Go Big Or Stay Home [Import]
Go Big Or Stay Home [Import]
Track Listings
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1. Lisa
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2. Hideaway
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3. Too Late for Love
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4. Forever
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5. I'm a Fighter
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6. Too Many Midnights
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7. Caught Up in Ecstasy
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8. Find a Way
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9. So You Ran
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Editorial Reviews
Product Description
Debut album from Canadian outfit led by Jeff Austin features classic melodic rock/AOR in the style of Journey, Hugo & The Storm/Two Fires. Also two very interesting cover songs 'So You Ran' written by Barry Goudreau of Boston (originally recorded by the band Orion The Hunter) & 'I'm A Fighter' a Cobra/Van Zant song written by none other than Jimi Jamison (Survivor) & guitarist Mandy Meyer of Asia/Gotthard fame. Frontiers Records. Paper sleeve. 2002.
Go Big Or Stay Home,Jeff Austin Project,Import [Generic],Heavy Metal,Pop,Rock,Rock/Pop
Average customer rating:
- Important Historical Recordings: the First Great Trombonist!
- a great find
- a fantastic example
- Arthur Pryor Forever
- One of the greats
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Trombone Soloist of the Sousa Band
Manufacturer: Crystal Records
ProductGroup: Music
Binding: Audio CD
Foster, Stephen
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- Herbert L. Clarke: Original Recordings 1907-21
- Trombonastics
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ASIN: B000009M2N
Release Date: 1997-09-30 |
Tracks:
- Blue Bells Of Scotland
- Intermezzo-Forever
- We Won't Go Home Until Morning
- Stay In Your Own Back Yard
- Parisian Melodies
- Prince Of Pilsen: Message Of The Violet
- Little Nell
- Stabat Mater: Cujus Animam
- My Old Kentucky Home
- The Patriot-Polka
- Stabat Mater: Inflammatus
- Love's Enchantment
- The Holy City
- One Sweetly Solemn Thought
- Nancy Brown: Congo Love Song
- Non E Ver
- Love Thoughts Waltz
- The Low Back'd Car
- Navajo
- Sergeant Brue: Dearie
- Aida: Celeste Aida
- Come Down From The Big Fig Tree
- Oh, Dry Those Tears
- Pagliacci Selection
- Love Me And The World Is Mine
- Polka Fantastic
Customer Reviews:
Important Historical Recordings: the First Great Trombonist!.......2004-09-17
This CD is a compilation of only a very few of the literally thousands of recordings Arthur Pryor made as a trombonist during a span of about 20 years. Since they date to the earliest days of recording technology--all of the works here are from 1901-1911--the sound quality is terrible compared to our modern recordings. Although all sorts of manipulations were used to improve the sound, including the combining of two different copies of the same recording, there is still a significant amount of hiss, crackle, and pop--it's more like a bowl of Rice Crispies than a newly recorded CD. If you can think of it like listening to an old Victorola it has a certain amount of charm, but surely some listeners will be immediately put off by the distortion, which admittedly lessens in the later works. Add to this the logistical problems of recording at the turn of the last century--only a limited amount of players could gather around the equipment--and it becomes clear that we aren't really hearing what an audience member at the time would have heard during a live performance of Sousa's Band. In fact, the band comes off quite poorly here--in The Blue Bells of Scotland they can barely keep up with Arthur Pryor, and their ensemble playing is poor in many places to an extent that's hardly credible for what was widely believed to be the best band in the world.
But of course one doesn't buy a CD like this to hear the accompaniment, or to listen to the sound quality. The only reason is to hear Arthur Pryor, surely the first great trombone soloist, in what is a wonderful piece of turn-of-the-century Americana. Pryor was the son of a bandmaster and learned to play all sorts of instruments (violin, cornet, alto horn, string bass, and valve trombone!) at an early age and was given his first slide trombone some time after his 11th birthday. He became a trombone virtuoso in the face of overwhelming difficulties--not only did a kick from a mule result in partial paralysis of his face, but also the trombone he'd been given was damaged and could only use the first two positions. In overcoming these seeming adversities through an astonishing work ethic he developed many of the features which made his performance so special: his characteristic constant shimmery vibrato created by "waving" his jaw; and an amazing embouchure (lip muscle strength) which allowed him to play every chromatic pitch using only those two positions (normal trombone technique employs 7!). Pryor revolutionized trombone technique and set a new standard, not only at home in America, but also abroad during his many European tours with the Sousa band and his own ensemble. One of his trombones, covered in engraving and with the characteristic unusually small bore he favored, can still be seen on display at the Interlochen School of the Arts outside of Traverse City, Michigan.
Featured on the CD are 26 Pryor performances, a few with piano, 10 with the Sousa Band, and 12 with Pryor's own ensembles. The music ranges from Italian opera arias (Verdi's Celeste Aida) to American popular songs of the day (Foster's My Old Kentucky Home) and contains a good portion of Pryor's own compositions and arrangements. Among my favorites are Pryor's The Patriot-Polka and Polka Fantastic, both clever pieces with amazing trombone performances. A real oddity is We Won't Go Home Until Morning (known to me as The Bear Went Over the Mountain) "played in four octaves"--it's exactly what it says it is. After a short piano introduction, Pryor plays the melody unaccompanied and unadorned in a high octave, then an octave lower, another octave lower, and finally in pedal tones. The whole thing has a real carny atmosphere, as if P. T. Barnum were hiding just around the corner. Van Alstyne's Navajo also captures this air of a time long gone, when Americans were wide-eyed and innocent and the world was never far from a Saturday afternoon near the bandstand.
Of special note are the unusually thorough notes in the programme booklet. Daniel E. Frizane supplies terrific biographical notes, from which I gleaned much of the information above; articles about the recordings and the Arthur Pryor performances are supplied, as well as an engineer's note describing the equipment and techniques used to restore the recordings. It's clearly a labor of love from all concerned.
a great find.......2002-11-10
If you're a trombonist, you've heard of that crazy song, Blue Bells of Scotland, and you may have noticed the name of the composer, Arthur Pryor. You may not know that he was a trombonist himself(!) and played in the John Philip Sousa band for many years, and then had his own band afterwards. Pryor was a famous name in the trombone world, and he wrote many pieces featuring a solo trombone; most of them are featured here.
If you want to buy this album to hear fantastic trombone playing so fast it'll blow your socks off or so pretty in a ballad you fall right to sleep, this is not the album for you. It is a recording produced from an OLD master (you may recall the Sousa band was at the turn of the 20th century), and with trombone playing that is not the style thought of as 'pretty' by today's ear. If this describes you, look for some of these same songs (blue bells, thoughts of love, fantasic polka), recorded by some of today's trombone virtuosos - Christian Lindberg, Mark Lawrence, Joe Alessi, etc. to find a more modern sound.
If, however, you want authentic period music, this is about as authentic as you can get. The trombone style is choppy when fast, and not as connected for slow tunes also, and the band accompaniment is the same way; that was the popular style of the time. It is nice to hear these pieces and realize how the composer intended them to be played (because he's the one playing them).
So, good for novelty purposes, bad for high quality recording of highest quality trombone playing
a fantastic example.......2002-07-17
Arthur pryor's trombone playing in this exellent assortment of pieces recorded in the late 1800's gives both beginner and expert players fastastic insight on how to improve their playing. Arthur pryor will undoubtedly go down as one of the world's greatest trombonists of all time....and to actually hear him play is an awesome experience.
Arthur Pryor Forever.......1999-12-17
I play trombone, and I have listened to this album, and I think it's wonderful. The sound is not very good, as it is a VERY VERY VERY old original recording, but it is an absolute must have for any trombonist. What can I say, I love it.
One of the greats.......1999-12-17
This is a must buy for any trombonist. I play trombone, and Arthur Pryor is, in my opinion, the all-time best trombone performer, and song writer that I have yet encountered. I have played the Blue Bells of Scotland, and it is wonderful.
Average customer rating:
- Basic, Journey-Inspired AOR Album
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Go Big Or Stay Home
Jeff Austin Project
Manufacturer: Import [Generic]
ProductGroup: Music
Binding: Audio CD
General
| Rock
| Styles
| Music
General
| Hard Rock & Metal
| Styles
| Music
Pop Rock
| Pop
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Rock
| Imports
| Stores
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ASIN: B0000636NC
Release Date: 2002-04-23 |
Tracks:
- Lisa
- Hideaway
- Too Late for Love
- Forever
- I'm a Fighter
- Too Many Midnights
- Caught Up in Ecstasy
- Find a Way
- So You Ran
Album Description
Debut album from Canadian outfit led by Jeff Austin features classic melodic rock/AOR in the style of Journey, Hugo & The Storm/Two Fires. Also two very interesting cover songs 'So You Ran' written by Barry Goudreau of Boston (originally recorded by the band Orion The Hunter) & 'I'm A Fighter' a Cobra/Van Zant song written by none other than Jimi Jamison (Survivor) & guitarist Mandy Meyer of Asia/Gotthard fame. Frontiers Records. Paper sleeve. 2002.
Customer Reviews:
Basic, Journey-Inspired AOR Album.......2005-12-27
The Jeff Austin Project's Go Big or Stay Home album, like most of the other releases on the Frontiers label, owes a lot to the AOR sound perfected by the likes of Journey and Foreigner. Unfortunately this album is not up to the standard set by most of Frontiers' excellent roster of bands. It is a decent, though unremarkable AOR album. It is melodic, and has a few catchy tracks, but there really isn't anything that sets it apart from all of the other Journey-inspired bands out there. The standout track is a cover of the Orion the Hunter single So You Ran. Jeff Austin & Co. give a faithful rendition of this great song, but a large part of the appeal is simply that this great, though mostly forgotten AOR single was chosen in the first place.
Go Big or Stay Home is not an album I'd recommend going out of your way to pick up. It is enjoyable, but there are a lot of superior AOR/melodic rock bands out there. If you find it at a decent price though, it is worth buying for the last track alone.
Average customer rating:
- Too beautiful for words
- Guitar History
- Best deal there is!
- Most excellent
- Julian Bream, The Genius
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Julian Bream Edition, Volume 1: The Golden Age of English Lute Music
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
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ASIN: B000003FFV
Release Date: 1993-08-10 |
Tracks:
- Two Almaines
- Fant
- Walsingham
- Mignarda
- Almaine
- Galliard
- Greensleeves
- Galliard Upon A Galliard Of Daniel Bachelar
- Pavan
- Carman's Whistle
- Pavan
- Monsieur's Almaine
- Pavan
- Batell Galliard
- Galliard
- Pavana Bray
- Galliard
- Pavan
- My Lord Willoughby's Welcome Home
- Captain Piper's Galliard
- Queen Elizabeth's Galliard
- Sir John Langton's Pavan
- Tarleton's Ressurection
- Lady Clifton's Spirit
Tracks:
- Landgrave Of Hesse: Pavan
- Saltarello
- Ballo Detto Il Conte Orlando
- Saltarello
- Fant
- Chromatic Pavan And Galliard: Pavan
- Chromatic Pavan And Galliard: Galliard
- Fant
- Queen Elizabeth's Galliard
- Fant
- Fant
- Finale
- Villanella No.1
- Villanella No.2
- Finale 2
- Pavan
- Mein Herz Hat Sich Mit Lieb' Verpflicht
- Hie' Folget Ein Welscher Tanz
- Ich Klag' Den Tag
- Der Juden Tanz
- Fant
- Air De Cour
- Branle
- Guillemette
- Volte
- Forlorn Hope Fancy
- My Lord Willoughby's Welcome Home (For Two Lts)
Tracks:
- The Earl Of Essex Galliard
- Lachrimae Antiquae
- Galliard To Lachrimae
- My Lady Hunsdon's Puffe
- Lord De L'Isle's Galliard
- The Frog Galliard
- Lachrimae Verae
- The Shoemaker's Wife
- Lady Rich, Her Galliard
- Unnamed Piece (Almaine)
- Sir John Smith's Almaine
- Melancholy Galliard
- Sir Henry Gifford's Almaine
- Dowland's First Galliard
- Mrs Vaux's Gigge
- The Earl Of Derby, His Galliard
- Semper Dowland, Semper Dolens
- Captain Digorie Piper's Galliard
- My Lord Chamberlain, His Galliard
- Mr Langton's Galliard
- Sir John Souche's Galliard
- Piper's Pavan
- Resolution
Tracks:
- The Woods So Wild
- Fant I in c
- Packington's Pound
- Fant II in F
- Walsingham
- Fant III in g
- The Fairy Round
- Heigh Ho Holiday
- Fant IV (La Campagna)
- Go From My Window
- Fant V in C
- Greensleeves
- Fant VI in F
- Bonny Sweet Robin
- Fant VII in F
- Heart's Ease
- Fant VIII in G
- Loth To Depart
- A Fancy
- A Fancy
- Farewell
Tracks:
- Con in D, RV 93: Allegro Giusto - Juliam Bream
- Con in D, RV 93: Largo - Juliam Bream
- Con in D, RV 93: Allegro - Juliam Bream
- Con in F: Allegro - Juliam Bream
- Con in F: Adagio - Juliam Bream
- Con in F: Tempo Di Menuetto - Juliam Bream
- Con in B flat, Op.4 No.6: Allegro - Juliam Bream
- Con in B flat, Op.4 No.6: Larghetto - Juliam Bream
- Con in B flat, Op.4 No.6: Allegro Moderato - Juliam Bream
- Con in G, RV 532: Allegro - Juliam Bream
- Con in G, RV 532: Andante - Juliam Bream
- Con in G, RV 532: Allegro - Juliam Bream
- Son in C, RV 82: Allegro Non Molto - Julian Bream/George Malcom
- Son in C, RV 82: Larghetto - Julian Bream/George Malcom
- Son in C, RV 82: Allegro - Julian Bream/George Malcom
- Son in g, RV 85: Andante Molto - Julian Bream/George Malcom
- Son in g, RV 85: Larghetto - Julian Bream/George Malcom
- Son in g, RV 85: Allegro - Julian Bream/George Malcom
Tracks:
- Monsieur's Almaine - The Julian Bream Consort
- Pavin - The Julian Bream Consort
- My Lord Of Oxenford's Maske - The Julian Bream Consort
- The Flatt Pavin - The Julian Bream Consort
- The Bachelar's Delight - The Julian Bream Consort
- Kemp's Jig - The Julian Bream Consort
- Phillips Pavin - The Julian Bream Consort
- O Mistress Mine - The Julian Bream Consort
- Fant: La Rondinella - The Julian Bream Consort
- Joyne Hands - The Julian Bream Consort
- Lachrimae Pavin - The Julian Bream Consort
- Fant - The Julian Bream Consort
- De La Tromba Pavin - The Julian Bream Consort
- It Fell On A Summer's Day - The Julian Bream Consort
- Dowland's Adew - The Julian Bream Consort
- The Frog Galliard - The Julian Bream Consort
- La Rosignol - The Julian Bream Consort
- Tarleton's Resurrection - The Julian Bream Consort
- Galliard-Can She Excuse - The Julian Bream Consort
- Gloriana-Courtly Dances: March - The Julian Bream Consort
- Gloriana-Courtly Dances: Corante - The Julian Bream Consort
- Gloriana-Courtly Dances: Pavan - The Julian Bream Consort
- Gloriana-Courtly Dances: Morris Dance - The Julian Bream Consort
- Gloriana-Courtly Dances: Galliard - The Julian Bream Consort
- Gloriana-Courtly Dances: La Volta - The Julian Bream Consort
- Gloriana-Courtly Dances: March (Finale) - The Julian Bream Consort
- Con in D, RV 93: Allegro - The Julian Bream Consort
- Con in D, RV 93: Largo - The Julian Bream Consort
- Con in D, RV 93: Allegro - The Julian Bream Consort
Tracks:
- Joyne Hands - The Julian Bream Consort
- Phillips Pavin - The Julian Bream Consort
- The Frog Galliard - The Julian Bream Consort
- The Jew's Dance - The Julian Bream Consort
- Fant - The Julian Bream Consort
- The Bachelar's Delight - The Julian Bream Consort
- The Sacred End Pavin And Galliard: Pavin - The Julian Bream Consort
- The Sacred End Pavin And Galliard: Galliard - The Julian Bream Consort
- De La Tromba Pavin - The Julian Bream Consort
- Thirsis And Milla - The Julian Bream Consort
- Alison's Knell - The Julian Bream Consort
- Grimstock - The Julian Bream Consort
- Go From My Window - The Julian Bream Consort
- Go Nightly Cares - The Julian Bream Consort
- Daniel's Almain - The Julian Bream Consort
- In Nomine Pavin - The Julian Bream Consort
- Come Again - The Julian Bream Consort
- Lachrimae Pavin - The Julian Bream Consort
- Can She Excuse - The Julian Bream Consort
Tracks:
- Chor No.1 - Juilian Bream
- Etude in e - Juilian Bream
- Etude in c# - Juilian Bream
- Prld in e - Juilian Bream
- Schottische-Choro (From Ste Popolar Brasileira) - Juilian Bream
- Madronos - Juilian Bream
- Homenaje, Pour Le Tombeau De Debussy - Juilian Bream J
- The Miller's Dance (From The Three-Cornered Hat) - Juilian Bream
- Fandanguillo - Juilian Bream J
- El Testament D'Amelia - Juilian Bream
- Canarios - Juilian Bream
- Son - Juilian Bream
- En Los Trigales - Juilian Bream
- Larghetto - Juilian Bream
- Allegro, K.Anh.229 - Juilian Bream
- Son in C, Op.15, Allegro - Juilian Bream
- Rossiniana No.1, Op.119 - Juilian Bream
Tracks:
- Pavanas
- Galliardas
- Passacalles
- Canarios
- Villano
- Canario
- Prld in d, BWV 999
- Fugue in a, BWV 1000
- Passacaille
- Fant
- Tombeau Sur La Mort De M. Comte De Logy
- Ste in d: Prld
- Ste in d: Allemande
- Ste in d: Courante
- Ste in d: Sarabande
- Ste in d: Gavotte
- Ste in d: Menuets I And II
- Ste in d: Bourree
- Ste in d: Gigue
- Aria Con Var Detta La Frescobalda
- Son in e, K.11
- Son in e, K.87
- Son in c#
- Son in A
Tracks:
- Grand Ov, Op.61
- Grand Solo, Op.14: Intro
- Grand Solo, Op.14: Allegro
- Son in A: Allegro Moderato
- Son in A: Andante Sostenuto
- Son in A: Menuet-Scherzo
- Son in A: Rondo (Allegretto)
- Rossiniana No.3, Op.121
- Son in C, Op.25: Andante Largo; Allegro Non Troppo
- Son in C, Op.25: Andantino Grazioso
- Son in C, Op.25: Minuetto & Trio/Allegro
Tracks:
- Grand Son in A: Allegro Risoluto
- Grand Son in A: Romanze
- Grand Son in A: Andantino Variato
- Son in G, Op.78, D.894, Menuetto
- Song Without Words, Op.19, No.6 ('Venetian Boating Song')
- Str Qt, Op.12: Conzanetta
- Homenaje, Pour Le Tombeau De Debussy
- Pavane Pour Une Infante Defunte
- Ste Espanola, Op.47: Granada
- Ste Espanola, Op.47: Leyenda (Asturias)
- Lagrima (Prld)
- Three Mazurkas: Adelita
- Three Mazurkas: Mazurka in G
- Three Mazurkas: Marieta
Tracks:
- Sonatina, Op. 52, No.1: Allegretto
- Sonatina, Op. 52, No.1: Lento
- Sonatina, Op. 52, No.1: Rondo
- Segovia, Op.29
- El Polifemo De Oro (Four Fragments): Ben Adagio
- El Polifemo De Oro (Four Fragments): Allegretto
- El Polifemo De Oro (Four Fragments): Largo
- El Polifemo De Oro (Four Fragments): Ritmico E Vivo
- Quatre Pieces Breves: Prld
- Quatre Pieces Breves: Air
- Quatre Pieces Breves: Plainte
- Quatre Pieces Breves: Comme Une Gigue
- Drei Tentos (From 'Kammermusik'): 'Du Schones Bachlein' (Tranquilmente)
- Drei Tentos (From 'Kammermusik'): 'Es Findet Das Aug' Oft' (Allegro Rubato)
- Drei Tentos (From 'Kammermusik'): 'Sohn Laios' (Lento)
- Elegy
- Five Bagatelles: Allegro
- Five Bagatelles: Lento/Tempo Di Valse
- Five Bagatelles: Alla Cubana
- Five Bagatelles: Sempre Espressivo
- Five Bagatelles: Con Slancio
- Theme And Vars, Op.77
Tracks:
- Ste Compostellana: Prd
- Ste Compostellana: Coral
- Ste Compostellana: Cuna
- Ste Compostellana: Recitativo
- Ste Compostellana: Cancion
- Ste Compostellana: Muneira
- Tiento
- Son: Allegretto
- Son: Andante
- Son: Allegro
- Fant
- Ste Populaire Bresilienne: Mazurka-Choro
- Ste Populaire Bresilienne: Schottisch-Choro
- Ste Populaire Bresilienne: Valse-Choro
- Ste Populaire Bresilienne: Gavotte-Choro
- Etude No.5 in C
- Etude No.7 in E
Tracks:
- Five Impromptus: Recitative
- Five Impromptus: Agitato
- Five Impromptus: Elegiaco
- Five Impromptus: Con Fuoco
- Five Impromptus: Arioso
- Five Bagetelles: Allegro
- Five Bagetelles: Lento
- Five Bagetelles: Alla Cubana
- Five Bagetelles: Sempre Espressivo
- Five Bagetelles: Con Slancio
- Hill Runes
- Son No.1, Royal Winter Music: Gloucester (Majestically)
- Son No.1, Royal Winter Music: Romeo And Juliet (Singing Slowly, With Tenderness)
- Son No.1, Royal Winter Music: Ariel (Swiftly, Gently, Mysteriously)
- Son No.1, Royal Winter Music: Ophelia (Slowly)
- Son No.1, Royal Winter Music: Touchstone, Audrey And William (With Humor)
- Son No.1, Royal Winter Music: Oberon (Majestically)
Tracks:
- Gtr Con, Op.67: Allegro
- Gtr Con, Op.67: Lento
- Gtr Con, Op.67: Con Brio
- Con: Lento E Rubato/Vivo
- Con: Andante Lento
- Con: Con Brio
- Concierto De Aranjuez: Allegro Con Spirito
- Concierto De Aranjuez: Adagio
- Concierto De Aranjuez: Allegro Gentile
Tracks:
- Gtr Qnt in e, G.451: Allegro Moderato
- Gtr Qnt in e, G.451: Adagio
- Gtr Qnt in e, G.451: Menuetto
- Gtr Qnt in e, G.451: Allegretto
- Gtr Qnt in D, G.448: Intro And Fandango - Julian Bream/George Malcolm
- Qt in E, Op.2 No.2: Allegro
- Qt in E, Op.2 No.2: Adagio
- Qt in E, Op.2 No.2: Menuetteo E Trio
- Qt in E, Op.2 No.2: Finale: Presto
- Gtr Con in A, Op.30: Allegro Maestoso
- Gtr Con in A, Op.30: Andantino Siciliano
- Gtr Con in A, Op.30: Alla Polacca
Tracks:
- My Lady Hundson's Puffe - Dame Peggy Ashcroft/Julian Bream
- 'If Music And Sweey Poetry Agree' (Sonnet From The Passionate Pilgrim) - Dame Peggy Ashcroft/Julian Bream
- The King Of Denmark's Galliard - Dame Peggy Ashcroft/Julian Bream
- Envoi To The Phoenix And The Turtle - Dame Peggy Ashcroft/Julian Bream
- Mignarda - Dame Peggy Ashcroft/Julian Bream
- 'The Courser And The Genet' (From Venus And Adonis) - Dame Peggy Ashcroft/Julian Bream
- Queen Elizabeth's Galliard - Dame Peggy Ashcroft/Julian Bream
- Loth To Depart - Dame Peggy Ashcroft/Julian Bream
- 'She Looks Upon His Lips' (Death of Adaonis From Venus And Adonis) - Dame Peggy Ashcroft/Julian Bream
- The Earl Of Derby's Galliard - Dame Peggy Ashcroft/Julian Bream
- 'Orpheous With His Lute' (From King Henry VIII, Act III, Scene 1) - Dame Peggy Ashcroft/Julian Bream
- Lachrimae Pavin - Dame Peggy Ashcroft/Julian Bream
- 'Weary With Toil' (Sonnet No.27) - Dame Peggy Ashcroft/Julian Bream
- 'Is It Thy Will?' (Sonnet No.61) - Dame Peggy Ashcroft/Julian Bream
- 'O, Never Say That I Was False Of Heart' (Sonnet No.109) - Dame Peggy Ashcroft/Julian Bream
- Tarleton's Resurrection - Dame Peggy Ashcroft/Julian Bream
- 'My Mother Had A Maid Call'd Barbara' (From Othello, Act IV, Scene 3) - Dame Peggy Ashcroft/Julian Bream
- Tarleton's Resurrection - Dame Peggy Ashcroft/Julian Bream
- 'Come Away, Come Away, Death' (From Twelfth Night, Act II, Scene 4) - Dame Peggy Ashcroft/Julian Bream
- A Fancy - Dame Peggy Ashcroft/Julian Bream
- 'Two Loves I Have' (Sonnet No.144) - Dame Peggy Ashcroft/Julian Bream
- 'The Expense Of Spirit' (Sonnet No.129) - Dame Peggy Ashcroft/Julian Bream
- Melancholy Galliard - Dame Peggy Ashcroft/Julian Bream
- 'But She Hath Lost A Dearer Thing Than Life' (From The Rape Of Lucrece) - Dame Peggy Ashcroft/Julian Bream
- 'Ev'n In This Thought' (From The Rape Of Lucrece) - Dame Peggy Ashcroft/Julian Bream
- Semper Dowland, Semper Dolens - Dame Peggy Ashcroft/Julian Bream
- 'What Potions Have I Drunk' (Sonnet No.119) - Dame Peggy Ashcroft/Julian Bream
- 'When To The Sessions' (Sonnet No.30) - Dame Peggy Ashcroft/Julian Bream
- Orlando Sleepeth - Dame Peggy Ashcroft/Julian Bream
- 'Fear No More' (Dirge For Fidele From Cymbeline, Act IV, Scene 2) - Dame Peggy Ashcroft/Julian Bream
Tracks:
- Songs From The Chinese, Op.58: The Big Chariot - Julian Bream/Sir Peter Pears
- Songs From The Chinese, Op.58: The Old Lute - Julian Bream/Sir Peter Pears
- Songs From The Chinese, Op.58: The Autumn Wind - Julian Bream/Sir Peter Pears
- Songs From The Chinese, Op.58: The Herd-Boy - Julian Bream/Sir Peter Pears
- Songs From The Chinese, Op.58: Depression - Julian Bream/Sir Peter Pears
- Songs From The Chinese, Op.58: Dance Song - Julian Bream/Sir Peter Pears
- Folk Song Arrangements: Master Kilby - Julian Bream/Sir Peter Pears
- Folk Song Arrangements: The Shooting Of His Dear - Julian Bream/Sir Peter Pears
- Folk Song Arrangements: Sailor-Boy - Julian Bream/Sir Peter Pears
- Folk Song Arrangements: I Will Give My Love An Apple - Julian Bream/Sir Peter Pears
- Folk Song Arrangements: The Soldier And The Sailor - Julian Bream/Sir Peter Pears
- Gloriana: The Second Lt Song Of The Earl Of Essex - Julian Bream/Sir Peter Pears
- Anon In Love: Fain Would I Change That Note - Julian Bream/Sir Peter Pears
- Anon In Love: O Stay, Sweet Love - Julian Bream/Sir Peter Pears
- Anon In Love: Lady, When I Behold The Roses - Julian Bream/Sir Peter Pears
- Anon In Love: My Love In Her Attire - Julian Bream/Sir Peter Pears
- Anon In Love: I Gave Her Cakes And I Gave Her Ale - Julian Bream/Sir Peter Pears
- Anon In Love: To Couple Is A Custom - Julian Bream/Sir Peter Pears
- Four French Folk Songs: Reveillez-Vous - Julian Bream/Sir Peter Pears
- Four French Folk Songs: J'Ai Descendu - Julian Bream/Sir Peter Pears
- Four French Folk Songs: Le Rossignol - Julian Bream/Sir Peter Pears
- Four French Folk Songs: Marguerite, Elle Est Malade - Julian Bream/Sir Peter Pears
- O Mistress Mine - Julian Bream/Sir Peter Pears
- Nocturnal, Op.70 - Julian Bream/Sir Peter Pears
Tracks:
- Absence - Julian Bream/Sir Peter Pears
- What Then Is Love? - Julian Bream/Sir Peter Pears
- I Saw My Lady Weep - Julian Bream/Sir Peter Pears
- If She Forsake Me - Julian Bream/Sir Peter Pears
- Dear, If You Change - Julian Bream/Sir Peter Pears
- Come, Phyllis - Julian Bream/Sir Peter Pears
- Stay, Time - Julian Bream/Sir Peter Pears
- It Was A Lover And His Lass - Julian Bream/Sir Peter Pears
- Weep You No More - Julian Bream/Sir Peter Pears
- When Laura Smiles - Julian Bream/Sir Peter Pears
- Fair, Sweet, Cruel - Julian Bream/Sir Peter Pears
- Shall I Sue? - Julian Bream/Sir Peter Pears
- Sweet, Stay Awhile - Julian Bream/Sir Peter Pears
- Who Is It? - Julian Bream/Sir Peter Pears
- Can She Excuse? - Julian Bream/Sir Peter Pears
- Come, Heavy Sleep - Julian Bream/Sir Peter Pears
- Wilt Thou Unkind, Thus Leave Me? - Julian Bream/Sir Peter Pears
- Sorrow, Stay - Julian Bream/Sir Peter Pears
- The Lowest Trees Have Tops - Julian Bream/Sir Peter Pears
- Time's Eldest Son, Old Age - Julian Bream/Sir Peter Pears
- In Darkness Let Me Dwell - Julian Bream/Sir Peter Pears
- Say, Love, If Ever Thou Did'st Find - Julian Bream/Sir Peter Pears
Tracks:
- Lt Ste No.1, BWV 996: Prld
- Lt Ste No.1, BWV 996: Allemande
- Lt Ste No.1, BWV 996: Courante
- Lt Ste No.1, BWV 996: Sarabande
- Lt Ste No.1, BWV 996: Bourree
- Lt Ste No.1, BWV 996: Gigue
- Lt Ste No.2, BWV 997: Prld
- Lt Ste No.2, BWV 997: Fugue
- Lt Ste No.2, BWV 997: Sarabande
- Lt Ste No.2, BWV 997: Gigue
- Trio Son No.1 in E flat, BWV 525: Allegro Moderato - Julian Bream/George Malcolm
- Trio Son No.1 in E flat, BWV 525: Adagio - Julian Bream/George Malcolm
- Trio Son No.1 in E flat, BWV 525: Allegro - Julian Bream/George Malcolm
- Trio Son No.5 in C, BWV 529: Allegro - Julian Bream/George Malcolm
- Trio Son No.5 in C, BWV 529: Largo - Julian Bream/George Malcolm
- Trio Son No.5 in C, BWV 529: Allegro - Julian Bream/George Malcolm
Tracks:
- Con: Allegro Preciso
- Con: Andantino E Andante/Cadenza
- Con: Allegretto Non Troppo
- Five Prlds: No.1 in e: Andantino Espressivo
- Five Prlds: No.5 in E: Andantino
- Five Prlds:No.3 in a: Andante/Molto Adagio/Andante
- Five Prlds: No.4 in e: Lento/Animato/Moderato/Lento
- Five Prlds: No.2 in D: Poco Animato
- Twelve Etudes: No.1: Allegro Non Troppo/Lento
- Twelve Etudes: No.2: Allegro
- Twelve Etudes: No.3: Allegro Moderato
- Twelve Etudes: No.4: Poco Moderato/A Tempo/Grandioso
- Twelve Etudes: No.5: Andantino
- Twelve Etudes: No.6: Poco Allegro
- Twelve Etudes: No.7: Tres Anime/Piu Mosso
- Twelve Etudes: No.8: Moderato
- Twelve Etudes: No.9: Tres Peu Anime
- Twelve Etudes: No.10: Tres Anime/Vif/Un Peu Anime/Vif
- Twelve Etudes: No.11: Lent/Anime
- Twelve Etudes: No.12: Anime
Tracks:
- Concierto De Aranjuez: Allegro Con Spirito
- Concierto De Aranjuez: Adagio
- Concierto De Aranjuez: Allegro Gentile
- Gtr Con: Andantino; Allegretto
- Gtr Con: Lento
- Gtr Con: Allegro Con Brio
- Gtr Con No.3, Con Elegiaco: Tranquillo
- Gtr Con No.3, Con Elegiaco: Interlude
- Gtr Con No.3, Con Elegiaco: Finale: Toccata
Tracks:
- El Maestro: Pavana I
- El Maestro: Pavana V
- El Maestro: Pavana VI
- El Maestro: Fant XII
- El Maestro: Fant VIII
- El Maestro: Fant IX
- El Maestro: Tento I
- El Maestro: Pavana IV
- El Maestro: Fant XVI
- Los Seys Libros Del Delphin De Musica: Book I: Fant V
- Los Seys Libros Del Delphin De Musica: Book II: Fant V
- Los Seys Libros Del Delphin De Musica: Book III: La Cancion Del Emperador
- Los Seys Libros Del Delphin De Musica: Fant VI
- Los Seys Libros Del Delphin De Musica: Book V: Arde Coracon Arde
- Los Seys Libros Del Delphin De Musica: Book V: Ya Se Asiente El Rey Ramiro
- Los Seys Libros Del Delphin De Musica: Book IV: O Gloriosa Domina (Seys Diferencias)
- Los Seys Libros Del Delphin De Musica: Book VI: Conde Claros
- Los Seys Libros Del Delphin De Musica: Book VI: Guardame Las Vacas
- Los Seys Libros Del Delphin De Musica: Book VI: Tres Diferencias Por Otra Parte
- Los Seys Libros Del Delphin De Musica: Book VI: Baxa De Contrapunto
- Fant
Tracks:
- Fant, Op.30: Intro: Lentemente
- Fant, Op.30: Theme: Allegretto
- Fant, Op.30: Vars 1 To 5
- Fant, Op.7: Largo Non Tanto
- Fant, Op.7: Theme: Andante
- Fant, Op.7: Vars 1 To 7
- Vars On A Theme By Mozart, Op.9: Intro: Andante Largo
- Vars On A Theme By Mozart, Op.9: Theme: Andante Moderato
- Vars On A Theme By Mozart, Op.9: Vars 1 To 5
- Adagio, Op.2, No.1
- Polonaise, Op.2, No.2
- Intro And Rondo, Op.2, No.3: Andante/Allegro Moderato
Tracks:
- Cuentos Para La Juventud: Dedicatoria
- La Maja De Goya (Tonadilla)
- Danza Espanola No.4 (Villanesca)
- Valses Poeticos
- Danza Espanola No.5
- Mallorca, Op.202
- Ste Espanola, Op.47: Cataluna
- Ste Espanola, Op.47: Granada
- Ste Espanola, Op.47: Sevilla
- Ste Espanola, Op.47: Cadiz
- Cantos De Espana, Op.232 No.4: Cordoba
Tracks:
- Mazurka in G
- Etude in A
- Marieta
- Capricho Arabe
- Prld in a
- Recuerdos De La Alhambra
- Serenata
- Tango Espagnol
- Guajira
- Popular Catalan Songs: The Night Of Christmas
- Popular Catalan Songs: The Nightingale
- Popular Catalan Songs: The Master
- Popular Catalan Songs: The Girl At The Spinning Wheel
- Popular Catalan Songs: Amelia's Will
- Popular Catalan Songs: The Thief's Song
- Popular Catalan Songs: Lament
- Popular Catalan Songs: The Son Of The Virgin
- Popular Catalan Songs: Riera's Heir
- Fandanguillo, Op.36
- Sevillana, Op.29
- Homenaje A Tarrega, Op.69: Soleares
- Homenaje A Tarrega, Op.69: Garrotin
Tracks:
- Fant XIV
- Fant XXII
- La Cancion Del Emperador
- Conde Claros
- Fant X
- Prld And Allegro
- Gtr Qnt in D, G.448: Fandango
- Grand Solo, Op.14: Fernando Sor
- Rondo in a, Op.2 No.3
Customer Reviews:
Too beautiful for words.......2004-05-25
If Julian Bream's recordings were letters, his would all be hand written rather than typed.
Guitar History.......2004-02-15
Julian Bream not only plays the guitar, and the lute
(although purists and I suspect Bream himself would say rather unconventionally), but most of all, Bream plays MUSIC. This is very, very important. There are many fine guitarists around today, but I doubt any could match Bream's sheer musicality when these recordings were made.
This 28 CD box set is a lesson in music making, regardless of what instrument is being played. The recordings are the complete RCA Bream catalogue from 1959 to 1989. If you can find the complete box set or even any of the individual volumes, I suggest you make the purchase. (Shame on RCA and BMG for not keeping this box set and "all" the individual volumes in print.)
Some of the higlights of Breams remarkable talent are his
interpretations of Britten's "Nocturnal", Walton's "Five Bagatelles", the instrumental and vocal works (with tenor Peter Pears) of Dowland, the "first" complete guitar works of Villa-Lobos, a thorough history of the guitar in Spain from the Renaissance to the Present on period instruments, plus all the works that have become classical guitar standards by Bach, Sor, Giuliani, Albeniz, Rodrigo, plus the "new" standards by Brouwer, Arnold, Berkeley, Britten, Walton, etc.
Music making of this caliber is rare indeed. Buy it if you can find it. Good Luck !
Best deal there is!.......2002-05-06
If you can find this set buy it fast. There are not to many of these left out there. This has it all. Plus Julian Bream is the greatest guitarist of all time.
Most excellent.......2001-08-18
This a an wonderful collection of Julian Bream. He is the master of master . I always admire his talent as a genius of this centure.
Julian Bream, The Genius.......1999-01-09
Who don't want to have a wonderful classical guitar collection? Well, this pack consists in 28 CDs, more than 1.000 minutes of music, distribuited by different titles as Baroque Guitar, Spanish Guitar, etc. Some highlights are here, like Asturias, Fernando Sor variations on Mozart's Magic Flute, Paganini Grand Sonata, all Preludes and Etudes of Villa-Lobos, and, well, lots of really good things. Also, there are some cds Julian Bream plays Guitar with Orchestra, or with Harpsichords. Ah, he plays lute in some too. Unfortunately, there are 2 or 3 cds where a tenor sings and another which a woman says some poems, and those, in my opinion, are not very nice. So, it's a good collection, and if you can, buy it!!
Average customer rating:
|
Go Big Or Stay Home
Austin , and Jeff
Manufacturer: Frontiers
ProductGroup: Music
Binding: Audio CD
ASIN: B000LWL76I |
Music Info:
- Great Radio Controversy
- Heavy Metal 2000 [Explicit Lyrics] [Soundtrack]
- In Concert 1987: Abigail [Live]
- Insanity & Genius [Limited Edition] [Import]
- Into The Woods Of Belial
- Iron Fist
- Irrational
- It Found Me
- Kaleidoscope [Original recording remastered] [Import]
- Land of the Free [Import]
Music Info
music info
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