Still Believe [EP] [Import]

Still Believe [EP] [Import]

Track Listings

1. Still I Believe

2. I Fight [Different Version]

3. Through the Fire [Different Version]

4. Tell Me I'm Wrong [Different Version]

5. Eyes of Love [Different Version]

6. Close Your Eyes

Editorial Reviews
Product Description
Japanese exclusive release from melodious hard rock act. 6 tracks 'Still I Believe', 'I Fight' (Different Version), 'Through The Fire' (Different Version), 'Tell Me I'm Wrong' (Different Version), 'Eyes Of Love' (Different Version) and 'Close Your Eyes'. 2000 release. Standard jewel case.

Tracks:

Give My Regards To Broadway- Joel Grey
Swanee- Al Jolson
When The Moon Shines On The Moonshine- Bert Williams
A Pretty Girl Is Like A Melody- John Steel
My Man- Fanny Brice
Fascinating Rhythm- Fred Astaire, Adele Astaire
If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
Someone To Watch Over Me- Gertrude Lawrence
Bill- 78 rpm Version Helen Morgan
Ol' Man River- Paul Robeson
Ain't Misbehavin'- Louis Armstrong & His Orchestra
Ten Cents A Dance- Ruth Etting
Body And Soul- Libby Holman
Brother, Can You Spare A Dime- Bing Crosby
Night And Day- Fred Astaire
Heat Wave- Ethel Waters
Smoke Gets in Your Eyes- Tamara
You're The Top- Ethel Merman
Summertime- Anne Brown
September Song- Walter Huston
My Heart Belongs To Daddy- Mary Martin
It Never Entered My Mind- Shirley Ross
Bewitched, Bothered, Bewildered- Vivienne Segal
Oh, How I Hate To Get Up In The Morning- Irving Berlin
Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

New York, New York- Cris Alexander,Adolph Green,John Reardon
If I Loved You- John Raitt,Jan Clayton
Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
There's No Business Like Show Business- Ensemble
How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
Once In Love With Amy- Ray Bolger
Wunderbar- Alfred Drake,Patricia Morison
Some Enchanted Evening- Ezio Pinza
Lost In The Stars- Todd Duncan
Diamonds Are A Girl's Best Friend- Carol Channing
Luck Be A Lady- Robert Alda,Guys
Getting To Know You- Gertrude Lawrence
Who Cares?- Jack Carson,Betty Oakes
Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
Ballad Of Mack The Knife- Gerald Price
Hey There- from "The Pajama Game" John Raitt
Whatever Lola Wants- Gwen Verdon
I Could Have Danced All Night- Julie Andrews
Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
The Party's Over- Judy Holliday
Glitter And Be Gay- Barbara Cook
Tonight- Larry Kert, Carol Lawrence

Tracks:

Seventy-Six Trombones- Robert Preston
I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
Everything's Coming Up Roses- Ethel Merman
My Favorite Things- from "The Sound Of Music" Mary Martin
Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
Try To Remember- Jerry Orbach
Camelot- from "Camelot" Richard Burton
Love Makes The World Go 'Round- Anna Maria Alberghetti
I Believe In You- Robert Morse And Co.
The Sweetest Sounds- Diahann Carroll,Richard Kiley
Comedy Tonight- Zero Mostel
What Kind Of Fool Am I?- Anthony Newley
As Long As He Needs Me- Georgia Brown
Hello, Dolly!- Carol Channing,Cast
People- Barbra Streisand
Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
If I Were A Rich Man- Zero Mostel
Night Song- Sammy Davis, Jr.
The Impossible Dream- Richard Kiley
If My Friends Could See Me Now- Gwen Verdon
Open a New Window- from Mame Voice

Tracks:

Willkommen- from "Cabaret" Joel Grey
Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
The Ladies Who Lunch- from "Company" Elaine Stritch
Tea For Two- Roger Rathburn,Susan Watson
I'm Still Here- Yvonne De Carlo
I Don't Know How To Love Him- Yvonne Elliman
We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
Corner Of The Sky- John Rubinstein
Send In The Clowns- Glynis Johns
Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
One- from "A Chorus Line" Cast
All That Jazz- Chita Rivera,Ensemble
Tomorrow- Andrea Mcardle
Don't Cry For Me Argentina- Patti Lupone
Come Follow The Band
Lullaby Of Broadway- Jerry Orbach
And I'm Telling You I'm Not Going- Jennifer Holliday
The Bells Of St. Sebastian- Raul Julia

Tracks:

Memory- Betty Buckley
I Am What I Am- George Hearn
Move On- Bernadette Peters,Mandy Patinkin
Do You Hear The People Sing?- Michael Maguire,Cast
The Music Of The Night- Michael Crawford
You're Nothing Without Me- James Naughton,Gregg Edelman
The American Dream- Jonathan Pryce,Cast
Doctor Jazz- Gregory Hines,Company
With One Look- Glenn Close
On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
Le Jazz Hot- Julie Andrews,Ensemble
Seasons Of Love-
Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
I Wanna Be A Producer- Matthew Broderick,Ensemble
Dancing Queen- Louise Plowright,Jenny Galloway
Good Morning Baltimore- Marissa Jaret Winokur
Movin' Out- Michael Cavanaugh,Band
I Go To Rio- Hugh Jackman,Company
Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway

Average customer rating:

Vince Sings Like No One Else
country music excellence
Vintage Vince
Vince's breakthrough album
You'll believe in this album for years to come!

I Still Believe in You
Vince Gill
Manufacturer: Mca Nashville
ProductGroup: Music
Binding: Audio CD

General | Contemporary Country | Country | Styles | Music

New Traditionalist | Contemporary Country | Country | Styles | Music

General | Country | Styles | Music

General | Bluegrass | Country | Styles | Music

Contemporary | Bluegrass | Country | Styles | Music

$7.99 and Under | Blowout Music | Stores | Music

Country | Styles | Blowout Music | Stores | Music

All Blowout Music | Blowout Music | Stores | Music

$7.99 and Under | Prices | Blowout Music | Stores | Music

4-for-3 Country | 4-for-3 Music | Stores | Music

4-for-3 Pop | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
Similar Items:

When I Call Your Name
Pocket Full of Gold
When Love Finds You
High Lonesome Sound
The Key

ASIN: B000002OLC
Release Date: 1992-09-01

Tracks:

Don't Let Our Love Start Slippin' Away
No Future In The Past
Nothing Like A Woman
Tryin' To Get Over You
Say Hello
One More Last Chance
Under These Conditions
Pretty Words
Love Never Broke Anyone's Heart
I Still Believe In You

Amazon.com

Vince Gill has always been ambitious man: he got his start with the progressive new grass outfit Bluegrass Alliance but didn't stay long, and he soon became guitarist, vocalist, and songwriter for the country-folk middle-roaders Pure Prarie League. He stayed with the band for three years before working as a sideman to Rodney Crowell and eventually signing with MCA in 1984. His career skyrocketed, fueled by tasteful country material and his creamy vocals. 1992's I Still Believe in You was his biggest success, and the title cut a monster hit. It's not a spectacular record, but Gill's vocal strengths and guitar work are hard to deny, and these 10 songs, featuring guest spots by Delbert McClinton and Alison Krauss, represent his style very well. --Roy Francis Kasten

Customer Reviews:

Vince Sings Like No One Else.......2005-11-22

No one living today invites us into their soul like Vince Gill does when he sings a ballad. This man has no equal.

Except for the late, great Roy Orbison, Gill stands alone when singing of love's heartache or love's joy. He transmits more than words and a story when he sings. He gives us a glimpse into his heart.

In this album, Gill allows us to be his companion, confiding in us his anguish, his joy and his pain in such instant and forever classic love songs as "I Still Believe In You," Tryin' To Get Over You," "Love Never Broke Anyone's Heart," and "No Future In The Past."

Take you pick. Play them. Then play them again and again. If you aren't already, you'll be addicted to this man's voice and soul when you listen to this album.

country music excellence.......2005-01-09

Rooted in traditional country music, Vince Gill is one of country music's greatest talents, and shines as a songwriter, singer and guitarist on all ten tracks of this CD, which is a terrific mix of tuneful ballads, up-tempo numbers, and a big dash of humor with "One More Last Chance". Perhaps my favorite track is "No Future in the Past", which I doggedly tried to learn on the piano, and was surprised by the complexity of the composition, with its many changes while maintaining its lovely melodic line.

At 5 x platinum, "I Still Believe in You" has been Vince's biggest selling CD, and the title song was a big hit; it won many awards, among them the CMA Song of the Year and Album of the Year for '93, as well as giving Vince the Entertainer of the Year and Male Vocalist of the Year awards, and the '93 TNN Music City Awards gave Vince the Single of the Year and Instrumentalist of the Year award as well.
Vince's band is superb, and are a part of what makes this such an excellent recording, the booklet insert has all the lyrics and I do like the pensive b&w cover photo, rather unusual for a non-classical CD, but maybe appropriate, because this album is a 100 % country classic, and on my list as an essential for any CD collection of that genre.
Total playing time is 36'23 thoroughly enjoyable minutes.

Vintage Vince.......2003-04-25

With his distinctive, pure tenor and skilled songwriting ability, Vince Gill can always be counted on to deliver a quality product. 1992's I Still Believe In You was another solid, if not startling, effort from the team of Gill and megaproducer Tony Brown.

Gill wrote or co-wrote all of the songs included here with eight different collaborators. He claims only the title song was autobiographical. It is a reassurance of devotion to his wife Janis, even though the obligations of fame often impede their time together (alas, Amy Grant came along and permanently impeded their time together a few years ago). Many of Gill's slow songs have a tendency to sound alike. He gets away with it by using diverse subject matter and by coming up with lyrics that touch a universal chord. "No Future In The Past" deals with lost love while "Nothing Like A Woman sweetly extols the pleasures of having a woman to love. "Under These Conditions" looks at potential lovers who bypass adultery because their families need them while "Love Never Broke Anyone's Heart" addresses the reluctance to fall in love again for fear of getting hurt.

In addition to using diverse subject matter, Gill sequences his tracks well enough that the listener is never placed into a coma. The interspersed uptempo tunes place as much emphasis on the beat as the lyrics. "Don't Let Our Love Start Slippin' Away" is one of Gill's most soulful recordings ever, while "Say Hello" sounds as if it could be a revived classic from the '60s Bakersfield era - very similar to the kind of material that Dwight Yoakam has popularized. "Pretty Words" is a footstomping bluegrasse number, while "One More Last Chance" is a carefree slice of rockabilly. These faster tunes nicely convey that amidst all the seriousness, Gill relishes the chance to cut loose.

Vince's breakthrough album.......2002-07-19

I Still Believe In You was Vince Gill's breakthrough album. He does a fine job here. The title song, "I Still Believe In You", was Song Of The Year, and deservedly so. It's one of the best romantic ballads I've heard. Vince also had a couple of other mellow hit songs off this record: "Tryin' To Get Over You", which has become a classic breakup song, and the somber waltz "No Future In The Past". The other ballads aren't that bad either. The romantic song "Nothing Like A Woman", the slow two-stepping song "Say Hello", the positive love song "Love Never Broke Anyone's Heart", and the song "Under These Conditions"(where the guy meets a married woman and decides that he can't have a relationship because he, too, is married) are all strong ballads from Vince. Vince rocks out here, too, and showcases his fine lead guitar. On the funky opening song, "Don't Let Our Love Start Slippin' Away", Vince collaborated on the songwriting with Pete Wasner, his buddy and keyboard player. Also, "One More Last Chance" and "Pretty Words" are both strong, high-energy tunes. Vince put out an award-winning album that is fun and listenable. I don't think anybody should miss this one.

You'll believe in this album for years to come!.......2001-10-20

Vince Gill was one of the great country singers of the late 80s all the way up to the end of the 90s, and he still is even though he hasn't released any new music in awhile. I Still Believe in You is one of Vince's best, if not his best album that he has ever made.

Of the ten tracks, five of them were HUGE hits for the country music world. These five blockbusters are: "I Still Believe in You," "One More Last Chance," "No Future in The Past," "Don't Let Our Love Start Slippin' Away," and my favorite, "Tryin' To Get Over You." Even to this day, I still hear all of those songs on the radio a lot, that's how great they are.

The five non-hits in I Still Believe in You aren't bad either. As a matter of fact, all of them are good songs, especially "Nothing Like A Woman."

Tracks:

Overture
Show Boat: Act One, Scene One - Cotton Blossom: Niggers all work on d Mississippi... (Stevedores, Gals, Queenie, Steve, Pete, 1st Mincing Miss, 2nd Mincing Miss, Beaux, Girls & Boys)
Show Boat: Act One, Scene One - Cotton Blossom: 'Andy!!!...' (Parthy, Windy, 1st Mincing Miss, 2nd Mincing Miss)
Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'Here comes the Show Boat parade!...' (Boy, Girls, Boys, Andy, Parthy)
Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'Hey Julie...' (Pete, Julie, Steve, Parthy, Andy, Ellie)
Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'It's a man...' (Ellie, Ravenal, Vallon)
Show Boat: Act One, Scene One - Where's the Mate for Me?: Who cares if my boat goes upstream... (Ravenal, Magnolia)
Show Boat: Act One, Scene One - Make Believe: Only make believe I love you... (Ravenal, Magnolia, Vallon)
Show Boat: Act One, Scene One - Ol' Man River: 'Oh, Joe!...' (Magnolia, Joe, Men)
Show Boat: Act One, Scene Two - Can't Help Lovin' Dat Man: 'What cher doin' all by yourself, Miss Nola?...' (Queenie, Magnolia, Julie, Joe, Servants)
Show Boat: Act One, Scene Three - Life on the Wicked Stage: Why do stage struck maidens clamor... (Ellie, Girls)
Show Boat: Act One, Scene Three - Till Good Luck Comes My Way: The man who ventures with chance... (Ravenal, Men)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': Mis'ry's comin' aroun'... (Queenie, Women, Joe Magnolia, Julie, Men, Solo Bass)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Take her up, Rubberface!...' (Andy, Julie, Steve, Magnolia, Parthy, Ellie, Windy)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Hello, Windy...' (Vallon, Andy, Magnolia, Steve, Julie, Windy, Ellie, Parthy)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'You needn't all look at us...' (Steve, Colored Chorus, Andy, Parthy, Magnolia, Ellie, Frank)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Looks like a swell...' (Andy, Parthy, Frank, Ravenal, Julie, Magnolia, Steve, Joe)

Tracks:

Show Boat: Act One, Scene Five - I Would Like to Play a Lover's Part: Her face is fair to look upon... (Boys, Girls, Ellie, Frank)
Show Boat: Act One, Scene Five - I Might Fall Back on You: Little girl, you are safe with me... (Frank, Ellie, Girls)
Show Boat: Act One, Scene Five - Queenie's Ballyhoo: 'Is de theatre fillin' up, Cap'n Andy?...' (Queenie, Andy, Colored Chorus)
Show Boat: Act One, Scene Six - Villain Dance
Show Boat: Act One, Scene Seven - You Are Love: 'That you, Nola?...' (Ravenal, Windy, Magnolia, Parthy)
Show Boat: Act One, Scene Eight - Finale Act One: Oh tell me, did you ever!... (Firls, Boys, Chorus, Andy, Women, Men, Negro Women, Magnolia, Parthy, Vallon, Pete)
Show Boat: Act Two, Scene One - At the Fair: When we tell them about it all... (All, 1st Barker, Boys, Girls, Chorus, 2nd Barker, Men, 3rd Barker)
Show Boat: Act Two, Scene One - Why Do I Love You?: I'm walking on the air, dear... (Magnolia, Ravenal, Chorus, Andy)
Show Boat: Act Two, Scene One - In Dahomey: Dyunga doe!... (Dahomey Villagers, White Chorus)
Show Boat: Act Two, Scene Three - Convent Scene: Alma Redmptoris Mater... (Nuns, Mother Superior, Ravenal, Kim)
Show Boat: Act Two, Scene Four: 'All right, Jake...' (Jim, Jake, Julie)
Show Boat: Act Two, Scene Four - Bill: I used to dream... (Julie)
Show Boat: Magnolia's Audition - Can't Help Lovin' Dat Man (Reprise): Fish gotta swim, birds gotta fly... (Magnolia)
Show Boat: Magnolia's Audition - Can't Help Lovin' Dat Man (Reprise): 'Whaddaya say, boss?...' (Frank, Jim, Magnolia, Jake)
Show Boat: Act Two, Scene Six - Trocadero Opening Chorus: Let's make the new year... (Chorus)
Show Boat: Act Two, Scene Six - Apache Dance
Show Boat: Act Two, Scene Six - Goodbye, My Lady Love: So you're going away... (Frank, Ellie)
Show Boat: Act Two, Scene Six - After the Ball: 'Ladies and Gentlemen...' (Jim, Drunk, Andy, Magnolia, A Man, All)
Show Boat: Act Two, Scene Seven - Ol' Man River (Reprise): Ol' Man River... (Joe)
Show Boat: Act Two, Scene Seven - Hey, Feller!: When you yen for a gent... (Queenie, Chorus)
Show Boat: Act Two, Scene Eight - You Are Love (Reprise): 'That you, Nola?...' (Ravenal)

Tracks:

Show Boat: Act Two, Scene Nine: Cottom Blossom (Reprise): Cotton Blossom... (Chorus)
Show Boat: Act Two, Scene Nine - It's Getting Hotter in the North: Now up in the northern land... (Kim, Chorus)
Show Boat: Act Two, Scene Nine - It's Getting Hotter in the North: 'Say, Cap'n Andy...' (Frank, Ellie, Andy)
Show Boat: Act Two, Scene Nine - Finale Ultimo: 'Hello, Gay...' (Andy, Hope, Ravenal, Girl, Man, Magnolia, Old Lady, Chorus)
Show Boat: Appendix - Pantry Scene (Act One, Scene Two; deleted - 1927): 'What cher doin' all by yourself, Miss Nola?...' (Queenie, Magnolia, Julie, Joe, Servants)
Show Boat: Appendix - Waterfront Saloon Scene (Act One, Scene Three; deleted - 1927): 'Number four, black!...' (Voice (off), Ravenal, Loungers, Gambler)
Show Boat: Appendix - Yes, Ma'am (Act One, Scene Three; unused - 1927): Bet your hat... (Girls, Ellie)
Show Boat: Appendix - Kim's Imitations (Why Do I Love You?): (Act Two, Scene Nine; Ziegfeld Production - 1927): Why do I love you?... (Kim, Chorus)
Show Boat: Appendix - Dance Away the Night (Act Two, Scene Nine; London - 1928): Music in the air... (Kim, Girls, Boys)
Show Boat: Appendix - A Pack of Cards (Act One, Scene Six?; unused - 1927): One night as I sat by my fireside so weary... (Magnolia)
Show Boat: Appendix - The Creole Love Song (Act One, Scene Seven; unused - 1927): 'That you, Nola?...' (Ravenal, Windy, Magnolia)
Show Boat: Appendix - Out There in an Orchard (Act Two, Scene Four; unused - 1927): There was a sun sinking slowly in the west... (Julie)
Show Boat: Appendix - Gallivantin' Aroun' (Universal Film - 1936): Liza Matilda HIll... (Magnolia, Chorus)
Show Boat: Appendix - I Have the Room Above Her (Universal Film - 1936): 'Seems to me I've seen that stocking someplace...' (Ravenal, Magnolia)
Show Boat: Appendix - Ah Still Suits Me (Universal Film - 1936): 'Joe! Dere you go again!...' (Queenie, Joe)
Show Boat: Appendix - Nobody Else But Me (Act Two, Scene Nine; 1946 Revival): I was a shy, demure type... (Kim, Chorus)

Amazon.com

John McGlinn's sprawling, monumental three-CD set is about all the Show Boat any listener could ever ask for. In an obvious labor of love, McGlinn reconstructs the show as it ran on opening night, November 15, 1927, including every song, the original orchestrations, and all underscored dialogue. The most significant restoration is the dark choral number "Mis'ry's Comin' Aroun'," as Show Boat's serious subject matter helped establish its place as the most important turning point in the history of American musical theater. McGlinn also adds an appendix that includes songs cut before opening night and every song subsequently written for the show's many productions, most notably the love duet "I Have the Room Above Her," written for the 1936 film. (The recording is also available in a one-disc reduction called the "Broadway Show Album.")

Rest assured this 221-minute blockbuster is not just dry scholarship; it's also terrific listening, with McGlinn conducting a dynamic London Sinfonietta and a strong cast including Frederica von Stade as Magnolia, Jerry Hadley as Ravenal, Teresa Stratas as the tragic Julie, Bruce Hubbard as the worldly wise Joe, Karla Burns as Queenie, and David Garrison and Paige O'Hara as the comic couple Frank and Ellie. And of course the songs by Jerome Kern and Oscar Hammerstein II are among the most glorious ever written: "Ol' Man River," "Can't Help Lovin' Dat Man," "Make Believe," "Why Do I Love You," "Bill," "You Are Love," and "Life upon the Wicked Stage." Also included are exhaustive production notes, a history of the show, a detailed synopsis, and a libretto. John McGlinn's Show Boat is a staggering achievement and a recording for the ages. --David Horiuchi

Customer Reviews:

The Best American Musical .......2007-07-29

The CD is the best American musical ever! The performances by Von Stade,Hadley etc are magnificient!

An American Treasure.......2007-03-03

When PBS showed the 1989 Paper Mill Playhouse production of Showboat, my five year old daughter fell in love with musical theater. To this day we never miss a production of Showboat, West Side Story, Music Man, Oklahoma or the rest of the great American musicals. These 3 discs are the closest you can ever hear to the original in 1927 and the recordings are leaps and bounds above any movie version or revival cast. Listening to Bill or Make Believe you almost want to cry at what Kern and Hammerstein were able to create.

I defy anyone to come up with another Broadway production that has three songs in a row better than Make Believe, Ol' Man River and Can't Help Lovin' Dat Man (West Side Story's Maria, America and Tonight are the best three in a row of a movie musical) and it's a shame that no movie version of Showboat can compare to this version. The first act is full of songs that are as good as any ever sung on a stage and I can't think of another production with a first act that compete against the big 3 plus Cotton Blossom, Where's The Mate For Me, Life On The Wicked Stage, Till Good Luck Comes My Way, Misry's Comin' Aroun', You are Love, Act One finale and Why Do I Love You?. You just don't want to have the music stop.

If you don't like opera you won't like this version. Sung the way Kern and Hammerstein wrote them, you can't help but feel the operatic nature of these songs. Tough noogies because Showboat is above all an opera disguised as a Broadway play and no sweetening should be allowed.

The four leads are all superb, Frederica von Stade as Nola especially. The booklet contains the complete libretto and allows a different way to appreciate the music.

If you buy just one version of Showboat you need this one. If you have other versions of Showboat you need this one. As a matter of fact, anyone with ears to hear needs this version. A true American treasure.

DON'T DESPAIR. IT'S BEEN REISSUED!!!!!.......2006-11-16

One of the great recordings of musical theatre ever. Although it's no longer available on EMI Angel, it was reissued in October, 2006, as an EMI Classic's "Great Recordings of the Century." It's been "Digitially Remastered at Abbey Road Studios from the Original Masters" and "noise-shaped via the Prism SNS system for optimum sound quality." If ART remastering does for this recording what it has done for other EMI Classics in my library, then it should sound superb. However, I understand the booklet is not as detailed as the one in the original 3-disc release.

Thank you, EMI.

I would hope other labels would follow suit and remaster and reissue other examples of classic American musical theater. It would be a pity if our children, grandchildren, and future generations were unable to savor "110 in the Shade" or "Little Mary Sunshine" or . . . . . . . . . (fill in the blanks.)

An American tragedy...........2006-02-06

This is the first of the great American musical plays, and probably remained unchallenged until the mid-1950s when West Side Story appeared. The term "musical comedy" does not apply. The few laugh lines are subsumed by the terrible sense of loss and disaster that work throughout the story. At its core is homelessness, the destruction wrought by racism, bad choices, human weakness, and reconciliation. The cast?--this was one of the few crossover recordings I've ever heard that actually worked. The trio of Jerry Hadley, Frederica von Stade, and Teresa Stratas is a marvel; Stratas in particular seems to have had a patented Dark Cloud that shadowed her. It's perfect for Julie Dozier Laverne. And the late Bruce Hubbard brings a magnificent dignity and voice to Joe--his singing of "Ol' Man River" amy not efface Paul Robeson, but can stand beside it.

Gorgeous!.......2005-08-26

Simply gorgeous! The most unforgetable music and the best voices! An album for all time!
M. J. Conrades

Average customer rating:

Loved this CD
I LOVE this CD!
Costello Partners with Hubris and Yields Variable Results
what's so funny about peace, love, and understanding?
No life in her (pop) art

For the Stars
Anne Sofie von Otter , and Elvis Costello
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

Singer-Songwriters | Alternative Rock | Styles | Music

Singer-Songwriters | Pop | Styles | Music

General | Easy Listening | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Classic | Vocal Pop | Pop | Styles | Music

Traditional Pop | Oldies | Pop | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

Deutsche Grammophon: Music | Specialty Stores | Music
Similar Items:

Anne Sofie von Otter - Speak Low ~ Songs by Kurt Weill / Gardiner
North
The Juliet Letters
When I Was Cruel
Painted from Memory

ASIN: B00005A46I
Release Date: 2001-04-10

Tracks:

No Wonder
Baby Plays Around
Go Leave
Rope
Don't Talk (Put Your Head On My Shoulder)
Broken Bicycles / Junk
The Other Woman
Like An Angel Passing Through My Room
Green Song
April After All
You Still Believe In Me
I Want To Vanish
For No One
Shamed Into Love
Just A Curio
This House Is Empty Now
Take It With Me
For The Stars

Amazon.com

At a time when popular music has been micro-marketed to the far side of ad nauseam, Declan MacManus, a.k.a. Elvis Costello, has traded on his reputation as the brightest songwriter to emerge from the new wave era to foster any number of delightful, cross-genre/generation musical surprises, including soundtracks and collaborations with the Brodsky Quartet, Paul McCartney, jazz artist Roy Nathanson, and songwriting legend Burt Bacharach. The latest fruit of that generous, insatiably curious artistic spirit is this elegant partnership with Swedish mezzo-soprano Anne-Sofie von Otter. Though an admitted pop novice, Otter couldn't have picked a better confederate than Costello, an artist whose taste in songs has seldom been tainted by trend.

Together, they weave material from disparate sources--including a slate of compelling Costello material, a pair of Brian Wilson's evocative "Pet Sounds" confessionals, a Tom Waits song from Francis Ford Coppola's One from the Heart (oddly, though effectively, coupled in medley with McCartney's "Junk"), an Abba song, and the Beatles' "For No One"--into a musical tapestry of stately power and grace. Costello sparingly uses his voice as seasoning throughout, though his masterful touch is everywhere. Otter's novice pop singing reveals an easy knack for jazz phrasing that should tempt further explorations and a warmth that belies the rigidity that's so often a byproduct of classical training. Most gratifying of all, this album ultimately achieves what's become one of the loftiest plateaus in Pop music: common ground. --Jerry McCulley

Customer Reviews:

Loved this CD .......2006-06-13

Who would pair Costello and an opera singer?? Elvis, and somehow it works. I really love the tone and moodiness of it and lyrics that talk about love and life, failure and success. It's soulful, in a contemplative way, music for those tucked away, rainy days .

I LOVE this CD!.......2005-09-01

Finally, an opera singer who knows how to channel her Classical training into a sound that is, as one critic aptly described it, "what pop singers would sound like if they could actually sing"! Although Elvis Costello does not join Ms. von Otter very often in the vocals, when he does they harmonize beautifully. With great melodies (some beautiful, some catchy) and sensitive (but not sappy) lyrics, this album makes a fine addition to any CD collection.

Costello Partners with Hubris and Yields Variable Results.......2005-05-08

Having just heard Elvis Costello's masterful collaboration with Burt Bacharach, "Painted from Memory", for the first time this past month, I had high hopes for this equally unusual partnership with mezzo-soprano Anne Sofie von Otter released in 2001. This time, however, Costello acts as arranger and producer, and it is von Otter who is front and center on vocals. She is among the most revered of singers on the opera and recital stages, and she has impressed me in the past, in particular, with her Dejanira in the 2002 Marc Minkowski-led performance of Handel's "Hercules", among many other roles she has embodied. Here she is called upon to be a pop chanteuse, and while the beauty of her voice is inarguable in any setting, her ability to interpret the diverse lyrics in these songs is far more debatable. This is where a Marianne Faithfull, a Blossom Dearie or even a Joni Mitchell could capture more of the underlying feeling with a fraction of the vocal power von Otter can provide but with twice the nuance. There is a rather sterile sameness to the performances here, somewhat jazz-inflected in a cocktail lounge manner at times and at other times, rather morose and dirge-like.

Take, for example, her rendition of Brian Wilson's "Don't Ask (Put Your Head on My Shoulder)" from the legendary "Pet Sounds" album. It moves so glacially that it actually extricates the romantic subtext almost surgically. The same can be said for Jessie Mae Robinson's "The Other Woman", which has at least Magnus Persson's vibraphone to provide relief from the tedium. She's better on the other "Pet Sounds" classic, "You Still Believe in Me", where she cannily soars with the chorus, though Costello damages it by adding some odd, muffled rapping in the background. Ironically, it is on the Costello compositions where the recording most noticeably flails. The opener "No Wonder" starts as a "Greensleeves"-like madrigal and then turns into Beatlesque pop; "Baby Plays Around" seems to suffer from exhaustion by all parties; the two Fleshquartet collaborations, "Rope" and "Just a Curio", sound somewhat like extraterrestrial hymns done in a series of minor keys; and the closing title track, "For the Stars" includes peppy, Beach Boys-sounding harmonies which escape her grasp. In fact, "Just a Curio" would have been a more appropriate title for this entire recording.

On the other hand, the Gallic flavor of Benny Andersson's accordion effectively informs her rendition of Tom Waits' "Broken Bicycles", which melds perfectly with Costello's vocal on Paul McCartney's "Junk". Speaking of Andersson, a fellow Scandinavian, von Otter admirably covers a piano-led ABBA ballad, "Like an Angel Passing Through My Room". She also displays a meticulously casual bounce on Lennon-McCartney's "For No One", though it stops rather abruptly. Von Otter acquits herself surprisingly well on the jazzy "Shamed into Love", written by another unlikely duo, Costello and Rubén Blades, and performed as almost a smokier variation of Bacharach's "Alfie". And speaking of Bacharach, she does a nice turn on the lovely "This House Is Empty Now" from the 1998 Bacharach-Costello disc. Costello and von Otter are masters of their craft, but I think some of the collaborations reflect simply irreconcilable differences. While Costello seems to have an insatiable desire to expand musically, his hubris here appears to constrain the often preternatural vocal skill von Otter displays on the opera and recital stage. Consequently, what we have here is a nice album, a generous one with eighteen tracks, that doesn't seem to capitalize on either contributor's talent fully.

what's so funny about peace, love, and understanding?.......2004-04-22

Nothing's funny about this boring duo. I picked this up FREE at my library and it didn't take me too many tracks to see why it was donated. The musical arrangements are hapless and dull, and her voice is Dion without the Vegas power finale. Come to think of it, the lyrics remind me of Dion; they are as saccharine as anything Dion has ever sung. I wasted a blank CD on this limp, sleepy pairing of two otherwise good artists.

No life in her (pop) art.......2004-03-15

I am a big fan of both artists and wanted very much for this combination to work. It avoids the traditional trap of "oversinging" the pop material. But a few years after its release, in these American Idol era, is that really such a terror for pop music any more? So-called oversinging seems pretty popular these days!

The big problem is that von Otter has not found a way to communicate any emotion in this scaled-down form of singing. All her classical techniques are stripped away, and there's nothing to replace them. Sure, her voice is gorgeous, but it sounds exactly the same no matter what the lyrical content. The songs could have been made up of nonsense syllables for all the emotional life she communicates.

Tracks:

I Still Believe/Pure Imagination (Damizza Remix)
I Still Believe (Morales' Classic Club Mix Edit)

Customer Reviews:

I STILL BELIEVE CD REVIEW.......2001-06-13

NOW THIS IS A GREAT SONG BUT THE ALBUM VERSION IS NOT HERE BUT THE CLUB MIX IS PRETTY MUCH IDENTICAL TO IT WITH A MORE UPBEAT TEMPO. ALSO I LIKE THE RAP VERSION FEATURING KRAYZIE BONE AND DA BRAT. SO BUY THIS OR THE MAXI SINGLE, OK.

This CD is not what you are expecting..........2000-03-16

I was really disapointed when I got this CD home...this does not have the radio version on it...sadly. That is the reason that I bought it...and it is not on there...in fact the only versions are a dance version (which is OK) and then the horrible rap version....that is really bad....and I really think this is a waste of your precious hard earned money. Don't waste your gas money, don't waste the money to buy it, don't waste the time and energy to pick the CD up, don't waste the energy it takes"~ to scroll down and read all of these reviews. This CD is bad news...but if she had put the radio version n here instead of the rap version, it would be a four start CD. The rap song brought it way, way, way, way, way down in terms of review points!

put branda to shame.......1999-12-13

though this song have really cloying lyrics, but mariah sang with a 80s nostalgia feel and 90s cool. a superb way to express the song!

SHE IS SUPERB !.......1999-12-02

she is really great! and she is a real diva....she still sounds so good even doing a reamke version of peopls' song...she is the greatest...

soooooo coool.......1999-12-01

wow this is a sure must buy item, the remix is so coooooolll!

Average customer rating:

Bleah!
Sumi sings Broadway
Much Better than I Expected
Beautiful!
Unexpected voice

Sumi Jo - Only Love
Stephen Sondheim , Leonard Bernstein , Maury Yeston , Choi Kyung Sik , Jule Styne , Alban Gerhardt , Michael William Balfe , Claude-Michel Schoenberg , Ettore Stratta , and Sumi Jo
Manufacturer: Erato
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music
Similar Items:

Sumi Jo - Prayers / James Conlon
Sumi Jo - La Promessa / Vincenzo Scalera
Sumi Jo - Bel Canto / Arevalo · ECO · Carella
Sumi Jo - Virtuoso Arias ~ Verdi, Rossini, Donizetti, Meyerbeer
French Coloratura Arias

ASIN: B00004GP1Z
Release Date: 2000-04-11

Tracks:

In His Eyes
Someone Like You
Beautiful World
Unusual Way
Losing My Mind
Once Upon a Dream
Only Love
Send In The Clowns
Just In Time
Dream With Me
I Dreamt I Dwelt In Marble Halls
I Still Believe

Customer Reviews:

Bleah!.......2007-07-02

I like Sumi Jo. The music is drek. Sondheim! Before I knew how Clowns fit into the plot I thought it was mildly enigmatic and heartbreaking (sniff). Now that I do know, I think it's a maudlin, bad attempt to conform to the plot of the show. Mind is just stupid, and the tune is pallid. ("Or were you just being kind..."?????) So much for Sondheim. He'll be forgotten soon enough. He's hardly a household word now. The rest of the songs have that peculiar, unpleasant modern sound that so many new Bway songs have. Kind of weird. It's "in". Monkey see, monkey do. I'm glad I bought it used and only wasted $5 + shipping on it. If you like this kind of tuneless, affected music, go for it. She's wonderful. She doesn't sound like an opera singer at all. Though she is a wonderful one. The arrangement of the Styne is slow and soothing, not that jouncy bouncy upbeat thing, the way it was written. I don't like either version, but if I were forced to be subjected to one, I'd take the slow one. I'm very disappointed. I should have expected as much from 2 Sondheims and that Styne. I wish she'd sung a better selection of songs.

Sumi sings Broadway.......2006-12-26

Coloratura soprano Sumi Jo's album "Only Love" again demonstrates why she is undoubtedly one of the greatest voices of recent times. On this album, Sumi Jo concentrates her talents on songs from the musical theatre world. Many opera singers do have trouble adapting and manipulating their precision-trained voices into another style, but Sumi Jo sings in a fresh, appealing way that makes these songs come alive, almost like they were written yesterday.

The crown jewels of the album are "Unusual Way" (from Maury Yeston's NINE), and the title track, "Only Love" (one of the more distinguishable ballads from Frank Wildhorn's otherwise-dreadful SCARLET PIMPERNEL score). Sumi effortlessly transforms herself into a Broadway diva on this album; instantly she's at home with the material. I heartily recommend this surprising about-face from opera singer Sumi Jo.

[Erato/Warner Music 8573802412]

Much Better than I Expected.......2006-08-03

Let me start off by saying that I adore opera and I adore musical theater. That said, I can think of very few opera singers who I like singing showtunes. Actually Dawn Upshaw is the one who readily comes to mind... Somehow the greatest opera singers, people like Renee Fleming and Kiri Te Kinawa have trouble "toning it down" enough to successfully sing a musical repetoire. Sumi Jo is an exception. Her voice is light enough to sing these pieces with a nice tone and a sense of ease. We know her extraordinary operatic ability from her previous work, but she wisely doesn't feel the need to prove it to us on these songs.

Given my high opinions of Sumi Jo, you might be wondering why I didn't give this album 5 stars. That's because I think she could have chosen better songs. I commend her for going with contemporary composers as opposed to the usual repetoir of Rodgers and Hammerstein, Lerner and Lowe, Jules Styne, with a bit of Bernstein and Sondheim thrown in for flavor. However comtemporary musical theater has exciting new voices from the likes of Jason Robert Brown, Adam Guettel, and Michael LaCuisa. Or, she could have gone with some Boubil and Schoenberg with some of Andrew Llyod Webber's better tunes thrown in. Instead, she went for a lot of Wildhorn. Thankfully she chose to embrace The Scarlet Pimpernel and Jekyll and Hyde- two of Wildhorn's best shows as opposed to total schlock. But songs like "In His Eyes" (a duet with herself) and "Only Love" aren't intersting. Her only nod to Boubil is "I Still Believe" from Miss Saigon (another duet). Duets usuallywork with two contrasting voices and viewpoints (especially duets like these- sung by two characters in love with the same man). Singing with yourself doesn't really create any tension o0r real interest. Sumi Jo is best on tracks like "Send In the Clowns" (A Little Might Music), "Losing My Mind" ("Follies") and other songs intended as solos.

I definately reccoment this disc to an opera fan interested in another side of Sumi Jo, or a musical theater fan in search of a good voice (or both). My only reservation is a few of the song choices.

Beautiful!.......2004-01-19

Proof that musicals can be sung without the "Belt-technique". Pure, beautiful and amazing! This is what I call crossover!

Unexpected voice.......2003-06-09

Anyone who knows Sumi Jo will be surprised at this album because she is not like an opera singer in this album. It is common that opera singers¡¯ cross-over albums sounds ridiculous because they do not give themselves up being the opera singer; they usually stick to their operatic way to sing. However, when one who has never heard Sumi Jo¡¯s other recordings listens to this cross-over album, he will not know that Sumi is an opera singer. It means that her interpretations are almost perfect. She knows how to sing cross-over songs and that the way to sing them is different from that of opera arias; but unfortunately some opera singers do not seem to know it. Maybe cross-over music is something that most opera singers want to try, but I have not seen one succeeded contentedly. Sumi¡¯s voice and her interpretations are almost perfect. All tracks are great, but particularly I recommend ¡°Unusual Way¡± and ¡°I still believe.¡± I remember Sumi Jo saying in an interview after finishing recording this album, that she finally made it. I agree with her that she eventually did a great job. I really pay a compliment on her impressive work. Very strongly recommend!

Average customer rating:

Tomlinson's Best Effort
90's Trubador

Still Believe
Michael Tomlinson
Manufacturer: Mesa Blue Moon
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music

General | New Age | Styles | Music

Calling Me Back to the Wild
Face Up in the Rain
Living Things
Run This Way Forever
Trace the Sky

ASIN: B000009ROQ
Release Date: 1998-08-04

Tracks:

Dawning On A New Day
Highway Rain
Sunlight
Light Of Love
Still Believe
Run With Me
Don't Know When
Let Us Dream
So Long Garden Dream
Lover Of The World

Customer Reviews:

Tomlinson's Best Effort.......2006-09-12

Michael Tomlinson is an interesting talent. I place him somewhere between Gordon Lightfoot and Joni Mitchell in terms of his poetry skills and musical stylings. Others may disagree but I think this album represents his best effort. I bought it when it was first released in the early '80s, and I still listen to it today. It's a perfect album for a long drive with a special friend.

90's Trubador.......1998-11-14

Michael Tomlinson epitomizes the expression of 90's Vanguard Trubador. His arrangements and vocals weave a light tapestry of enlightenment and poetry. With each of his seven releases, he tells a beautiful story of life, love and friendship. This CD is a wonderful companion on a long drive, hike, jog or day at the beach. Each song reaches out to the next with a little bit of moral, a tad more story and a glimpse at the artist himself. One of my favorites!

Average customer rating:

it's the Best! Listen and get happy...

Still Believe
Tomlinson
Manufacturer: A&M
ProductGroup: Music
Binding: Audio CD

General | Rock | Styles | Music
ASIN: B00000DN6M
Release Date: 1990-10-25

Tracks:

Dawning On A New Day
Highway Rain
Sunlight
Light Of Love
Still Believe
Run With Me
Don't Know When
Let Us Dream
So Long Garden Dream
Lover Of The World

Customer Reviews:

it's the Best! Listen and get happy..........2005-03-21

This is a wonderful collection of loving music for those who enjoy life and all the joys in it. This is my favorite collection of Michael's music...well, so far. He keeps writing/producing more...and boy they are all great! Michael's music makes me feel so happy. Listen and get happy yourself.

Average customer rating:

One of Two Overlooked Andy Williams Christmas Albums
Absolutely Great!

I Still Believe in Santa Claus
Andy Williams
Manufacturer: Curb Special Markets
ProductGroup: Music
Binding: Audio CD

General | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Classic | Vocal Pop | Pop | Styles | Music

Traditional Pop | Oldies | Pop | Styles | Music

General | Rock | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General Christmas | Holiday | Miscellaneous | Styles | Music

Opera & Vocal | Holiday | Miscellaneous | Styles | Music

Pop Vocal | Holiday | Miscellaneous | Styles | Music

General Christmas | Holiday Music | Special Features | Music

$7 - $10 | Today's Deals | Holiday Music | Special Features | Music

Pop Vocal | Holiday Music | Special Features | Music

4-for-3 Broadway & Vocalists | 4-for-3 Music | Stores | Music

4-for-3 Pop | 4-for-3 Music | Stores | Music

4-for-3 Rock | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
Similar Items:

Andy Williams Live-Christmas Treasures
We Need a Little Christmas
Personal Christmas Collection
An Evening With Andy Williams : Live From The Royal Albert Hall
Merry Christmas

ASIN: B000000CVE
Release Date: 1990-08-16

Tracks:

Santa Claus Is Coming To Town
Christmas Needs Love To Be Christmas
Blue Christmas
The Christmas Waltz
My Christmas Vow
I Saw Mommy Kissing Santa Claus
I'll Be Home For Christmas
What Are You Doing New Years Eve?
When You Wish Upon A Star
Happy Christmas

Customer Reviews:

One of Two Overlooked Andy Williams Christmas Albums.......2003-11-09

As you may know, Andy Williams (AW) has released a handful of Christmas Albums over the years; "AW Christmas Album", "Merry Christmas", "Christmas Present", "I Believe In Santa Claus", "The New AW Christmas Album", "Personal Christmas Collection", "We Need A Little Christmas", and "AW Live - Christmas Treasures". I believe that "Christmas Present" is the best Andy Williams album of all, but this album, "I Believe In Santa Claus" rates in 2nd place in the holiday category, and is the last album where he is in fine vocal form before all of his Branson concerts started to put strain his voice. The LP's after this (except for the compilation albums - Christmas Collection and Live Treasures) have poor arrangements and a tired voice. This album has excellent arrangements and finds Andy in fine voice. You don't get tired of these songs as you don't hear 200 other artists performing them. His first 2 albums, although in great voice, are too 'commercial' and almost phoney. But this is a great album to get right after you buy Andy's "Christmas Present" album first. A close 2nd overlooked holiday classic.

Absolutely Great!.......1999-10-02

I've got the LP version, but I'm trying to move my extensive Andy Williams collection to CD's.

PLEASE re-issue this album!?!?!?!?!?

Tracks:

Vzoshel na nebo mesyats yasy
Ispanskaya pesnya
Zhavoronok
Ya pomnyu chudnoye mgnovene
Bolero
Ty skoro menya pozabudesh
Kolybelnaya, Op. 16 No. 1
To bylo ranneyu vesnoy, Op 38 No. 2
Zabyt tak skoro
On tak menya lyubil
Ya vso eshcho evo lyublyu
Yunosha i deva
Mne grustno
Chesnadtsat let
Chto mne do pesen
Plenivshis rozoy solovey, Op. 2 No. 2
Ployubila ya na pechal svoyu
Son, Op. 8 No. 5
Siren, Op. 21 No. 5
Molitva, Op.8 No. 6
Ne ver mne, drug !, Op. 14 No. 7

Customer Reviews:

very enjoyable.......2001-07-19

At first, I'd like to correct error. The pianist, Larisa Gergieva is NOT Varely Gergiev's WIFE! She is his sister. (Elder one, I think.)

About this disc, I enjoyed this recital. Gorchakova is one of my favorite soprano. Her voice is suited well to these Russian songs. It's interesting for me to her Russian songs. If you want to hear more Russian songs, try "Songs of Desire" by Olga Bolodina from Philips.

The showcase for the Spinto soprano.......2000-04-25

Galina Gorchakova, Kirov's leading lady, is a true spinto soprano, not the more common forced lyric one. Her sound is unique and quite unusual, almost "mezzo-ish" at certain times, but with surprisingly easy resonant top. I could not help being reminded of another great Russian Galina - Vishnevskaya, the Bolshoi prima donna of 60s and 70s up to her departure from Communist regime with her husband Mstislav Rostropovich. Since then, there was an unsettling vacuum in the realm of sopranos capable of singing Russian and Italian repertoire. Luckily, Gorchakova seems ready and able to take on most of Vishnevskaya's signature roles, including Katerina of Shostakovich's "Lady Macbeth of Mtsensk." Her clarity of diction and musical intelligence are a pleasure to hear particularly on the Programme presented here because the romances (a leader-like Russian art songs) are written to some of the most beautiful Russian poetic texts.

I feel it is important to note that neither the singing nor accompaniment here is flawed at all, as the reviewer below found. Furthermore, there is no tendency to "go flat". The only thing that came as a surprise to me was inclusion of several numbers written originally for a baritone or even a bass, such as "It Was in Early Spring" or "I Remember the Wonderful Moment." However, they were executed so brilliantly, it made me forget about the specifics and just enjoy Gorchakova's beautiful voice and expressiveness.

Most of you probably got a chance to see the MET's magnificent production of Tchaikovsky's "Pique Dame" with Gorchakova, Domingo, Borodina and Hvorostovsky in leading roles. Aside from Lisa, Gorchakova is also an incredible interpreter of highly demanding role of Elisabetta from Verdi's "Don Carlo" and Leonora from his "La Forza del Destino." I can't wait to hear her "Aida." Amazingly she does not struggle with dramatic Verdian repertoire, even though it lays relatively high for such a voice. And its power allows her to cut through heavy orchestration with ease, preserving flowing, and seemingly endless vocal line with no audible breathing. Philips generously provided us with several phenomenal Russian complete opera recordings featuring Gorchakova's talents: check out "Prince Igor," "The Maid of Pskov," "Iolanta," and "The Fiery Angel," the latter one being a rare jewel and destined to become one of the greatest recorded achievements of all time. Ms. Gorchakova is also a very good actress with a beautiful stage presence and somewhat reserved but passionate delivery. Hearing this CD is essential for Russian romance fans as well as for those who want to hear a true spinto soprano at its full glory, accompanied only by a subtle gentle piano of Larissa Gergieva. I was particularly impressed with a booklet that finally has Cyrillic texts instead of despicable way of spelling Russian words with English letters. There are also good English translations by Philip Taylor that stay true to the texts but also convey their romantic feel. If I could, I would have given this disc ten stars!

Flawed but beautiful.......2000-03-16

This album of wonderful Russian romances and art songs is marred only slightly by Galina Gorchakova's tendency to go flat. Still, her unbelievably beautiful soprano voice and emotional connection with these pieces more than makes up for this. Gorchakova has never become quite as well known as her compatriots Olga Borodina and Dmitri Hvorostovsky, and hasn't recorded as much as they have either. This is a shame; I would love to hear her in some of the Italian verismo repertoire. Her rich spinto sound would serve her well, and I believe that she is known for such interpretations as Butterfly, Liu, and Tosca. I would also like to her her Lisa on recording (from Pique Dame).

Anyway, this album is truly beautiful. Larissa Gergieva, the pianist, is the sister of Valery Gergiev, the director of the Kirov Opera in St. Petersburg. I think possibly some nepotism is happening here, as she is not an ideal accompanist. Still, she supports Gorchakova well, and doesn't detract from the beauty of these pieces.

Music Info:

Music Info

music info

Recommended Music:

Just Another Day [Import]

Music of Princes Knights & Thi

Placebo [Live]

Hold Your Fire

One Way It's Every Way [Import]

Raindance [Box set]

Non-Fiction [CD-single] [Import]

Tested [Import]

Nunca's 2 Late

Mozart: Requiem / Davis (Penguin Music Classics Series)

People Get Ready [Original recording remastered] [Import]

Mixed Bag's First Album

Merengues Tradicionales: El Disco de Oro

Corelli: Violin Sonatas, Op. 5

Town By Town