Last Sunrise [Import]
Last Sunrise [Import]
Editorial Reviews
Product Description
Japanese pressing of the Italian metal act's 2004 album, scheduled to include bonus material. Nexus.
Last Sunrise,Shining Fury,King,Heavy Metal
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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- The Mahler Symphonies: An Owner's Manual (includes 1 CD)
- The Young Person's Guide to the Orchestra (Book & CD)
- What to Listen for in Music
- Study of Orchestration, Third Edition
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Great Hits from Sigmund Romberg
|
Great Hits from Sigmund Romberg
Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD
Romberg, Sigmund
| ( R )
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| Classical
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| Classical
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Similar Items:
- Music of Sigmund Romberg
- Ah, Sweet Mystery of Life: The Songs of Victor Herbert
- A Victor Herbert Showcase: The Greatest Hits of the Father of American Popular Song
- Deep in My Heart
- The Desert Song / The New Moon
ASIN: B000000X26
Release Date: 1992-06-12 |
Tracks:
- The Desert Song: It
- Maytime: Waltz Medley
- Girl Of The Golden West: Who Are We To Say?
- The New Moon: Introduction - Stout Hearted Men - Lover Come Back To Me - Girl On The Prow - Try Her Out At Dances - Wanting You - Softly As In A Morning Sunrise - One Kiss - Finale
- Nina Rosa: The Gaucho March
- The Desert Song: Waltz
- Viennese Nights: Introduction - I Bring You A Love Song - Here We Are - You Will Remember Vienna - Regimental March
- Blossom Time: Song Of Love
- My Maryland: Introduction - Dixie - Boys In Grey - Mother - Silver Moon - Your Land Is My Land
- Bimbo: In Old Granada
- The Desert Song: Introduction - Riff Song - One Flower In Your Garden - Waltz - The Foreign Legion - Romance - One Alone
- Maytime: Farewell To Dreams
- Nina Rosa: Your Smiles, Your Tears
- The New Moon: Marienne
- The New Moon: Softly As In A Morning Sunrise
- Nina Rosa: My First Love, My Last Love
- Viennese Nights: I Bring A Love Song
- The Night Is Young: When I Grow Too Old To Dream
- The Student Prince: Intorduction - Arrival Of The Prince - Serenade - Deep In My Heart, Dear - Drinking Song - Just We Two - Students' March Song
Customer Reviews:
Great Hits from Sigmund Romberg.......2007-01-04
Excellent audio product, especially considering its age and the state of technology.
Average customer rating:
|
The Most Relaxing Chamber Music Album in the World ... Ever!
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
Quartets
| Chamber Music
| Classical
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| Chopin, Frédéric
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| Haydn, Franz Joseph
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| Mozart, Wolfgang Amadeus
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| Schubert, Franz
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| Schumann, Robert
| ( S )
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| Tchaikovsky, Peter Ilyich
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| Vivaldi, Antonio
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| Debussy, Claude
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- The Most Relaxing Cello Album in the World Ever
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ASIN: B000AXWGZE
Release Date: 2005-10-04 |
Tracks:
- String Quartet in B-Flat, Op. 76 No. 4 Sunrise - II Adagio - Franz Joseph Haydn
- Cello Sonata in G Minor, Op. 65 - III Largo - Frederic Chopin
- Piano Trio No. 1 in B-Flat, D.898 - II Andante, un poco mosso - Franz Schubert
- Clarinet Sonata No. 1 in F Minor, Op. 120 No. 1 - II Andante un poco adagio - Johannes Brahms
- String Quartet No. 17 In B-Flat, K.458 Hunt - III Adagio - Wolfgang Amadeus Mozart
- String Quartet No. 17 In B-Flat, K.458 Hunt - III Adagio - Wolfgang Amadeus Mozart
- Sonata In E Minor, F.XVI, No. 1 - II Largo - Antonio Vivaldi
- Mhenerzungen, Op. 132 - III Ruhiges Tempo, Mit Zartem Ausdruck - Robert Schumann
- Sonata No. 5 For Piano & Violin In F, Op. 24 Spring - Ii Adagio Molto Espressivo - Ludwig Van Beethoven
- Quintet For Piano & Winds In E-Flat, K.452 - II Larghetto - Wolfgang Amadeus Mozart
- Seven Last Words From The Cross - VII Largo - Franz Joseph Haydn
Tracks:
- String Quartet In C Minor, Op. 51 No. 1 - II Romanze; Poco Adagio - Johannes Brahms
- FantasiestOp. 73 - I Zart Und Mit Ausdruck - Robert Schumann
- Serenade In D, Op. 8 - Adagio
- Clarinet Quintet In A, K.581 - II Larghetto - Wolfgang Amadeus Mozart
- String Quartet No. 4 In E Minor, Op. 44 No. 2 - II Andante - Felix Mendelssohn-Bartholdy
- String Quartet, Op. 10 - III Andantino, Doucement Expressif - Claude Debussy
- Violin Sonata No. 3 In D Minor, Op. 108 - II Adagio - Johannes Brahms
- Quintet For Piano & Winds In E-Flat, Op. 16 - II Andante Cantabile - Ludwig Van Beethoven
- String Quartet No. 1 In D, Op. 11 - II Andante Cantabile - Piotr Ilyich Tchaikovsky
- Clarinet Trio In B-Flat, Op. 11 - II Adagio - Ludwig Van Beethoven
- String Quartet In E-Flat, D.87 - III Adagio - Franz Schubert
- Serenade (Andante Cantabile) - Franz Joseph Haydn
- Wiegenlied, Op. 49 No. 4 (Lullaby) - Johannes Brahms
Average customer rating:
|
Historic Organ Of Louisville
Manufacturer: Organ Hist. Society
ProductGroup: Music
Binding: Audio CD
All Works by Arne
| Arne, Thomas Augustin
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| Wagner, Richard
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Hymns
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Classical
| Box Sets
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ASIN: B000004AHS
Release Date: 1996-12-17 |
Tracks:
- Funeral March And Humn Of Seraphs
- Sonata No.1, Op.42: III. Finale
- 'The Little Red Lark'
- Fireside Francies, Op.29
- Lord Enthroned
- Suite Folklorique: Canzona
- Lied des Chrysanthemes, Op.3, No.1
- Fantasie And Fugue In B-Flat
- We Know That Christ Is Raised
- Peer Gynt Suite I.: Ases Tod
- Andante
- Concerto No.1: Organ Solo
- Johnson Rag
Tracks:
- Sonata IV.
- Ave Maria, Op.104, No.2
- Allegro Maestoso And Fugue On America
- Homage To Persichetti
- Dawn Hymn, Op.138
- Sunset To Sunrise
- O God, Thou Faithful God, Op.65
- Church Cantata: b. Aria
- Hymn Interpret: Beach Spring
- Sonata V.
- Elevation, No.30
- Secondo Dialogo
- Monologue, Op.162, No.1: Fughetta On B-A-C-H
- Homeward Bound
- Prayer
- Offertoire (La madone)
- Chanson de nuit, Op.15, No.1
- Thais: Meditation
- Prelude On Pisgah
Tracks:
- Sonata No.4 In B-Flat Major: I., II.
- Fugue In A-Flat Minor
- Prelude On Hyfrydol
- L'Apres midi faune: Prelude
- The Ride Of The Walkuren
- The Last Rose Of Summer
- Laudate Dominum: O Praise Ye the Lord
- Three Pieces
- Fantasie
Tracks:
- Partita On Ein fest Burg
- A Mighty Fortress
- Sonata II.: I. Lebhaft
- Prelude And Fugue In E-Flat
- Sing Alleluia Forth
- Trumpet Tune
- Grand March In B-Flat Major
- Partita On Resonet In laudibus
- When In Our Music: Chorale
Average customer rating:
- Remember-Mckinley was president when these tunes were new
- Loves Old Sweet Song Leaves a Bitter Taste
|
Love's Old Sweet Song: Twenty Five Singers in Popular Ballads
Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD
All Works by Moore
| Moore, Thomas
| ( M )
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Giannini, Dusolina
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ASIN: B000001HHT
Release Date: 1994-07-26 |
Tracks:
- The Last Rose Of Summer - Landon Ronald
- For You Alone - Enrico Caruso
- By The Waters Of Minnetonka (An Indian Love Song) - Landon Ronald
- The Green Hills O' Somerset - Peter Dawson
- She Wandered Down The Mountainside - Rosina Buckman
- The World Is Waiting For The Sunrise - Charles Hackett
- By The Bend Of The River - Grace Moore
- I Know Of Two Bright Eyes (Myrrha) - Walter Widdop
- A Fairy Went A-Marketing - Clara Butt
- Myself When Young (In A Persian Garden) - Norman Allin
- Love's Old Sweet Song - Amelita Galli-Curci
- Bird Songs At Eventide - John McCormack
- Ciribiribin - Lucrezia Bori
- The Song Of Songs - Richard Crooks
- Homing - Percy B. Kahn
- The Blind Ploughman - Fyodor Chaliapin
- The Fairytales Of Ireland - Florence Austral/Hils Nelson
- Ich Liebe Dich, My Dear - Armand Crabbe
- I Love You Truly - Dusolina Giannini
- Love Sends A Little Gift Of Roses - Gerald Moore
- Danny Boy (Londonderry Air) - Dora Labette
- Kashmiri Song (Pale Hands I Loved) - Richard Tauber
- Deep River - Marian Anderson
- Leanin' - Harold Williams
- A Perfect Day - Rosa Ponselle
Customer Reviews:
Remember-Mckinley was president when these tunes were new.......2007-03-10
In the 1890s and the early years of the 20th century sound recordings were very new and very fascinating to the population at large..Being able to hear a recording of a popular song,or listen to a piano roll transcription was,at the time,considered something of a miracle...Alas,since the technology was new the recording process was primitive...VERY primitive...often entire orchestras played into a recording horn,and the resulting sound reminds one of listening to something in a tunnel...very little could be done to make the sound pristine,and because of it the recordings from that period all have an antique and primitive atmosphere to them...recordings that old,and not saved upon tape,or disc,often poorly kept and poorly maintained,tend to deteriorate ,and,in many cases with regard to the items presented upon this album,the original"master"recording is lost,and only a copy remains,often a badly deteriorated,commercial copy..scratches,recording anaolomies,as well as warpage and general age have taken thier toll..Some would think,rather foolishly as it turns out,that such modern restorative processes such as"Cedar" might erase the imperfections,the scratches,the warpage,the cracks and hisses,but this is just not so...
For those of you old enough to have had long-playing records,45s,or 78s,just imagine that the ONLY copy of a particular album or song title is your old,scratched,worn disc...not some master tape or disc held in a vault somewhere,but your old beat up copy...Imagine further that you submit this old beat up copy for restoration...Sure,it may sound better afterwards than it did before,but,all in all,it still sounds pretty bad,at least by modern standards...
This is the sort of sound reproduction one gets on this album...Efforts were made to restore these sides(contrary to the opinion of another review found here about this album)but when one is dealing with recordings 100 or so years old,made when recording tecniques were primitive,and ,in some cases,having to attempt restoration on a used COPY sold to and played by someone like you and I way back when,restoration to a"perfect" sense is just not possible..Indeed,even if "perfection"could be achieved,the original sound of some of these old sides never was too good to begin with..
Be this as it may,the sides presented here are historic,to say the very least,and representative of what the public of the 1890s liked to hear...Listening to these sides,imperfections and all,gives one a sense of that time,a sense of the enormous technological gulf between these recordings and the ones available today,and,perhaps most importantly,gives us an overview of the sort of entertainment that drove our great great grandparents wild...
If you can get over the primitive sound of these recordings,or get yourself used to it,then give this album a try...
Loves Old Sweet Song Leaves a Bitter Taste.......2003-04-27
While the performances on this CD are great the transfers from the original recordings are about the worst i have ever heard. No care whatever was spent in dubbing these records to Cd. The originals in my collection sound many times better than these. I bought this for convenience but find it too terrible to listen
Average customer rating:
- Soothing, steady, melodic with a theme.
- Brilliant
- Suttle beauty of music and voice with fabulous artistry
|
Grieg and Sibelius Songs
Manufacturer: Warner Classics
ProductGroup: Music
Binding: Audio CD
Grieg, Edvard
| ( G )
| Featured Composers, A-Z
| Classical
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All Works by Sibelius
| Sibelius, Jean
| ( S )
| Featured Composers, A-Z
| Classical
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Suites
| Forms & Genres
| Classical
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Incidental Music
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
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Tone Poems
| Theatrical, Incidental & Program Music
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| Classical
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| Romantic (c.1820-1910)
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| Romantic (c.1820-1910)
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Similar Items:
- Lorraine Hunt Lieberson: Handel Arias
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ASIN: B000050K9B
Release Date: 2004-05-25 |
Tracks:
- Hostkvall
- Soluppgang
- Se'n Har Jag Ej Fragat Mera
- Arioso
- Varen Flyktar Hastigt
- Solveigs Sang
- Solveigs Vuggesang
- Fra Monte Pincio
- En Svane
- Varen
- Luonnotar
- Det Forste Mode
- Sancta Maria, Mild Och Naderik (Jungfrun I Tornet)
- Den Judiska Flickans Sang (Belsazar)
Amazon.com
Whether in Sibelius' Wagnerian-in-scope song "The Maiden in the Tower" (actually a solo from his brief opera of the same name) or his ominous "Fall Evening," Finnish soprano Karita Mattila, with her grand, soaring, secure voice brings a personal, storytelling, evocative stamp to the songs she sings. The Grieg songs are less emotionally complicated, and the effortlessness and expressiveness with which Mattila sings the two Solveig songs from Peer Gynt create an intimacy in wonderful contrast; her voice, scaled down, positively glistens. "Luonnotar," a 10-minute tone poem for soprano and orchestra, is the disc's centerpiece. This strange story of a "maiden of the skies" who descends into the sea and offers her knees as a place for a duck to build its nest has an ancient but hazy aura to it, and Mattila takes us through it with great intensity, building to a impressive climax which she rides easily. Conductor Sakari Oramo and the City of Birmingham Symphony Orchestra catch the Northern lights in both voice and instruments. A fine disc of songs from a leading operatic soprano. --Robert Levine
Customer Reviews:
Soothing, steady, melodic with a theme........2005-03-02
Otherworldly is the way I would describe this latest offering from Warner Classics featuring soprano Karita Mattila, backed by the City of Birmingham Symphony Orchestra. It takes a little getting used to, but overall this CD is increasingly hypnotic the more you listen to it - meaning, give it a try, you won't be disappointed. This offering of fourteen songs, provides the listener with a sampling of the works of Jean Sibelius and Edvard Grieg, with some truly hypnotic and brooding background music that flows in and out: deep, rich, full, haunting, leaving ample room for Ms. Mattila to display her ample vocal skills, her clear diction and her understanding of the long, slow recitative style of the Finnish-Karelian vocal tradition. In this style, long before written literature existed for the Finns, the oral tradition, known as the Karelian tradition, dominated storytelling. It is well served here. Each of the songs tells a brief story or poem as a lament, and reinforces a thematic quality of the whole, making this an easy CD to put on and listen to, with one exception which I will discuss below. I use the word "haunting" here decisively, because for the most part the musical passages are highly evocative and full, conjuring images of a mist covered mountainside, rising from the banks of a lake, perhaps at dawn, when the sun begins to come over the horizon and the traces of mist cling stubbornly before dissipating. That is the mood created here. As with every CD I review, I ask where and how would I listen to it? What mood does it create and does it sustain that mood once created? Here, as just noted, the mood is consistent, with one annoying exception contained in cut 13, Sibelius' "sancta maria, mild och naderik". Its sound borders on shrill, and the mood and effort that went into creating this otherwise wonderful CD is lost, if momentarily. Even with that one diversion, I can recommend this CD for all the rest. It is a fine effort with some truly moving orchestration throughout and top notch singing with only an occasional rough spot from Ms. Mattila.
Brilliant.......2005-01-02
This is a real surprise. I love this cd. It is really haunting and beautiful. Buy it. Sibelius, Grieg, and Karita Mattila are just wonderful.
Suttle beauty of music and voice with fabulous artistry.......2004-12-17
It is a pure golden find in musical recording when you are being able to enjoy such a perfect performamce at home. I did listen it again and again with such a joy. The majical voice of Karita Mattila soars gently above most beautiful music. Even I do not
know Finnish language it did not mater. Everything was superb
with quiet and not showy beauty, I could close my eyes and get drawn deeply into the songs.
We are so fortunate to be able to listend this heavenly recording . I will do it again and again....
Average customer rating:
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Another Sunrise
P. Garland , Takahashi , and Essential Music
Manufacturer: Mode
ProductGroup: Music
Binding: Audio CD
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
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General
| Classical
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General
| Chamber Music
| Classical
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ASIN: B00006BXFV
Release Date: 2002-08-27 |
Average customer rating:
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Lesley Garrett: The Gold Collection
Manufacturer: Silva Screen
ProductGroup: Music
Binding: Audio CD
Canteloube, Joseph
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| Delibes, Léo
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- Best of lesley Garrett
ASIN: B00006ZSHI |
Tracks:
- Dome Epais
- Memory
- O Mio Babbino Caro
- All I Ask Of You
- Dat's Love
- Summertime
- Gershwin In Hollywood-Medley Love Walked In
- Man I Love
- Love Is Here To Stay
- Pie Jesu
- Ebben? Ne Andro Lontano
- Bailero
- Un Bel Di Vedremo
- Lascia Ch'io Pianga
- Je Veux Vivre Dans Ce Reve
- In Trutina
- Laughing Song
- And This Is My Beloved
- Si, Mi Chiamano Mimi
- Rejoice Greatly
- Ave Maria
- Phantom Of The Opera
- I Want To Be A Prima Monna
- With A Song
- Smilin' Through
- Smoke Get In Your Eyes
- Barcarolle
- Waltz For My Heart
- Last Rose Of Summer
- Voi Che Sapete
- Les Filles De Cadix
- Sun Whose Rays...
- Long Ago
- Let The Bright Seraphim
- None But The Lonely Heart
- Softly As In The Morning Sunrise
- Song To The Moon
- Quando M'envo
- Chi Il Bel Sogno Di Doretta
- Ecco... Lo Son L'umile Ancella
Album Details
The UK'S Most Famous Soprano Presents her Greatest Hits Collection from Over Five Successful Years in the Public Eye. Featuring Classic Songs from the Musicals, Opera and TV, It's an Inspiring Introduction to her Style While Retaining a Complete Familiarity with the Music.
Average customer rating:
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Best of Broadway: The Music of the Night
Manufacturer: Reader's Digest
ProductGroup: Music
Binding: Audio CD
All Works by Gershwin
| Gershwin, George
| ( G )
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| Porter, Cole
| ( P )
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| Weill, Kurt
| ( W )
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ASIN: B00006314E
Release Date: 2002-03-12 |
Tracks:
- The Phantom Of The Opera: The Music Of The Night
- Fiddler On The Roof: Medley: Sunrise, Sunset / If I Were A Rich Man / Matchmaker, Matchmaker
- The Gay Divorce: Night And Day - The Romantic Strings Orchestra
- Very Warm For May: All The Things You Are - The Romantic Strings Orchestra
- Lady, Be Good: The Man I Love - The Romantic Strings Orchestra
- Gentlemen Prefer Blondes: Diamonds Are A Girls Best Friend - Rita Williams
- My Fair Lady: The Rain In Spain
- Three Penny Opera: Pirate Jenny
- Miss Saigon: The Last Night Of The World
- Grease: Summer Nights
- Joseph And The Amazing Technicolor Dreamcoat: Any Dream Will Do
- The Music Man: Goodnight, My Someone
Average customer rating:
- Power Metal at it's finest
|
Last Sunrise
Shining Fury
Manufacturer: Metal Blade
ProductGroup: Music
Binding: Audio CD
General
| Rock
| Styles
| Music
General
| Hard Rock & Metal
| Styles
| Music
ASIN: B00012ASSG
Release Date: 2004-01-27 |
Tracks:
- Intro
- Broken Hopes
- 060501
- Sleepin' Coma
- Snake's Gama
- Last Sunrise
- Memories
- Speed Of Life
- Declaration Of A Cheat
- Net Love
- Rosanna
Album Description
Melodic Italian Power Metal
Customer Reviews:
Power Metal at it's finest.......2004-01-29
This is a great power metal record. With their debut release on Metal Blade Records this band combines beautiful melodies with hard hitting riffs to make this an awsome debut album. I highly recommend this to all fans of power metal.
Music Info:
- Leaders Not Follwers Part 2 [Import]
- Live Bites [Import]
- Live in Yugoslavia [Live]
- Meisterwerk 1 [Enhanced]
- Musical Chairs
- My Religion [Extra tracks] [Import]
- Nailed to Metal: the Missing Tracks [Import]
- Nemesis
- Northern Rage [Import]
- Play with Children
Music Info
music info
Recommended Music:
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USA [Import]
Verdi - Aida / L. Price · Vickers · Merrill · Gorr · Opera di Roma · Solti
Vol. 4: Swinging Sounds
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Rhythm Is My Business