Down by Three

Down by Three

Down by Three

Track Listings
 
1. Making a Living on the Outside
2. Last Good Nerve
3. Clear the Lane
4. Alone and Broken
5. Cash Is King
6. Bad Luck 1 (Second Place...)
7. Last Time
8. Brockton Lullaby
9. Stop Bleeding
10. In Harm's Way
11. Stand
12. Bad Luck II (... Is the First Loser)
13. Money in the Bag

Down by Three,Honkeyball,Wonderdrug Records,Heavy Metal,Pop,Rock
Instruments of the Orchestra
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Instruments of the Orchestra
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Manufacturer: Naxos
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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Mahler Symphonies: An Owner's Manual (includes 1 CD)
  3. The Young Person's Guide to the Orchestra (Book & CD)
  4. What to Listen for in Music
  5. Study of Orchestration, Third Edition

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
The Ultimate Gilbert & Sullivan Collection
Average customer rating: 3.5 out of 5 stars
  • Well worth the price
  • Not Exactly "The Ultimate" Collection...
  • Where's the chicks?!?!
  • Not quite the ultimate....
  • Great Music - Questionable Selection
The Ultimate Gilbert & Sullivan Collection
Arthur Sullivan , Isidore Godfrey , Royston Nash , New Symphony Orchestra of London , Royal Philharmonic Orchestra , Colin Wright , Donald Adams , George Cook , Gillian Knight , Jean Hindmarsh , Jeffrey Skitch , John Ayldon , John Reed , Joyce Wright , Kenneth Sandford , Lyndsie Holland , Owen Brannigan , Pauline Wales , Peggy Ann Jones , Thomas Round , Valerie Masterson , and D'Oyly Carte Opera Company
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

All Works by SullivanAll Works by Sullivan | Sullivan, Arthur | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
Brannigan, OwenBrannigan, Owen | ( B ) | Featured Performers, A-Z | Classical | Styles | Music
London Philharmonic OrchestraLondon Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
OperettasOperettas | Opera & Vocal | Styles | Music
The Decca Records StoreThe Decca Records Store | Specialty Stores | Music
Similar Items:
  1. The Best of Gilbert & Sullivan
  2. Gilbert & Sullivan - Highlights from The Mikado, The Pirates of Penzance, H.M.S. Pinafore, The Yeomen of the Guard, Trial of Jury
  3. Topsy-Turvy - The Music of Gilbert & Sullivan: From the Original Motion Picture Soundtrack
  4. Topsy-Turvy
  5. The Complete Annotated Gilbert & Sullivan

ASIN: B000007OU0
Release Date: 1998-06-09

Tracks:

  1. H.M.S. Pinafore: We Shall Sail The Ocean Blue
  2. H.M.S. Pinafore: I'm Called Little Buttercup
  3. H.M.S. Pinafore: My Galant Crew, Good Morning
  4. H.M.S. Pinafore: I'm The Monarch Of The Sea
  5. H.M.S. Pinafore: When I Was A Lad
  6. H.M.S. Pinafore: Nevermind The Why And Wherefore
  7. H.M.S. Pinafore: Kind Captain, I've Important Information
  8. H.M.S. Pinafore: Carefully On Tip - Toe Stealing
  9. H.M.S. Pinafore: For He Is An Englishman
  10. The Pirates Of Penzance: I Am The Very Model Of A Modern Major - General
  11. The Pirates Of Penzance: When A Felon's Not Engaged In His Employment
  12. The Pirates Of Penzance: With Cat Like Tread
  13. The Sorcerer: My Name Is John Wellinton Wells
  14. The Gondoliers: Take A Pair Of Sparkling Eyes
  15. Patience: If You're Anxious To Shine
  16. The Mikado: If You Want To Know Who We Are
  17. The Mikado: A Wand'ring Minstrel I
  18. The Mikado: Behold The Lord High Executioner
  19. The Mikado: As Someday It May Happen
  20. The Mikado: Three Little Maids From School Are We
  21. The Mikado: The Sun Whose Rays Are All Ablaze
  22. The Mikado: Here's A How - De - Do!
  23. The Mikado: From Ev'ry Kind Of Man Obedience I Expect
  24. The Mikado: A More Humane Mikado Never Did In Japan Exist
  25. The Mikado: The Criminal Cried As He Dropp'd Him Down
  26. The Mikado: The Flowers That Bloom In The Spring, Tra La
  27. The Mikado: On A Tree By A River A Little Tom Tit
  28. The Mikado: There Is Beauty In The Bellow Of The Blast
  29. The Mikado: For He's Gone And Married Yum-Yum

Customer Reviews:

4 out of 5 stars Well worth the price.......2006-04-13

I love this CD. No, despite its name it is not the "ultimate" collection, as scarcely could be expected from a single CD. It is heavy on Mikado, as others have stated. It leaves out things I would have included and includes things I would have left out. But the performances are wonderful, traditional and all you expect from G&S. Considering the low price, it is well worth including in your G&S collection ... as PART of your collection. After the disappointment of the godawful Opera World video series (Don't buy it!) this CD is a joy and a relief.

3 out of 5 stars Not Exactly "The Ultimate" Collection..........2004-12-23

It seems that a collection of Gilbert & Sullivan music that has the name "The Ultimate Collection" in its title would boast a wide range of music, but I found the selection disappointing. Half of the tracks are songs from The Mikado, and the other half is divided between five... yes, FIVE other operettas. This means that the representation from each operetta is awfully scant. I would have liked to see less Mikado and more of everything else, and perhaps some highlights from the more obscure operettas (Princess Ida and The Sorcerer, namely).

In addition, while most of the music is very well performed, some of the vocalists either go a bit overboard or, at the very opposite end, seem to lack expression. For example, this Nanki-Poo (in The Mikado) seems to be overly occupied with vibrato. Katisha's voice is annoying, and The Mikado's low voice often seems to lack feeling and humor. The other idiosyncracies, like the very frightening evil laughing during "A More Humane Mikado" and hissing during "Three Little Maids" really bug me.

Then again, I'm new to Gilbert and Sullivan, and was introduced to the music through the Topsy Turvy soundtrack, which has a noticeably less operatic style, and hardly includes "stage noise"... so perhaps all this is the norm. Do listen to the tracks for yourself, though, before you purchase the CD. Personally, I find that the Topsy Turvy soundtrack, while considerably less ecompassing, is much lighthearted and easier listening.

2 out of 5 stars Where's the chicks?!?!.......2003-05-15

It wouldn't be G&S if not for the ladies - so where are they? How could they leave out Mabel's aria - or Josephine's!? The only female aria included on this disc comes from Mikado, which is the least exciting (if G&S could be un-exciting) of the three! Everything else on the recording is great, but I am still quite disappointed.

5 out of 5 stars Not quite the ultimate...........2002-03-25

This is a great collection, but unfortunately it doesn't have songs from all the works of G&S. Most notably, there is nothing from the "Yeoman of the Guard". I still reccommed it however as John Reed is wonderful!!

4 out of 5 stars Great Music - Questionable Selection.......2002-02-05

It's an ongoing challenge to find a recording of Gilbert and Sullivan that combines premium musicality and great theatrical performance. This recording is a true gem on both fronts. My only complaint is that for a "Best of" collection, this compilation is Mikado-heavy and scarcely touches on highlights from other masterpieces, particularly The Pirates of Penzance. This would be my favorite G&S CD of all time, of only it included tracks like "When the Foeman Bares his Steel," "Poor Wand'ring One," and "Dry the Glist'ning Tear," but then again, I guess there's no real consensus as to which are Gilbert and Sullivan's best works, and there are too many to fit on one CD.
A River Runs Through It
Average customer rating: 5 out of 5 stars
  • A Fine Soundtrack of a Fine Movie
  • Review(How original huh?)
  • Music that transcends simple meaning...
A River Runs Through It

Manufacturer: Milan Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
Movie ScoresMovie Scores | Soundtracks | Styles | Music
Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
GeneralGeneral | Vocal Pop | Pop | Styles | Music
Similar Items:
  1. Legends Of The Fall: Original Motion Picture Soundtrack
  2. The Horse Whisperer: Original Score
  3. A River Runs through It and Other Stories, Twenty-fifth Anniversary Edition
  4. Dances with Wolves
  5. The Shawshank Redemption: Original Motion Picture Soundtrack

ASIN: B0007NFL54
Release Date: 2005-03-01

Tracks:

  1. A River Runs Through It
  2. Casting Presbyterian Style
  3. A Land Filled With Wonder
  4. Down The Alley (With You)
  5. A Summer Of Lumber And Fishing
  6. Shooting The Schutes
  7. Three Fishermen
  8. A Trip To The Unknown
  9. A Four Count Rhythm
  10. The Shiek Of Araby
  11. Bye Bye Blackbird - Prudence Johnson
  12. Je Ne Sais Quois
  13. Swing Me High, Swing Me Low
  14. A Place Remembered
  15. A Remark Was Passed
  16. Rugged Cross
  17. Muskrat Ramble
  18. Rawhide
  19. The Wild Ride
  20. Early Departure
  21. The Splendor In The Grass
  22. Jessie And Norman
  23. Lolo's
  24. The High Road
  25. Yes, Quite A Day
  26. A Fine Fisherman And The Big Blackfoot River
  27. The Moment That Could Not Last
  28. Too Deep For Tears
  29. Without Complete Understanding
  30. In The Half-Light Of The Canyon
  31. Haunted By Waters - A River Runs Through It (Reprise)
  32. Exclusive Interview With Mark Isham

Album Description

A River Runs Through It features Mark Isham's Grammy-and Academy Award-nominated score, plus the songs "The Sheik of Araby" written by Harry B. Smith, Ted Snyder & Francis Wheeler, "Bye Bye Blackbird" written by Mort Dixon & Ray Henderson, and "Muskrat Ramble" written by Ray Gilbert and Edward 'Kid' Ory.

Customer Reviews:

5 out of 5 stars A Fine Soundtrack of a Fine Movie.......2007-07-15

I basically love the movie, because it's poetic along with Montana wilderness and I am a fly-fisherman. I have just bought this CD as my background music while I am tying flies. And it works very very well. Each track reminds me of each moment of the movie, especially, tracks from Track 25 "Yes, Quite a Day" to Track 31 "Hauted by Waters" just make me poignant. An exclusive interview with the composer is also very unique and worth to hear about the background of the movie. "The Moment That Could Not Last" last only 1:24, how about in our real life? Is it gonna be like Paul's? I am hautend by this soundtrack.

5 out of 5 stars Review(How original huh?).......2007-01-25

Personally, this is one of the absolute BEST soundtracks I have ever listened to. The music is calming, soothing, and truly wonderful. The music is so well put together and nicely coordinated and I feel like I am watching the movie again...it also makes great to read the Laura Ingalls Wilder books too. Try it...you might be suprised how well it fits. :)

5 out of 5 stars Music that transcends simple meaning..........2006-07-16

Mark Isham's score for the motion picture A River Runs Through It is one of the most memorable and emotionally captivating film scores of all time. The arrangements of strings, piano, woodwinds create a meditative and reflective range of music throughout the film capturing all the emotions of this powerful drama about an American family in rural Montana. It is at once deeply haunting, moving, nostalgic and sentimental and captures the innocence and beauty of nature and childhood, as well as darker themes of rebellion and tragedy. There is a profound sense of emotion that is embedded within the music that sweeps over me every time I hear it. A combination of happiness, sadness, excitement, and reflection. There is something simply sweeping and majestic within his music. I couldn't think of anything else that would better compliment the film. Highly recommended.
Fascinating Rhythm: The Complete Music for Solo Piano by George Gershwin
Average customer rating: Not rated
    Fascinating Rhythm: The Complete Music for Solo Piano by George Gershwin

    Manufacturer: Hyperion UK
    ProductGroup: Music
    Binding: Audio CD

    All Works by GershwinAll Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
    PreludesPreludes | Forms & Genres | Classical | Styles | Music
    ImpromptusImpromptus | Short Forms | Forms & Genres | Classical | Styles | Music
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    CDs $7 - $10CDs $7 - $10 | Operas | Opera & Vocal | Today's Deals in Music | Formats | Music
    All Bargain TitlesAll Bargain Titles | Operas | Opera & Vocal | Today's Deals in Music | Formats | Music
    ClassicalClassical | Imports | Stores | Music
    $9.99 and Under$9.99 and Under | Classical Music Blowout | Stores | Music
    All Classical Music BlowoutAll Classical Music Blowout | Classical Music Blowout | Stores | Music
    Gershwin, GeorgeGershwin, George | ( G ) | Composers, A-Z | Classical Music Blowout | Stores | Music
    Opera & VocalOpera & Vocal | Classical Music Blowout | Stores | Music
    Similar Items:
    1. Gershwin Plays Gershwin: The Piano Rolls
    2. Gershwin: Piano Music
    3. Tchaikovsky: Swan Lake (complete ballet); Wolfgang Sawallisch; Philadelphia Orchestra

    ASIN: B00000J80E
    Release Date: 1999-06-08
    Susan Graham - Songs of Ned Rorem
    Average customer rating: 4 out of 5 stars
    • One last touch of Paris (but oversold by the critics)
    • wonderful perforance of excellent songs
    • Classic Rorem Songs!
    • Come To Pop, Baby!
    • Worthy indeed - a gem
    Susan Graham - Songs of Ned Rorem
    Susan Graham , Martin Martineau , and Ensemble Oriol
    Manufacturer: Erato
    ProductGroup: Music
    Binding: Audio CD

    CantatasCantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    CantatasCantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music
    GeneralGeneral | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
    DivasDivas | Opera & Vocal | Styles | Music | Bartoli, Cecilia | Battle, Kathleen | Bonney, Barbara | Caballe, Montserrat | Callas, Maria | Crespin, Regine | Eaglen, Jane | Ferrier, Kathleen | Flagstad, Kirsten | Fleming, Renée | Freni, Mirella | Gheorghiu, Angela | Horne, Marilyn | Janowitz, Gundula | Jones, Gwyneth | Kasarova, Vesselina | Kirkby, Emma | Larmore, Jennifer | Ludwig, Christa | McDonald, Audra | Milanov, Zinka | Modl, Martha | Nilsson, Birgit | Norman, Jessye | Otter, Anne Sophie von | Podles, Ewa | Ponselle, Rosa | Price, Leontyne | Sayao, Bidu | Scotto, Renata | Soderstrom, Elisabeth | Sutherland, Joan | Te Kanawa, Kiri | Troyanos, Tatiana | Upshaw, Dawn | Vishnevskaya, Galina | Von Stade, Frederica
    Q to TQ to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music | Rachmaninov, Sergei | Ramirez, Ariel | Ravel, Maurice | Rodgers, Richard | Rossini, Gioacchino | Saint-Saens, Camille | Satie, Erik | Scarlatti, Alessandro | Schubert, Franz | Schumann, Robert | Shostakovich, Dmitri | Sibelius, Jean | Spontini, Gasparo | Strauss Jr., Johann | Strauss, Richard | Stravinsky, Igor | Tchaikovsky, Peter Ilyich | Thomas, Ambroise | Toselli, Enrico
    C to GC to G | Featured Performers, A-Z | Opera & Vocal | Styles | Music | Caballe, Montserrat | Callas, Maria | Caruso, Enrico | Cassinelli, Ricardo | Christie, William | Church, Charlotte | Corelli, Franco | Crespin, Regine | Della Casa, Lisa | Di Stefano, Giuseppe | Eaglen, Jane | Ferrier, Kathleen | Fischer-Dieskau, Dietrich | Flagstad, Kirsten | Fleming, Renee | Ford, Bruce | Freni, Mirella | Gahmlich, Wilfried | Gambill, Robert | Gedda, Nicolai | Gencer, Leyla | Gheorghiu, Angela | Giacomotti, Alfredo | Giannini, Dusolina | Gigli, Beniamino | Gruberova, Edita
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    Vocal & SongVocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    ( G )( G ) | Featured Performers, A-Z | Classical | Styles | Music | Gahmlich, Wilfried | Galbraith, Paul | Galway, James | Gambill, Robert | Gedda, Nicolai | Gencer, Leyla | Gheorghiu, Angela | Giacomotti, Alfredo | Giannini, Dusolina | Gieseking, Walter | Gigli, Beniamino | Gilels, Emil | Glennie, Evelyn | Goode, Richard | Goodman, Benny | Gould, Glenn | Grainger, Percy Aldridge | Graves, Denyce | Grimaud, Hélène | Gruberova, Edita | Grumiaux, Arthur | Guarneri String Quartet
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    5. Poèmes de l'Amour

    ASIN: B00004R9BK
    Release Date: 2000-04-04

    Tracks:

    1. Sonnet [Bynner]
    2. Clouds [Goodman]
    3. Early In The Morning [Hillyer]
    4. The Serpent [Roethke]
    5. Now Sleeps The Crimson Petal [Tennyson]
    6. Opus 101 [Bynner]
    7. I Strolled Across An Open Field [Roethke]
    8. To A Young Girl [Yeats]
    9. Jeanie With The Light Brown Hair [after Foster]
    10. Ode [de Ronsard]
    11. For Poulenc [O'Hara]
    12. Littlle elegy [Wylie]
    13. Alleluia
    14. Look Down, Fair Moon [Whitman]
    15. O You Whom I Often And Silently Come [Whitman]
    16. I Will Always Love You [O'Hara]
    17. The Tulip Tree [Goodman]
    18. The Wintry Mind [Bynner]
    19. I Am Rose [Stein]
    20. The Lordly Hudson [Goodman]
    21. O Do Not Love Too Long [Goodman]
    22. Far - Far - Away [Tennyson]
    23. For Susan [Goodman]
    24. A Journey [Glaze]
    25. Sometimes With One I Love [Goodman]
    26. Love [Lodge]
    27. Orchids [Roethke]
    28. Stopping By The Woods On A Snowy Evening [Frost]
    29. Do I Love You More Than A Day [Larson]
    30. Ferry Me Across The Water [Rossetti]
    31. The Sowers [Bynner]
    32. That Shadow, My Likeness [Whitman]

    Amazon.com

    Contemporary composer Ned Rorem is typically likened to an American Schubert (living in Paris) for the fecundity, emotional range, and quality of his songs (though this represents only one facet of a prolific career). And Rorem's masterful 1998 cycle Evidence of Things Not Seen would seem to justify that reputation, as does this marvelous anthology from the Rorem songbook of the past half-century. The composer is fond of dividing musicians into the "German" and the "French," clearly identifying himself with the latter for the elusive sparkle and subtle play of shadows that characterize his art. What other kind of sensibility could "through-compose" Gertrude Stein's "I Am Rose" in a deftly perfect 27 seconds? Fortunately, American lyric mezzo Susan Graham intuitively understands this expressive aspect, as does pianist-partner Malcolm Martineau. Graham is constantly attentive to the marriage of music and text in the 32 songs here and phrases their little worlds into being with grace and wit. She can shade to a sweet vanishing point or allow her voice to blossom, orchidlike, into a dazzling profusion of colors. Few of these songs, which draw on the poetry of Walt Whitman, Theodore Roethke, Frank O'Hara, and many others, last more than two minutes. But their resonance lingers, whether in the haunting "Opus 101"--with its lean but potent string trio scoring--or the enigmatic "That Shadow, My Likeness" from Whitman. --Thomas May

    Customer Reviews:

    4 out of 5 stars One last touch of Paris (but oversold by the critics).......2005-10-11

    Ned Rorem is the last survivor, since the death of Virgil Thompson, of the long reach that Paris exerted over a generation of American expatriate composers, many of whom drifted overseas between the wars to study with the legendary Nadia Boulanger. Rorem's songs sometimes have American folk roots, but mostly he writes chansons, and like their French counterparts, his are crystalline, spare, sophisticated, and precisely defined emotionally.

    If he were more tlaneted he might have wirtten masterpieces, but mostly this sounds like Samuel Barber on skim milk. Rorem often sets minor, if not trivial poetry. His lyrical gift is modest. But there's no doubt that he has been neglected, largely because of his stubbornly tonal conservatism, and now that tonality is repsectable again, he is being accorded last-minute honors. I'm glad for him, and his best work, which consists of his multi-volume memoirs, has added much to American culture. But even when skillfully sung by an artist of the caliber of Susan Graham, a hour's worth of Rorem's tiny jewel-like chansons is about twice too much at one sitting.

    5 out of 5 stars wonderful perforance of excellent songs.......2005-01-20

    I'm a neophyte to Ned Rorem's work. To be honest I purchased this CD because I really enjoy listening to Susan Graham. Although I really love hearing Ms. Graham's opera performances, I find it refreshing to hear her singing something in English. I also appreciate how she's taken time to perform something other than opera. Susan Graham's performance of Ned Rorem's songs has me seeking out other performances of his work.

    5 out of 5 stars Classic Rorem Songs!.......2004-05-18

    Susan Graham has a remarkable mezzo voice and sings Rorem as though she really is a sounding board for the composer. Kudos to her and this CD comes highly recommended to newbies to Rorem songs and those many die-hard fans!

    3 out of 5 stars Come To Pop, Baby!.......2004-03-12

    Recently, I heard Susan Graham on Garrison Keillor's "Prarie Home Companion" show. Wow! I didn't know who she was, but she had so much humour, verve and style while singing some show tunes, and that incredible voice. I rushed to amazon but all the English language songs I could find seemed to be on this album of Ned Rorem music. Well, whatever the weight lieder songs carry for the Germans, it seems that art songs in English mean songs you can't snap your fingers to, can't slap out a beat to and would never, ever, sing with your friends. I know, I know, I'm a Philistine, but please, Ms. Graham, give us an album of American popular classics, show tunes and the like. When I listened to you on Mr. Keillor's show, if I had been a bell, I'd have been ringing too! You are simply great. Don't let the classical music fans have all the fun. Throw a little our way too. Pretty please.

    5 out of 5 stars Worthy indeed - a gem.......2002-08-27

    I cannot disagree with "A Music Fan"'s panning of this CD. Having first purchased the Hearing CD which he/she references, I reached the conclusion that Rorem's music was too knotty and "20th century" for repeated listenings and enjoyment. This CD with Susan Graham completely reversed my opinion. The songs are indeed chosen to be accessible, but they are much more than that. They are, simply stated, lovely. This is a disc I will play again and again, and has caused me to investigate many other Rorem CDs. I just came on line to buy it as a gift for a friend. Rorem deserves his due, and this disc gives it to him.
    Tip-Toes/Tell Me More
    Average customer rating: 4.5 out of 5 stars
    • Gifts from musical theater heaven!
    • Tell Me More and more and more
    • Two restored little Gershwin gems
    Tip-Toes/Tell Me More

    Manufacturer: New World Records
    ProductGroup: Music
    Binding: Audio CD

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    Similar Items:
    1. Lady, Be Good! (1992 Studio Cast Recording)
    2. Strike Up The Band (1990 Studio Cast)
    3. Pardon My English (1993 Studio Cast)
    4. Oh, Kay! (1994 Studio Recording)
    5. Girl Crazy (1990 Studio Cast)

    ASIN: B00005RGM8
    Release Date: 2001-10-30

    Tracks:

    1. Overture
    2. Florida
    3. Nice Baby
    4. Looking For A Boy
    5. Lady Luck
    6. When Do We Dance?
    7. These Charming People
    8. That Certain Feeling
    9. Sweet And Low-Down
    10. Finale-Act I
    11. Entr'acte
    12. Our Little Captain
    13. Looking For A Boy
    14. It's A Great Little World!
    15. Nightie-Night!
    16. Tip-Toes
    17. Finale-Act II
    18. Overture
    19. Tell Me More
    20. Tell Me More
    21. Shopgirls And Mannequins
    22. Mr & Mrs. Sipkin
    23. When The Debbies Go By
    24. Three Times A Day
    25. Why Do I Love You?
    26. How Can I Win You Now?
    27. Kickin' The Clouds Away
    28. Finale-Act I
    29. Love Is In The Air
    30. My Fair Lady
    31. In Sardina
    32. Baby!
    33. Finaletto-Act 2
    34. Opening Ensemble
    35. Ukelele Lorelei
    36. Finale-Act II

    Amazon.com

    This two-CD set collects a couple of shows by George and Ira Gershwin. Both produced in 1925, the two musicals--Tip-Toes and Tell Me More--are fairly obscure and don't boast as many famous songs as contemporary Gershwin offerings such as Oh, Kay! and Lady Be Good. Still, they are bursting with wit, invention, and joie de vivre. Based on a 1998 concert production, Tip-Toes is delicious, and several songs deserve a place in the Gershwin pantheon: the ballad "Looking for a Boy," the love duet "That Certain Feeling," and the rousing dance number "Sweet and Low-Down." The score is also notable for its spectacular writing for duo pianos. Tell Me More is not as immediately accessible (indeed, it had the shortest run of any Gershwin musical, with 32 performances), but it's delivered with élan by its topnotch cast, which includes Sally Mayes, Christine Ebersole, Diane Fratantoni, and David Garrison. Under the expert musical direction of Rob Fisher (from New York's famed Encores! series), this double set is, of course, essential for Gershwin completists. In fact, just about any fan of zany Jazz Age artifacts should relish it. --Elisabeth Vincentelli

    Album Description

    Tip-Toes, which made its Broadway debut on December 28, 1925, was produced by Alex A. Aarons and Vinton Freedley, who had been the producers of the Gershwins' smash hit Lady, Be Good! the year before. Attempting to repeat that success, they once again combined the same book writers, Guy Bolton and Fred Thompson, with the Gershwin brothers. Tip-Toes was well received by audiences and the press, and ran for 194 performances. It was given a subsequent production at the Winter Garden Theatre in London, opening August 31, 1926, running for 181 performances.

    One of the most overlooked Gershwin shows, Tell Me More was also the most unlikely of Jazz Age musicals. In an era marked by lavish extravaganzas and brash star vehicles, Tell Me More, which opened on April 13, 1925, relied on charm, modesty, and an impish sense of humor. Because it failed to recoup its investment on Broadway, it was relegated to the list of Gershwin flops; because its score was largely forgotten, it has been widely regarded as a minor effort. In truth, it's a key show. As the only full-length collaboration between George and Ira Gershwin and B.G. DeSylva, it combines the delicacy and grace of the scores George had written earlier in the decade with DeSylva and the bold wit he had pioneered in partnership with his brother Ira four months earlier in Lady, Be Good! The best of both worlds, Tell Me More was a one-of-a-kind achievement.

    Customer Reviews:

    4 out of 5 stars Gifts from musical theater heaven!.......2005-07-24

    The restoration of several complete Gershwin scores in recent years has been a gift from the theater gods. These two shows lack the bite of "Strike Up the Band," "Of Thee I Sing" and other earlier releases, but they have no lack of the Ira's wit and George's effortless melodies. Upbeat tuners "Kickin' the Clouds Away" and "Sweet and Low-Down" are especially engaging, and the authentic-sounding orchestrations lend a nostalgic aura. The first-rate casts seem to be having the time of their lives.

    4 out of 5 stars Tell Me More and more and more.......2001-12-07

    I bought this CD because I had seen the concert of Tip-Toes, which I found enjoyable if uneven: great songs in Act I and not much in Act II. But for me, the real revelation here is Tell Me More, a totally forgotten Gershwin musical from the Twenties. I only knew one of the songs, "Kickin' the Clouds Away," but this score hits all the right notes, from gently melodic to flat-out funny. And the cast couldn't be better. David Garrison and Christine Ebersole are hugely funny in the comic roles, tossing out their one-liners like the Broadway pros that they are. And what a delight to hear the romantic couple on one of these vintage recordings -- in this case, Diane Fratantoni and Philip Chaffin -- sing just like a real period couple: him with the creamy tenor voice and her with the boop-a-doop flapper sound. Their rendition of "Three Times a Day," a lovely ballad with a Kern-like flavor, is, for me, the highlight of this 2-CD set.

    5 out of 5 stars Two restored little Gershwin gems.......2001-11-10

    Although the Princess shows of Kern, Bolton and Wodehouse back in 1917 tried to introduce a solid plot into the American musical comedy, the story lines still did not amount to much until "Show Boat " set the standard. So when George and Ira Gershwin opened with two musicals in 1925, the first was based on a mistaken-identity situation already a cliché in the genre (Bolton did the book); and the second (again with Bolton, plus B.D. de Sylva) was about the Florida land boom that also formed the basis of Berlin's "The Coconuts" the very same year.

    Both "Tell Me More" and "Tip-Toes" were part of the discovery of many Gershwin manuscripts buried in a New Jersey warehouse; and we can be most thankful to New World Records for restoring the scores and bits of the dialogue in a two-CD boxed set (80598-2). The music is what you would expect from Gershwin: 1920s jazzy with that special core of Gershwin genius. Yes, a good deal of it sounds like Berlin and Kern--as did just about every other contemporary composer except Romberg (who sounded like Herbert). On the other hand, "Kickin' the Clouds Away" from the earlier show seems to be the inspiration for Berlin's "Shakin' the Blues Away" written two years later! "Tell Me More" also does not shy away from ethnic jokes (i.e., mistaking a request to disguise oneself as British for doing so as Yiddish) that do not offend at all. And if we moderns grow impatient with the rich bubbleheads of the F. Scott Fitzgerald crowd, they are still a breath of fresh air after the population of "Miss Saigon" and plays of that sort.

    The game casts have voices just right for this sort of characterization and delivery. The "Tip-Toes" production is taken from the Carnegie Hall Concert version and is outstanding.

    This New World set deserves a place of honor among the other Gershwin Brothers restorations on other labels. And do not forget the New World complete recording of Kern's "Sitting Pretty," which (like these two Gershwin shows) did not produce any hits but is delightful from overture to Finale Ultimo.
    (Not) Your Standard Spike Jones Collection
    Average customer rating: 4.5 out of 5 stars
    • Great set of wartime rarities
    • Cure for the Blues
    • Standard Transcription Collection
    (Not) Your Standard Spike Jones Collection
    Spike Jones
    Manufacturer: Collector's Choice
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Jazz | Styles | Music
    GeneralGeneral | Miscellaneous | Styles | Music
    GeneralGeneral | Comedy | Miscellaneous | Styles | Music
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    ASIN: B00007JR3K
    Release Date: 2003-04-08

    Album Description

    Holiday blues comin' on? Well, put a spike in `em! Here's the zaniest, wildest and just plain sickest Collectors' Choice Music exclusive yet—79 tracks from Spike Jones and his City Slickers! These represent Spike's complete Standard Transcription sides, but these tunes are anything but standard; Mr. Jones brought his full bag of tricks for these non-commercial recordings (made in Hollywood during the early `40s). Add to that the fact that most of these have never been on CD or even LP, and any lover of Spike's mayhem-filled mixture of laughs and hot licks is going to flip over this set! Notes and great pictures accompany this 3-CD walk on the wacky side from the greatest novelty band of all time.

    Customer Reviews:

    5 out of 5 stars Great set of wartime rarities.......2003-05-14

    Spike Jones was the king of the novelty song performers, with hits like "Der Fuehrer's Face" and the parody version of "Sheik of Araby" becoming huge hits during World War II. This is a swell 3-CD set, gathering a full eighty-one of Jones' best tracks from his 1940s heyday, drawn from an extensive archive of radio broadcasts made for the Standard Transcription service. The tightness of his City Slickers band is amply demonstrated in these manic, kookily orchestrated performances. Toots, squonks, blatts and bleats whiz by at lightning speed, as one daffy song after another will delight devoted fans. Amazingly, Jones had the unusual, almost unique ability to perform a repertoire almost entirely made up of comedic material, and yet still be quite listenable and engaging. His jazz chops were hardly in question, and from time to time Jones would dash off a non-novelty ballad or two, just to give the rubes something to think about. Of course, just as often he would perform a song that *sounded* like a straight ballad, but would turn out to be another goof. (One great example of this is the sultry "Serenade To A Jerk," sung in slinky, burlesque tones by Myrtle Horwin.) This collection may seem a little overwhelming, but like his studio recordings, these radio performances have a certain brilliance and joie de vivre about them that will leave you enchanted. Definitely worth checking out!

    5 out of 5 stars Cure for the Blues.......2003-04-25

    Here's the zaniest, wildest and just plain sickest Collectors' Choice Music exclusive yet-79 tracks from Spike Jones and his City Slickers! These represent Spike's complete Standard Transcription sides, but these tunes are anything but standard; Mr. Jones brought his full bag of tricks for these non-commercial recordings (made in Hollywood during the early `40s). Add to that the fact that most of these have never been on CD or even LP, and any lover of Spike's mayhem-filled mixture of laughs and hot licks is going to flip over this set! Notes and great pictures accompany this 3-CD walk on the wacky side from the greatest novelty band of all time.

    4 out of 5 stars Standard Transcription Collection.......2003-04-12

    This collection has remastered material from the large stack of Standard Transcription discs from the early 1940's. There are many songs not recorded on RCA, many on the theme of wartime ("48 Reasons Why"), and the quality is excellent. The packaging is threadbare but this is an essential CD package for true music lovers.
    Authentic George Gershwin, Vol. 1-4
    Average customer rating: 5 out of 5 stars
    • Excellent performer
    • A unique project
    • Gershwin historical, manic, perfect, archival
    • Definative
    Authentic George Gershwin, Vol. 1-4

    Manufacturer: Asv Living Era
    ProductGroup: Music
    Binding: Audio CD

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    1. George Gershwin: His Life and Work

    ASIN: B0001Z2RSC
    Release Date: 2004-08-24

    Tracks:

    1. Swanee
    2. Come To the Moon
    3. I Was So Young (You Were So Beautiful)
    4. Tee-Oodle-Um-bum-Bo
    5. Nobody But You
    6. Limehouse Nights
    7. Drifting Along With The Tide
    8. Rhapsody In Blue
    9. Oh Lady Be Good!
    10. Fascinating Rhythm
    11. Hang On To Me
    12. I'd Rather Charleston
    13. The Man I Love
    14. The Half Of It, Dearie, Blues
    15. So Am I
    16. Kickin' The Clouds Away
    17. Concerto In F

    Tracks:

    1. Sweet And Low-Down (I)
    2. That Certain Feeling (I)
    3. Looking For A Boy
    4. When Do We Dance?
    5. Sweet And Low-Down (II)
    6. That Certain Feeling (II)
    7. Irish Waltz
    8. Do, Do, Do
    9. Someone To Watch Over Me
    10. Clap Yo' Hands
    11. Maybe
    12. Three Preludes: I. No.1: Allegro Ben Ritmato E Deciso / II. No.2: Andante Con Moto / III No.3: Allegro Ben Ritmato E Deciso
    13. Meadow Serenade
    14. My One And Only
    15. 'S Wonderful/Funny Face
    16. He Loves And She Loves
    17. An American In Paris
    18. Liza
    19. Strike Up The Band
    20. Embraceable You
    21. I Got Rhythm (I)
    22. I Got Rhythm (II)

    Tracks:

    1. Of Thee I Sing
    2. Jilted
    3. Second Rhapsody
    4. For You, For Me, For Evermore
    5. Cuban Overture
    6. Isn't It A Pity?
    7. Variations On 'I Got Rhythm'
    8. I. Catfish Row: Introduction - Jazzbo Brown - First Chorus, 'Summertime'
    9. II. Porgy Sings: 'I got Plenty O' Nuthin' - 'Bess, You Is My Woman Now'
    10. III. Fugue: Murder Of Crown, Act III Scene 1
    11. IV. Hurricane: Introduction, Act II Scene 3 - Hurricane, Act II Scene 3
    12. V. Good Morning, Brother: Occupational Humoresque, Act III Scene 3 - 'Good Morning, Brother' - Children's Song 'Sure To Go To Heaven' - 'I'm On My Way' (Finale)
    13. They Can't Take That Away From Me
    14. Let's Call The Whole Thing Off
    15. Our Love Is Here To Stay

    Tracks:

    1. Girl Crazy Overture
    2. French Ballet Class
    3. Dance Of The Waves
    4. Slap That Bass
    5. Walking The Dog
    6. I've Got Beginner's Luck
    7. They All Laughed
    8. They Can't Take That Away From Me
    9. Shall We Dance
    10. By Strauss
    11. I Can't Be Bothered Now
    12. The Jolly Tar And The Milkmaid (1st Version)
    13. Put Me To The Test
    14. The Jolly Tar And The Milkmaid (2nd Version)
    15. Stiff Upper Lip
    16. A Foggy day (In London Town)
    17. Nice Work If You Can Get It
    18. Things Are Looking Up
    19. I Was Doing All Right
    20. Love Walked In

    Customer Reviews:

    5 out of 5 stars Excellent performer.......2007-03-09

    This plates are wonderful. I was charmed, and when I close my eyes now, I see scenes with American in Paris or Porgy and Bess but my favorite piece of music is Rhapsody in Blue. It's more than excellent is fantastic. Jack Gibbons perfectly feels the unique tone Gershwin's music, the mixture rythms of jazz with influences of impressionists and clear and beauty melodies.
    I'm fascinating.

    5 out of 5 stars A unique project.......2006-11-23

    Gibbons' undertaking is unique: to reconstruct and then execute and record the note-for-note playing of Gershwin as documented on the composers' piano rolls, sound recordings and certain published arrangements. I agree with the reviewer who points out that the result is like a library and not a recital you sit back and listen to (or get up and dance to). In fact Gibbons does some editing of his "library" now and then, and clearly documents it in his liner notes: in some reconstructions he augments accompaniment effects and even the melodic line itself. I don't mind that at all, especially as Gibbons scrupulously accounts for such tampering in his liner notes; but it seems to me that it is in this area of "tampering" that Gibbons the artist is asserting himself...which of course undermines the "library", the "historical archive": you have to search and read a bit to find out when you're hearing only Gershwin and when you're hearing some added Gibbons. I don't mind; Gibbons is a remarkable artist in his own right, not merely an impeccable documentarian. For sheer generosity of production Gibbons' Gershwin must also be unique: 4 cd's, scholar-level liner notes (yes, you need a magnifying glass to read them), and rock-bottom bargain price.

    5 out of 5 stars Gershwin historical, manic, perfect, archival.......2006-06-12

    First: this is 4 high-end produced cd's (in low-end jewel cases) for the price of 2. The liner notes of all 4 cd's are condensed in a booklet of microscopic print, so you may need to spend the savings on a magnifying glass. MONEY WELL SPENT.
    Second: Jack Gibbons plays (and has recorded) the Alkan op 39 etudes (he probably plays a lot more Alkan than that). For those of you not in the know, this is to say he has world-class chops, indeed history-class (Liszt, who never played his friend Alkan, at least in public). But it's also to say that Gibbons knows how to interpret and personalize fantastically difficult piano music. For me, his Alkan op 39 is personal and passionate and real (contrast the facile and over-pedalled Hamelin and the just-the-notes-ma'me Ringeissen). An appreciation of Gibbons' Alkan is important here because while his Alkan is uniquely personal (as such music must be, no matter how hard it is to play) his Gershwin is deliberately impersonal...which is to say: no pianist, no singer would want to reproduce what Gibbons has given us in these 4 cd's, and in fact few listeners will be able to listen for long to these 4 cd's without a respite, a break , some silence, some minimal styling from somebody (anybody) else...which brings me to
    Third: This is an archive, not a recital. This is a library, not a program. There is no track-by-track contrast of moods here, no track-by-track concession to easy listening, varied delight, any more than a library shelf of novels is alphabetized by authors' last names as a concession to mood or fancy or taste of the searching patron. This is the documented Gershwin in his recording mode: manic, notey, clever, "on", and never, as generations of stylists found in him, ravishing, tender, longing, sweet, glad, hopeful...person-to-person, in a word. I can listen to these cd's about half an hour at a time, max. This is Gerwhsin, not Gibbons. And this is just one side of Gershwin. He died at 38, in the summer. Brain tumor. A lot of pain.
    Finally, Jack Gibbons has given the world a uniquely valuable and easily available resource. Gibbons could now do us a service by playing us some Gershwin as he feels it, as it hits him and makes him sing (as Gershwin, our American Schubert, does to all of us, and as I think Alkan has done to Gibbons). I would love to see a Gershwin stylings by Gibbons now that Gibbons himself has made sure Gershwin in his authenticity is safe and sound.

    5 out of 5 stars Definative.......2005-07-23

    Here's the whole Gershwin catalog at a great price... Five plus hours of bliss. Definately five stars!

    Gibbons, according to a family friend and biographer Edward jablonski "recreates Gershwin's style." I'll never know. I can say this is a lively recording and has the perfect balance. It's neither stuffy and plodding or cute.
    The John Adams Earbox: A 10-CD Retrospective
    Average customer rating: 5 out of 5 stars
    • Moved to tears
    • Nonesuch delivers.Again
    • harmonia in excelsis
    • Our greatest living composer
    • Wonderful CD
    The John Adams Earbox: A 10-CD Retrospective

    Manufacturer: Nonesuch
    ProductGroup: Music
    Binding: Audio CD

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    1. Steve Reich 1965-1995
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    5. Century Rolls

    ASIN: B00001SID1
    Release Date: 1999-10-19

    Tracks:

    1. Lollapalooza
    2. John's Book Of Alleged Dances: Judah To Ocean
    3. John's Book Of Alleged Dances: Toot Nipple
    4. John's Book Of Alleged Dances: Dogjam
    5. John's Book Of Alleged Dances: Pavane: She's So Fine
    6. John's Book Of Alleged Dances: Rag The Bone
    7. John's Book Of Alleged Dances: Habanera
    8. John's Book Of Alleged Dances: Stubble Crotchet
    9. John's Book Of Alleged Dances: Hammer & Chisel
    10. John's Book Of Alleged Dances: Alligator Escalator
    11. John's Book Of Alleged Dances: Standchen: The Little Serenade
    12. John's Book Of Alleged Dances: Judah To Ocean (Reprise)
    13. Slonimsky's Earbox

    Tracks:

    1. Two Fanfares For Orchestra - Tromba Lontana
    2. Two Fanfares For Orchestra - Short Ride In A Fast Machine
    3. Common Tones In Simple Time
    4. El Dorado - Part I. A Dream Of Gold
    5. El Dorado - Part II. Soledades

    Tracks:

    1. Harmonielehre - Part I
    2. Harmonielehre - Part II The Anfortas Wound
    3. Harmonielehre - Part III Meister Eckhardt And Quackie
    4. Violin Concerto - Part I
    5. Violin Concerto - Part II Chaconne:
    6. Violin Concerto - Part III Toccare

    Tracks:

    1. Chamber Sympony - Mongel Airs
    2. Chamber Sympony - Aria With Walking Bass
    3. Chamber Sympony
    4. Hoodo Zephyr - Tundra
    5. Hoodo Zephyr - Dissappointment Lake
    6. Hoodo Zephyr - Hoodo Zephyr
    7. Gnarly Buttons - The Perilous Shore
    8. Gnarly Buttons - Hoe-Down (Mad Cow)
    9. Gnarly Buttons - Put Your Loving Arms Around Me

    Tracks:

    1. Ensemble - I Was Looking At The Ceiling And Then I Saw The Sky
    2. A Sermon On Romance
    3. Consuelo's Dream
    4. Mike's Song About Arresting A Particular Individual
    5. Tiffany's Solo
    6. Song About The On-Site Altercation
    7. Song About The Bad Boys And The News
    8. Your Honor My Client He's A Young Black Man
    9. Leila's Song; Alone (Again Or At Last)
    10. Three Weeks And Still I'm Outta My Mind
    11. Crushed By The Rock I Been Standing On
    12. Dewain's Song Of Liberation And Surprise
    13. !Este Pais! / This Country
    14. One Last Look At The Angel In Your Eyes
    15. Finale

    Tracks:

    1. Lollapalooza
    2. John's Book Of Alleged Dances - Judah To Ocean
    3. John's Book Of Alleged Dances - Toot Nipple
    4. John's Book Of Alleged Dances - Dogjam
    5. John's Book Of Alleged Dances - Pavane: She's So Fine
    6. John's Book Of Alleged Dances - Rag The Bone
    7. John's Book Of Alleged Dances - Habenera
    8. John's Book Of Alleged Dances - Stubble Crotchet
    9. John's Book Of Alleged Dances - Hammer & Chisel
    10. John's Book Of Alleged Dances - Alligator Escalator
    11. John's Book Of Alleged Dances - Standchen: The Little Serenade
    12. John's Book Of Alleged Dances - Judah To Ocean (Reprise)
    13. Slonimsky's Earbox

    Tracks:

    1. Harmonium - Negative Love
    2. Harmonium - Becuase I Could Not Stop For Death
    3. Harmonium - Wild Nights
    4. Shaker Loops - Shaking and Trambling
    5. Shaker Loops - Hymning Slews
    6. Shaker Loops - Loops and Verses
    7. Shaker Loops - A Final Shaking

    Tracks:

    1. The Chairman Dances - Foxtrot For Orchestra
    2. Grand Pianola Music - First Movement
    3. Grand Pianola Music - Second Movement
    4. Grand Pianola Music - Third Movement: On The Dominant Divide
    5. Fearful Symmetries

    Tracks:

    1. Nixon In China - Opening
    2. Nixon In China -
    3. Nixon In China -
    4. Nixon In China - Landing Of The Spirit Of '76
    5. Nixon In China -
    6. Nixon In China -
    7. Nixon In China -
    8. Nixon In China -
    9. Nixon In China - Cheers
    10. Nixon In China -
    11. Nixon In China - Opening
    12. Nixon In China -
    13. Nixon In China -
    14. Nixon In China -
    15. Nixon In China -
    16. Nixon In China -
    17. Nixon In China -
    18. Nixon In China -
    19. Nixon In China -
    20. Nixon In China -
    21. Nixon In China -
    22. Nixon In China -

    Tracks:

    1. The Wound-Dresser
    2. Christian Zeal And Activity
    3. Five Songs - Thoreau
    4. Five Songs - Down East
    5. Five Songs - Cradle Song
    6. Five Songs - At The River
    7. Five Songs - Serenity
    8. Eros Piano

    Amazon.com

    Having earned his composing stripes after the 1960s, John Adams had the pioneering work of Steve Reich, Philip Glass, and Terry Riley close at hand as he ventured into his trade. And, while minimalism's historical continuum helps place Adams, he used Reich, Glass, and Riley (among others) only as a starting point. And here's proof: a 10-CD retrospective of nearly all Adams's recorded compositions on Nonesuch Records, the label that also issued Steve Reich 1965-1995 and Kronos Quartet: 25 Years. Adams's Harmonium, a choral work of startling energy and effervescence, appears here in a new recording, as do distillations of both The Death of Klinghoffer and Nixon in China, two path-clearing operas. Over the span of a career covered by Earbox, Adams has returned minimalism to traditional instrumental ensembles as well as to projects that at once advanced a political commentary and took that commentary back to orchestral audiences. And so, in far less time than his predecessors, Adams created works that now play like standard repertoire pieces: The Wound Dresser and Shaker Loops and the Violin Concerto--all of them are here. What these works demonstrate is a fierce creativity on the one hand and perhaps a hunger for commercial advances on the other. Adams may at times be a bustling free thinker, but he sounds ever conscious of what audiences are listening to. As for the works themselves, they remain every bit as daunting as when written.

    Some may object to particular selections. I Was Looking at the Ceiling and Then I Saw the Sky, for example, hardly ranks with Adams's best work. But this box isn't a mere best-of; it's an almost-all-of. At times terrifically American--especially in the news-aware operas and their narrative pragmatism--Adams well deserves a major box set, and its coverage is appropriate to his varied, stylistically diverse output. As with any large-scale retrospective, Earbox--which fairly bristles with Adams's new composition, Slonimsky's Earbox--has spots where fans might balk at the quality of the composer's writing. But it's got a fantastic accompanying booklet along with its many hours of inarguably modern and thoroughly listener-friendly music. --Andrew Bartlett

    Customer Reviews:

    5 out of 5 stars Moved to tears.......2004-03-18

    Never before in my life was i moved so intensely and directly by classical music. I put the first cd in my player and a few minutes later tears are flowing. I find myself dancing and moving to a rythm i already seem to know. Wow, i just have to share that.

    5 out of 5 stars Nonesuch delivers.Again.......2002-11-27

    John adams is one of the most popular living composers of"modern" classical music[I believe the cutoff point, though arbitrary is usually WWII}.I came to him late, through my husband. Modersn classical music , I said? What the hell is that?My husband kept playing bits and pieces of adams for me, and more and more i found myself amazed. and swayed. His operas have been groundbreaking{Nixon in China} controversial{Death Of klinghoffer},his compostions sublimely beautiful{shaker Loops or harmonium].HIS STATURE IS WORTHY THEN OF SUCH A MONUMENTAL CAREER SPANNING BOX SET.This 10 disc set[great value, again from NONESUCH}encompasses Adams' entire career,and though there are some misses here{I was looking at the ceiling and then i saw the sky doesnt quite fit},it is still magnificent. the Highlights are ,{for me} the Wound Dresser, Chamber symphony,Violin Concerto, of course, Shaker Loops and Harmonuim are wonderful. The true jewels here are Nixon in China,the Chairman dances and the Death of Klinghoffer,which is simply a masterpiece. The set comes with a wonderful book, which contains essay's by Robert Hurwitz {An Uncommon Man}renaud Machart[John adams as seen from europe} and Essays before an earbox by Adams himself.A Chronology and dicography are included. A wonderful study of an American original,worth the investment, Highly highly recommended

    4 out of 5 stars harmonia in excelsis.......2001-11-12

    I must agree with Mr. Bartlett, particularly with regard to "Ceiling." It may well be because his Violin Concerto and Harmonielehre are so powerful. 4.5 stars.
    Interesting, and likely intentional, is that two names in the extensive liner book fail to mention two great and glaringly obvious precursors: Carl Orff and Raymond Scott. Without "Carmina Burana," there would be no "Harmonium." Orff has his mark all over Adams's gifted and epic compositions. Similarly, though there are glib references to "cartoon music," the polymath engineer/musician Scott is a seminal figure in American music, and casts a large shadow over the witty juxtapositions and sense of play one loves in Adams's work. In all, an excellent career overview.

    5 out of 5 stars Our greatest living composer.......2001-07-22

    As a composer, I'm staggered that anyone could fail to be gripped by this music.

    That anyone can use the words "spoiled, overrated" amazes me. I emphatically disagree with "A music fan"'s review.

    I don't think it's "mind-numbing"; I think it's spiritual and exciting. To me it's the most substantial music being created in our times.

    I'm really sorry that anyone could fail to enjoy it, and really recommend others to listen for themselves.

    5 out of 5 stars Wonderful CD.......2000-04-02

    This compilation should turn even the most curmudgeonly listerner into a fan. Beautifully recorded, great notes -- and it's a heck of a bargain!
    CHRISTMAS at King's College
    Average customer rating: 5 out of 5 stars
    • 4 Disc tour de' force of "high church" Christmas music
    CHRISTMAS at King's College

    Manufacturer: EMI Classics
    ProductGroup: Music
    Binding: Audio CD

    All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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    Similar Items:
    1. A Festival of Nine Lessons and Carols
    2. Carols from Trinity
    3. Carols From King's / Choir of King's College, Cambridge · Stephen Cleobury
    4. A Robert Shaw Christmas - Angels on High
    5. O Come All Ye Faithful: Christmas Carols at King's College, Cambridge

    ASIN: B000009RSR
    Release Date: 1998-09-15

    Tracks:

    1. Once In Royal David's City - King's College Choir, Cambridge
    2. O Little Town Of Bethlehem - Palestrina
    3. The First Nowell - King's College Choir, Cambridge
    4. I Saw Three Ships - King's College Choir, Cambridge
    5. Personent hodie - Byrd
    6. Myn Lyking - Byrd
    7. A Spotless Rose - Gibbons
    8. Away In A Manger - Weelkes
    9. I Sing Of A Maiden - Weelkes
    10. O Come, O Come Emmanuel - King's College Choir, Cambridge
    11. While Shepherds Watched - King's College Choir, Cambridge
    12. Up! Good Christian Folk And Listen - King's College Choir, Cambridge
    13. In The Bleak Midwinter - King's College Choir, Cambridge
    14. Silent Night - King's College Choir, Cambridge
    15. The Holly And The Ivy - King's College Choir, Cambridge
    16. It Came Upon A Midnight Clear - Taylor
    17. The Three Kings - King's College Choir, Cambridge
    18. On Christmas Night - King's College Choir, Cambridge
    19. A Child Is Born In Bethlehem - King's College Choir, Cambridge
    20. In dulci jubilo - King's College Choir, Cambridge
    21. O Come, All Ye Faithful - King's College Choir, Cambridge
    22. Hark! The Herald Angels Sing - Warlock

    Tracks:

    1. Once In Royal David's City - King's College Choir, Cambridge
    2. Bidding Prayer - King's College Choir, Cambridge
    3. Resonet in laudibus - King's College Choir, Cambridge
    4. Genesis 3 - King's College Choir, Cambridge
    5. Adam lay ybounden - King's College Choir, Cambridge
    6. Sussex Carol - King's College Choir, Cambridge
    7. Isaiah 9 - King's College Choir, Cambridge
    8. Joseph And Mary - King's College Choir, Cambridge
    9. St Luke 1 - King's College Choir, Cambridge
    10. A Maiden Most Gentle - King's College Choir, Cambridge
    11. St Luke 2 - King's College Choir, Cambridge
    12. Stille Nacht! - King's College Choir, Cambridge
    13. Chester Carol - King's College Choir, Cambridge
    14. St Luke 2 - King's College Choir, Cambridge
    15. Angels, From The Realms Of Glory - King's College Choir, Cambridge
    16. St Matthew 2 - King's College Choir, Cambridge
    17. A Babe Is Born - King's College Choir, Cambridge
    18. St John 1 - King's College Choir, Cambridge
    19. O Come, All Ye Faithful - King's College Choir, Cambridge
    20. Collect For Christmas Eve And The Blessing - King's College Choir, Cambridge
    21. Hark! The Herald Angels Sing - King's College Choir, Cambridge
    22. In dulci jubilo - King's College Choir, Cambridge

    Tracks:

    1. Hodie Christus natus est - King's College Choir - Philip Ledger
    2. Hodie Christus natus est - King's College Choir - Philip Ledger
    3. O magnum mysterium - King's College Choir - Philip Ledger
    4. Senex puerum portabat - King's College Choir - Philip Ledger
    5. Senex puerum portabat - King's College Choir - Philip Ledger
    6. Hodie beata virgo - King's College Choir - Philip Ledger
    7. Hosanna To The Son Of David - King's College Choir - Philip Ledger
    8. Hosanna To The Sun Of DAvid - King's College Choir - Philip Ledger
    9. Gloria in excelsis Deo - King's College Choir - Philip Ledger
    10. When To The Temple Mary Went - King's College Choir - Philip Ledger
    11. Nowell! Nowell! Nowell! - King's College Choir - Philip Ledger
    12. The Holly And The Ivy - King's College Choir - Philip Ledger
    13. Angelus ad virginem - King's College Choir - Philip Ledger
    14. Angelus ad virginem - King's College Choir - Philip Ledger
    15. I Sing Of A Maiden - King's College Choir - Philip Ledger
    16. Watt's Cradle Song - King's College Choir - Philip Ledger
    17. My Dancing Day - King's College Choir - Philip Ledger
    18. Sing A Song Of Joy - King's College Choir - Philip Ledger
    19. Jesus Christ The Apple Tree - King's College Choir - Philip Ledger
    20. Most Glorious Lord Of Life - King's College Choir - Philip Ledger
    21. That Lord That Lay In Asse Stall - King's College Choir - Philip Ledger
    22. Where Riches Is Everlastingly - King's College Choir - Philip Ledger

    Tracks:

    1. I Look From Afar - The Choir Of King's College, Cambridge
    2. Come, Thou Redeemer Of The Earth - The Choir Of King's College, Cambridge
    3. Isaiah 40: 1 - 8 - The Choir Of King's College, Cambridge
    4. Drop Down, Ye Heavens, From Above - The Choir Of King's College, Cambridge
    5. Jeremiah 23: 5 - 6 - The Choir Of King's College, Cambridge
    6. O Come, O Come Emmanuel! - The Choir Of King's College, Cambridge
    7. Haggai 2: 6 - 9 - The Choir Of King's College, Cambridge
    8. Up, Awake And Away! - The Choir Of King's College, Cambridge
    9. All And Some - The Choir Of King's College, Cambridge
    10. Isaiah 35: 1 - 6 - The Choir Of King's College, Cambridge
    11. 'Twas In The Year - The Choir Of King's College, Cambridge
    12. The Cherry Tree Carol - The Choir Of King's College, Cambridge
    13. King Jesus Has A Garden - The Choir Of King's College, Cambridge
    14. On Jordan's Bank The Baptist's Cry - The Choir Of King's College, Cambridge
    15. St. Luke 1: 26 - 35 And 38 - The Choir Of King's College, Cambridge
    16. Gabriel's Message - The Choir Of King's College, Cambridge
    17. Wake, O Wake! With Tidings Thrilling - The Choir Of King's College, Cambridge
    18. St. Mark 1: 1 - 4a And 7 -15 - The Choir Of King's College, Cambridge
    19. I Wonder As I Wander - The Choir Of King's College, Cambridge
    20. My Dancing Day - The Choir Of King's College, Cambridge
    21. Judah And Jerusalem, Fear Not - The Choir Of King's College, Cambridge
    22. Prayers And Blessing - The Choir Of King's College, Cambridge
    23. Lo! He Comes With Clouds Descending - The Choir Of King's College, Cambridge
    24. Nun komm', der Heiden Heiland - The Choir Of King's College, Cambridge

    Customer Reviews:

    5 out of 5 stars 4 Disc tour de' force of "high church" Christmas music.......2003-04-19

    It's in there.. this is a great collection of Anglican Cathedral Christmas music. Highly recommended.

    Music Info:

    1. Expositionsprophylaxe
    2. Extreme Aggression
    3. Fall From Grace [Live]
    4. For Drug Crazed Grindfreaks Only! Live at Noctum Studios [Live]
    5. Further
    6. Hail Horror Hail
    7. Half Way Down
    8. Happy Accidents
    9. Heavy Metal Hippies [Import]
    10. Hero Hero [Import]

    Music Info

    music info

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