Another Voice [Import]

Another Voice [Import]

Another Voice [Import]

Track Listings
 
1. Still Here
2. All Is Not Forgotten
3. Fall Of The Parasite
4. Pride, Faith, Respect
5. So Pure To Me
6. Dedication
7. Peace
8. Take Me Back
9. Hardcore! ( The Definition)
10. Casualty Of The Times
11. No One Hears You
12. I Live It
13. It's For Life
14. Another Voice

Another Voice,Agnostic Front,Nuclear Blast,Heavy Metal
Instruments of the Orchestra
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 Instruments of the Orchestra
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Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Mahler Symphonies: An Owner's Manual (includes 1 CD)
  3. The Young Person's Guide to the Orchestra (Book & CD)
  4. What to Listen for in Music
  5. Study of Orchestration, Third Edition

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
The Impossible Dream
Average customer rating: 4.5 out of 5 stars
  • Simply Wonderful
  • Music like this could make me a convert
  • Powerful!
  • Tenor terrific
  • oh molly oh
 The Impossible Dream
Bobby Scott , Shay Healy , Frank Wildhorn , Irish Traditional , Stanislao Gastaldon , Stephen Sondheim , Rolf Lovland , Joni Mitchell , Charlie Chaplin , Brian / U2 Kennedy , Sarah McLachlan , and Proinnsias O Duinn
Manufacturer: Jive
ProductGroup: Music
Binding: Audio CD

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  1. Ronan
  2. The Dawning of the Day
  3. My Life Belongs to You
  4. Halfway Home: My Life 'Til Now
  5. The Very Best of The Irish Tenors

ASIN: B000078JM7
Release Date: 2002-11-12

Tracks:

  1. The Impossible Dream (from Man of La Mancha)
  2. Night and Day
  3. (My Grandfather's) Immigrant Eyes
  4. Isle of Hope Isle of Tears
  5. He Ain't Heavy He's My Brother
  6. What's Another Year
  7. When I Look At You
  8. My Irish Molly '0
  9. Musica Prohibita
  10. No One Is Alone
  11. You Raise Me Up
  12. Danny Boy
  13. Both Sides Now
  14. Smile
  15. Life, Love & Happiness/I Still Haven't Found What I'm Looking For
  16. Angel

Amazon.com

The term Irish tenor may be fraught with as many wrong-headed, anachronistic characterizations as any phrase in music. But Ronan Tynan not only returns here to the PBS airwaves that helped spread his fame as a member of the Irish Tenors trio, but he overturns a few clichés while delivering a live concert (recorded at the Royal Dublin Society in June 2002) that encompasses everything from Broadway and pop chestnuts to Italian operatic repertoire. Tynan rewards Irish traditions old and new (a medley of Brian Kennedy's and U2's "Life, Love & Happiness"/"I Still Haven't Found What I'm Looking For") and even makes left turns into folkie songstress territory (Joni Mitchell's "Both Sides Now," Sarah McLachlan's "Angel"). Backed by RTE Orchestra, the unlikely international star invests himself completely in all of it, his strong, crystalline voice playing off the traditions, while forging strong new bonds with the contemporary. --Jerry McCulley

Customer Reviews:

3 out of 5 stars Simply Wonderful.......2005-08-29

This CD is just as great as the more recent "Ronan" CD. I clicked on 3 stars in error. This is a 5++ star album! His voice is sheer perfection, and the songs are wonderful. I also highly recommend the DVD of "The Impossible Dream," even though I didn't care at all for the London Community Choir who sing four songs. Note: The American version of the DVD doesn't have the 25-minute "Dr. Courageous" extra on it that the Irish version does. I saw him in concert last month, and besides having a voice that soars to the rafters, he is warm, funny and endearing.

4 out of 5 stars Music like this could make me a convert.......2005-08-17

I've always been a rock and roll fan since back in the 60's. Listening to this cd could easily convert me into a classical music fan as well. Wow what a voice.

5 out of 5 stars Powerful!.......2003-01-22

Having seen Ronan in person recently in the U.S., I was impressed first and foremost by his singing ability, and second by his stage presence and warmth. He is a special performer and human being. I am proud to be a Ronan Tynan fan.

4 out of 5 stars Tenor terrific.......2003-01-18

I am not a fan of this kind of music, but I bought this after hearing a few sound snippets at amazon and WoW! what a find. Excellent song selection, powerful singing, fine music quality for a live recording. Expand your horizons and enjoy. (get this wayno)

5 out of 5 stars oh molly oh.......2002-12-15

ronan tynan is a great role model for adults and children alike. he was born with a deformity and made a decision he would make something of himself, he had a goal and he surpassed it. no one puts as much of their heart into as he. he puts the audience into his songs, he makes us feel he is singing to each one of us individually. HE IS THE GREATEST IRISH TENOR I HAVE EVER HEARD, INCLUDING JOHN MC CORMAC the great irish tenor of the 30's
Barbara Cook Sings Mostly Sondheim (Live at Carnegie Hall 2001)
Average customer rating: 4.5 out of 5 stars
  • Wow!
  • Everyone Should Whistle
  • An amazing intro to the body of work of a true master
  • Beautiful, moving concert
  • ... and I love Barbara Cook
 Barbara Cook Sings Mostly Sondheim (Live at Carnegie Hall 2001)

Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD

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  1. Barbara Cook's Broadway!
  2. Barbara Cook at the Met with Special Guests
  3. Tribute
  4. It's Better with a Band
  5. The Champion Season: Live at the Cafe Carlyle

ASIN: B000059LFF
Release Date: 2001-05-08

Tracks:

  1. Everybody Says Don't
  2. I Wonder What Became of Me?
  3. The Eagle and Me
  4. I Had Myself a True Love
  5. Into the Woods / Giants in the Sky (Malcolm Gets)
  6. Another Hundred People / So Many People (Malcolm Gets)
  7. Let's Face the Music and Dance / The Song Is You (duet with Malcolm Gets)
  8. Happiness
  9. Loving You
  10. You Could Drive a Person Crazy
  11. Not A Day Goes By / Losing My Mind

Tracks:

  1. Buds Won't Bud
  2. I Got Lost in His Arms
  3. West Side Story Segment: Something's Coming / Tonight (Malcolm Gets)
  4. Move On (duet with Malcolm Gets)
  5. Medley: Hard Hearted Hannah / Waiting for the Robert E. Lee / San Francisco
  6. Ice Cream
  7. Send in the Clowns
  8. The Trolley Song
  9. Not While I'm Around (duet with Malcolm Gets)
  10. Anyone Can Whistle

Amazon.com's Best of 2001

Barbara Cook is one of today's most accomplished song stylists, and if you don't believe us, just listen to this live album. It's a master class in the art of singing. It documents an evening at Carnegie Hall during which Cook proved that she can dissect and extract the substance out of the simplest of lyrics. One of the best surprises is "You Could Drive a Person Crazy" (from Company), which is taken at an amiable trot and allows the singer to display its humor. Cook is not a swinging singer and uptempo is not her pace; give her a ballad, though, and she'll wring the last drop of emotion out of it. Her version of "Losing My Mind" (here paired with "Not a Day Goes By") is simply astonishing. The singer also performs songs that Sondheim has said he wished he had written, an awful lot of them by Harold Arlen. No complaints here. Guest Malcolm Gets solos on a few songs and duets with Cook on others, including "Let's Face the Music and Dance." This is classic material done masterfully by a classic singer. --Elisabeth Vincentelli

Customer Reviews:

5 out of 5 stars Wow!.......2004-02-20

Having read the other reviews there is little more for me to add. I have been a Barbara Cook fan for a longtime and for me, this is one of her best concerts ever. I do, however, prefer the DVD. As with some other reviewers, I do not want to hear Malcolm Gets (as much as I like him) when I want to listen to Barbara. Her flawless interpretation of music is a hard act to follow for any singer! I managed to see this concert 4 times over a year and a half. Each time I saw her the voice was stronger and more assured (I would not have thought that possible). I can't help but think we will have the pleasure of hearing Ms Cook for many years to come. For those people who enjoyed his CD I strongly recommend purchasing the DVD. Barabara's rendition of So Many People is breathtaking (literally, I don't think I breathed once during the entire song). If you ever have opportunity to see her live - go! She has an ability to make you feel as if every song she sings and every word she speaks is directed to you alone. She can take a large venue and make it feel as intimate as your own living room. Having had the pleasure of meeting her I can say she is as youthful and pleasurable in person as she is in her performance.

5 out of 5 stars Everyone Should Whistle.......2003-10-11

After being privileged to attend this concert, I had to own the CD. Once a lyric coloratura and the original Cunegonde in Bernstein's Candide, Ms. Cook has become (in her 70s) a true diva, blessed with a velvety, warm sound. Every note has meaning. Her high B-flat on "Ice Cream" is still the envy of any soprano today. Everyone should whistle after hearing the superb performances on this CD. Even better, though, is the experience of having been in the concert hall for the live performance. Brava, Ms. Cook!

5 out of 5 stars An amazing intro to the body of work of a true master.......2003-06-16

When I first bought tickets for the 'Mostly Sondheim' show on tour (in San Francisco) I figured it couldn't be too bad. Besides, I had only been exposed to a few of his songs (Anyone Can Whistle, Losing My Mind...) and had only seen "A Little Night Music". On the way out of the theater I immediately picked up this recording of the program. It is truly amazing. I immediately began listening to it and have barely put it down in the last few months. Furthermore, my Sondheim CD collection increased in size from an unflattering zero to five (and it's still growing)! This is an amazing introduction to the works of Stephen Sondheim, who is now my favorite modern musical composer). Buy this now if you don't already have it!

4 out of 5 stars Beautiful, moving concert.......2003-04-13

This is a wonderful CD set with a great selection of songs. I do want to express a slight reservation, however. Barbara Cook has been one of my favorite singers for a number of years and the way her voice defies time is extraordinary -- for her to be singing with such bright, beautiful tone in her mid-70s with no wobble or beat in the voice is an amazing achievment.

I do have to say that by 2001, when this concert was recorded, Cook seemed to have a lost a little bit of power and intensity in her singing. This is only natural for someone of her age. Her voice is still lovely, but you can sense her keeping it in reserve a bit. She's as expressive as ever, but compare the rendition of "I got lost in his arms" on this album to the one on her previous album recorded in 1999, "The Champion Season", and there's less urgency and vocal depth in her singing here. That said, the high B at the end of "Ice Cream" is sensational.

So, despite that caveat, this is, again, a wonderful album, a must for Cook fans, especially for the gorgeous renditions of songs I'd never thought I'd get to hear her perform: "Not a Day Goes By", "Happiness/Loving You", "San Francisco", etc. Buy it!

1 out of 5 stars ... and I love Barbara Cook.......2003-02-11

This recording is a disappointment for me. It is not her best work, and Malcolm Gets is uninspired. My biggest complaint however is the engineering of the recording. Throughout the speaking was to soft, the singing volumes uneven, and the applause deafening. I will be passing this CD on to friends, and will later donate it to my local library.
The Life of David Gale (Score)
Average customer rating: 3.5 out of 5 stars
  • Devastating and moving like the film
  • Great Movie But Below Average Soundtrack
  • Leonard Cohen???
  • simple yet powerful
  • I loved the flick
 The Life of David Gale (Score)

Manufacturer: Decca U.S.
ProductGroup: Music
Binding: Audio CD

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  1. World Trade Center
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  3. The Life of David Gale (Widescreen Edition)
  4. The Da Vinci Code
  5. Pirates Of The Caribbean: Dead Man's Chest

ASIN: B000088E3X
Release Date: 2003-02-11

Tracks:

  1. Another Bleeding Heart - Alex Parker
  2. Almost Martyrs
  3. Ominous Lacan
  4. Ellis (Waterside Dub Mix) - Alex Parker
  5. Pascal/Shack 2 Cell/Ominous Lacan
  6. La Pena Huasteca - Correo Aereo
  7. The Life Of David Gale
  8. Arrest/Bitsey Runs/Hospital
  9. Huntsville Epitaph
  10. Media Frenzy - Alex Parker
  11. Motel/Houston
  12. Just To Hear Your Voice - Toni Price
  13. Ominous Drums/Ominous Pascal
  14. Waterside - Alex Parker
  15. Dusty's Cabin/Almost Martyrs
  16. Tu Che Di Gel Sei Centa - Puccini

Amazon.com

While Hollywood's penchant for unbridled nepotism has produced its share of questionable career results, we're happy to report that this soundtrack collaboration by Alex and Jake Parker for their director father Alan Parker's morally charged courtroom thriller is a notable exception. The two young composers combine their disparate backgrounds--Alex is an engineer versed in electronic studio compositions; Jake a classically trained orchestral composer--to create a diverse score that's a compelling argument for the stylistic freedoms imparted by postmodernism. Alex's work veers from the alterna-electronica of the opening "Another Bleeding Heart" (reminiscent of Alabama 3's Sopranos title song, "Woke Up This Morning") and the even darker "Waterside" to dense electronic soundscapes propelled by tribal drums and punctuated with jarring, abrasive samples. By contrast, Jake evokes Samuel Barber in his melancholy, string-driven cues, occasionally combining his traditionalism with his brother's contemporary electronic bent to evoke music that's as forceful as it is mysterious. Their savvy musical instincts also include source music that ranges from Puccini's Turandot to the contemporary country of Toni Price's "Just to Hear Your Voice" and the plaintive Latino folk flourishes of Correo Aereo's "La Pena Huasteca." This enhanced CD also contains the film's international trailer as well as Web links. --Jerry McCulley

Customer Reviews:

5 out of 5 stars Devastating and moving like the film.......2006-11-09

The music for this film is devastating, heartbreaking, and moving just like the film it represents. Both are loaded with emotion and power, and this is an example of what a film score should be - an extension of the bones of the story. Excellent.

2 out of 5 stars Great Movie But Below Average Soundtrack.......2006-06-27

Don't waste your money on this soundtrack. They left the best song off. The song where they are at the party, eating food. Borrowed my brothers, and I gave it back to him two days later. I will say its a bit melodic, so it might make ok background music but that's it. Dony waste your XViii money on this.

3 out of 5 stars Leonard Cohen???.......2004-12-18

I bought the CD for the Leonard Cohen song Future, (played at the party) where is it ???so dissapointed.

5 out of 5 stars simple yet powerful.......2003-12-19

i just watched the movie, and i was so impressed. the music helped it along very well. although seemingly redundant, there was a successful purpose to it. the simplicity of the music is key in the relationship to the film. if the music was too active, it might've distracted the audience from the movie and wouldn't have had the same effect. the beat to me seemed like a rhythmic heartbeat, which helped the mood of the movie, given this man is on deathrow, and there's only a short amount of time left. coupling of music to films is an art for me, and i loved this one. i recommend it for anyone who loves simple, yet effective beats, and violins (my all-time favorite instrument).

1 out of 5 stars I loved the flick.......2003-04-06

but the CD soundtrack by itself is a major disappointment. a common thread of beat and sound links all the tracks with one drum and one cello. After a few go-rounds, it becomes grating and tiresome. I would pass on this soundtrack and wait for the DVD for a few more dollars.
Hello Starling
Average customer rating: 5 out of 5 stars
  • Following in a grand tradition
  • There are a lot of things you can do
  • Reminicent of Early Springsteen
  • Hitcooper.com Review
  • Beautiful, just stunning!
 Hello Starling
Josh Ritter
Manufacturer: Signature Sounds
ProductGroup: Music
Binding: Audio CD

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  1. Golden Age of Radio
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  4. Subtitulo
  5. Till the Sun Turns Black

ASIN: B0000AQS3M
Release Date: 2003-09-09

Tracks:

  1. Bright Smile
  2. Kathleen
  3. You Don't Make It Easy Babe
  4. Man Burning
  5. Rainslicker
  6. Wings
  7. California
  8. Snow Is Gone
  9. Bone of Song
  10. Baby That's Not All
  11. Bad Actress

Amazon.com

Ritter's literate, highly romantic brand of folk has gained him attention on both sides of the Atlantic. Hello Starling, his third album, sees him pushing the boat out further and trying to move beyond the evident influence of Bob Dylan. It doesn't always work: the up-tempo "Kathleen" and "Man Burning," with their swirling organs, clearly carry the mark of Zimmerman, as does the soft and heartfelt "You Don't Make It Easy Babe," a troubled ode to a troubling girl. But this doesn't necessarily matter. Ritter's vocal performances may lack the intensity and weight of Dylan or Leonard Cohen (an equally heavy influence, most evidently on the track "Wings"), but he has a charm and lightness of touch that will endear him to many. Beyond this, it's a real joy to hear a musician attempting ambitious narratives ("Wings," "Bone of Song") where many singer-songwriters cower cravenly behind impressionistic cut-up techniques or, worse still, spatter us with self-obsessed drivel. Perhaps a few albums on, Ritter will truly find his own voice and be considered a real find. --Dominic Wills

Customer Reviews:

4 out of 5 stars Following in a grand tradition.......2005-07-27

Hello Starling is the third album by Josh Ritter, a singer-songwriter and guitarist originally from Moscow ID who has been steadily building support since his first self-released album in 1999, particularly in his native States and in Ireland, where he initially toured supporting the Frames. For this album, Dave Odlum from the Frames was enlisted as producer and the album was recorded over a fortnight in February 2002 in a converted dairy barn near Angers in France (also used by Dave Odlum for an EP with Gemma Hayes in 2001), and with Josh's touring band augmented by Dave Odlum helping out on guitar and mandolin.
As a teenager, Josh Ritter had been inspired by discovering Bob Dylan and Johnny Cash playing together on the Nashville Skyline album, and has also acknowledged Townes Van Zandt, Leonard Cohen and Gillian Welch among his influences (there is a nod to Townes Van Zandt on this album's Kathleen, also the title of one of his songs). He studied American History through narrative music at college, spending six months in Scotland at the School of Scottish Folk Studies, and also made a study of American religious music, American Civil War songs and late 19th century popular ballads, parlour songs and cowboy songs.
Although he has found his own voice and a clear natural style it is clear from his stripped back approach and the meticulously recorded instruments that he has learned well and deeply from all these guiding legacies and adaptations. This is an album that has been built to last and leaves one keenly anticipating the next.

5 out of 5 stars There are a lot of things you can do.......2005-05-15

Buy this album and listen to it.
Just like bright eyes brilliant or better.

5 out of 5 stars Reminicent of Early Springsteen.......2005-03-19

Josh Ritter's amazing talent should not go unnoticed for long here in the states as he's such a rising star in Ireland/UK that it won't be long before everyone knows his name. Very reminincent of early Springsteen with his unperfect but endearing voice, his raw passion, and superb song writing this guy is going far!

I dare anyone to listen to "Kathleen" and not be humming before the end of the song and then replaying it to learn all the words. The song promises to stay in your head and heart long after you've listend to the CD!

One of the best singer/songwriters in a very long time! If you get a chance to see him perform live don't walk but RUN to stand in line to see him....you won't be sorry!

4 out of 5 stars Hitcooper.com Review.......2004-09-28

This album is pure, raw folk music. Josh is an amazing poet with a simple, sweet voice. I guess he's huge over in Ireland/England... I'm sure he will soon be huge here in the US... I recommend jumping on his fan bandwagon now... And I noticed that Hitcooper.com chose him as one of their featured artists... Another proof that he's a true artist that's definitely worth listening to...

5 out of 5 stars Beautiful, just stunning!.......2004-05-10

Josh Ritter has an amazing voice. These are my seperate opinions, with 10 the best, 0 the worst.

Bright Smile: 9. Maybe this should have been a little bit faster, but a perfect start to a beatiful fol rock CD.

Kathleen: 10. He hits a great high not, the prime of his voice. A real find.

You Don't Make It Easy Babe: 8. Not my kind of music, but still good.

Man Burning: 10,000. JOSH!!!! THIS ROCKS!!!!! WHAT A BEAUTIFUL SONG I CAN NOT SAY ENOUGH!!!!

The rest are 8's, with the exception of the Bad Actress and Bone of Song.

Thanks Josh! You really made music!
Home to Thanksgiving
Average customer rating: 5 out of 5 stars
  • Truly joyous music
 Home to Thanksgiving
Theatre Of Voices , His Majestie's Clerkes , and Andrew Lawrence-King
Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD

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  1. Classic Thanksgiving Songs of Praise
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ASIN: B000028TXS
Release Date: 1999-10-19

Tracks:

  1. Timothy Swan: Rainbow: 'Tis By Thy Strength The Mountains Stand'
  2. William Tans'ur: Colchester: 'O 'twas a joyful sound to hear'
  3. Jeremiah Ingalls: The Apple Tree
  4. Peter Abelard: 0 quanta qualia
  5. Nehemiah Shumway: Schenectady: 'From All That Dwell Below The Skies'
  6. William Billings: Thanksgiving Anthem: 'O Praise The Lord Of Heaven'
  7. William Billings: Brigg Fair (Harp Solo), Traditional
  8. Thomas Tallis: Audivi vocem
  9. John Cage: The Year Begins to Be Ripe
  10. Benedicamus Domino
  11. William Billings: Jordan: 'There Is A Land Of Pure Delight'
  12. Abram Wood: Worcester: 'How Beauteous Are Their Feet'
  13. Thomas Tallis: Benedictus
  14. Peter Abelard: Epithalamica
  15. It was summer now
  16. The Keel Row II (harp solo) Howard Skempton
  17. Give good gifts one to another
  18. William Billings: Chester: 'Let The Tyrants Shake Their Iron Rod'
  19. Elisha West: Evening Hymn: 'The Day Is Past And Gone'

Amazon.com

An album celebrating harvest's end, Home to Thanksgiving is a harvest itself, selected from nearly a dozen Hillier CDs. The only thing that suffered as the result of Paul Hillier's separation from the Hilliard Ensemble was his albums' graphic design. By leaving Hilliard, the men's vocal group he'd helmed, Hillier abandoned the elegant packaging afforded him by ECM Records. On ECM, his penchant for plainchant was matched by stark photography, lending a steady visual horizon while his group darted maverickly between liturgical music and Arvo Pärt's minimalism.

Somehow at Harmonia Mundi, a new Hillier collection calls for a Currier and Ives painting. So be it. Hillier listeners understand that no marketing feat can fill the gaps that punctuate the 12th-century "O quanta qualia"; only a faith in his distinct musical agenda (or, perhaps, His) can bridge such pauses. There is communal cheer ("The Apple Tree," dating from the Revolution, has a catchy chorus), but it's tempered by introversion. Secular Puritan John Cage shows up, having set lyrics by Thoreau. That follows a 16th-century snippet of Thomas Tallis, and is followed itself by a 12th-century piece that attenuates 13 syllables of benediction for over four minutes. Currier and Ives may greet listeners at the cabin door, but Hillier waits inside with a sermon straight out of Jonathan Edwards. --Marc Weidenbaum

Customer Reviews:

5 out of 5 stars Truly joyous music.......2005-10-27

This is a wonderful collection of music for thanksgiving - not just for the holiday, but for everyday. From the energetic opening, "Tis By Thy Strength The Mountains Stand", to the haunting "Evening Hymn" at close, this music is pure joy to listen to. The styles are quite varied and cover everything from plainchant to a somewhat modern take on Thoreau, and it is all very well performed. It is music that sends the soul soaring in thanksgiving to God.
An Introduction to Schubert's Piano Quintet "Trout"
Average customer rating: Not rated
    		An Introduction to Schubert's Piano Quintet "Trout"

    Manufacturer: Naxos
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000076FX6
    Release Date: 2003-01-21
    At The Hollywood Bowl + Encore
    Average customer rating: 5 out of 5 stars
    • The essence of a great entertainer catpured.
    		 At The Hollywood Bowl + Encore

    Manufacturer: Collectables
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00005Y8VW
    Release Date: 2001-01-30

    Tracks:

    1. I'll Be Right Back
    2. Alouette - Liberace, George Liberace, Los Angeles Philharmonic
    3. Theme and Welcome Back
    4. Gershwin Medley: Rhapsody in Blue/Embraceable You/Love Walked ...
    5. Hillbilly Music
    6. Hey Liberace
    7. Intro
    8. Liberace Boogie
    9. Intro
    10. Rosary
    11. George and His Hot Fiddle
    12. Sweet Sue, Just You
    13. How About Another One?
    14. Tea for Two
    15. Sometimes I'm Ashamed to Take the Money
    16. Alexander's Ragtime Band/Old Folks at Home
    17. Taking Requests
    18. Hollywood Bowl Concerto: Jalousie (Jealousy)/Star Dust/Walkin' My Baby
    19. Closing Theme and Good Night

    Album Description

    2 CD set includes-At The Hollywood Bowl & Hollywood Bowl Encore. These two albums comprise a memorable 1954 performance including, for the first time, the entire concert, complete with Liberace's colorful monologues. Highlights include 'Beer Barrel Polka (Roll Out The Barrel)', 'Bumble Boogie' and 'Twelfth Street Rag'. 2002.

    Customer Reviews:

    5 out of 5 stars The essence of a great entertainer catpured........2004-05-03

    Liberace was a great showman and entertainer. This double CD is the best record of his classic act and demonstrates what Liberace was all about. Although recorded in 1954 the sound quality is fine and many of the elements from that period remained part of Liberace's act over more than 30 years. Interestingly - he was not yet using "I'll Be Seeing You" as his exit music. If there is anything you like about Liberace - get this CD.
    NB Amazon (on 2/5/04) was only listing the tracks on the second CD.
    New American Song Cycles
    Average customer rating: 3 out of 5 stars
    • Some Excellent Songs; Performances That Try One's Patience
    		 New American Song Cycles

    Manufacturer: Albany Records
    ProductGroup: Music
    Binding: Audio CD

    Larsen, LibbyLarsen, Libby | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
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    1. Grand Larsen-y: Vocal Music of Libby Larsen
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    5. Peter Lieberson: Neruda Songs

    ASIN: B0001XAQBO
    Release Date: 2004-04-27

    Tracks:

    1. My Antonia: Landscape-From the Train - Margo Garrett
    2. My Antonia: Antonia - Margo Garrett
    3. My Antonia: Landscape II-Winter - Margo Garrett
    4. My Antonia: The Hired Girls - Margo Garrett
    5. My Antonia: Landscape III-Prairie Spring - Margo Garrett
    6. My Antonia: Antonia in the Field - Margo Garrett
    7. My Antonia: Landscape IV-Sunset - Margo Garrett
    8. Figments: Gravity - Daron Hagen
    9. Figments: Why We Have Cats - Daron Hagen
    10. Figments: The End of Daylignt Savings Time - Daron Hagen
    11. Figments: Zoo Prepares to Adopt Metric System - Daron Hagen
    12. Figments: Lines After Marianne Moore - Daron Hagen
    13. Figments: Deer in Mist and Almonds - Daron Hagen
    14. Figments: The Poetry of Sausages: Morcilla - Daron Hagen
    15. Vita Brevis: Lullaby - Paul Morvec
    16. Vita Brevis: My Heart Leaps - Paul Morvec
    17. Vita Brevis: Mezzo Cammin - Paul Morvec
    18. Vita Brevis: The Coming of Wisdom With Time - Paul Morvec
    19. Vita Brevis: In Remembrance - Paul Morvec
    20. Another Reason Why I Don't Keep a Gun in the House: Desire - Tom Cipullo
    21. Another Reason Why I Don't Keep a Gun in the House: Embrace - Tom Cipullo
    22. Another Reason Why I Don't Keep a Gun in the House: Cancer - Tom Cipullo
    23. Another Reason Why I Don't Keep a Gun in the House: Flames - Tom Cipullo
    24. Another Reason Why I Don't Keep a Gun in the House: Putting Down ... - Tom Cipullo
    25. Another Reason Why I Don't Keep a Gun in the House: Another Reason Why - Tom Cipullo

    Customer Reviews:

    3 out of 5 stars Some Excellent Songs; Performances That Try One's Patience.......2004-07-16

    I yield to no one in my respect and admiration for tenor Paul Sperry's service to contemporary American song-writing. I have heard him in live recitals more times that I can count because of this dedication to the furtherance of songs by American composers. He has commissioned and premièred innumerable songs from upwards of thirty American composers. Further, he has such excellent diction that he has served American poets as well, since one can understand almost everything he sings without reference to a printed text. Never blessed with a beautiful voice, he has managed his meager vocal endowment with brains, guts and art. The songs on this CD deserve to heard and one expects they might not have been heard at all if it weren't for Sperry's efforts. Still, the time has come for him to stop singing. The voice has of late become too much of a chore to listen to; he too often sings well under pitch especially in his upper range, and when singing above a mezzo-forte the voice too often becomes a squawl.

    As to the music recorded here, some of the songs are really quite enjoyable and one can only hope that others will take them up. I'm sure that is Sperry's hope, too; he certainly has given his time, effort and money to promote this kind of music, including several recordings on the Albany label. On this disc I'd single out the witty songs of Daron Hagen, set to laugh-out-loud funny poems by Alice Wirth Gray. Sample text from 'Why We Have Cats': "That bitch, the woman/who lived next door,/took it on the lam/to Arizona and left/five cats...What did she think life was: a Learning Experience?" Hagen's music underlines the humor in tonal but unexpected harmonies. Libby Larsen's song cycle 'My Antonía,' gently set to words from the Willa Cather novel, traces changes in the landscape over a year's time. Sample: from 'Prairie Spring' - "The larks...singing straight at the sun." Paul Moravec's 'Vita Brevis,' set to lyrics of Wordsworth, James Agee, Yeats, Anonymous and Mr Moravec himself, illustrates the cycle's envoi by Carlyle, 'One life: a gleam of time between two eternities.' The music, to my ears, is a generic and unmemorable. Paul Cipullo's 'Another Reason Why I Don't Keep a Gun in the House,' to poems by the current U.S. poet laureate, Billy Collins, is set to delectable post-impressionist Rorem-esque music. Sperry underlines Collins's felicitous turns of phrase [e.g. in 'Flames,' about Smokey the Bear: 'He is sick of dispensing/warnings to the careless,/the half-wit camper,/the dumbbell hiker.'] which are mirrored slyly in Cipullo's accompaniment. In the cycle's title song, Cipullo unexpectedly and wittily quotes the Scherzo of Beethoven's First Symphony. Sperry is accompanied expertly at the piano in each song cycle by its composer, except for the Larsen cycle where the pianist is Margo Garrett.

    In summary, buy this CD for the mostly worthwhile songs, and try to ignore the difficulties with Sperry's vocal estate.

    TT=59:37

    Scott Morrison
    The Andrew Lloyd Webber Collection / Encore
    Average customer rating: 3 out of 5 stars
    • Lovely
    • Encore!
    • Another way to make money on the back of Sarah
    		 The Andrew Lloyd Webber Collection / Encore

    Manufacturer: Decca Broadway
    ProductGroup: Music
    Binding: Audio CD

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    1. Sarah Brightman Classics
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    5. Sarah Brightman In Concert

    ASIN: B00006LLOO
    Release Date: 2002-10-15

    Tracks:

    1. Phantom of the Opera
    2. Unexpected Song
    3. Chanson d'Efrance
    4. All I Ask of You
    5. Don't Cry for Me Argentina
    6. Another Suitcase in Another Hall
    7. Love Changes Everything
    8. Amigos Para Siempre (Friends for Life)
    9. Memory
    10. Gus: The Theatre Cat
    11. Anything But Lonely
    12. Macavity: The Mystery Cat
    13. Tell Me on a Sunday
    14. Wishing You Were Somehow Here Again
    15. Pie Jesu
    16. Music of the Night

    Tracks:

    1. Whitsle Down the Wind {From Whistle Down the Wind}
    2. Away from You {From Rex}
    3. Guardami (With One Look) {From Sunset Boulevard} [Italian Version]
    4. Think of Me {From the Phantom of the Opera}
    5. One More Walk the Around the Garden {From Carmelina}
    6. Surrender {From Sunset Boulevard}
    7. If I Ever Fall in Love Again {From the Crooked Mile}
    8. Half a Moment {From Jeeves}
    9. Piano (Memory) {From Cats} [Italian Version]
    10. What More Do I Need {From Saturday Night}
    11. There Is More to Love {From Aspects of Love}
    12. Last Man in My Life {From Song and Dance}
    13. In the Mandarin's Orchid Garden {From East Is West}
    14. Nothing Like You've Ever Known {From Tell Me on a Sunday and Song and D
    15. Chi il Bel Sogno Di Doretta {From la Rondine}

    Amazon.com

    In a career that's veered from '70s pop chanteuse to Broadway star and neo-operatic diva, Sarah Brightman has brought a critics-be-damned sense of dramatic scale to nearly every project she's tackled. This two-CD package of 31 hits brings together selections from Brightman's original Andrew Lloyd Webber Collection, including many definitive versions of Lloyd Webber classics. Also included are songs from her album Encore, which itself was largely culled from her Songs That Got Away and Surrender song anthologies, although they do include four previously unreleased outtakes from those collections.

    Her 1998 recording of the title song from ex-husband Andrew Lloyd Webber's Whistle Down the Wind succeeds by emphasizing its melodic grace with a deft, airy touch, while the remainder rescue worthy songs from obscure or failed musicals. From Lerner and Lane's 1959 Carmelina comes the lovely "One More Walk Around the Garden." Stephen Sondheim's youthful 1954 debut, Saturday Night, yields a sprightly take on "What More Do I Need," and an operatic reading of "In the Mandarin's Orchid Garden," from the Gershwins' unproduced 1929 East Is West, is also included. If the selection leans a little too heavily on the Lloyd Webber connection elsewhere (including Italian versions of "Guardami (With One Look)" from Sunset Boulevard and "Piano (Memory)" from Cats, delivered in her patently restraint-free soprano), they're only reminders that shrewdness has hardly been the least of Brightman's talents. --Jerry McCulley

    Customer Reviews:

    4 out of 5 stars Lovely.......2007-01-09

    Both of these discs afford great pleasure. The Lloyd Webber compilation presents many of his biggest hits in fine performances by his ex-wife. The Encore disc gives fascinating glimpses of worthy but little known pieces from musicals. Arrangements are wonderful, and Sarah Brightman is in excellent voice throughout. At times she has a tendency to wax a bit operatic, but she certainly does have the chops to bring it off successfully, so I'm not complaining. Obviously, Ms. Brightman was trained in the classical tradition, and she knows how to use her voice to best advantage in service to the material. In short, she has musical integrity.

    4 out of 5 stars Encore!.......2004-09-29

    Before she was a sparkling pop/classical diva, Sarah Brightman was a Broadway star and the onetime wife of the legendary Andrew Lloyd Webber. This two-disc set that includes her "Encore," a collection of songs from mostly-obscure musicals, and "The Andrew Lloyd Webber Collection," several of Webber's songs (mostly picked from "Songs That Got Away" and "Surrender").

    "Andrew Lloyd Webber Collection" starts off with the gothic "Phantom of the Opera," but quickly moves on to lighter fare in the airy "Unexpected Song," a soaring duet with Cliff Richards in "All I Ask Of You," the sparkling "Love Changes Everything," and some tepid forays into the shrill "Don't Cry for Me, Argentina" and "Memory."

    "Encore" is far more ethereal and steady. The piano-led "Whistle Down The Wind" starts it off on a strong note, before the aching "Away From You," operatic "Think of Me," affectionate "If I Ever Fall in Love Again," and the symphonic "Nothing Like You've Ever Known." A particular highlight is the sparkling "What More Do I Need," a little tune that celebrates how love brightens up even the most dingy little apartment, in the most miserable weather. "With your love/what more do I need?"

    Sarah Brightman was obviously on solid footing with these two CDs. It might leave a bad taste in some fans' mouths that "Collection" is mostly compiled from a pair of other Brightman albums, but if listeners don't have "Surrender" and "Songs That Got Away," this two-disc set would be an excellent way to acquaint themselves with it.

    "Encore" is steady and well-suited for Brightman's voice, as well as having a sort of Victorian-garden air. "Andrew Lloyd Webber Collection" has the most flaws of the two -- some of the songs like "Memory" aren't suited to Brightman's voice, and she comes across as shrill and uneasy. But in songs written for her talents and "Encore," her voice alternately soars and murmurs in an airy soprano.

    Sarah Brightman reached her artistic pinnacle so far in the velvety "Eden," but her stuff here is still quite beautiful. "The Andrew Lloyd Webber Collection/Encore" two-pack is a satisfying look at some of Brightman's Broadway-based songs.

    1 out of 5 stars Another way to make money on the back of Sarah.......2002-11-28

    Yes, it's true. Sarah has nothing to do with these cds, but her voice. It's another record that Andrew Lloyd Webber's Really "not that" Useful Group release to make money. Those two cds are very good though. If you have one of them, i suggest to get the other separatly.

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    2. Ashes [Import]
    3. Ashes to Ashes
    4. At the Heart of Winter [Import]
    5. Cheerio and Toodletip!: Complete Singles [Import]
    6. Cloudscape [Import]
    7. Coming from the Sky [Import]
    8. Complete '79: Collectors Series, Vol. 1 [Import]
    9. Craven
    10. Cryptic Sounds [CD-single]

    Music Info

    music info

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