Hell-O

Hell-O

Track Listings

1. Timè fôr Deäth

2. ÅEIÖU

3. Americànized

4. I'm in Löve (With a Deåd Dog)

5. Slütmañ City

6. World Ô Filth

7. War Toy

8. Cåptain Crünch

9. Püre as the Årctic Snôw

10. Je M'Appelle J. Cöusteaü

11. Gwar Theme

12. Bône Meal

13. Öllie North

14. Techno's Song

15. U Ain't Shit

16. Rock & Roll Pärty Töwn

Hell-O,Gwar,Shimmy Disc,Comedy Rock,Heavy Metal,Pop,Rock,Thrash

The Rocky Horror Picture Show (1975 Film)
Average customer rating:

Its ROCKY ... wwhat can you say~??

Sing Along, Dance Along, Enjoy Life!

A Guilty Pleasure

an old favorite

Midnight Movie

The Rocky Horror Picture Show (1975 Film)
Richard O'Brien
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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Little Shop Of Horrors (1986 Film)

Rocky Horror Picture Show: 25 Years of Absolute Pleasure

Little Shop of Horrors

ASIN: B0000032LS
Release Date: 1989-05-12

Tracks:

Science Fiction/Double Feature - Richard O'Brien
Dammit Janet - Barry Bostwick
Over At The Frankenstein Place - Barry Bostwick
The Time Warp - Charles Gray
Sweet Transvestite - Tim Curry
I Can Make You A Man - Tim Curry
Hot Patootie-Bless My Soul - Meatloaf
I Can Make You A Man: Reprise - Tim Curry
Touch-A, Touch-A, Touch Me - Susan Sarandon
Eddie - Jonathan Adams
Rose Tint My World: Floor Show/Fanfare/Don't Dream It/Wild And Untamed Thing - Tim Curry
I'm Going Home - Tim Curry
Super Heroes - Barry Bostwick
Science Fiction/Double Feature: Reprise - Richard O'Brien
The Time Warp (Remix-1989 Extended Version) - Charles Gray
The Time Warp (Music - 1 = Background Track + U-Mix) - Richard O'Brien

Amazon.com

Don't have the time (or the props) to watch the whole movie? Just put on the soundtrack--it's got all the best parts without the dialog in-between! Well, isn't that what an Original Soundtrack Recording like this is supposed to be? Back in the mid-70s when The Rocky Horror Picture Show was a midnight staple at countless movie theaters, Tim Curry wasn't yet "Tim Curry" and Susan Sarandon wasn't yet "Susan Sarandon" (hell, Barry Bostwick wasn't even "Barry Bostwick"!). Listening to these science-fiction double-feature showtunes will take you back through a time warp to the days when the now-Academy-Award-winning actress was perfectly willing to stand around for most of a picture in her bra and panties--and so would her boyfriend! In those days, they were just Brad and Janet, forced to spend a dark and stormy (also sexy) night in the haunted house of mad scientist Frank N. Furter--just a sweet transvestite from transsexual Transylvania-ha-ha who really knew how to belt out a song. Those were the days. --Jim Emerson

Customer Reviews:

Its ROCKY ... wwhat can you say~??.......2007-03-12

Its Rocky Horror.. any fan would be singing along and wanting to jump out at stop lights and do the "time warp". Brings back such great memories of throwing rice and newspapers.
now Im teaching my teenagers and Time Warp.
Time to pass it on.
Thanks for the great service and fast shipping.

Sing Along, Dance Along, Enjoy Life!.......2007-03-10

I love the Rocky Horror Picture Show! Talk about a classic that shows off Tim Curry's vocal talents. Susan Sarandon is equally stunning in her role as a sweet, naive girl who grows a bit wild as the movie rolls on.

The basic premise of the movie is that it's a send-up of all the classic 1950s horror films, complete with a mad scientist creating his own monster, and the sweet innocent couple who bumble their way into this all. Toss in the wild 70s style free-love, space aliens, cross dressing and some truly classic lines, and you can see why this has become the favorite of many people.

Just about every song in here is one that you have great fun singing along with. The lyrics are great. The vocals are great. Tim Curry really has a fantastic voice that you have to hear to believe. You not only want to sing along with the songs, but get up and dance too! Then you have the sweet, harmonious songs too, the ones that really connect with your soul.

It definitely helps to see the movie a few times, to understand the great visuals that go along with the song - but once you've got that down, play the CD in your car, while you do your chores, or while you're getting work done! It makes the time fly by, and leaves you upbeat and enjoying life.

A Guilty Pleasure.......2007-02-12

I can't help but love this movie/soundtrack. It's fun, silly & extremely entertaining. Give it a shot, you might just like it!

an old favorite.......2007-01-18

this cd is great! i received it in under a week. i payed less than half of what it cost elsewhere.

Midnight Movie.......2007-01-09

Even though the days of Rocky Horror being the midnight movie every Saturday night are gone, it is nice to re-live that era occasionally at home. Adding dialogue is still fun, but unless you have the carpet cleaner scheduled for the next day you better leave it at that!

Average customer rating:

"Creative" editing ruins this CD
Absolutely terrible sound quality!
Classic Walsh album finally available on CD again

Barnstorm
Joe Walsh
Manufacturer: Hip-O Select
ProductGroup: Music
Binding: Audio CD

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The Smoker You Drink, the Player You Get
So What
Live in Concert
Thirds
But Seriously Folks

ASIN: B000ER8TFC
Release Date: 2006-11-13

Tracks:

Here We Go
Midnight Visitor
One and One
Giant Bohemoth
Mother Says
Birdcall Morning
Home
I'll Tell the World
Turn to Stone
Comin' Down

Product Description

After The James Gang and before Rocky Mountain Way, Joe Walsh moved to Colorado and formed a short-lived group called Barnstorm with bassist Kenny Passarelli and drummer Joe Vitale. The result is this remarkable and intriguing 1972 album most often referred to as Walshs debut solo effort. What it truly is, though, is a richly textured acoustic/electric album that ebbs and flows with sounds and segues ranging from spooky to sweet, plaintive to psychedelic, from melodically enticing to ballbusting organ-guitar crunch rock. Its less than 40 minutes in length, but by its end the listener feels like he/she has been taken on a musical adventure of the best kind. The album didnt produce any hits per se, but charted in the Top 100, gave the world the first version of Turn To Stone, and resulted in a uniquely barnstorming national tour, wherein Joe Walsh reconfirmed if there ever was any doubt - his stature as a premiere musician. Joe Walsh next hit with Rocky Mountain Way and in 1975 added his unique energy to The Eagles, but this landmark early album is as good as anything the rocker did before or since. 1. Here We Go 2. Midnight Visitor 3. One And One 4. Giant Bohemoth 5. Mother Says 6. Birdcall Morning 7. Home 8. I'll Tell The World About You 9. Turn To Stone 10. Comin' Down

Customer Reviews:

"Creative" editing ruins this CD.......2006-05-16

This is one of my favorite records, and I've been trying for years to get it on CD. I have the original vinyl, but those Dunhill pressings were never much good. So, I was very happy to see that the record was reissued on CD. Unfortunately, there's some tape hiss, but most distressing, track 3, "One and One" has been edited to fade out with a long pause between it and the next tune "Giant Bohemoth". On the original vinyl, these two tunes seque into each with no fadeout of any kind. The edit on the reissue totally disrupts the "flow" of the album. Very, very disappointing.
UPDATE UPDATE UPDATE UPDATE******************
Apparently this reissue was initially released using a set of incorrectly marked master tapes. The reissuing company has now found the correct masters, have cut a new digital remaster and is now circulating the corrected issue of this record.

Absolutely terrible sound quality!.......2006-04-15

I'm not sure which edition Wayne Klein is referring to in his review but it certainly wasn't this one. As noted by another reviewer, Hip-O Select completely dropped the ball on this one, using the wrong master tapes to produce this CD. It is LOADED with tape hiss, so much so that I could not get through the entire disc before turning it off. I have been in touch with Hip-O's parent company (Universal) and they acknowledged the mistake, saying that a vastly improved edition with the correct master tapes will soon be in stores, but after nearly a year it has yet to appear and when it does the consumer may not be able to distinguish between the two editions. It's hard to understand a mistake like this not being caught before production. But it's worse that a company would allow unsuspecting consumers to buy this garbage and then not rectify the matter after all this time. Great music, bad business practice. I'm keeping my vinyl!

Classic Walsh album finally available on CD again.......2006-03-13

Atmospheric and fascinating Joe Walsh's Barnstorm (aptly named)brought forth this terrific album after Walsh left the James Gang. Everything from the inspired opener "Here We Go" to the unusual "Birdcall Morning". From the instrumental "Giant Bohemoth" which slides right into the stunning "Mother Says" the album doesn't miss a beat.

The biggest song here "Turn to Stone" would show up again in a slightly inferior version on "So What?" but the original primordial monster is here. Featuring crunchy a guitar lick and a stunning guitar solo Walsh never got this experimental again. The album closes out with the acoustic guitar/haronica driven "Comin' Down" which provides a tranquil close to a magical album.

Like the 2005 Japanese re-release the magical sound qualty of the original recording has been retained. This is, in fact, the best the album has ever sounded (although honestly I can't compare it to the original Mobile Fidelity release since I never had it but have had the other import versions). Walsh never got better as a songwriter than here (although he came close with another couple of strong albums such as "The Smoker You Drink, the Player You Get"). A marvelous reissue, this classic album only lacks bonus tracks and outtakes which would have made this classy package complete.

Passion - Most Famous Orchestral Spectaculars [20 CD Set]

Average customer rating:

A good gift for novice

Passion - Most Famous Orchestral Spectaculars [20 CD Set]

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

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Rhapsody in Blue - Ultimate Piano Collection [20 CD Set]
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Classical Evolution: Spanish Guitar Music

ASIN: B00012QLTQ
Release Date: 2003-12-09

Album Description

Music can be both calming and relaxing, or invigorating and passionate...this phenomenal 20-CD set is definitely the latter. This amazing collection brings together for the first time the most passionate music of all time, from Ravel's Bolero, Tchaikovsky's Swan Lake, Wagner's Magic Fire Music to Ravel's La Valse, Orff 's Carmina Burana and Stravinsky's Rite of Spring. This is a must have collection for every passionate music lover.

Customer Reviews:

A good gift for novice.......2007-05-12

This was a good gift for somebody learning about Classical music in Japan.

Average customer rating:

Elly Ameling now more available
Delight in every note
While they last...
Treasures From a Treasure
More than fully earned praise for an exceptional singer.

Artistry of Elly Ameling (Coll)
Elly Ameling
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Elly Ameling ~ Schubert · Schumann - Songs
Philips and Decca Recordings, 1961-1979 (Limited Edition)
Fauré - Mélodies / Souzay · Ameling · Baldwin
The Very Best of Lucia Popp
Ave Maria--Lieder

ASIN: B00007KMSJ
Release Date: 2003-10-14

Tracks:

Matthaus-Passion
Johannes-Passion
Weihnachts-Oratorium
Juditha Triumphans
Messiah
Crudel Tiranno Amor
Die Schopfung
Orlando Paladino
7 Lieder
Le Nozze Di Figaro
Exsultate, Jubilate Ch'io Mi Scordi Di Te, K505
Misera! Dove Son! K369
18 Lieder
Frauenliebe Und- Leben
11 Lieder
20 Morike-Lieder

Customer Reviews:

Elly Ameling now more available .......2007-03-07

I had a 33 rpm album of Elly Ameling singing Schubert lieder accompanied by piano and clarinet at times. It was one of my all time favorite albums so I have been disappointed that I have not been able to find it anywhere on CD.

Now I can just buy this excellent collection. So much music in one place! Since I confess that I am far from an expert on the rest of her records, I look forward to hearing her sing many other styles and composers.

I think it is silly to criticize her for not singing Wagner, for example, since her version of many songs, especially lieder, are nothing short of sublime. I would like to hear how many Wagnerians sing Schubert or Mozart.

I doubt if they could approach the skill and soul with which Elly Ameling sings lieder.

Delight in every note.......2006-03-10

To speak as briefly as possible about this superb collection from an equally superb singer, what can I say but that Ms Ameling possessed a voice that shone with radiant warmth and star-like shimmer? And unlike many another light lyric soprano, Elly Ameling was possessed of a very high standard of musicianship, considerable intelligence, and a sort of immediate charm that captivates the listener.

So many of her recordings have still to be released on CD, but this 5CD-set goes some way towards remedying the situation. The repertoire spans a wide variety - French mèlodies, Lieder, light-hearted "sentimental" songs, Bach, etc. - and in each piece, Ms Ameling shows that quality of pearl-like beauty. It is a beauty which is also extremely pretty - a beauty of voice that is never overbearing and over-ripe, but perfectly blossoming upon the tree of inspiration.

I recommend this set unequivocally. It truly is sheer delight.

While they last..........2005-05-17

Elly Ameling held the quiet stage for recitals of great artistry and dignity for several decades and sadly most of the enormously successful CDs of her long career output are now unavailable. For those who have little access to the documentation of this very special artist, this box set is a must. It is a compilation of many of her recordings with differing accompanists, conductors, orchestras and composers. And while not all of the choices for inclusion here would be considered her greatest moments, there are enough works that sustain the warm memories of the little Dutch hausfrau who quietly and simply paid homage to composers with her clear and intelligent musicianship and radiant voice.

Ameling was known to schedule recitals of Schubert cycles and songs and in the afterglow of her performance answer the demand for curtain calls with additional Schubert melodies: she gifted her audience with the dignity of honoring a composer's works by maintaining the focus on that composer rather than milk the audience with the usual encore applause-getting favorites. And special moments such as quietly and pensively strolling through the orchestra during the Mahler 4th symphony to arrive at front stage, unapplauded, just in time for the opening line of her singing - those simple homage to composers and collaborators made her selfless manner endearing to audiences.

Despite the fact that Ameling's voice was on the small side she was always able to muster the projection to carry her message solidly in context with an orchestra. Yes, other more famous singers have recorded Ravel's quintessentially French SHEHERAZADE, but few have the perfection of diction and aura of mystery that Ameling maintained. Whether singing with piano or orchestra, or interpreting Bach, Mozart, Handel, and Vivaldi with the same degree of involvement as Brahms and Schumann and Schubert, Elly Ameling spanned a career that engendered passionate commitment from her fans. And this boxed set is a pocket full of memories to be treasured. Buy it before this too becomes unavailable. Grady Harp, May 05

Treasures From a Treasure.......2004-09-25

Treasures from a Treasure.

Ameling, one of the world's most beloved recitalists is captured here in a 5 CD collection offering some of her most beautiful recordings of song. While we are used to her perfection in songs of Bach, Mozart, Schubert, Schumann, Faure and Hahn, an added joy is her "pop" side, tackling - without a whiff of pretension, Porter, Kern, Gershwin, Ellington, et al.

What an absolute joy it is listening to this amazing artist sing these songs with an almost uncanny natural ease. There is no resorting to a "pop" voice and yet most of these pop standards songs sound as though they could have been written for her. Clean attacks, sometimes a bit of the pop technique of hanging on to a consonant longer than a classical artist normally would shows an appreciation and understanding of the style. Still, there is never once a compromise of her vocal beauty.

I like the way the songs have been arranged for her voice in that she sort of sings them clean, unaffected in the first half and then lets loose and kinda "swings" with it adding embellishments but never really changing her voice (Price, von Stade and other favorite singers of mine seem to have always added a breathy quality to much of their crossover material.)

Ameling doesn't resort to trying to "let her hair down" or get down and dirty, but rather the honest with which she approaches every one of these songs shows how much she enjoys singing them and her style is as refreshing as stumbling onto a cool spring on a sweltering summer's afternoon. A wonderful surprise.

More than fully earned praise for an exceptional singer........2003-07-15

As I had the privilige of hearing this outstanding Lied-singer during her long career in Holland and being the proud possessor of almost all her recordings, I cannot but fully agree with the professional and joyful review of Mr. Robert Holliston from Victoria, B.C. Canada.
Yes, it is unbelievable that of about the 150 recordings Mrs. Ameling made during her long career (for the greater part of course on the 'oldfashioned' LP's, as well as the innumerable Dutch live-recorded radio-concerts), so few CD's have been released.
Speaking of tradition: it was the page-turner of the Wigmore Hall in London who told Mrs. Ameling after her first recital in this hall, that she reminded him of Elisabeth Schumann. (And he certainly didn't mean her looks only!)
For those who are eager to hear her singing Ravel's Shéhérazade (just one example of stirring imagination combined with her Art of Singing) I can tell you that Philips released a 2-box CD of this work in 1999, combined with Debussy's La Damoiselle élue and a compilation of French mélodies, i.e. Debussy, Fauré, Duparc, Satie. One of the gems is Caplet's Le Corbeau et le Renard which even make children, who know the fables of La Fontaine, revel in the singing of the quarrelsome birds....
Her brilliant accompanyist is Rudolf Jansen. Let us cherish great artists in their art!

Kathleen Ferrier - Mahler ~ Kindertotenlieder & Gluck ~ Greene ~ Handel ~ Mendelssohn ~ Purcell / Baillie, Moore, B. Walter

Average customer rating:

Buen documento para conocer y disfrutar a Kathleen Ferrier
The incredible Kathleen Ferrier recordings!
A Terrible Beauty
What is to say - It's Ferrier...
How can you go wrong?

Kathleen Ferrier - Mahler ~ Kindertotenlieder & Gluck ~ Greene ~ Handel ~ Mendelssohn ~ Purcell / Baillie, Moore, B. Walter
Kathleen Ferrier , Bruno Walter , Vienna Philharmonic , and Isobel Baillie
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

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Mahler: Das Lied von der Erde / Bruno Walter
Edition V8 / Blow the Wind Southerly
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A Tribute
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ASIN: B00000I7W5
Release Date: 1999-03-09

Tracks:

Birthday Ode For Queen Mary: Soun The Trumpet
The Indian Queen: Let Us Wander, Not Unseen
King Arthur: Shepherd, Shepherd, Cease Decoying
Ottone: Spring Is Coming
Ottone: Come To Me, Soothing Sleep
Orfeo ed Euridice: Chiamo il mio ben cosi (Act 1)
Orfeo ed Euridice: Deh! placatevi con me (Act 2)
Orfeo ed Euridice: Che puro ciel! (Act 2)
Orfeo ed Euridice: Che feci mai?...Che faro senza Euridice? (Act 3)
O Praise the Lord
I will lay me down in peace
I would that my love, Op. 63 No. 1 - Felix Mendelssohn
Greeting, Op. 63 No. 2 - Felix Mendelssohn
Kindertotenlieder: Nun will die Sonn' so hell aufgeh'n
Kindertotenlieder: Nun seh' ich wohl, warum so dunkle Flammen
Kindertotenlieder: Wenn dein Mein tritt zur Tein
Kindertotenlieder: Oft denk' ich, sie sind nur ausgegangen!
Kindertotenlieder: In diesem Wetter, in diesem Braus

Amazon.com essential recording

Even before her tragic death at 41 (in 1953), Kathleen Ferrier became a legend for her incomparable voice, her simplicity and sincerity of expression, and her indomitable courage. This compilation of recordings originally made in the 1940s includes four arias from Gluck's Orfeo ed Euridice recorded live in Holland, which show why Euridice was one of her signature roles. Two beautifully sung Handel arias, two sacred songs by Maurice Greene, and delightful duets by Purcell and Mendelssohn (sung in English with another beloved English singer, Isobel Baillie) are greatly enhanced by the inimitable pianist Gerald Moore. But the core of this recording is the Mahler cycle. Here, Ferrier's voice takes on a new warmth and intensity; her deeply inward, direct expressiveness gives the bereaved parent's grief and anguish a devastating impact. Her reading of the last song could be a bit more spooky, but the end is heartbreaking in its submissive resignation. The Vienna Philharmonic and Bruno Walter are in their native element. --Edith Eisler

Customer Reviews:

Buen documento para conocer y disfrutar a Kathleen Ferrier.......2004-03-27

Este disco realiza un repaso bastante acertado a la carrera de la mitica contralto Kathleen Ferrier, una de esas voces que hicieron historia y que pasaron a la historia, y con razon.
Junto a unos duetos de Purcell y Mendelshon, y otras canciones, asi como unas arias de Haendel, en las que Ferrier ya va mostrando su gran talento, lo mejor de este disco esta indudablemente en la seleccion del 'Orfeo ed Euridice' de Gluck, tomada de unas funciones en directo a principios de los 50. La Ferrier sienta catedra en la interpretacion del personaje: lo lleva dentro, y lo canta de una forma admirable. Sin duda esta es una de las mejores encarnaciones de 'Orfeo' jamas escuchadas.
El otro pilar del disco son los 'Kindertotenlieder' de Mahler, otra de las maximas especialidades de Ferrier, de los que realiza una version antologica, por voz, diccion y expresion, magistralmente dirigida por Bruno Walter. Un lujazo, vamos.
El disco se consigue actualmente a precio medio, y las remasterizaciones son de calidades variadas (puesto que las grabaciones son de años diferentes) pero el nivel general de las mismas es bastante bueno.
Indudablemente este es un disco que hay que poseer, ya que quizas se trate de uno de los mejores documentos existentes para apreciar el tremendo talento de la gran Kathleen Ferrier.

The incredible Kathleen Ferrier recordings!.......2003-05-20

Voice fans, rejoice -- EMI has finally remastered these recordings and released them as one CD at budget price!
While Mahler's "Kindertotenlieder" would be the chief reason for purchasing this CD right away, it also contains several morsels, equally fascinating. Purcell and Mendelsohn's duets, Handel's arias, Greene's spirituals, and 3 live arias from Gluck's "Orfeo ed Euridice". In general, particularly Mahler, the sound is nothing short of phenomenal. BUT why could not these engineers do the same for "Orfeo" selections? There's a lot of noise on these. On all the selection Ferrier's exceptionally dark mezzo (or contralto with a huge upper register) shines brilliantly. Of course, Mahler's songs bemoaning the death of children are not an easy listen by any means. But the melodies are amazingly harmonious and Bruno Walter's superb orchestra provides ideal background for them, with Ferrier's voice blending gorgeously with strings. Only Mussorgsky could take a subject such as this and make it so breathtakingly captivating. It's actually frightening in by itself. Gerald Moore (well-known for his collaboration with Dietrich Fischer-Dieskau) accompanies expertly on Purcell and Mendelsohn's selections.
It would be a treat to hear Ferrier in more alto repertoire; I am just not sure how many were commercially available at the time. Right now, Vivica Genaux is the leading artist in this area, but it would be fascinating to compare these two.
For the sheer vocal marvel experience, do not delay in getting this CD.

A Terrible Beauty.......2002-11-14

Nothing will change my opinion that Mahler should be approached with caution. Like Wagner, the scale and power of his work means that it is simply not for everyone, but inspite of that, this recording is an indespensible part of any serious music lover's collection. Music like this simply is not made any more, but rather this is a glimpse into a past where artists and not accountants ran the music industry.

Mahler's wife Alma bitterly opposed his setting of Ruckert's Kindertotenlieder to music and considering the death of their daughter soon after, it's doubtful if she ever forgave him for it. But the finished work has an indescribable beauty that Kathleen Ferrier and Mahler's protégé Bruno Walter give full expression to in away that no other interpreter's have even approached. More than 50 years on this is both a lasting tribute to the artists involved and an indictment of the decline in standards since.

What is to say - It's Ferrier..........2002-03-31

I bought the CD for the Kindertotenlieder and that's what I am going to write about (though the rest of the program is equally impressive). Ferrier's Mahler interpretations are always in the 5+ star area. When Walter is accompanying her the results are even better (unlike the case of Klemperer). The first song - Nun Will Die Sonn'... the darkness of the music is so prominent, it's breathtaking. All the rest Kindertotenlieder come in the same fashion. If interested in a release with better sound but not these Olympian contritutors, Janet Baker and Christa Ludwig have made some very good discs

How can you go wrong?.......2001-10-22

I said it before, in my review of the Ferrier/Walter performance of Das Lied von der Erde, recently rereleased by Decca; Ferrier is the authoritative interpreter of Mahler songs--and I have never heard anything to equal this performance of Kindertotenlieder.

Average customer rating:

Not GWAR's Best but Still Decent
GWAR!!!
good album
Hello-Gwar
slave since 88

Hell-O
Gwar
Manufacturer: Metal Blade
ProductGroup: Music
Binding: Audio CD

General | Rock | Styles | Music

General | Hard Rock & Metal | Styles | Music

Thrash & Speed Metal | Hard Rock & Metal | Styles | Music

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America Must Be Destroyed
RagNaRok
We Kill Everything
Scumdogs of the Universe
This Toilet Earth

ASIN: B000001C5U
Release Date: 1992-09-08

Tracks:

Time For Death
AEIOU
Americanized
I'm In Love (With A Dead Dog)
Slutman City
Word O Filth
War Toy
Captain Crunch
Pure As The Arctic Snow
Je M' Appelle J. Cousteau
GWAR Theme
Bone Meal
Ollie North
Techno's Song
U Ain't Shit
Rock & Roll Party Town

Customer Reviews:

Not GWAR's Best but Still Decent.......2005-09-07

I'm more into GWAR's metal albums. This album is pure punk but good punk. Songs to me are good but not great on this album. Standout tracks to me are "I'm in Love with a Dead Dog", "GWAR Theme", "World O' Filth", "Americanized", "AEIOU", "Pure as the Arctic Snow" and "Rock N' Roll Party Town". Not the first album you should get from GWAR but definately a punk masterpiece.

GWAR!!!.......2005-06-19

Wow, what an amazing album. There is a lot of false information going around, but this IS Gwar's first album. It is very punkish but still worth your money, unlike 95% of the rest of the punk genre. All of the disgusting lyrics and subjects that you would expect from Gwar are here. Best songs are Bone Meal, Americanized, Slutman City, Time For Death and the unmatched Pure As The Arctic Snow. This should NOT be passed up by anyone and is much better as a whole than later Gwar albums.

Now, for the history. People have been saying that Oderus was not Gwar's original lead singer, and that is true. The original singer was Jonny/Joey Slutman, but he only played with Gwar for a couple shows before leaving. Someone brought up the point of an album entitled "Let There Be Gwar." This was released in 2004 and was only available at Gwar's live shows; not in the stores. This album has demo versions of early songs on it, and some of these demo versions have Slutman as the singer. So, in conclusion, was Oderus the original singer? No. Slutman did the earliest few Gwar shows. Is Hell-O the first Gwar album? Yes! Let There Be Gwar came out in 2004 and features DEMO songs, opposed to Hell-O which originally came out in 1988 and featured STUDIO songs. Let There Be Gwar contains the earliest Gwar recordings, but it was not the first album.

good album.......2005-05-14

I've been a GWAR fan since 1990. I always thought this was their first release. If there's an earlier one without Oderus singing I'm not interested.
Hell-o is actually a very good album. Every song! The only thing wrong with it is the recording. It sounds like it was recorded in a cave. I wish GWAR would completly re-record Hell-o. Not just remaster it. I think that would be awesome. They did record a new version of "Techno's Song" on C.O.C and thats awesome! The raw sound does give it e certain feel however so I guess that's kinda cool. Never the less this is a great album!
SCUMDOG FOREVER!

Hello-Gwar.......2005-02-20

As much as I love scumdogs of the universe, this CD is unique in one respect. Oderous SINGS! Unlike any other GWAR release!

slave since 88.......2005-01-09

i never knew this was'nt their debut .half of my life has been a lie.anyway i've had this cassette since not long after it came out & it still plays perfectly .recently though i found it on cd & was discusteded to find (after i had bought it)that the original recording of black & huge was gone .why remaster something & then cut out the last track ? its like the wizard of oz ending w/ dorthy clicking her heels...c'mon yall!!!i could see adding bonus tracks but damn.this is why i'm not giving it 5 stars . as for the sound quality ,i think it adds to character of the band .w/ the obviously sampled viking cheers ,girls screaming ,airport noises & whatever in some songs, its like an audio calage.the ambience of others like "je m'appelle j. cousteau"&"gwar theme" give this album a 1970s documentary on cannibals kind of feel. slave forever!

Average customer rating:

Lousy - don't buy it!
Lackluster
Great music; forgettable setting
Fun, but not the best of PDQ Bach
Some good tracks

P.D.Q. Bach: The Short-Tempered Clavier

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

General | Comedy | Miscellaneous | Styles | Music

1712 Overture & Other Musical Assaults
Music for an Awful Lot of Winds and Percussion
The Wurst of P.D.Q. Bach
Ill-Conceived PDQ Bach Anthology
Oedipus Tex & Other Choral Calamities

ASIN: B000003D0T
Release Date: 1995-08-29

Tracks:

Opening And Introduction
I. C Major
II. C Minor
III. C-Sharp Major
IV. D Major
V. D Minor
VI. E-Flat Major
VII. F Major
VIII. G Minor
IX. G Major
X. A Major
XI. A minor
XII. B-Flat Major
Introduction
I. Toccata Et Fuga Obnoxia
II. Chorale Prelude (Ave Maria Et Agnus Dei)
III. Fantasia Sopra
IV. Lullaby And Goodnight
Introduction
I. Spiel Vorspiel
II. Entrada Grande
III. Smokski The Russian Bear
IV. Toccata Ecdysiastica
Calliope Frustration
Introduction
I. Chorale 'Orally'
II. Chorale Prelude On An American Hymn For The Last Sunday Before The Fourth Day Of The Seventh Month After New Year's Eve
III. Chorale Variations On 'In Der Nacht So Hell, Der Petrus Ist Mein Freund'
Epilogue

Customer Reviews:

Lousy - don't buy it!.......2007-05-04

My boyfriend listened to the whole disc, and hated every bit of it.
I heard a couple tracks, and wanted to turn it off after two songs.
Not anywhere near as clever or entertaining as his ILL-CONCEIVED album,
which is the first PDQ we've listened to.

Hello, hello hello howdy do,
my name is Zinging-able-nessedly,
but my frrrrrieeeeeeeeennnndddsss, just call me Zing!

Lackluster.......2003-03-07

I agree with most of the other individuals who have written comments. The first piece, "The Short Tempered Clavier" is, by far, the best piece on the CD. The other works seem oddly derivative of it. There isn't the usual variety in the pieces which Schickele includes (one or two instrumental, one or two vocal). My personal suspicion is that since, years ago, Schickele announced his intention to stop his P.D.Q. Bach work in order to focus on serious compositions, this CD may have been part of a contractual obligation, or, perhaps, just an effort to get the last of the P.D.Q. Bach pieces recorded.

While the "Short Temepered Clavier" is a good piece, its probably not worth the price of the CD. If you were looking for a good P.D.Q. Bach album, I'd buy "Oedipus Tex" or "1712 Overture" or even the lesser-known (but really funny) "Lieberslieder Polkas and Twelve Quite Heavenly Songs".

Great music; forgettable setting.......2003-02-14

I'll get the bad news out of the way first. The "setting" for this performance is allegedly a Senate committee hearing room, where they are debating some ridiculous amendment to the Constitution. All of the sections of the CD where the Professor is just talking to the Senators are rather dull -- I guess Schickele was trying to get in his verbal jokes, like he does in his (hilarious) live performances, but it just falls flat here.

On to the good stuff. The Short-Tempered Clavier is some of PDQ's most inventive writing yet. Of all the solo piano PDQ music that Schickele has put out, this is some of the most cerebral ... There are quotes from other works that you don't hear until you've listened 3 or 4 times -- they're deeply imbedded. The fugue subjects are all quite ridiculous -- Beethoven's 5th, "The Worms Crawl In...", etc. (except for the last), and they are given the full PDQ treatment. The last one (in B-flat) is notable in that the fugue subject is B-A-C-H (see J.S. Bach's "Art of the Fugue", Liszt's treatment, etc.), which PDQ also manages to *invert* (something that old J.S. did once in a while, to show off his stuff). But as soon as you think the fugue might be getting serious, there is an outburst of "For He's a Jolly Good Fellow". Then back to the fugueing. Marvelous stuff.

PDQ does the same thing in the Toccata -- it starts out with the theme of Dad's warhorse Toccata & Fugue in D minor -- only the subject is inverted (it goes up instead of down). This is an example of the oft-mentioned principle that the more you know about music theory and history, the funnier PDQ's stuff is.

Not PDQ's best work, but some of it is close. Not Schickele's best CD, but not bad, either.

Fun, but not the best of PDQ Bach.......2002-04-18

Others have written here of the slight difference between Peter Schickele's "early" and "late" PDQ Bach performances, hence it is slightly surperfluous to say that the more recent Telarc recordings (of which this is one) lack the sparkle and 'zany' character of the earlier ones from the 1970s.

They are certainly still as clever: "The Short-Tempered Clavier" is of course a spoof of J. S. Bach's "Well-Tempered Keyboard", laced with quotations from other areas of the pianists repertoire as well as having the odd snatch of a very familiar tune here and there.

The whole disc is set out as the document of a lecture given by Peter Schickele to a group of skeptical, 'unmusical' US senators, with the PDQ Bach keyboard works woven in as musical examples. Hence, as well as the title work (played on piano), the programme also features appearances by a theatre organ (on which is played the "Pochelbuchlein" - "The Little Pickle Book"), a calliope (used for the "Sonata da Circo" - "Circus Sonata" - the rendition of which is cut short by the explosion of the instrument!) and the organ of the King Congregational Church (get it?!) which is little more than two synthesisers stacked on top of each other.
Each piece is fun, although the impact of the musical jokes will vary depending upon how musically-minded the listener is. In other words, musicologists, pianists and organists are likely to get the most laughs out of the programme. The liner notes add an extra dimension to the fun by containing, as well as a "scholarly essay" on the history, discovery and publication of the music, various quips about those involved in the production of the recording, with in-jokes including a 'specification' of the King Congregational Church organ...

Take it or leave it ... as a Christmas or birthday gift for a musical friend or family-member, it wouldn't be a bad choice.

Some good tracks.......2002-03-01

I enjoyed the Short-Tempered Clavier pieces tremendously. Played masterfully by Christopher O'Reilley, they are witty and delightful. A new suprise is always around the corner, and upon my first listen I found myself grinning and sometimes laughing out loud.

Then comes the rest of the album.

In the succeeding pieces, Schickele uses the same jokes, the same tunes, and crummy synthesized instruments that become so annoying that I just want to turn the thing off.

Customer Reviews:

A waltz lovers delight:.......2007-02-11

If you love to listen to Viennese waltz music, you'll find this 12 disc set a wonderful experience. Highly recommended.

Average customer rating:

A Major Document of an Incredible Oeuvre...

Schubert: Lieder

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Deutsche Grammophon: Music | Specialty Stores | Music
Similar Items:

Schubert: The Piano Sonatas
The Schubert Song Companion
Schubert: Schwanengesang; 4 Lieder
Arturo Benedetti Michelangeli Vol. 2 [Germany]
Schubert: The String Quartets

ASIN: B000AYQCIK
Release Date: 2005-12-13

Customer Reviews:

A Major Document of an Incredible Oeuvre..........2007-03-12

.
Of over 600 songs, Fischer-Dieskau and Gerald Moore realized over three-quarters: these are those. Gerald Moore was of course as important to this project as Fischer-Dieskau.

DGG's sound is excellent.

This set is a remarkable document of art.
.

Average customer rating:

a voice teacher and early music fan
Serious Drawback
Pleasant recital of Dowland contemporary

Campion: Elizabethan Songs

Manufacturer: Hmf Classical Exp.
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Classical | Imports | Stores | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music

4-for-3 Opera & Vocal | 4-for-3 Music | Stores | Music
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Handel Opera Arias, Vol. 1 ~ Drew Minter, PBO, McGegan

ASIN: B000059WLG
Release Date: 2001-03-13

Tracks:

Beauty, Since You So Much Desire
Love Me Or Not
Your Fair Looks
Never Love Unless You Can
O Never To Be Moved
The Cypress Curtain Of The Night
Awake Thou Spring Of Speaking Grace
Come, You Pretty False-Eyed Wanton
So Tired Are All My Thoughts
Fire, Fire
Pined I Am, And Like To Die
Author Of Light
See Where She Flies
Fair, If You Expect Admiring
Shall I Come, Sweet Love, To Thee?
It Fell On A Summer's Day
Kind Are Her Answers
Beauty Is But A Painted Hell
Sweet Exclude Me Not
Are You What Your Fair Looks Express?
I Care Not For These Ladies
Never Weather-Beaten Sail

Customer Reviews:

a voice teacher and early music fan.......2006-12-24

Thomas Campion (1567-1620) was a poet as well as a musician, and his songs definately reflect this ability, for they could just as well be read as sung. Philip Rosseter ( his friend) states that his 118 songs were "superfluous blossomes of his deeper Studies," no doubt referring to his Latin poetry , or perhaps medicine, which was his profession. What Campion did better than Dowland, or any other English composer of the day, was to "couple my words and notes lovingly together, which will be much for him to doe that hath not power over both." It is best to listen to them in order of priority to poem, melody and lastly singer. His melodies are simplistic and unadorned by shocking harmony designed to overpower the weight of the word itself. T.S. Eliot was in no doubt about Campion's quality:"except for Shakespeare, the most accomplished master of rhymed lyric of his time."
The performance of these songs by Drew Minter (countertenor) accompanied by Paul O'Dette (lute) is really quite outstanding. I must say that this disc is so much better than Minter's other disc of lute songs "Sweeter Than Roses". His voice had a much clearer tone quality and he did not get 'nasal' or 'edgy' as he is prone to do. He kept his voice light and distinct with very neat diction. When he goes for a loud full sound like Michael Chance or David Daniels his voice is not pleasant to hear. But this album is very good and his emotional investment into each song was excellent. Just a very good LISTEN!!!!

Serious Drawback.......2006-04-08

Elizabethan Songs. Twenty-two songs by Thomas Campion (1567 – 1620), performed by Drew Minter (countertenor) and Paul O’Dette (lute).
Recorded in November 1989 at Bethel United Church of Christ, Manchester, Michigan.
Harmonia Mundi. Originally issued as HMU 907023, now re-issued as part of the budget-price Classical Express series as HMCX 3957023. Total time: 58’23”.

Thomas Campion was a contemporary of both Shakespeare and Dowland and was a medical doctor who wrote poetry which he also set to music. Drew Minter performs twenty-two of these here with his inimitable coppery countertenor, a voice which is, in fact, very beautiful, but needs considerable getting used to if you are new to it. (Minter sings at alto pitch, but nobody would mistake him for a female!) He is accompanied by master lutenist Paul O’Dette, whose contribution remains fairly quietly in the background. The songs themselves are, of course, in Elizabethan English, making them rather difficult to understand. And this is where this CD suffers a serious drawback: the texts are not printed in the thin CD booklet; instead, there is a note saying that they can be downloaded from the internet, but when I tried to visit the site mentioned (on more than one occasion recently), the server was down, the address unknown. I nevertheless enjoyed listening, but without really knowing what Minter was singing so delightfully about. Campion’s melodies sound to my ear a little “samish”, and I occasionally found myself wishing that the program had been interrupted by a lute solo or two.

Pleasant recital of Dowland contemporary.......2001-03-28

There is little overlap between this Campion CD and the similar recital featuring another American countertenor, Steven Rickards, on Naxos. However if forced to choose between the two note that the Naxos release includes sung texts, while this one from Classical Express does not. On the other hand O'Dette is a more characterful lute player.

Music Info:

Music Info

music info

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