Revolver [Import]

Revolver [Import]

Editorial Reviews
Product Description
Japanese pressing scheduled to include bonus tracks. Details TBA. ToysFactory. 2004.

Tracks:

Let It Roll
She Mine
Get Out The Door
She Builds Quick Machines
The Last Fight
Pills, Demons & Etc.
American Man
Mary Mary
Just Sixteen
Can't Get It Out Of My Head
For A Brother
Spay
Gravedancer
Re-Evolution

Amazon.com

When they exploded out of the gates on their 2004 debut, Contraband, Velvet Revolver were met with as much diffidence as appreciation. After all, supergroups have tended to detonate as often as succeed, and with vocalist Scott Weiland, bassist Duff McKagan, and guitarist Slash all vying to keep the lit match away from the fuse, the odds against this band ever seeing album #2 were even money at best. Surprise! Not only have Velvet Revolver survived three years with unreckless abandon, this album blows the doors off its predecessor. Save a pair of disinfected ballads ("The Last Fight," "Gravedancer"), Libertad is all about hand-grenade chords, drag-racing riffs, and circus-tent choruses. The ageless McKagan and Slash continually gun for the disorderliness of their former band (most notably on the punkish opener "Let It Roll" and its lewd brother "Spay"), while Weiland sounds--knock on wood--positively clean and like a voice of boisterous renewal on tracks like "Mary Mary," "She Builds Quick Machines," and the melt-in-your-mouth cover of ELO's "Can't Get It Out of My Head." Obviously egos have been checked at the studio door, as Velvet Revolver have already exceeded their anticipated existence. And now that existence goes back on the clock, trying to outshine a second album that's head-and-shoulders better than the first. --Scott Holter

Customer Reviews:

Libertad -- An Awesome Achievement In Modern Rock.......2007-08-01

Before Velvet Revolver's sophomore album, Libertad, was released, there was much to say of the band--the "super group" of five members consisted of three from Guns N' Roses, one from the Stone Temple Pilots, and one that had never been in an official band before. Their debut effort, 2004's Contraband, was packed with hard-rocking GN'R style hits like "Sucker Train Blues," "Do It for the Kids," "Fall to Pieces," and of course the unforgettable "Slither". Libertad, which is the band's powerful second album, is no disappointment and has everything a Velvet Revolver fan could want. The band start off this legendary recording with a Use Your Illusion era GN'R-esque song called "Let It Roll," which contains very catchy guitar riffs by Slash and an excellent vocal performance by Scott Weiland. This is followed by the hypnotic "She Mine," which also has perfect chords by Slash. "Get Out the Door," the third track, is also an excellent addition to the album and is the one of the many ideal songs in Velvet Revolver's catalog. The fourth track, which undoubtedly by now the band's most popular song to date, could be called the "Welcome to the Jungle" of Velvet Revolver. This megahit, called "She Builds Quick Machines," is some of Slash's best work to date--not just Slash, but the entire band. Filled to the brim with awesome lyrics and stellar drumming, this song was surely a definitive make for the album. After the listener gets a taste of how hard Velvet Revolver can rock, the band settle down a bit with "The Last Fight," a beatiful ballad with more awesome work by Weiland and Slash. This four-minute piece is also already a fan favorite, and if you've heard it I think you'll agree. The next track is what I like to call the "Voodoo Child" of the 21st century. This song, appropriately called "Pills, Demons and Etc." features crazy wah-wah pedal guitar licks by Slash and fast-paced bass and vocals by Duff McKagan and Scott Weiland. Along with the latter five, the listener can also tell that much effort was put forth in this song. Another hit would have to be the ninth track, "Just Sixteen". Quite similar to the style of "She Builds Quick Machines," it also shows how the band can be very heavy at times. "Gravedancer," which is the second-to-last song on the original album, is songwriting at its best. An awesome wah influenced guitar solo by Slash and soft, efficient vocals by Weiland make this song surpass even "November Rain," a song which was Guns N' Roses' biggest ballad in their day. The country side of Velvet Revolver can be heard on the fourteenth and final track of the album, "Re-Evolution". What can be considered as the band's take on blues influenced country, it is probably the oddest standout from any album I've ever heard; it's sort of funny, in a way. There was also a deluxe edition of this album made, containing two bonus tracks: "Messages," a powerful ballad which is a strong reminder of "The Last Fight," and "Psycho Killer," which, in my opinion, serves as an excellent alternate close-up for an already awesome album. The overall impression of Velvet Revolver's sophomore album is strong and spellbinding, and has something that every rock fan can enjoy. This is something you won't want to miss out on.

Disappointment of the year........2007-07-31

This album just doesn't deliver. I've listened through the entire thing 3 times now, and it is a labor to not hit skip about halfway through any of the tracks. On Contraband, I disliked most of the singles but found several killer tracks that made the album very worthwhile. Tracks like "do it for the kids", "sucker train blues", "big machine", "headspace" and "you got no right" brought together the best elements of the contributing members' former bands and had terrific, driving melodies.
Libertad by contrast has nothing. It's as homogenized as radio rock can possibly be. I've yet to find a single memorable guitar riff - a first for any record slash has signed his name to. The melodies are muddy and flat, and the high treble studio polish kills any emotion that might be buried in there somewhere. By far the biggest disappointment of records released this year.I wish everyone would hurry up and get over their respective grudges and rejoin their previous bands. STP was getting washed up towards the end as well, but still nothing this bland had come from Weiland yet.

Awful.......2007-07-31

What can I say? THIS IS THE EXACT SAME ALBUM AS CONTRABAND! Instead of buying this album, you may as well just buy the FIRST one again! Could this music be anymore STOCK?

Just play any random Velvet Revolver song on a loop, and you'll have heard the first two albums.

Still Waiting for some killer Revolver?! .......2007-07-30

Ever since the stars aligned and this lineup came together. The expectations have been high for something really spectacular to come out. After listening to Libertad a few times I'm still waiting. Libertad follows a more focused direction in it's musically styling's than the debut. Many tunes have more of a punk vibe to them. Which doesn't do much for me. It's disappointing to me that nothing on Libertad really blows you away? Yes, nothing, not one tune! I think as each tune came on I was waiting for Slash to tear it up and it hasn't happened. Some aggressive in your face guitars, something with an edge to it. Something that will rock your socks off as you crank it up to 11! Something that will make you say, "GNR & STP who are they"? Libertad definitely doesn't do that. If "Contraband" left you hopping for something better. This will just leave you disappointed. With Audioslave dismantling and leaving a big "Supergroup" whole to fill. Velvet Revolver just can't put the pieces together to fill it. I'm sure this won't be a popular review here. That's why we all have our own opinions......

Great Album from a Great Band.......2007-07-30

This album is extremely well produced and has a great sound. Their first Album has nothing on this album, Libertad is very capable of satisfying those who have heard most of their previous album, Contraband. The single released before the whole album is not the best on the album. I find myself enjoying the whole album instead of released singles getting all the play time.

Overall, Great Album from a great Band

Average customer rating:

Revolver is the best album of all-time
It's the freakin' Beatles
The epitome of perfection
Review of Revolver UK
Volume 2

Revolver [UK]
The Beatles
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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Rubber Soul
Abbey Road
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Magical Mystery Tour

ASIN: B000002UAR
Release Date: 1990-10-25

Tracks:

Taxman
Eleanor Rigby
I'm Only Sleeping
Love You To
Here, There and Everywhere
Yellow Submarine
She Said, She Said
Good Day Sunshine
And Your Bird Can Sing
For No One
Doctor Robert
I Want to Tell You
Got to Get You into My Life
Tomorrow Never Knows

Amazon.com essential recording

Revolver wouldn't remain the Beatles' most ambitious LP for long, but many fans--including this one--remember it as their best. An object lesson in fitting great songwriting into experimental production and genre play, this is also a record whose influence extends far beyond mere they-was-the-greatest cheerleading. Putting McCartney's more traditionally melodic "Here, There and Everywhere" and "For No One" alongside Lennon's direct-hit sneering ("Dr. Robert") and dreamscapes ("I'm Only Sleeping," "Tomorrow Never Knows") and Harrison's peaking wit ("Taxman") was as conceptually brilliant as anything Sgt. Pepper attempted, and more subtly fulfilling. A must. --Rickey Wright

Customer Reviews:

Revolver is the best album of all-time.......2007-07-16

and it's by the best band of all time (and I do know all the songs off of Sgt. Pepper).

Revolver comes at the midway point of The Beatles, and it is a peak for them. Every song on this album is good at the least (except maybe Yellow Submarine), and there are plenty of great songs, not only perfectly written, but perfectly executed by John, Paul and (sometimes) George's vocals, George's lead guitar (especially in "And Your Bird Can Sing"), Paul's bass, and, of course, Ringo''s drumming. The Great songs are, IMO "Got to Get You Into My Life," "I'm Only Sleeping," "Eleanor Rigby," "I Want To Tell You," "For No One" and "And Your Bird Can Sing." Through all these songs you can see the maturing song writing abilities of Paul, John, and George that you can see starting to surface in "Rubber Soul," going past the boy-girl relationships of the early Beatles, or at least making their boy-girl songs much more complex, instead of "I'm in love, It's a great day" (which you do see part of in "Good Day Sunshine," but John and Paul still found a way to make it a complex song).

I could go on and on about the greatness of this album and the bad that made it, but i'll just get to the bottom line: Buy it.

It's the freakin' Beatles.......2007-07-16

And Revolver is a freakin' great album. Revolver is probally the best balance between normal pop and serious themes (some that will get you thinking more than The early Beatles lyrics). That's probally what stands out from the rest, the instruments include piano and horns, and they work out well. Piano's were coming into more of a focus into The Beatles' music, and those instruments came into focus more, while avoiding the expiremental tracks of the later Beatles. It's a wonderful blend of pop with the piano and other instruments that The BEatles never used, yet still staying firmly to the ground and not going into the sky of Diamonds, on a magical mystery tour.

It sounds more different because of that. Yes, people have reviewed it better, but The Beatles never stopped suprising people with all different kinds of music and styles, and kept on evolving. I think that Evolver should have been the name, so 311 shouldn't have stolen (I like The Beatles better than 311, although they can't get me that energized as 311).

Like all other Beatles albums, they are kind of short, and I have to take off .5 because of I want To Tell You, which I didn't care for as much, but every other song sounded like The Beatles knocked themselves out making it perfect. Essential.

11/10

The epitome of perfection.......2007-07-04

This has been my favorite Beatles' album for years and years and years, as well as one of my top favorite albums overall. While of course some of the techniques used on certain of the songs aren't going to seem as revolutionary or current as they were back in 1966, that doesn't change the fact that at the time, they were very radical innovations, helped to change the face of pop music, and really marked the beginning of The Beatles' mature period. By this point they'd finally fully graduated from doing just love songs and simplistic pop to dealing with weightier subjects, and using a greater amount of studio experimentation, such as the backwards guitar in "I'm Only Sleeping" and the tape loops sounding like exotic birds in "Tomorrow Never Knows." Overall, I'd have to say that it's quite possibly their best album, maybe even the one that's stood the test of time the best (even allowing for how some aspects of the music may seem dated to some people today, it doesn't come across like some horribly dated period piece either). Every song is just so great; it really just seems like the epitome of perfection, the type of album one could listen to several times in a row or every day and not get bored of or skip any tracks on (though I must admit I don't really care for "For No One"). As great as they were, how many other albums did they make that one could say were truly as perfect as this one? One can also easily understand why this has been called their acid album.

Another great thing about this album is how balanced it is. While on some albums, one Beatle predominates (such as how John sings lead on 9 of the 13 tracks on AHDN and half of the songs on RS), here it's much more distributed. John and Paul each sing 5 songs, with the requisite Ringo song ("Yellow Submarine," one of his most famous), and the remaining three songs, including the opening one, going to George. Apart from the White Album where he had 4 songs, such a relatively generous amount of songs would never happen again. One can tell from these three songs that he was really growing and maturing as a songwriter even this early into having become the band's third songwriter. The musical styles themselves are also rather balanced; there are soft songs like "Here, There, and Everywhere," fun meaningless pop like "And Your Bird Can Sing," social commentary songs like "Eleanor Rigby," the Indian-influenced "Love You To" (one of my favorite tracks), partially autobiographical songs like "She Said She Said," and songs with a strong psychedelic influence, like the hypnotic "I'm Only Sleeping" (probably my favorite track) and the closing track "Tomorrow Never Knows." I won't even get into people who are genuinely wondering why this isn't the Capitol repackaging they remember from childhood; I can't imagine this album without such key tracks as "Dr. Robert" and "I'm Only Sleeping," and am baffled as to why anyone would find the repackagings to be superior to the authentic British originals other than sentimental reasons.

Overall, this album is the perfect midway point between their early, more innocent period and their later, more serious period, a transitional bridge between the two eras. I also couldn't think of many more of their albums that would be this much of an ideal introduction to a new fan.

Review of Revolver UK.......2007-07-03

I bought it mainly for one song, but should have purchased if off of Itunes. Its a good album, nice happy songs, takes you back in time.

Volume 2.......2007-07-02

Revolver was released after Rubber Soul. This album continues the evolution of writting and composing of the fab four. It sounds very similar to Rubber Soul and is another great album.

Overall it's a lot more "60s" in the sound. A lot more of Georges Indian influence in the music. A lot more randomness in the writting of Lennon/McCartney. A lot more great drumming by Ringo (He's great on Tomorrow Never Knows).

Taxman is a classic song by George. It's sounds very similar to Drive My Car and just has a nice groove to it.

Paul says he made up a lot of "characters" in his songs like Eleanor Rigby. The String section was first used in Yestarday and is a perfect opening to Eleanor.

Other notable tracks are Goodday Sunshine, She Said She Said, and Tomorrow Never Knows. This is a great track written by John. He didn't want to come off the wrong way in his presentation so he used a saying Ringo came up with in "Tomorrow Never Knows." This was a huge step in moving forward in the music. It showed the audience a sneek peak as to what future music would sound like and I think it's a perfect song to end with to transition into the Genius of Sgt. Pepper's Lonely Hearts Club Band.

Average customer rating:

Contrafan
Super Group Super Great
Great first effort from the supergroup, now polished this year with a new album
4- Content 1- Disc
Almost Every Song Is A Hit !!!

Contraband
Velvet Revolver
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Libertad
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ASIN: B00020NPZA
Release Date: 2004-06-08

Tracks:

Sucker Train Blues
Do It For The Kids
Big Machine
Illegal i Song
Spectacle
Fall To Pieces
Headspace
Superhuman
Set Me Free
You Got No Right
Slither
Dirty Little Thing
Loving The Alien

Amazon.com

Scott Weiland. Slash. Duff McKagen. Matt Sorum. It doesn't seem like a good idea to put these people in a room together, let alone a band. But it was the same exact explosive element of danger and low I.Q. scores that made both of these players' former groups--Stone Temple Pilots and Guns N' Roses--sell billions, so why stand in their way? The music on Contraband sounds appropriately monumental, all window-quivering riffs, and ticker-tape parade choruses. "Do It For the Kids" and "Set Me Free" take direct inspiration from Nirvana, meaning they are brilliantly raw, raucous, and indecent. It's great stuff. The power-ballads like "Fall to Pieces" and "You Got No Right," however, are more heartburn than heartbreak when compared to past achievements like, oh, let's say "Sweet Child O' Mine." --Aidin Vaziri

Album Description

The debut release from VELVET REVOLVER features Guns N' Roses founding members Slash and Duff, as well as Stone Temple Pilots vocalist Scott Weiland. The complete line-up is below...

SCOTT WEILAND - Stone Temple Pilots SLASH - Guns N' Roses, Slash's Snakepit DUFF - Guns N' Roses MATT SORUM - Guns N' Roses, Slash's Snakepit, The Cult DAVE KUSHNER - Infectious Grooves

Customer Reviews:

Contrafan.......2007-07-27

Come on...we BUY the CD and can't put it on our ipod!!

Sure install software to create security breaches in your system.

AND only 2 good songs...what a rip.

1 star for the music.

-1 star for greed. THIS IS A HUGE ZERO!!!!!!!!!!!!!!!!!!

Super Group Super Great.......2007-07-05

It was predicted that this band would save rock n' roll, and for me that's what they did. The combination of ex-Gunners with former STP frontman Scott Weiland is fantastic to say the least. If you like Rock n' Roll pick this album up immediatly.

Great first effort from the supergroup, now polished this year with a new album.......2007-07-05

I come back to review this album in the wake of VR second album release "liberated". Contraband is the orginal first effort of this group, made up of ex-Guns and roses members Duff, Slash and Matt Sorum (second drummer for guns After Steve), Stone temple pilots frontman Scott Weiland, and Dave Kushner, former guitarist for Wasted youth. Originally known as "the Project" and filmed for a VH1 documentary while rehersing and serching for a frontman, Weiland fell into their laps and they hit it off right away. Set me free was their fisrt song and released on the Hulk soundtrack. Next release was SLither. These first two has the old STP sound to them, with a kick of GNR guitar from slash. Final big release off the album was Fall to pieces, A great ballad and very GNR sounding. Overall, a great mix of sound on the album from both groups. I agree that the mixing was a bit rough, but still good. With their second album out now, the band has really come into their own sound, and comparing it to this album, Contraband was definitly a start, and seems a mix of their root groups sounds, but awesome anyway. Hopefully these guys will keep going and not fall apart like audioslave recently did, another supergoup of this decade. Check this album out. Unfortunately, this edition was a copy protected album, so making taking it to I pod, mp3 is not really possible. Oh well, still worth it.

4- Content 1- Disc.......2007-07-03

Bought this years ago.. When i switched to strictly using my PC for music, i went to rip and cant... Read other reviewers about their issues as well. I dont own an I-Pod but cant use the disc for that either... So i guess i wont be hearing this again until i hook my stereo back up.. Absolutely insane and RCA should be ashamed... I am sure there will be many used editions because of this.
Musically its great. I do like the cd itself. Solid Rock record.

Almost Every Song Is A Hit !!!.......2007-06-28

I love Guns N Roses and when I heard that Slash and Duff were going to make a superband I was hyped about it. It took me a few weeks to pick this up after it came out but when I did I fell in love with it :) Some of the best songs on it are Slither (the single), Big Machine, Headspace, Superhuman, and basically all of the others except for 1.

I'm really looking forward to the sequel to this and it's coming out in less than 7 days - so it's already a must buy for me :)

Average customer rating:

Melody and the Tyranny EP
Velvet Revolver
Manufacturer: Sony / Bmg Import
ProductGroup: Music
Binding: Audio CD

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ASIN: B000QEINVI
Release Date: 2007-06-25

Tracks:

She Builds Quick Machines
Just Sixteen
Psycho Killer
Making Of Libertad (Video)
Do It For The Kids (Live Performance From Houston) (Video)

Album Details

Velvet Revolver is the Union of Two Celebrated and Respected Bands in Rock History - Guns N Roses and Stone Temple Pilots. Their First Album 'contraband' Received Critical Acclaim and Debuted at #1 in the Us (Best Ever Debut for a New Rock Artist in the Soundscan Era). This Enhanced CD EP Includes the First Single 'she Builds Quick Machines', a Cover of the Talking Heads Classic 'psycho Killer', Exclusive Video Content and More.

Average customer rating:

Libertad-Deluxe Edition

ProductGroup: Music
Binding: Audio CD

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ASIN: B000RL53WC
Release Date: 2007-07-10

Album Description

Limited Edition International two disc (CD + NTSC/Region 0 DVD) pressing of the 2007 sophomore album from Velvet Revolver contains two bonus tracks ('Don't Drop That Dime' and 'Re-Evolution') plus a bonus DVD featuring a documentary on the making of the album. Produced by Brendan O'Brien, Libertad is the follow-up to Contraband, VR's debut album, released in June 2004, which earned three million in sales worldwide, debuted on the Billboard Top 200 Album Chart at #1 and was awarded a Grammy. 15 tracks including the first single 'She Builds Quick Machines'. BMG. .

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Circus Diablo
Circus Diablo
Manufacturer: Koch Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B000R56PEI
Release Date: 2007-07-03

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Loaded
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Commercial Breah
Hello, Goodbye
Ants Invasion
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Average customer rating:

Pitiful,Mtv,Hip Hop,Clubb'in SHITE
some great songs- overall good
Three stars for Ten out of Twenty Tracks that were pleasing
Eh....it's so-so.
hi

Fantastic Four - The Album
Various Artists
Manufacturer: Wind-Up
ProductGroup: Music
Binding: Audio CD

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Spider-Man: Music From And Inspired By

ASIN: B0009OPO12
Release Date: 2005-07-05

Tracks:

Come In, Come On- Velvet Revolver
Error Operator- Taking Back Sunday
Relax- Chingy
Whatever Happened To The Heroes- Joss Stone
Waiting (Save Your Life)- Omnisoul
Always Come Back To You- Ryan Cabrera
Everything Burns- Anastacia; Ben Moody
New World Symphony- Miri Ben-Ari featuring Pharoahe Monch
Die For You- Megan McCauley
Noots- Sum 41
Surrender- Simple Plan
I'll Take You Down- T.F.F. featuring Chris Cestor (from JET), Brody Dalle (from The Distillers), Dolf de Datsun (from The Datsuns) & Nick Zinner (from the Yeah Yeah Yeahs)
On Fire- Lloyd Banks
Reverie- Megan McCauley
Goodbye To You- Breaking Point
Shed My Skin- Alter Bridge
In Due Time- Submersed
Disposable Sunshine- Loser
Now You Know- Miss Eighty 6 featuring Classic
Kirikirimai- Orange Range

Amazon.com

There are four good reasons to pick up the Fantastic Four soundtrack. The first three are kinda buried in the middle of the CD--and they all happen to be new songs. First, there's "I'll Take You Down," a nifty rocker by a combo called T.F.F. Never heard of them? They're an ad hoc supergroup featuring the Distillers' banshee Brody Dalle, Yeah Yeah Yeahs' guitarist Nick Zinner, the Datsuns' singer-bassist Dolf de Datsun, and Jet's drummer Chris Cester. Second, Joss Stone's "Whatever Happened to the Heroes" is a lot better than its obvious title suggests; it's a rollicking, old-school rock-soul track namedropping Joe DiMaggio (a hero in Stone's native Devon?) and Marilyn Monroe. Finally, there's "Everything Burns," which sees former Evanescence guitarist Ben Moody collaborating with Anastacia on his first solo outing. It looks like an odd-couple combination but somehow it works--probably because Moody knows how to write bombastic power ballads. (It's certainly less icky than "Hero" from Spiderman.) The fourth good reason is the very last track: "Kirikirimai" is a hyperactive rock/hip-hop hybrid that introduces Japanese band Orange Range to the American market. The rest of the CD, which mixes new tunes and recycled ones, is surprisingly solid with muscular but melodic contributions from Velvet Revolver, Sum 41, Simple Plan, and Lloyd Banks's infectious "On Fire." Just try to get its organ riff out of your head. --Elisabeth Vincentelli

Album Description

Featuring new music from Platinum and Gold recording artists Velvet Revolver, Joss Stone, Ben Moody featuring Anastacia, Sum 41, Taking Back Sunday, Chingy, and much more.

Customer Reviews:

Pitiful,Mtv,Hip Hop,Clubb'in SHITE.......2006-09-25

This is one of those thrown together soundtracks.All the cookie cutter,whoever is on the "popular music chart" crap music.There was only one cool song in the entire film and it's not even on the soundtrack.I hope the band sues.Don't waste your money on this garbage.There is nothing remotely interesting about anything on this soundtrack,but if you are a gullable sheep who doesn't mind being led to the slaughter,by all means buy the C.D,we need stupid consumers like you out there,you help the economy.

some great songs- overall good.......2006-05-17

not all of the songs are great, but the 1 by simple plan is pretty good & Error Operator was sweet (in my oppinion error operator gave ths ablum 2 of its 4 stars!)

Three stars for Ten out of Twenty Tracks that were pleasing.......2006-03-13

As many have said before more this is not the "greatest Superhero themed soundtrack" to indeed purchase and their words could not speak a louder truth. But as long as your Radio has PROGRAM installed within its system then your days should be a whole lot better when listening to this SOUNDTRACK for the 2005 "Fantastic Four" film. MARVEL and WIND-UP RECORDS have probably released some decent soundtracks for the MARVEL movies that didn't make that big-buck in the theaters that made up for it in DVD sales. The following being, DAREDEVIL, ELEKTRA, THE PUNISHER, and now this one. While the two before the latter do not stand up to the original SPIDER-MAN soundtrack (2002) which also had its fair share of hits and misses, The Punisher soundtrack should've been able to please any hard rock/metal fan with the presence of Drowning Pool's "Stand Up" and Seether's "Broken" featuring Amy Lee (shudders) of Evanescence (glare). Getting back on track, the FANTASTIC FOUR soundtrack indeed reflects the mixed feeling and light atmosphere your most likely to receive when watching the film itself. However, unlike the movie, this soundtrack (or wind-up for that matter) feels as though it doesn't try hard enough to select some actual music worth listening to all the way through. Instead they throw a lot tone-deaf artists that probably have the lesser of the PR and reviews from the masses and attempts to advertise them on the soundtracks for films. A good example would be the little piece of paper that comes fluttering out of the CD case of the soundtrack egging you to buy Megan McCauley's "new" CD, a shameless advertising trick to blunt.

Seriously, I picked up on this long ago and while I knew this was just the case with this soundtrack, there are some redeeming points with this soundtrack. There's a little bit of something for everyone on "FF," the case being that the music genres span from Hard Rock --- the main reason I purchased this CD--, POP/POP-ROCK, SOFT ROCK, and HIP-HOP of the edited kind. You won't find any explicit lyrics on the four tracks featured on the CD. I'm not fan of HIP-HOP in general, but the tracks here like Chingy's "Relax" (here I thought movie/tv theme songs were limited children's television and movies!) ---which isn't a bad theme song for the film, the rapping is bearable---, and Miri Ben-Ari's "New World Symphony," which is also easy listen to, but at the same time corny to the point where you don't want anyone know your even listening to it. Other HIP-HOP songs like Loyd Banks' "On Fire" - had potential to be catchy like "Relax," but fails miserably with droll lyrics, delivery of vocal performance and musical overall. Missy Eight's "Now You Know," reminded me why I don't like HIP-HOP to begin with.

The POP-ROCK and HARD ROCK is a mixed bag to frank. Some of its good, the good spanning from Velvet Revolver's "Come on, Come In" to Submerged's "In Due Time," in truth isn't as good compelling as "Hollow" on the Elektra soundtrack but just as good. Megan McCauley's two tracks, "Die for you" and "Reverie" don't show off her vocal talents like "Wonder" had (also on the Elektra soundtrack). Nonetheless, "Die for you" is indeed the better of the two. Breaking Point's "Good-bye to you" is a bit lame and isn't as good as their first slow songs from COMING OF AGE, "Live for today" or "Phoenix," it isn't horrible, but lacks the convincing lyrics of their earlier CD. The bad spanning from Taking back Sunday to the Japanese Rock band Orange Range, which sounds like something that would've been stuck on the APPLESEED soundtrack if it were the better band. Boom Boom Satellites is the better of the invading J-Rock bands anyhow.

Anastacia's "Everything Burns" still isn't my favorite song, it doesn't utilize her vocals that well, but after listening a couple times more it isn't horrible. It could do without Ben Moody's vocals though. Its no "Hero" killer, I can tell you that; Quite far from it. By far the best song on the FF soundtrack is probably Sum 41's "Noots" which a good time, high energy rock ballad worthy of the repeat button. I honestly hadn't liked a song from them since "Rock (is what we're all about)." But all in all Its pretty clear to anyone that not this soundtrack isn't bad. The problem it suffers from clearly is that WIND-UP Records doesn't choose wisely in terms of entertaining and talented tracks from various artists. They just wanted to make a quick buck off an over hyped movie.

[THE GOOD]

(HARD ROCK):

15. Good-bye To You - Breaking Point - 3/5

9. Die For You - Megan McCauley - 3/5

1. Come In, Come On - Velvet Revolver - 4/5

10. Noots - Sum 41 - 5/5

18. Disposable Sunshine - Loser - 5/5

17. In Due Time - Submersed - 5/5

(SOFT ROCK)

7. Everything Burns - Anastacia/Ben Moody - 4/5

(HIP-HOP):

3. Relax - Chingy - 4/5

8. New World Symphony - Miri Ben-Ari featuring Pharoahe Monch - 3/5

[THE BAD]

(POP-ROCK)

2. Error Operator - Taking Back Sunday - 1/5

11. Surrender - Simple Plan - 1/5

12. I'll Take You Down - T.F.F - 1/5

(POP)

4. Whatever Happened To The Heroes - Joss Stone - 2/5

5. Waiting (Save Your Life) - Omnisoul - 2/5

6. Always Come Back To You - Ryan Cabrera - 1/5

(HIP-HOP)

19. Now You Know - Miss Eighty 6 featuring Classic - 1/5

13. On Fire - Lloyd Banks - 2/5

(HARD ROCK)

14. Reverie - Megan McCauley - 2/5

16. Shed My Skin - Alter Bridge - 1/5

(JAPANESE-ROCK)

20. Kirikirimai - Orange Range - 1/5 -------- [a 3 out of 5]

Eh....it's so-so........2006-02-17

I am not gonna say but the album, but again, it actually doesn't suck. If you compare it to the queen of the damned album, then it comes nowhere near it. It does have some pretty good voice talent in the way of ben moody, anastacia, lloyd banks, chingy, and others. You aren't doing yourself a favor by buying it, but it isn't worth skipping over. Look into it only if you liked the movie OR you like the artists. 'Nuff said.

hi.......2006-01-23

hi, I'm billy and i'm 8.
thid aoundtrsck is swesome!!!
i loove it!
my moom won't lemme wattxh FF...y not?
Grrr

Average customer rating:

Contraband Rocks
Only True Rock Band Out There
Great twenty-first century rock 'n' roll.
One of the best modern rock albums out there
It's Not DualDisc's Fault

Contraband
Velvet Revolver
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

General | Rock | Styles | Music

General | Hard Rock & Metal | Styles | Music

Hard Rock | Hard Rock & Metal | Styles | Music

Pop Rock | Pop | Styles | Music
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Slither

ASIN: B00076ZZ9S
Release Date: 2005-02-08

Tracks:

Sucker Train Blues
Do It For The Kids
Big Machine
Illegal i Song
Spectacle
Fall To Pieces
Headspace
Superhuman
Set Me Free
You Got No Right
Slither
Dirty Little Thing
Loving The Alien

Album Description

CD AUDIO SIDE: Entire Album

DVD SIDE: * Entire album in enhanced LPCM Stereo * Music Videos for "Slither" and "Fall to Pieces" * Previously unreleased clips from TV Teaser campaign * Photo gallery of exclusive promo pics This disc is intended to play on standard DVD and CD players. May not play on a limited number of models.

Customer Reviews:

Contraband Rocks.......2007-03-23

The best of G'N'R and STP have one of the best debuts in Rock and Roll in a long, long time. Scott Weiland is in fine form, and Slash is the master shredder of hard rock, pealing off killer solo after killer solo, without the the fickle Axl to bring the proceedings to a crawl. Anxiously awaiting chapter 2.

Only True Rock Band Out There.......2005-07-26

This album is simply amazing; it sounds as real rock would sound in the Twentieth Century, and not like the trashy grunts put out by the likes of rocker wannabe bands such as Blink 182, or the sickening wails of Good Charlotte (most appropriately known as Good Grief). The best of the best is here. Get it one way or the other.

Great twenty-first century rock 'n' roll........2005-07-14

A really great CD. Velvet Revolver is an amazing hard-working, hard-rocking band. Rock 'n' roll has been suffering since Nirvana. Velvet Revolver has brought it back. Some other new rock 'n' roll bands you should check out are Silvertide and Jet. Sucker Train Blues and Dirty Little Thing are very similar. That isn't bad though. The more the better! Do It For The Kids is pretty good but not as good as we will hear from the boys. Big Machine and Illegal I Song are better but still not as good as some others that we'll hear such as Spectacle, which is a great romping rock 'n' roll song. Fall To Pieces is a ballad but great as they go. The one-two-three punch of Headspace, Superhuman, and Set Me Free. The latter is my favorite song off the album. Followed by Headspace, then Superhuman so you could imagine how much it means to me that theey are all in a row. You Got No Right is the second best ballad out of the three. Fall To Pieces being the first. Slither is a great rocker and I never tire of it. I already mentioned Dirty Little Thing, and I ain't got all day. Loving the Alien is the third ballad and it's pretty good.

Scott Weiland-Vocals-Stone Temple Pilots
Slash-Guitar-Guns n' Roses
Dave Kushner-Guitar-Lots of bands
Duff-Bass-Guns n' Roses
Matt Sorum-Drums-Guns n' Roses

One of the best modern rock albums out there.......2005-06-01

Contraband (2004.) Velvet Revolver's first album.

In recent years, Stone Temple Pilots disbanded and Guns 'N' Roses has been left in ruins. Fortunately, several of the musicians who had made these bands so great weren't about to stop rocking. In late spring of 2004, Velvet Revolver released their first album, Contraband. This new band featured former Stone Temple Pilots vocalist Scott Weiland, and former Guns 'N' Roses members Slash and Duff McKagan. The two bands that these musicians came from were wildly different, and at this point in time, modern rock and roll was at an all-time low. Does Velvet Revolver's debut prevail? Read on for my review.

When I first heard about this band, I had some serious doubts. Guns 'N' Roses and Stone Temple Pilots are two totally different bands, and I thought that combining members of the bands would be an instant recipe for failure. My doubts were only strengthed by the fact that rock and roll of the era in which this album was released was at an all-time low in terms of quality. My skepticism was shattered as soon as I sat down and actually listened to the album. THIS is the way early twenty-first century rock and roll should sound! Rather than combining the stylings of the bands that the members came from, this album sounds more like a continuation of early-era Stone Temple Pilots, and that's a very good thing. Admittingly, on a few tracks, Weiland's vocals take some serious getting used to, but once you adjust to them, you'll agree that they are excellent. And, as you probably would have suspected, Slash and Duff McKagan are no slouches when it comes to the instrumental duties in the band. Another great strength of this album is the song diversity. There are straight-up hard and heavy rockers, slower, grunge-based rockers, and even a few ballads. The ballads are surprisingly good tracks! From start to finish, Contraband doesn't have a dull moment. Whether it's the big radio hits like Slither, Fall To Pieces, or Dirty Little Thing, or one of the lesser-known cuts, it's all good. Why can't all early twenty-first century rock and roll sound this good?

When you buy this album, make sure that you are buying the uncensored explicit lyrics version and not the edited version (there IS an edited version out there, so beware.) Something else I noticed is that the album comes in a slipcase, and there are many different colored slipcases that the album comes in. Of course, this is strictly cosmetic, so whatever one you buy is a matter of personal preference. I strongly recommend buying the album at Best Buy above all other retailers, because the Best Buy version has an extra disc of bonus tracks. I won't get into the technical issues here; I think the other reviews/reviewers covered that pretty well.

Velvet Revolver's debut album is nothing short of excellent. There were a number of other rock bands from this era who all pretty much sucked, and Velvet Revolver's music blew theirs out of the water, hands down. If you're a fan of the Stone Temple Pilots, this is an album well worth adding to your collection.

It's Not DualDisc's Fault.......2005-05-15

Just a note to anyone who is afraid of buying a DualDisc because they won't be able to rip the songs... With Velvet Revolver's Contraband, it doesn't matter. I bought the album originally when it was released last year. The regular cd's have been encrypted as well. There are ways around it if you really feel the need to rip the songs from the disc, but it's not only the DualDisc format that prevents copying. Just a fair warning. I actually commend artists who are taking these steps to keep their material from being handed out for free online. As for the album, yeah, the DVD side is a bit disappointing, but that doesn't mean that it's not an amazing album. One of the best of 2004 by far. The enhanced sound on the DVD side is fantastic, but if you aren't into that, go with the regular cd version. (But it won't matter for rippers... the cd's actually have a warning label on the front telling the consumer that it cannot be copied... it's pretty easy to see.)

Average customer rating:

Brighter Beat
Malcolm Middleton
Manufacturer: Full Time Hobby/Revolver
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

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The Reminder
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ASIN: B000LZ5ZD6
Release Date: 2007-03-05

Tracks:

We're All Going To Die
Fight Like The Night
Brighter Beat
Death Love Depression Love Death
F**K It I Love You
Stay Close Sit Tight
Four Cigarettes
Somebody Loves You
Up Late At Night Again
Superhero Songwriters

Album Description

Eagerly awaited 2007 album from the former musical half of the Scottish Post-Folk duo Arab Strap. 10 tracks including 'We're All Going To Die', 'Stay Close Sit Tight' and the album's first single, 'A Brighter Beat'. Full Time Hobby.

Album Details

The Follow Up to 2005's 'into the Woods,' 'a Brighter Beat' is the Former Arab Strap Star's First Release Since the Break Up of the Scottish Indie Kings. Middleton Has Created a Reflective, at Times Brooding Yet Ultimately Uplifting Record which Cements his Reputation as One of the Foremost Songwriters of a Generation, Showing Elements of Elliott Smith and Nick Cave Whilst Retaining his Unique Sound and Style. Includes the Single 'a Brighter Beat.'

Average customer rating:

Moon Maan
Moon Maan
Manufacturer: Catlick Records/Revolver
ProductGroup: Music
Binding: Audio CD

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ASIN: B000QXPYI4
Release Date: 2007-06-05

Product Description

Moon Maan is a Minneapolis-based rock band formed in early 2004. They made their live debut at 2004's South By South West Festival (SXSW) in Austin, TX. Take their advice and don't make your live debut at SXSW, unless you really like stress. Moon Maan's recently completed full-length debut album will be released in Spring 2007. Members: Rick McCollum .. Guitar, Vocals and Theremin Rick was a founding member of the Afghan Whigs, who recorded five highly acclaimed albums for Sub Pop, Elektra, and Columbia Records before disbanding in 2000. Bryan Knisley .. Guitar and Vocals Bryan was a founding member of the Minneapolis bands Snapperhead and Push On Junior, who recorded several albums for the Earmark label in the 1990s. Bryan is also the owner and in-house engineer at North Orbit Studios. Mark Pakulski .. Bass Prior to joining Moon Maan, Mark was playing bass with Signal & Report. Previous to that he had played guitar with a variety of Minneapolis based bands, including the Psychedelicates. Erik Mathison .. Drums and Percussion Erik has played with a variety of Minneapolis based artists, including Balloon Guy (Warner Brothers), Polara (Interscope), Jessy Greene, and Mark Mallman.

Music Info:

Music Info

music info

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