New York Times [Import]

New York Times [Import]

New York Times [Import]

Track Listings
 
1. Lyin With Dogs
2. More Or Less
3. Cheyenne
4. New York Child
5. Doom Glorified
6. Walk The Other Way
7. Kick It Out
8. Saluda A Lola
9. Heaven Come To Me
10. MacDougal Street
11. Anxiety
12. Its Only Rock N Roll (Bonus Track)

Editorial Reviews
Product Description
Glam hard rock produced by legendary producer Jack Douglas (Aerosmith, Alice Cooper, Cheap Trick...). Guests include Mick Taylor, Nicky Hopkins, Michael Lee Smith (Starz), Flo & Eddie & Steve Stevens. GetAnimal Records. 2002.

New York Times,Adam Bomb,Mausoleum,Heavy Metal
Instruments of the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
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Binding: Audio CD

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  2. The Mahler Symphonies: An Owner's Manual (includes 1 CD)
  3. The Young Person's Guide to the Orchestra (Book & CD)
  4. What to Listen for in Music
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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
West Side Story/Candide/On the Town (3 Dances)
Average customer rating: 4.5 out of 5 stars
  • What else? Definitive
  • Jazzy stuff
West Side Story/Candide/On the Town (3 Dances)

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

All Works by BernsteinAll Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
SuitesSuites | Forms & Genres | Classical | Styles | Music
OverturesOvertures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
Classical Instrumental MusicClassical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
Similar Items:
  1. Bernstein: Candide Overture & Symphonic Dances
  2. Bernstein Century - Copland: Appalachian Spring, Rodeo, etc / Bernstein, New York PO
  3. Bartók: Concerto for Orchestra; Music for Strings, Percussion and Celesta; Hungarian Sketches

ASIN: B0000026FF
Release Date: 1990-10-25

Tracks:

  1. Candide: Overture
  2. West Side Story: Symphonic Dances
  3. On The Town: I The Great Lover Displays Himself
  4. On The Town: II Lonely Town (Pas de deux)
  5. On The Town: Act 1: III Times Square (Finale)
  6. On The Waterfront: Symphonic Suite

Amazon.com essential recording

Nothing can compare with Bernstein's own accounts of his music. The best recordings are still the ones he made with the New York Philharmonic for Columbia, when scores such as Candide and West Side Story were still "new" music. Originally produced by John McClure (and remixed by him for CD), these recordings of the Candide Overture and the Symphonic Dances from West Side Story have never been bettered, not even by Bernstein. --Ted Libbey

Customer Reviews:

5 out of 5 stars What else? Definitive.......2005-09-11

Bernstein was the greatest conductor of Bernstein, and nothing has changed over the decades. This pressing of some classic performances comes from early digital remastering, I believe, and later remasterings remove some of the harshness and sketchiness of the sonics. Also, one has to be prepared for the huge orchestral forces that inflate this theater music, but even so, nothing matches these readings.

4 out of 5 stars Jazzy stuff.......2000-06-10

This is all basically the music of Bernstein's Symphonic dances condensed into one little CD. Excellent CD considering its price where many other Westside story CD's go for 30 dollars or more. A definate buy.
Leonard Bernstein: Greatest Hits
Average customer rating: Not rated
    Leonard Bernstein: Greatest Hits

    Manufacturer: Sony
    ProductGroup: Music
    Binding: Audio CD

    BalletsBallets | Ballets & Dances | Classical | Styles | Music
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    CDs $7 - $10CDs $7 - $10 | Operas | Opera & Vocal | Today's Deals in Music | Formats | Music
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    Similar Items:
    1. George Gershwin: Greatest Hits
    2. Rimsky-Korsakov: Greatest Hits
    3. Sergei Rachmaninoff: Greatest Hits
    4. Verdi: Greatest Hits
    5. Dvorak: Greatest Hits

    ASIN: B000002A1P
    Release Date: 1994-08-09

    Tracks:

    1. Candide Overture
    2. Selections from West Side Story: Maria
    3. Selections from West Side Story: Tonight
    4. Selections from West Side Story: Somewhere
    5. Jet Song (Boogie-Woogie)
    6. America
    7. Symphonic Dances From West Side Story: Mambo
    8. Mass: A Simple Song
    9. Three Dance Episodes (On the Town): Times Square
    10. Candide: Glitter and Be Gay
    11. Chichester Psalms: Psalm 108, Verse 2
    12. Candide: Make Our Garden Grow
    13. Fancy Free Ballet
    Robert Ward: The Crucible
    Average customer rating: 4.5 out of 5 stars
    • An opera that deserves consideration by a major company
    • Soaring majesty!
    • a favorite opera with an old and inconsistent performance
    Robert Ward: The Crucible

    Manufacturer: Albany Records
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Symphonies | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    Modern & 20th CenturyModern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music
    EnglishEnglish | Languages | Opera & Vocal | Styles | Music
    OperettasOperettas | Opera & Vocal | Styles | Music
    Similar Items:
    1. Floyd: Of Mice and Men
    2. Zwilich: Symphony No. 1 / Celebration / Prologue & Variations
    3. Dominick Argento: From the Diary of Virginia Woolf
    4. Melinda Wagner: Concerto for Flute, Strings, and Percussion; Poul Ruders: Concerto in Pieces (Purcell Variations)
    5. Notturno: Music by Donald Martino

    ASIN: B0000049L5
    Release Date: 2006-10-24

    Tracks:

    1. Act l: Beginning - Gloria Wynder/Joyce Ebert/Patricia Brooks/Naomi Farr/Paul Ukena/Maurice Stern
    2. Act l: 'Gently, Sirs, Gently' - Eunice Alberts/Paul Ukena/Chester Ludgin/Maurice Stern/Spiro Malas/Joyce Ebert
    3. Act l: 'Jesus, My Consolation' - Eunice Alberts/Paul Ukena/Chester Ludgin/Maurice Stern/Joyce Ebert/Patricia Brooks
    4. Act l: 'For Much In the World' - Joyce Ebert.John Macurdy/Naomi Farr/Eunice Alberts/Patricia Brooks/Gloria Wynder/Spiro Malas...
    5. Act l: 'Oh, How Many Times Mr. Parris' - Gloria Wynder/Naomi Farr/John Macurdy
    6. Act l: 'Jesus, My Consolation' - Gloria Wynder/Naomi Farr/John Macurdy/Patricia Brooks
    7. Act II: Beginning - Frances Bible/Chester Ludgin
    8. Act II: 'I've Forgotten Abigail' - Chester Ludgin/Frances Bible
    9. Act II: 'But, Oh, The Dreams' - Frances Bible/Chester Ludgin/Nancy Foster
    10. Act II: 'For Sarah Good Confessed' - Nancy Foster/Chester Ludgin/Frances Bible/John Macurdy/Richard Krause
    11. Act II: 'You Will Go To That Court' - Chester Ludgin/Nancy Foster

    Tracks:

    1. Act III: Beginning - Patricia Brooks/Chester Ludgin
    2. Act III: In The Courtroom - Richard Krause
    3. Act III: 'Open Thou, My Lips, O Lord' - Jack DeLon/Richard Krause/Paul Ukena/Maurice Stern/Joyce Ebert
    4. Act III: 'These Girls Never Saw A Spirit' - Chester Ludgin/Joyce Ebert/Paul Ukena/Nancy Foster/Patricia Brooks/Jack DeLon/New York City Opr...
    5. Act III: 'No, No, It Is A Natural Lie To Tell' - John Macurdy/Jack DeLon/Patricia Brooks/Nancy Foster
    6. Act IV: Beginning - Gloria Wynder//Richard Krause/Patricia Brooks
    7. Act IV: 'But Sir, You Stir Rebellion' - John Macurdy/Jack DeLon/Joyce Ebert/Frances Bible
    8. Act IV: 'What Word Of The Children - Chester Ludgin/Frances Bible/John Macurdy/Joyce Ebert/Paul Ukena/Jack DeLon/Eunice Alberts
    9. Act IV: 'God Does Not Need My Name' - Chester Ludgin/Jack DeLon/Joyce Ebert/John MacurdyEurnice Alberts/Frances Bible.

    Customer Reviews:

    5 out of 5 stars An opera that deserves consideration by a major company.......2003-10-04

    I became familiar with this recording of the "The Crucible" back in the 60's when it was available on the old CRI label. It was an exciting piece then and it remains one now. It has been a puzzle to me why such an opera has not been taken up and presented regularly by major companies. The music is appealing--and frequently more than that; the drama is potent and never fails to captivate; it offers wonderful opportunites to a cast of singing actors. So what's the problem?! Granted some of the liberties taken with the Arthur Miller text render certain moments dramatically unclear and the Gershwinesque strains that accompany the slave Tituba's character are certainly a mistake. Still, the work as a whole is an exciting one. Hightlights abound, with the whole of the last act being especially moving.

    This is still the only recording available and, overall, it is excellent. The leads perfectly embody the roles of John and Elizabeth Proctor, while the balance of the cast, a few vocal duds notwithstanding, competently fill in the many character roles.

    The CD sound is very good and far superior to my old vinyl disks.

    If you've never heard "The Crucible," give this recording a chance. It is well worth your time.

    5 out of 5 stars Soaring majesty!.......2001-12-19

    This performance is a gem. Just the soaring majesty of Frances Bible is well worth the experience. What a sadly underrated artist. The final duet with Bible and Ludgin is a lesson in passionate, searing drama and full-out singing.

    3 out of 5 stars a favorite opera with an old and inconsistent performance.......1999-03-23

    I had the privilege of being part of a cast of this opera at Indiana University of Pennsylvania in the late 70's, directed by the avuncular Herbert Wildeboor (since deceased). I've always loved the 7/8 hymn at the end of the first act. However, this performance is very uneven, including generally unfortunate singing by female leads, and bad acting (at least) by the person singing Reverend Parris. Reverend Hale and John Proctor are consistently good. And the orchestra parts, very demanding, are well handled. It astounds me that there is no new recording in all these years. I've since seen it done in Pittsburgh and know it's being done somewhere on the West Coast. While Mr. Ward's music is considered cliche by some, I prefer it much to, for example, Moore's Ballad of Baby Doe. Perhaps my affection for it is due to having the opportunity to perform it.
    Unsung Musicals - The Ultimate Collection
    Average customer rating: 3.5 out of 5 stars
    • Great gems from musicals that dissapeared
    • some gold mixed with dross
    Unsung Musicals - The Ultimate Collection

    Manufacturer: Varese Sarabande
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
    GeneralGeneral | Broadway & Vocalists | Styles | Music
    GeneralGeneral | Soundtracks | Styles | Music
    Similar Items:
    1. Unsung Musicals II (Studio Cast)
    2. Unsung Sondheim
    3. Lost in Boston
    4. 110 in the Shade (2007 Broadway Revival Cast)
    5. Curtains (2007 Original Broadway Cast)

    ASIN: B00005K9SG
    Release Date: 2001-06-05

    Tracks:

    1. Smile (from "Smile") (Hamlisch-Ashman) - Harry Groener et al.
    2. Hero (from "Babe") (Menken-Ashman) - Debbie Gravitte
    3. Didin't Leave It Here (from "Brownstone") (Larson-Rubins) - Kristine Fraelich and Jolie Jenkins
    4. Starfish (from "La Strada") (Lawrence-Charnin) - Judy Kuhn
    5. Sherry! (from "Sherry!") (Rosenthal-Lipton) - Christine Baranski and Jonathan Freeman
    6. Smashing New York Times (from "A Broadway Musical") (Strouse-Adams) - Jason Graae
    7. Silverware (from "We Take the Town") (Karr-Dubey) - Lee Wilkof and Timothy Jerome
    8. Hundreds of Hats (from "Diamonds") (Sheffer-Ashman) - Jason Workman
    9. At the Same Time (from "Freaky Friday") (Rodgers-Forster) - Tammy Minoff and Patrick Levis
    10. When It Happens to You (from "The Red Shoes") (Styne-Stryker) - Lynne Wintersteller
    11. Lawyers (from "A Broadway Musical") (Strouse-Adams) - Gregory Jbara and Lee Wilkof
    12. At My Side (from "Welcome to the Club") (Coleman-Hotchner) - Sally Mayes and Michael Rupert
    13. In a State (from "A Wonderful Life") (Raposo-Harnick) - Brent Barrett
    14. Disneyland (from "Smile") (Hamlisch-Ashman) - Jodi Benson
    15. Reveille Sun (from "Here's Where I Belong") (Waldman-Uhry) - Glory Grampton
    16. The Memory of Tonight (from "Arthur, The Musical") (Skloff-Kauffman-Crane) - Carolee Carmello and Gregg Edelman
    17. Stomp the Blues Away (from "Honky Tonk Nights") (Valenti-Allen-Campbell) - Melba Joyce et al.
    18. New Words (from "One, Two, Three, Four, Five") (Yeston) - Liz Callaway

    Customer Reviews:

    4 out of 5 stars Great gems from musicals that dissapeared.......2004-11-30

    Songs from 1987's "Smile" make this well worth the price. The previously unreleased material from the late, great Howard Ashman deserves to have it's moment in the spotlight.

    Also, there's Judy Kuhn's beautiful performance on "Starfish", Christine Baranski's vampy turn on "Sherry".

    Finally, there's" New Words" from "One, Two, Three, Four, Five". This show has been restaged, by small theatre groups, under the title "History Loves Company". "New Words" is by far the best number of this show and Liz Callaway's voice fills with love as she sings this lullaby.

    For a consummate musical theatre fan who's heard it all, this disc is a refreshing look at what has been lost over the years.

    3 out of 5 stars some gold mixed with dross.......2003-12-21

    Some of these songs desrve to be unsung. But then you get a showstopper like Sherry and you wonder how could this show have flopped? That number alone makes this cd worth purchasing.I also enjoyed Marvin Hamlisch's toe tapping title song - Smile.There are also a few other lovely melodies which makes this cd a nice addition to a Broadway collection.
    100 Favorite Patriotic Songs
    Average customer rating: 2 out of 5 stars
    • not to great
    • Not so bad, 100 tunes for 4$
    • You get what you pay for.
    • Now I know why there were no song samples to listen to ...
    100 Favorite Patriotic Songs

    Manufacturer: Bci / Eclipse Music
    ProductGroup: Music
    Binding: Audio CD

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    Similar Items:
    1. United We Stand: Songs for America
    2. America's Favorite Patriotic Songs
    3. American Pride: Sixteen Stirring Patriotic Themes
    4. America's Bugle Calls
    5. Patriotic Country

    ASIN: B0000A1HT8
    Release Date: 2003-08-12

    Tracks:

    1. America the Beautiful
    2. All Quiet on the Potomac Tonight
    3. Ballad of the Green Berets
    4. On Top of Old Smokey
    5. Coyote Warrior
    6. Semper Fidelis
    7. Breeze from Alabama
    8. Onward Christian Soldiers
    9. Come Where My Love Lies Dreaming
    10. Patriot
    11. Sweet Betsy from Pike
    12. Marines' Hymn
    13. America Is
    14. When Johnny Comes Marchin' Home
    15. Happy the Soldier
    16. American Trilogy
    17. Home Sweet Home
    18. Washington Post March
    19. Enraptured I Gaze
    20. Jeannie With the Light Brown Hair
    21. Yellow Rose of Texas
    22. Over There
    23. Simple Gifts
    24. Liberty Bell
    25. Star Spangled Banner

    Tracks:

    1. God Bless the USA
    2. Yankee Doodle Dandy
    3. Katy Cruel
    4. I Vow to Thee My Country
    5. King Cotton
    6. Beautiful Dreamer
    7. America
    8. American Patrol
    9. Mine Eyes Have Seen the Beauty
    10. Mohican Dream
    11. Red, White and Blue
    12. Some Folks
    13. Liberty Song
    14. Pomp and Circumstance
    15. Hail to the Chief
    16. Bennington Rifles
    17. Peace on the Battlefield
    18. I've Been Working on the Railroad
    19. Under the Double Eagle
    20. Red River Valley
    21. My Country 'Tis of Thee
    22. Camptown Races
    23. Wild Blue Yonder
    24. Hands Across the Sea
    25. Fanfare for the Common Man

    Tracks:

    1. Stars and Stripes Forever
    2. Living in America
    3. Home on the Range
    4. Old Colony Times
    5. Clementine
    6. Invincible Eagle
    7. Ring Ring de Banjo
    8. Yankee Doodle
    9. Largo from "The New World"
    10. To a Wild Rose
    11. Hail Columbia
    12. Alexander's Ragtime Band
    13. Gettysburg
    14. Carry Me Back to Old Virginny
    15. Capitan
    16. Prairie Daughter
    17. Little Brown Jug
    18. Marching Through Georgia
    19. Entertainer
    20. Steamboat Around the Bend
    21. Revolutionary Tea
    22. Cassions Keep Rollin' Along
    23. Johnny Has Gone for a Soldier
    24. Amazing Grace
    25. Grand Old Flag

    Tracks:

    1. God Bless America
    2. National Emblem
    3. Soldier, Soldier Won't You Marry Me
    4. Anchors Away
    5. Oh, Susannah
    6. Tramp, Tramp, Tramp
    7. Toast
    8. Dixie
    9. St. Louis Blues
    10. Appalachian Spring
    11. Bonnie Blue Flag
    12. Old Hundreth
    13. Swanee River
    14. Battle Cry of Freedom
    15. U. S Field Artillery
    16. Sidewalks of New York
    17. Chester
    18. Auld Lang Syne
    19. Kingdom Come
    20. My Old Kentucky Home
    21. Hail to the Spirit of Liberty
    22. Battle Hymn of the Republic
    23. Shenandoah
    24. Abraham's Daughter
    25. This Land Is Your Land

    Customer Reviews:

    2 out of 5 stars not to great.......2007-04-04

    We were disappointed with this CD, but for the price I guess we can't expect much. I didn't care for the new style presentation of the songs. I like a more traditional rendering.

    3 out of 5 stars Not so bad, 100 tunes for 4$.......2005-06-22

    I red the comments of two other people who have bought this 4 CD BOX SET and it is not really so bad. I will even add that there are some excellent tunes. However, I must agree with the fact that few tunes seem to have been recorded 40 or 50 years ago, mainly when you hear the scratches of an old turntable but it is just 2 or 3 tunes. Furthermore, if you do not know American music, it is a good BOX SET to buy if you consider that you received 4 CD for 4$ including 100 tunes. On these 4 CD, I have heard some orchestration that I have never heard before and I consider that they are different but interesting. Any way, after hearing these 100 tunes, you will say to yourself that you like this tune, this other tune, this other tune and so on and you will be able to buy a more expensive CD with the tunes that you like. However, I have bought many CDs in the last few weeks and as you know, there are always some tunes that you like and some tunes that you do not like on every CD that you will buy. So, don't buy it at 25$ but at 4 or 5$ dollars, it is a very good choice for 100 tunes.

    1 out of 5 stars You get what you pay for........2004-07-04

    You get what you pay for. The singers put their own spin on the singing of each song. If you didn't hear the words you would not recognize some of them. Even some of the music sounds like a bad recording of music played on a turntable. Definitely not worth the price.

    1 out of 5 stars Now I know why there were no song samples to listen to ..........2004-07-04

    I wish this review had been here when I was thinking of purchasing it. I guess you get what you pay for. If you are thinking of buying this, you are better off recording your own CDs (or at least buying one that you can listen to a sampling of the songs). This album includes songs that were mere recordings of the songs playing on an old record player. It's almost so unbelievable that it is funny.
    The Sphinx of Imagination
    Average customer rating: 5 out of 5 stars
    • Wow...
    The Sphinx of Imagination
    Hypnotica
    Manufacturer: Hypnotica
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | New Age | Styles | Music
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    ASIN: B000CA8KBE
    Release Date: 2003-03-04

    Tracks:

    1. Intro
    2. Sphinx of Imagination

    Customer Reviews:

    5 out of 5 stars Wow..........2006-11-02

    This CD is a trip... quite literally. This is the first hypnosis CD I've ever listened to and I didn't really believe it would work, but it does. It's pretty crazy, but fun, and extremely relaxing. Buy this CD immediately. It's amazing.
    Forbidden Broadway 2001: A Spoof Odyssey
    Average customer rating: 3 out of 5 stars
    • As Always, Hilarious
    • Spoof Odessey worth the laughs!
    • better to be "Lost in Space"
    • Stretched Thin
    • Do the Math
    Forbidden Broadway 2001: A Spoof Odyssey

    Manufacturer: Drg
    ProductGroup: Music
    Binding: Audio CD

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    1. Forbidden Broadway Cleans Up Its Act!: The Unoriginal Cast Recording, Volume 5 (1998 New York Cast)
    2. Forbidden Broadway, Vol. 8 - Special Victims Unit
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    ASIN: B0000584UL
    Release Date: 2001-02-13

    Tracks:

    1. Forbidden Broadway 2001: Another Op'nin, 'Another Show
    2. Futuristic Stewardess/Usherette: Come Fly With Me
    3. Judi Dench: Why Can't The English?
    4. Trouble In New Tork City: Trouble
    5. The Music Man Revival 2001: Till There Was You
    6. Cole Porter: You're The Top/From The Moment On
    7. Kiss Me, Kate Revival 2001: Wunderbar
    8. I Hate Ben - Marin Mazzie: I Hate Men
    9. Cheryl Ladd In Annie Get Your Gun: There's No Business Like Show Business
    10. Miss Saigon Farewell: Why God Why?
    11. Saturday Night Fiasco: Stayin' Alive
    12. Gwen Verdon & The Fosse Dancers: I'm A Brass Band/Steam Heat
    13. Liza Minnelli 2001/Alan Cumming in Cabaret: Wilkommen
    14. Let's Run Times Square Again: Let's Do the Time Warp Again
    15. Ethel Merman & Elton John: I've Got Rhythm/Old Fashioned Wedding
    16. Beauty's Been Decreased: Beauty And The Beast
    17. Being Lupone: Being Alive
    18. Sondheim's Blues: Buddy's Blues
    19. Streisand's Farewell Tour: Happy Days Are Here Again/Mame
    20. Les Miz 2001 - Edith Piaf/Milord
    21. Aida - Amneris Intro: Every Story Is A Love Story/Heather Headley/It's Cheesy: Easy As Life
    22. Elaborate Sets (Aida Cont.): Elaborate Lives
    23. Angela Lansbury: I Don't Want To Know
    24. The Full Monty: Let It Go
    25. 76 Hit Shows: 76 Trombones
    26. Bows-Ta-Ta Folks: Another Op'nin, 'Another Show
    27. Joseph And The Amazing High 'C': Any Dream Will Do

    Customer Reviews:

    5 out of 5 stars As Always, Hilarious.......2007-05-03

    This is so funny! Like all the Forbidden Broadway cds, its another knock-out. I feel like such a crazy person when I am in the car driving and I just burst out laughing. Its great and a must have for any Forbidden Broadway fan.

    3 out of 5 stars Spoof Odessey worth the laughs!.......2002-04-14

    I enjoyed "Forbidden Broadway 2001: A Spoof Odyssey." This recording has some truly genius material, and although these actors' impersonations of famous Broadway stars aren't as strong as they have been in the past, the CD has a lot to recommend it.

    Particularly strong is Track 16, "Let's do an old fashioned show tune," featuring Elton John and Ethel Merman duking it out over AIDA, which Merman says is "putting everyone here through hell." Likewise, Track 15, "Let's Ruin Times Square Again," tickles my funny bone. Also wonderful are the satires of Beauty and the Beast, Angela Lansbury, and the Full Monty; Gerard Alessandrini's done a tremendous job with these! In addition, this CD's introductory song is much stronger than those on the previous volumes of Forbidden Broadway. It really sets the tone for the best parts of this recording.

    Unfortunately, with a few notable exceptions, the first half of the CD is a bit thin, which is why I give this recording 3 out of 5 stars: Even though it entertains me, there's a lot I have to skip over. For example, the Liza Minelli spoof annoying (though, I admit, a little funny), and in the Music Man revival satire, their Robert Preston impersonator sounds *nothing* like the original. (In earlier recordings, the actors *did* sound like the people they claimed to be.)

    The good news is that the CD has 30 tracks in all, so even though there are 13 that I dislike, I just love the rest... I do recommend it!

    2 out of 5 stars better to be "Lost in Space".......2001-12-31

    First and foremost, this CD is really for diehard fans of Forbidden Broadway, those of us who want the good, the bad and the ugly on the cd rack. I was extremely unimpressed with the latest offering.

    While I agree with some of the other reviewers that there is some nice work, I don't know that Saturday Night Fiasco and Sondheim's Blues are sufficient to carry the rest of the tracks. Not much seems new or worse yet, important. Disney isn't new, nor is Les Miz. And while pointing out what is stale and pedestrian on Broadway was amusing on the last couple of releases, this Forbidden Broadway spoof clearly has joined the list of stale and pedestrian.

    While there is some nice material on this disc, I really didn't laugh out loud, and that is why I have always bought these in the past.

    If Alessandrini reduces the show to the same complaints of the same shows and then replaying lightly tweaked versions of past numbers, Trouble and Alan Cumming in Cabaret specifically, then he has himself is on the becoming a revival - and we know what he thinks of revivals.

    The repeats might even be acceptable if there was something fresh in the perfomance, but both were done much better on their respective discs. I think Danny Gurwin is a great comedian, but he doesn't shine in either of these numbers. We also need a recording with no Ethel Merman or Liza numbers - give them a rest already. And why bring back Streisand with such a poor imitation? The earlier Barbara's were dead on vocal impressions as well as speech patterns. If you aren't going to improve on it, then don't drag it back out.

    Alessandrini suggests that this is one of the best casts he has ever worked with. I don't know what he bases that on, but I beg to differ, either cast with Bryan Batt was significantly better, although they worked with fresh, clever material. Still, those recordings had verocious talent that brought Gerard's stinging wit to life for those of us who can't see every new production of FB.

    Maybe it is time to go to off Broadway productions, or to the radio or the movies for some new ideas. Or else promise no references to the Gap, Disney, or Chorus Boys, (way over used on this recording), along with a Merman and Liza free season. Start from scratch. That might give us hope that Forbidden Broadway too might not be dead.

    3 out of 5 stars Stretched Thin.......2001-03-26

    I just saw the stage production of Forbidden Broadway 2001: A Spoof Odyssey. I agree with the other reviewers who feel that Alessandrini is no longer at the top of his game. Perhaps he should lay off for a year or three and let Broadway present new things for him to lampoon - as it always will.

    The opening sequence is forced and unfunny, and clearly in place only to batter the listener with the "2001" theme. Unlike a previous reviewer, I found the Judi Dench parody hysterical, though I question its accuracy.

    The "Trouble" parody is, as it always was, incomplete and thin. My dear friend John Kenrick (...) did a better job with it - included the segments of the original song that GA left out, and in a funnier fashion. The Cole Porter parody is marginally amusing, but the Brian Mitchell/Marin Mazzie parody is dead on the mark, and VERY funny.

    The parody of Cheryl Ladd remains in the show, although she's no longer in "Annie Get Your Gun" - Reba McIntyre is now in the role. Similarly, he stabs at Alan Cumming, who is no longer playing the Emcee. These numbers, while funny, lack punch. On the other hand, he once again skewers long time target Patti LuPone with an hysterical new parody of Being Alive. I suppose she's innately funnier, after all these years, than Alan Cumming, who is, after all, a relative newcomer.

    The Rocky Horror parody is amusing, and the observation that sex has moved off 42nd Street and onto the Broadway stage is not without merit. The Beauty parody is amusing, and apt, but as has already been noted, GA has been clobbering us with the Disnification of Broadway for years now. I suppose he finds some glee in the fading success of this particular show.

    I must say that while Gurwin is not the greatest singer, "Sondheim's Blues" is the most brilliant piece I've heard from Alessandrini in years. It's absolutely dead on. The friends I was with had never seen nor heard "Follies" and completely missed the point, but I was in stitches.

    The "10 Years More" (which does not appear on this album, but remains in the show) has really begun to wear thin, especially with the closing this year of Cats and Miss Saigon. The Cameron Macintosh British mega-musicals are finally releasing their grip on Broadway, and this isn't as funny any more.

    Broadway, despite the naysayers, will never die... and apparently, neither will Forbidden Broadway. I don't think it should - but I do think it needs a rest.

    2 out of 5 stars Do the Math.......2001-03-15

    Four CDs cover the first 20 Years of Forbidden Broadway, Gerard Alessandrini's viciously witty satire of New York Theatre. The last year has seen Three new CDs, FB "Cleans Up Its Act" "20th Anniversary Edition" and now "2001 a Spoof Odyssey". Do the math.

    Alessandrini is running out of ideas, and is spreading the remaining ones too thin. . Sanitized Time Square - Been there. Disnified Broadway - Done that, and so many times. Asinine casting faux pas, plotless pointless set-monster musicals, and Ethel Merman and Liza. We've heard it all before - and last time, it was funnier.

    Now normally when a writer (or director or actor) has truly entertained me on numerous occasions, I'll forgive the odd show that disappoints. This would be the case here except for two things: Alessandrini is in the vicious parody business - he's never spared anyone else Besides, if he's going to actually include couplets like: "If lyrics are no longer witty... Then I don't want to go " he's inviting the pans.

    When you hear the AIDA lampoon, you'll be reminded of the dim bulb in Cyrano de Bergerac who taunts the hero with the brilliant witticism: Your nose is very large

    Yes, there are a few true Forbidden Broadway tracks on Spoof Odyssey. Dame Judi Dench singing "Why can't Americans do theatre like the Brits?" (with apologies to My Fair Lady), I Hate Ben (with apologies to Kiss Me Kate) and about 1/3 of "Let's Ruin Time Square Again" (no apologies necessary to Rocky Horror which understands how easy it is for good parody to go bad). Oh yes, there is one absolutely true Forbidden Broadway track: TROUBLE - yes, the same Trouble from Volume 3 which was just re-released on the 20th Anniversary compilation - and it's back again with a more hackneyed Robert Preston impersonation and all of 4 words changed. Granted it's one of the better bits, more worthy of rerunning than say, referring to Miss Saigon as Viet-Numb, but oh, he reran that gag too
    Diamond Cuts: Bottom of the Fifth (Vol. V)
    Average customer rating: 4.5 out of 5 stars
    • Fifth volume of outstanding baseball songs
    • NPR reviewed it
    Diamond Cuts: Bottom of the Fifth (Vol. V)

    Manufacturer: Hungry for Music
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000069LAI
    Release Date: 2002-06-01

    Tracks:

    1. Terry Allen - Redleg Boy
    2. Jumpin' Jupiter - Joe DiMaggio Done It Again
    3. Kinky Friedman - Marilyn & Joe
    4. Rhodes Tavern Troubadours - Here Come the Big Train
    5. J. Michaels - Bottom of the Fifth
    6. Sam Bush - The Wizard of Oz
    7. . Hula Monsters - Take Me Out to the Ball Game
    8. Dan Bern - If the Dodgers Had Stayed in Brooklyn
    9. Chuck Brodsky - Bonehead Merkle
    10. Tim Flannery - The Baseball Song
    11. Kim & Reggie Harris - The Stars That Didn't Shine
    12. George Winston - Baseball Blues
    13. Dave Ross - Ichiro
    14. Henry Sapoznik - Take Me Out to the Ball Game (yiddish version)
    15. The Drovers Old Time Medicine Show - The All-American Game
    16. The Original Brothers and Sisters of Love - Michigan and Trumbull
    17. Terry Smith - Mickey's Gone
    18. Gene Stamell - Billy We Hardly Knew Ya
    19. Mikhail Horowitz - Cool Casey at the Bat
    20. Tim Wilson - Ballad of John Rocker

    Album Description

    "Bottom of the Fifth" is the fifth volume of the Diamond Cuts series of baseball song collections. The collections are inspired by a passion for baseball, music, and helping others. The proceeds from Diamond Cuts will provide funding for Hungry for Music, a Washington, DC-based charity.

    This is another musically diverse compilation featuring 20 songs about our national pastime and includes songs about baseball personalities such as: Joe DiMaggio, Mickey Mantle, Walter Johnson, Ozzie Smith, Ichiro, Bonehead Merkle, John Rocker, Bill Buckner and more.

    Songs with the following baseball themes are also included: Negro Leagues, the remembrance of players who played for the love of the game, a songwriter paying tribute to his major league dad, playing ball in the neighborhood, and a washed up player who finds solace in the bottle.

    Customer Reviews:

    4 out of 5 stars Fifth volume of outstanding baseball songs.......2004-12-28

    The fifth volume of this series follows the same fine format as the first four: a wide range of artists and styles singing songs about the American pastime. A few of the artists, such as Sam Bush and Kinky Friedman, are seasoned pros in the country and folk arenas, and three (George Winston, Dan Bern and Chuck Brodsky) continue their uninterrupted streak of appearances on all five volumes. The bulk of the roster will be new faces for most listeners.

    Executive producer Jeff Campbell continues to call-up stellar contributions that meld the artists' love of music and baseball into an inseparable whole. There's Cajun, bluegrass, country, folk, jump blues and jazz, in the service of superstars like Joe DiMaggio, Walter Johnson and Ozzie Smith, and historic error-makers like Fred Merkle and Bill Buckner. There's a Yiddish version of "Take Me Out to the Ballgame," as well as another fine instrumental version to complement those on the first four volumes.

    This disc is filled with childhood memories and adult ruminations that testify to the ways in which baseball is intricately interwoven into American culture. Other sports can only dream of such longstanding personal connections. Profits from this series provide funding for the Washington, DC based "Hungry for Music" charity.

    5 out of 5 stars NPR reviewed it.......2002-07-11

    Okay, I haven't bought it yet -- but I heard clips from each of the songs on the Album this morning on National Public Radio and I immediately wanted it. Wide variety of song writers and performers and the songs are passionate and political and most of all FUNNY. I plan to buy three copies -- one for each baseball fan in my life.

    Walkforit
    A Little Bit of Rain
    Average customer rating: 5 out of 5 stars
    • Do I Ever Cross Your Mind - Fantastic!
    • musical art of the highest order
    A Little Bit of Rain
    Sid Selvidge
    Manufacturer: Archer Records
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00008DKBT
    Release Date: 2003-04-01

    Tracks:

    1. Little Bit of Rain
    2. Hobo Bill
    3. Mama You Don't Mean Me No Good
    4. Long Tall Mama
    5. Do I Ever Cross Your Mind
    6. Every Natural Thing
    7. The River
    8. Real Thing (Full Time Lover)
    9. Swannanoa Tunnel
    10. Long Black Veil
    11. Pickin' Petals
    12. Arkansas Girl

    Album Description

    The Commercial Appeal - March 29, 2003 FOUR STARS Not too many people can produce a record a decade and get away with it. Memphis singer-songwriter and folk-blues authority Sid Selvidge can. While his is not a prolific catalog, each of Selvidge's five studio albums has been worth the wait, especially his latest, "A Little Bit of Rain." His last record, 1993's "Twice Told Tales," was part of the Nonesuch American Explorer Series (which also put out an eponymous 1991 album by Charlie Feathers). Whereas on the last one you got such Selvidge signature covers as Pearlee and Keep It Clean (not to mention his wonderful rendition of Tell Me Why You Like Roosevelt), this go-round features such cool interpolations as the soulful Bluff City stamp given to Big Bill Broonzy's Long Tall Mama and the Jimmie Rodgers chestnut Hobo Bill, which finds Selvidge in fine yodeling form. Only Selvidge's Mud Boy & the Neutrons compeer Jim Dick inson could have produced this one, and the musical kinship is so apparent and strikingly simpatico, this album no doubt will be viewed as Selvidge's best to date. Arrangements are their own thing of beauty as well. An extended family of session players includes Selvidge's guitar monster of a son Steve Selvidge, that other guitar monster Luther Dickinson, Paul Taylor on drums, bassist Sam Shoup, Jim Spake and Scott Thompson on horns, Neutrons member Jimmy Crosthwait rubbing the washboard, singers Brenda Patterson, Susan Marshall and Reba Russell, and Jim Dickinson holding down an arsenal of keyboards. Songs come alive as a result, notably Eddie Hinton's Every Natural Thing and the twin balladic highlights, Do I Ever Cross Your Mind? and John Hiatt's The River. Selvidge goes it alone on several tunes, including the stark Bascom Lunsford number Swannanoa Tunnel (also done in recent years by Martin Simpson) and a sweetly dark take on Long Black Veil. Selvidge has never sung better. His vulnerable tenor voice - which breaks into falsetto at the most pained, exposed moments - sings with an unadorned dignity throughout. And he rolls the credits, as the liner notes suggest, with an original waltz, Arkansas Girl, a 9/11-inspired song that finds hope where it begins - at home.

    - Bill Ellis

    Customer Reviews:

    5 out of 5 stars Do I Ever Cross Your Mind - Fantastic!.......2007-01-16

    You have to have a heart of stone to not get misty listening to Do I Ever Cross Your Mind and not think of a lost love. Only Ray Charles' version comes close.

    5 out of 5 stars musical art of the highest order.......2003-06-11

    What a gorgeous record. I first heard of Sid Selvidge some years ago, in passing but always flattering mentions in a book by the late Robert Palmer. Until a few days ago, however, I'd never actually heard him. Selvidge, I learn, is one of those hidden treasures, a guy whose gift is sure and true but too smart to force its attention on you. When you hear him, you need to -- and you will want to -- sit down and afford him the courtesy of deep listening.

    A creature of the folk and blues revival, he also has an ear for rootsy r&b and a feeling for the subtleties of older, purer country. Whatever he's doing, it is distinctly his own, melded into a seamless musical vision. He goes inside a song and burrows to its core. It can't be easy, but Selvidge is too good to make it sound like work.

    His version of "Hobo Bill" carries only occasional, incidental references to the immortal Jimmie Rodgers original. Bascom Lamar Lunsford's recording of the traditional "Swannanoa Tunnel" is a classic, but Selvidge's reimagining is sheer cold, lonesome wind. Only Fred Neil could have topped this, though the CD's title tune, a Neil composition (from his first solo album, the influential 1965 Elektra release), amply demonstrates that Selvidge can hold his own against the folk masters. He manages to transform the grossly over-covered "Long Black Veil" into something you can listen to with pleasure. The r&b ballad "Do I Ever Cross Your Mind?" will make you cry. The great James Luther Dickinson produces. I need say no more, except that if you're looking for musical art of the highest order, you'll want this record to be a part of your life.

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    1. Night at the Opera [Import]
    2. On Fire [Import]
    3. Our Cross, Our Sins [Import]
    4. Past Times With Good Company [Live] [Import]
    5. Prayer [CD-single] [Import]
    6. Prayer [CD-single] [Import]
    7. Predominance [Import]
    8. Pure Live! [Import] [Live]
    9. Race with the Devil [Import]
    10. Regeneration

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