Ozzmosis [Original recording remastered] [Import]
![Ozzmosis [Original recording remastered] [Import]](http://images.amazon.com/images/P/B00006IIFO.01.MZZZZZZZ.jpg)
Ozzmosis [Original recording remastered] [Import]
Track Listings
|
|
|
1. Perry Mason
|
|
2. I Just Want You
|
|
3. Ghost Behind My Eyes
|
|
4. Thunder Underground
|
|
5. See You On The Other Side
|
|
6. Tomorrow
|
|
7. Denial
|
|
8. My Little Man
|
|
9. My Jekyll Doesn't Hide
|
|
10. Old L.A. Tonight
|
|
11. Whole World's Fallin' Down
|
|
12. Aimee
|
Ozzmosis,Ozzy Osbourne,Sony/Columbia,Heavy Metal
Average customer rating:
- ozzy's in the house
- Ozzy Osbourne's project album with all-stars...
- Why are there ANY bad reviews???
- "F" ING HARDCORE!!
- lacks variety, but an excellently crafted and powerful album
|
Ozzmosis
Ozzy Osbourne
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
 Britain
| British Isles
| Europe
| International
| Styles
| Music
General
| Rock
| Styles
| Music
British Metal
| Hard Rock & Metal
| Styles
| Music
General
| Hard Rock & Metal
| Styles
| Music
Hard Rock
| Hard Rock & Metal
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Album-Oriented Rock (AOR)
| Classic Rock
| Styles
| Music
Similar Items:
- Down to Earth
- No More Tears
- No Rest for the Wicked (Exp)
- Bark at the Moon
- The Ultimate Sin
ASIN: B000002B3Q
Release Date: 1995-10-24 |
Tracks:
- Perry Mason
- I Just Want You
- Ghost Behind My Eyes
- Thunder Underground
- See You On The Other Side
- Tomorrow
- Denial
- My Little Man
- My Jekyll Doesn't Hide
- Old L.A. Tonight
Customer Reviews:
ozzy's in the house.......2007-07-10
This is one of ozzy's best w/zak.great production,great songs.Need I say
more?see you on the other side.
Ozzy Osbourne's project album with all-stars..........2007-07-03
After Ozzy Osbourne's supposed retirement with 1991's No More Tears, he decided to make a comeback, enlisting the services of a host of songwriters, and thus rendering Ozzmosis his most project-like offering of his career. The songs on this album were penned by a number of musicians, all with totally different backgrounds; and therefore, they sound quite unlike Osbourne's other solo records, both musically and sonically.
Ozzmosis is a sound cosmos primarily driven by producer Michael Beinhorn, known for his diverse work with artists like Red Hot Chili Peppers, Soul Asylum, Korn, and Soundgarden. While the album still involves the skills of Ozzy's long-time axeman Zakk Wylde, a good portion of his work has been treated to a more modern-conscious sound dynamic, often culminating in effect-laden passages. From the hugely successful power ballad "I Just Want You", co-written by Jim Vallance (Bryan Adams) to the more groovy "Thunder Underground", Wylde plays through an array of distorted sound collections, making it somewhat hard to discern his easily identifiable style. Still, the solo in the latter brilliantly demonstrates his trademark pinch harmonics and minor pentatonic scales squeezed into a brief interlude. Wylde does not get to play as many solos as he did on the previous albums, with one exception being the extended lead of "Denial", characterized by a multitude of processed vocal lines forming an internal dialogue and heavy dose of guitar synths and textures.
The bass guitar work of this album was actually done by various musicians, including original bassist Todd Jensen (Hardline) and James Lomenzo (White Lion). Although neither are credited in the booklet, some of the bass is very derivative of Lomenzo's work, particularly the stuff he dabbled with in Slash's Snakepit and Pride & Glory. It seems Geezer Butler pretty much just recorded over his work, adding in his own touch in the arrangements. The thick bass stomp of "See You on the Other Side", another power ballad whose lyrics were penned by Motorhead's Lemmy Kilmister, is wrung through a dense sound structure albeit sounding a tad too 80's for this album. Also on "Perry Mason", the bass arrangement is stunning, defined by a solid low end. Arguably the best song on this album, "Perry Mason" starts off with eerie keyboards courtesy of Rick Wakeman and erupts with an equally riveting chord progression amidst slamming drum and bass battery. There is even a phenomenal bass solo on this song, and Deen Castronovo's drumming is amazing.
John Purdell has contributed lyrics to several pieces, including the already mentioned "Perry Mason" and the somewhat overlooked "Tomorrow", engaging himself in lines such as "You don't have to leave the lights on | I'm so used to being blind", aptly matching the dark theme of the song. Ozzy's vocals are highly processed and there are unusual sound layerings built around a bass-heavy arrangement. It was definitely interesting to see Ozzy pushing the form of the envelope with this song.
Before Ozzy recorded Ozzmosis, he had grouped with guitar wizard Steve Vai for a project called X-Ray. The duo had written several songs, one of which was "My Little Man". However, rumours have it that the record company wasn't keen enough on those pieces, so they parted ways under the smokescreen that the label wasn't fully behind the group. With its heavy use of exotic scales and complex nature, "My Little Man" is the only piece that made it onto Ozzmosis, albeit sounding rather out of place. Another cut from these sessions was released on Vai's Fire Garden in instrumental form by the way.
The fact that the majority of the songs are either midtempo pieces or power ballads seems to have somewhat diluted the album's diversity. What's worse is on the pieces where Ozzy tries to venture into heavier territory, he falls short, best heard on "My Jekyll Doesn't Hide", a poor attempt at rocking out. Two tracks feature Zakk Wylde's more bluesy leanings, namely the piano ballad "Old L.A. Tonight", a good piece to close the album where acoustic guitars and blues-inflected licks embrace other; and "Ghost Behind My Eyes", another ballady tune with a melodious chorus.
Despite some raving reviews, Ozzmosis is not as strong an album as Ozzy's previous Wylde-era material, but it may indeed be his last record truly worth hearing.
(Please note that this review is based on the original version of the record. I have not heard the re-release with the bonus tracks.)
Why are there ANY bad reviews???.......2007-06-17
I've been into Black Sabbath since before it was cool to do so (when they were banned from radio play). Ozzy's departure did not at all effect the dynamic performer one bit. In fact both bands are doing just what they want to do, so kudos to them both.
I DO NOT understand why anyone would trash this stellar recording!! if you are just a head-banger and have NO TASTE IN MUSIC then buy a drum machine, set it on a static droning moronic beat and hit your head against the concrete walls as hard as you can.... you wouldn't know the difference anyway!!!
IF in fact you want music.... TRUE music with flare and vitality, then buy this recording. It's fresh, original, it IS Ozzy at his absolute melodical best.
If you don't like this because it doesn't sound like the rest of Ozzy's work..... you're an absolute idiot and you should just record duplicated CDs of his previous recordings and vary the speed if that's all you want.
For me, anyone with taste in music.... we look forward to musicians who take the time to expand their sound and style while retaining their integity.... and this is what Ozzy does here.
I hope the next recording is as "Ozzy-fresh" and not stale in the "old fashion" as head-banging morons think he should do.
Update: the same people who trash this also trash Black Rain..... so I KNOW that it's a fantastic release even without having heard it.
"F" ING HARDCORE!!.......2006-10-10
HARD, SLUDGY, DARK, and LOUD!! with some outstanding POWER BALLADS!! Just the way we like our OZZY!! A great recording and one of OZZY's BEST!! The haters are wrong about this album.
Sample it for yourself. TURN UP YOUR SPEAKERS FIRST!!
ENJOY.
lacks variety, but an excellently crafted and powerful album.......2006-09-30
Originally released in October of 1995, "Ozzmosis" is an awesome CD. Although there is a clear lack of variety, both tonally and stylistically, it ends up not being a problem due to the excellent craftsmanship of the material, including expert use of dynamics, plus Ozzy's uniquely sincere and expressive vocals. The end result is a gripping listen, with soaring metal ballads like "Ghost Behind My Eyes", "See You On The Other Side", and "Tomorrow"; and super-heavy kickass rockers like "Perry Mason", "Thunder Underground", and "My Jekyll Doesn't Hide". The hit power ballad "I Just Want You" is also effective despite an awkward-sounding key change and forced, calculated lyrics. The only real weak track on the disc is also the least characteristic--the schlocky, piano-laden album closing ballad "Old L.A. Tonight". They also mix things up with the compelling, sitar-drenched ballad "My Little Man".
I'm always skeptical as to how much Ozzy really contributes to the writing of the material on his albums, and indeed there are a ton of outside writers here, including 'hacks' like Jim Vallance, Mark Hudson, Steve Dudas, and John Purdell. Naturally, Geezer Butler (who happens to be on bass here) and guitarist Zakk Wylde also get some co-writes. In the end, I think Ozzy, Zakk, and producer Michael Beinhorn deserve a lot of credit for bringing it all together into a cohesive, sincere-sounding, and powerful disc. "Ozzmosis" is a must-have.
Average customer rating:
- ozzy's in the house
- Ozzy Osbourne's project album with all-stars...
- Why are there ANY bad reviews???
- "F" ING HARDCORE!!
- lacks variety, but an excellently crafted and powerful album
|
Ozzmosis (Exp)
Ozzy Osbourne
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
General
| Rock
| Styles
| Music
General
| Hard Rock & Metal
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Similar Items:
- Down to Earth
- No More Tears
- No Rest for the Wicked (Exp)
- Bark at the Moon
- The Ultimate Sin
ASIN: B000068R1K
Release Date: 2002-06-25 |
Tracks:
- Perry Mason
- I Just Want You
- Ghost Behind My Eyes
- Thunder Underground
- See You On The Other Side
- Tomorrow
- Denial
- My Little Man
- My Jekyll Doesn't Hide
- Old L.A. Tonight
- Whole World's Fallin' Down (Bonus Track)
- Aimee (Bonus Track)
Customer Reviews:
ozzy's in the house.......2007-07-10
This is one of ozzy's best w/zak.great production,great songs.Need I say
more?see you on the other side.
Ozzy Osbourne's project album with all-stars..........2007-07-03
After Ozzy Osbourne's supposed retirement with 1991's No More Tears, he decided to make a comeback, enlisting the services of a host of songwriters, and thus rendering Ozzmosis his most project-like offering of his career. The songs on this album were penned by a number of musicians, all with totally different backgrounds; and therefore, they sound quite unlike Osbourne's other solo records, both musically and sonically.
Ozzmosis is a sound cosmos primarily driven by producer Michael Beinhorn, known for his diverse work with artists like Red Hot Chili Peppers, Soul Asylum, Korn, and Soundgarden. While the album still involves the skills of Ozzy's long-time axeman Zakk Wylde, a good portion of his work has been treated to a more modern-conscious sound dynamic, often culminating in effect-laden passages. From the hugely successful power ballad "I Just Want You", co-written by Jim Vallance (Bryan Adams) to the more groovy "Thunder Underground", Wylde plays through an array of distorted sound collections, making it somewhat hard to discern his easily identifiable style. Still, the solo in the latter brilliantly demonstrates his trademark pinch harmonics and minor pentatonic scales squeezed into a brief interlude. Wylde does not get to play as many solos as he did on the previous albums, with one exception being the extended lead of "Denial", characterized by a multitude of processed vocal lines forming an internal dialogue and heavy dose of guitar synths and textures.
The bass guitar work of this album was actually done by various musicians, including original bassist Todd Jensen (Hardline) and James Lomenzo (White Lion). Although neither are credited in the booklet, some of the bass is very derivative of Lomenzo's work, particularly the stuff he dabbled with in Slash's Snakepit and Pride & Glory. It seems Geezer Butler pretty much just recorded over his work, adding in his own touch in the arrangements. The thick bass stomp of "See You on the Other Side", another power ballad whose lyrics were penned by Motorhead's Lemmy Kilmister, is wrung through a dense sound structure albeit sounding a tad too 80's for this album. Also on "Perry Mason", the bass arrangement is stunning, defined by a solid low end. Arguably the best song on this album, "Perry Mason" starts off with eerie keyboards courtesy of Rick Wakeman and erupts with an equally riveting chord progression amidst slamming drum and bass battery. There is even a phenomenal bass solo on this song, and Deen Castronovo's drumming is amazing.
John Purdell has contributed lyrics to several pieces, including the already mentioned "Perry Mason" and the somewhat overlooked "Tomorrow", engaging himself in lines such as "You don't have to leave the lights on | I'm so used to being blind", aptly matching the dark theme of the song. Ozzy's vocals are highly processed and there are unusual sound layerings built around a bass-heavy arrangement. It was definitely interesting to see Ozzy pushing the form of the envelope with this song.
Before Ozzy recorded Ozzmosis, he had grouped with guitar wizard Steve Vai for a project called X-Ray. The duo had written several songs, one of which was "My Little Man". However, rumours have it that the record company wasn't keen enough on those pieces, so they parted ways under the smokescreen that the label wasn't fully behind the group. With its heavy use of exotic scales and complex nature, "My Little Man" is the only piece that made it onto Ozzmosis, albeit sounding rather out of place. Another cut from these sessions was released on Vai's Fire Garden in instrumental form by the way.
The fact that the majority of the songs are either midtempo pieces or power ballads seems to have somewhat diluted the album's diversity. What's worse is on the pieces where Ozzy tries to venture into heavier territory, he falls short, best heard on "My Jekyll Doesn't Hide", a poor attempt at rocking out. Two tracks feature Zakk Wylde's more bluesy leanings, namely the piano ballad "Old L.A. Tonight", a good piece to close the album where acoustic guitars and blues-inflected licks embrace other; and "Ghost Behind My Eyes", another ballady tune with a melodious chorus.
Despite some raving reviews, Ozzmosis is not as strong an album as Ozzy's previous Wylde-era material, but it may indeed be his last record truly worth hearing.
(Please note that this review is based on the original version of the record. I have not heard the re-release with the bonus tracks.)
Why are there ANY bad reviews???.......2007-06-17
I've been into Black Sabbath since before it was cool to do so (when they were banned from radio play). Ozzy's departure did not at all effect the dynamic performer one bit. In fact both bands are doing just what they want to do, so kudos to them both.
I DO NOT understand why anyone would trash this stellar recording!! if you are just a head-banger and have NO TASTE IN MUSIC then buy a drum machine, set it on a static droning moronic beat and hit your head against the concrete walls as hard as you can.... you wouldn't know the difference anyway!!!
IF in fact you want music.... TRUE music with flare and vitality, then buy this recording. It's fresh, original, it IS Ozzy at his absolute melodical best.
If you don't like this because it doesn't sound like the rest of Ozzy's work..... you're an absolute idiot and you should just record duplicated CDs of his previous recordings and vary the speed if that's all you want.
For me, anyone with taste in music.... we look forward to musicians who take the time to expand their sound and style while retaining their integity.... and this is what Ozzy does here.
I hope the next recording is as "Ozzy-fresh" and not stale in the "old fashion" as head-banging morons think he should do.
Update: the same people who trash this also trash Black Rain..... so I KNOW that it's a fantastic release even without having heard it.
"F" ING HARDCORE!!.......2006-10-10
HARD, SLUDGY, DARK, and LOUD!! with some outstanding POWER BALLADS!! Just the way we like our OZZY!! A great recording and one of OZZY's BEST!! The haters are wrong about this album.
Sample it for yourself. TURN UP YOUR SPEAKERS FIRST!!
ENJOY.
lacks variety, but an excellently crafted and powerful album.......2006-09-30
Originally released in October of 1995, "Ozzmosis" is an awesome CD. Although there is a clear lack of variety, both tonally and stylistically, it ends up not being a problem due to the excellent craftsmanship of the material, including expert use of dynamics, plus Ozzy's uniquely sincere and expressive vocals. The end result is a gripping listen, with soaring metal ballads like "Ghost Behind My Eyes", "See You On The Other Side", and "Tomorrow"; and super-heavy kickass rockers like "Perry Mason", "Thunder Underground", and "My Jekyll Doesn't Hide". The hit power ballad "I Just Want You" is also effective despite an awkward-sounding key change and forced, calculated lyrics. The only real weak track on the disc is also the least characteristic--the schlocky, piano-laden album closing ballad "Old L.A. Tonight". They also mix things up with the compelling, sitar-drenched ballad "My Little Man".
I'm always skeptical as to how much Ozzy really contributes to the writing of the material on his albums, and indeed there are a ton of outside writers here, including 'hacks' like Jim Vallance, Mark Hudson, Steve Dudas, and John Purdell. Naturally, Geezer Butler (who happens to be on bass here) and guitarist Zakk Wylde also get some co-writes. In the end, I think Ozzy, Zakk, and producer Michael Beinhorn deserve a lot of credit for bringing it all together into a cohesive, sincere-sounding, and powerful disc. "Ozzmosis" is a must-have.
Average customer rating:
- Ozzy Osbourne's Best Album Just Got Even Better!,
|
Ozzmosis
Ozzy Osbourne
Manufacturer: Sony / Bmg Japan
ProductGroup: Music
Binding: Audio CD
Britain
| British Isles
| Europe
| International
| Styles
| Music
General
| Rock
| Styles
| Music
General
| Hard Rock & Metal
| Styles
| Music
Album-Oriented Rock (AOR)
| Classic Rock
| Styles
| Music
Hard Rock & Metal
| Imports
| Stores
| Music
ASIN: B000PWQOCQ
Release Date: 2007-06-30 |
Tracks:
- Perry Mason
- I Just Want You
- Ghost Behind My Eyes
- Thunder Underground
- See You On The Other Side
- Tomorrow
- Denial
- My Little Man
- My Jekyll Doesn't Hide
- Old L.A. Tonight
- Whole World's Fallin' Down
- Aimee
Album Description
Limited Edition Japanese pressing of this album comes housed in a miniature LP sleeve. 2007.
Album Details
Japanese Limited Edition Issue of the Album Classic in a Deluxe, Miniaturized LP Sleeve Replica of the Original Vinyl Album Artwork.
Customer Reviews:
Ozzy Osbourne's Best Album Just Got Even Better!, .......2007-07-15
This Japanese mini-lp replica version of Ozzy Osbourne's best album is simply a work of art! Very beautifully designed with all the lyrics included and with a sound quality remastered to perfection. There are true classics as "Perry Mason", "I Just Want You", and "Thunder Underground"
This is by far the best version of this album that is out there; great sound quality, great packaging, great songs! A must have in any CD collector's library.
Average customer rating:
|
Ozzmosis
Ozzy Osbourne
Manufacturer: Sony/Columbia
ProductGroup: Music
Binding: Audio CD
Britain
| British Isles
| Europe
| International
| Styles
| Music
British Metal
| Hard Rock & Metal
| Styles
| Music
General
| Hard Rock & Metal
| Styles
| Music
Hard Rock
| Hard Rock & Metal
| Styles
| Music
Album-Oriented Rock (AOR)
| Classic Rock
| Styles
| Music
Hard Rock & Metal
| Imports
| Stores
| Music
ASIN: B00006IIFO
Release Date: 2002-09-30 |
Tracks:
- Perry Mason
- I Just Want You
- Ghost Behind My Eyes
- Thunder Underground
- See You on the Other Side
- Tomorrow
- Denial
- My Little Man
- My Jekyll Doesn't Hide
- Old L.A. Tonight
- Whole World's Fallin' Down [*]
- Aimee [*]
Product Description
1991, Sony records Japan. Out of print first edition from Japan (SRCS-5580). 13 tracks.
Average customer rating:
|
Ozzmosis (Extra Tracks)
Ozzy Osbourne
Manufacturer: CD Maximum
ProductGroup: Music
Binding: Audio CD
General
| Hard Rock & Metal
| Styles
| Music
ASIN: B000IMP0QY |
Product Description
14trx total "OZZMOSIS" -10 trx & 4 bonus trx.
"OZZMOSIS":
1. Perry Mason.
2. I Just Want You.
3. Ghost Behind My Eyes.
4. Thunder Underground.
5. See You On The Other Side.
6. Tomorrow.
7. Denial
8. My Little Man.
9. My Jekyll Doesn't Hide.
10. Old L.A. Tonight.
BONUS:
11. Back On Water.
12. Walk On Water.
13. Pictures Of Matchstick Men (with type o negative).
14. No More Tears (Edit).
Music Info:
- Plastic Planet
- Reign in Blood [Import]
- Remedy Lane [Import]
- Sanctus Ignis [Import]
- Silent Night Fever [Import]
- Silicon Messiah [Import]
- Skeleton in the Closet [Enhanced] [Live] [Import]
- Stand Proud V.2 [Import]
- Steelbath Suicide [Import]
- Strange to Numbers [Import]
Music Info
music info
Recommended Music:
Way I Am [Enhanced] [Import]
Crecquillon, Vol. 1: Missa Domine Deus; Motets
Haydn: Symphony No45; Symphony No49
12 X 12 [Import]
Night Moves
Fiyo on the Bayou
Duke Ellington: Complete Columbia and RCA Victor Sessions [Box set] [Import]
Felix Mendelssohn: Works for Clarinet, Basset Horn & Piano - Alan Hacker / Lesley Schatzberger / Richard Burnett
Fairport Convention [Extra tracks] [Import]
Broadway & 52nd
From the Ground Up [EP]
Ellington '65
Cumbiamberos Sonideros
The Live
Justicia
![No More Tears [Japan Import] [1st Pressing]](http://ec1.images-amazon.com/images/I/21ghoW2bzUL.jpg)