Creation [Import]

Creation [Import]

Track Listings

1. Eager For The Fray

2. Reap The Storm

3. The Creation

4. Burn The Night

5. The Experiment

6. Let Them March

7. The Serpentine Route

8. To The Grind

9. Exhibition Of Sins

Editorial Reviews
Product Description
Varied metal with strong Judas Priest influence. Nine tracks including, 'Eager For The Fray', 'Reap The Storm' & 'Burn The Night'. Black Sun Records. 1998.

Tracks:

Fine Line
How Kind Of You
Jenny Wren
At The Mercy
Friends To Go
English Tea
Too Much Rain
A Certain Softness
Riding To Vanity Fair
Follow Me
Promise To You Girl
This Never Happened Before
Anyway

From Amazon.co.uk

Sir Paul is an elder statesman now, but Chaos and Creation in the Backyard finds him in considered and tastefully restrained form, penning songs worthy of his finest hour. McCartney crafts this collection of songs with exquisite balance, lining up haunting chimes and heartfelt lyrics ("Riding to Vanity Fair") alongside pounding "Hey Bulldog"-esque chords and eerily Beatles-ish multitracked vocals ("Promise to You Girl," "Fine Line") and, most impressively, distinctively new yet timeless gems of songcraft ("Anyway," "Jenny Wren"). Emotionally, Chaos and Creation manages to avoid being mired in oversentimentality, while retaining a powerful, understated sincerity. Poignant though it is, however, the record is essentially positive and hopeful: Sir Paul's playfulness beams through in his intonation, which picks up a line such as "It's not right/In your life/Too much rain" and breathes life and optimism into its words. "English Tea" completes the package, an unrepentantly twee serving of Anglo-nostalgia with recorder. Chaos and Creation in the Backyard displays the full range of McCartney's inimitable talent, presenting listeners with one of his finest solo albums. --Jonti Davies

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Customer Reviews:

Far and away, the best bet for Mac's solo career.......2007-07-05

With producer Nigel Godrich (a frequent Radiohead collaborator) helping out, Paul's latest effort may seem to reek of a desperation to connect with the hip, young crowd. In fact, Godrich seems to be on hand to make sense of the rougher impulses in McCartney's solo oeuvre, streamlining the mess into cohesion. Chaos and Creation is Paul's best and most consistent album since...well, ever.

Granted, I've heard less McCartney records than ones I haven't, but the general consensus suggests that the ones I've heard were the better ones. Although Paul had the most successful music career of the Beatles after the break-up, he's never hovered in the same league as Lennon or Harrison. But with this album, he proves that he may have been capable of crafting true albums all along; all he had to do, it seems, is just get away from those silly love songs. Even the songs that ring of the alarms of filler warning ("English Tea" especially) are pleasant and catchy enough not to make one feel the itch to reach for the skip button. The gentle lilt of "A Certain Softness" is an obvious highlight, as are the drawn out sprawls of "How Kind of You" and "Riding to Vanity Fair," and the zippy leadoff, "Fine Line." The album's often spare beauty is its greatest asset; don't expect it to grip you immediately, but it has better replay value than anything McCartney's done since his Beatles days.

Best cuts: "A Certain Softness," "This Never Happened Before," "Fine Line," "Riding to Vanity Fair," "At the Mercy," "How Kind of You," "Jenny Wren," "Anyway," "Too Much Rain," "Promise to You Girl"

Paul still has it!!!.......2007-07-03

I first listened to this album when it came out in 2005. It took me til 2007 to really understand and appreciate this album. I had to listen to it a number of times before I started to like the songs. I had to understand that this Macca is not of Beatle fame already. One can't really detach him from the Beatles because they were such a famous group in the 60's.

Paul still writes with the poppy feel that he often used when he was still with the Beatles. The melodicism and the melancholy in past Beatle albums are still there.

Here are a few points that I have noticed:

Jenny Wren--- very Blackbird style
A Certain Softness---- still remember 'And I love her'?
English Tea--- flashes of Eleonor Rigby
This Never Happened Before--- basslines akin to basslines from Rubber Soul album and upward albums
Riding to Vanity Fair--- can pass for a track in Abbey Road

For me, to really appreciate Paul now is to not really look back with his past Beatlse work. We should understand that his inspirations change through time but his talent for writing songs is still there. I still like him now and I am thankful that he still writes today because there's way too much groups that churn out songs that can be passed for noise these days.

Best Songwriting in Years.......2007-07-02

Someone once said that Paul McCartney conveys his feelings, not through lyrics but through his use of melody. No where is that more apparent than on this album. I bought this cd during the divorce scandal, so maybe my impression is colored by hindsight, but the melodies and chord sequences on some of the songs are so sad, that it's almost hard to listen. Mind you I've been a fan for 37 years, and maybe this also colored my impression,but I can't listen to songs like 'Jenny Wren', 'Vanity Fair', and 'Friends to Go' without feeling a heavy, sadness. It doesn't matter what or who he's singing about,in fact the lyrics don't even matter. The melodies convey such sadness, that even on upbeat songs like, 'A Certain Softness', and 'English Tea', I still felt that heaviness. I get the same feeling when I listen to Paul's part of the long medly on Abbey Road,ie; 'You Never Give Me Your Money', 'Golden Slumbers',etc. This guy writes the sweetest melodies when he's going through s***. So I love this cd. Before I bought it, I hadn't owned a McCartney album since 'Band on the Run'. I had always been a Beatles fan, but after 'Band on the Run', (which I loved) I got away from Paul for many years because I just didn't like what he was doing anymore. 'Silly Love Songs?'.. yuk.. collaborations with Michael Jackson and Stevie Wonder?...oh come on, what is he doing?, I thought. I concentrated on punk and new wave, alternative, and 60's music (especially British), and of course I never stopped loving the Beatles. Fast forward to 2006, and it's all over the news that my favorite bass player is going through a nasty divorce. I found out that his latest album contains many songs about what he was going through, and I was intrigued, so I bought it. On first listen, I didn't like it, and incidentally a lot of the reviewers who gave it less than 4 stars probably wrote their reviews after only one listen. But the second time I put it on, I was blind sided. Some cynical people who still live in the land of 'Silly Love Songs' and think that McCartney lost it after he lost the Beatles (I was one of those people),will not agree with what I'm about to say but I'll say it anyway...This cd contains some of the most beautiful music he's done in years and some of it is as good as anything he did in the Beatles. 'Jenny Wren' could have easily fit on the White Album, Abbey Road or even Revolver. It's just as good as Eleanor Rigby (ouch, can't believe I'm saying that). 'A Certain Softness' is as romantic and sexy as 'Here There and Everywhere', and that too would have fit nicely on Revolver. You really feel how much he loves the two women he's singing about, but he also seems to be singing about loss, which lends a sadness to this wonderful song. Critics have written off 'English Tea', saying it's trite, and one of the weaker songs. I guess they don't get the ironic humor of it, and they missed the gorgeous melody too...oh well their loss...don't listen to them. If 'English Tea' had been on the White Album, it would have stood up well to 'Martha My Dear'. Some people say 'Friends to Go' is about George Harrison. Did Paul actually say this? Whether he did or not, it does seem to be about a relationship that has been strained, and the author wants to make things right...(before it's too late?) 'Riding to Vanity Fair' is the most foreboding, bitter song I've ever heard from McCartney. Of course the "Vanity Fair" analogy seems to suggest it's about Ms. Mills-McCartney, and actually that's a pretty obvious metaphor. Who else could he possibly be singing about? Another reviewer said that it's about his daughter Heather, but I don't think that's right. I did an advance Google search of Heather Louise McCartney and a possible Vanity Fair article and nothing came up. But everyone remembers Heather Mills' Vanity Fair interview from 2002.

After buying this album, I came back to McCartney. I bought 'Driving Rain','Flowers in the Dirt','Ram' 'McCartney', a cd replacement of 'Band on the Run', and some of his live albums. I even bought his classical cd, 'Ecc Cor Meum'. I love all of them, and I can't believe what I was missing all these years. With 'Chaos and Creation' the great pop melodist is back. You will love this album. Even the cover photo is brilliant. A class act.

What can I say?.......2007-06-27

I love McCartney. Fav song on this CD, This Never Happened Before. Check it out on Lake House.

Nigel Godrich eats worms!.......2007-06-23

Get a copy of "Tug of War" before you start advising Paul McCartney on how to record an album, Nigel! This one has virtually ruined everything.

Average customer rating:

Another turning point
My favourite Airplane album
I Don't Really See-Why Can't We Go On As Free?
Doesn't Hold Up In the 2000's
Thank God for Digital Re-Mastering

Crown of Creation
Jefferson Airplane
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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After Bathing at Baxter's
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ASIN: B0000A0DRZ
Release Date: 2003-08-19

Tracks:

Lather
In Time
Triad
Star Track
Share A Little Joke
Chushingura
If You Feel
Crown Of Creation
Ice Cream Phoenix
Greasy Heart
The House At Pooneil Corners
Bonus Tracks: Ribump Ba Bap Dum Dum
Bonus Tracks: Would You Like A Snack
Bonus Tracks: Share A Little Joke (Mono Single Version)
Bonus Tracks: The Saga Of Sydney Spacepig (Previously Unreleased)

Album Description

Originally released in 1968, this RCA/BMG Heritage remastered reissue adds 4 bonus tracks 'Ribump Ba Bap Dum Dum', 'Would You like A Snack', 'Share A Little Joke' (single version-mono) & 'The Saga Of Sydney Spacepig' (previously unreleased). Includes 12-page booklet with extensive liner notes, detailed track listing & rare photos. 2003.

Customer Reviews:

Another turning point.......2007-05-29

Another of the albums that became a turning point in my life. The other reviews state everything about the album I could say. Let me just second the reviewer Pearl Drummer and say that Jack Casady is absolutely the BEST BASSIST ever, before or since (and completely underrated). His playing on the title track is so dense and complex that I never tire of hearing it. I wish I knew enough about engineering to separate it out so I could listen to it alone.

My favourite Airplane album.......2007-04-19

After the more experimental and overtly psychedelic After Bathing at Baxter's Crown of Creation marks a return to the shorter songs and more "commercial" (remember, everything is relative) sound of Surrealistic Pillow. It is my favourite Airplane record.

This LP is a perfect mix of eccentric slower-paced songs (Lather, Triad), plaintive Marty Balin (In Time, Shared a Little Joke), inspired Kaukonen (Star Track) and classic Airplane (Crown of Creation, Pooneil Corners). The only throwaway is the irritating Chushingura. And it is only1:16 in length. The remixed sound is a revelation. The newfound clarity and crispness really does enable us to fully appreciate the individual musical talents of the band. The bonus tracks on this re-release are eminently forgettable. No, they are more than that - they are positively annoying! However, on the basis of the songs from the original LP this is a five star effort.

I Don't Really See-Why Can't We Go On As Free?.......2007-01-15

Yes. I saw the review that Guido wrote and, needless to say, I was metamortified! Let me say people, it is very difficult having a guide that is a party animal. When we did talk, he admitted that he was very drunk at the time and that since my reviews had achieved a certain fame, he felt very left out. He apologized (which was feigned), promised never to do it again (an excuse designed to make me leave), and offered vast amounts of help in the future (never once moving from his comfortable barstool). I suggested counseling for him. He was not happy with that. But since I could do no more, I just let things be. Eventually I learned from my other guides that he blames me totally for ALL of his problems! We are talking about a serious case of denial here people! However, I have decided to let his review stand and be a testimony to my good heart and fair-minded forgiveness. The faithful will certainly appreciate and be awed by my irreverent behavior and follow all my reviews forthwith. Yes. And I have learned to lock my laptop when I'm away!
But, let's get to this fine psychedelic classic that beloved Airplane offered many Seer moons ago.
Well- it certainly seems like the Airplane wanted to make a huge IMPACT on us with this album. Why else put them in the atom bomb? (By and by-one of Metamorpho's favorite covers of all time!). But it seems that-with "Crown of Creation" they reeled in more control after the uncontrollable "Baxters". However, they moved the creativity forward and, in this, achieved a great mix of songs. And what is so moving in that is the fact that each composition is a totally unique entity. Never one sounding the same as another-they achieved artistic integrity. And that is due to the immense talent of all the individuals.
We begin with "Lather"- Grace Slick's ode to getting older. Not a rocker-it moves on insistently with a lullaby. How appropriate! But what totally makes this song are the "extras". The little effects they throw in to make the song so rich. The typewriter in the background; the cannon shot from a tank; the seagulls circling on a beach, the sound of Lather's hand; Jorma's "child crying", and Hari Kari as a game to play. This song is so classic and satisfying that they needn't have done more. But they did.
"In Time" is a psychedelic sexual fantasy. And Kantner does a good job on this. But here, and elsewhere, begins Grace's extended background vocal "glue" that binds the whole thing together. She is most noted for the Marty and Grace yin and yang, push and pull, of vocals. And, herein, lies alot of the reason that their sound was most alluring.
Ah. Then they do David Crosby's amazing "Triad". Grace's "come to me" vocals are exactly right for the message. Crosby, more or less, got kicked out of The Byrds for this. In Airplane's hands, they "fly" with it. Rebels will try "something new-if you're crazy too". And they do it so well.
Jorma's writing shines on "Star Track". And his lead is amazing. Ultimately, it is about not taking the world so seriously. "Push the world on by with your hand", or else you'll be like a rat in a cage-running to please the "establishment" and ruining yourself in the process. We then get to Marty's excellent "Share a Little Joke". This is a favorite of Metamorpho's. It is the exhubance of moving towards happiness. "The world around you, never catches up with you". But the joke is one from within. Pay close attention to Marty's vocals, especially the rise to the break-then the lead-and the drum beat back to the vocals again. Intense and wonderful, it provides the exclamation point to the song. (!!!!!!!!)
After Spencer's psychedelic aural auditory assault of "Chushingura" we then settle back to the tunes. And, just as a note here. In many groups of the time, I think it unusual that the drummer would have been given his own time to create. But, with the Airplane, they were willing to try it and with sometimes, amazing effect. That's creativity folks!
"If You Feel" is a Marty excursion of sorts. Again, it is about the freedom to do as you feel. Whatever brings you joy. But to overanalyze it is a mistake. The words don't have to make sense if the feeling is what you're after-and this holds true for this song.
"Crown of Creation" is the cornerstone and namesake of this album, and in it,makes a clear cut line into the generation gap. It is not one of my favorites-but one of Airplane's essential tunes for their legacy. But, interestingly enough, we become exposed to their concept of "change" in this song and how it "changes" with outlook and perspective. (I will get into this with Grace's "Greasy Heart). But, for now, it relates that if their is no change-within yourself-you will become a "fossil of our time". Meaning the older generation. Life is change. How very true.
"Ice Cream Phoenix" seems like a drug trip and one designed around many questions. But the major one is that if the world is apocalyptic-how we still go on-love-and leave-and not feel sad about it. An ode-again- of moving towards happiness.
Ah. We then get to Slick's tease of "Greasy Heart". A jaunty tune for sure. Nitty and gritty and real life- Grace's lyrics here are out in left field. Mechanical but moving. But now the "don't ever change people" comes into play. Interestingly enough-she says change in "Crown of Creation" but "don't change" here. But, in a strange way-it does make sense. Compared to an older generation one must change-or rather-not to follow in the same footsteps. But here she is saying that once you decide to change, do not decide to change-especially for the ones who are important to you. It is confusing-but perhaps- that when you do change decide not to change back. Now that I've confused you (and myself) in the process, I'll just move along.
In "House at Pooneil Corners" we have the apocalpse Airplane style. Listen to the music. It's disjointed-downright disturbing-set in a meter to grate on you. But, it is totally consistent with the theme. Again, an Airplane genius that shines through.
The extra tracks are interesting. And some from other releases and out-takes. But, the main body of work stands on the sheer, intriguing talent of this band.
In closing- I would be remiss if I didn't mention the incredible contribution of Jack Cassidy. Innovative and fresh bass lines that, when you listen, are all over the fret board. At first you may think his bass riffs make no sense- but they all do! Again- he uses the bass as part AND apart from what is going on elsewhere. And this, people, is years before Chris Squire from Yes. Jack Cassidy created it. Chris Squire ran with it. But that is the chain of influences so prevailent in music. Always happens-always will.
In closing- I did this review because: A) I love the music and B) I wanted to show Guido that there is still a spark of life in this old Seer. Now that it's all over- I may saunter over to The Fishnet to share a beer with that wayward guide. Don't worry-I'll leave early. Metamorpho needs his sleep in order to proffer his well-heralded reflections!
To all- A good night and a great life. Keep moving on!
Your own-----Metamorpho

Doesn't Hold Up In the 2000's.......2006-07-15

I start out by saying I was a huge Jefferson Airplane fan and saw them live twice. One of the better Bay Area's bands, and one of the best live shows ever.

Regretably, this album does not hold up well to modern standards. "Lather" is a wierd drug induced anti-war child becomes man theme without a melody or discernable beat. "Triad" is a nice song, better sampled by the Byrds in one of their outtake CD's currently available.

"If You Feel" is a nice Marty Balin song, which is throwback to the 1st two Jefferson Airplane albums, and a precursor to his excellent singing and songwriting career.

"Greasy Heart" is an excellent example of Grace Slick and Paul Kanter singing duets.

Other than these two tracks, which are five star songs, the album simply doesn't translate well into this milenium.

Thank God for Digital Re-Mastering.......2006-01-23

I was lucky enough to see the Jefferson Airplane at the Filmore East several times (I'm 56) during their heyday. Since I'm an accomplished drummer, I was eager to see/listen to what I thought was one of the best rhythm sections I had ever listened to in populer music. I was never let down. For, even to this day, Jack Casady remains one of the finest electric bass players that ever lived. Period. Just listen to his bass lines on "After Bathing at Baxter's" many inspired tracks. He was doing things with feedback, harmonics and counterpoint that were way ahead of the time. Why do you think Jimi Hendrix wanted him as his bassist? Now listen to "Crown of Creation". Jack's bass lines in "Lather" are magnificent! His tone is so subtle. For me, the absolute essence of the electric bass sound (and remember, this is BEFORE Jaco) is his playing on "Triad". His execution and fingering are perfect. His timing is sooooo in the pocket, and his overall "sound" is distinctive and unusual. But, always clean. Jack Casady spoiled me because as a drummer, I always wanted to gig with bass players that were that fluid and tonal. So, buy this CD and listen to some of the best rock music (60's or otherwise) that you'll ever hear.

Average customer rating:

Great movie, better soundtrack
great collection of unusual music
Supurb
Amazing!
excellent

Mirrormask
Iain Ballamy , Stuart Hall , Martin Sharp , Matthew Sharp , Burt Bacharach , Dave McKean , Martin France , John Parricelli , Neil Percy , Iain Bellamy , Ashley Slater , Arve Henriksen , Chris Batchelor , David Powell , Josefine Cronholm , and Neil Gaiman
Manufacturer: La-La Land Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B0007RTARU
Release Date: 2005-09-20

Tracks:

Sock Puppets / Flyover
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Abandoned Hall
Leaving The City
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The White Queen Sleeps / The White Palace
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Customer Reviews:

Great movie, better soundtrack.......2007-05-19

I just recently saw this movie and the only thing I could think about afterwards was that I had to get this soundtrack. I'm not usually a big fan of movie soundtracks, but this cd is unlike any other out there, soundtrack or not. The use of strings and carnaval type instruments is completely unique and makes this a must by for any fan of music.

great collection of unusual music.......2007-05-07

Rented the movie on reccomendation from Netflix, it was pretty good. But the music was the star of the show. The soundtrack follows the course of the movie pretty closely, it's kind of like listening to the movie. Each track brings to mind a specific scene in the movie. One of the highlights is the ecclectic treatment of Burt Bacharach's "Close to You". Most will remember the super-sweet Carpenter's version, but this interpretation was the main reason I bought the music. Unusual augmented chord progressions and almost minimalist format (complete with the mechanical background sounds made by the female jack-in-the-box-like, life-sized, mostly metal toy dressers) make the tune as captivating as in the movie when they 'convert' the trapped Helena into the black princess. Great music to play while relaxing, too.

Supurb.......2007-03-08

This soundtrack is truly a delight to listen to. It ranges from quirky circus music to deep and melodic mysterious tunes. It is a great CD to relax to and to use as background music for most any relaxing time hanging out with friends.

Amazing!.......2007-02-24

This is a very good soundtrack to a very good movie. The music is amazingly composed and is nice to listen to.

excellent.......2007-01-17

This CD is excellent! All the music from the movie in its entirety, all the songs are complete songs, and the songs are all top notch compositions.

Average customer rating:

Doomsday X
Malevolent Creation
Manufacturer: Nuclear Blast Americ
ProductGroup: Music
Binding: Audio CD

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The Story Of Haydn

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

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ASIN: B000001KD1
Release Date: 1995-04-16

Tracks:

Symphony No. 104 In D Major 'London': Menuetto - Allegro
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Symphony No. 100 In G Major 'Miltary': Allegretto
Mass No. 2 In E- Flat Major: Great Organ Mass
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Symphony No. 45 In F-Sharp Minor 'Farewell': Allegro assai
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Allegro con spirito
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Music Clock
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Symphony No. 45 In F-Sharp Minor 'Farewell': Adagio
Symphony No. 82 In C Major 'The Bear': Vivace
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Philemon And Baucis: Tenor Aria 'Nemo'
Symphony No. 104 In D Major 'London': Allegro spiritoso
Horn Concerto No. 2 In D Major: Allegro
Symphony No. 101 In D Major 'Clock': Presto; Menuetto (Allegretto)
Symphony No. 94 In G Major 'Surprise': Andante
Symphony No. 96 In D Major 'Miracle': Vivace assai
Symphony No. 101 In D Major 'Clock': Andante
Symphony No. 104 In D Major 'London': Andante
Mass in D-flat Major: Gloria
String Quartet in C Major, Op. 76 No. 3 Emperor
The Creation: Chrous: 'The Heavens are Telling'
Austrian National Anthem
Cello Concerto In D Major, Hob. VIIb, No. 2: Moderato
Cello Concerto In D Major, Hob. VIIb, No. 2: Adagio
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Average customer rating:

Outstanding
The heavens are telling
Uncle Abe rattles the house with this thing
Sir Robert with ASO and Chorus at their Best!
Celestial melodies

Choral Masterpieces

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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Release Date: 1990-10-25

Tracks:

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Customer Reviews:

Outstanding.......2007-01-12

-gave this as a Christmas gift to my brother-in-law, a church musician. He has listened over & over & thinks it is really outstanding. Thank you!

The heavens are telling.......2005-10-21

This is a very great chorus, and one of Haydn's best as far as i am concerned. The pace, grandness and spirit of the piece all conjure in one's imagination the majesty of heaven, and God's throne. I cannot help but be moved to praise the God of the heavens and the earth.

kanmi ogundipe

Uncle Abe rattles the house with this thing.......2004-11-22

I came home from work one day when my uncle was visiting my wife and myself. He was recently retired from the ministry. He had heard a lot of choral music in his life. My aunt said he had the stereo ( power end of my stereo at the time was an Adcomm 555 amp. conservatively rated at 200 watts RMS per channel) up so loud it was rattling the whole house. I too have come to love this music. I mostly listen to rock and roll; but the way my uncle, and now I, play this thing, it is rock and roll from another era!!!

Sir Robert with ASO and Chorus at their Best!.......2003-11-16

After Mr Shaw spent many years in NYC and Cleveland with RCA Red Label,he came into Atlanta for a big change! Soon he switched to TELARC DIGITAL! I still Joyfully remember our Recording of the Christmas Nativity in Dec of 1975! Sir Robert, conducting with earphones encasing his head shouted: "Stop the taping, there is some Darn Sizzling noise in those Lights!" We may have not heard the word "Damn" lights, that he employed at times!

On both this newer release of TELARC and the older Recording of The Christmas Nativity, there are Bach's Chorale, Break Forth, Dona Nobis Pacem from the B-Minor Mass, Handel's Hallelujah! Plus the exquisite, Shepherds's Farewell to the Holy Family of Berlioz's The Infant Christ!

Those who may not be familiar with Berlioz from both recordings, will be richly rewarded by hearing them plus the Rex Tremendae from Berlioz''s Requiem and the other Kyrie from the Bach B-Minor! Absolutely, no other Christmas Music can ever approach these two splendid recordings, which are the basis of the ASO celebrating every Christmas with "Robert Shaw in the Spirit!"

Retired Chaplain Fred W Hood

Celestial melodies.......2001-05-27

No matter what mood you are in, the gorgeous chorals will draft you through the paths of holiness, and you will find yourself situated in the Elysium, land of eternal joy, yet you are far from dead. The past grief, weariness, and worries will fade and torture your soul no more. You are set free.

Tracks:

Dies Irae
Tuba Mirum
Pie Jesu
O Fortuna
Dies Irae
Rex Tremendae
Confutatis
Lacrimosa
Polovtsian Dances
Missa: Kyrie Eleison
Hallelujah Chorus
The Shepherd's Farewell
Sanctus
The Heavens Are Telling
'Va, pensiero' (Chorus Of The Hebrew Slaves)
Nyne Otpushchayeshi (Now Let Thy Servant Depart)
Dies Irae

Customer Reviews:

I made my son listen to it !!!.......2007-07-28

A wonderful album. I have several copies of Handel's Messiah, but the performance of the Hallelujah Chorus by Robert Shaw's singers is exceptional, outstanding. I was inspired to have my young son listen to this album: Verdi's "Dies Irae", Orff's "O Fortuna", and Handel's "Hallelujah Chorus".

Notice that there are 3 versions of "Dies Irae" on this album. It's nice to hear others. I am not normally a fan of Requiems. I will say that I do like Bach's Mass in B Minor and the Kyrie Eleison excerpted here is beautiful.

Wonderful choir music CD.......2007-07-12

I just enjoy in it very much. The best of the choir music in very good performance.

Best of American Choral Singing!.......2003-02-08

This CD could be the cornerstone of your choral music library! Wonderful performances of all of the essential choral pieces give a wonderful introduction to choral music for someone new to it, and also give a nice sampler of the best pieces for someone already familiar with the music. Listening to each excerpt may inspire you to purchase the entire work!

As you would expect of performances by Robert Shaw's groups, these performances are really extraordinary and show the best of American choral singing.

A good album, but--.......2001-12-28

The three stars I have given this album are not for the performances, which are all tremendous and deserve five stars or more, but for the idea of releasing this sort of compilation. Every single one of these selections is part of a larger Shaw-recorded work already released by Telarc, and you are far better off seeking the complete recordings that all these pieces are from, than just buying a mere "sampler". (Shaw, however, never did get around to recording the complete " L' Enfance du Christ".) Of course, that can be very expensive for some people, and if one cannot afford all those recordings, I suppose this is the next best thing. One can't shake off the feeling, however, that because Shaw is no longer with us, Telarc is desperately trying to give the impression that "new" Shaw recordings are constantly being released by them, when the truth is that nearly all the new ones are mere recyclings. (The last complete Robert Shaw album released by Telarc was Dvorak's "Stabat Mater", a CD well worth buying.)

Awesome.......2000-04-04

This album is so up-lifting. As the music soars, so do your spirits.

Haydn: The Creation / Herbert von Karajan

Average customer rating:

Best
All the stars of the 20th century
Fritz Wunderlich's Last Recording: Karajan's Greatest "Creation"
Karajan live or Karajan studio?
Wunderlich stars in this performance.

Haydn: The Creation / Herbert von Karajan
Herbert von Karajan
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Haydn: Missa in Angustiis "Nelson Mass" - Te Deum / Lott, Watkinson, M. Davies, Wilson-Johnson; Pinnock
Beethoven - Missa Solemnis · Mozart - Coronation Mass / Karajan
Haydn: String Quartets, Op. 76, Nos. 4, 5 and 6
Missa Solemnis in D major, op.123
Haydn: The London Symphonies, Vol. 2

ASIN: B000001GXN
Release Date: 1998-01-27

Tracks:

Die Schopfung: 1a. Die Vorstellung Des Chaos
Die Schopfung: 1b. Rezitativ Mit Chor (Raphael, Uriel)
Die Schopfung: 2. Arie Mit Chor (Uriel)
Die Schopfung: 3. Rezitativ (Raphael)
Die Schopfung: 4. Chor Mit Sopransolo
Die Schopfung: Der Dritte Tag: 5. Rezitativ (Raphael)
Die Schopfung: 6. Arie (Raphael)
Die Schopfung: 7. Rezitativ (Gabriel)
Die Schopfung: 8. Arie (Gabriel)
Die Schopfung: 9. Rezitativ (Uriel)
Die Schopfung: 10. Chor
Die Schopfung: 11. Rezitativ (Uriel)
Die Schopfung: 9. Rezitativ (Uriel)
Die Schopfung: Chor Mit Soli (Gabriel, Uriel, Raphael)
Die Schopfung: 14. Rezitativ (Gabriel)
Die Schopfung: 15. Arie (Gabriel)
Die Schopfung: 9. Rezitativ (Raphael)
Die Schopfung: 17. Rezitativ (Raphael)
Die Schopfung: 18. Terzett (Gabriel, Uriel, Raphael)
Die Schopfung: 19. Chor Mit Soli (Gabriel, Uriel, Raphael)

Tracks:

Die Schopfung: 20: Rezitativ (Raphael)
Die Schopfung: 21: Rezitativ (Raphael)
Die Schopfung: 22: Arie (Raphael)
Die Schopfung: 23: Rezitativ (Uriel)
Die Schopfung: 24: Arie (Uriel)
Die Schopfung: 25: Rezitativ (Raphael)
Die Schopfung: 26: Chor No. 27: Terzett (G, U, R). No. 28: Chor
Die Schopfung: 29: Orchestereinleitung Und Rezitativ (Uriel)
Die Schopfung: 30: Duett Mit Chor (Eve And Adam)
Die Schopfung: 31: Recitative (Adam And Eve)
Die Schopfung: 32: Duett (Adam And Eve)
Die Schopfung: 33: Rezitatuv (Uriel)
Die Schopfung: 34: Schlusschor Mit Soli

Amazon.com essential recording

This classic performance of Haydn's greatest choral masterpiece was beloved tenor Fritz Wunderlich's last recording. He sings all of the arias, but he died before finishing the recitatives, which are here taken by Werner Krenn. The recording is, in addition, one of Herbert von Karajan's finest, vastly better than his later digital remake. His interpretation is straightforward and impressively large in scale, but never pompous or sanctimonious (which was Karajan's big problem in music of a religious character). The truth is, Haydn's consistently fresh and unpretentious invention acts as a positive anesthetic against bombast, and the composer himself once said that thinking of the Creator always made him irresistibly cheerful. With The Creation, Haydn returned the favor. --David Hurwitz

Customer Reviews:

Best.......2007-06-26

This is a performance to die for. The pace of the music is what sets this appart. Every movement is set at just the right tempo so you can completely enjoy this cast of stars.

All the stars of the 20th century.......2006-03-23

This recording brings all the finest voices of the twentieth century together with one of the finest conductors and orchestras.The sound quality is quite good, however, the overall intonation is quite sharp--a problem we used to have to deal with with LPS. That might also have made the tempi a bit faster than they were at the original performances. Aside from the pitch, the recording serves to remind us of the highest caliber of music making, just one step away from the German romanticist performers of the 19th century.

Fritz Wunderlich's Last Recording: Karajan's Greatest "Creation".......2005-11-22

This stunning recording from Deutsche Grammophone is Karajan's greatest recording of Haydn's Creation (of the two he recorded). In his prime as a conductor, he is musically potent and does not succumb to his usual overly grandiose manner. The singers are doing a heck of a job in their solos and ensembles. Of particular interest is the renowned 40's and 50's German tenor Fritz Wunderlich as the angel Gabriel and as Adam. He is singing in his last studio recording before his tragic death of cancer. Soprano Gundula Janowitz sing with ravishing voice, lyrical and lush, the voice of an angel. Baritone Dietrich Fischer Dieskau is in his element. He totally fits the baritone part of the archangel Uriel- a big, dramatic but noble and beatiful, God-like voice. Dieskau is in his glorious prime and pulls out all the stops. Mezzo soprano star Christa Ludwig sings the role of Raphael, normally a part given to another tenor. But her dark lower register is enough to make her worthy of the role. Walter Barry is also featured in this recording and his baritone voice is also ingenious. The orchestra is colorful, bringing out all the mystery and religiousity without being overt. The opening Prelude, "Chaos" evokes the Big-Bang and the subsequent formation of suns, stars and planets!! The choruses are magnificent and well-trained. Each of these singes are German, or Austrian, and therefore know how to sing with native pride. For other superb recordings of Haydn's Creation, check out the recording with conductor Antal Dorati and starring the radiant soprano Lucia Popp and incredible baritone Kurt Moll.

Karajan live or Karajan studio?.......2005-10-10

Since no one has compared this studio recording from 1966 (patchwork being added up to 1969) with Karajan's live performance from Salzburg the year before, I thought I'd fill in the gap. This review is posted twice, both here and under the live recording, also on DG.

Sound: Both sets re in excellent sound, although only the studio one is in stereo. The Austrian Radio transcript from Salzburg in 1965 is clear, warm, and detailed mono. The orchestra is set further back than in the studio version, but the soloists often sound closer. In both cases the chorus was the large Vienna Singverein , and their enunciation is muddied compared to smaller choirs. No preference in this regard between live and studio. I did find the original pressing of the studio version a bit too bright and less open than the live broadcast, but that may have been corrected in the new "Originals" reissue.

Soloists: Gundula Janowitz is the ethereal soprano on both recordings and sings almost identically, although in the live recording she opens out to reach the audience, while in the studio she adds a bit more intimacy and nuance. (This is also true of the orchestra.) Fritz Wunderlich performs all the tenor arias and major ensembles in both versions( he died suddenly from a fall in Sept. 1966 before finishing all the recitatives, which are filled in for the studio recording by Werner Krenn). Wunderlich uses his plangent voice with more nuance in the studio, singing out more in the live performance, and I prefer that. The bass is Walter Berry in the studio recording, preferable to Kim Borg in the live one, although not by a huge margin. However, in the baritone role of Adam, the live Hermann Prey is ocnsierably more lyircal and natural than Fishcer-Dieskau in the studio. Christa Ludwig on the studio version sings only one solo in the last chorus. The fact that the live soloists rank ahead of the studio may be a tipping point for some--it was for me.

Conducting: Karajan specialized in this work, as witness his three recordings (I don't own his digital reading from 1982, generlaly acknowledged as inferior), and he could be uncannily similar from year to year (for example, in both these performances the first big Adam and Eve duet takes 10 min., 1 sec., despite the year separating the two). Karajan took a classical approach to Haydn, preferring proportion and balance over excitement, control over spontaneity. In the style he chose, nobody since has excelled these recordings, but there is another way, as shown by Bernstein's two versions, particularly the unmatched drama of the first one from New York on Sony.

In the end, both Karajan readings are so close to each other, even down to sound and soloists, that there isn't much to choose. One might expect the live performance to be more exciting, but in fact that's a split decision as well--quite often Karajan finds more drama and momentum in the studio recording. I pick the live performance mostly to hear Wunderlich in better form and to have Prey in place of Fishcer-Dieskau.

Wunderlich stars in this performance........2005-08-19

I offer a slightly dissenting voice: I do not think that this performance is a 5-star winner. Yes, Wunderlich sings the arias exquisitely well. I find that Fisher-Dieskau has already become mannered in his singing. Yes, this is far better than Von Karajan's later digital version. No, this is not THE recording to have. At last not in my book (as a music historian and teacher). There are more than thirty complete recordings of "The Creation." Much good can be said of many, perhaps most of them. I recommend the following as the best of the lot:

John Eliot Gardiner's performance of the German version on "period" instruments -- superb in every regard, even if his soloists are lesser known.

Eugen Jochum's 1966 stereo recording with the Bavarian State Radio Orchestra and Chorus -- beautifully nuanced, deeply spiritual, and quite a bargain as a Philips Duo. Also the German version.

Rafael Kubelik's recording, also with the Bavarian musicians, on Orfeo. Warmth and clarity, strength and tenderness. Again the German version.

The original English version either by Christopher Hogwood or Robert Shaw, two very different yet equally effective performances.

Whichever version you choose, Haydn will lead you into the depths of Creation at every level of the word's meaning.

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How well do you like this kind of music?
A Delightful Recording
A great find--worth more than its price
Interesting and Lovely Music
this was our country's music c.30 decades ago!

Early American Choral Music, Vol. 1
His Majestie's Clerkes
Manufacturer: Hmf Classical Exp.
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Early American Choral Music, Vol. 2
Rivers of Delight (American Folk Hymns From the Sacred Harp Tradition)
Wake Ev'ry Breath - Music of William Billings
The Shapenote Album
Sacred Harp Singing

ASIN: B000059WLJ
Release Date: 2001-05-08

Amazon.com

William Billings (1746-1800) was one of the first important composers born in America. A leather tanner by trade who taught himself composition, Billings left behind some lovely, unique music that contains early indications of American musical independence. It often doesn't sound like European models. Today, Billings's music survives mostly in Southern shape-note singing, with its exciting raw tone and rhythmic vitality. But as Paul Hillier's selection demonstrates, Billings shouldn't just be characterized as musical folk artist. The "Funeral Anthem: Samuel the Priest" has harmonies so poignant that they remind us of Bach, and the brief "David's Lamentation" is a superb piece of musical characterization, heartbreakingly effective. Despite the ensemble's name, it's thoroughly American. The performances find a good middle ground between sounding too folksy and sounding too cultivated, and the group's diction is clear enough that we can do without the texts, which came with the original edition. This is a lovely disc, which will come to most listeners as a revelation. It's also an outstanding bargain. --Leslie Gerber

Customer Reviews:

How well do you like this kind of music?.......2006-02-21

I ended up ordering this CD, as well as Vol. 2, and "Make A Joyful Noise: American Psalmody." I thought the quality was excellent on all three, but I wanted to say that if you're not sure how well you like this kind of music, I would recommend the American Psalmody CD instead of the two CD set. I found myself enjoying the music very much at first, but quickly losing interest as it all began to sound alike to me.

A Delightful Recording.......2005-07-25

Since buying this a week or so ago, it has rarely left my CD player, and is equally pleasurable at the start or end of the day. The performances are energetic and moving, and make me long for my former days with a cathedral choir, when #16 was one of our favorites. With each hearing, I find more to delight me. (While I agree that the diction is good enough that lyrics on the liner notes aren't strictly necessary, they would have been a nice addition.)

A great find--worth more than its price.......2004-09-03

This is all music by William Billings, one of the giant figures of early American church music. It is sung by a fine group that specializes in early music. The music is often hearty and pleasing, and the textual themes deal with early colonial life (e.g., harvest & the coming winter) and sometimes complex theology (e.g., pietistic interpretations of the Song of Solomon). The overall sound of the music is straightfoward, as it was no doubt to appeal to the common folk (new world Protestants). But don't let that fool you--there's high quality construction in these hymns that elevates them above folk music. Some of the songs really grab you & stay with you. This is a gift & an important part of our American heritage & culture.

Interesting and Lovely Music.......2004-02-25

This CD was issued originally as "A Land of Pure Delight" on the Harmonia Mundi label. Billings was the first major American composer, an apparently self taught composer with a distinctive and powerful style. A real American original, Billings' work has several interesting features. He did wonderful things writing for choirs and some of his work seems to sound like earlier, polyphonic music. This recording has features a selection of fine pieces. Lovely performances.

this was our country's music c.30 decades ago!.......2001-10-17

I am fairly new to this series, but I now own 3 cds in this series: Anna Mag. Bach Book, Festive barouque christmas and now this one. I have been looking for a cd with this kind of music, and now my search is done. I enjoy this cd very much, but the only down side is that this cd is too short.

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Utterly disapointing
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Something for everyone!

The #1 Choral Album

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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The Power & The Majesty: Essential Choral Classics
Dies Irae-The Essential Choral Collection
Sacred Classics - Messiah, Ave Maria, Pie Jesu, Zadok the Priest, L'enfance du Christ

ASIN: B000060P5G
Release Date: 2002-03-12

Tracks:

Nabucco: Chorus Of The Hebrew Slaves: Va, Pensiero - Chicago Symphony Chorus
Madama Butterfly: Humming Chorus - Vienna State Opera Choir
Lohengrin: Bridal Chorus: Treulich Gefuhrt Ziehet Dahin - Walter Hagen-Groll
Miserere: Miserere (Abridged) - Sir David Willcocks
Cantata No. 147: Jesu Bleibet Meine Freunde (Jesu, Joy Of Man's Desiring) - Kantorei Der Dreikonigskirche
Ave Verum Corpus, K 618 - Stephen Cleobury
Cantique De Jean Racine - Stephen Cleobury
L'Enfance Du Christ: Shepherds' Farewell: Il S'en Va Loin De La Terre - St. Anthony Singers
Pavane - Choeur Symphonique De Montreal
Totus Tuus (Excerpt) - John Nelson
Ein Deutsches Requiem: Wie Lieblich Sind Deine Wohnungen - Chicago Symphony Chorus
Tannhauser: Pilgrims' Chorus: Begluckt Darf Nun Dich - Vienna State Opera Chorus
Requiem: Sanctus - Charles Dutoit
Requiem: Lacrimosa - Konzertvereinigung Wiener Staatsoperchor
Song For Athene - Stephen Cleobury
La Damnation De Faust: Laus! Laus! Hosanna! Hosanna! - Chicago Symphony Chorus

Tracks:

Requiem: Dies Irae... Tuba Mirum - Vienna State Opera Chorus
Il Trovatore: Anvil Chorus: Vedi! Le Fosche - Chicago Symphony Chorus
Judas Maccabaeus: See The Conquering Hero Comes - Handel Opera Society Chorus
Mass In B Minor: Sanctus - Chicago Symphony Chorus
Zadok The Priest - The Choir Of King's College
Symphony No.9 'Choral' - Ode To Joy (Fourth Movement - Excerpt) - Jessye Norman
Requiem: Dies Irae - Konzertvereinigung Wiener Staatsopernchor
Die Schopfung: Die Himmel Erzahlen (The Heavens Are Telling) - Norma Burrowes
Carmen: Toreador Chorus: Les Voici, Les Voici - John Alldis Choir
Elijah: Thanks Be To God - Bryn Terfel
Weihnachtsoratorium: Jauchzet, Frohlocket! - Lubecker Kantorei
Matthaus-Passion (Final Chorus): Wir Setzen Uns Mit Tranen Nieder - Chicago Symphony Chorus
Mefistofele (Prologue): Ave, Signor Degli Angeli E Dei Santi! - London Opera Chorus
Messiah: Hallelujah - Chicago Symphony Chorus
Rule Britannia - London Philharmonic Choir
Jerusalem - London Philharmonic Choir
Carmina Burana: O Fortuna - Choeur Symphonique De Montreal
Faust: Soldiers' Chorus: Gloire Immortelle - John McCarthy
Faust: Apotheosis - John McCarthy

Customer Reviews:

Utterly disapointing.......2006-12-12

The sound and mixing on these CDs are below anything. It's the type of CD where you constantly have to adjust the volume because some songs are just inaudible and then others come out blaring. Is there anything more annoying? The recording is poor quality. And the interpretations are just bland. A waste of money.

Great!.......2006-02-25

Product was exactly as specified, received fast and in perfect condition. Thank you.

charming.......2005-05-25

i listen to this compilation of songs all of the time. i love to listen to it while drinking my Earl Grey tea. and eating a piping hot english muffin. pure bliss!

Something for everyone!.......2004-01-11

This double CD is certainly worth the small price. The choral music runs the gamut from Bach to John Tavener, all represented by well-known choirs and conductors. Although the music is wonderful, the selctions are not in any order, sometimes creating confusion. But give a listen and if you do not get hooked on the greatest choral music ever written, then you need to crawl back in your cave!

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