Loud Loud Loud [Import]

Loud Loud Loud [Import]

Track Listings

1. Foolin'

2. Loud, Loud, Loud

3. In Your Face

4. All over the World

5. Piece of the Action

6. I Don't Know Why

7. Ridin' Down the Highway

8. No No No

9. I Never Knew

10. I Can Hear Them Callin'

11. Appreciate

Tracks:

Stuck In The Saddle Again (Light Cavalry March, Suppe)
Sing Verdi Very Loud (La donna e mobile, from Rigoletto, Verdi)
Its The Same Every Verse (In The Hall of The Mountain King, from Peer Gynt Suite, Grieg)
Musical Bs (Hungarian Dance #5, Brahms)
Dont Play That Violin (Violin Concerto #2, Paganini)
Schuberts Trout (Trout Quintet, Schubert)
Dvorak The Czechoslovak (Humoresque #7, Dvorak)
A Fan of Chopin (Prelude 7, Op. 28, Chopin)
Please Do Not Tease The Viennese (Blue Danube Waltz, Strauss)
Its Spring! (Spring, from The Four Seasons, Vivaldi)
Wow What a Wedding Cake (Wedding March, from A Midsummer Nights Dream,. Mendelssohn)
Instrumental Performances:
Light Cavalry March, Suppe
La donna e mobile, from Rigoletto, Verdi (with vocals)
In The Hall of The Mountain King, from Peer Gynt Suite, Grieg
Hungarian Dance #5, Brahms
Violin Concerto #2, Paganini
Trout Quintet, Schubert
Humoresque #7, Dvorak
Prelude 7, Op. 28, Chopin
Blue Danube Waltz, Strauss
Spring, from The Four Seasons, Vivaldi

Amazon.com

From a pure-pleasure standpoint, the first Beethoven's Wig was nothing to flip over, and the second disc in the series follows suit. However, that is not to say that this is not a valuable and possibly ingenious record. Those unfamiliar with the premise will quickly get the picture: Producer/writer/lead singer/chief clever guy Richard Perlmutter gathers a bundle of important classical works (Paganini's "Violin Concerto #2," Strauss' "Blue Danube Waltz") and makes up silly, catchy lyrics to lay over them, informing the listener about the piece or its composer. Standing out for their offbeat brilliance this time are "Dvorak the Czechoslovak" ("Humoresque #7," Dvorak) and "Wow What a Wedding Cake" (Wedding March from A Midsummer Night's Dream, Mendelssohn). Few stabs at mixing education with entertainment succeed so well. As a bonus, the second half of the CD repeats the symphonies straight up, presenting a neat opportunity to quiz kids 5-12 on what and who they've just heard. --Tammy La Gorce

Customer Reviews:

Almost as wonderful as the first.......2007-08-02

We bought Beethoven's Wig 1 and loved it. My kids (ages 5 and 9) really enjoy listening over and over. Number 2 is almost as good. All of the songs are amusing and a couple are very funny. The lyrics are clever and do help you become familiar with composers and their music. I like that the pieces are played again in the second half without the lyrics. I highly recommend it for kids who enjoy music.

Greatest baby gift ever.......2007-03-15

Both of my grandchildren (and their parents and grandparents) are hooked on this CD and all of the silliness and beauty it brings into our lives. We sing to it, dance to it, and find ourselves thinking about it at odd times. Who can't love singing Verdi VERY LOUD? I've now started giving this as a simple baby gift, especially to those with older siblings. They are already equipped with clothing and nursery gear, and Beethoven's Wig invites the whole family to gather round...even if it is just on short car rides.

Great for the whole family.......2007-01-04

My husband, 18 month old daughter and I all love this CD. It's a staple in the car. One caveat- these lyrics will get stuck in your head and I now find myself singing the "words" to these songs when I hear them in a store or commercial! I'm hoping this means my daughter will recognize these songs as she gets older.

More Great Fun.......2006-03-13

Like the first volume, this CD encourages young children to enjoy classical music. The silly lyrics sometimes impart factual information on the composer or the piece. There are 11 sing-along symphonies and then the 11 symphonies are replayed without the lyrics--total of 22 tracks. Booklet with lyrics and trivia is included. All our children (aged 2-12) enjoy this CD, as do we.

One is better but this is still awesome!! Gotta have it!.......2006-01-10

My children loved Beethovens Wig 1. I checked this one out at the library. Then, we decided we had to have this one too.
Yes, one is the best but 2 is still wonderful.
Save yourself the shipping and order both at the same time.
We all thoroughly enjoy it. My 4 yr old can name these classicals when he hears them elsewhere and he can hum these beautiful songs. Much better than kiddie rhymes and Disney jingles. Culture your children the funniest way!!

Average customer rating:

Intelligent and musical fun.-
The Genius of Anna Russell
If you enjoy laughing..
Anna Russell strikes again!
Anna Russell is a SCREAM!

The Anna Russell Album

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Encore?
Anna Russell Again?
Anna Russell Takes On... Nabucco & The Magic Flute
Anna Russell - The (First) Farewell Concert
Anna Russell - Crown Princess of Musical Parody: Her Television Appearances 1964, 1976, 1977

ASIN: B0000027JD
Release Date: 1991-07-26

Tracks:

Introduction To The Concert (By the Women's Club President)
How to Write Your Own Gilbert And Sullivan Opera
Coloratura Aria 'Canto Dolciamente Pipo'
British - Pure But Dull: 'I Love The Spring'
Russian Folk Song: 'Da, Nyet, Da, Nyet'
For Loud Singers With No Brains: 'Ah, Lover!'
For Singers With Tremendous Artistry But No Voice: 'Schlumph; Je N'ai Pas La Plume De Ma Tante'
For The Dramatic Soprano: 'Schreechenrauf'
The Ring Of The Nibellungs (An Analysis)

Amazon.com

This set of Anna Russell's inspired satirical monologues should be labeled with a warning notice. Why? Because after listening to her whirlwind explication of Wagner's Ring Cycle, even the most confirmed Wagnerite will be unable to listen to the Ring for weeks to come. Just listening to Russell declare in an incredulous voice: "I'm not making this up, y'know" is enough to induce you to shed bucketloads of laughter-induced tears. Gilbert and Sullivan fans will find their heroes savaged in her concoction of a typical G&S product, complete with a soprano lead who "loves below her station." Other targets include "the nymphs and shepherds" style of quavery English singing, complete with "hey-nonny-nonny's," coloratura mad scenes, and much else, including Russian folk songs, like her "Da, nyet, da, nyet." This disc is packed with laughs, chuckles, smiles, and everything. --Dan Davis

Customer Reviews:

Intelligent and musical fun.-.......2007-01-13

Due to the recent passing away of the legenday Anna Russell I bought this record and certainly did not regret it.- Inspite of having been originally recorded in 1952 and 1953 the sound is very good.- Ms. Russell combines a great sense of humour with profound musical knowledge, a wonderful timing of her jokes, and the talent of a gifted and very musical singer.- She captures the essence of the German lied, the French mélodie, the efforts of a dramatic soprano to make herself heard over the huge Wagnerian orchestra, culminating in her famous, already classic, 22 minutes long analysis of Wagner's Ring of the Nibelungs.- I listened to this recording three times in a row and had great fun.- Only Victor Borge can be compared to her with respect to this rare combination of deep musicianship with a real gift for comedy.- If you don't know yet these numbers, don't hesitate - buy the record, you will not be sorry.-

The Genius of Anna Russell.......2006-03-15

If you love music, but are happy to see the funny side of even the great composers, then this album is for you. Anna Russell is a singer of note but a comedian of greatness. She finds the pivotal styles of composers and caricatures them to great effect. The explanations she gives of the basics of Gilbert and Sullivan comic operas and the way she dissects Wagners Ring Cycle bring tears to the eyes with laughter. I recommend this album to all music lovers with a twinkle in their eyes. Truly a great comic experience.

If you enjoy laughing.........2006-02-23

I love opera, but I also enjoy spoofs of opera. Anna Russell was a classic "spoofer" of operatic stories and conventions. Nobody does it better. My favorite on this album is her take-off on Wagner's "Ring."

This CD can probably also be enjoyed by those who have only a nodding acquaintance with opera, but may not be enjoyed by those who take opera with 100% seriousness.

Anna Russell strikes again!.......2005-10-14

I have heard all of these Anna Russell selections at one time or another, but having them all together in one place, and on a CD, is a real plus. She is absolutely riotously funny. I teach a course in "Introduction to opera" and use her segments on Gilbert and Sullivan and on the Ring Cycle in class, just to lighten things up a bit for the students.

Anna Russell is a SCREAM!.......2005-08-05

I've had the vinyl of this album for over 20 years; the CD purchase was to update my system. For anyone who loves classical vocal music, and in particular the Wagner Ring Cycle and Gilbert and Sullivan, this album is a MUST. You will split your sides laughing; Ms. Russell is so very accurate in her comedy. Also, truth to tell, her Ring synopsis gave me, a newcomer to Wagner (years ago) a solid understanding of the musical plot and story line.

Average customer rating:

*A good buy*
Niiice
Bloody and bruising and fun
know the feeling of eating too much sour candy?
From pub rock to stadium schlock...

Sing Loud, Sing Proud
Dropkick Murphys
Manufacturer: Hellcat Records
ProductGroup: Music
Binding: Audio CD

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Do or Die
The Warrior's Code
Blackout
The Gang's All Here
The Singles Collection

ASIN: B0000584TY
Release Date: 2001-02-06

Tracks:

For Boston
The Legend of Fin MacCumhail
Which Side Are You On?
The Rocky Road to Dublin
Heroes From Our Past
Forever
The Gauntlet
Good Rats
The New American Way
The Torch
The Fortunes of War
A Few Good Men
Ramble and Roll
Caps and Bottles
The Wild Rover
The Spicey McHaggis Jig

Amazon.com

Though possessing a heavy-duty indie history featuring such luminaries as the Pixies, Mission of Burma, and Throwing Muses, Boston is also famed for its booze-sodden Irish exile rock. And the Dropkick Murphys--clearly influenced by the Pogues at their most uproarious--are the cream of the present crop. Yet this is not simple jigging traditionalism. Despite employing bagpipes, mandolins, and tin whistles to add Celtic flavor to their sound, these guys are full-blown punks, harking back to the immediate post-Pistols era of the Angelic Upstarts. The riffs here are fast, heavy, and purposefully uncomplicated. The vocals are an impassioned gabble, usually building to terrace chants, while the lyrics are consumed by the plight of the working class in modern-day America and the need to keep a tight grip on Irish history. The Pogues' Shane MacGowan contributes a garbled but charismatic rap on the racy "Good Rats." The Murphys are also capable of heartfelt acoustic numbers, as evinced by the melancholic and impressively melodic "The Torch." --Amazon.co.uk

Album Details

New Album from the Boston Punk Band which Sees them Touch Folk in a Pogues Style Whilst Still Incorporating their Street Punk Style. The Miraculously Still Alive Ex-pogue Shane Macgowan Guests on the Song 'good Rats'.

Customer Reviews:

*A good buy*.......2007-03-30

Its a great CD. I play it all the time. Definitely a must buy

Niiice.......2006-08-09

What an awesome cd... i bought a flogging molly cd as well but dropkick murphy's are better by FAR!!

Bloody and bruising and fun.......2005-10-15

As I write this review, I'm still nursing myriad bruises and minor injuries from spending the entire Dropkick show in the pit two days ago. This band is one of the rare few that's just as good live, not to mention an incredible amount of fun.

I have owned four copies of "Sing Loud, Sing Proud" and given them all away. I ought to start buying it in bulk. When I try to describe Dropkick to the uninitiated, I end up with "They're an Irish punk band outta Boston." But that doesn't come close to covering their unique energy and hard-core yet feelgood sound.

At their show, I made friends with a bunch of guys in their forties wearing Boston ballcaps, a punker couple in their early twenties, and people of all other ages and tastes. Loving Dropkick transcends all else, really - they're like a cult without the Koolaid.

Buy this album, memorize this album, play this album while partying, drinking, fighting, and everything else. It's a very good soundtrack to one's life. Enjoy.

know the feeling of eating too much sour candy?.......2005-07-11

thats exactly how this album feels! you know, some irish songs and influences are good, but this is ridiculous. when 95% of your lyrical content is irish at least keep it interesting.(spicy mchaggis jig??? what the....?) so i say if your even interested in this cd or something 95% irish, get drunken lullabies or swagger by flogging molly instead, if you dont already have them. id also recommend the new murphys cd "the warriors code" if you want faster irish music done good. i give it 2 stars because its not nearly as bad as some of the other stuff out there. oh yeah rocky road to dublin kicks arse....thats about the only reason to even put this cd on. easily the worst DKM album

From pub rock to stadium schlock..........2005-05-10

Disappointed in this one. Too much noise and not enough punk guitars pounding. I'd say to the Murphys: please leave the "anthems" up to the Pogues. Get DO OR DIE instead.

Average customer rating:

WOW!
Despite the consensus, actually a hair better than the last
devoid of the Talking Heads and The Clean clichés.
A step back.
Brilliant

Some Loud Thunder
Clap Your Hands Say Yeah
Manufacturer: Clap Your Hands Say
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

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We Were Dead Before the Ship Even Sank
The Good, the Bad & the Queen
Hissing Fauna, Are You the Destroyer?
The Crane Wife
Sound of Silver

ASIN: B000LPR4YY
Release Date: 2007-01-30

Tracks:

Some Loud Thunder
Emily Jean Stock
Mama, Won't You Keep Them Castles in the Air and Burning?
Love Song No. 7
Satan Said Dance
Upon Encountering the Crippled Elephant
Goodbye to Mother and the Cove
Arm and Hammer
Yankee Go Home
Underwater (You and Me)
Five Easy Pieces

Album Description

Clap Your Hands Say Yeah decided not to wait the perfunctory two years in between records to release their sophomore effort "Some Loud Thunder," but to to release it as soon as it was ready. Eager to prove there's more to the band than just a business story, "Some Loud Thunder" demonstrates just how far this band has come since the release of their debut. This is not CYHSY Part II - this is a departure record, a record that will stand the test of time and critics alike.

Customer Reviews:

WOW!.......2007-07-26

What to say? This band is one of my greatest discoveries in the brilliant worl of music. Playful and able to feel happy even if you sad. It is immpossible to write about it. You have to listen to it not to write about it! And then you will see.... :)

Despite the consensus, actually a hair better than the last.......2007-07-05

The second album for the indie heroes from Brooklyn/Philadelphia was received rather tepidly by most critics and audiences...and I can't understand why. In fact, Some Loud Thunder is by far a more consistent and engaging effort than their self-titled debut. The only potential flaw is the lack of truly great individual songs; nothing on here approaches the greatness of "Details of the War" or "The Skin of My Yellow Country Teeth." But there's also no "Clap Your Hands," either, even though some have complained about the so-called ugly distortion on the opener of this set (personally, I liked it as an intro quite a bit).

But who can resist the wonderful refrain lines of "Yankee Go Home," or the eccentric 60s pop of "Emily Jean Stock," or the goofy dance junk of "Satan Said Dance?" Apparently, more than I would have expected. Even the most oddball and offbeat moments have charm and style: "Arm and Hammer" is a positively wonderful little throwaway. True, the energy has waned a bit on this album, and the overall tone is more dark and atmospheric, but those are the sorts of changes that turn good singles bands into good album bands. Clap Your Hands Say Yeah will never be considered a singles band, but after the low points of their debut, it seems that they're now maturing towards more cohesive records in the future. Good for them.

Best cuts: "Yankee Go Home," "Emily Jean Stock," "Love Song No. 7," "Satan Said Dance," "Underwater (You and Me)," "Mama, Won't You Keep Those Castles in the Air and Burning," "Arm and Hammer," "Some Loud Thunder," "Goodbye to the Mother and the Cove"

devoid of the Talking Heads and The Clean clichés........2007-06-28

Other than the (intentional) faux pas with the distorted first track, I prefer this CD to their first one. With the exception of the rapidly strummed guitar on "Satan Said Dance" it is devoid of the Talking Heads and The Clean clichés. This album has a folk feel to it (in the mode of Beirut) along with slightly more adventurous moments that shakes the overall slightly saccharin pop ambiance of the initial release.

A step back........2007-05-16

Now that I've listened to this album a few more times I'd probably put it on par with the first one. I didn't like it much at first but after a few listens it really grew on me. I still hate the distortion and random noise that are present in a few of the songs but aside from that it's all good. Definitely sounds different than the first album, which is probably why I didn't like it initially, but it's still amazing nonetheless. I know it says 3 stars but if I could change to it 5 I would. Here's my original comments on the album:

If their first album earns a five star rating, and I think it does, then this second effort is nothing more than a three. It's not terrible, but it's simply not as good as their first album. The distortion sounds like absolute crap. I don't care if it was an artistic choice or whatever, the fact remains that it makes the song hard to listen to. It's noise not music. Then just when you get into the second song and think perhaps it was just a bunch of dicking around on the opening track they throw a bunch of noise into the instrumental portions of the song between the verses. It sounds like someone just randomly banging on a drum(and I'm sure that's exactly what it is). How they listened to this and thought it sounded good is beyond me.

But it's not all bad. Thankfully they didn't mess up the entire album with terrible "artistic choices". There's some good stuff on the album and anybody that was a fan of the first should find something to like here as well. Definitely pick it up if your a fan but don't expect to like it as much as the first album because you won't. It's just not as good.

Brilliant.......2007-05-05

This album is brilliant. Yea, the sound is a little distorted/weird on the first song, but don't let that stop you--it's like listening to a far away radio station late at night. But other than that one song--which is actually a great song-- the sound is OK. These guys are brilliant. Don't shy away from this CD.

Back to Tulsa: Live and Loud at Cain's Ballroom

Average customer rating:

Jesse
Great Collection of My Favorites
Cross Canadian Ragweed
Simply the Best
Rock and Roll is alive and well

Back to Tulsa: Live and Loud at Cain's Ballroom
Cross Canadian Ragweed
Manufacturer: Universal South
ProductGroup: Music
Binding: Audio CD

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Back to Tulsa: Live and Loud at Cain's Ballroom
Reckless Kelly Was Here
The Bourbon Legend
Garage
Cross Canadian Ragweed

ASIN: B000J2344S
Release Date: 2006-10-31

Tracks:

Dimebag
Number
Lonely Girl
Late Last Night
Final Curtain
Sister
Constantly
Don't Need You
Fightin' For
When It All Goes Down
Anywhere But Here
Daddy's At Home
The Needle And The Damage Done
When Will It End
Back Around
Brooklyn Kid

Tracks:

Cold Hearted Woman
Jimmy And Annie
Wanna Rock & Roll
17
Hammer Down
Alabama
Blues For You
Lonely Feeling

Customer Reviews:

Jesse.......2007-05-13

What can you say about CCR. Absolutly amazing. I own over 40,000 songs and this is one of my top 5 bands being that they are so original and you can tell they love their music. I love punk rock, grunge, and classic rock and these guys really are in their own genre. I love their remake of "Wanna rock'n'roll" This is really the CD you need to check out if you haven't heard these guys before... Its just to bad there is no "Boys from Oklahoma" ...

Great Collection of My Favorites.......2007-02-15

This double disc live CD includes all my favorite CCR songs, and also pulls up some of their friends to sing with them. Unlike most live CD's there is not a lot of talking, just a lot of great music. This live compilation is a vital for all CCR fans.

Cross Canadian Ragweed.......2007-01-10

If you like Cross Canadian Ragweed, buy this cd. It is a two disc set, with mostly previously recorded tracks, but also some new ones. We are really enjoying it!

Simply the Best.......2006-12-10

Finding out where some of the songs came from (inspiration) was great! I hope everyone read the thank yous...that was just as great as the cd itself. These guys and their families are some of the best people.

Rock and Roll is alive and well.......2006-12-06

If you think the days of true rock and roll are dead and gone, check out this CD. As someone who can barely stand to listen to rock radio anymore, Ragweed is a welcome sign that good music is still being made, whether the mainstream wants us to hear it or not. Cody Canada has really turned into a shredder on the electric guitar, and this CD is worth buying just for the sake of listening to his solos. Canada's playing makes Robert Earl Keen's "Lonely Feeling" into one of the most powerful rock ballads I've heard. All of the tracks show off the skills of this band, and it's amazing how far they have come since "Live at the Wormy Dog" (which is another great CD if you want to hear the early days). The last few songs on the first CD are acoustic, which gives you a chance to hear a side of Ragweed that you maybe haven't heard before. Canada's cover of Neil Young's "Needle and the Damage Done" really shows off his voice and acoustic guitar skills.

If I have one complaint about this CD, it might be that the CD is a true live CD (no remixing), and sometimes it's hard to hear the awesome musicianship or Canada's vocals over the noise of the crowd. A lot of people will probably love it for the same reason though. All in all, anyone who loves good old fashioned rock and roll will love this CD.

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
The Mahler Symphonies: An Owner's Manual (includes 1 CD)
The Young Person's Guide to the Orchestra (Book & CD)
What to Listen for in Music
Study of Orchestration, Third Edition

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Lush Life - Queen Latifah
Give Me Something Real - Clark Anderson
Goin' Out Of My Head - Queen Latifah
At Last - Etta James
If You Love Me - Brownstone
Be Anything (But Be Mine) - Queen Latifah
They Can't Take That Away From Me - Danny DeVito
Born To Be Blue - Mel Torme
You're Nobody 'Til Somebody Loves You - Dean Martin
Low Key Lightly - George Fenton
Hot Fun In The Summertime - Sly & The Family Stone
She's 34 - George Fenton
I'm The Gutter Type - George Fenton
Ecstasy - George Fenton
Okay To You Paying My Debts - George Fenton

Amazon.com

The burning question for this soundtrack is, Can rapper Queen Latifah handle the vocal demands a Pearl Bailey-ish character singing standards by Billy Strayhorn, Irving Gordon, and Randazzo & Weinstein? The answer is yes. Her rendering of Strayhorn's "Lush Life" is particularly pleasant, and is produced and arranged beautifully by Mervyn Warren, who did most of the work on the album. Danny DeVito takes a stab at the Gershwins' "They Can't Take That Away from Me" and delivers it adequately, with a touch of charm. The disc also includes originals by Sly & the Family Stone, Dean Martin, and Mel Tormé. The only drawback is the slightly Muzak-like smooth-jazz score by George Fenton, presented in snippets at the end. --Aaron Tassano

Customer Reviews:

L-O-L Soundtrack.......2007-06-29

If you love the movie this soundtrack is a must have. I'm listening to the CD right now. If you enjoy cool jazz and smooth vocals you will not be disappointed.

This is a great soundtrack.......2007-01-28

This is a little known but good movie with a great soundtrack. Queen should put out a CD of american standards and blues. The instrumentals are great and you get to hear wonderful classics from Dean Martin and Mel Torme. A little something for everyone. If you love me is a really good dance song. I love this CD.

Yes 5 stars.......2006-10-02

If you like jazz and easy listening this album is for you. And who really blew me away was Queen Latifa. I had no idea she could sing like that. She should be doing more jazz songs, she has such a pure voice. I play this over and over in my car I can't get enough. She's up there with Lena Horne in my book. Also, Danny DeVito sings on this, too, he is not a singer but it works! Enjoy!

Mediocrity at it's Best...........2005-03-06

It's beyond me how people can give this cd 4 and 5 stars and not mention the great Etta James, Mel Torme, or Dean Martin in favor of the greatest mediocricy since oleo became margarine: Queen Latifah. If it weren't for the aforementioned superstars and Brownstone, this cd would be as exciting to listen to as watching paint dry. I know Latifah is all popular and things, but has musical taste gone out the window?? She is NO Pearl Bailey and that comparison is growing thinner than Oprah! Latifah's singing at best is on the high end of karaoke. Now, I really like to see the Queen acting it up all over the screen, she does have talent. And I'm not hating, but there's no way in heck the Queens vocals help this cd along. Sure, the songs here are better than her solo effort of jazz standards, but they do not stand out by any stretch of the imagination. Oy!!

Awesome!.......2004-10-16

Queen Latifah as Liz Bailey I think didn't get as much play as it should have. "Lush Life" is magnificent and it has everything to do with the confidence and also vulnerability her voice displays. Brownstone's "If You Love Me" was played at the most magical scene in the film. Judith taking that ecstacy hit and then dancing in unison in that sensual Sapphic dance put you at "The Confessional". One of the greatest scenes in cinema.

Average customer rating:

Punk classic
Dead but not forgotten
doesn't get enough credit
YESSSS
Some say

Young Loud & Snotty
The Dead Boys
Manufacturer: Sire / London/Rhino
ProductGroup: Music
Binding: Audio CD

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Punk | Hardcore & Punk | Alternative Rock | Styles | Music

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L.A.M.F.: The Lost '77 Mixes
We Have Come for Your Children
New York Dolls
Damned Damned Damned
The Dictators Go Girl Crazy!

ASIN: B000005JBF
Release Date: 1992-07-14

Tracks:

Sonic Reducer
All This And More
What Love Is
Not Anymore
Ain't Nothin' To Do
Caught With The Meat In Your Mouth
Hey Little Girl
I Need Lunch
High Tension Wire
Down In Flames
Not Anymore/Ain't Nothin' To Do (Medley)

Album Description

Their debut and their best from 1977 from Stiv and the boys. Includes 'Sonic Reducer' & I Need Lunch'.

Customer Reviews:

Punk classic.......2007-05-20

This album is a combination of punk rock, proto-punk, and pop punk. They have the bad attitude vocals in the bag (Stiv Bators was a damn snotty vocalist indeed), along with the energetic punk rock riffs, some pretty good leads, though some songs are slower and far less punk than they are pop. Regardless of that, the songwriting is pretty solid, and the execution is precise, so it's definitely the result of hard work by actual musicians, not just pissed off teens jamming for the first time in their parents' basements. Lyrics are politically incorrect and often resemble a frustrated attitude towards girls, which more of us than admit it can relate to.
This is one of the pillars of classic punk rock, so you should get familiar with it if you want a more complete understanding of what punk music was all about in its heyday.

Dead but not forgotten.......2006-12-29

The Dead Boys' debut album was a strong dose of classic snot-nosed punk - but this album brings you the very rawest and best alternative takes. It's like listening to a new album, and a good argument can be made that veteran punk fans will find this version even more powerful and appealing than the original. It's like having an indie version of a classic studio album, and in many cases the tunes are more powerful and immediate.

doesn't get enough credit.......2006-09-11

Stiv Bators was a wild man yet this was a real band, a lot more real then their Brittish contemporaries The Sex Pistols. This is always described as gut wrenching but I think this is simply hard driving rock and roll.

YESSSS.......2006-07-14

This is sooooooooooo good.

Possibly my favorite 70s punk album.

This is the real deal.

Definetly a forerunner of Hardcore.

Some say.......2006-02-20

Some say the Dead Boys are overrated but i don't think so this is a classic release if your new to them check this one out and also night of the living dead boys.

Average customer rating:

A favorite...
Truly kings of convenience, and my personal favorites.
Beautiful and Original
acoustic alchemy
Kings of Convenience

Quiet Is the New Loud
Kings of Convenience
Manufacturer: Astralwerks
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Riot on an Empty Street
Versus
Unrest
DJ-Kicks
Let It Die

ASIN: B000056MYN
Release Date: 2001-03-06

Tracks:

Winning A Battle, Losing The War
Toxic Girl
Singing Softly To Me
I Don't Know What I Can Save You From
Failure
The Weight Of My Words
The Girl From Back Then
Leaning Against The Wall
Little Kids
Summer On The Westhill
The Passenger
Parallel Lines

Amazon.com

Although Kings of Convenience are keen to play down any blatantly self-evident similarities to Nick Drake, Simon and Garfunkel, and Belle and Sebastian, the winsome and placidity-favoring Norwegian duo of Erlend Oye and Eirik Glambek Boe have probably already got the subway buskers of tomorrow lining up to lend an ear. Studentlike in appearance (one of them has a duffel coat and John Major specs) and unashamed to softly impart such nonrock lyrics as "put the kettle on" and "using The Guardian as a shield to cover my thighs against the rain," the weightless and airy acoustic guitar muse of Quiet Is the New Loud isn't a million miles from Radiohead's "Nice Dream" or Pink Floyd's "If" with a subliminal swish of bossa-nova rhythm. A contentedly purring cello, a plaintive touch of piano, and the muffled sound of a trumpet add necessary sonic depth, and the results are as pleasant and civilized as a little light conversation over tea in the drawing room. But what a shame they chose to name themselves after a lavatory. --Kevin Maidment

Album Description

Recently signed by the UK office of Parisian label Source (Air,Phoenix), Kings Of Convenience are Erik Glambek Boe and Erland Oye from Bergen, Norway. Favoring simplicity and melody over big production, they write emotive, intimate music that will connect instantly with fans of Nick Drake and Belle and Sebastian. Standard jewel case. 2001 release.

Customer Reviews:

A favorite..........2006-12-21

"Quiet is the New Loud" was my first exposure to the Kings of Convenience. A few summers ago I was subletting a room in Iowa City, and found the disc carelessly left out and exposed on top of the stereo. As a music director in college I am familiar with various record labels and the general quality of music they tend to release. So it's no surprise that I immediately noticed the Astralwerks logo on the bare CD. For those of you unfamiliar with the label, they've published the music of great bands such as: Phoenix, Sondre Lerche, Air, and many others. I was later excited to learn that somehow I had overlooked the fact that Erlend Øye-- front man for Kings of Convenience-- was also the mastermind behind the DJ Kicks album and his solo dance-tronica debut "Unrest", which was host to some great guest collaborations including Prefuse 73.

Naturally I was curious and so I popped the CD in, expecting to hear some kind of electronica or IDM. This was during the day and I was trying to get myself motivated to be productive. I must say I was disappointed upon first listen. Here was these two Norwegian guys, singing soft melodies about the future, experiences, people, etc, and I couldn't wrap my head around it, and it certainly wasn't getting me up moving around. I decided to give it a second listen later that evening while relaxing with a book.

And then I fell in love.

This is a beautifully complex album. By the second listen, I was hooked. Each time I hear it, I pick up new subtleties, and the album itself is produced in such a way that the tracks really transition seamlessly into one experience. The songs can stand alone, but the album is really best enjoyed in one listen.

This album is especially refreshing amidst today's pop music, chock full of fashion-whoring, emo kids, pop-punkers who've lost touch with their roots (The Clash, Ramones, Sex Pistols), boy bands... and all of the other over-produced garbage that floods our senses out there. To find something so simple that it can be enjoyed effortlessly, but still so intricate that it's good through and through and time after time is exceptional. It's a rare album these days that you will find yourself wanting to play straight through from first track to last. I can only think of a few that come to mind ("OK Computer" being one of them).

This is a thinker's album. Great for Sunday mornings in bed, relaxing with books or crossword puzzles, or just general lazing around. Whenever I play this album for a friend, it's an immediate hit.

Recommended if you like: Simon and Garfunkel, Phoenix, Nick Drake, Belle and Sebastian, Yo La Tengo, L'Altra, the One AM Radio, Ben & Jason, the American Analog Set.

Truly kings of convenience, and my personal favorites........2006-10-31

As a music producer myself, I've turned wholeheartedly to Kings of Convenience for inspiration over the last few years. Seeing their video "Misread" on TV while on a trip to Italy started it all. The only album available to me at the time was Quiet is the New Loud ("Misread" is on their second album, "Riot on an Empty Street"), their first album, and I thought I'd give it a shot. Off the plane from Milan, I dug in and became a fan over the next week. Here were two guys (similar to me in appearance/demeanor) from Norway performing what should be a rather dated style of acoustic music, but doing it with such relevance, rhythm and soul that I was hooked instantly. The bossanova elements and convenient chordal progressions on "Quiet is the New Loud" are modestly produced yet accented perfectly by the vocal harmonies of Eirik and Erland, two casual Norwegian pals in their early thirties. Comparisons to other 'similar' groups don't hold much water as I've tried to find similar artists (hungry for more!) and haven't found the same exotic quality in any other to date.

Other Guitarists have created somewhat complex tablature for their songs but often overlook obvious ways of playing their songs rather credibly; Truly "Kings of Convenience," this duo often find the easiest yet most fulfilling way of performing their progressions, revitalizing acoustic guitar music with layers of understated strumming, fingerpicking, and soft Gilberto-esque vocals. Understated is the key word here; nothing about KOC is over the top. And the sheer simplicity (a phrase used in their second album in harmony with guest vocalist Feist) of their songs is deceiving. These two know how to play guitar but they want you to pay more attention to the emotion than the production.

While some may take the softness of KOC's music at face value, it is important to look past it to an almost ironic strength hidden in the layers. Very rarely do such beautifully blended melodies offer this level of relevance, carried between the notes in the tone of the voice and the words they sing. I've never been much of a fan of acoustic guitar but Kings of Convenience speak to me as a peer. Their songs are easy to remember, fun to play, and packed with subtleties that will keep your musical tastebuds busy for a very, very long time.

Quiet is the New Loud and KOC's second album (Riot on an Empty Street) hold a joint slot in my top 10 favorite albums of all time. And I can't say that for any other folk/acoustic group. Buy this album; you won't regret it.

Beautiful and Original.......2006-05-27

Firstly I would like to disagree, with both amazon and some of the other reviewers on here claiming their sound to be unoriginal and comparable to Belle & Sebastian. I have an enormous music collection that is beyond excessive and yet I have declared Kings of Convenience as my favorite band of all; and rightly so with the most play counts in iTunes. I never write music reviews, but I've made an exception for this.

No matter what mood I'm in Kings of Convenience feels right. Whether going to sleep, feeling low, chilling with friends, or doing homework it doesn't matter, once you put their album on you are automatically in a relaxed and reflective mood. You will think of past loves, you will think of your cat, curled up in a ball on the couch, you will think of happy times, sad times, you will think of how much longer that candle will burn for, you will think.

Now I do not say all this out of a biased worship, I am simply sharing my own personal experience with this music, everyday I listen to new music, and I have yet to find anything comparable. It may take a while to grow on you, but once you realize what you've been missing, you too will be glad you added it to your collection.

Out of all three albums my favorite is "Quiet is the New Loud", and if you do become a fan the "Versus" cd is a must, while I didn't appreciate it at first it is essential and actually quite good after a few listens.

acoustic alchemy.......2006-03-13

From the guitar intro and vocals of 'Winning A Battle, Losing The War' from their debut album 'Quiet Is The New Loud', I knew Kings Of Convenience was the band for me. I haven't listened to a record this good since Belle & Sebastian's first 3 recordings, and that's saying a lot. Jangly, acoustic folk guitars combined with heartfelt lyrics delivered from angelic, fey vocals are the perfect formula for Erlend Oye and Eirik Boe. Think early Red House Painters or Simon & Garfunkel circa 'Bookends.'

'Quiet' is filled with both slow and upbeat tempo tracks, with some of them accompanied by drums, piano, electric guitar and muted trumpet. 'Toxic Girl' is a good example of upbeat and 'Leaning Against The Wall' has a Brazilian vibe to it, but by way of Norway. However, it's the 'quiet' tracks that pull the listener in. Probably the best example would be the last track, 'Parallel Lines'. The way that Eirik Boe sings the lyric 'I awake in tangled covers/to a sash of snow, you dream in a cartoon garden,/I could never know' evokes an image of him waking up to the beauty of some snow-covered landscape on a white Norwegian morning as his significant other continues to slumber and dream on without him. It's beautiful songwriting that you just don't find anymore in today's music , sorry to say.

If you're looking for a record to relax to, to write in your journal to, to sip a cup of coffee to, to listen to on those long rides home, or to even reflect upon, then listen to 'Quiet Is The New Loud' by Kings Of Convenience. You won't go wrong.

Kings of Convenience.......2006-02-28

A work of art that will be in my speakers for years to come.

Average customer rating:

SONG LIST
Live and Loud at Billy Bobs
Cross just being Cross
Cross Canadian Ragweed
100 Stars!

Live & Loud at Billy Bob's Texas
Cross Canadian Ragweed
Manufacturer: Smith Music Group
ProductGroup: Music
Binding: Audio CD

Alt-Country & Americana | Country | Styles | Music

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Cross Canadian Ragweed
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ASIN: B00006FIAQ
Release Date: 2002-07-09

Customer Reviews:

SONG LIST.......2007-06-20

1. LONG WAY HOME
2. 42 MILES
3. HEY HEY
4. ON YOUR OWN
5. RUN TO ME
6. LOOK AT ME
7. TIME TO MOVE ON
8. CRAZY EDDIE'S LAST HURRAH
9. MEXICAN SKY
10. IF I WERE PRESIDENT
11. ALRIGHT
12. JOHNNY'S SONG
13. BANG MY HEAD
14. CARNEY MAN
15. BOYS FROM OKLAHOMA

Live and Loud at Billy Bobs.......2007-01-05

Good album. Got it for 1 song and liked most of the album.

Cross just being Cross.......2005-04-11

If you like any sort of Texas Country, this is the album/band for you. Cross is one of the best bands to see live and have amazing energy and lyrics you can't help but love! This album captures just how amazing a live show from Cody and the boys truely is. All the other reviews are true with each song, but the one song they all miss is "Crazy Eddie's Last Hurrah". This song is AWESOME! It starts with Cody sayin' ,"this is a song about killin' a woman because she pisses you off!" Its a great song to dedicate to any woman who has done you wrong! Gotta give 'The Boys From Oklahoma' props on more great work!

Cross Canadian Ragweed.......2004-11-09

A friend from Texas introduced me to this band... Fell in love with them!!!!! Alabama was the first song I heard and loved it!!! Its the best IMO!!!!!! Cant go wrong with this band!!! Wish you had more stars to give to this band.

100 Stars!.......2004-07-23

ALL cd's by Cross Canadian Ragweed are Excellent and worth more than 5 stars!.. If you are unfamiliar, I would suggest and reccomend getting all of them a listen!

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