Another World [Extra tracks] [Import]

Another World [Extra tracks] [Import]

Track Listings

1. Space

2. Bussiness

3. China Belle

4. Why Don't We Try Again

5. On My Way Up

6. Cyborg

7. Guv'nor

8. Wilderness

9. Slow Down

10. One Rainy Wish

11. All the Way from Memphis

12. Another World

13. F.B.I.

14. Hot Patootie

Editorial Reviews
Product Description
Japanese edition of the Queen guitarist's 1998 solo album with two covers as bonus tracks: 'F.B.I.' & 'Hot Patootie', the latter of which is not to be found on either of the first two singles from the album! 14 tracks total, also featuring the singles 'The Business' & 'On My Way Up', plus covers of Jimi Hendrix's 'One Rainy Wish', Ian Hunter's 'AllThe Way From Memphis' & Larry Williams' 'Slow Down'. Full color picture disc. A Toshiba-EMI release.

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

In Competition for the Worst Time
Everything (As It Moves)
No Emotion
Make Another World
If It Takes You Home
Future Works
You and I Are Both Away
A Ghost In the Arcade
Once In Your Life
Finished It Remains

Amazon.com

For their fifth album, Idlewild's further refined their delivery, a brightly lit mix of emotive melody, distortion-filled guitars, and their calling card: Roddy Woomble's voice. He's been compared to Michael Stipe both tonally and lyrically, but Woomble leaps atop his lines. "In Competition for the Worst Time" coats his voice in a slightly warbling effect that he sharply cuts through, a dash of Stipe and a lot of energetic enunciation. The guitars on "Competition" and "Everything (As It Moves)" are twin throttles, chiming lead lines over rhythm-guitar scrambles of distortion and tunefulness, a truly collective effort. At its most poppy, during "No Emotion," Make Another World is a great case for pop-tilted post-punk, with Woomble intoning earnestly amidst that (again) chiming lead-guitar line and a bevy of harmony vocals. At its most aggressive, during "If It Takes You Home," the guitars sandblast the tune, asserting Idlewild's core function, as a band that's taken all cues, from Fugazi to R.E.M., and wrapped them into a distinct blend that merits fuller commercial appeal. --Andrew Bartlett

Album Description

2007 album from the Scottish rockers, their first release on the rejuvenated Sequel label. The album was recorded over a six week period in Edinburgh with longtime producer Dave Eringa. On Make Another World, the band return to a rockier sound reminiscent of their earlier releases. 10 tracks including the singles 'If It Takes You Home' and 'No Emotion'. Sequal.

Customer Reviews:

I still can't deny.......2007-04-05

Making guitar pop is easy. Making good, complex guitar pop that evolves over the course of five albums... now that's a challenge.

And "Make Another World" shows that Scottish rockers Idlewild are still up to that challenge, wound with tight melodies and spiked with steel-edged riffs. It's a nice mingling of their prior albums' styles, with most of the strong points and few of the flaws.

It opens with a ringing, cycling electric riff, joined in by some rapid-fire drums and more riffs and basslines. Roddy Woomble sings rather sadly through the fast-paced rocker: "I know my name but I can't deny/I talk in silence like I'm used to/Graduation fits the worst time I could use/Confidence for the first time!"

The album zooms through a series of uptempo guitar-based rockers -- tightly-wound electric-guitar pop, rapid skittering rockers, and smashing hard-rock that just creeps over the line of catchiness. But they have a few slower songs as well -- ballads played with electric guitar, some slow-burning rockers that build up on a bed of roiling riffs, and more.

"Make Another World" seems to be striking a balance between their last two albums, one of which was hard-driving rock, and one which was mellow and melodic. So Idlewild gets the best of both worlds, creating rapid rock tunes and sprinkling them with melodic moments and some midtempo pop. If there's anything to complain about, it's that "If I Take You Home" seems too simplistic for the rest of the album.

But most of the time, their instrumentation is astoundingly good -- lots of ringing riffs and steely basslines, which are melded together into flexible, muscular melodies. Even when they play softer pop tunes like the title track, the instrumentation is smooth and strong. And they throw in a few scraping chords here and there, smashing drums and a little ripple of keyboard organ here and there.

And Woomble's slightly rough voice fits the music quite well, especially since his vocals can rise above the loudest rocker. And the songs he sings are nicely polished as well, poignant and a bit poetic: "And I curse the sun/As the moon outdarkens the sky/Your heart is beating in your palm... And if my brothers, and my sisters
Are in the air where the moonlight twists/I'll board this ship/But only a ship that sails to no destination..."

Idlewild stick to their strengths in "Make Another World," fusing their solid hard-rock with the more melodic edge of their previous album. Definitely a worthy album for this Scotrock band, and definitely worth hearing more of.

Average customer rating:

Positively Hypnotic!
Quintessential Oakenfold.
OAKENFOLD WITH THE WORLD'S BEST TRANCE CD EVER MADE !!!!
Fantastic
My absolute favorite Oakenfold CD of all time

Perfecto Presents Another World
Paul Oakenfold
Manufacturer: Sire / London/Rhino
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music

Trance | Dance & DJ | Styles | Music

General | Dance Pop | Dance & DJ | Styles | Music

Rhino Records | Amazon.com Label Stores | Stores | Music
Similar Items:

Perfecto Presents: Paul Oakenfold - Great Wall
A Voyage into Trance
Bunkka
A Lively Mind
Fluoro - Mixed By Paul Oakenfold [IMPORT]

ASIN: B00004WGVW
Release Date: 2000-09-19

Tracks:

Dead Can Dance - The Host of Seraphim
Tone Depth - Majestic
Chilled Eskimo - Take Me Away
Led Zeppelin - Baby I'm Gonna Leave You
Timo Maas - Ubik (The Dance)
LSG - Into Deep
Max Graham - Airtight
Planet Perfecto - Bullet In A Gun (Rabbit In The Moon Mix)
Brancaccio & Aisha - Darker
Dead Can Dance - Sanvean
Highland - No Way Out
Max Graham - Bar None
Vangelis - Tears in the Rain
Amoebassassin - Piledrvier

Tracks:

Jamez Presents Tatoin - Music
Salt Tank - Eugina 2000 (Progressive Summer Mix)
Sabel - Song To The Siren
Skope - Back & Front
Jan Johnson - Flesh
Vangelis - Rachel's Song
Lisa Gerrard - Sacrifice
Lost.It.Com - Animal
Black Watch - North Sky
Delirium - The Silence 2000

Album Description

Two CD set mixed by Paul Oakenfold with classical scores, film soundtracks, dialogue and ambient tracks alongside dancefloor classics. 24 tracks including 'Ubik'-Timo Maas, 'Pile Driver'-Amoebassassin, 'Baby I'm Gonna Leave You'-Led Zeppelin, 'Rachel's Song'-Vangelis, 'Sacrifice'-Lisa Gerrard & more

Customer Reviews:

Positively Hypnotic!.......2007-04-06

This was my very first electronic cd. I picked it up at the local record store on impulse, and didn't expect much. At first listen, it seemed somewhat pretentious, indulgent, artsy... This was my idea of trance music in general at the time. In fact, I bought this album as a challenge to myself: I wanted to give every style of music a fair chance.

After my 30 second scan of each track, I left it alone until one fateful night. My friend Ricky pulled out some nifty little toys called glowsticks! He told me he had been learning how to make interesting light shows out of them, but the only "techno" music he had was a horrible mix tape featuring the likes of alice deejay, t-99, and other outdated rave-monkey acts. I shuddered at every track's rediculous synths and over-enhanced basslines. So he noticed my copy of "Another World" sitting in my cd tower, and suggested we try it.

I was overwhelmed at the difference it made to play this album on Ricky's 6,000-dollar home stereo. I was simply blown away at the darkly hypnotic, and playfully dreamy sounds that were coming out of the speakers. I picked up the glowsticks for my first time and I created something beautiful out of this mix.

And now, 6 years later, I still keep coming back to this mix whenever I need to unwind. Seriously, almost EVERY SINGLE TRACK here is on my list of favorites. However, the two that really stand out to me the most are North Sky and Tears in the Rain. I still whistle the melody of the Vangelis song to my baby nephew as a lullaby, and he loves it.

Summing it all up: These are some of the most intense, uplifting, and soulful pieces of music I have ever experienced. If you have a patient ear, and an active mind... You will enjoy this mix.

Quintessential Oakenfold........2006-09-03

Another World is one of my three favorite Oakenfold releases (Tranceport and Creamfields are the other two) and it's easy to hear why it's so popular among trancers. It has a seamless progression that takes you on a journey of mind-altering consciousness. It allows you to escape to another world. This is Oakenfold at his best.

Enjoy it while you can, however, because Oakenfold is slipping into oblivion under the toxic blanket of fast-buck economics. His demise, I'm sad to say, will rival that of Whitney "Bolivia" Houston.

OAKENFOLD WITH THE WORLD'S BEST TRANCE CD EVER MADE !!!!.......2006-05-21

In this time I will really high recomend something on my life. If you like trance...progressive...vocal...tecno...anything...you should buy this CD...not just only becasue it was choose as the best compilation CD of the century...not because was sold more than 1,000 copies world wide...but because is really...really...good stuff...I high high recomende this CD as the best trance compilation ever that you will listen.

B.O.Y.M. (But Open Your Mind)
Hildely

Fantastic.......2006-04-25

This is my favorite Oakenfold release. It is so original in it's music selection. Awesome driving music.

My absolute favorite Oakenfold CD of all time.......2006-02-19

If you are an Oakenfold fan, you MUST purchase Perfecto Presents Another World. This by far the best compilation he has done and is one of my absolute favorite CDs of all time. Every Oakenfold or even techno/dance/electronica fan should own it!

The transition of songs could not be better. The selection of pieces is fantastic, right down to Delerium and the end of the second CD. If you have never bought anythgin by Paul Oakenfold before, this is the one to start off with - you will not be disappointed. This is how I got hooked on his collections - which I now own 11 of! :-)

Average customer rating:

Movie Themes CD
"three decades of film composers ~ Simply The Best"

Simply the Best Movie Themes

Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

Quintets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

Rhino Records | Amazon.com Label Stores | Stores | Music
Similar Items:

Great Movie Love Themes: Five Star Collection
Hollywood's Greatest Hits, Vol. 2
Hollywood's Greatest Hits, Vol. 1
Paramount 90th Anniversary Collection: Scores
The Wings of a Film: The Music of Hans Zimmer

ASIN: B0001CNRL6
Release Date: 2004-02-24

Tracks:

Theme From Mission Impossible - Schifrin
Theme From Gladiator - Zimmer
Hedwig's Theme - Williams
Harry's Wondrous World - Williams
Allegro Moderato - Symphony No. 8 'Unfinished' - Schubert
Suite From Shakespeare In Love - Warbeck
Out Of Africa - Barry
Requiem, Rex Tremendae - Mozart
Prelude In E Minor, Op. 28, No. 4 - Chopin
Suite No. 3 In D, Air On The G String - J.S. Bach
I Will Always Love You - Parton
Symphony No. 40, Molto Allegro - Mozart
Finlandia - Sibelius
My Heart Will Go On - Horner

Tracks:

Theme From Lord Of The Rings - Shore
Overture To All That Jazz - Kander & Ebb
'Trout' Quintet, Theme, Andantino And Variations - Schubert
Prelude No. 15 In D-Flat - Chopin
Windmills Of Your Mind - LeGrand
(Everything I Do) I Do It For You - KAMEN
Theme From Schindler's List - Williams
Also Sprach Zarathustra, Excerpt - Strauss
Symphony No. 3, Lento Cantabile - Semplice - Gorecki
Die Walkure, Ride Of The Valkyries - Wagner
Goldberg Variations, Aria Da Capo - J.S. Bach
Theme From License To Kill - KAMEN
Sonata No. 8, Op. 13, 'Pathetique,' Andante Cantabile - Beethoven
Die Another Day - Arnold
Symphony No. 9, Ode To Joy, Excerpt - Beethoven

Customer Reviews:

Movie Themes CD.......2007-03-10

Very nice CD with beautiful music from past movies. Very relaxing music to listen to.

"three decades of film composers ~ Simply The Best".......2004-03-06

Rhino Movie Music presents "Simply The Best Movie Themes", featuring the Royal Philharmonic Orchestra and other various artists ~ within the realm of the following composers David Arnold, John Barry, Alan Bergman, Marilyn Bergman, Wendy Carlos, Fred Ebb, James Horner, James Newton Howard, Michael Kamen, John Kander, Michel Legrand, Alex North, Basil Poledouris, Howard Shore, Wladyslaw Szpilman, Stephen Warbeck, John Williams and Hans Zimmer ~ each composer has created one or more of the scores in this twenty nine classic line up.

Film scores covering over three decades with "2001:SPACE ODYSSEY", "A CLOCKWORK ORANGE", "APOCALYPSE NOW", "THE BODYGUARD(I Will Always Love You)", "CHICAGO(Overture to All That Jazz), "DIE ANOTHER DAY", "EYES WIDE SHUT", "FEARLESS", "GLADIATOR(Theme)", "HANNIBAL", "HARRY POTTER AND THE SORCERER'S STONE(Hedwig's Theme)", "HARRY POTTER AND THE SORCERER'S STONE(Harry's Wondrous World)", "THE HUNT FOR RED OCTOBER", "JURASSIC PARK:THE LOST WORLD", "LICENSE TO KILL, "LIVING DAYLIGHTS", "THE LORD OF THE RINGS(Theme)", "MINORITY REPORT", "MISSION IMPOSSIBLE (Theme)", "OUT OF AFRICA", "THE PIANIST", "ROBIN HOOD, PRINCE OF THIEVES", "SCHINDLER'S LIST", "SE7EN", "SHADOWLANDS", "SHAKESPEARE IN LOVE", "THE SIXTH SENSE", "THE THOMAS CROWN AFFAIR"and "TITANIC(My Heart Will Go On)" ~ a mixture of original compositions and classics of the old masters. Loaded with not just themes, but full of orchestral arrangements that are fresh and rewarding ~ sure to bring back those special moments from the film.

The presentation is superb with every cue inclusive with spectacular performances from suspense, romance and adventure all rolled into a two disc package. Rhino must be commended on doing such a great job and doing it well. Most serious "film-score-buffs" will welcome this compilation, has many cues available all under one banner ~ Rhino Records...gotta love it!

Tracks:

Sky Saw
Over Fire Island
St. Elmo's Fire
In Dark Trees
Big Ship
I'll Come Running
Another Green World
Sombre Reptiles
Little Fishes
Golden Hours
Becalmed
Zawinul/Lava
Everything Merges With the Night
Spirits Drifting

Amazon.com essential recording

Eno first emerged as a member of Roxy Music, where the synthesizer player electronically "treated" the band's other instruments, the first indicator that the recording process was itself Eno's chosen instrument. His subsequent career has been one of the most provocative in pop, for not only did he devote himself to such obscure pursuits as "ambient music," but he produced vital albums by David Bowie, Talking Heads, and U2. Eno made a handful of relatively conventional pop albums in the 1970s, and Another Green World ranks with Before and After Science as his most enduring solo work. Another Green World finds Eno mixing distorted guitars (courtesy of Robert Fripp) with a variety of keyboards and exotic rhythms to create a meditative wash of sound that is nonetheless awash with colorful touches. Particularly appealing is the bubbling "St. Elmo's Fire," with a stunning guitar part by Fripp, and "I'll Come Running," in which Eno shows that even a dedicated experimentalist can have a soft heart. From the strange-but-true file, Phil Collins contributes drums and percussion to three tracks. --John Milward

Amazon.com

This 1975 recording catches the ex-Roxy Music member in transition between art rock and his more progressive-ambient recordings. With an all-star cast including drummer Phil Collins, guitarist Robert Fripp, and John Cale on viola, Another Green World explores instrumental landscapes and aural textures not normally associated with rock recordings. Drawing on musical influences ranging from Weather Report to La Monte Young and Terry Riley, Brian Eno created layers of quirky sonic atmospheres and electronic tone poems. Using synthesizers, artificial percussion devices, and additional electronic accouterments, he found that the studio itself could become a useful instrument of creativity. Compositions like "Becalmed," "Sombre Reptiles," and the title cut all anticipate Eno's later ambient excursions. One of the many utterly essential Brian Eno albums. --Mitch Myers

Customer Reviews:

Groundbreaking..........2007-07-26

Brian Eno seemed so nerdy and techno and so unlikely as a member of Roxy Music in support of tuxedo clad Brian Ferry. Then he stepped out on his own with releases like this and "Taking Tiger Mountain." For those who know him later as the composer of minimalist instrumental material, this will come as a surprise. "I'll Come Running," for example, is pop tune heaven. Great marriage of the dawning technology of the age and plain old hummable pop music.

Another Great Work.......2007-05-03

Where Eno's debut album was kind of a rough DIY affair with mixing that was often rather muddy (loved it just the same) and "Taking Tiger Mountain" showed growth in the areas of song writing, performance and production (loved it even more than "Jets"),"Another Green World" is a giant step forward in the areas I just mentioned. Impossibly mature and focused, B.E. really hit his stride with this one. Sprinkled among the songs with vocals (I'd call these conventional pop songs but they're really anything but that), we also get a taste of the kind of music Eno would become renowned for- ambient.

It begins with "Sky Saw", seemingly an instrumental then in the last minute or so Brian sings a few surrealist lines. It features viola work by John Cale and damn if that thing doesn't sound just like you'd imagine a 'sky saw' would sound like. Brilliant. A short and sweet instrumental "Over Fire Island" follows. One of Eno's most beautiful and evocative songs "St. Elmo's Fire" comes next with some splendidly tight, jagged, slightly distorted guitar provided by Mr. Fripp. The lyrics to this song are some of Eno's finest poetry. Two instrumentals, "In Dark Trees" and "The Big Ship" come next. "Trees" features some nice echo-y percussion along with its dark melody. "Ship" features more of Fripp's wonderfully expressive guitar. "I'll Come Running" is one of the standout tracks here. For some reason, I've always felt that this might be a parody/homage? of his ex-band mate Bryan Ferry's material. The 'oh oh oh oh oh oh's' sound very Ferry to these ears. Following "Running" is another cluster of short and lovely instrumentals,"Another Green World", "Sombre Reptiles" and "Little Fishes", all of them very appropriately named. The excellent vocal piece "Golden Hours" explores the slippery notion of time and how we relate to it. I love the last line "putting grapes back on the vine". "Becalmed" is another sweet instrumental with a title that perfectly describes the feeling of the piece. This one is a bit more New Age, a bit less ambient than most of the instrumentals on the disc. The instrumental "Zawinul/Lava" was inspired by ex-Weather Report co-founder/keyboardist Joe Zawinul and the song magically evokes flowing hot lava. The final vocal track "Everything Merges With The Night" is heavenly. The music and lyrics are subtle and fine. "Spirits Drifting" closes the album in ambient bliss.

If you like what you hear on this CD, you might also enjoy David Bowie's "Low" which Mr. Eno contributed a great deal to.

One of Eno's Best.......2007-04-28

Not as good as TAKING TIGER MOUNTAIN, but why quibble? It's still better than most of what's out there, from the period in which it was released to today.

A True Classic.......2007-04-10

This is a real one-of-a-kind classic, groud-breaking album that stands the test of time. Never trite (like this review).

Deformed deviants only.......2007-02-14

This is pompous, bubble-boy music. Can you please tell me who listens to this drivel? Funeral directors? I feel like I'm stranded in my ski suit in the middle of Death Valley. When I lived in Tampa, I happened by this shack on the side of the road with a big eye painted on one side. It was called the "Seeing Eye Museum" or something and when I went in, it was kind of like a hare krishna version of the gas station in "House of 1,000 Corpses." It was this combo folk art gallery/gift store and in the back there was this meditation area where everybody stared at each other's third eyes ... it was all about endless reincarnation and repetition, really quite creepy. Anyway, this is the kind of music they had spinning over their sound system. I felt like I was starting to have a bad trip. Man, I remember this cat back in my salad days who was studying to be a dolphin translater and he wrote a book with a chapter dedicated to the pleasure of interspecies intercourse. Guess what he had playing in his car when the cops pulled him over for breaking into an aquatic park ...

Average customer rating:

More wonderfulness, please.
Yer gonna love "The |Guvnor"
Good job Brian!
Good but not his best!
a briiliant masterpiece,you have to buy this

Another World
Brian May
Manufacturer: Hollywood Records
ProductGroup: Music
Binding: Audio CD

General | Rock | Styles | Music

General | Hard Rock & Metal | Styles | Music

Hard Rock | Hard Rock & Metal | Styles | Music

Pop Rock | Pop | Styles | Music
Similar Items:

Back to the Light
Live at the Brixton Academy
Happiness?
Strange Frontier
Fun in Space

ASIN: B00000DC7L
Release Date: 1998-09-15

Tracks:

Space
Business
China Belle
Why Don't We Try Again
On My Way Up
Cyborg
The Guv'nor
Wilderness
Slow Down
One Rainy Wish
All The Way From Memphis
Another World

Customer Reviews:

More wonderfulness, please........2007-03-12

This is must-have stuff for any Queen fan. Brian rocks his heart out, holds nothing back. His cover of Hendrix's "One Rainy Wish" is just phenomenal.

Yer gonna love "The |Guvnor" .......2006-07-18

May and Beck have a mutual admiration society. I read that they call each other "The Guvnor." (brit slang for "Boss")

I thought China Belle would have made a great single. Why hasn't Brian gotten the promotion he deserves?

Loved the cover art.

I only got this yesterday and it's been on a 24 hr. loop so far chez moi.

Good job Brian!.......2006-06-28

An excellent compilation of songs with interesting vocals and a range of guitars.
Apart from his "Red Special" Brian plays Ibanez in "Nothin' but blue". The 'commercial song' "Driven by you" will wake you up while "Too much love" is pure masterpiece, sounds even more dramatic than Freddie's version!

"Last horison" on the other hand, is a nice, calm guitar solo....Brilliant! For more unique licks and a beautiful ending I recommend "Furia" by Dr May.

Good but not his best!.......2006-06-19

Now being a HUGE Brian May fan, i must say this is a fine piece of work for someone with such talent as Brian May. I must say, that his guitar playing is, as always, wonderful, spectacular!!!! etc etc. But I must say it isnt his best. Back To the light is a little better, on the other hand, then Another World. Though it is a good album, it is lacking! Brian May, may not posses huge singing skills sing like Freddie Mercury, but he can sure damn well play guitar! For die-hard Queen fans,like me, this is a treasure!

From a fan...

a briiliant masterpiece,you have to buy this.......2005-06-01

another world is a superb album from the former guitarist of the legendary queen who is amongst my favourites along with David Gilmour.this album is a masterpiece and is filled with brilliant music.hugely recommended.ignore the haters and get this classic.five stars.

Average customer rating:

Buddha Lounge Vol 4
Chillin' With The Buddha
Keep it up Gordon Brothers, your Buddha series is perfect!
World Class Chill-out
ummm.....wallpaper music

Buddha Lounge, Vol. 4
Various Artists
Manufacturer: Sequoia Records
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music

Electronica | Dance & DJ | Styles | Music

General | Dance Pop | Dance & DJ | Styles | Music

General | New Age | Styles | Music
Similar Items:

Buddha Lounge, Vol. 3
Buddha Lounge, Vol. 2
Hotel Tara: The Intimate Side of Buddha-Lounge
Buddha Lounge, Vol. 5
Buddha-Lounge

ASIN: B000A7Q2IC
Release Date: 2005-09-13

Tracks:

Cape Porcupine ~ Achillea
Why ~ TYA
One And Twain ~ Ginkgo Garden
Samah ~ Nasser Kilada
Touche (Sutra Edit) ~ TAU
Bhajya Sahita ~ Hands Upon Black Earth
Empowered (Club Remix ~ David & Steve Gordon
Northern Lights ~ Stella Maris
Mangoville ~ David Gordon
In For The Night (Buddha Edit) ~ The Moontrane Conductors
Descent to the Lowerworld ~ David & Steve Gordon
Hamana Nale (Lotus Mix) ~ One At Last
Sky Walk ~ Althea W.

Album Description

Welcome back to your location for relaxation - refreshment awaits as you step once again into the mystical lounge that satisfies like no other can. Our house DJs the Gordon brothers (Café de Luna, Hotel Tara) once again demonstrate their mastery of mood as they present another luscious set featuring the crème de la crème of chill-out/lounge music from around the world including TYA, Althea W., Moontrane Conductors, Achillea, Ginkgo Garden, TAU, Stella Maris, Nasser Kilada and One at Last plus David & Steve Gordon. With their keen ear for finding hip sophisticated music and their impeccable mixing, you can rely on the Gordon's expertise. In their sublime blend, ethnic world sounds and voices merge with modern electronica creating a mesmerizing atmosphere for socializing, yoga or just kicking back. Forget your cares and just relax with these European favorites, as the hypnotic rhythms, sensuous vocals and multi-cultural grooves take you away.

Customer Reviews:

Buddha Lounge Vol 4.......2007-01-15

Good chill tracks. I have all the other Buddha lounge CDs as well as Arabic Lounge, whe something works stick with it. Ilike this CD for warm up, Yoga, Pilates, stretching. Also good to chill to very calming rythems.

Chillin' With The Buddha.......2006-10-16

This is an interesting one, that is sort of outside my normal frame of reference. My girlfriend and I were in a "new-agey" store while on a road trip, and we were both sort of intrigued in the music that was playing, which turned out to be this album. I would consider this disc a combination of two genres of music which I am actually rather unfamiliar with-techno and world music. It actually comes together quite well; most of the selections on this compilation are somewhat obscure(to me, anyway) european trance or house DJs (again, I'm going to have to cite unfamiliarity with the current "hip" slang on this subject(*snicker*)which incorporate world music and chanting (in Arabic?) into undeniably modern drum beats and synth programming. There is also a fair amount of briefly-phrased but very melodic electric guitar reminiscent of Buckethead's "Electric Tears" or "Colma" albums...quite a soothing combination, although I could have done without one track, which is sung in French. Excellent music for just relaxing with friends or a glass of wine.

Keep it up Gordon Brothers, your Buddha series is perfect!.......2006-03-09

I was so pleased to see this top compilation series continue with even more great selections. Helen Horlyck's atmospheric vocals and J. Gad of Enigma fame on their track Cape Porcupine, is a great way to introduce this excellent collection of mood music. TYA shares an exotic atmosphere on Why. One And Twain by Ginkgo Garden is spatial and measured as Mueller-Key adds a melodic story. Touche' by TAU adds an inspired French groove. Samah livens up the grouping with Kilada's Arabic/Afro beat & vocals. Bhajya Sahita by Hands Upon the Black Earth has gentle vocals by Renee Petry along with a light-hearted beat by Bobby Cochran. The Gordon Brothers added one of my favorite tracks of theirs, with a club-remix of Empowered, giving a North American contemporary beat; as well with Descent to the Lowerworld, where the brothers always take me on a rewarding venture into deep Shamanic landscapes. Mangoville by David Gordon brings a gentle and instrumental track, which lends a joyful, lazy summer-like feel. With Northern Lights by Stella Maris, this obviously multi-talented group demonstrates their special brand of mystery-pop in both their vocals and melodies. The entrancing American group, the Moontrane Conductors, brings a wide multiplicity of soothing sounds with their In for the Night. Jaya Lakshmi & Deva Priyo hook up to weave together a Sanskrit chant into a rhythmic sway with a contemporary reward in Hamana Nale. And last but not least, Abraham Schenk wields a way among the electric in Sky Walk, which graces the end of this entrancing and soothing album. All together, this album has provided me with many soothing hours of aural enjoyment, and served as easy background music, when I have entertained friends. Keep it up Gordon Brothers, your Buddha series is perfect!

World Class Chill-out.......2006-03-06

Each Buddha-Lounge just keeps getting better. While I love them all, number four is by far my fav! It opens with a track from ACHILLEA which is the new project from Jens Gad, co-producer and guitarist from ENIGMA, then continues with fantastic tracks from many top European artists such as Tya, Stella Maris and gems from underground US beatmasters such as The Moontrane Conductors and Hands Upon Black Earth plus world artists such as renowned Egyptian vocalist Nassar Kilada. The level of quality on this set is among the highest out there. I love putting this on for late night rendezvous!

ummm.....wallpaper music .......2006-03-04

not sure what this volume 4 is trying to achieve, but me thinks that if you take all 4 volumes and actually pick through the songs you might salvage one decent record...ughhhhh listen at your own risk!

Average customer rating:

The penultimate collection ...
Muisic of the Spheres
The Ulllllltimate Sci-Fi Music Collection
SciFi Album gift
Away From to be a Collectible Peace

The Science Fiction Album
Various Artists
Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

Movie Soundtracks | Soundtracks | Styles | Music

Star Wars | Soundtracks | Styles | Music

Star Trek | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

Sci-Fi Channel - Sci-Fi's Greatest Hits, Vol. 1: Final Frontiers
Fantastic Journey
Sci-Fi Channel - Sci-Fi's Greatest Hits, Vol. 4: Defenders Of Justice
Sci-Fi Channel - Sci-Fi's Greatest Hits, Vol. 2: The Dark Side
The Fantasy Album

ASIN: B000066HE5
Release Date: 2005-02-08

Tracks:

2001: A Space Odyssey
Aliens
Sound Effect - The Nostromo
Alien
A.I.
Armageddon
Sound Effect - Apollo 13 Lift-off
Apollo 13
Back To The Future
Battle Beyond The Stars
Battlestar Galactica
The Black Hole
Contact
Capricorn One
Close Encounters of the Third Kind
The Day The Earth Stood Still
Dune

Tracks:

Galaxy Quest
Sound Effect - Dogfight in Space
Enemy Mine
Ghostbusters
Gremlins
Heavy Metal
Independence Day
E.T.
Judge Dredd
The Last Starfighter
Lifeforce
Sound Effect - Crash Landing
Lost In Space
Mars Attacks
The Matrix
Predator
The Right Stuff

Tracks:

Moonraker
Robocop
Silent Running
Sound Effect - Alien Organism
Species
Stargate
Starship Troopers
Starman
Star Trek - TV Theme
Star Trek: The Motion Picture End Title
Klingon Attack
Sound Effect - Warp Drive
Star Trek II: The Wrath of Khan
Star Trek: Deep Space Nine
Star Trek: Generations
Star Trek IV: The Voyage Home

Tracks:

Star Trek VI: The Undiscovered Country
Sound Effect - Transporter Crew
Star Trek: Deep Space Nine - Main Theme
Star Trek First Contact
Star Wars
The Empire Strikes Back
The Empire Strikes Back
Return of the Jedi
Sound Effect - Battle Stations
Star Wars Episode 1: The Phantom Menace - The Flag Parade
Anakin's Theme
The Adventures of Jar Jar
Duel of the Fates
The Time Machine
Things to Come
The Thing From Another World
War of the Worlds
When Worlds Collide
Total Recall
You Only Live Twice
Superman

Customer Reviews:

The penultimate collection ..........2006-12-07

Generally I agree with Strategos in his ecstatic Spotlight Review above. It is a joy to here some of the most memorable themes and cues from some of the most memorable science fiction and fantasy movies (re)recorded in great sound and in lavish (re)orchestrations, played by renowned classical orchestras, namely the City of Prague Philharmonic Orchestra, the Royal Philharmonic Concert Orchestra and the Philharmonia Orchestra, no less.

I have always had a weak spot for (good, or maybe even intelligent) science fiction/fantasy and film music, especially its way of evoking mystery, grandure and wide open spaces. Call it a weakness if you want. But it was maybe really kick started off, for as far as I can remember, with Star Trek. But especially Star Trek II, III and IV - essentially a trilogy - because of their very romantic but very warm, human core, set on the broadest canvasses of unlimited and mysterious outer space. But then there was the music for adding that essential extra dimension of emotion and atmosphere. I am happy that much of the music on this album is from the Star Trek series and films, often equaling or sometimes even outclassing the original recordings.

This kind of music (for the movies) should be seen as an art on its own rights with its own merits and qualities. As such, the musical sequences on these CD's are a beautifully played cross section of some of the most evoking orchestral music for science fiction/fantasy film ever created. And I very much like the nicely blended, wide and deep orchestral soundpicture with enough reverberation to evoke a sense of wide open spaces.
I am quite thrilled by tracks like the evocative music from Dune, truly transporting one to the vastly sands of Arrakis (the music is wonderful, but to my great regret I think the movie itself is a flawed masterpiece at best, alas.). And then there is the very different, goofy music for Ghostbusters (memories of childhood), the spoofy but electrifying music from Mars Attacks (lovingly parodist music, this, with not a little touch of irony) and the happily adventurous, forward driving Theme from Galaxy Quest ('Never give up, never surrender!'), now also used for the internet-based fan-series Star Trek: The Hidden Frontier. On the other side of the spectrum we have the atmospheric music for Enemy Mine (an underestimated 'little' movie), the Theme from The Right Stuff (actually science FACT, not fiction, this film, just like Apollo 13, of course), the eerily attractive music for Species, the original End Title for Alien (not used in the theatrical version of the movie, where it was replaced by music from howard Hanson's Second Symphony), the exquisitely exotic music for Stargate, the sweet and warmly sympathetic, beautifully re-orchestrated, theme for Starman, the title cue for Star Trek: TOS (much more melodiously played than the original! If only a series nowadays could continue to be as thought provoking and as original as Star Trek was during its launch, fourty years ago ...) and a truly overpowering End Titles Suite from Star Trek VI: The Undiscovered Country. I especially like the thrillingly grandiloquent rendition here of the music for Star Trek II: The Wrath of Khan. And how nice it is to hear the (thematic) similarities between James Horner's music for The Wrath of Khan, his great break-through as a film music composer, and his (two years) earlier music for Battle Beyond the Stars (which did indeed help him earn the job for writing the music for Star Trek II) ...

But on the 'down side', if one is looking for - for example - the gorgeously expansively played End Titles from Cocoon, it is not included here: one has to acquire the album that 'kicked it all off', so to say, namely 'Space and Beyond', also on Silva Screen. I was very pleased also with the inclusion on that album of some of the music from the series Star Trek: The Next Generation, namely where one of the characters, Tasha Yar, in one of the episodes (Skin of Evil) is saying goodbye to her crewmmates: sweetly sentimental and simple music which I have always wanted to own on CD. I guess that a few cues from the other two sequals ('Alien Invasion: Space and Beyond II' and 'Space3: Beyond the Final Frontier') didn't make it onto this 4 CD collection-album as well, but I guess that it would be the 'better part of the bargain' to opt to buy this 'The Science Fiction Album' instead of buying all three albums separately. Well, of course it is for yourself to ultimately decide what you really want ;-)

If I were to nitpick (which is not easy with such a marvellous project as this one), then I would say that while all music is performed with magnificent grandure and with style, some of it is not performed as crisply and as technically 'on the spot' as some of the original recordings: ensemble is a little slack and the playing somewhat stilted sometimes, losing some of the edge and the originality of the writing. ET and Star Wars spring to mind, but then the soundtracks for Star Wars are traditionally recorded with the magnificent London Symphony Orchestra, conducted by maestro John Williams himself, and these superior recordings (especially the ones for Episode I, II and III) can't really be bettered, IMHO. Likewise for the music from Star Trek: The Motion Picture, I believe that in the end one really has to resort to the ultimate reference, namely the original recording (which is true in many other instances of 'original recordings'), and then the 20th anniversay colector's edition of this soundtrack on Columbia/Legacy (truly unmissable, this veritable classic of sci-fi/film music soundtracks!).

But all in all this 4CD-collection amounts to probably being the penultimate high quality sci-fi music album collection (I certainly know of no other project that comes as close quality as well as quantity wise), with some of the most memorable musical moments from classic to modern sci-fi/fantasy film captured in lavish orchestrations.
Collection-wise: five *stars*. Playing: generally four *stars*, sometimes more. The recording quality: five *stars*. The music (qualified on its own merits as film music) and its (re)orchestrations: generally five *stars*. In the end this is all highly recommended, and certainly not to be missed by science fiction and fantasy film music fans. Klaatu barada nikto.

Muisic of the Spheres.......2006-11-06

You wonderful four disk collection of SF music. It startsa up the the grand master of SF music, 2001: A space Odyssey all the way to Superman. This is all American SF music and several themes I would have liked to have included are not there. All in all though, a collection you will enjoy.

The Ulllllltimate Sci-Fi Music Collection.......2005-10-23

If one person gives great gifts, it's the illustrious Codemaster Talon. I've received a fair number of gifts in my lifetime, but so far, my older sister's take the cake. Take this one for instance. I'm real big on orchestral music, to the point where I listen to them more than any other kind of music. I've got orchestral versions of video game themes, orchestral soundtracks to truck-loads of anime shows (Big O, Escaflowne, and Giant Robo are incredible), and could probably spend the rest of my life just trying to study the nuances of all the classical music I've got. Being such a huge fan of orchestral music, I also have come to believe that orchestra music produced for movies and television is the new classical music (or as someone once said, Mozart would be making music for movies if he were alive today). Being a huge sci-fi fan, that kind of music has always been particularly near and dear to my heart. But were I to buy each and every soundtrack for every sci-fi I liked it would cost quite a bundle, and would include a lot of sub-par music along with the grandiose and fantastic main and memorable themes. That's where this beauty comes in.

The moment I ripped off the shrink-wrap and popped it into my cd player was a moment of great trepidation. Believe me when I tell that I've seen my fair share of sub-par orchestral recording in my lifetime. Very often they are in those big super-packs of music, and suffer from poor direction, improper mastering, and sometime even pathetic orchestration (or worse yet have something sounding like a cheap synthesizer and a kazoo in place of a full orchestra). I needn't have worried though. This sucker is fantastic.

Many people who are not audiophiles will probably miss the point of this cd collection. It is not the original versions of the pieces. It is re-orchestrations, mostly by the phenomenal Prague Symphony Orchestra. Many of these themes didn't sound all that hot in there original versions because they were low budget films or were not recorded in high-fidelity. Here they are given the full treatment, mastered with the most loving care imaginable. Often the version found in these cds is SUPERIOR to the original.

Remember the theme from 2001: A Space Odyssey? Of course you do. But how many times have you heard a cheap imitation of the original version from the movie, starting too low in volume and ending too high (and missing the essential pipe-organ that gives it that extra oomph)? Well, this first track in the entire collection is not only everything it should be instrumental and timing-wise, but it also has been oh-so-carefully adjusted during the mastering process so that at no time is the music either too low or too high in volume (surely a benchmark for every other recording ever to be made of the piece).

Or what about the theme from the (at-the-time) uber-creepy The Black Hole? The orchestration of this piece of music goes from tiumphant to terrifying and back again, with a splendor and cleanness that I CERTAINLY don't remember being in the original recording.

Then there's the new version of the theme from Independence Day, complete with a violin solo, a far more electrifying ending climax, and a chorus so thunderous that you feel like applauding at the end. Simply indescribable. Kind of like the MIND-BLOWING rendition of the theme from The Last Star Fighter. This has been one of my favorite themes for a long time now, but I've never heard it played like this. I think the original version of the theme is something like 1 minute long, but this new version doesn't just fade out (HAHAHAHA!!!!) THIS version is THREE minutes long, goes through the main theme THREE times, with the final strains being so triumphant and joyous I could not help but feel an electrifying charge the first dozen or so times (come to think of it, I still feel that way). This is superior to the original in EVERY way. AWESOME.

And let's not forget the incredible new rendition of Stargate with it's heavy use of clarinets (for Egyptian effect!) and a triumphant new ending (completely lacking the chanting from the original version. This version is so different that for the first minute it is very hard to tell that it is in fact Stargate. But then the main theme kicks in, and then you get this incredible flute solo for my favorite part of theme (the whole thing is played slower, but arguably more powerfully than the original). My goodness. At first I found the thing so different I didn't like it. But then I listened to it again. And again. And again.

I could go on and on, talking about the fantastic new rendition of Moon Raker, the ear-popping Battlestar Galactica, the classic Star Trek (First Contact has a minute or two of the theme from Star Trek:The Motion Picture before going into the main theme), or the sweet renditions of music from the Star Wars movies (or the music from E.T.).

I have to mention though that this collection was not picked based merely on what people want, or on what is popular. No, the people who made it obviously thought a GOOD music collection was better than a popular one. That's why you get a heartbreakingly beautiful theme from A.I. instead of the main theme. It's why you get music from movies that you probably never gave a second thought to the music (because the movie was lousy). It's why you get Armageddon, Judge Dredd, and Robocop (who would have guessed their music was so COOL when there was all that crazy action and bad-acting going on on-screen).

I said it before and I'll say it again. This cd-set was mastered with tender-loving-care, and it shows BIG-TIME. High-fidelity the likes of which I have not seen since the days when cds were brand-new in the world. Dolby Surround. Perfectly balanced. BEAUTIUFL orchestrations. About the only thing that makes me scratch my head is the weird sound-effect tracks (Oooookay.....). Other than that, it's PERFECT. Obviously they could not include every sci-fi theme ever (no one can), but this collection is REALLY GOOD. A lot of great themes that got away (forgotten gems :), new versions of old favorites, and under-appreciated classics aplenty, but ALWAYS the full and complete versions with nothing cut-out (the theme from Dune is quite extended).

If you love movie music (and sci-fi movie music in particular) you MUST buy this awesome collection). It is not the original recordings. Almost always the new ones are better (if they aren't better they're just equal). This is what you have been waiting for. I for one am going to be buying quite a few cds from this company in the future. Give your ears the treat they deserve. Buy it NOW.

SciFi Album gift.......2005-07-20

I bought the Science Fiction Album as a gift for my son who is twenty-one years old. He is a musician, and also a huge fan of many SciFi shows and movies. I thought this would be the perfect thing for him and I was right. He loves it!

Away From to be a Collectible Peace.......2004-12-16

If you like Sci-Fi movies and want a compilation of their important scores, this is the CD-set to buy. But let me warn you about that very few songs in the cds are from the original soundtracks. Most of them is re-recorded by The City of Prague Philharmonic Orchestra. But the sound quality of cds are very good, because they have HDCD and Dolby Surround labels. This set is away from to be a collectible peace, but it is a good general compilation of favorite Sci-Fi movie scores.

Average customer rating:

a wonderful surprise
What!? How is this possible?
Beauty and grace, charm and wit - Maury's got it all
A perfect marriage of music and lyrics
The Maury Yeston Songbook

The Maury Yeston Songbook
Maury Yeston , Christine Andreas , Brent Barrett , Betty Buckley , Liz Callaway , Alice Ripley , Sutton Foster , Brian d'Arcy James , and Philip Chaffin
Manufacturer: P.S. Classics
ProductGroup: Music
Binding: Audio CD

General | Rock | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

Pop Rock | Pop | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

The Maury Yeston Songbook
December Songs
The Drowsy Chaperone (2006 Original Broadway Cast)
Jule Styne in Hollywood
Grey Gardens - A New Musical (2006 Original Broadway Cast)

ASIN: B00008H2LJ
Release Date: 2003-04-08

Tracks:

Please Let's Not Even Say Hello - Alice Ripley
Only with You - Brent Barrett
I Want to Go to Hollywood - Sutton Foster
Danglin' - Johnny Rodgers
I Had a Dream About You - Betty Buckley
My True Love - Philip Chaffin
A Call from the Vatican - Alice Ripley
Now and Then - Laura Benanti
You're There Too - Christopher Fitzgerald
Is Someone Out There? - Eden Espinosa
New Words - Brent Barrett
My Grandmother's Love Letters - Christine Ebersole
By the River - Christine Andreas
I Am Longing - Philip Chaffin
Home - Laura Benanti & Robert Cuccioli
Another Day in the Modern World - Michael Holland
Simple - Liz Callaway
Unusual Way - Brian d'Arcy James
Be On Your Own - Betty Buckley
No Moon - Howard McGillin

Amazon.com

Despite racking up Tony nominations and/or box-office success with Nine, Grand Hotel, and Titanic, Maury Yeston remains a relatively unknown Broadway auteur. And yet, what a fabulous songwriter he is. Listen to "Home," for instance: This excerpt from Phantom (the other adaptation of Phantom of the Opera) has great melodic hooks, along with natural sweep and unrestrained emotion. Like every song on this CD, it also has such dramatic drive that it easily stands on its own outside of its regular narrative frame. This collection of new recordings provides an excellent overview of Yeston's talent, juxtaposing numbers from his three best-known scores (though there's only one from Titanic) with rarities and a generous selection from his 1991 song cycle December Songs. Christine Ebersole, Liz Callaway, and Betty Buckley turn in expectedly strong performances, but watch also for Laura Benanti (the star of the 2003 revival of Nine), Christine Andreas, and Foster Sutton, who completely make the material theirs. --Elisabeth Vincentelli

Description

The Tony Award-winning composer/lyricist -- who's given us the smash hit musicals Titanic, Phantom and Grand Hotel, and whose first stage show, Nine, is currently being revived in New York with Antonio Banderas -- is celebrated in song by the best stars o

Customer Reviews:

a wonderful surprise.......2007-07-22

Like others, I bought this CD primarily for Sutton Foster's rendition of "I Want to Go to Hollywood." And while that's wonderful, the real surprises here are the songs from Yeston's song cycle "December Songs." Christine Ebersole and Christine Andreas give absolutely lovely, technically proficient, completely heartfelt renditions of "My Grandmother's Love Letters" and "By the River", respectively. I'd heard Andrea Marcovicci's recording of "December Songs" and was seriously underwhelmed. These two tracks just prove that Yeston might have over-estimated Marcovicci's range and technical ability. "By the River" is a revelation in the right hands, and Ms. Andreas's rendition is just four minutes of wonderful. I also want to mention Howard McGillin's "No Moon". This little song from "Titanic" is just so moving. Pulled out of context, it becomes a little jewel of metaphor.

The CD as a whole is beautifully recorded, with an intimacy and clarity that makes you feel like you're in the first row of a very small theatre. If you come across this and you're on the fence, take a chance. I bet that you'll be as pleasantly surprised and deeply moved as I've been.

What!? How is this possible?.......2007-01-20

How could one put together a Maury Yeston Songbook cd without a track from Andrea Marcovicci? He wrote a song cycle for her. Granted there are some great singers here but a grave oversight to not include Ms Marcovicci.

Beauty and grace, charm and wit - Maury's got it all.......2006-11-14

Maury Yeston may be musical theatre's unsung genius to the public at large, but I've heard his praises sung many times. A friend convinced me to buy the original Broadway cast of "Nine", and while there were some fantastic songs and an undeniable melodic gift throughout, it left me lukewarm. The same with "Grand Hotel". And I couldn't stand "Titanic" - too big, too self-important, too reliant on booming low brass and bombastic orchestral swells.

"Phantom" was the only one of his scores that touched something other than distanced admiration in me. It was everything Sir Lloyd Webber's popera travesty could never quite aspire to - epic yet human, beautiful and touching, with songs that showed actual details and emotions. So it was with that in mind that I purchased this, figuring that maybe Maury could prove me wrong, shorn from the restrictions of a book musical format.

And by God, did he prove me right and then some.

Maybe it's the singers. Maybe it's the perfect orchestrations. Maybe it's just the absence of a plot to follow. More than likely, it's all three, but this is one of the most gorgeous, enjoyable, heartbreaking albums I've ever purchased. Yeston has assembled an impressive cast to give voice to his music - such heavy Broadway hitters as Alice Ripley, Brent Barrett, Betty Buckley, Christine Ebersole and Howard McGillin mix with up-and-comers like Eden Espinosa, Sutton Foster, and Brian d'Arcy James. But the most impressive turns are given by people I'd never heard of before - Johnny Rodgers (who?) has a voice spun from gold, and he's absolutely perfect in "Danglin'", a simple and powerful song despite some odd lyric choices by Yeston. Likewise Philip Chaffin in "My True Love" and "I Am Longing", and Michael Holland displays a warm and untrained performance of "Another Day in the Modern World". These three men, who I'd never heard of before, absolutely stole the show. It doesn't hurt that they're given some of the best songs from the album.

Of course, the rest of the ensemble uniformly turns in worthwhile performances. The professionalism of Broadway is gloriously evident here, each singer making their song uniquely theirs. Brent Barrett made me hear "Only With You" as if for the first time. Betty Buckley is surprisingly vulnerable in "I Had A Dream About You". Alice Ripley is her usual bundle of raw emotion in "Please Let's Not Even Say Hello", and turns in a rare comic performance in "Call From The Vatican" to great effect (listen to that surprise high note near the end! Wow, Alice!). Christine Ebersole is heartbroken, elated, vulnerable, and tough all in the course of "Grandmother's Love Letters"' 4 minutes.

There are some weak spots - Eden Espinosa is mostly one-note during her song, and while it's certainly a high note, it's nothing you haven't heard her do better elsewhere. Laura Benanti's "Now and Then" goes by without much notice, which is a shame for this talented actress. And Betty Buckley goes back to her usual high-volume stridence in "Be On Your Own", which despite its chilling music deserves a more nuanced performance than Buckley gives here. But these songs would be standouts on any other album, and it's only the company they keep that prevent them from being excellent.

Oh, and "Unusual Way", possibly Yeston's best-known song, is so beautifully performed here by Brian d'Arcy James and a three-piece band that I nearly cried hearing it. And that's quite a feat for a song that I swore never to listen to again after the seventeenth girl in a day auditioned with it (badly). But the gender swap works perfectly, and d'Arcy James' golden Irish tenor swings through the music effortlessly.

As for the band - there are no missteps here. Each song is given exactly what it needs, from the Romantic-with-a-capital-R string section on "Home", to the jazzy saxophone on "Letter From the Vatican", to "Be On Your Own", which is given a Herrmann-esque string section. Some particular touches stand out - that lovely acoustic guitar on "Danglin'", the simple piano line on "Modern World", and the sublime cello/piano outro in "Unusual Way" really stuck with me after the album stopped playing. And the recording is without fault - crisp, encompassing, personable and expansive as the mood requires. The whole album sounds fantastic.

There is such a wide range of style and substance here that each song would deserve purchasing individually. As a collection? It's bliss. If you're a fan of theater music, appreciate great vocals, or just need something to keep you company on long nights, this is required purchase.

A perfect marriage of music and lyrics.......2006-09-07

I think Yeston must be the most underrated talent in music theatre. And not just music theatre ... for as far as I know, "Danglin'" is not from a show - a jewel of a song ... and a disarmingly honest rendition from Johnny Rogers (what a beautiful voice! Why hasn't he made more CD's?) Some other favourites are "New Words" (not enough parent-child love songs out there ... and I can't imagine it could be sung any better than this), "You're there too" (with a charming and unexpected twist), "Simple" (Callaway is superb), "Only With You" (loveable rogue!) ... to name but a few. Inspired music theatre writing. A must for any musical buff, composer or singer seeking repertoire that will help them stand out from the crowd.

The Maury Yeston Songbook.......2006-08-30

A good album sung by good singers. I have been an admirer of Maury Yeston for a number of years . I am a great fan of "Nine"
which I consider his best work.(If possible try to listen to the
Australian Cast Recording with John Diedrich) I enjoy listening to artists like Alice Ripley, Brent Barrett, Sutton Foster,and my very favourite singer Liz Callaway. All in all a great CD to just sit back ,relax and enjoy Les Breen

Average customer rating:

Peter Cetera is the BEST modern romantist of our time!
AN ENGLISH GENTLEMANS VIEW
Peter Cetera's Finest Solo Work
Welcome Back Peter
Glad I Didn't Listen To Some Of You

Another Perfect World
Peter Cetera
Manufacturer: Dde Music
ProductGroup: Music
Binding: Audio CD

General | Rock | Styles | Music

Pop Rock | Pop | Styles | Music

General | Adult Contemporary | Pop | Styles | Music

Adult Contemporary | Pop | Indie Music | Stores | Music
Similar Items:

World Falling Down
One More Story
Peter Cetera
One Clear Voice
Solitude/Solitaire

ASIN: B00005AVJV
Release Date: 2001-03-27

Tracks:

Perfect World
Rain Love
Just Like Love
Feels Like Rain
I'm Coming Home
It's Only Love
Rule The World
Have A Little Faith
Only Heaven Knows
Whatever Gets You Through

Customer Reviews:

Peter Cetera is the BEST modern romantist of our time!.......2004-10-05

This album made me cry! Classic Peter all the way......he was the best during Chicago and still is. As someone else mentioned, in a 100 years, along with Sinatra, they will be playing his love balads. Bravo, PC...Keep up the good work!
Love you always....Terry
PS yes I am over 13 years old, I am 50 tears old

AN ENGLISH GENTLEMANS VIEW.......2003-10-30

Feels like Rain is simply the best song I have ever heard Peter sing it is so him. In 100 years time they will be still playing it. Peter has the best voice in the world. All the tracks lead straight to his broken heart, by God someone hurt him bad! Keep sad Peter, the sadder the better, as you are without doubt the maestro a genius who grew out of the shadows of darkness into the light. God Bless you.

Peter Cetera's Finest Solo Work.......2003-04-19

Peter was on hiatus from recording for a few years before releasing "Another Perfect World". This disc was certainly worth the wait. From beginning to end this recording emerges as his most listenable solo work since leaving the legendary group Chicago.
The opening track "Perfect World" is just terrific, with Peter's golden tenor presenting another trademark infectious melody over a bouncy country-based rhythm section. Some warm horn parts, reminiscent of Chicago, round this tune out nicely.
Peter's obvious Beatles influence is apparent on this CD and jumps right out on the disc's second tune, "Rain Love". By the sixth song, Peter is actually covering a Beatles classic, "It's Only Love", and does the song more than adequate justice.
Other highlights include, "I'm Coming Home", a beautifully-textured ballad and "Have a Little Faith", the finest song on the disc. This is an impeccably crafted tune, with Peter's vocal soaring over lush rhythmic textures, interesting and soulful background vocal sections and again, tasteful, yet subtle, horn charts.
Every song on this disc is a winner.

Welcome Back Peter.......2003-02-09

Too long away, Peter Cetera has delivered a cd which will certainly please his devoted and long-time fans. The horn parts are fabulous, and the inclusion of Lennon's "It's Only Love" benefits from Peter's voice and a great arrangement. If you like contemporary/adult pop or already know of Cetera's music, you won't go wrong with this record. Thanks Peter for the many years of wonderful sounds, both with, and after Chicago.