made..........2005-03-12
Call it "crossover," or whatever you want, but "Condemned to Suffer" is easily one of the best metal-influenced hardcore albums ever made, end of story. I've listened to it at least twice a week since it was released and it never gets old. It's brutal, but more importantly original. Buy it now!
Hard to Pin Down.......2004-11-03
This is definitely a brutal album. It's not the most brutal I've ever heard (see "Brutality is Law" by Severed Savior or "Dechristianize" by Vital Remains), but it does deliver a formidable aural assault that punishes the listener from the get-go and doesn't let up. If these guys are slotted into the genre of "metal-core," they certainly know their craft. They really slam the riffs and grooves home with unbridled ferocity and precision.
I say the album is hard to pin down because lyrically, it's all over the place. It comes off like a concept album akin to Cradle of Filth's "Damnation and a Day," although it's not nearly as sympathetic to The Devil character nor is it as poetic, for that matter. It's also isolated to the events of the book of Revelation, whereas "Damnation" covered the entire span of the world's biblical (and by that I mean MYTHICAL) past, present, and future. What makes it confusing are songs like "Two Thousand Years" which comes off like an indictment of religion and all the evil it has wrought in the world. But most of the other songs, such as "Rise of the Anti-Christ" seem to have a christian slant to them. Considering the imagery created by the lyrics and their throat-piercing delivery, it makes me wonder if these guys don't suffer from some sort of guilt-complex brought on by a strict baptist and/or catholic upbrining. And it's hard to nail down whether or not they're preaching, or simply trying to tell a story.
Depending on your beliefs, this cd might leave a bad taste in your mouth, you may love it, or as in my case, you may be left just scratching your head (after you've banged it, of course).
Average customer rating:
|
The Best of Condemned 84
Condemned 84
Manufacturer: 84 Records
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Punk
| Hardcore & Punk
| Alternative Rock
| Styles
| Music
British Punk
| Hardcore & Punk
| Alternative Rock
| Styles
| Music
Britain
| British Isles
| Europe
| International
| Styles
| Music
General
| Rock
| Styles
| Music
Rock
| Imports
| Stores
| Music
Similar Items:
- Amongst the Thugs
- Orders of the Day
ASIN: B0007RTAPM
Release Date: 2005-05-31 |
Tracks:
- Oi! Ain't Dead
- No Way In
- Battle
- Under Her Thumb
- Bootboys
- Up Yours
- Unite
- Psycho
- We're Gonna Win (Euro 96)
- Boots Go Marching In
- In Yer Face
- Keep the Faith
- Child Killers
- Feel the Fear
- Nutter
- Remember This
- When Saturday Comes
- Face the Aggression
- Skinheads
- Trouble
- We Will Never Die
Average customer rating:
|
Home Improvement for Condemned Buildings
Freelovebabies
Manufacturer: Rucksack Loveshack
ProductGroup: Music
Binding: Audio CD
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
ASIN: B000K2VDP4
Release Date: 2007-05-15 |
Album Description
2006 debut album from this band led by Will Carruthers, formerly of Spacemen 3, Spiritualized and Spectrum. The band consists of other former members of these bands, although not their leaders (Sonic Boom and Jason Pierce), which is what makes this album so cohesive and entertaining. Freelovebabies mix their love of '60s Rock and Psychedelia with echoes of their '90s output and create something entirely different. Carruthers is a great frontman freed from the shackles of his former bosses and soars as the main freelovebaby. Rucksack.
Average customer rating:
|
Music of the Federal Era
Manufacturer: New World Records
ProductGroup: Music
Binding: Audio CD
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Symphonies
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
Nostalgia
| Miscellaneous
| Styles
| Music
General
| Oldies
| Pop
| Styles
| Music
Classical
| Indie Music
| Stores
| Music
Similar Items:
- Music from Mid-19th Century America
- John Bray: The Indian Princess; Raynor Taylor: The Ethiop
- Music of the American Revolution: The Birth of Liberty
- The World Turned Upside Down
- Colonial America
ASIN: B0000030FY
Release Date: 1994-11-22 |
Tracks:
- Movement I
- Movement II
- Movement III
- The Silver Rain (Anonymous British)
- Alknomook, Or The Death Song Of The Cherokee Indians
- Six Imitations
- The Cypress Wreath (Sir Walter Scott)
- Movement I
- Movement II
- When Brazen Trumpets From Afar (Col. Simond's March)
- Turkish Quickstep (From The Battle Of Prague)
- Kennebec March
- March And Chorus 'She Is Condemned' (From The Voice Of Nature)(William Dunlap)
- Gov. Arnold's March
- Air
- First Grand March
- First Grand Minuet
- Jolley's March
- The President's March (Hail, Columbia)
Average customer rating:
- WHEN THE BOOTS-GO-MAR-CHING-IN
- this is POWER
- Oi!
- Skinhead Oi! at its best
|
The Boots Go Marching In
Condemned 84
Manufacturer: Gmm Records
ProductGroup: Music
Binding: Audio CD
Punk
| Hardcore & Punk
| Alternative Rock
| Styles
| Music
British Punk
| Hardcore & Punk
| Alternative Rock
| Styles
| Music
Britain
| British Isles
| Europe
| International
| Styles
| Music
General
| Rock
| Styles
| Music
Similar Items:
- Face the Aggression
- Amongst the Thugs
- Orders of the Day
ASIN: B00000AEIT
Release Date: 2001-06-05 |
Tracks:
- The Boots Go Marching In
- Up Yours
- We Will Never Die
- Kick Down The Doors
- Follow The Leader
- Nutter
- Oi Ain't Dead
- Under Her Thumb II
- Riot Squad
- Under Her Thumb I
- Lies
- Jimmy Davey
- Teenage Slag
Customer Reviews:
WHEN THE BOOTS-GO-MAR-CHING-IN.......2006-12-12
this album was very good, I enjoyed it quite a bit. definitely among my favorite oi! cd's. to me, this is an essential album if you're getting into oi and skinhead music. it's got everything that made british oi good. check it out!
this is POWER.......2001-07-09
WORDS CANNOT ALWAYS DESCRIBE THE EXCELLENCE OF CONDEMNED 84.
Oi!.......2000-06-11
Predecessor to the now classic "Face the Aggression" album. This is boot stomping music at it's best. A must for all skins and soccer fans.
Skinhead Oi! at its best.......1998-12-15
Pure British Oi! Hard-drving skinhead rock with a little right-wing political commentary thrown in there. Gotta love this CD. A must for any true skin or Oi! punk.
Average customer rating:
- Pure british, PURE OI!
- classic oi
- Classic Oi
- if you like Oi! you'll love this!
- DIE "Quasi"-Pflicht-Scheibe für alle Oi!`s.
|
Face the Aggression
Condemned 84
Manufacturer: Gmm Records
ProductGroup: Music
Binding: Audio CD
Punk
| Hardcore & Punk
| Alternative Rock
| Styles
| Music
British Punk
| Hardcore & Punk
| Alternative Rock
| Styles
| Music
Britain
| British Isles
| Europe
| International
| Styles
| Music
General
| Rock
| Styles
| Music
Similar Items:
- The Boots Go Marching In
- Cadence from the Street
- Orders of the Day
- Amongst the Thugs
ASIN: B00000AEIZ
Release Date: 2001-06-05 |
Tracks:
- Keep The Faith
- Blunt
- Face The Agression
- Our Time Will Come
- Warriors With Pride
- In The Gutter
- All Out Attack
- Bullshit
- Pride & The Pain
- Strength To Strength
- Land Of Hope And Glory
Customer Reviews:
Pure british, PURE OI!.......2000-11-04
The band that kept oi! alive in the eighties and new sold out the sound. This cd is a prime example of how these brits play a no-holds barred style which influences hundreds of great bands.
classic oi.......2000-06-11
No messing, classic 80's oi! standout tracks "Face the Aggression," and "All Out Attack." A must for all skins.
Classic Oi.......2000-06-11
No messing, classic oi! standout tracks "Face the Aggression," and "All Out Attack." A must for all skins.
if you like Oi! you'll love this!.......1999-11-06
Buy this c.d., if you like Oi!/Street punk then it is a must for your collection. my favorite songs on this are"Our time will come" and "All out attack"
DIE "Quasi"-Pflicht-Scheibe für alle Oi!`s........1999-07-27
So ziemlich das beste was jemals auf CD gepresst wurde. Absolute Pflicht für jeden Skin bzw. Oi!-Punk.
Average customer rating:
|
Marcel Dupré: Le Chemin de la Croix [Hybrid SACD]
Manufacturer: Cpo Records
ProductGroup: Music
Binding: Audio CD
General
| Dupré, Marcel
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Early Music
| Historical Periods
| Classical
| Styles
| Music
Sacred & Religious
| Early Music
| Historical Periods
| Classical
| Styles
| Music
| Requiems
Vocal & Song
| Early Music
| Historical Periods
| Classical
| Styles
| Music
| Requiems
General
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Chants
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
ASIN: B0007ORDR2
Release Date: 2005-03-22 |
Average customer rating:
|
Boots Go Marching in
ProductGroup: Music
Binding: Audio CD
Punk
| Hardcore & Punk
| Alternative Rock
| Styles
| Music
ASIN: B000253BHC
Release Date: 2003-06-03 |
Average customer rating:
- This album is one of my favorites!
- Oi's Finest
- England's Finest
|
Amongst the Thugs
Condemned 84
Manufacturer: Step 1 UK
ProductGroup: Music
Binding: Audio CD
Punk
| Hardcore & Punk
| Alternative Rock
| Styles
| Music
British Punk
| Hardcore & Punk
| Alternative Rock
| Styles
| Music
Britain
| British Isles
| Europe
| International
| Styles
| Music
General
| Rock
| Styles
| Music
Rock
| Imports
| Stores
| Music
Similar Items:
- Orders of the Day
- The Boots Go Marching In
- Face the Aggression
- The Best of Condemned 84
ASIN: B000051JTC
Release Date: 2006-03-15 |
Tracks:
- Remember This
- Amongst the Thugs
- Niteclub Animal
- Elite
- Child Killers
- Friend or Foe
- We Will Never Let You Down
- We Hate You
- Enemy Within
- Fat Boss Man
- Our Colors
Album Description
Originally released in '97 through Hammer records label. 11 tracks from the 80's Oi! heroes.
Customer Reviews:
This album is one of my favorites!.......2006-08-03
"We hate you" is one of their best. I says everything that all fag bahers think. I love that song. The entire album is cool. A true Oi! classic. A must have.
Oi's Finest.......2001-10-22
This is there best album by far! All there albums are great but this blew me away. I've seen these guys 3 times and there great. If you want any Oi album to your collection, add this to yours. DON'T BELEAVE THE RUMORS WHAT GMM RECORDS ARE SAYING ABOUT C-84
England's Finest.......2001-05-10
In the history of Oi! music, this album ranks among the very finest ever recorded. This is pure aggression straight from one of the loudest, proudest, meanest Oi! bands in England. Since the early 80s, Condemned 84 has been making ears bleed with their own brand of powerfully right-wing, no holds barred, relentless Oi! You should all get this!
Music Info:
- Das Modell [CD-single] [Import]
- Death Penalty [Import]
- Devine Religion [Import]
- Die Krupps II: The Final Option [Import]
- Dirty Deeds Done Dirt Cheap
- Dirty Deeds Done Dirt Cheap [Original recording remastered]
- Double Trouble
- Ezo [Import]
- Facing the Animal (Dig) [Original recording remastered] [Import]
- Feuer Frei [CD-single] [Import]
Music Info
music info
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Slavonic Dances Opp. 46 & 72
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