Four Play! [Import]
Four Play! [Import]
Track Listings
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1. Roller Coaster Ride
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2. Devil Woman
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3. Misdemeanor
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4. Dance Into The Music
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5. Here Comes That Feeling Again
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6. She Goes
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7. Waterfall
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8. Northern Light
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9. Room No 17
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10. Because Of You
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11. Remember Where You Heard It First
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Editorial Reviews
Product Description
Fourth album from German melodic hard rock band, featuring former members of Casanova. 11 tracks. Escape. 2003.
Four Play!,Demon Drive,Escape,Heavy Metal
Average customer rating:
- Almost as wonderful as the first
- Greatest baby gift ever
- Great for the whole family
- More Great Fun
- One is better but this is still awesome!! Gotta have it!
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Beethoven's Wig, Vol. 2: More Sing-Along Symphonies
Manufacturer: Rounder / Umgd
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Binding: Audio CD
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Similar Items:
- Beethoven's Wig: Sing Along Symphonies
- Beethoven's Wig 3: Many More Sing-Along Symphonies
- Mozart's Magnificent Voyage
- World's Very Best Opera for Kids... in English!
- Mr. Bach Comes To Call
ASIN: B0001I2C8O
Release Date: 2004-03-16 |
Tracks:
- Stuck In The Saddle Again (Light Cavalry March, Suppe)
- Sing Verdi Very Loud (La donna e mobile, from Rigoletto, Verdi)
- Its The Same Every Verse (In The Hall of The Mountain King, from Peer Gynt Suite, Grieg)
- Musical Bs (Hungarian Dance #5, Brahms)
- Dont Play That Violin (Violin Concerto #2, Paganini)
- Schuberts Trout (Trout Quintet, Schubert)
- Dvorak The Czechoslovak (Humoresque #7, Dvorak)
- A Fan of Chopin (Prelude 7, Op. 28, Chopin)
- Please Do Not Tease The Viennese (Blue Danube Waltz, Strauss)
- Its Spring! (Spring, from The Four Seasons, Vivaldi)
- Wow What a Wedding Cake (Wedding March, from A Midsummer Nights Dream,. Mendelssohn)
- Instrumental Performances:
- Light Cavalry March, Suppe
- La donna e mobile, from Rigoletto, Verdi (with vocals)
- In The Hall of The Mountain King, from Peer Gynt Suite, Grieg
- Hungarian Dance #5, Brahms
- Violin Concerto #2, Paganini
- Trout Quintet, Schubert
- Humoresque #7, Dvorak
- Prelude 7, Op. 28, Chopin
- Blue Danube Waltz, Strauss
- Spring, from The Four Seasons, Vivaldi
Amazon.com
From a pure-pleasure standpoint, the first Beethoven's Wig was nothing to flip over, and the second disc in the series follows suit. However, that is not to say that this is not a valuable and possibly ingenious record. Those unfamiliar with the premise will quickly get the picture: Producer/writer/lead singer/chief clever guy Richard Perlmutter gathers a bundle of important classical works (Paganini's "Violin Concerto #2," Strauss' "Blue Danube Waltz") and makes up silly, catchy lyrics to lay over them, informing the listener about the piece or its composer. Standing out for their offbeat brilliance this time are "Dvorak the Czechoslovak" ("Humoresque #7," Dvorak) and "Wow What a Wedding Cake" (Wedding March from A Midsummer Night's Dream, Mendelssohn). Few stabs at mixing education with entertainment succeed so well. As a bonus, the second half of the CD repeats the symphonies straight up, presenting a neat opportunity to quiz kids 5-12 on what and who they've just heard. --Tammy La Gorce
Customer Reviews:
Almost as wonderful as the first.......2007-08-02
We bought Beethoven's Wig 1 and loved it. My kids (ages 5 and 9) really enjoy listening over and over. Number 2 is almost as good. All of the songs are amusing and a couple are very funny. The lyrics are clever and do help you become familiar with composers and their music. I like that the pieces are played again in the second half without the lyrics. I highly recommend it for kids who enjoy music.
Greatest baby gift ever.......2007-03-15
Both of my grandchildren (and their parents and grandparents) are hooked on this CD and all of the silliness and beauty it brings into our lives. We sing to it, dance to it, and find ourselves thinking about it at odd times. Who can't love singing Verdi VERY LOUD? I've now started giving this as a simple baby gift, especially to those with older siblings. They are already equipped with clothing and nursery gear, and Beethoven's Wig invites the whole family to gather round...even if it is just on short car rides.
Great for the whole family.......2007-01-04
My husband, 18 month old daughter and I all love this CD. It's a staple in the car. One caveat- these lyrics will get stuck in your head and I now find myself singing the "words" to these songs when I hear them in a store or commercial! I'm hoping this means my daughter will recognize these songs as she gets older.
More Great Fun.......2006-03-13
Like the first volume, this CD encourages young children to enjoy classical music. The silly lyrics sometimes impart factual information on the composer or the piece. There are 11 sing-along symphonies and then the 11 symphonies are replayed without the lyrics--total of 22 tracks. Booklet with lyrics and trivia is included. All our children (aged 2-12) enjoy this CD, as do we.
One is better but this is still awesome!! Gotta have it!.......2006-01-10
My children loved Beethovens Wig 1. I checked this one out at the library. Then, we decided we had to have this one too.
Yes, one is the best but 2 is still wonderful.
Save yourself the shipping and order both at the same time.
We all thoroughly enjoy it. My 4 yr old can name these classicals when he hears them elsewhere and he can hum these beautiful songs. Much better than kiddie rhymes and Disney jingles. Culture your children the funniest way!!
Average customer rating:
- beautiful ,beautiful
- Great Recording
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Violin Favourites & Virtuoso Showpieces
Manufacturer: Decca
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All Works by Bloch
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Similar Items:
- Voice of the Violin
- Romance of the Violin
- The Essential Joshua Bell
- Tchaikovsky, Wienawski, Brahms, Schumann: Violin Concertos
- Tchaikovsky: Violin Concerto [Hybrid SACD]
ASIN: B0007WQHVW
Release Date: 2005-04-12 |
Tracks:
- Variations on an original theme, Op.15
- Romance, Op.78, No.2
- Mazurka, Op.81, No.1
- Hungarian Dance No.1 in G minor-Transcr. Joseph Joachim
- Cantabile, Op.17
- Scherzo-Tarantelle, Op.16
- Nigun (Improvisation)
- Perpetuum mobile
- The Prophet Bird
- Spanish Dance No.1
- Waves at play (Wellenspiel)
- Carmen Fantasy, Op.25 - Arr. Waxman
Tracks:
- Praeludium and Allegro
- Schosmarin
- Tambourin chinois
- Caprice viennois op.2
- La Preuse (in the style of Louis Couperin)
- Liebesfreud
- Liebesleid
- La Gitana
- Berceuse Romantique (Caprice)
- Polichinelle (Snade)
- Rondino on a Theme by Beethoven
- Tempo di menuetto (in the style of Pugnani)
- Toy Soldiers' March
- Allegretto (in the style of Boccherini)
- Marche miniature viennoise
- Aucassin and Nicolette (canzonetta medievale)
- Menuet (in the style of Porpora)
- Sicilienne and Rigaudon (in the style of Francois Francoeur)
- Syncopation
Customer Reviews:
beautiful ,beautiful.......2007-05-27
I am not a music critic nor do I "know" much about music but if you love lovely violin music you will love this.
Great Recording.......2007-01-04
The Kreisler pieces are played exceptionally well. The one disc alone is worth the price of the double disc collection. Great playing.
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Mahler Symphonies: An Owner's Manual (includes 1 CD)
- The Young Person's Guide to the Orchestra (Book & CD)
- What to Listen for in Music
- Study of Orchestration, Third Edition
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- CD set is misnamed
- Do not Buy
- Classical Music for People Who Hate Classical Music
- Seek better versions
- It Is What It Is
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Classical Music for People Who Hate Classical Music
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ASIN: B000003QWH
Release Date: 1994-06-09 |
Tracks:
- Canon In D
- 'Brandenburg' Concerto No. 3: Allegro
- The Four Seasons - The Winter: Largo And Allegro
- Fanfare ('Masterpiece Theatre' Theme)
- Camerata Romana: Air For The 'G' String
- 'Eine kleine Nachtmusik': Allegro
- Piano Concerto No. 21 ('Elvira Madigan' Theme): Andante
- Introduction To Symphony No. 5
- 'William Tell' Overture: Finale
- 'Aida': Triumphal March
- On The Beautiful, Blue Danube Waltz
- 'The Nutcracker': Waltz Of The Flowers
- '1812' Overture: Finale
Tracks:
- Sabre Dance
- 'Light Cavalry' Overture: Finale
- Carmen: The Toreadors
- ' Midsummer Night's Dream': Wedding March
- Radetzky March
- Symphony No. 9, 'Choral': Finale
- 'Prince Igor': Polovstian Dance No. 17
- Jesu, Joy Of Man's Desiring
- Peer Gynt: Solveig's Song
- Sleepers, Wake
- Water Music: Hornpipe
- Symphony No. 9, 'From The New World': Largo
- Emperor Waltz
- 'Emperor' Quartet: St. Anthony's Chorale
- 'The Tales Of Hoffman': Barcarolle
- L'Arlesienne: Farandole
- 'The Nutcracker': Dance Of The Mirlitons
- 'The Nutcracker': Dance Of The Sugar-Plum Fairy
- 'Rhapsody In Blue': Highlight
- 'Orpheus In The Underworld': Can-Can
Tracks:
- Introduction To 'Also sprach Zarathustra'
- Symphony No. 4, 'Italian': Saltarello: Presto
- Piano Concerto No. 20: Romance
- 'The Valkyrie': Ride Of The Valkyries
- 'The Four Seasons' - The Spring: Allegro
- Toccata and Fugue
- Trumpet Voluntary
- 'Royal Fireworks Music': la rejouissance: Allegro
- 'Moonlight' Sonata: Adagio Sostenuto
- London Festival Orchestra: Overture To 'The Barber Of Seville'
- Piano Concerto No. 2: Adagio Sostenuto
Tracks:
- Carmina Burana: Introduction To 'Carmina Burana'
- Peer Gynt: Dawn From 'Peer Gynt'
- Lohengrin: Prelude To 'Lohengrin'
- 'Lieutenant Kije': Troika From 'Lieutenant Kije'
- Adiago For Strings
- 'Carmen': Habanera From 'Carmen'
- 'Double' Concerto: Allegro From 'Double' Concerto
- The Marriage Of Figaro: Overture To 'The Marriage Of Figaro'
- (Rondo) Alla Turca
- Xerxes: Largo From 'Xerxes'
- Symphony No. 5: Allegro vivace From Symphony No. 5
- 'Swan Lake': Scene: Enchanted Lake From 'Swan Lake'
- Clair De Lune
- Bolero
Customer Reviews:
CD set is misnamed.......2007-06-08
They should have titled this "classical music for people who love classical music" because most of the selections are typical classical music. The title suggests it would be lively selections of "light classical" music that is more upbeat, i.e. Sabre Dance, etc. I really don't hate classical music at all and have many classical CDs in my collection but I really wanted to hear more exciting selections. I won't be purchasing any more of this set but if you like traditional classical music these are good one.
Do not Buy.......2007-02-21
I do know it says classical music for people who hate it, but serioulsly you would have better luck never listening to classical music again. The recordings are awfull and do not do justice to any of the composers. Buy something else.
Classical Music for People Who Hate Classical Music.......2007-01-30
We love this set of CD's. I just got a new copy because my kids keeping taking our first copy with them so that they can listen at work or in their bedrooms but then I can never find them.
Seek better versions.......2006-12-09
If you are fairly new to classical purchases then compilation CD's can be useful for deciding what to buy next. Sometimes you only need a small taste of a piece to inspire you to buy a release with the whole performance on. The problem with this compilation however is that most of the versions are poor in performance or recording quality (or both) when compared to the best versions and the fact that the conductors aren't even credited on the track listing made me suspect that this would be the case. One of my favorite classical pieces is Tchaikovsky's 1812 festival overture but if the first CD version I had heard had been the finale excerpt that is on this compilation I may not have gone on to buy the whole thing. Luckily I heard Adrian Leaper's version first and Adrian's version is rather good.
My classical CD buying experience is limited to only a couple of dozen discs but I have found that the Naxos and Deutshe Grammophon releases are fairly safe. Avoid any release which does not name the conductors on the track listing or sleeve notes.
It Is What It Is.......2006-10-27
It's fitting that this page is fraught with the same kind of silly snobbery that turns people off from classical music (and necessitates collections like this) in the first place.
Any criticism of this compilation, which focuses on the quality of the performances or the fact that many tracks are excerpts, misses the point. This is not a collection for people who consider such things, nor does it purport to be. The idea is to package as many ultra-famous classical melodies as possible in one affordable collection and market it to people who have never purchased a classical recording. As such, top-tier performances are likely too expensive to be sold so cheaply and are unnecessary anyway. Those of us who already know and love a piece or two can forgive the compilers the inclusion of sub-par recordings, when we are exposed to so many other beautiful pieces for the first time.
It probably comes as a shock for some to hear that most people are not familiar with these classics. We may hear snippets on TV or movies, but are left with no idea as to the composer or historical context. With that in mind, it is extremely intimidating to begin buying classical. I suppose those among us, who so thoroughly dismissed the very notion of a boxed set like this, would have us begin by buying full albums by reputable interpreters. Surprisingly enough though, the majority of people would consider that a tad cost-prohibitive.
To conclude, this is a STARTER collection. It will either affirm a listener's feelings about classical music or lead to an interest in purchasing better recordings. Ideally, I suppose the interpretations would be better, but, for reasons mentioned above, that just isn't in the cards for a collection of this nature. If you're familiar with 50 different recordings of "The Ring" series, or have season tickets to the New York Philharmonic, then this probably isn't for you. For us cretins with limited foreknowledge of classical music though, it serves as a succinct introduction with little to complain about.
Average customer rating:
- Movie Themes CD
- "three decades of film composers ~ Simply The Best"
|
Simply the Best Movie Themes
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD
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ASIN: B0001CNRL6
Release Date: 2004-02-24 |
Tracks:
- Theme From Mission Impossible - Schifrin
- Theme From Gladiator - Zimmer
- Hedwig's Theme - Williams
- Harry's Wondrous World - Williams
- Allegro Moderato - Symphony No. 8 'Unfinished' - Schubert
- Suite From Shakespeare In Love - Warbeck
- Out Of Africa - Barry
- Requiem, Rex Tremendae - Mozart
- Prelude In E Minor, Op. 28, No. 4 - Chopin
- Suite No. 3 In D, Air On The G String - J.S. Bach
- I Will Always Love You - Parton
- Symphony No. 40, Molto Allegro - Mozart
- Finlandia - Sibelius
- My Heart Will Go On - Horner
Tracks:
- Theme From Lord Of The Rings - Shore
- Overture To All That Jazz - Kander & Ebb
- 'Trout' Quintet, Theme, Andantino And Variations - Schubert
- Prelude No. 15 In D-Flat - Chopin
- Windmills Of Your Mind - LeGrand
- (Everything I Do) I Do It For You - KAMEN
- Theme From Schindler's List - Williams
- Also Sprach Zarathustra, Excerpt - Strauss
- Symphony No. 3, Lento Cantabile - Semplice - Gorecki
- Die Walkure, Ride Of The Valkyries - Wagner
- Goldberg Variations, Aria Da Capo - J.S. Bach
- Theme From License To Kill - KAMEN
- Sonata No. 8, Op. 13, 'Pathetique,' Andante Cantabile - Beethoven
- Die Another Day - Arnold
- Symphony No. 9, Ode To Joy, Excerpt - Beethoven
Customer Reviews:
Movie Themes CD.......2007-03-10
Very nice CD with beautiful music from past movies. Very relaxing music to listen to.
"three decades of film composers ~ Simply The Best".......2004-03-06
Rhino Movie Music presents "Simply The Best Movie Themes", featuring the Royal Philharmonic Orchestra and other various artists ~ within the realm of the following composers David Arnold, John Barry, Alan Bergman, Marilyn Bergman, Wendy Carlos, Fred Ebb, James Horner, James Newton Howard, Michael Kamen, John Kander, Michel Legrand, Alex North, Basil Poledouris, Howard Shore, Wladyslaw Szpilman, Stephen Warbeck, John Williams and Hans Zimmer ~ each composer has created one or more of the scores in this twenty nine classic line up.
Film scores covering over three decades with "2001:SPACE ODYSSEY", "A CLOCKWORK ORANGE", "APOCALYPSE NOW", "THE BODYGUARD(I Will Always Love You)", "CHICAGO(Overture to All That Jazz), "DIE ANOTHER DAY", "EYES WIDE SHUT", "FEARLESS", "GLADIATOR(Theme)", "HANNIBAL", "HARRY POTTER AND THE SORCERER'S STONE(Hedwig's Theme)", "HARRY POTTER AND THE SORCERER'S STONE(Harry's Wondrous World)", "THE HUNT FOR RED OCTOBER", "JURASSIC PARK:THE LOST WORLD", "LICENSE TO KILL, "LIVING DAYLIGHTS", "THE LORD OF THE RINGS(Theme)", "MINORITY REPORT", "MISSION IMPOSSIBLE (Theme)", "OUT OF AFRICA", "THE PIANIST", "ROBIN HOOD, PRINCE OF THIEVES", "SCHINDLER'S LIST", "SE7EN", "SHADOWLANDS", "SHAKESPEARE IN LOVE", "THE SIXTH SENSE", "THE THOMAS CROWN AFFAIR"and "TITANIC(My Heart Will Go On)" ~ a mixture of original compositions and classics of the old masters. Loaded with not just themes, but full of orchestral arrangements that are fresh and rewarding ~ sure to bring back those special moments from the film.
The presentation is superb with every cue inclusive with spectacular performances from suspense, romance and adventure all rolled into a two disc package. Rhino must be commended on doing such a great job and doing it well. Most serious "film-score-buffs" will welcome this compilation, has many cues available all under one banner ~ Rhino Records...gotta love it!
Total Time: 2-CD-Set ~ Rhino/Warner Classics 78061 ~ (2/24/2004)
Average customer rating:
|
Top 100 Masterpieces of Classical Music (Collectors Edition) (Box Set)
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
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ASIN: B00008L428
Release Date: 2003-02-13 |
Average customer rating:
- Musical grandeur
- Overview of even deeper understanding of Piazzolla's music
- Sublimely Stupendous
- Vintage Guitar Magazine Review
|
Sérgio & Odair Assad Play Piazzolla
Manufacturer: Nonesuch
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ASIN: B00005MIZX
Release Date: 2001-07-17 |
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- Ste Troileana: Whisky
- Ste Troileana: Zita
- Ste Troileana: Escolaso
- Bordel 1900 - Odair Assad/Fernando Suarez Paz
- Fracanapa - Sergio & Odair Assad/Fernando Suarez Paz/Marcelo Nisiman
Customer Reviews:
Musical grandeur.......2002-11-22
The other reviewers have given this disc it's due superlatives and I would have to concurr, it is sublime. You will not find a more beautiful, rhythmic or enchanting piece of music. As soothing as it is invigorating the guitar work is a marvel. I play this disc constantly and never seem to ge tired of it. You seem to hear new things with each listen, the guitar work is more dazzling each time. Being somewhat of a novice when it comes to the works of Piazzola I find that this disc serves as a good reference point for becoming more familiar with his compositions that were infused with his impecable standards of Argentine tango. This is definitely an excellent disc that shows off the talents of the fast and furious fingering of the frets by Sergio and Odair Assad. Recommneded for guitar afficionados who love the sound of the violin and bandoneon blended to perfection. These are Piazolla masterpieces that lovers of world beat who like their music flavored with a spicy tango beat will enjoy year after year.
Overview of even deeper understanding of Piazzolla's music.......2002-04-14
A few of the tracks found on this CD were originally released on previous efforts of the brothers Sergio and Odair Assad; so this disc is a compilation of sorts. But don't let that stop you.
First appearing on the late eighties recording Sergio and Odair Assad play Latin American Music, Piazzolla's Tango Suite, composed expressly for the brothers, has always been a favorite of mine. It just bristled with energy and vitality. The new recording found here is taken at a slower tempo with the most obvious result being a heightened sense of rhythmical accentuation. Piazzolla did once say that the most important thing for a player to understand about his music was the use of accents. Here you will find a feast for the ears and the soul. The other tracks all share this sense of deep sorrow and angular rhythm that drips from the music. I have NEVER been so taken by a recording. Not only does this CD provide guitar playing of the very highest standards but it also gives us one of the best readings of Piazzolla's work ever. Most highly recommended.
Sublimely Stupendous.......2001-12-21
Frankly, I didn't know how I would like this CD. The song selection is marvelous, but I own the Assad brothers' Alma Brazileira and find it to be very uneven and was a little afraid I'd find the same here. I did not and was instead very pleasantly surprised.
This CD bears some comparison to Al DiMeola's Plays Piazzolla album. Both are great albums, but the Assads concentrate more on fidelity to the spirit of the compositions and are less given to experimental wanderings than Di Meola.
Its hard to argue with the choice of music played here. Tango Suite is a difficult piece and rarely offered, but the Assads pull it off wth alacrity. The Suite Troileana is another rarely performed and very demanding piece given a judicious rendering here.
My favorites are a very melancholy rendition of the classic Invierno Porteno, Primavera Portena, Decarissimo and a spirited and very competent interpretation of the rarely performed masterpiece Francanapa.
It helps that Piazzolla violinist Fernando Suarez Paz is present on many tracks. His duo with Odair Assad on Bordel 1900 is exquisitely delicate and dreamlike.
If you like Piazzolla, if you like DiMeola, then you are almost sure to like this sublimely stupendous musical feast. My respect for the talent of the Assad brothers has grown enormously and I recommend this CD most highly.
Vintage Guitar Magazine Review.......2001-07-18
At their best, Brazilian brothers and guitar duo Sérgio and Odair Assad play as if they were one person---one person blessed with four arms. With their six previous albums for Nonesuch, they have won renown around the globe for their lush, multi-faceted sound, rich in counterpoints and rhythmic adventure. Since their New York City concert debut as teenagers in 1969, the Assad brothers have collaborated with artists such as cellist Yo-Yo Ma and violinist Nadja Salerno-Sonnenberg. Along the way, they have recorded pieces by composers as varied as Scarlatti and Bach, George Gershwin and Argentine neuvo tanguero Astor Piazzolla. The Assads first meet Piazzolla in the 1970s when they were young music students in Rio de Janeiro. Piazzolla was then reaping his first great rewards for his New Tango, and Brazil was one of the first countries to rave over him, even more so than his homeland. After hearing the Assads play a guitar transcription of one of his own pieces for him at a dinner party in Paris in 1983, Piazzolla vowed to write a guitar duet dedicated to them. The composition, "Tango Suite," has since become a modern classic, and following Piazzolla's death in 1991, the brothers have kept the master's music as a central part of their repertoire. This new album is dedicated to Piazzolla's memory, and features nine of his compositions. They range from "Tango Suite" to parts of Piazzolla's stunning celebration of the four seasons of Buenos Aires. Also included are earlier compositions that have almost been forgotten, chief among them the glorious tribute to Piazzolla's mentor, master bandoneonist Anibal Troilo, "Suite Troileana." The pieces played by just the brothers on this album are charmed by a beauty and lyricism rare among guitar duets. They breathe a certain joy and happiness into the melancholic moodiness of Piazzolla's compositions---due in large part to the light sound of their guitarwork versus the original composer's bandoneon, which is without doubt one of the saddest-sounding instruments of all time. Yet the songs where the Assads are joined by the violins of Nadja Salerno-Sonnenberg and Fernando Suarez Paz or Marcelo Nisinman's bandoneon have even more impact with the third dimension coming from the added instruments providing counterpoint to the guitars. This is a stunning album.
Average customer rating:
- Bright, original treatment of classics...perfect for kids.
|
The Classical Child At Play
Manufacturer: Classical Child
ProductGroup: Music
Binding: Audio CD
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| Rachmaninov, Sergei
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Similar Items:
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ASIN: B00000AF6S
Release Date: 2002-08-01 |
Tracks:
- Four Seasons: Spring
- Butterfly, Op.43, No.1
- Son No.24 in D: Allegro
- Golliwogg's Cakewalk
- March in G
- Fant in g
- Son No.3 in C: Allegro
- Ov No.3 in D: Air
- Jesu, Joy Of Man's Desiring
- Hornpipe
- March Militaire, Op.51, No.1
- Ste C: Courante
- Ste No.2 Ov: Allegro
- Prld No.7
- Son No.12 in A: Andante
- To A Wild Rose
Album Description
A delightful introduction to the classics for young children. Perfect music to go with creative play or relaxation. Filled with the joyful exuberance of a child's day!
Customer Reviews:
Bright, original treatment of classics...perfect for kids........1999-05-14
Bright, original treatment of classics...perfect for kids. Love the lighthearted approach.
Average customer rating:
- Great gems from musicals that dissapeared
- some gold mixed with dross
|
Unsung Musicals - The Ultimate Collection
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD
General
| Musicals
| Broadway & Vocalists
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ASIN: B00005K9SG
Release Date: 2001-06-05 |
Tracks:
- Smile (from "Smile") (Hamlisch-Ashman) - Harry Groener et al.
- Hero (from "Babe") (Menken-Ashman) - Debbie Gravitte
- Didin't Leave It Here (from "Brownstone") (Larson-Rubins) - Kristine Fraelich and Jolie Jenkins
- Starfish (from "La Strada") (Lawrence-Charnin) - Judy Kuhn
- Sherry! (from "Sherry!") (Rosenthal-Lipton) - Christine Baranski and Jonathan Freeman
- Smashing New York Times (from "A Broadway Musical") (Strouse-Adams) - Jason Graae
- Silverware (from "We Take the Town") (Karr-Dubey) - Lee Wilkof and Timothy Jerome
- Hundreds of Hats (from "Diamonds") (Sheffer-Ashman) - Jason Workman
- At the Same Time (from "Freaky Friday") (Rodgers-Forster) - Tammy Minoff and Patrick Levis
- When It Happens to You (from "The Red Shoes") (Styne-Stryker) - Lynne Wintersteller
- Lawyers (from "A Broadway Musical") (Strouse-Adams) - Gregory Jbara and Lee Wilkof
- At My Side (from "Welcome to the Club") (Coleman-Hotchner) - Sally Mayes and Michael Rupert
- In a State (from "A Wonderful Life") (Raposo-Harnick) - Brent Barrett
- Disneyland (from "Smile") (Hamlisch-Ashman) - Jodi Benson
- Reveille Sun (from "Here's Where I Belong") (Waldman-Uhry) - Glory Grampton
- The Memory of Tonight (from "Arthur, The Musical") (Skloff-Kauffman-Crane) - Carolee Carmello and Gregg Edelman
- Stomp the Blues Away (from "Honky Tonk Nights") (Valenti-Allen-Campbell) - Melba Joyce et al.
- New Words (from "One, Two, Three, Four, Five") (Yeston) - Liz Callaway
Customer Reviews:
Great gems from musicals that dissapeared.......2004-11-30
Songs from 1987's "Smile" make this well worth the price. The previously unreleased material from the late, great Howard Ashman deserves to have it's moment in the spotlight.
Also, there's Judy Kuhn's beautiful performance on "Starfish", Christine Baranski's vampy turn on "Sherry".
Finally, there's" New Words" from "One, Two, Three, Four, Five". This show has been restaged, by small theatre groups, under the title "History Loves Company". "New Words" is by far the best number of this show and Liz Callaway's voice fills with love as she sings this lullaby.
For a consummate musical theatre fan who's heard it all, this disc is a refreshing look at what has been lost over the years.
some gold mixed with dross.......2003-12-21
Some of these songs desrve to be unsung. But then you get a showstopper like Sherry and you wonder how could this show have flopped? That number alone makes this cd worth purchasing.I also enjoyed Marvin Hamlisch's toe tapping title song - Smile.There are also a few other lovely melodies which makes this cd a nice addition to a Broadway collection.
Average customer rating:
- Decent Quality, But a Little Rushed
- Decent, but not exciting
- Decent, but not exciting
- Sounds good to me.
- Wonderful Selection
|
The Top 100 Masterpieces of Classical Music (Box Set)
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Classical Masterpieces of the Millennium [20 CD Set]
- Our Pioneers and Patriots
- Planet Earth - The Complete BBC Series
ASIN: B000001VUG
Release Date: 1994-07-14 |
Tracks:
- Toccata In D Minor: Toccata In D Minor (1709) - 100 Masterpieces Vol. 1 (1685-1730)
- Canon In D: Canon in D (1698) - 100 Masterpieces Vol. 1 (1685-1730)
- Brandenburg Concerto No. 3, 1st Movement: Brandenburg Concerto No. 3, 1st Movement (1721) - 100 Masterpieces Vol. 1 (1685-1730)
- Water Music, Suite No. 2 In D: 4.1 1st Movement - 4.2 Alla Hornpipe - 4.3 Minuet - 4.4 Lentement - 4.5 Bourree - 100 Masterpieces Vol. 1 (1685-1730)
- Trumpet Tune And Air: Trumpet Tune And Air (1685) - 100 Masterpieces Vol. 1 (1685-1730)
- Orchestral Suite No. 3 In D: Air - 100 Masterpieces Vol. 1 (1685-1730)
- The Four Seasons - Spring: The Four Seasons - Spring (1725): 7.1 Allegro - 7.2 Largo e painissimo - 7.3 Allegro Bela Banfalvi - 100 Masterpieces Vol. 1 (1685-1730)
- Adagio: Adagio (1730) - 100 Masterpieces Vol. 1 (1685-1730)
- Mandoline Concerto In C, RV 425: 9.1 Allegro - 9.2 Largo - 9.3 Allegro - 100 Masterpieces Vol. 1 (1685-1730)
- Orchestral Suite No. 2 in B Minor: Minuet and Badinerie (1721) : - 10.1 Minuet - 10.2 Badinerie - 100 Masterpieces Vol. 1 (1685-1730)
Tracks:
- Messiah: 'Hallelujah' (1742)
- 'Orpheus and Eurydice': Dance Of The Blessed Spirits (1762)
- 'Christmas Oratorio': Sinfonia In G (1734)
- Violin Concerto No.3 in G: Violin Concerto No.3 In G, 1st Movement (1775)
- 'Xerxes': Largo (1734)
- Flute Concerto In G 'La Notte': VI. Allegro (1731)
- 'Solomon': Arrival Of The Queen Of Sheba (1749)
- Oboe Concerto In D Minor: Oboe Concerto In D Minor, 2nd Movement (1731)
- Concerto grosso In A Minor Op.6 No.4: 9.1 Larghetto affettuoso - 9.2 Allegro - 9.3 Largo Piano - 9.4 Allegro
- Violin Concerto No.5 In A, 2nd Movement: Violin Concerto No.5 In A, 2nd Movement (1775)
Tracks:
- Eine kleine Nachtmusik: 1st movement (1787)
- Piano Concerto No. 21 in C: 2nd Movement (Elvira Madigan)
- The Marriage Of Figaro: Overture (1786)
- Flute Concerto No. 2 In D: 2nd Movement (1778)
- Piano Sonata In A (1778): Rondo Alla Turca
- Don Giovanni: Overture (1787)
- Horn Concerto No. 3 In E Flat: 2nd Movement
- Piano Concerto No. 23 in A: 1st Movement (1786)
- The Marriage Of Figaro: March (1786)
- Serenata Notturna: 10.1 Marcia. Maestoso - 10.2 Menuetto - 10.3 Rondeau. Allegretto
Tracks:
- Symphony No. 40: 1st Movement (1788) - 100 Masterpieces Vol. 4 (1788-1810)
- 'Moonlight' Sonata: 1st Movement (1801) - 100 Masterpieces Vol. 4 (1788-1810)
- Symphony No. 94: 'Surprise' ,2nd Movement (1791) - 100 Masterpieces Vol. 4 (1788-1810)
- The Magic Flute: Overture (1791) - 100 Masterpieces Vol. 4 (1788-1810)
- Fur Elise: Fur Elise (1810) - 100 Masterpieces Vol. 4 (1788-1810)
- String Quartet In C: Emporor's Hymn - 100 Masterpieces Vol. 4 (1788-1810)
- Symphony No. 5: 1st Movement (1808) - 100 Masterpieces Vol. 4 (1788-1810)
- Clarinet Concerto In A: 2nd Movement (1791) - 100 Masterpieces Vol. 4 (1788-1810)
- Minuet In G: Minuet in G (1796) - 100 Masterpieces Vol. 4 (1788-1810)
- Trumpet Concerto In E Flat: 3rd Movement - 100 Masterpieces Vol. 4 (1788-1810)
Tracks:
- The Barber Of Seville: Overture (1821)
- Symphiny No.8 In B Minor: 'Unfinished' 2nd Movement (1822)
- Spring Song: Spring Song (1841)
- Polonaise In A, Op.40 No.3: 'Military'
- Rosamunde: Ballet Music In G
- Der Freischutz: Overture (1820)
- Ave Maria: Ave Maria (1825)
- Symphony No.4 In A: 'Italian', 1st Movement (1833)
- Traumerei: Traumerei (1838)
- German Dance No. 1: German Dance No. 1 (1811)
Tracks:
- A Midsummer Night's Dream: Wedding March (1843) - 100 Masterpieces
- Liebestraum No. 3 In A flat: Liebestraum No. 3 In A Flat (1847) - 100 Masterpieces
- Nabucco: Overture (1842) - 100 Masterpieces
- The Merry Peasant: The Merry Peasant (1848) - 100 Masterpieces
- Hungarian Rhapsody No. 2: Hungarian Rhapsody No. 2 (1847) - 100 Masterpieces
- Lohengin: Prelude to Act 3 (1850) - 100 Masterpieces
- La Traviata: Prelude to Act 1(1853) - 100 Masterpieces
- Tannhauser: Arrival Of The Guests At Wartburg (1845) - 100 Masterpieces
- Violin Concerto In E Minor: Violin Concerto In E Minor, 2nd Movement (1845) - 100 Masterpieces
- Poet And Peasant: Overture (1846) - 100 Masterpieces
Tracks:
- Orpheus In The Underworld: Overture (1858)
- Melody In F: Melody In F (1858)
- Les Preludes: Les Preludes (1854)
- Waltz In A Flat: Waltz In A Flat (1865)
- The Force Of Destiny: Overture (1862)
- I Love You: I Love You (1864)
- The Bartered Bride: Overture (1866)
- The Tales Of Hoffmann: Barcarolle (1864)
- Tritsch Tratsch Polka: Tritsch Tratsch Polka (1858)
- Light Cavalry: Overture (1866)
Tracks:
- Piano Concerto No. 1 In B Flat Minor: 1st Movement (excerpt) (1875) - 100 Masterpieces
- Cradle Song: Cradle Song (1868) - 100 Masterpieces
- The Moldau: The Moldau (1875) - 100 Masterpieces
- The Valkyrie: Ride Of The Valkyries (1870) - 100 Masterpieces
- Peer Gynt: Morning (1876) - 100 Masterpieces
- Carmen: Les Toreadors (1875) - 100 Masterpieces
- Coppelia: Notturno (1870) - 100 Masterpieces
- Marche Slave, Op. 31: Marche Slave, Op. 31 (1876) - 100 Masterpieces
- L'Arlesienne: Intermezzo (1872) - 100 Masterpieces
- The Blue Danube: Waltz (1867) - 100 Masterpieces
Tracks:
- Eugene Onegin: Polonaise (1878) - 100 Masterpieces Vol. 9
- Symphony No.9 'From The New World': 2nd Movement (1893) - 100 Masterpieces Vol. 9
- The Nutcracker: Waltz of the Flowers (1892) - 100 Masterpieces Vol. 9
- Capriccio espagnol: Alborado (1887) - 100 Masterpieces Vol. 9
- The Last Spring - 100 Masterpieces Vol. 9
- Slavonic Dance No. 2: Slavonic Dance No. 2 (1886) - 100 Masterpieces Vol. 9
- The Sleeping Beauty: Introduction (1889) - 100 Masterpieces Vol. 9
- Twilight Of The Gods: Siegfred's Death And Funeral March (1877) - 100 Masterpieces Vol. 9
- Songs My Mother Taught Me: Songs My Mother Taught Me (1880) - 100 Masterpieces Vol. 9
- Emperor Waltz - 100 Masterpieces Vol. 9
Tracks:
- Also sprach Zarathustra: Fanfare (1896)
- Symphony No.5: Adagietto (1902)
- Finlandia: Finlandia (1899)
- Dance Of The Bumble Bee: Dance Of The Bumble Bee (1900)
- 'Thais': Meditation
- Pomp amd Circumstance: March No.1 (1901)
- Humoresque: Humoresque (1894)
- Valse Triste: Valse Triste (1903)
- Vienna Blood: Vienna Blood - Waltz (1899)
- Bolero: Bolero (1928)
Customer Reviews:
Decent Quality, But a Little Rushed.......2002-09-20
I have to agree that this is a good collection of music for the money, especially if you are a novice at the Classics like me. Each disc covers a 40 year period with an hour of music and a little bit of history in the cover slip. However, there were some oddities that made me question the quality of this product. First, a few of the songs seemed like the conductor was hurrying them along so the songs on a disc would add up to exactly one hour -- where's the love? I know I'm a novice, but there are just some songs that are so famous that you can pretty easily tell when they are being butchered or compressed. Second, the quality of the product was suspect. Some of the discs looked like they were manufactured in 1990 and some in 1994. The older ones just had the titles on the discs and the newer ones had a screen-printed color change with no information. They couldn't even use the same type of Jewel Case throughout the collection. In total, it's good for beginners and the money, but not much else.
Decent, but not exciting.......2002-09-01
Not bad, but not a perfect as well. The music selection is very questionable for my taste. The performers are not always very suitable for specific masterpieces. It is inherently, just because such mix of names cannot be bad ;). If I will compose such set a lot of forgotten things should take their place.
Decent, but not exciting.......2002-09-01
Not bad, but not a perfect as well. The music selection is very questionable for my taste. The performers are not always very suitable for specific masterpieces. It is inherently, just because such mix of names cannot be bad ;). If I will compose such set a lot of forgotten things should take their place.
Sounds good to me........2002-07-25
Bought this CD to calm and relax myself after a hard days work. CD seems like a great collection to me. It's got a lot of songs that I recognize and some that I don't. It does sooth me a bit after the the many stresses of everyday life.
I'm not really a classical music nut like "Frasier Crane" so I'm not sure how much merit I can bring to the table with this review. But I think it's great..!!!
Wonderful Selection.......2001-05-13
Some of the world's truly finest musicians perform some of the all time greatest and most loved musical masterpieces. The CD makes for easy and peaceful listening of an evening.
Music Info:
- Hallow's Victim
- Hermitage
- Heroes of Steel [Import]
- In the Rectory of the Bizzare Reverend [Import]
- In the Shadows
- Indomable
- Joe Black [Explicit Lyrics]
- Judgement Day
- Just a Little Sign [CD-single] [EP] [Import]
- Live in Concert [Live]
Music Info
music info
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Best Of [Import]
Raise [Original recording remastered] [Import]
Seventeen/High Button Shoes [Cast Recording]
R. Strauss: Der Rosenkavalier/Four Symphonic Interludes/Introduction And Moonlight Music/Salomes Tanz
Nothing Is Easy-Live at the Isle of Wight 1970 [Import]
Pablo Casals plays Elgar, Boccherini, Bruch and others
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The Fred Waring, Vol. 1: Collegiate Years