This Strange World [Import]
This Strange World [Import]
Track Listings
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1. Foolish World
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2. Jelunda
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3. Calling
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4. My Saviour
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5. English Rose
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6. Shamen Eyes
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7. Soulman
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8. Light In The Black
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9. Swan
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10. This Foolish World
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Editorial Reviews
Product Description
Debut Release from the Keyboard Player of 'ten'.
This Strange World,Hodson,Avalon,Heavy Metal
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Mahler Symphonies: An Owner's Manual (includes 1 CD)
- The Young Person's Guide to the Orchestra (Book & CD)
- What to Listen for in Music
- Study of Orchestration, Third Edition
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- More expensive than the other Essential but worth it.
- Excellent compilation of an important composer.
- "film composer Dimitri Tiomkin gave his all and then some"
|
The Alamo: The Essential Film Music Collection
Dimitri Tiomkin
Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Tiomkin: Red River
- The Essential Elmer Bernstein Film Music Collection
- Way Out West: The Essential Western Film Music Collection, Vol. 2
- The Wild West: The Essential Western Film Music Collection
- The Alamo (1960)
ASIN: B00022MBNK
Release Date: 2004-07-13 |
Tracks:
- Night Passage
- Tension At Table Rock
- High Noon
- The War Wagon
- The Wild Wild West: Main Theme
- The Wild Wild West: The Ballad Of Jim West
- Gunfight At The O.K. Coral
- Rio Bravo
- Rawhide
- Red River
- The Unforgiven: Across The Texas Panhandle
- The Unforgiven: The Need For Love
- The Unforgiven: Horse Ballet
- The Young Land
- Duel In The Sun
Tracks:
- The Fall Of The Roman Empire: Overture
- The Fall Of The Roman Empire: The Fall Of Love
- The Fall Of The Roman Empire: Pax Romana
- 55 Days Peking
- Land Of The Pharaohs
- Circus World (The Magnificent Showman)
- Dial M For Murder
- Strangers On A Train
- Giant: Main Title
- Giant: Love Theme
- Giant: The Jett Rink Theme
- The High And The Mighty
- Wild Is The Wind
- The Guns Of Navarone
Tracks:
- Cyrano De Bergerac
- The Well
- Friendly Persuasion
- Town Without Pity
- It's A Wonderful Life
- Tarzan And The Mermaids
- The Thing From Another World
- The Alamo: Overture/Prologue
- The Alamo: Davy Crockett
- The Alamo: Tennessee Babe
- The Alamo: The Battle Of The Alamo
- The Alamo: The Green Leaves Of Summer
- The Alamo: Finale
Tracks:
- Giant: This Then Is Texas
- Rawhide: Rawhide
- High Noon: Do Not Forsake Me
- Night Passage: Follow The River
- Giant: The Ballad Of Jett Rink
- Friendly Persuasion: Thee I Love
- It's A Wonderful Life
- Wild Is The Wind
- The High And The Mighty
- The War Wagon: The Ballad Of The War Wagon
- Rio Braco
- The Young Land: Strange Are The Ways Of Love
- The Wild Wild West: The Ballad Of Jim West
- The Wild Wild West: The Wild Wild West
Amazon.com
Dimitri Tiomkin was one of the most prominent composers of Hollywood's Golden Age and beyond, his career spanning a half-century and some of America's most classic films. This sprawling, four-disc anthology (its title a marketing nod to the modern remake of one of Tiomkin's notable collaborations with John Wayne) features new digital recordings of full-bodied performances by the City of Prague Orchestra and Festival Chorus, the most ambitious and comprehensive tribute to the composer yet attempted. There's something here for film score buffs (rarities like a suite from his sci-fi genre-defining Thing From Another World and the "Main Theme" for the pilot of TV's Wild, Wild West) and novice alike; indeed one could scarcely ask for a more complete overview of Tiomkin's robust orchestral oeuvre. Divided into four chapters, disc one chronicles how the Ukrainian immigrant concocted a rich Western film heritage (including such genre landmarks as Red River, High Noon, Gunfight at the O.K. Corral and Rio Bravo) from largely European traditions, while the next two CD's cover his rousing work for epics and thrillers of every stripe, and collaborations with Hitchcock, Wayne, Capra, Stevens and more. The concluding disc pays homage to Tiomkin the unlikely pop tunesmith, via his hit vocal themes to Rawhide, Wild is the Wind and High Noon's "Do Not Forsake Me." --Jerry McCulley
Customer Reviews:
More expensive than the other Essential but worth it........2007-04-22
This is an excellent set of music of Dimitri Tiomkin's music! The 4th disc is short (at just over 30 minutes), but thats because it is just the vocal versions of tracks which appeared in instrumental form throughout the first 3 discs. Whenever you buy a silva screen compilation, the first thing you ask yourself is 'when were these recordings made' and 'do I have these tracks on other compilations? Thankfully, this set has TONS of new recordings, but there is some recycled stuff and they are as follows:
Dial M For Murder is from the 1993 History of Hitchcock Vol. I, while Strangers on a Train is from 1995's History of Hitchcock Vol. II.
Three tracks originate from 1994's "Music From the Films Of John Wayne". They are "The High and the Mighty", "The Alamo - Overture" and "The Alamo - Green Leaves of Summer".
Red River is from 1996's "How The West Was Won: Classic Western Film Scores Vol. One".
The Thing From Another World suite is from the excelllent 1998 set "Alien Invasion: Space And Beyond II"
Many tracks first appeared on "Way Out West: The Essential Western Film Music Collection Vol. Two". They are: "Duel In The Sun", "The Alamo (Davy Crockett)", "Friendly Persuasion", "Giant (Main Theme)", "Gunfight at the OK Corral", "High Noon", "Rio Bravo", and "The Unforgiven (The Need For Love)".
The rest of the tracks are brand spankin new, and most are not available on other discs, so snag this one up in a hurry!
Excellent compilation of an important composer........2004-07-16
This long overdue collection of Tiomkin standards and rarities is a must for any fan of symphonic music; albeit, for film or concert hall. As the liner notes clarify; these recordings are a real labor of love for James Fitzpatrick and the Silva Screen team. Tiomkin is; undoubtedly, one of the most difficult of composers to replicate. This recording comes extremely close to "hitting the nail on the head" particularly with tracks such as: "Across the Texas Panhandle" from the Unforgiven, The Entr'acte from Duel in the Sun, The Guns of Navarone, The War Wagon, and the main title and Jett Rink theme from Giant. This recording is a bargain, particularly for collectors who have sought after many of Tiomkin's composer conducted soundtracks (which are getting harder and harder to obtain). Listeners who enjoy this set should consider seeking out previous cd releases of the soundtracks to "The Guns of Navarone" (SONY, Varese Sarabande), "The Fall of the Roman Empire" (Varese Sarabande, PEG), "55 Days at Peking" (Varese Sarabande), and "The Alamo" :original soundtrack (still available on SONY-Legacy).
"film composer Dimitri Tiomkin gave his all and then some".......2004-07-13
Silva America presents the ultimate in film music during the illustrious career of an icon and legendary composer of film scores ~ "Alamo:Dimitri Tiomkin Essential Film Collection/O.S.T", featuring some long forgotten 53 cues that sent chills and thrills into the pulses of world events ~ selections from a limited collectors edition that would make any "film-score-buff" green with envy.
Tiomkin was born in Ukraine, Russia [1894-1979] attended and graduated from St. Petersburg Academy[studied under the famed composer Glazunov] ~ had a degree in music as well as law ~ came to America in 1925, shown great interest for Native American music early in his film career.
Great fondness for "The Western" ~ "DUEL IN THE SUN" (1946) (Gregory Peck, Jennifer Jones, Joseph Cotton, Lionel Barrymore, Lilian Gish and Charles Bickford - one of biggest and successful epic Westerns ever, score & photography was simply breathtaking), "RED RIVER" (1948) (John Wayne, Monty Cliff and Walter Brennan - the Duke should have won an Oscar for his performance as the aging cantankerous cattle baron)"HIGH NOON" (1952)(classic film with Gary Cooper in his Oscar winning performance of Will Kane), "TENSION AT TABLE ROCK" (1956), "GUNFIGHT AT THE OK CORRAL" (1957)(Burt Lancaster as Wyatt Earp & Kirk Douglas as Doc Holliday pulled this off with the help of the Main Theme), "NIGHT PASSAGE" (1957), "RIO BRAVO" (1959) (top box office leaders John Wayne, Dean Martin, Walter Brennan and Ricky Nelson), "THE YOUNG LAND" (1959) (young Dennis Hopper), "RAWHIDE" (TV Series) (1959-66) (Eric Fleming as trail boss Gil Favor & Clint Eastwood as Rowdy Yates), "THE UNFORGIVEN" (1960) (Burt Lancaster, Audie Murphy and Audrey Hepburn), "THE WILD, WILD WEST" (TV Series) (1965-69)(Tiomkin's music never saw the light of day), "WAR WAGON" (1967) (John Wayne & Kirk Douglas starred) (beautifully melodic) ~ it's easy to see why Tiomkin loved Western lore.
Second disc contains The Epics ~ "LAND OF THE PHARAOHS" (1955) (Jack Hawkins as Pharaoh Cheops and a beautiful Joan Collins as his scheming wife), "55 DAYS AT PEKING" (1963) (Charlton Heston, David Niven and Ava Gardner is the all star cast), "THE FALL OF THE ROMAN EMPIRE" (1964) (featuring Alec Guinness as emperor Marcus Aurelius), "CIRCUS WORLD" (1964) (John Wayne, Claudia Cardinale and Rita Hayworth under the big top) ~ next we Hitchcock Thrillers with "STRANGERS ON A TRAIN" (1951) (a masterpiece film featuring Robert Walker and Farley Granger are both very convincing as we learn, never talked to strangers on a train or anywhere), "DIAL M FOR MURDER" (1954) (tense moments come from Grace Kelly, Ray Milland and Robert Cummings - they don't get any better than this) ~ finally Drama and High Adventure with "HIGH AND MIGHTY" (1954) (another outstanding performance by John Wayne, as the co-pilot of an airline whistling the haunting theme), "GIANT" (1956)(another big epic film with Rock Hudson, Elizabeth Taylor, James Dean and Chill Wills show us what it's like to be a Texan, with oil and money), "WILD IS THE WIND" (1957) (Anthony Quinn, Anna Magnani and Anthony Franciosa), "THE GUNS OF NAVARONE" (1961) (World War II film featuring Gregory Peck, Anthony Quinn, David Niven and Stanley Baker on a small Greek Island trying to outwit the Germans and a very big gun) ~ some of Tiomkin's most inspiring themes rise to the surface.
On disc three ~ as we continue with Drama and High Adventures "IT'S A WONDERFUL LIFE" (1946) (James Stewart, Donna Reed, Thomas Mitchell, Lionel Barrymore and Ward Bond with wholesome warm and endearing themes from our favorite composer), "TARZAN AND THE MERMAIDS" (1948) (in his 12th film as Tarzan, Johnny Weissmuller still had what it takes to swim and defeat the man-god Balu - Weissmuller and Tiomkin the perfect combination for this Tarzan adventure), "CYRANO DE BERGERAC" (1950) (Jose Ferrer stars as Edmond Rostand's famous swordsman with a even more famous nose), "THE WELL" (1951) (intense cues give the film musical triumphs in final scenes), "THE THING FROM ANOTHER WORLD" (1951) (exciting Howard Hawks film with a score to match), "FRIENDLY PERSUASION" (1956) (director William Wyler shows the life and times of a Quaker family played by Gary Cooper, Dorothy Mcguire and Anthony Perkins during the American Civil War, very touching), "THE ALAMO" (1960) (big budget epic western with Big John Wayne it's producer, director and star as Davy Crockett with a haunting and never to be forgotten "The Green Leaves of Summer"), "TOWN WITHOUT PITY" (1961) (Kirk Douglas in a post-war Germany story, blends jazz themes with Tiomkin signature arrangements) ~ Tiomkin always made the difference when it came to scoring a film.
The last and final disc four ~ The Tiomkin Vocal Songbook featuring "This Then is Texas" (Giant), "Rawhide" (Rawhide), "Do Not Forsake Me" (High Noon), "Follow the River" (Night Passage), "The Ballad of Jett Rink" (Giant), "Thee I Love" (Friendly Percuasion), "It's A Wonderful Life", "Wild Is The Wind", "The High and the Mighty", The Ballad of the War Wagon" (The War Wagon), "Rio Bravo", "Strange are the Ways of Love" (The Young Land), "The Ballad of Jim West" (The Wild Wild West), "The Wild Wild West" (The Wild Wild West) ~ many were hit makers of the day and in the top ten.
Outstanding performances by The City of Prague Philharmonic Orchestra (Nic Raine, Paul Bateman, Mario Klemens - are the conductors), Crouch End Festival Chorus (David Temple - choir master), featuring vocals by Jason Howard and Keith Ferreira ~ hats off to James Fitzpatrick (producer), Reynold da Silva (executive producer), Olilvia Tiomkin Douglas, John Waxman, Rick Clark and Gareth Williams (associate producers) ~ all film producers and directors welcomed the legendary composer with open arms for their forthcoming projects ~ the "film-score-buff" collectors are ecstatic about this four disc release on the essential film music collection of DIMITRI TIOMKIN, the arrangements and performances are top notch inclusive of HDCD/Dolby Surround.
When listening to the music of a film, you had the feeling of the storyline, characters and convictions of the whole picture, they'll never be another to come this way again ~ Silva America has outdone themselves on this one, it is definitely a five star film score box set...gotta love it!
Total Time: 4-CD-Set ~ Silva America 811 ~ (7/13/2004)
Average customer rating:
- Wonderful
- Pure joy
- Copland's vocal work
|
A Copland Celebration Vol. 3
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
All Works by Copland
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Similar Items:
- A Copland Celebration Vol. 2
- A Copland Celebration Vol. 1
- The Copland Collection: Orchestral Works, 1948-1971
- Copland: Old American Songs/Canticle Of Freedom/Four Motets
- The Copland Collection: Orchestral & Ballet Works, 1936-1948
ASIN: B000050HWV
Release Date: 2000-11-07 |
Tracks:
- Old American Songs, Sets 1 & 2: The Boatmen's Dance - William Warfield
- Old American Songs, Sets 1 & 2: The Dodge - William Warfield
- Old American Songs, Sets 1 & 2: Long Time Ago - William Warfield
- Old American Songs, Sets 1 & 2: Simple Gifts - William Warfield
- Old American Songs, Sets 1 & 2: I Bought Me A Cat - William Warfield
- Old American Songs, Sets 1 & 2: The Little Horses - William Warfield
- Old American Songs, Sets 1 & 2: Zion's Walls - William Warfield
- Old American Songs, Sets 1 & 2: The Golden Willow Tree - William Warfield
- Old American Songs, Sets 1 & 2: At The River - William Warfield
- Old American Songs, Sets 1 & 2: Ching-A-Ring Chaw - William Warfield
- Twelve Poems Of Emily Dickinson: I. Nature, The Gentlest Mother - Aaron Copland
- Twelve Poems Of Emily Dickinson: II. There Came A Wind Like A Bugle - Aaron Copland
- Twelve Poems Of Emily Dickinson: III. Why Do They Shut Me Out Of Heaven? - Aaron Copland
- Twelve Poems Of Emily Dickinson: IV. The World Feels Dusty - Aaron Copland
- Twelve Poems Of Emily Dickinson: V. Heart, We Will Forget Him - Aaron Copland
- Twelve Poems Of Emily Dickinson: VI. Dear March, Come In! - Aaron Copland
- Twelve Poems Of Emily Dickinson: VII. Sleep Is Supposed To Be - Aaron Copland
- Twelve Poems Of Emily Dickinson: VIII. When They Come Back - Aaron Copland
- Twelve Poems Of Emily Dickinson: IX. I Felt A Funeral In My Brain - Aaron Copland
- Twelve Poems Of Emily Dickinson: X. I've Heard An Organ Talk Sometimes - Aaron Copland
- Twelve Poems Of Emily Dickinson: XI. Going To Heaven! - Aaron Copland
- Twelve Poems Of Emily Dickinson: XII. The Chariot - Aaron Copland
- In The Beginning - Aaron Copland
- Lark - Aaron Copland
Tracks:
- The Tender Land: Act One: The Day Before Graduation (Late Afternoon): Gently Flowing - Aaron Copland
- The Tender Land: Act One: The Day Before Graduation (Late Afternoon): Moderate Tempo: 'Once I Thought I'd Never Grow Tall As This Fence' - Joy Clements
- The Tender Land: Act One: The Day Before Graduation (Late Afternoon): Moderately Fast: 'Do You Suppose They're Makin' Food In There?' - Richard Fredericks
- The Tender Land: Act One: The Day Before Graduation (Late Afternoon): Somewhat Faster: 'We've Been North'/'We've Been South' - Richard Cassilly
- The Tender Land: Act One: The Day Before Graduation (Late Afternoon): With Motion: 'Halloo, Halloo' - Norman Treigle
- The Tender Land: Act One: The Day Before Graduation (Late Afternoon): Moderately: 'If You Boys Work As Smooth As You Talk, We'll Make Good Time In The Fields' - Norman Treigle
- The Tender Land: Act One: The Day Before Graduation (Late Afternoon): Trifle Slower: 'The Promise Of Living With Hope And Thanksgiving' - Richard Cassilly
- The Tender Land: Act Two: That Evening: Lively And Rough - Aaron Copland
- The Tender Land: Act Two: That Evening: Quite Slow: 'Thank You, Thank You All' - Joy Clements
- The Tender Land: Act Two: That Evening: Very Broadly: 'Ah, Laurie, You Are A Puzzle' - Norman Treigle
- The Tender Land: Act Two: That Evening: Briskly: 'Stomp Your Foot Upon The Floor' - Richard Cassilly
- The Tender Land: Act Two: That Evening: Somewhat Slower: 'The World Seems Still Tonight' - Richard Cassilly
- The Tender Land: Act Three: Later That Night/Then Graduation Day (Dawn): Introduction: Starting Slowly - Aaron Copland
- The Tender Land: Act Three: Later That Night/Then Graduation Day (Dawn): As At First: 'Daybreak Will Come In Such A Short Time' - Richard Cassilly
- The Tender Land: Act Three: Later That Night/Then Graduation Day (Dawn): Fast Tempo: 'That's Crazy!' - Richard Fredericks
- The Tender Land: Act Three: Later That Night/Then Graduation Day (Dawn): Broadly: 'The Sun Is Coming Up As Though I'd Never Seen It Rise Before' - Joy Clements
- The Tender Land: Act Three: Later That Night/Then Graduation Day (Dawn): (Still Slower): 'You Are Strange To Me' - Claramae Turner
Customer Reviews:
Wonderful.......2007-04-22
I must confess I am unfamiliar with Copland's "The Tender Land" except for this reissue, which I find to be absolutely magnificent. I realize this is a truncated performance, eliminating what I assume to be a fair amount of spoken dialogue. But I don't care. What is presented here is simply one of the finest American compositions - forget American - one of the finest compositions of the 20th century. Period.
Pure joy.......2005-07-29
The recording of Copland's The Tender Land is alone worth getting this disc. The rest of the vocal works are just a bonus, a very good bonus! Copland directs a definitive account of his opera, and in this compressed version leaves out all the spoken parts of the full length opera, no doubt depriving us of a lot of good music but on the other hand giving listeners a very concise version that is even stronger musically (although dramatically a little lacking in logic because of the missing parts - for example without knowing of the confrontation during the party scene you would find the boys' departure the next morning puzzling, and the CD notes does not elaborate on the plot, which is about the only negative thing you can say about this set). Listening to the opera in this abridged version gives you the feeling of one hit after another, there is not a single weak point in the score and Copland has a gift for word-setting that can turn clumsy texts such as "girls come and go, some are good, some are not so good" into goosebumps stuff (a lovely dedication to Laurie sung by Grandpa). Other high points include the stunning transformation of the traditional Walls of Zion into the quartet piece The Promise Of Living and a rollicking Party Scene, which contains the best in Copland's clever orchestration and rythmic vitality - it seems all of the composers best traits have all come together in this work. Martin's Act 2 Song 'Laurie...You Know, Laurie' is a rare gem or an aria and beautifully sung. Other hidden gems include the comical 'We've Been North'. The cast is impeccable and the entire performance is flawless. Add to that one of those scores that simply win you over from start to finish, and you can't but fall in love with this music. I once thought that nothing could better Appalachian Spring but that was before I discovered this neglected work.
Copland's vocal work.......2002-08-08
And so on this third set of the celebration of Aaron Copland's music, all attention is on his vocal work including the opera, "The Tender Land".
I can't completely explain why I give this five stars after giving the first two sets four stars each. This is just the way the opera, in particular, strikes me. I'm no great opera fan, and to my knowledge, America just has not yet proved itself in the operatic field although it's tried. It will take time, but I do see Copland's work as someday being considered the best example of American opera. This is all subjective opinion, obviously, and I'm sure there are those more knowledgeable who will disagree. So be it.
All in all, these three sets will give you a complete overview of one of America's most important composers.
Average customer rating:
- Stop over-reacting! A thoroughly enjoyable album
- Worst Wolfstone Album Ever!!
- Not Their Best Stuff
- Disappointing album, fantastic band
- Disappointed
|
This Strange Place
Wolfstone
Manufacturer: Green Linnet
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- Seven
- Year of the Dog
- Half Tail
- The Chase
- Unleashed
ASIN: B000006CF7
Release Date: 1998-02-24 |
Tracks:
- Harlequin: The Harlequin/Pipe Major Stevie Saint
- This Girl
- Let Them Sing
- Banks Of The Ness
- This Strange Place
- Stevie's Set: The Wild Monkey Dance/Black Eyed Jam
- Till I Sleep
- The Arab Set: An Arab In The Court Of Kintail/The Redwood Reel
- Reluctant Journey
- Kazakhstan: A Thief In The Night/The Hills Of Kazakhstan
Customer Reviews:
Stop over-reacting! A thoroughly enjoyable album.......2004-05-11
Ignore the 1-star reviews of this album. Those crybaby critiques are all due to the lack of crunchy electric guitar. It's the ol' "The band calmed down for one album, so I hate them!" routine. True, it's no "Half Tail," but there are many mighty fine tunes on here that make it more than worth the purchase price. It gets very respectable rotation in my machine. "Till I Sleep" is utterly lovely, as is "Banks of the Ness." I would not want a CD collection that was without these two songs. "Harlequin," "Kazakhstan," & "The Arab Set" are fun instrumentals that are perfectly up to Wolfstone standards.
Worst Wolfstone Album Ever!!.......2001-01-30
I bought this album hoping that the old Wolfstone had produced another hard-hitting disc after a year or two off. However, I was sadly mistaken, as this cd is horrible in comparison to their others, and compared to other celtic albums as well. I would not recommend it at all, but at the same time, I HIGHLY recommend Year of the Dog, The Half Tail, Pick of the Litter, and Seven....all by Wolfstone. Enjoy
Not Their Best Stuff.......2001-01-30
I bought this album hoping that the old Wolfstone had produced another hard-hitting disc after a year or two off. However, I was sadly mistaken, as this cd is horrible in comparison to their others, and compared to other celtic albums as well. I would not recommend it at all, but at the same time, I HIGHLY recommend Year of the Dog, The Half Tail, Pick of the Litter, and Seven....all by Wolfstone. Enjoy
Disappointing album, fantastic band.......2000-09-29
First let me say that Wolfstone is, in my opinion, one of Scotland's national treasures. Due to geography, I've never seen them in concert, but from the music I've heard and from the raves of others who have attended their live performances, it's an experience.
Wolfstone's great strength is synthesis: Taking old folk tunes and classic instruments and bringing them into the modern age. (Can't say as I've ever heard another band with both bagpipes and electric guitars.) They draw from the placid oil well of tradition, pour it into their engine, and kick into high gear. It's what attracted me to the band in the first place.
As such, "This Strange Place" caught me off guard. Broadly speaking, it's much more melodic, fluid, and passive than any of their earlier releases. (They've gotten a little fire back with "Seven", but their other albums, especially "Half Tail," are much more hard-driving.)
If this were my only Wolfstone album, I would undoubtedly rate it higher. "Till I Sleep" has got to be my single most beloved Wolfstone song; its quiet piano accompaniment and haunting lyrics are inspirational. But I've heard what Wolfstone is capable of, their fire and frenzy, and I find I prefer that to the soft reflectiveness of "This Strange Place."
Disappointed.......2000-05-20
I first heard of Wolfstone when I attended a folk festival some years ago. I was very impressed by their melodic folk rock, so when I heard of their new CD "Strange Place" I was really looking forward to it. But after listening to the CD the first time I was very disappointed. It rather sounds like boring pop with a celtic influence, not like the lively Wolfstone tunes I expected. All in all, it's a rather poor Album, I cannot recommend it.
Average customer rating:
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This Strange World
Hodson
Manufacturer: Frontiers Italy
ProductGroup: Music
Binding: Audio CD
General
| Rock
| Styles
| Music
General
| Hard Rock & Metal
| Styles
| Music
Hard Rock
| Hard Rock & Metal
| Styles
| Music
Hard Rock & Metal
| Imports
| Stores
| Music
Rock
| Imports
| Stores
| Music
ASIN: B0002DSUIY
Release Date: 2006-11-27 |
Tracks:
- This Foolish World
- Jelunda
- Calling
- My Saviour
- English Rose
- Shamen Eyes
- Soulman
- Light in the Black
- Swan
- This Foolish World [Multimedia Track]
Album Description
2004 debut album from British melodic rock band featuring Paul Hodson (keyboardist for Ten & Bob Catley). Ten tracks including the audio & video versions of 'This Foolish World'. Frontiers.
Album Details
Hodson is a New, Exciting Melodic Hard Rock Band, Brainchild of Current Ten Keyboard Player: Paul Hodson. Formed in 2003, Hodson Consist of Paul on Vocals and Keyboards, Vince O'regan (Pulse, Bob Catley) and Guitar and Josie Vespa on Bass.
Average customer rating:
- Ghosts of Hank incarnated through Music
|
Gone
Manufacturer: Tiny Records
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
General
| Country
| Styles
| Music
General
| Alternative Rock
| Indie Music
| Stores
| Music
General
| Country
| Indie Music
| Stores
| Music
ASIN: B00005RWFP
Release Date: 2001-10-01 |
Tracks:
- Wild Hair
- Teardrops In My beer
- Your a Nation
- I Miss Missin You
- BackwhereIwas
- Chicken Bone
- C'mon Honey, I Don't Just Love You for Your Money
- Appetite
- Urination
- Heebie Jeebies
- Cloud of Dust
Album Description
Tales of hubris, longing, avoidance and discust. Tales of the search for a way out, 'beit of the room, of the confusion, or of this strange world. Tales about you.
Customer Reviews:
Ghosts of Hank incarnated through Music.......2001-11-21
This album is one of the most underrated independant releases this year. Each song has elements that pay obvious homage to such country-twang greats as George Jones and Hank Williams Sr. There is an air of whimsy felt in the raw power weilded in Johnson's capable hands and fellow bandmates as they charge their way through original numbers that will be soon found stuck in your head. For example, "You're a nation", is it a patriotic song?; is it a play on words?; is it a sarcastic look at our country? It's open for you to decide. Clever writing. Engaging music.
Average customer rating:
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This Strange World
Hodson
Manufacturer: Avalon
ProductGroup: Music
Binding: Audio CD
General
| Hard Rock & Metal
| Styles
| Music
Hard Rock
| Hard Rock & Metal
| Styles
| Music
ASIN: B00024Z5ZO
Release Date: 2004-07-05 |
Tracks:
- This Foolish World
- Jelunda
- Calling
- My Saviour
- English Rose
- Shamen Eyes
- Soulman
- Light in the Black
- Swan
- This Foolish World [Multimedia Track]
Album Details
Debut Release from the Keyboard Player of 'ten'.
Average customer rating:
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You Are Understood Pt. 1
Manufacturer: Delta Tone 40
ProductGroup: Music
Binding: Audio CD
Pop Rock
| Pop
| Styles
| Music
ASIN: B000CAAGAM
Release Date: 1999-03-16 |
Average customer rating:
- Fusion of Poetry and Music
- Window - "Aiko masters her listeners' hearts..."
|
window
Manufacturer: Bera Records
ProductGroup: Music
Binding: Audio CD
General
| Folk
| Styles
| Music
General
| Pop
| Indie Music
| Stores
| Music
ASIN: B00000JRPS
Release Date: 1998-04-25 |
Tracks:
- silent
- me
- bye bye
- tokiwasugi
- mother's day
- i'm no longer her friend
- spell and destiny
- where the sun shines
- into to the ocean
- will i see you again?
- sister
- window
- now is
- to wake from a dream
- simple
- black moon and a wooden face
Album Description
This is Aiko's 2nd self-produced and self-released CD under her own label, Bera Records. Along with her guitar and vocals, the CD includes piano, violin, electric guitar, upright bass, and accordion. In this CD, Aiko, again, travels beyond the categorization of genre to create something very unique to her own.
Customer Reviews:
Fusion of Poetry and Music.......1999-08-16
With the album "Window", Aiko Shimada has created a fusion of poetry and music. Each word, as well as each note, is vital. The combination of her reflective, personal lyrics and her hauntingly beautiful voice is extremely powerful. The accompanying music is brilliant. Each musician in her band plays their instrument masterfully. This results in music that can not be held within the confines of any one category. Aiko's music has a beauty that can not be fully expressed in words. Except perhaps, by her.
Window - "Aiko masters her listeners' hearts...".......1999-08-07
I bought this album after seeing Aiko in concert last year. Her performance blew me away, and when I got home with the cd, I found there was much more of her music to discover. Recorded music is a different medium altogether, and many artist's disappoint me, but Aiko masters her listeners' hearts through it.
I am a songwriter myself, and I would have to say that Aiko's music has been more inspiring to me than most "famous" songsters. Her albums get played more often than those of any other single artist in my cd collection. Each of her song's is uniquely beautiful. Her lyrics stay with me and make me crave the music when I am away from home.
You aren't likely to come across another musical style like Aiko's, and even though it is so different, it is still refined and highly cultured. Her voice is smooth and expressive, and her guitar playing is enchanting. She is accompanied by several musicians on the album, and each adds depth to the beauty of the music.
When I compare the risk of spending $16 on an "unknown" to what I know the reward will be, hesitation seems silly.
Aiko is a hidden gem that you have been lucky enough to find.
Average customer rating:
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Strange to the World
Cedenough
Manufacturer: Spira Music
ProductGroup: Music
Binding: Audio CD
General
| Rap & Hip-Hop
| Styles
| Music
Pop Rap
| Rap & Hip-Hop
| Styles
| Music
ASIN: B000CAKN0A
Release Date: 2006-03-21 |
Tracks:
- Strange to the World (Intro)
- Confess [Remix] - Cedenough, Goldiloxx
- Attention
- Strange Dude
- What Would You Say?
- Interlude: Window Scene
- Look out My Window
- Let It Flow - Cedenough, Dre' Murray
- It's Serious - Cedenough, ,
- Interlude: Club Scene
- You a Church Boy?
- Brother's Keeper - Cedenough, Chad Lee
- Interlude: Store Scene
- Enough Ced
- Doesn't Mater - Cedenough, Lavel Jackson
- Missing You - Cedenough,
- Real Rap - Cedenough, Goldiloxx
- Salvation (Outro)
- Make 'Em Feel You - Cedenough,
Customer Reviews:
a breath of fresh air!.......2006-04-18
This cd is loaded with throbbing beats that will get you bobbing your head if not up and dancing! I love love love it!
Music Info:
- Thrash & Burn
- Thrill of It All [Enhanced] [Import]
- Today's Hottest Hard Rock
- Tomorrow Is Too Late
- Tomorrow Is Too Late
- Treponem Pal
- Vol. 1-Play Loud-Arpeggio
- Weight of the World [Import]
- Why
- Winterland
Music Info
music info
Recommended Music:
You're Nice People You Are
Hommage à la Guitare
Fricker, Rawsthorne, Vaughan Williams: Violin Sonatas
Afterhours: Global Underground
It's 2 Easy [Import]
Future Street [Import] [Original recording remastered]
Honey/Summer (The First Time) [Import]
Four Systems, 1954
Expecting to Fly [CD-single] [EP]
Explosions
Hail To The Thief
Hittin the Jug
Discografia Completa, Vol. 8: Agua Con Amor/Te Lo [Import]
Black Coffee Blues
Stormy Monday Blues