High Live [Live] [Original recording remastered]
High Live [Live] [Original recording remastered]
Editorial Reviews
Product Description
Recorded in Italy and Spain (May/June 96), Includes 15 Tracks and a 20 Page Color Booklet.
--This text refers to the
Audio CD
edition.
High Live,Helloween,Valley Media, Inc
Average customer rating:
- The City of Prague Philharmonic Orchestra needs a guitar player!
- Persuaders Theme!
- A Variety Of Classics!
- Incredible Barry Collection
- " one of cinema's greatest composers...John Barry"
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John Barry: The Collection
Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD
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ASIN: B00005BADD
Release Date: 2001-05-22 |
Tracks:
- Zulu
- From Russia With Love
- From Russia With Love - 007
- Goldfinger
- The Ipcress File
- The Knack
- Mister Moses
- Thunderball
- The Wrong Box
- Born Free
- The Quiller Memorandum
- You Only Live Twice
- The Girl With The Sun In Her Hair
- Deadfall
Tracks:
- The Lion In Winter
- On Her Majesty's Secret Service
- On Her Majesty's Secret Service
- Midnight Cowboy
- Midnight Cowboy
- The Appointment
- The Last Valley
- Walkabout
- Monte Walsh
- Diamonds Are Forever
- The Persuaders
- Mary Queen Of Scots
- The Man With The Golden Gun
- The Dove
Tracks:
- The Tamarind Seed
- King Kong
- Eleanor And Franklin
- Robin And Marian
- The Deep
- Hanover Street
- The Black Hole
- Moonraker
- Somewhere In Time
- Raise The Titanic
- Body Heat
- Frances
- Octopussy
- The Cotton Club
Tracks:
- High Road To China
- A View To A Kill
- Out Of Africa
- The Living Daylights
- Dances With Wolves
- Dances With Wolves
- Chaplin
- Moviola
- Indecent Proposal
- The Specialist
- The Scarlet Letter
- Cry The Beloved Country
- Mercury Rising
- The James Bond Theme
Customer Reviews:
The City of Prague Philharmonic Orchestra needs a guitar player!.......2006-11-09
Granted, they only need it for one composition (the last one, "The James Bond Theme") but still, without the guitar it's just not the same. Barry didn't compose this one so I suppose it was a bonus and I shouldn't complain, really. The rest of the music on all the CDs is fantastic. Some of the stuff I had heard before without realizing who had composed it. Very enjoyable, to say the least.
Persuaders Theme!.......2006-03-02
Buy it for the Persuaders theme, probably the best TV theme song ever written.
A Variety Of Classics!.......2005-12-06
John Barry has been composing film scores for over forty years and this is only scratching the surface of his productions. Never mind that the entire set is recorded by the Prague Philharmonic; it's pure to Barry's themes. While John Williams compositions ("Star Wars", etc.) are wild and flamboyant and Jerry Goldsmith's (Hoosier's, etc.) are mood pieces, John Barry crosses over all barriers and is amazingly diverse. Barry has recorded most of the exciting James Bond themes, melodramatic classics like "The Lion In Winter' and moody theme hits like "Midnight Cowboy". He also tugs at the heartstrings with compositions from, "Somewhere In Time", "Frances" and "Out Of Africa". He varies his themes for all types of films and few composers capture it so well.
There is over four hours of music in this set with a colorful and informative booklet.
Incredible Barry Collection.......2004-03-11
Any fan of movies will absolutley love this collection. Being a movie buff I couldn't wait to get this boxed set. Knowing Barry from all the James Bond movies, I did not realize his involvement with so many others. The orchestra is magnificent in all these themes. I'm listening to "High Road to China" right now and I'm drifting in the clouds in a Tiger Moth with Tom Selleck and Bess Armstrong. If you are familiar with a movie it will definitely have you seeing it again, if not the scores are still beautiful. Any fan of classical music will be pleased as well. Travellers will defintitely enjoy it for a long drive. I know from when I use to travel that music like this made the miles float by faster. I highly recommend these four CDs even if you just know a handful of the songs.
" one of cinema's greatest composers...John Barry".......2001-07-06
This collection of four compact discs...are worth their weight in GOLD! Barry creates visual moods for each film he scores...romantic, sentimental, action, adventure, suspense and mystery...the list could go on. Strings, brass and lush-velvet arrangements overlay each cue in his distinctive style of legendary scoring...we have ~ "John Barry:The Collection", Silva Screen's release traces 40 years of film music, featuring "The City Of Prague Philarmonic Orchestra" ~ conducted by Mr. Nic Raine (outstanding)..."Crouch End Festival Chorus" ~ David Temple, Choir Master...perform 56 selections, over four hours of symphonic suites with a full orchestra sound...all individually wrapped-up into one neat package...just the way "film-score-buffs" like 'em!
Must ask the following to take a bow ~ James Fitzpatrick (compilation producer), always in their pitching, Reynold da Silva (executive producer), Nic Raine (conductor, arranger, orchestrator & associate producer), a tremen!dous asset to every project he undertakes...and the man who made it all possible...a legendary icon always leading the way in film scoring ~ JOHN BARRY!
Total Time: 258:76 on 56 Tracks ~ SSD-1128 ~ (2001)
You might try other albums from Silva Screen, all worthy of a good listen ~ "The Essential James Bond" (SSD-1034)..."Bond:Back In Action" (SSD-1100)..."Bond:Back In Action 2" (SSD-1119)..."Zulu" (SSD-1095)..."Raise The Titanic" (SSD-1102)..."Walkabout" (SSD-1120)...check out my reviews on amazon.com/music.
Average customer rating:
- Weep for a lost dreamworld!
- Yet another re-issue of the same music
- IDENTICAL to earlier release
- When they were good, they were very good.
- Change track order to real performance order and bring back stage banter!
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High Flying Bird: Live at the Monterey Festival
Jefferson Airplane
Manufacturer: Music Avenue Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B000JJ3QW6
Release Date: 2007-01-09 |
Tracks:
- Somebody To Love
- Other Side Of This Life
- White Rabbit
- High Flying Bird
- Today
- She Has Funny Cars
- Young Girl Sunday Blues
- The Ballad Of You And Me And Pooneil
Album Description
Jefferson Airplane created the sounds of a generation. Their smash hits "Somebody to Love" and "White Rabbit" provided the soundtrack to the Summer of Love, virtually inventing the era's signature pulsating psychedelic music and personifying the decade's radical counterculture.
Customer Reviews:
Weep for a lost dreamworld!.......2007-04-20
Let's face it - we are never going to hear a sonically perfect version of this legendary recording. But this latest package is the best I have heard and is certainly clearer in sound than the Thunderbolt release (welcome as that was) from the early 90's. The concert is pitched between the Airplane's two most innovative albums 'Pillow' and 'Baxters' and features a band that was youthful, hungry and at a creative peak. 'Today' with its one off harpsichord-like arrangement, is especially haunting. RCA are continually releasing a seemingly endless series of recordings from the Fillmore East. These have merits of their own but to my ears at least, Jefferson Airplane were never as other worldly as they were at Monterey. Buy this album - and weep for a lost dreamworld!
Yet another re-issue of the same music.......2007-03-14
This music has been released several times under many different titles. It is about 36 minutes long and the sound quality fair to poor. It is better than most of the other performances by other groups released from the Monetery Pop Festival. It was recorded for a TV show and was never meant to be a high fidelity recording.
This set is also on the Monterey Pop Festival boxset.
The peformance is fairly good, but not the best of live Jefferson Airplane. With the mediocre sound quality, I would suggest getting many of the other live albums (except Miracle Live) before getting this one.
IDENTICAL to earlier release.......2007-01-29
Despite a reviewer's claim that this release has superior sound quality to the 1995 U.K. label Magnum release, to my ears they're identical. If you have the earlier release, you gain nothing by buying this. Great music, but don't buy this if you have the earlier release.
When they were good, they were very good........2007-01-29
Out of the dozens of shows I saw in the 60's and 70's, Jefferson Airplane was one of the best. Unfortuantely they were also one of the worst. This Monterey Festival set sounds like one of the best. Very nice sound quality. And although the order of songs is screwed up, I am really glad they left in some of the mistakes like eq'ing the microphones with rumbles and all. A couple of times the band appeared to be lost but Jack Cassady just kept going strong until the others caught up. "Ballad of You and Me and Pooneil" gives us a glimpse of where the band was heading. History has proved this a very important performance for the bands that were there-same for the Airplane. The four page booklet gives a general history of the band by Alfie Falckenbach (Records Collector) and a much shorter history of the Festival itself. Both are helpful.
Change track order to real performance order and bring back stage banter!.......2007-01-21
Audio quality is very good, however track orders are switched for this edition which causes some confusion when listening. For example the electric piano in "Today" can be heard before some tracks as Grace is preparing to play it, but then "White Rabbit" starts playing. If the tracks were left in the order they were played, this would be a stronger release. There are no fades either, which sounds quite choppy at times. I also dislike how they edited down the introduction group where Grace laughs, chosing to barrel into "Somebody to Love" instead. Until then, most of the material can be found on the Monterey International Pop Festival Boxed Set. Still, "The Ballad of You, and Me, and Pooneil" stands out as whats to come with After Bathing at Baxters later in the year.
Average customer rating:
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Handel: The Masterworks (Box Set)
Manufacturer: Brilliant Classics
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ASIN: B00062FLI8
Release Date: 2004-11-30 |
Average customer rating:
- HIGH WIRE LIVE
- Sneakin' Up on Everybody
- Superb
- Porter live, in top notch form!
- A Brand New Fan Who Is Blown Away By Willy!
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High Wire Live
Willy Porter
Manufacturer: Six Degrees
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000C505I
Release Date: 2003-09-09 |
Tracks:
- Tribe
- Angry Words
- Unconditional
- Breathe
- Dishwater Blonde
- Jesus on the Grille
- Paper Airplane
- You Stay Here
- Mystery
- Road Bone
Album Description
With High Wire Live, his first live album, listeners who have never experienced Willy Porter on stage can hear his quietly spellbinding majesty and improvisation in his natural milieu, performing his most requested songs and featuring the blinding 6 & 12-string guitar playing that has placed him in the vanguard of the new acoustic frontier.
"A genre-defying maverick." -Frets
Customer Reviews:
HIGH WIRE LIVE.......2007-01-11
WILLIE PORTER AT HIS BEST, IN FRONT OF A LIVE AUDIENCE. A SUPERB GUITAR PLAYER AND SINGER.
Sneakin' Up on Everybody.......2006-01-18
I had gone to the theater to hear Eric Johnson. But first, there was some guy on stage named Willy Porter. "Never heard of him," I thought. And then I heard him perform "Breathe."
Now I own Mr. Porter's complete catalog. And, in a couple of weeks, I'll be privileged to hear him again.
A year ago Willy snuck up on me. Now he's sneakin' up on everybody.
Superb.......2005-07-30
This is simply a superb CD. Willy has it all, great voice, great talent on the guitar, great sound and mastery of the technology to achive great sound. Great tune writing. Great feeling. I saw him play last fall on the joint tour he did with Martin Barre. The two of them joined forces to support each others solo album efforts- AND they were supported by Doanne Perry, Andy Giddings and Johnathan Nooyce of Jethro Tull. I saw the show in a cosy comfortable small venue here in Madison Wi. I was floored. The musicianship and chemistry that eminated from that stage was huge. This CD only has one cut that has any other players "You Stay Here" in which Martin Barre compliments Willy with own huge talent. I love this Cd so much I have played it for all my friends and every one of them loved it regardless of their musical tastes. It trancends it all. Just superb. Now all I wish for is for a live CD to be released of the 2004 Willy Porter / Martin Barre tour. That would be a great follow up to this most excellent CD. Just buy it.
Porter live, in top notch form! .......2005-03-18
Recorded in England and America between December 2001 and June 2003, every track on "High Wire Live" is an intimate selection between man, guitar, and audience. Willy Porter carries on a tradition that reminds one of the late Dave "Snaker" Ray in a contemporary rock format. His rhythm guitar uses accelerating minor chords and string-slapping punctuation while he sings the observant melodies. Influences of Indian ragas can be heard selectively in his rhythm work, carrying on E-string drones between chorus breaks. Guitarist Martin Barre of Jethro Tull fame guests in as the only other musician on the record, providing an interesting counterpoint response on both acoustic and electric guitars. Porter is finally gaining some much-deserved respect as a solo musician, carrying his audiences with his unique blend of classical, jazz and rock influences. Please visit his website at www.willyporter.com. All content copyright www.maximumink.com.
A Brand New Fan Who Is Blown Away By Willy!.......2005-01-22
Well, I just saw Willy Porter open for Eric Johnson last night in Anaheim. I saw a guy get up onstage with an acoustic guitar, and since I didn't want to lose my spot near the stage, I figured I'd stay and watch. I don't usually watch the opening act. All I can say is THANK GOD I STAYED!! Willy Porter blew us all away with some of the most Phenominal Musicianship anyone there had ever seen. It's like the guy is Genetically Programmed to do what he does. Music just comes pouring out of the guy. And, he just may be the greatest acoustic guitar player you have ever seen. On top of that, he's very funny and a nice guy, too. I have no idea how I would catagorize his music, except to say that it is of Extremely High Caliber, and Extremely Inventive. I've run out of words, and I only just heard of Willy Porter yesterday. I haven't bought the CDs yet, but I'm going to when I finish writing this. I suggest you do the same, because Willy Porter is Phenominal.
Average customer rating:
- Age breeds a shining moment
- Nice but dismissable.
- Disappointing by Quartet West standards
- If you breathe and have ears, buy this record!
- A Night and a Lonely Town
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The Art of the Song
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B00000JNMR
Release Date: 1999-07-27 |
Tracks:
- Lonely Town
- Why Did I Choose You
- Moment Musical Opus 16 No.3 In B Minor
- In Love In Vain
- Ruth's Waltz
- Scenes From A Silver Screen
- I'm Gonna Laugh you Right Out Of My Life
- You My Love
- Prelude En La Mineur
- The Folks Who Live On The Hill
- Easy On The Heart
- Theme For Charlie
- Wayfaring Stranger
Amazon.com
Bassist Charlie Haden was an integral part of Ornette Coleman's pioneering avant-garde groups in the '50s and '60s and led his own equally forward-thinking Liberation Music Orchestra. His ensemble Quartet West, with tenor saxophonist Ernie Watts, drummer Larance Marable, and pianist Alan Broadbent, revealed a sentimental side of his musical personality that surprised many. This recording, with string arrangements by Broadbent, sounds like a soundtrack to a Raymond Chandler film as Haden's sturdy bass tones make him a worthy supporting actor. But although Shirley Horn's ethereal voice sparkles on "Lonely Town," "In Love in Vain," and "I'm Gonna Laugh You Right Out of My Life," and crooner Bill Henderson's towering pipes are radiant on "Why Did I Choose You," "Ruth's Waltz," "You My Love," and "Easy on the Heart," all of the material is in pretty much the same ballad tempo, which, compounded by the time length of the CD, robs it of the romantic resonance it could truly shine on the listener. --Eugene Holley Jr.
Customer Reviews:
Age breeds a shining moment.......2003-11-20
The criticisms miss the point. This is an effort that does a rare thing - it brings together men and women who can put the experience of life to judicious use in their art. Unlike listening to the deterioration other performers have faced, in later years, at the hands of studio production teams that no longer know what to do with them, Charlie Haden has found a way to create a beautiful volume of space in which to let the years of these venerated performers shine through. It is in this space you shall hear the notes of lives lived and savored.
Nice but dismissable........2001-08-09
Haden's pleasant miscellany of neglected but deserving ballads is indeed a mixed bag, but somehow his focus, purpose, and method elude this listener. Neophyte writers are frequently enjoined to compose with a sharp, definitive, unified "thesis." Haden could have used a bit of coaching along these lines before producing this collection. Even drawing upon a common composer (as opposed to ranging from Kern to Rachmaninoff to public domain) might have provided the needed coherence to the project.
In any case, it's always a welcome experience to hear Shirley Horn; the revival of a touching ballad like "In Love in Vain" merits our appreciation; and though I was never a big fan of Bill Henderson (an acquired taste), he deserves to be recorded based on the evidence of this recording.
In sum, this album is more than anything else a "sampler" and should have been priced accordingly.
Disappointing by Quartet West standards.......2001-05-09
The outstanding Quartet West album is 'Always Say Goodbye'. On that CD, Broadbent demonstrates his skills at orchestral arrangement, and Haden deftly selects great oldies to intermingle with some of his own superb compositions. Haden also takes some historic performances -- such as Jo Stafford on vocals -- to bring a resonance to the new covers. The experiment was very successful.
You can see the logic behind this subsequent album: instead of using dusty old recordings, why don't we use today's state-of-the-art production to capture the voices of several current artists? And why don't we let Alan orchestrate the whole album?
The trouble is that the orchestration, beautiful though it is throughout, constrains the band terribly. And the vocals swamp the album. (Actually the Jo Stafford track on 'Always Say Goodbye' is one of the weakest on the album.) They say that the saxophone is the instrument closest to the human voice, and it is Ernie Watts who suffers most on this album, The sax is simply crowded out by all the singing. It is only on the stand-out track, 'Prelude en la mineur', an instrumental re-working of a Ravel piece, that Watts finally gets a chance to let rip.
Shirley Horn's vocals are fine, particularly on 'Lonely Town'. But I simply cannot listen to any of the tracks containing Bill Henderson's voice, and sadly, there are four of them.
The most touching song is the last one, where Haden himself bravely takes the vocal lead. It's a song his mother used to sing on the radio, back in the early 1940s, when the entire Haden family would appear on KWTO Springfield. It is a farewell to the dead, and also a reassurance that one day they will meet again.
If you want a quick survey of this CD, check out tracks #1, #9 and #13. It's a long way from the days of Haden's playing with Ornette Coleman and the Liberation Orchestra, and it's very mellow.
If you breathe and have ears, buy this record!.......2001-04-15
I first heard of Charlie Haden on Dublin's best radio music show - The Mystery Train presented by John Kelly on RTE Radio 1. I bought this CD and it has never been off my current play list. This is beautiful music that touches the heart. Listen to Wayfaring Stranger, Lonely Town, I'm Gonna Laugh You Right Out Of My Life, or Ruth's Walz after a tough day at the office or jammed in traffic and you will be back in touch with the good things in life. As someone who has evolved though Thin Lizzy, The Eagles, Eric Clapton, Queen, U2, Ella Fitzgerald, Louis Armstrong, BB King, Grant Green etc, Charlie Haden is proof of my graduation. After since buying other and even better Haden CD's, I am looking forward to seeing him in concert with Quartet West here in Dublin on April 29. BUY IT NOW!
A Night and a Lonely Town.......2000-05-24
Despite its problems, I think this album still deserves a five-star rating. Seemingly inspired by the music of moody classic cinema, a listener might well envision a seedy nightclub in a fog-swept black & white San Francisco of the 1940s or a tearful Ingrid Bergman about to board a twin-propellor leaving Rick and Casablanca behind her forever.
Regardless of which side of the Atlantic you envision on your moody musical journey, this is definitely a lounging type of music, perfect for lazy Sunday afternoons, after-theatre drives around town on warm summer evenings, warm candle-lit baths, or romantic dinners for two. The beautifully romantic ballads range from the longing "Lonely Town" to the mostly-resolute "I'm Going to Laugh You Right Out of My Life" to the quietly complacent "The Folks Who Live on the Hill." Interspersed with these great standards, however, are wonderful instrumental pieces which frame the remaining vocals with stunningly dramatic moods.
The only flaw is the rather unappealing voice of Bill Henderson, who seems to be suffering from a weak set of lungs, if not from lack of enthusiasm. Henderson seems to strive for the vocal capabilities of Shirley Horn, who sings on 1, 4, 7 and 10, but is incapable of achieving those same dramatic pitches of his fellow artist. Nevertheless, he does an adequate job on "Ruth's Waltz" and "Easy on the Heart" even if "Why Did I Choose You" is downright painful to listen to. Haden, who sings on 13, seems similarly incapable of reaching Horn's heights, but "Wayfaring Stranger," the traditional song he chose to render, is capable of carrying itself with the slow somber tone it evokes in the listener.
Regardless of its faults, this remains a beautiful album. I definitely recommend it to anyone who loves the kind of sit-at-home music it captures so very well in its beautifully jazzy tunes that are, at the very least, easy on the ears.
Average customer rating:
- Musical Wit in an Orchestral Setting
- A Cabaret Singer Grows Up
- This cd is about average, it could have been better
- Fabulously Fantastic!
- Michael has done it again
|
Michael Feinstein with the Israel Philharmonic Orchestra
Michael Feinstein , and Israel Philharmonic Orchestra
Manufacturer: Concord Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Romance on Film/Romance on Broadway
- Isn't It Romantic
- Michael & George (Feinstein Sings Gershwin)
- Hopeless Romantics
- Pure Gershwin
ASIN: B00005Q6LL
Release Date: 2002-05-07 |
Tracks:
- The Folks Who Live On The Hill
- The Best Is Yet To Come
- Guess I'll Hang My Tears Out to Dry
- By Myself
- Spring Will Be A Little Late This Year
- Stormy Weather
- Laura
- On A Clear Day (You Can See Forever)
- Love Is Here To Stay
- How Deep is The Ocean?
- Somewhere
- I Won't Send Roses
Amazon.com
If there's a precious tone to Michael Feinstein's interpretations of the American songbook, it probably stems from a fervent dedication to preserving the original context of his material. This is, after all, a musician who spent many of his formative years in personal service to the late Ira Gershwin. This collection further underscores that commitment, with the lush sound of the Israel Philharmonic Orchestra (augmented by the piano trio of Alan Broadbent, who also provides all but one of the arrangements here) adding considerable dramatic resonance to Feinstein's performances.
While singers from Sinatra and Streisand to Fitzgerald and Bennett have imbued many of these songs with considerable dollops of jazz, blues, and their own strong personas, Feinstein mines melancholy jewels like "Spring Will Be a Little Late This Year," "How Deep Is the Ocean," and "By Myself" for all their introspective emotion. "Somewhere" pays tribute to Bernstein with glorious, unabashed melodrama, while "Laura" (one of the most recorded songs of all time) gets recast in something approaching its original intent via an arrangement written for this recording by composer David Raksin. Feinstein himself penned the album's notes, paying careful tribute to each composer represented and noting that all were Jews, yet their music came to represent a richly American spectrum that included black and white and encompassed jazz, the theater, and even classics in its scope. There's a lesson herein, and one that spans more than mere history and musical archaeology. --Jerry McCulley
Customer Reviews:
Musical Wit in an Orchestral Setting.......2004-01-04
The one problem a record collector encounters when he has an album too many of one artist, is the tendency of the artist to sing the same songs in succeeding albums/settings. Feinstein, who I consider as the leading proponent in reviving the American Popular Song standards to its unfettered glory is backed by a philharmonic orchestra in this album with the musical direction of conductor Alan Broadbent. And yes, he sang some songs that were sung in sparse and acoustic settings in his previous albums. As usual, just like any cabaret singer who never really sings the same song twice (listen to the grand old dames of cabaret like Julie Wilson and Mabel Mercer), Feinstein delights in the varied ways he can see a song in different contexts. Having said that, I thought he was a bit overly cautious in exploring his rich bari-tenor (sorry for this oxymoron but that is the word to apply to his voice) in soaring the vocal lines of Kern's The Folks Who Live on the Hill. Other than that, he was at his wittiest and conversational (not to mention just plain beautiful) voice when singing I Won't Send Roses and he can revisit the Bernstein/Sondheim Somewhere without evoking the famous version of uber diva Barbra Streisand. If you like good crooning vocals in a grand and orchestral setting, this is the album to listen or give as a gift -- you/they won't regret it.
A Cabaret Singer Grows Up.......2003-03-14
"Extraordinary how potent cheap music is." -Noel Coward
Like Coward, Mr. Feinstein seems to understand the power of popular, romantic song when flung into the void of an apparently cold universe by an all too human, understated voice...I first heard Michael Feinstein sing and play the piano umpteen years ago in the mad, bad '80s. At that time, I found his choice of material from the great 20th Century American composers refreshing & interesting, his skills as a pianist were good, and his diction to be above average. Yet his voice at that time was a bit weak--there was too much bravura nonsense, too much vibrato and he may have been too young for some of the songs that he sang at the time.
Well, we've both matured, (I hope), and Mr. Feinstein has delivered a remarkably smooth, yet heartfelt performance on this album. I'm particularly impressed by his vocal smoothness and emotional restraint, especially on "Love is Here to Stay", "How Deep Is the Ocean", "Spring Will Be A Little Late This Year" & "I Won't Send Roses". Mr. Feinstein appears to really understand the depth of feeling that these words and music evoke in him and us. The vibrato is there when needed, but the ripeness of a mature singer is beginning to be heard on his recordings and the Israeli Philharmonic simply gives his singing wings. The only song that doesn't seem to fit is "Stormy Weather"--I kept hearing Lena Horne in my mind's ear, rather than a polished cabaret singer. I hope that Feinstein continues to grow in vocal power and subtlety as he does here. A lovely album for sophisticated romantics.
This cd is about average, it could have been better.......2002-08-18
First I would like to say i'm a Michael fan. I own all his catalog. Even though i'm a fan there are some things about this cd that I find in bad taste. Please let me explain!
I know it is hard to always be creative. There are just so many ideas to go around and then you have to start duplicating others. This is known as copying what others have done.
For this cd I felt like some of the arrangements were too long. For example, Laura as it was performed hear is a six minute song. It really should have been done in two minutes. I'm an engineer and I edited this version of Laura to run two minutes and it is just perfect. Sometimes less is really more. Also, I felt that some of the other songs didn't really have top notch arrangements attached to them. If the arrangements would have been better I whould have had no choice but to bring out the 5 star rating for this project.
To talk a little bit about the voice of Michael is my pleasure. His voice seems to be getting better with age. I have always liked Michael's voice and will continue to do so.
I will give this cd a favorable recommendation!
Fabulously Fantastic!.......2002-07-21
Feinstein has outdone himself with this collection!! He is in fine fettle with songs that only He can do justice! His interpretations and stylings are beyond compare and trust you will not be disappointed with this recording!! Feinstein is simply fabulously fantastic!
Michael has done it again.......2002-07-12
S'Wonderful, S'Marvelous.
If there is one thing you can say about Michael Feinstein it's that he knows how to put over a song. His new cd is absolutely magnificent, these are the only words to describe it.
Somewhere, By Myself, Stormy Weather and the rest of the songs are beyond compare. Do yourself a big, big favour and don't miss out on this cd; you'll love it.
Average customer rating:
- kiri kern
- Kiri sing Kern is a great experience
- Lacks Splendor
- White Glove Kern
- mildly disappointing
|
Kiri Sings Kern: Dame Kiri TeKanawa
Dame Kiri TeKanawa , Jerome Kern , Jonathan Tunick , and London Sinfonietta
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
Chamber Music
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Similar Items:
- Kiri Sings Gershwin
- Kiri Sings Porter; Dame Kiri TeKanawa
- Kiri Sings Berlin
- Kiri Te Kanawa - Greatest Hits ~ 14 Favorites of Opera, Popular & Traditional Song
- Kiri! Her Greatest Hits Live
ASIN: B000002SK3
Release Date: 1993-03-16 |
Tracks:
- The Songs Of Jerome Kern: The Folks Who Live on the Hill
- The Songs Of Jerome Kern: I'm Old Fashioned
- The Songs Of Jerome Kern: The Way You Look Tonight
- The Songs Of Jerome Kern: The Song Is You
- The Songs Of Jerome Kern: Smoke Gets In Your Eyes
- The Songs Of Jerome Kern: All Through The Day
- The Songs Of Jerome Kern: The Last Time I Saw Paris
- The Songs Of Jerome Kern: A Fine Romance
- The Songs Of Jerome Kern: Yesterdays
- The Songs Of Jerome Kern: All The Things You Are
- The Songs Of Jerome Kern: Bill
- The Songs Of Jerome Kern: Long Ago And Far Away
- The Songs Of Jerome Kern: Look For The Silver Lining
- The Songs Of Jerome Kern: Can't Help Lovin' Dat Man
Amazon.com
As Hammerstein writes in the opening song, "Many dames with lofty aims strive for lofty goals"--and Te Kanawa strives for successful crossover. Her beautiful singing exhibits impeccable diction and excellent phrasing; but "A Fine Romance" lacks anger and humor, "Smoke Gets in Your Eyes" lacks a storyteller, and "All the Things You Are" lacks romanticism. However, happy songs like "All Through the Day," "Look for the Silver Lining," and "The Folks Who Live on the Hill," are successfully interpreted. Jonathan Tunick's orchestrations enhance Kern's beauty through his captivating use of obbligato instruments. A pleasant, if not wholly satisfactory, listening experience. --Barbara Eisner Bayer
Customer Reviews:
kiri kern.......2007-03-29
Kiri is sensational on this CD. Jerome Kern music is stupendous and the arrangements superb. Three top esses.
Kiri sing Kern is a great experience.......2004-01-18
I love the way she sings Kern's songs. Though certainly not opera, Kern's songs benefit from an an operatic approach--not all of them, but certainly ones such Smoke gets in your Eyes, The song is you, All the things you are. I love Kern;s songs sung in many styles but Kiri's way is one of the best.
On the other hand, I did not like Kiri singing Berlin.
Lacks Splendor.......2002-09-01
Though I do enjoy Kiri's interpretation of most music, and this CD was decent, I did not find any piece particularly memorable.
The voice is undeniably beautiful, and Kiri has managed to keep her maturing voice sounding somewhat young, yet I find that I much prefer her rendition of "The Laughing Song" to that of "Smoke Gets in YOur Eyes."
If you love Kern, and couldn't care less who performs it, than purchase this CD. If you are a fan of Kiris', then perhaps it would be best to avoid this purchase...for it is not a shining star in her vast collection of CDs. All in all, it was a disappointment.
White Glove Kern.......2001-05-20
I am the first to admit that most "crossover" albums, be they of classical performers singing pop or vice versa never quite cross over. This album does splendidly. Kern's music is the most related to classical operetta , and therefore the least jazziest. Operatic soprano Kiri Te Kanawa gives luscious, heartfelt readings of these wonderful songs, backed by glamorous orchestrations. Hearing a voice of such opulence and beauty in this music is a rare treat. Just listen to "Smoke Gets In Your Eyes" ,"Long Ago and Far Away" or "The Song is You" and prepare to be swept away to another, more elegant time.
mildly disappointing.......2000-09-30
Sometimes cross-over works, sometimes not. While Kiri te Kanawa has a beautiful voice, she never gets into the idiom of these Jerome Kern masterpieces sufficiently to convey their stories or their subtleties. Smoke Gets in Your Eyes especially stands out, she sings it with none of the pathos the song demands and her version pales compared to the Platters. The orchestral arrangements are decent and in many of the songs the purity of her voice is enough to carry them, but overall I would say this is a disappointing example of a crossover record. Ms. te Kanawa should stick to what she does best.
Average customer rating:
|
Don't Misunderstand: Live in New York
Etta Jones
Manufacturer: High Note
ProductGroup: Music
Binding: Audio CD
General
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ASIN: B000SQJ2QY
Release Date: 2007-07-31 |
Tracks:
- Blue Monk
- Don't Misunderstand
- Exactly Like You
- Ain't Misbehavin'
- I Saw Stars
- I'm Glad There Is You
- Bluesology
- Are You Real
Product Description
In 1968, at a Washington, D.C. gig, Etta Jones teamed up with tenor saxophonist, Houston Person and his trio and decided to form a partnership that lasted over 30 years. Together they set a new gold standard by which all subsequent instrumental/vocal duos were judged. Etta received a Grammy nomination in 1980 and again in 2001 for "Etta Jones Sings Lady Day." Etta left us that year but through her HighNote legacy, her voice, talent and joie de vivre live on. This notable live recording finds her together with Houston and his organ trio in concert at NY's one-time jazz Mecca, Salt Peanuts. It contains a cache of previously unavailable treasures: vocals of course, but there is a liberal sprinkling of instrumentals by Houston and the organ trio as well. No one in the legion of Houston & Etta fans will want to miss this fine disc.
Average customer rating:
- A great idea, but incomplete
- Excellent. The best of this style.
|
Bond and Beyond
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
Elfman, Danny
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- Beautiful Hollywood
- Classics of the Silver Screen
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ASIN: B000003CX1
Release Date: 2002-10-22 |
Tracks:
- Theme From Goldfinger
- James Bond Theme
- From Russia With Love
- Main Theme From Dick Tracy
- Crime Spree From Dick Tracy
- Main Theme From The Untouchables
- Al Capone From The Untouchables
- It's A Long Road From Rambo (First Blood Part Two)
- Medley Of TV Adventure Themes: Dragnet/Peter Gunn/Perry Mason/The F.B.I./Hillstreet Blues/Mission Impossible/The Man From U.N.C.L.E./L.A. Law/Miami Vice/Hawaii Five-O
- To Live And Let Die
- For Your Eyes Only
- Axel F From Beverly Hills Cop
- Theme From Leathal Weapon
- Woe, The Darkman, Woe! From Darkman
- Nobody Does It Better
- Theme From Shaft
- All Time High From Octopussy
Customer Reviews:
A great idea, but incomplete.......2000-10-26
Erich Kunzel plays the Bond themes? What a great idea! In addition, there are a few more selections in the same vein, like the cops-n-robbers TV medley, music from The Untouchables, Lethal Weapon, Beverly Hills Cop, etc.
Sometimes, you want to listen to the 007 music in instrumental only, and Kunzel and the Cincinatti Pops do a good job with the arrangements. But where are the rest of the songs? Missing are three of my all-time favorites, You Only Live Twice, Diamonds Are Forever, and Moonraker. I think the album would be better with 'more Bond, less other.' We certainly don't need TWO selections from Dick Tracy. And the theme from Darkman is stylistically quite similar to Dick Tracy; nothing is gained by playing both. Don't get me wrong; I like Danny Elfman (check out his "Beetlejuice" theme on Kunzel's 'Great Fantasy Adventure Album'). I just wanted to hear all my fave Bond pieces on the one CD.
Still, it's a keeper.
Excellent. The best of this style........1999-02-15
All I can say is listen to the Trumpet solo on goldfinger. The best
Average customer rating:
- stunning studio album in creamy stereo
- STELLAR STAR!
- There IS a more complete recording. . .
- Great Fun
- A fun, if abbreviated, recording
|
Weill: Lady in the Dark / Risë Stevens, Adolph Green, Lehman Engel, Danny Kaye
Kurt Weill , Maurice de Abravanel , Risë Stevens , Adolph Green , Danny Kaye , Lehman Engel , Michael Kellman , Dennis D. Rooney , and John Reardon
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
All Works by Weill
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Similar Items:
- Lost In The Stars (1949 Original Broadway Cast)
- Knickerbocker Holiday
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- Lady in the Dark/Down in the Valley
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ASIN: B0000029VA
Release Date: 1997-06-03 |
Tracks:
- Lady In The Dark: Glamour Dream: Oh, Fabulous One
- Lady In The Dark: Huxley (Liza, Beekman)
- Lady In The Dark: One Life To Live (Liza)
- Lady In The Dark: Girl Of The Moment (Liza)
- Lady In The Dark: Wedding Dream: Liza, Liza
- Lady In The Dark: Mapleton High Chorale
- Lady In The Dark: This Is New (Randy, Liza)
- Lady In The Dark: The Princess Of Pure Delight (Liza, Randy)
- Lady In The Dark: Circus Dream: The Greatest Show On Earth (Ringmaster, Randy)
- Lady In The Dark: The Best Years Of His Life (Ringmaster, Randy, Liza)
- Lady In The Dark: Tschaikowsky (Ringmaster)
- Lady In The Dark: The Saga Of Jenny (Liza)
- Lady In The Dark: Childhood Dream: My Ship (Liza)
- Lady In The Dark: One Life To Live
- Lady In The Dark: The Princess Of Pure Delight
- Lady In The Dark: It's Never Too Late To Mendelssohn
- Lady In The Dark: Tschaikowsky And Other Russians
- Lady In The Dark: Jenny
- Lady In The Dark: My Ship
Customer Reviews:
stunning studio album in creamy stereo.......2004-08-05
This studio album of Weill and Gershwin's LADY IN THE DARK features the lovely Rise Stevens making the role of Liza Elliott her own, with Adolph Green in the role that made Danny Kaye a star in the original production.
This sumptuous reissue on the Columbia 'Masterworks Heritage' label presents the recording in creamy stereo, with the orchestra under the baton of Lehman Engel. Rise Stevens is perhaps the best singer to have played Liza on any recording of LADY IN THE DARK. The trained opera singer lets her hair down for the manic "Saga of Jenny", and yields glowing versions of "My Ship" and "One Life to Live". Also featured among the cast are John Reardon and Stephanie Augustine.
My only qualm about the release is the horrid packaging. The disc is enclosed in a cardboard sleeve at the back of a booklet-style slipcase, leaving the CD vulnerable to scratches and dust (I remedied the problem by putting the CD in a separate plastic jewel case and filing it on the shelf next to the empty booklet case). However this should not deter collectors and musical theatre fans from seeking out this lovely recording.
STELLAR STAR!.......2003-01-03
MISS STEVENS shinesas Liza Eliot in this perfect recording of "Lady in the Dark". [For the first time - with repect to the other artists - the lyrics are pristine!] THE recording? IF you own a 'surround system' - this one IS flawless - just a perfect balance of voice and instrument. [A great restoration job - if only they could do the same to the Lawrence version....]
FOR the collector - get all three recordings currently available - the 1997 London version is the most complete, the Gertrude Lawrence? It's more of a Star Vehicle for Miss Lawrence - lots of dialogue - with really only the two "Liza' numbers - "Saga of Jenmny" and "My Ship" intact - but also well worth the journey.
AS A BONUS - Miss Stevens recording contains the Danny Kaye contribution missing from the Gertrude Lawrence recording - plus his versions of "My Ship" and "The Saga of Jenny".
There IS a more complete recording. . ........2000-12-06
This recording is terrific, but for a more complete recording with much better quality, look for the Original Cast Recording from the Royal National Theatre Production. It's got all the bridging music which is phenomenal.
Great Fun.......1999-04-15
Until the definitive full version of the score comes out--with all the bridging material and orchestral interludes--this is probably the most complete of one of the greatest and most charming classic Broadway scores (and probably Ira Gershwin's masterpiece). Rise Stevens was born to play the part, and though at times she gets a bit excessive (especially in the dialogue) her voice is beautiful and confident (a high point is her counterpointing the chorus during "The Best Years of His Life"), and iat times really soars, as in "This is new." Adolph Green is hilarious--it's a great tragedy he never got to play this role on Broadway.
A fun, if abbreviated, recording.......1999-04-02
A nifty performance of one of Broadway's classic scores. The biggest problem is that just about everything is slightly abridged (mostly verses, connecting material, dialogue underscoring and choral repeats--although if I'm reading the vocal score right, most of this would still be interesting to listen to); still, a reasonably good taste of the whole thing. The liner notes also don't really give a story synopsis, so if you aren't familiar with the plot, seek out a summary so you aren't completely confused by what is going on. Rise Stevens' acting is pretty mannered, and she goes over the top vocally every now and then; she seems to be shouting, not singing at the end of "Jenny." Adolph Green is hysterically funny and acquits himself supremely well in "Tchaikovsky." How you'll enjoy the appendix of Danny Kaye's recordings depends on how much you like Danny Kaye--enough said.
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