Off We Went [CD-single] [EP]

Off We Went [CD-single] [EP]

Track Listings

1. I Won't Hide

2. Reduced to Race

3. See Through

4. Sky Is Sure Full of Stars Tonight

5. High Price of Living

6. For Me as Well

7. Who You Are

Off We Went,Spirit 84,Good Life Recordings,Heavy Metal,Pop,Rock

Gilbert & Sullivan: The Mikado (Complete); Iolanthe (Highlights)
Average customer rating:

A Wonderful Performance

ARTICULATE MIKADO

Finally, a worthy recording of the Mikado!

Gilbert & Sullivan: The Mikado (Complete); Iolanthe (Highlights)

Manufacturer: Class. for Pleas. Us
ProductGroup: Music
Binding: Audio CD

All Works by Sullivan | Sullivan, Arthur | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
General | Classical | Styles | Music
General | Opera & Vocal | Styles | Music
Operettas | Opera & Vocal | Styles | Music
Similar Items:

Gilbert & Sullivan: H.M.S. Pinafore / Mackerras, Welsh National Opera

Gilbert & Sullivan: The Pirates of Penzance

Double Indemnity (Universal Legacy Series)

ASIN: B00009KHY0
Release Date: 2003-09-02

Tracks:

Overture - John Holmes
Act 1: If You Want To Know Who You Are - John Holmes
Act 1: Gentlemen, I Pray You Tell Me - John Holmes
Act 1: A Wand'ring Minstrel, I - John Holmes
Act 1: Our Great Mikado, Virtuous Man - John Holmes
Act 1: Young Man, Despair - John Holmes
Act 1: And Have I Journey'd For A Month - John Holmes
Act 1: Behold The Lord High Executioner! - John Holmes
Act 1: As Some Day It May Happen - John Holmes
Act 1: Comes A Train Of Little Ladies - John Holmes
Act 1: Three Little Maids From School - John Holmes
Act 1: So Please You, Sir, We Much Regret - John Holmes
Act 1: Were You Not To Ko-Ko Plighted - John Holmes
Act 1: I Am So Proud - John Holmes
Act 1: With Aspect Stern - John Holmes
Act 1: Your Revels Cease - John Holmes
Act II: Braid The Raven Hair - John Holmes
Act II: The Sun, Whose Rays Are All Ablaze - John Holmes
Act II: Brightly Dawns Our Wedding Day - John Holmes
Act II: Here's A How-De-Do! - John Holmes
Act II: Miya Sama, Miya Sama - John Holmes
Act II: A More Humane Mikado - John Holmes

Tracks:

Act II: The Criminal Cried - John Holmes
Act II: See How The Fates Their Gifts Allot - John Holmes
Act II: The Flowers That Bloom In The Spring - John Holmes
Act II: Alone, And Yet Alive - John Holmes
Act II: Hearts Do Not Break - John Holmes
Act II: On A Tree By A River A Little Tom-Tit - John Holmes
Act II: There Is Beauty In The Bellow Of The Blast - John Holmes
Act II: For He's Gone And Married Yum-Yum - John Holmes
Overture - Elizabeth Harwood
Act I: None Shall Part Us From Each Other - Elizabeth Harwood
Act I: Loudly Let The Trumpet Bray! - Elizabeth Harwood
Act I: Nay, Tempt Me Not...Spurn Not The Nobly Born - Elizabeth Harwood
Act I: When I Went To The Bar As A Very Young Man - Elizabeth Harwood
Act I: When Next Your Houses Do Assemble - Elizabeth Harwood
Act II: When All Night Long A Chap Remains (Sentry Song) - Elizabeth Harwood
Act II: Strephon's A Member Of Parliament - Elizabeth Harwood
Act II: When Britain Really Ruled The Waves - Elizabeth Harwood
Act II: Oh, Foolish Fay - Elizabeth Harwood
Act II: Love, Unrequited, Robs Me Of My Rest - Elizabeth Harwood
Act II: When You're lying Awake With A Dismal Headache (Nightmare's Song) - Elizabeth Harwood
Act II: If You Go In, You're Sure To Win - Elizabeth Harwood
Act II: If We're Weak, Enough To Tarry - Elizabeth Harwood
Act II: My Lord, A Suppliant At Your Feet I Kneel - Elizabeth Harwood
Act II: It May Not Be - Elizabeth Harwood
Act II: Soon As We May, Off And Away - Elizabeth Harwood

Customer Reviews:

A Wonderful Performance.......2007-03-31

This is an an authentic, accessible, entertaining, and deeply satisfying performance. Although I like all of the principal singers, my two favorite are Clive Revill as Ko-Ko and Jean Allister as Katisha. For me, the key to a successful Gilbert and Sullivan performance is that it is not only funny, but also touching. In my opinion, Revill and Allister score high in both departments. In their final scene together, they are both vulnerable and hilarious at the same time. One small detail about this recording that bothers me slightly is that the overture has been rewritten. It is a nice medley, but I miss the original. I understand that Sullivan did not write it, but it is based on his tunes and I've always liked it. But don't let that stop you from getting this recording. I consider it to be the best Mikado on record.

ARTICULATE MIKADO.......2007-01-31

Articulate - both in diction and in musical interpretation - this re-release of the 1960's Sadlers Wells recording of Gilbert and Sullivan's MIKADO is quite delightful. The care and loving detail, which were the keystones of SWO's productions of G & S and operettas in the 1960s onstage, are preserved here in Alexander Faris's splendidly gutsy interpretation of the most popular of all the Savoy Operas; if his speeds are at times too leisurely, all can be forgiven just to hear the superb soloists; the expert diction of Denis Dowling as Pooh-Bah; the heroic tones of John Wakefield as the Wandering Minstrel; Marion Studholme singing the best "Sun Whose Rays" you will ever here on disc; Jean Allister as a correctly dominating Katisha, (hurray - a real contralto!), with a superb glissando in "Beauty and the Bellow"; the glorious Pat Kern as Pitti-Sing making so much more of the traditional soubrette; John Heddle Nash giving a singing and acting lesson with Pish-Tush's only solo; and the droll Clive Revill so completely at ease in the comic role of Ko-Ko, (though it is strange that his running out of breath at the end of his verse in the Act Two trio was not corrected!) I have to say that this recording of THE MIKADO puts all other D'Oyly Carte and Glyndeboune recordings in the shade, and the inclusion of highlights from Sadlers Wells IOLANTHE from 1962 is just an added bonus - the overture in this is simply stunning, and how good to hear Eric Shilling, Heather Begg, and Elizabeth Harwood obviously enjoying themselves so much singing Sullivan's most musical of scores.

Finally, a worthy recording of the Mikado!.......2004-03-03

It really does make a difference, when performing Gilbert and Sullivan, to use singers who can act rather than the other way round. Every soloist here utilizes a very forward, "in-the-mask" vocal placement, which not only reduces the need to force, but helps to render their diction crystal-clear. Sample Jean Allister's Katisha. No plummy, oratorio contralto tones for her. Here is all the waspish, incisive malevolence that is already there in the writing; she just reveals it by singing and pronouncing the texts in a light and unforced manner. This approach helps to restore the vim and vigor to an opera that can often seem tired and "played-out" to modern ears. If the recording has any weakness, it may possibly be found in the Yum-yum and Nanki-Poo. Marion Studholme is perhaps more shrill than is necessary, while John Wakefield seems to have wandered in from a performance of Dream of Gerontius. These are minor quibbles, however. The overall excellence of the performance quells any doubts, with Alexander Faris' conducting a model of transparent clarity. The Iolanthe excerpts are also well-done, but it's Mikado that is the jewel here. Don't hesitate; buy it today!