Take Them and Break Them [Import]

Take Them and Break Them [Import]

Track Listings

1. Take Them and Break Them

2. Backbiter

3. Make It Go Away [Live]

4. Where's the Fire John? [Live]

5. Just Because You're Paranoid [Live]

6. Relationshipwrecked [Live]

Take Them and Break Them,Michael Monroe,Japanese Import,Hard Rock,Heavy Metal,Pop,Rock,Rock/Pop

Mendelssohn: Elijah
Average customer rating:

my opinion

Wonderful, but not my first choice

THE BEST recording of the BEST oratorio ever...

Too bad there are so few recordings of Elijah

Mendelssohn: Elijah

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Mendelssohn - Elijah / Terfel, Fleming, Bardon, Ainsley, Fulgoni, Paul Daniel

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Brahms - Ein Deutsches Requiem (A German Requiem) / Auger, Stilwell, Atlanta SO, Robert Shaw

Elijah: An Oratorio for Piano & Vocal Score

ASIN: B0002XV31A
Release Date: 2005-02-15

Tracks:

Introduction: As God The Lord Of Israel Liveth
Overture
No.1 Help, Lord! Wilt Thou Quite Destroy Us?
No.2: Lord! Bow Thine Ear To Our Prayer!
No.3: Ye People, Rend Your Hearts
No.4: If With All Your Hearts
No.5: Yet Doth The Lord See It Not
No.6: Elijah! Get Thee Hence
No.7: For He Shall Give His Angels Charge Over Thee
Recitative: Now Cherith's Brook Is Dried Up
No.8: What Have I Do To Do With Thee?
No.9: Blessed Are The Men Who Fear Him
No.10: As God The Lord Of Sabaoth Liveth
No.11: Baal, We Cry To Thee: Hear And Answer Us!
No.12: Call Him Louder, For He Is A God!
No.13: Call Him Louder! He Heareth Not!
No.14: Lord God Of Abraham, Isaac And Israel!
No.15: Cast Thy Burden Upon The Lord
No.16: O Thou, Who Makest Thine Angels Spirits
No.17: Is Not His Word Like A Fire?
No.18: Woe Unto Them Who Forsake Him!
No.19: O Man Of God, Help Thy People!
No.20: Thanks Be To God!

Tracks:

No.21: Hear Ye, Israel; Hear What The Lord Speaketh
No.22: Be Not Afraid, Saith God The Lord
No.23: The Lord Hath Exalted Thee
No.24: Woe To Him, He Shall Perish
No.25: Man Of God, Now Let My Words Be Precious
No.26: It Is Enough; O Lord Now Take My Life
No.27: See, Now He Sleepeth
No.28: Lift Thine Eyes To The Mountains
No.29: He, Watching Over Israel, Slumbers Not
No.30: Arise, Elijah, For Thou Hast A Long Journey
No.31: O Rest In The Lord
No.32: He That Shall Endure To The End, Shall Be Saved
No.33: Night Falleth Round Me, O Lord!
No.34: Behold! God The Lord Passed By!
No.35: Above Him Stood The Seraphim
No.36: Go, Return Upon Thy Way
No.37: For The Mountains Shall Depart
No.38: Then Did Elijah The Prophet Break Forth
No.39: Then Shall The Righteous Shine Forth
No.40: Behold, God Hath Sent Elijah
No.41: But The Lord, From The North Hath Raised One
No.41a: O Come Everyone That Thirsteth
No.42: And Then Shall Your Light Break Forth

Customer Reviews:

my opinion.......2007-08-01

This recording was reccomended somewhere as being even better than the newer version with Bryn Terfel and Renee Fleming - it really is tops, I think. Dietrich Fischer-Dieskau is as lyrical as ever. And the other soloists are also breathtaking.

Wonderful, but not my first choice.......2007-04-07

I believe this was the first recording of Elijah in English that used an "international" conductor and some international singers. Fruhbeck gives a good, dramatic sweep to the piece, with some wonderful dramatic moments. This is an old fashioned performance, with only a solo quartet, and if there is a semi-chorus, I can't tell the difference. This means that the soprano is the Widow, and an Angel, the mezzo the Angel and Queen Jezabel, etc. You really should have a libretto, but you don't get one at this price.
Fischer-Dieskau roughens up his voice for the role, and therein lies a problem. The voice spreads and his diction suffers because of it; that and his unidiomatic pronounciation, with far too many rolled "r"s. He does the drama well, but what works well in lieder works here less well on the large scale. Odd, given his success as on opera singer (check out his Iago), that here he frequently comes off blustery.
Dame Gwyneth Jones belies her reputation and gives a contolled, dramatic performance, using her "edge" to advantage in "Hear Ye, Israel". Gedda's diction is amazing, with exactly the right color for this literature, and projecting a little more blood than an English tenor.
Dame Janet Baker is my star in this performance. Dramatic, heart-rending when need be, and in wonderful voice. She'll chill your blood when she tells the people of Baal to "slaughter him, do what he hath done!".
And as for the people of Baal, the Philharmonia Chorus is wonderful. Incisive and dramatic, with beautiful tone. I could do without the trick of the boy choir for "Lift Thine Eyes", and I miss the small ensembles, but all in all a fine performance, and good recording, circa 1968.
First choice in English, Daniels/Terfel: better Elijah in Terfel, better recording, more authentic orchestra, small vocal ensembles (as per the score) but inferior women (including Fleming: beautiful tone, but where's her head?). In German, it's Sawallisch/Adam all the way.
But if you're singing Elijah, and have a score, this is a good choice.

THE BEST recording of the BEST oratorio ever..........2006-08-15

Okay, I'm gonna admit I'm biased- I first sung in the chorus of Elijah when I was 14 and it made a BIG impression on me!
This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral, but a couple of my favorites are: #14, Lord God of Abraham and #37, For the Mountains shall Depart. Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording.

That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional "misfire" but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful. #15, Cast thy Burden upon the Lord, #32 He that Shall Endure to the End, and #38 Then Did Elijah are all highlights.

All said, for me the main reason to get this recording is Dieskau's Elijah- after all, he's the main character. But don't forget the lovely music. This story is exciting and passionate and sacred all at the same time. For me, it's the best oratorio that has a moving story and great music too.

Too bad there are so few recordings of Elijah.......2006-07-03

This is a good recording of an oratorio that deserves more attention. The chorus and soloists are very good--I just wish Fischer-Diskau wouldn't slide around so much in singing the title part!

Average customer rating:

Handel: The Masterworks (Box Set)

Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B00062FLI8
Release Date: 2004-11-30

Average customer rating:

Beautiful melody but lacks variety

Being Julia
Various Artists
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

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Being Julia
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ASIN: B00065U0NG
Release Date: 2004-11-16

Tracks:

Curtain Up
Real World - The Mills Brothers
Lift
Bei Mir Bist du Sch
Farewell My Love
Life Is Just a Bowl of Cherries
Never Seen Them Shine Like That Before
Birthday Presents
It Will Only End in Tears
They Didn't Believe Me
Charades
I Saw the Light On
Am I Late
Not That Sort of Girl
Take a Break
Yes, Yes - Alison Jiear
Avice Gets the Part
Reunion - The Andrews Sisters
Play for the Other Side
Mad About the Boy
Jimmy's Magic
Avice Takes a Bow
For Old Times' Sake
Laird O'Drumblair
Stage Is Set
Curtain Call
Smoke Gets in Your Eyes
Quite Alone

Amazon.com

Based on Somerset Maugham's middling novel Theater, Annette Bening stars as the title character, an aging star of the London stage whose life and the melodramas she performs have come to mirror each other. Composer Mychael Danna sets those conflicts to a score that emphasizes theatrical surfaces and rigid role-playing, utilizing a finely honed classical pastiche approach with parallels to his previous period-evoking work on Vanity Fair. His cues here are rooted in the light romantic chamber music of the 19th century, though they frequently bristle with a more contemporary energy and aplomb. Offering counterpoint to Danna's dignified, oft-precious classical confections and mining the story's more sensual human dimensions are pop chestnuts from the era (The Andrews Sisters' saucy "Bei Mir Bist Du Schon" and Mills Brothers' jaunty "Life Is Just a Bowl of Cherries"), as well as fine contemporary takes of "They Didn't Believe Me" and Noel Coward's "Mad About the Boy" by Denzel Sinclair and Alison Jicar's elegant read of "Smoke Gets in Your Eyes." --Jerry McCulley

Customer Reviews:

Beautiful melody but lacks variety.......2005-04-11

Being Julia OST has a beautiful main melody which occurs over and over again throughout the tracks. I especially like "Curtain Up" and "Quite Alone". However, Being Julia OST doesn't have other strong melody to show along side with the main melody which seems a little too simple for a complete album. The movie is great too. Annette Bening's performance is outstanding.

Average customer rating:

Baird is Tops

Glorious Handel Soprano Arias

Manufacturer: Newport Classic
ProductGroup: Music
Binding: Audio CD

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Lorraine Hunt - Handel Arias

ASIN: B00000K0S4
Release Date: 1999-08-17

Tracks:

Faramondo: Se ben mi lusinga
Faramondo: Virtu che rende
Acis & Galatea: Shepherd, What Art Thou Pursuing
Joshua: Oh, Who Can Tell?
Siroe: Vedesti mai sul prato
Berenice: No, che servire altrui
Berenice: Traditore
Semele: Where're You Walk
Mi Palpita Il Cor: Ho tanti affanni in petto
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Messiah: He That Dwelleth...Thou Shalt Break Them
Alexander Balus: O Take Me
Alexander Balus: Calm Thou...Convey Me

Customer Reviews:

Baird is Tops.......2002-01-16

I don't know just how many of these wonderful performances by the Handelian soprano have been extracted from actual full CD recordings, but clearly some are unique to this album and if one likes Baird as much as I do, who cares!!
The Faramondo arias here are for the title character and on the complete recording (also with fine conductor Rudolph Palmer) she sings the soprano lead, not the castrato assignment--so this is a first, I believe.
The cover art is a little misleading--nothing the wonderful artist gives us here exactly fits the Marilyn Monroe look, but her singing is entirely glamorous, so--again--whatever it takes to induce a listener to buy this...whatever! The singer is at once clean of sound and diction, exact with ornamentation and yet passionate as well in her involvement with the music. An American treasure. Kudos also to the conductor for the lively and sympathetic accompaniments. Bravo to all, in fact.

Average customer rating:

Take Them and Break Them
Michael Monroe
Manufacturer: Japanese Import
ProductGroup: Music
Binding: Audio CD

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Whatcha Want

ASIN: B0000635E2
Release Date: 2002-07-09

Tracks:

Take Them and Break Them
Backbiter
Make It Go Away [Live]
Where's the Fire John? [Live]
Just Because You're Paranoid [Live]
Relationshipwrecked [Live]

Album Description

Japanese exclusive release for the former Hanoi Rocks' frontman. Six tracks all produced by Monroe, 'Take Them & Break Them', 'Back Biter' (Ruts cover), 'Make It Go Away', 'Where's The Fire John' (live), 'Just Because You're Paranoid' (live) & 'Relationshipwrecked' (live). 2002.

Album Details

Japanese exclusive release.