You Come Before You [Import]

You Come Before You [Import]

Track Listings

1. Ghostchant

2. Loved Ones

3. For A Bandages Iris

4. Meeting Again For The First Time

5. View From Here Is... / A Brick Wall

6. Realist

7. Zombies Are Good For Your Health

8. Opinionated Are So Opinionated

9. Apathy Is A Cold Body

10. Sounds Like The End Of The World

11. Pleasant Bullet

12. Crystal Lake

13. Sticks And Stones Never Made Sense

Editorial Reviews
Product Description
Japanese Version featuring a Bonus Track

Tracks:

Ghostchant
Loved Ones
For A Bandaged Iris
Meeting Again For The First Time
A) The View from Here is... B) A Brick Wall
The Realist
Zombies Are Good For Your Health
The Opinionated Are So Opinionated
Apathy Is a Cold Body
Sounds Like The End Of The World
Pleasant Bullet
Crystal Lake

Album Description

With the eagerly awaited 'You Come Before You', Velvet Hammer/Atlantic recording group Poison The Well instantly establish themselves as one of the world's most aggressive & ambitious bands. Produced by Eskil Lovstrom & Pelle Henricsson (Refused, Hell Is For Heroes), the 12-track collection - the band's label debut & third full-length release overall - sees the Florida-based quintet continuing to refine their progressive blend of metallic hardcore rock 'n' roll, blending furious riffs & speed rhythms with distinctively expressive melodic songwriting. 2003.

Customer Reviews:

not the same band.......2007-05-19

If you are a fan of The opposite of December, or Tear from the red, do not waste your time on this album. It is not even close to the same band!

improvement.......2006-07-28

You Come Before You by Poison the Well is a good cd. Compared to the crap that is tear from the red, this is a major improvement. Sure, the band doesn't sound the same, but if you are a ptw fan you should own this album. This album is sort of experimental. The recording quality is very good and there are some standout songs, like Apathy Is A Cold Body and Crystal Lake. The former is a melodic, sort of relaxed song, while the latter is one of the heaviest songs the band has written. I really did not like Tear From the Red. I only listen to two songs on the cd, and there was loads of filler and monotony throughout the album. Poison the Well has never been a truly amazing or great hardcore band, but this experimentation could be a sign of better things to come.

They can do better........2006-06-13

The best word that describes this album is "dissapointing". But dissapointing in the fact that the band is PTW. If this were another band id still say the album was a good one and i would still buy it. But this album is really beneath the bands talent. This is their most mainstream album to date and it shocked me to hear that the music isnt as complex or heartfelt as all their writing has been in the past. If you read the lyrics of Ghostchant you will wonder what the heck they were thinking. Its as if Jeff(vocals) simply lost all his inspiration and the music itself took a backseat to simplicity as well. Then again what do you expect when this album only took them one year from their previous album to release. Is this album still worth buying......YES. but id reccommend it to the newcommers to PTW as a great starting point. If youre a big fan of the old stuff then i think you will be just as dissapointed as i was with this one. I hope their new one will be much better since they have spent nearly 3 years on it.

The benchmark for the new generation of Hardcore.......2006-05-10

PTW's You Come Before You is a rare gem in a rapidly fading genre. While it seems every other band in the modern Hardcore scene seems content with just pounding out a dozen songs for a record, PTW has assembled an actually album that flows very well and still kicks your teeth in. Listening closely to the guitar parts reveals complex layer rarely found in this style of music (see Glassjaw's Worship and Tribute). Jeff's unique approach to his vocals, sort of slam poetry-eque talking and brutal yelling, keeps things interesting. In short, You Come Before You gives me hope for the future of Hardcore by treading new ground and hopefully setting an example.

Poison the Well - 2003.......2006-04-21

I was so disappointed to see this album was NOT welcomed with open arms, i had to comment. This is Poison the Well's 3rd major release. This is also the last album recorded before Derek Miller [guitar] called it quits. Miller was later replaced in 2004, by former Target Nevada guitarist Jason Boyer. Jeffrey Moreira [vocals] is an outstanding singer/song writer, his voice is reminicent to that of Dave Grol of the Foo Fighters and Daniel Johns from Silverchair on this record. Tracks like "Loved Ones" and "Crystal Lake" are upbeat and catchy, where dreamy instrumentals like "the Opinionated are so Opinionated" catch you off guard and put you in a different time and place. Look, i know its not quite as harsh or gritty as "Opposite of December" or "Tear from the Red." However, this is still a very solid album, and i believe it will be a stepping stone for a new Poison the Well. If you like Skycamefalling, 7 Angels 7 Plagues, or Misery Signals, you'll probably like Poison the Well.

Average customer rating:

Admirable communion with life
F_kin' Hardcore
Eccentric Centrist

Moondog

Manufacturer: Ojc
ProductGroup: Music
Binding: Audio CD

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Moondog 1 & 2
More Moondog/The Story of Moondog
Viking of Sixth Avenue
The German Years 1977-1999
Sound Grammar

ASIN: B000000Z63
Release Date: 1991-07-01

Tracks:

Caribea
Lullaby
Tree Trail
Death, When You Come To Me
Big Cat
Frog Bog
To A Sea Horse
Dance Rehearsal
Surf Session
Trees Against The Sky
Tap Dance
Oo Debut
Drum Suite
Street Scene

Amazon.com

Louis Hardin, known to pre-Watergate New Yorkers as the blind street musician Moondog, is also a fascinating and sui generis composer. This disc collects 1969 recordings of his orchestral works and 1972 small-group recordings of the two-minutes-and-under "rounds and canons" that are his most influential work. Janis Joplin covered his "All Is Loneliness," you can hear foreshadowings of Stereolab in his "Madrigals," and you only need to hear "Theme" to hear how profoundly he influenced Michael Nyman. Simple and beautiful, Moondog's rounds owe as much to the swing he heard on the radio in his youth as to Bach's canonical structures, and they vary as little and as much as roses in a row. --Douglas Wolk

Customer Reviews:

Admirable communion with life.......2007-04-26

Blind he is our Moondog, but he does not bark for pity. He listens to and reproduces what he can capture with his ears. That means his work is a tremendous compilation of sounds from the real world, animals or just insects, his own baby and his own wife, or just some beating on a drum, or the frail dancing of a pipe along with a frog and a cricket. It is this extreme patchwork of sounds, voices, noise and music under the light enchantment from the moon that our artist is imagining in his eternal night. At least for him the moon never sets, never disappears over or behind the hills. "Surf Session" is the only piece that has some real length. The sea surf, the sea waves, the breaking of these waves we imagine along some pebbly seaside give a strange depth to the very both Asian and tremendously romantic music that manages to float forever over the rather powerful vortex of the sea, the ocean. The nearly Chinese constant grace-notes give the music a charm that is both discrete and so strong we seem to be able to imagine some Last Emperor advancing in the Forbidden City just before defeating his beleaguered wife and sons under the sign of some golden flower. The "Street Scene" is less fascinating because it is aimless, it lacks a direction and a destination? "I must never follow you and you must never follow me." He is roaming on and on, around and around, in that incessant, menacing, mechanical noise that comes up from the New York street locked up in between the walls of surrounding buildings. Can that be life? And what can it sound like to a blind man? Is it worse or less violent than what the famous Arthur Miller's Salesman felt, heard and experienced in his trapped two storied house in the middle of surrounding skyscrapers and under the crushing noise of thousands of motor vehicles? We will never know, except if we decide to do what dipus did when he realized his criminal inability to see the fate that was his. And he lived ever after like a dog in the eternal night of his blindness remembering the moonshine and the sunshine, tolerating the insults and petty assaults from those whose yes are not bleeding dead.

Dr Jacques COULARDEAU, University Paris Dauphine & University Paris 1 Pantheon Sorbonne

F_kin' Hardcore.......2005-12-06

Louis T. Hardin did not graduate from the Juliard. He went to a school in Iowa and Memphis, but was mostly self taught. Listen to this with your eyes closed.

Eccentric Centrist.......2003-12-14

Odd-ball individuals are more common than geniuses, but Moondog is both. Harry Partch had the highest regard for this blind graduate of Julliard, whose fantastic get-up of skins, furs and horns might have detracted from the impact of less seminal music. Since he was immensely tall, he made quite an apparition. Moondog's primitivo get-up was odd, to say the least, but since Moondog was blind, one wonders who put the costume together. Moondog, like Harry, invented most of the instruments he played standing on the corener at the Avenue of the Americas. His music reaches back into prehistory in its effect, and has a kindness to it, if that may be a reasonable thing to say. Later, Moondog became sort of a darling of the avant garde, and composed for traditional instruments, but the earlier the recorded work, the more deep down and pure it was. The later work is slicker, but just as intelligent.

Average customer rating:

Alfred Newman's Final Epic Bow
Soundtrack, entire film score and composer ~ Alfred Newman

The Greatest Story Ever Told (Score)
Alfred Newman
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Jesus of Nazareth (Score)
King of Kings
Ben-Hur - A Tale Of The Christ: Original Motion Picture Soundtrack (1959 Version)
Sodom & Gomorrah
The Egyptian

ASIN: B0002VESPU
Release Date: 2004-09-14

Tracks:

Jesus of Nazareth
Prophecy
Voice in the Wilderness
Come Unto Me
Great Journey
Time of Wonders
There Shall Come a Time to Enter
New Commandment
Hour Has Come
Into Thy Hands
Triumph of the Spirit (Handel's Messiah)

Tracks:

Overture - Main Title [#]
And the Word Was God/Trumpets Announce the Dawn/The Three Magi [#]
Nativity/The Infant Massacre [#]
Flight into Egypt [#]
Ophel Quarters [#]
Hosanna [#]
I Will Make You Fishers of Men [#]
Lilies of the Field [#]
Jerusalem, Jerusalem/Jesus on Lazarus' Porch/Matthew the Tax Collector
Rise and You Shall Walk [#]
Misty Night/Trimuphant Return to Capernaum [#]
Who Do Men Say That I Am? [#]
Jesus and His Mother [#]
Jesus Leaves Nazareth [#]
Prayer by the Jordan [#]
Lazarus Come Forth [#]

Tracks:

Entr'acte
Judas and Caiaphas/Judas Leaves Caiaphas [#]
Garden of Gethsemane/Aram, The First Witness [#]
I Am the Son of God/Jesus Before Pilate/Crown of Thorns [#]
Via Dolorosa [#]
Resurrection and Acension [#]
Exit Music [#]

Customer Reviews:

Alfred Newman's Final Epic Bow.......2004-10-12

Varese Sarabande has again done credit to the genre of great film scores with their recent release of the expanded (if not full) Alfred Newman score for George Stevens' production of "The Greatest Story Ever Told" (Newman and Stevens had also worked together on "Gunga Din," one of Newman's best efforts). The film title missed the mark a bit as far as the film is concerned. This is probably not the greatest of the Bible epics, but it is an interesting entry nevertheless. For those of us who live in the area of Lake Powell and southern Utah it is a trip to view this film with its very familiar Red Rock backdrops filling in for Palestine. And the acting was in many cases first rate. Newman's score was also an enormous plus. Perhaps not one of his best, it was certainly a great score. Based largely on a major theme that is clearly reminiscent of his earlier score for "The Robe," this is a major triumph, as is this three disc presentation. Nicely packaged and produced at an unbelievable price, this is a must for film score buffs. Disc one contains the original soundtrack recording (with updated sound)including Handel's chorus from "The Messiah" which Stevens' insisted upon using instead of Newman's own ending. Curiously, Newman's choral "Exit Music" would have been a much better fit for the film and is included here. Discs two and three include the majority of Newman's original score, as he intended it. It is really majestic stuff, although much of the score took a sombre tone. I cannot wait to enjoy this score driving down the Burr Trail. It is music that mataches the grand landscape, and the greatest story ever told.

Soundtrack, entire film score and composer ~ Alfred Newman.......2004-10-10

Varese Records presents Alfred Newman's score for "The Greatest Story Ever Told" (1965/196 mins), George Stevens directs an epic that shares the story and life of Jesus Christ ~ featuring Max Von Sydow [Jesus], Dorothy McGuire [Mary], Claude Rains [Herod the Great], Charlton Heston [John the Baptist], Angela Lansbury [Claudia], Donald Pleasence [Satan, the Dark Hermit], David McCallum [Judas Iscariot], Sidney Poitier [Simon of Cyrene], Telly Savalas [Pontius Pilate], Martin Landau [Caiaphas], Robert Blake [Simon the Zealot], Jamie Farr [Thaddaeus], Roddy McDowell [Matthew], Jose Ferrer [Herod Antipas] and John Wayne [Centurion] and many more with memorable performances ~ yet at the time of release, received low praises for the director and cast.

The music, yes the music is where this film shines...Alfred Newman, one of the most respected composers of his time was given the assignment ~ it was Newman who gave us the "20th Century Fox" fanfare theme...also a number of other film scores "Anastasia", "Diary of Anne Frank", "Captain from Castile", "Gunga Din", "How The West Was Won", "How to Marry A Millionaire", "The Keys of the Kingdom", "Man of Galilee", "Mark of Zorro", "Nevada Smith", "The Razor's Edge", "The Robe", "The Song of Bernadette" and "Wuthering Heights" ~ all of them were winners.

The Greatest Story Ever Told is here complete for the very first time and has everything from "Original Soundtrack Album" and then the "Entire Film Score" on the last two discs...making this a three disc "film-score-buffs" dream come true ~ completely remastered, with liner notes that will tell all the inside scoop from author, screenwriters, director and composer...just the way we like 'em!

Total Time: 3-CD-Set ~ Varese Records 66604 ~ (9/14/2004)

Average customer rating:

Wonderful
Pure joy
Copland's vocal work

A Copland Celebration Vol. 3

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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A Copland Celebration Vol. 2
A Copland Celebration Vol. 1
The Copland Collection: Orchestral Works, 1948-1971
Copland: Old American Songs/Canticle Of Freedom/Four Motets
The Copland Collection: Orchestral & Ballet Works, 1936-1948

ASIN: B000050HWV
Release Date: 2000-11-07

Tracks:

Old American Songs, Sets 1 & 2: The Boatmen's Dance - William Warfield
Old American Songs, Sets 1 & 2: The Dodge - William Warfield
Old American Songs, Sets 1 & 2: Long Time Ago - William Warfield
Old American Songs, Sets 1 & 2: Simple Gifts - William Warfield
Old American Songs, Sets 1 & 2: I Bought Me A Cat - William Warfield
Old American Songs, Sets 1 & 2: The Little Horses - William Warfield
Old American Songs, Sets 1 & 2: Zion's Walls - William Warfield
Old American Songs, Sets 1 & 2: The Golden Willow Tree - William Warfield
Old American Songs, Sets 1 & 2: At The River - William Warfield
Old American Songs, Sets 1 & 2: Ching-A-Ring Chaw - William Warfield
Twelve Poems Of Emily Dickinson: I. Nature, The Gentlest Mother - Aaron Copland
Twelve Poems Of Emily Dickinson: II. There Came A Wind Like A Bugle - Aaron Copland
Twelve Poems Of Emily Dickinson: III. Why Do They Shut Me Out Of Heaven? - Aaron Copland
Twelve Poems Of Emily Dickinson: IV. The World Feels Dusty - Aaron Copland
Twelve Poems Of Emily Dickinson: V. Heart, We Will Forget Him - Aaron Copland
Twelve Poems Of Emily Dickinson: VI. Dear March, Come In! - Aaron Copland
Twelve Poems Of Emily Dickinson: VII. Sleep Is Supposed To Be - Aaron Copland
Twelve Poems Of Emily Dickinson: VIII. When They Come Back - Aaron Copland
Twelve Poems Of Emily Dickinson: IX. I Felt A Funeral In My Brain - Aaron Copland
Twelve Poems Of Emily Dickinson: X. I've Heard An Organ Talk Sometimes - Aaron Copland
Twelve Poems Of Emily Dickinson: XI. Going To Heaven! - Aaron Copland
Twelve Poems Of Emily Dickinson: XII. The Chariot - Aaron Copland
In The Beginning - Aaron Copland
Lark - Aaron Copland

Tracks:

The Tender Land: Act One: The Day Before Graduation (Late Afternoon): Gently Flowing - Aaron Copland
The Tender Land: Act One: The Day Before Graduation (Late Afternoon): Moderate Tempo: 'Once I Thought I'd Never Grow Tall As This Fence' - Joy Clements
The Tender Land: Act One: The Day Before Graduation (Late Afternoon): Moderately Fast: 'Do You Suppose They're Makin' Food In There?' - Richard Fredericks
The Tender Land: Act One: The Day Before Graduation (Late Afternoon): Somewhat Faster: 'We've Been North'/'We've Been South' - Richard Cassilly
The Tender Land: Act One: The Day Before Graduation (Late Afternoon): With Motion: 'Halloo, Halloo' - Norman Treigle
The Tender Land: Act One: The Day Before Graduation (Late Afternoon): Moderately: 'If You Boys Work As Smooth As You Talk, We'll Make Good Time In The Fields' - Norman Treigle
The Tender Land: Act One: The Day Before Graduation (Late Afternoon): Trifle Slower: 'The Promise Of Living With Hope And Thanksgiving' - Richard Cassilly
The Tender Land: Act Two: That Evening: Lively And Rough - Aaron Copland
The Tender Land: Act Two: That Evening: Quite Slow: 'Thank You, Thank You All' - Joy Clements
The Tender Land: Act Two: That Evening: Very Broadly: 'Ah, Laurie, You Are A Puzzle' - Norman Treigle
The Tender Land: Act Two: That Evening: Briskly: 'Stomp Your Foot Upon The Floor' - Richard Cassilly
The Tender Land: Act Two: That Evening: Somewhat Slower: 'The World Seems Still Tonight' - Richard Cassilly
The Tender Land: Act Three: Later That Night/Then Graduation Day (Dawn): Introduction: Starting Slowly - Aaron Copland
The Tender Land: Act Three: Later That Night/Then Graduation Day (Dawn): As At First: 'Daybreak Will Come In Such A Short Time' - Richard Cassilly
The Tender Land: Act Three: Later That Night/Then Graduation Day (Dawn): Fast Tempo: 'That's Crazy!' - Richard Fredericks
The Tender Land: Act Three: Later That Night/Then Graduation Day (Dawn): Broadly: 'The Sun Is Coming Up As Though I'd Never Seen It Rise Before' - Joy Clements
The Tender Land: Act Three: Later That Night/Then Graduation Day (Dawn): (Still Slower): 'You Are Strange To Me' - Claramae Turner

Customer Reviews:

Wonderful.......2007-04-22

I must confess I am unfamiliar with Copland's "The Tender Land" except for this reissue, which I find to be absolutely magnificent. I realize this is a truncated performance, eliminating what I assume to be a fair amount of spoken dialogue. But I don't care. What is presented here is simply one of the finest American compositions - forget American - one of the finest compositions of the 20th century. Period.

Pure joy.......2005-07-29

The recording of Copland's The Tender Land is alone worth getting this disc. The rest of the vocal works are just a bonus, a very good bonus! Copland directs a definitive account of his opera, and in this compressed version leaves out all the spoken parts of the full length opera, no doubt depriving us of a lot of good music but on the other hand giving listeners a very concise version that is even stronger musically (although dramatically a little lacking in logic because of the missing parts - for example without knowing of the confrontation during the party scene you would find the boys' departure the next morning puzzling, and the CD notes does not elaborate on the plot, which is about the only negative thing you can say about this set). Listening to the opera in this abridged version gives you the feeling of one hit after another, there is not a single weak point in the score and Copland has a gift for word-setting that can turn clumsy texts such as "girls come and go, some are good, some are not so good" into goosebumps stuff (a lovely dedication to Laurie sung by Grandpa). Other high points include the stunning transformation of the traditional Walls of Zion into the quartet piece The Promise Of Living and a rollicking Party Scene, which contains the best in Copland's clever orchestration and rythmic vitality - it seems all of the composers best traits have all come together in this work. Martin's Act 2 Song 'Laurie...You Know, Laurie' is a rare gem or an aria and beautifully sung. Other hidden gems include the comical 'We've Been North'. The cast is impeccable and the entire performance is flawless. Add to that one of those scores that simply win you over from start to finish, and you can't but fall in love with this music. I once thought that nothing could better Appalachian Spring but that was before I discovered this neglected work.

Copland's vocal work.......2002-08-08

And so on this third set of the celebration of Aaron Copland's music, all attention is on his vocal work including the opera, "The Tender Land".

I can't completely explain why I give this five stars after giving the first two sets four stars each. This is just the way the opera, in particular, strikes me. I'm no great opera fan, and to my knowledge, America just has not yet proved itself in the operatic field although it's tried. It will take time, but I do see Copland's work as someday being considered the best example of American opera. This is all subjective opinion, obviously, and I'm sure there are those more knowledgeable who will disagree. So be it.

All in all, these three sets will give you a complete overview of one of America's most important composers.

The Wizard of Oz - Vintage Recordings from the 1903 Broadway Musical
Average customer rating:

A Collection of the Original Oz Stage Productions

Ain't it a Shame!

Why the 1903 "Wizard" was forgotten

A long overdue revisit to a classic American musical

Long-Forgotten Broadway Hit Gets First Rate Revival

The Wizard of Oz - Vintage Recordings from the 1903 Broadway Musical

Manufacturer: Original Cast Record
ProductGroup: Music
Binding: Audio CD

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The Shirley Temple Storybook Collection: Land of Oz/The Reluctant Dragon

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The Wizard Of Oz In Concert: A Benefit Performance For The Children's Defense Fund (1996 Lincoln Center Cast)

Shock Treatment (1981)

The Wizard Of Oz: Original Motion Picture Soundtrack - The Deluxe Edition

ASIN: B00009MPYQ

Tracks:

Wizard of OzSelection (Arthur Pryor's Band)
The Bullfrog and the Coon (Ada Jones)
Pocahontas (Edward M. Favor)
Daisy Donohue (Harry Tally)
Down on the Brandywine (Collins & Harlan)
Come Take a Skate with Me Sung (Collins & Harlan)
I Love You All the Time (Harry Macdonough)
The Moon Has His Eyes on You (Ada Jones)
When You Love, Love, Love (Thomas E. Whitbred)
When We Get Whats a-Comin to Us
Mister Dooley Sung (Edward M. Favor)
Julie Dooley (J. W. Myers)
Meet Me Down at the Corner (Jones & Spencer)
Budweisers a Friend of Mine (Billy Murray)
Theres a Lot of Things You Never Learn at School (Bob Roberts)
Under a Panama (Billy Murray)
Good Bye Fedora (Collins & Harlan)
Sitting Bull (Collins & Harlan)
I Love Only One Girl in this Wide Wide World (Harry Macdonough)
Sammy (Harry Macdonough)
The Tale of a Stroll (Morgan & Stanley)
Cant You See Im Lonely? (Ada Jones)
Are You Sincere? (Byron G. Harlan)
Hurrah for Baffins Bay (Collins & Harlan)
Football (Dan W. Quinn)
Id Like to Go Halves in That (Burt Shepard)
Rejoice!The Wizard is No Longer King
The Traveler and the Pie
Must You? (Dan W. Quinn)
Thats Where She Sits All Day (Dan W. Quinn)
The Sweetest Girl in Dixie (Henry Burr)
Scarecrow Laugh (Fred Stone)

Tracks:

Sammy Mira (Music Box Disc)
Must You? (Mira Music Box Disc)
Opening Prayer
Phantom Patrol
Just a Simple Girl from the Prairie
Poppy Song
Love is Love
When We Get What's A-Comin' to Us
The Traveler and the Pie
When You Love, Love, Love
Rejoice! The Wizard is No Longer King
Phantom Patrol (Aeolian Piano Roll)
My Little Maid of Oz Aeolian Piano Roll
The Tik-Tok Man of OzSelection (Rythmodik Piano Roll)
The Tik-Tok Man of OzSelection (Piano Roll)
Ask the Flowers to Tell You (Macdonough & Dunlap)
My Beautiful Dream Girl (John Barnes Wells)
My Pretty Little Piece of Dresden China (Bessie Wynn)
Gay Paree (Montgomery & Stone)
Travel Travel Little Star (Montgomery & Stone)
A Scotch Moriah (Montgomery & Stone)
Hurrah for Baffins Bay (Dan W. Quinn)
Daisy Donohue (Trombone Solo by Arthur Pryor)
Mr. DooleyMedley (Xylophone Solo J. Frank Hopkins)
Down on the BrandywineMedley (Edison Military Band)
The Bullfrog and the CoonMedley (Six Brown Brothers)
Ill Take You Back to Italy (Ada Jones & Billy Murray)
Father Goose Songs (Sallie Osbourne)

Album Description

The Wizard of Oz a musical with book and lyrics by L. Frank Baum and music by Paul Tietjens premiered on June 16, 1902, at the Grand Opera House in Chicago. It was an instant hit and made stars of David Montgomery (the Tin Woodman) and Fred Stone (the Scarecrow). On January 21, 1903 the show opened at the Majestic Theatre in New York. It ran for nine months and set out on the road with a second company right on its heels. The show toured, came back to New York, toured, and returned to New York again many times until finally disbanding around 1911. Stock and amateur companies continued to present it into the 1930s when it was overshadowed by the classic MGM film starring Judy Garland.

The show was legendary for its success and its impact on American culture. It was the Cats or Les Mis of the early 1900s--but the show has been swallowed by history. What made audiences of the early 1900s devour the show and return for more again and again? In this unprecedented 2-CD set—featuring over 145 minutes of vintage recordings and 64 pages of lyrics, photos, notes and synopsis—you can discover how The Wizard of Oz entertained the American public for the first two decades of the 20th century. And like the audiences of nearly a hundred years ago, you can hum along to "Budweiser," "Sammy," and "Hurrah for Baffin's Bay"—everyone's favorite songs from The Wizard of Oz! Also included in this comprehensive collection are recordings from later Oz musicals, The Woggle-Bug and The Tik-Tok Man of Oz written by Oz creator L. Frank Baum, as well as vintage non-Oz recordings by original "Wizard of Oz stars" Montgomery & Stone and Bessie Wynn

Customer Reviews:

A Collection of the Original Oz Stage Productions.......2006-12-07

This Double-Disk Collection contains music from the original and varied Oz Stage Productions: "the Wizard of Oz", "the Woggle-Bug" (based on 'Marvelous Land of Oz) and "the Tik-Tok Man of Oz" (based on 'Ozma of Oz'). There are plenty of "Wizard" songs and music, but there isn't a lot of "Woggle-Bug" and/or "Tik-Tok Man".
I often wondered how different the 1st & Original Production of 'Oz Wizard' was different to the book, and thanks to Mark Evan Schwartz's book "Oz: Before the Rainbow" I found out for myself (WORTH A READ!!). Later I got this CD to go along with the book's stage telling (more or less) and I listened in interest to the songs which, I read, were entirely different to the future Musicals of Oz. The songs are good, but not all of them are actually completely restored to perfection, so the singing may/will sound somewhat muffled. Also, due to the time it was made (for some reason), the songs don't actually fit into the story (even the stage's rewritten story) and sound distant/unrelated. But there are songs that sound similar to the original story ("Rejoice! The Wizard is No Longer King"). CD 2's Track 3 has music played during Silent Oz Film "His Majesty, Scarecrow" on the MGM 3-Disk DVD.
The best thing about this CD Collection is the two booklets packaged along with the disks: the first (entitled "The Records") has writing on "What the Wizard Was" with a synopsis of the stage production story and "About the Recordings", a listing of all the songs on CD 1 (which are helpful for "Selection" Tracks not specifically named on the back) and notes on the songs like their origins and background. Booklet 2 (entitled "The Lyrics") has the words to the songs (in case you can't make out the words/want to sing-along). BOTH CDs include b&w photos of the actors, performance (few of which can be seen in "Oz: Before the Rainbow" book) and even reprints of a few illustrations made for the stage. The pictures are the best part of this purchase.
The Entirely Different Songs may not fit with the story, original or rewritten, but there's nothing really wrong with the music when one enjoys to what they're listening to.
I know that there is also another 'Oz on Stage' CD Collection called "Before the Rainbow" . . . hmmm, I wonder if I should get that too?

Ain't it a Shame!.......2006-05-20

I think that this is a wonderful album of HISTORICAL value. Not too many people know this, but "the wizard of oz" was made into a smash hit in 1903, but because all the history was BARELY in obscurity, hungry tiger press wanted to educate the blockheads in the world about this remarkable piece of history. that being said, david maxine collected all of the old material, such as Piano rolls (my especial favorite of all of them is "the poppy song", i LOVE the bass notes: "nnn-ded-deh mmmm-ded-deh"), and music boxes, and cylinders, and records!
however, it is quite a shame that that CRAPPY movie with judy garland pushed this lovely musical into obscurity. i would have liked to see it in my day, but it was already lost in darkness, but thanks to the highly DIGNIFIED people in the world, this cd is available!! BUY IT!!!! I *ORDER* YOU!!! YOU CANNOT BE DIGNIFIED WITHOUT THIS REPLACING YOUR "RAP" GARBAGE WITH THIS JEWEL!!!!

Why the 1903 "Wizard" was forgotten.......2004-03-20

This truly remarkable 2-disc collection of old cylinders, discs, music boxes and piano rolls explains why the 1903 musical version of "The Wizard of Oz" did not survive the early thirties. It wasn't because it was before its time or even of its time, but simply because it was way behind the times. Its producers resisted composer's Paul Tietjens' attempts to write plot-driven numbers. His contribution survives only in the incidental music preserved on piano rolls (and the most interesting element on this collection) linking very disparate and even incongruous vaudeville acts by various authors and performers that graced the stage during the musical's multi-decade run. In other words, Baum was telling a story and the songs were telling another... As fascinating as they are for historical reasons, those numbers are commonplace, mostly uninspired flash-in-the-tin-pan ditties, with timid syncopation and a stong reliance on musical clichés. There is not a single standard among them and not even a decent lyric where "fine" doesn't rhyme with "mine" and "love you" doesn't rhyme with "I do"- or even "I know you know I know you do", as happens more than once. As an assemblage of shtick pieces and ephemeral sentimental or nonsensical ditties, this collection cannot be topped and it represents a monumental effort. Without it and its very generous and informative liner notes, I would not have the same appreciation for the absolute genius of Victor Herbert's operettas ("Babes in Toyland" came out the same year) where the more memorable songs are plot-driven and introduced and linked by the most luscious, inventive and varied incidental music ever heard outside an opera house. This sort of unified concept would culminate in Jerome Kern's "Show Boat" and it remains a truth today that the integration of plot and music - reminiscent of opera - is the true secret of successful and perennial musicals, whatever the current idiom. This collection also makes one appreciate the complete originality of the Hollywood film for actually going back to Baum's books, entrusting the songs, lyrics and music to Harold Arlen, Yip Harburg and Herbert Stothart and scrapping the musical's colourful but checkered history (except for casting ex-vaudevillians as the main characters, of course!). Highly recommended for its nostalgia value, its irreplaceable rarities and a better understanding of the history of American popular music.

A long overdue revisit to a classic American musical.......2003-09-30

Although it was one of the most financially successful stage musicals of the early 1900's, very little information is presently available on the 1903 production of THE WIZARD OF OZ. In what was obviously a labor of love, David Maxine has done much to correct this oversight by releasing a 2-CD set with over 145 minutes worth of extremely rare recordings of music from this and other OZ-themed musicals dating back to before World War I. Recorded materials include vintage acoustical disc and cylinder phonograph records, piano rolls, and music box discs, many of which go back almost a century. In addition, he has included two booklets worth of historical background information on the 1903 WIZARD OF OZ production, its stars, the individual musical numbers, and lyrics for the songs included on the CDs. (Lavishly illustrated with rare old black and white photos and artwork, these booklets, and the information they contain, are themselves worth the price of the set!) Several bonus CD tracks are included that offer rare recordings by Montgomery & Stone (the original Tin Woodsman and Scarecrow) and Bessie Wynn, who was also in the 1903 cast. Not just for dedicated Oz fans, this set is a "must have" for anyone interested in the history of American musical theater and American popular culture of the early 1900's.

Long-Forgotten Broadway Hit Gets First Rate Revival.......2003-09-17

One hundred and three years ago, author L. Frank Baum published the best-selling children's book of the 20th century, THE WIZARD OF OZ. Although the book was adapted several times as plays, silent motion pictures, animated cartoons, and radio shows in the next few decades, it is the 1939 MGM film that most people think of as THE WIZARD OF OZ. The success and popularity of that film completely eclipsed the memories of previous incarnations and even the book itself in popular culture. However, prior to the film's release, there was a successful stage version which premiered on Broadway in 1903 and delighted audiences for many years, making stars of Fred Stone and David Montgomery, the original Scarecrow and Tinman. As with the MGM film, chilren who saw THE WIZARD OF OZ on stage carried fond memories of the production into adulthood. Ray Bolger was so impressed with the Fred Stone's Scarecrow, that he remembered it vividly as an adult and based his own protrayal of the character in the movie on Mr. Stone's stage version.

Unfortunately, time and Judy Garland have pushed the once popular Broadway Smash into history. It has been all but forgotten...until now.

As the show moved from theater to theater and casts changed, so did the songs. Many of these were recorded on the primative equipment of the day: Wax cylinders, 78-RPM records, piano rolls, and music Boxes, and surprisingly many of these still exist. Now, thanks to those hard-working gents at HUNGRY TIGER PRESS, you can own these historic recordings on this awesome 2-CD set. THE WIZARD OF OZ: Vintage Recordings From The 1903 Broadway Musical contains over 145 minutes of terrific early 20th century music. You won't find "Over the Rainbow" or "Ding! Dong! The Witch Is Dead!" here. Instead, this WIZARD OF OZ contains tracks like "Budweiser's a Friend of Mine", "Sammy", "Hurrah for Baffin's Bay", and "Rejoice! The Wizard is No Longer King", each one a portal over the rainbow to the Broadway stage of a century ago.

Tracks:

Angels We Have Heard On High - Virgil Fox
Good King Wenceslas - Mighty Pipe Organ/London Bell Ringers
It Came Upon A Midnight Clear - Royal Philharmonic Orchestra/Peter Knight
What Child Is This - Floyd Cramer
The First Noel - Vienna Boys' Choir
Messiah: Hallelujah Chorus - London Philharmonic Chorus & Orchchestra
What Are You Doing New Year's Eve? - Romantic Strings Orchestra & Voices
Carol Of The Birds - Mormon Tabernacle Choir
He Is Born, The Holy Child - Gordon Langford
I Heard The Bells On Christmas Day - Royal Philharmonic Orchestra & Chorus/Peter Knight
O Come All Ye Faithful - Royal Philharmonic Orchestra, Chorus And Boys' Choir

Tracks:

Sleigh Ride - London Symphony Orchestra
Winter Wonderland - London Festival Orchestra
Hark! The Herald Angels Sing - Mormon Tabernacle Choir
It's Beginning To Look A Lot Like Christmas - London Festival Orchestra
The Little Drummer Boy - Vienna Boys' Choir
The Skaters' Waltz - New Sympony Orchestra Of London
Silver Bells - Romantic Strs Orch And Voices
Gather Around The Christmas Tree - Virgil Fox
Christmas Needs Love To Be Christmas - Andy Williams
Silent Night - Floyd Cramer
Do You Hear What I Hear? - Glen Campbell

Tracks:

O Holy Night - Richard Lewis
O Little Town Of Bethlehem - Virgil Fox
Messiah: And The Glory Of The Lord - Royal Philharmonic Orchestra/Sir Malcolm Sargent
Messiah: Comfort Ye My People/Ev'ry Valley Shall Be Exalted - Royal Philharmonic Orchestra/Sir Malcolm Sargent
Messiah: For Unto Us A Child Is Born - Royal Philharmonic Orchestra/Sir Malcolm Sargent
Messiah: Pastoral Sym - Royal Philharmonic Orchestra/Sir Malcolm Sargent
Messiah: He Shall Feed His Flock/Come Unto Him - Royal Philharmonic Orchestra/Sir Malcolm Sargent
God Rest Ye Merry Gentlemen - London Symphony Orchestra
Adeste Fideles - Vienna Boys' Choir
Carol Of The Bells - Larry Dalton
'Twas The Night Before Christmas - Richard Falken
While Shepherds Watched Their Flocks - Royal Philharmonic Orchestra
Lippai/Up On The Mountain - Mormon Tabernacle Choir
Deck The Halls - London Symphony Orchestra

Customer Reviews:

Ultimate Christmas Morning Music.......2004-07-07

This set is by far the absolute best collection of Christmas music ever put together! Our family doesn't even think to start our Christmas morning festivities without 'popping' in this cassette (now buy CD's!). We even listen to this collection while we wrap Christmas gifts! We are a Christmas "fanatic" family and have literally hundreds of Christmas records, tapes and CD's but this collecton is the only one that can add to the warmth of this special season and I know it has become a family tradition that will bring cherished memories to our children when they have families of their own. You can't lose with this set!

Average customer rating:

Historical Time Capsule

The Civil War
Douglas Jimerson
Manufacturer: Amerimusic
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Marches | Miscellaneous | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Traditional Pop | Oldies | Pop | Styles | Music

General | Broadway & Vocalists | Styles | Music
ASIN: B00004SU99
Release Date: 2000-04-18

Tracks:

Tenting on the Old Camp Ground
Wait for the Wagon
Clari: Home, Sweet Home
Oh! Susanna
The Bonnie Blue Flag
Do They Miss Me at Home?
Yellow Rose of Texas
Goober Peas
When Johnny Comes Marching Home
Aura Lee
Marching Through Georgia
Just Before the Battle, Mother
That's What's the Matter
We are Coming Father Abraham
Gentle Annie
I'll be a Sergeant
Dixie
Tramp, Tramp, Tramp "The boys are coming"
For the Dear Old Flag I Die
Battle Hymn of the Republic
The Battle Cry of Freedom
America
The Bonnie Blue Flag
My Maryland
Yellow Rose of Texas
Woodman, Spare that Tree
Juanita
Green Grow the Lilacs
Lorena
Come Where My Love Lies Dreaming
Rock'd in the Cradle of the Deep
How Firm a Foundation
Blue Bell of Scotland
Storming of Monterey
Joys that We've Tasted
Polly Hopkins and Tommy Tompkins
Drummer Boy of Shiloh
Roll, Alabama, Roll
Weeping, Sad and Lonely
Vaccant Chair
Goober Peas
All Quiet Along the Potomac Tonight
Dixie
Oh! Susanna
Massa's in de Cold, Cold Ground
Old Folks at Home
Camptown Races
Beautiful Dreamer
Nelly Bly
Jeannie with the Light Brown Hair
Gentle Annie
Hard Times Come Again No More
Swing Low, Sweet Chariot
Deep River
He's Got the Whole World in His Hands
If You've Only Got a Moustache
Old Dog Tray
The Glendy Burk
My Old Kentucky Home, Good Night
Some Folks
When This Dreadful War Is Ended
Was My Brother In The Battle?
Nothing, But a Plain Old Soldier
Battle Hymn of the Republic
America
Barbara Allen
Skip to my Lou
Kathleen Mavoureen
Adam and Eve's Wedding Song
Old Sister Phoebe
Oh! Susanna
Twenty Years Ago
The Ship on Fire
Silver Bell Waltz
Your Mission
Dixie
Go Down Moses
Nobody Knows the Trouble I've Seen
Free at Last
Martha: Ach, so fromm
Die Zauberflote, K 620: Dies Bildnis ist bezaubernd schon
Faust: Salut! demeure chaste et pure
Faust: Gloire immortelle [Soldiers' Chorus]
Hail, Columbia
We are Coming Father Abraham
Columbia, the Gem of the Ocean
Taps

Customer Reviews:

Historical Time Capsule.......2000-08-12

This is the most comprehensive recording I've found of songs popular during the Civil War period. The performances are a time capsule of Civil War music.

Average customer rating:

Great Musicals

Manufacturer: Rajon
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

Rock | Imports | Stores | Music
ASIN: B000682FF4
Release Date: 2004-11-15

Tracks:

Oklahoma Suite: Oklahoma!/Oh, What a Beautiful Morning/The Surrey With
My Fair Lady Suite: Ascot Gavotte/Wouldn't It Be Loverly?/With a ...
Annie Get Your Gun Suite: Doin' What Comes Natur'lly/You Can't Get ...
King and I Suite: The March of Siamese Children/I Whistle a Happy Tune
Sound of Music Suite: The Sound of Music/My Favourite Things/Do-Re-Mi
West Side Story: The Jet Song/America/Tonight/Something's Coming/Maria

Tracks:

Porgy and Bess Suite: Summertime/I Got Plenty O' Nuttin'/I Loves ...
South Pacific Suite: Bali Ha'i/A Cockeyed Optimist/Some Enchanted ...
Guys and Dolls Suite: Luck Be a Lady/Fugue for Tinhorns/Follow the ...
Carousel Suite: The Carousel Waltz/Mister Snow/June Is Bustin' Out All

Tracks:

Joseph & The Amazing Technicolour Dreamcoat: Any Dream Will ...
Evita: Don't Cry for Me Argentina/Another Suitcase in Another Hall
Jesus Christ Superstar: Jesus Christ Superstar/I Don't Know How to ...
Cats: Memory/Macavity the Mystery Cat/Mister Misoffeles
Phantom of the Opera: Phantom of the Opera/All I Ask of You/Angel ...

Album Description

Australian exclusive 3-CD set from the Rajon label's 'Great Series'. 2004.

Average customer rating:

Never thought I'd see this on CD...
Don't Do It Unless...

You've Come This Way Before
Nancy Priddy
Manufacturer: Rev-Ola
ProductGroup: Music
Binding: Audio CD

General | Pop | Styles | Music

Pop Rock | Pop | Styles | Music

General | R&B | Styles | Music

Folk Rock | Rock | Styles | Music

General | Rock | Styles | Music

Progressive Rock | Progressive | Rock | Styles | Music

Psychedelic Rock | Classic Rock | Styles | Music

Rock | Imports | Stores | Music
Similar Items:

Colour Green
Constant Companion
Color Him In
Mortimer
Definition

ASIN: B000BP2U84
Release Date: 2005-12-05

Tracks:

You've Come This Way Before
Ebony Glass
Mystic Lady
Christina's World
We Could Have It All
My Friend Frank
O' Little Child
And Who Will You Be Then
On the Other Side of the River
Epitaph

Album Description

Radiant New York based actress/songstress Nancy Priddy only made this one album, but what an album it is! A fine, low-key psych folk pop masterpiece, funky and folky and psychy-rocky and Lord knows what else all at once, with the Big Apple's finest. 10 tracks. Rev-Ola. 2005.

Customer Reviews:

Never thought I'd see this on CD..........2007-07-20

I've been in love with this album since I got my first original vinyl copy years ago, and this remastered CD reissue is most welcome.

Priddy was a lovely singer and actress who had some potential as a singer/songwriter: she had a pleasant voice and wrote mildly psychedelic poems, put to music on her 1969 debut album by, according to the CD's extensive booklet, some of the cream of New York's session and arranging crop (only the names Phil Ramone, Manny Albam, and John Simon are known for sure in participating on the album, and Bernard Purdie is mentioned as possibly playing drums).

Trippy production touches, funky breakbeat drums, Moog, epic orchestrations as well as stripped-down intimacy; a perfect album for fans of the 60's pop-folk-psych sound, and nearly every track has a nugget of sampleable goodness for the producers out there (true story: DJ Shadow himself happened to stroll into my record store while I was playing this, and was mighty curious about it - I was amazed he hadn't heard of it...) "Mystic Lady" is a perfect example of the ingenious arrangements: starting subdued, going through many time and tempo changes, bursting into a dense, exhilirating tag section (the "round and round" part) before breaking into a slow, soulful coda that easily rivals Dusty Springfield.

The songs are quality enough to stand on their own even without the psychy arrangements, but regardless, I'm a happy boy to get this on crystal clear CD, and many others are happy they don't have to pay $60-100 for an original vinyl copy.

Don't Do It Unless..........2007-04-12

...If you are not seriously into the music of the period then I can't recommend this album. There must be more than a hundred artists and hundreds of albums ahead of this in the queue for your attention. On the other hand if you are heavily into the period or have a strong interest in the style (60s soft-psych) then this may well be of interest.
Its easy to see why this album didn't sell, the good stuff is uncommercial and the rest sounds too much like other material of its day(think Mamas and Papas with some odd moog sounds and snippets of light jazz).There is a good variety of styles on the album but some of the lyrics sound a bit 'earnest teenager' although that was fairly common at the time.The best track is "Christina's World", at over 6 minutes in lengh and quite complex in its construction and arrangement it is impressive (and of course far too long for the singles market of the era), it certainly leaves you wishing there was more of the same.
The album also includes a couple of 'hidden' tracks which are the A+B sides of a single she recorded a couple of years later and is perhaps most interesting as being produced by Nilsson.The A side is a pleasant track but won't set the world on fire.
I did a little research before buying this album and the things that are always mentioned are her famous connections; backing vocals for Leonard Cohen,Friendships with Nilsson and Stephen Stills, celebrity daughter acting career etc.
Does any of this have a bearing on the quality of the album? I don't know.
Fans of the Free Design should find this to their liking and anyone who feels the've worked through all the available good stuff from the period should certainly consider it. I don't regret buying the album as "Christina's World" on its own just about makes it worthwhile.