The 3 Way Dance

The 3 Way Dance

Track Listings

1. Band in Italy - No Redeeming Social Value

2. Anxious - No Redeeming Social Value

3. Let's Take a Spin at the Laundromat - No Redeeming Social Value

4. Skinheads Rule - Romantic Gorilla

5. Bite My Ass - Romantic Gorilla

6. Hanage - Romantic Gorilla

7. Fabio - Romantic Gorilla

8. Hamburger Hairdo

9. Kitty Revenge

10. Too Much Beer - Romantic Gorilla

11. Death to Guideos

12. Your Boyfriend's a Guido

13. Step Up

14. Victim in Pain

15. Petty Staycheck

Tracks:

Overture
Show Boat: Act One, Scene One - Cotton Blossom: Niggers all work on d Mississippi... (Stevedores, Gals, Queenie, Steve, Pete, 1st Mincing Miss, 2nd Mincing Miss, Beaux, Girls & Boys)
Show Boat: Act One, Scene One - Cotton Blossom: 'Andy!!!...' (Parthy, Windy, 1st Mincing Miss, 2nd Mincing Miss)
Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'Here comes the Show Boat parade!...' (Boy, Girls, Boys, Andy, Parthy)
Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'Hey Julie...' (Pete, Julie, Steve, Parthy, Andy, Ellie)
Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'It's a man...' (Ellie, Ravenal, Vallon)
Show Boat: Act One, Scene One - Where's the Mate for Me?: Who cares if my boat goes upstream... (Ravenal, Magnolia)
Show Boat: Act One, Scene One - Make Believe: Only make believe I love you... (Ravenal, Magnolia, Vallon)
Show Boat: Act One, Scene One - Ol' Man River: 'Oh, Joe!...' (Magnolia, Joe, Men)
Show Boat: Act One, Scene Two - Can't Help Lovin' Dat Man: 'What cher doin' all by yourself, Miss Nola?...' (Queenie, Magnolia, Julie, Joe, Servants)
Show Boat: Act One, Scene Three - Life on the Wicked Stage: Why do stage struck maidens clamor... (Ellie, Girls)
Show Boat: Act One, Scene Three - Till Good Luck Comes My Way: The man who ventures with chance... (Ravenal, Men)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': Mis'ry's comin' aroun'... (Queenie, Women, Joe Magnolia, Julie, Men, Solo Bass)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Take her up, Rubberface!...' (Andy, Julie, Steve, Magnolia, Parthy, Ellie, Windy)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Hello, Windy...' (Vallon, Andy, Magnolia, Steve, Julie, Windy, Ellie, Parthy)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'You needn't all look at us...' (Steve, Colored Chorus, Andy, Parthy, Magnolia, Ellie, Frank)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Looks like a swell...' (Andy, Parthy, Frank, Ravenal, Julie, Magnolia, Steve, Joe)

Tracks:

Show Boat: Act One, Scene Five - I Would Like to Play a Lover's Part: Her face is fair to look upon... (Boys, Girls, Ellie, Frank)
Show Boat: Act One, Scene Five - I Might Fall Back on You: Little girl, you are safe with me... (Frank, Ellie, Girls)
Show Boat: Act One, Scene Five - Queenie's Ballyhoo: 'Is de theatre fillin' up, Cap'n Andy?...' (Queenie, Andy, Colored Chorus)
Show Boat: Act One, Scene Six - Villain Dance
Show Boat: Act One, Scene Seven - You Are Love: 'That you, Nola?...' (Ravenal, Windy, Magnolia, Parthy)
Show Boat: Act One, Scene Eight - Finale Act One: Oh tell me, did you ever!... (Firls, Boys, Chorus, Andy, Women, Men, Negro Women, Magnolia, Parthy, Vallon, Pete)
Show Boat: Act Two, Scene One - At the Fair: When we tell them about it all... (All, 1st Barker, Boys, Girls, Chorus, 2nd Barker, Men, 3rd Barker)
Show Boat: Act Two, Scene One - Why Do I Love You?: I'm walking on the air, dear... (Magnolia, Ravenal, Chorus, Andy)
Show Boat: Act Two, Scene One - In Dahomey: Dyunga doe!... (Dahomey Villagers, White Chorus)
Show Boat: Act Two, Scene Three - Convent Scene: Alma Redmptoris Mater... (Nuns, Mother Superior, Ravenal, Kim)
Show Boat: Act Two, Scene Four: 'All right, Jake...' (Jim, Jake, Julie)
Show Boat: Act Two, Scene Four - Bill: I used to dream... (Julie)
Show Boat: Magnolia's Audition - Can't Help Lovin' Dat Man (Reprise): Fish gotta swim, birds gotta fly... (Magnolia)
Show Boat: Magnolia's Audition - Can't Help Lovin' Dat Man (Reprise): 'Whaddaya say, boss?...' (Frank, Jim, Magnolia, Jake)
Show Boat: Act Two, Scene Six - Trocadero Opening Chorus: Let's make the new year... (Chorus)
Show Boat: Act Two, Scene Six - Apache Dance
Show Boat: Act Two, Scene Six - Goodbye, My Lady Love: So you're going away... (Frank, Ellie)
Show Boat: Act Two, Scene Six - After the Ball: 'Ladies and Gentlemen...' (Jim, Drunk, Andy, Magnolia, A Man, All)
Show Boat: Act Two, Scene Seven - Ol' Man River (Reprise): Ol' Man River... (Joe)
Show Boat: Act Two, Scene Seven - Hey, Feller!: When you yen for a gent... (Queenie, Chorus)
Show Boat: Act Two, Scene Eight - You Are Love (Reprise): 'That you, Nola?...' (Ravenal)

Tracks:

Show Boat: Act Two, Scene Nine: Cottom Blossom (Reprise): Cotton Blossom... (Chorus)
Show Boat: Act Two, Scene Nine - It's Getting Hotter in the North: Now up in the northern land... (Kim, Chorus)
Show Boat: Act Two, Scene Nine - It's Getting Hotter in the North: 'Say, Cap'n Andy...' (Frank, Ellie, Andy)
Show Boat: Act Two, Scene Nine - Finale Ultimo: 'Hello, Gay...' (Andy, Hope, Ravenal, Girl, Man, Magnolia, Old Lady, Chorus)
Show Boat: Appendix - Pantry Scene (Act One, Scene Two; deleted - 1927): 'What cher doin' all by yourself, Miss Nola?...' (Queenie, Magnolia, Julie, Joe, Servants)
Show Boat: Appendix - Waterfront Saloon Scene (Act One, Scene Three; deleted - 1927): 'Number four, black!...' (Voice (off), Ravenal, Loungers, Gambler)
Show Boat: Appendix - Yes, Ma'am (Act One, Scene Three; unused - 1927): Bet your hat... (Girls, Ellie)
Show Boat: Appendix - Kim's Imitations (Why Do I Love You?): (Act Two, Scene Nine; Ziegfeld Production - 1927): Why do I love you?... (Kim, Chorus)
Show Boat: Appendix - Dance Away the Night (Act Two, Scene Nine; London - 1928): Music in the air... (Kim, Girls, Boys)
Show Boat: Appendix - A Pack of Cards (Act One, Scene Six?; unused - 1927): One night as I sat by my fireside so weary... (Magnolia)
Show Boat: Appendix - The Creole Love Song (Act One, Scene Seven; unused - 1927): 'That you, Nola?...' (Ravenal, Windy, Magnolia)
Show Boat: Appendix - Out There in an Orchard (Act Two, Scene Four; unused - 1927): There was a sun sinking slowly in the west... (Julie)
Show Boat: Appendix - Gallivantin' Aroun' (Universal Film - 1936): Liza Matilda HIll... (Magnolia, Chorus)
Show Boat: Appendix - I Have the Room Above Her (Universal Film - 1936): 'Seems to me I've seen that stocking someplace...' (Ravenal, Magnolia)
Show Boat: Appendix - Ah Still Suits Me (Universal Film - 1936): 'Joe! Dere you go again!...' (Queenie, Joe)
Show Boat: Appendix - Nobody Else But Me (Act Two, Scene Nine; 1946 Revival): I was a shy, demure type... (Kim, Chorus)

Amazon.com

John McGlinn's sprawling, monumental three-CD set is about all the Show Boat any listener could ever ask for. In an obvious labor of love, McGlinn reconstructs the show as it ran on opening night, November 15, 1927, including every song, the original orchestrations, and all underscored dialogue. The most significant restoration is the dark choral number "Mis'ry's Comin' Aroun'," as Show Boat's serious subject matter helped establish its place as the most important turning point in the history of American musical theater. McGlinn also adds an appendix that includes songs cut before opening night and every song subsequently written for the show's many productions, most notably the love duet "I Have the Room Above Her," written for the 1936 film. (The recording is also available in a one-disc reduction called the "Broadway Show Album.")

Rest assured this 221-minute blockbuster is not just dry scholarship; it's also terrific listening, with McGlinn conducting a dynamic London Sinfonietta and a strong cast including Frederica von Stade as Magnolia, Jerry Hadley as Ravenal, Teresa Stratas as the tragic Julie, Bruce Hubbard as the worldly wise Joe, Karla Burns as Queenie, and David Garrison and Paige O'Hara as the comic couple Frank and Ellie. And of course the songs by Jerome Kern and Oscar Hammerstein II are among the most glorious ever written: "Ol' Man River," "Can't Help Lovin' Dat Man," "Make Believe," "Why Do I Love You," "Bill," "You Are Love," and "Life upon the Wicked Stage." Also included are exhaustive production notes, a history of the show, a detailed synopsis, and a libretto. John McGlinn's Show Boat is a staggering achievement and a recording for the ages. --David Horiuchi

Customer Reviews:

The Best American Musical .......2007-07-29

The CD is the best American musical ever! The performances by Von Stade,Hadley etc are magnificient!

An American Treasure.......2007-03-03

When PBS showed the 1989 Paper Mill Playhouse production of Showboat, my five year old daughter fell in love with musical theater. To this day we never miss a production of Showboat, West Side Story, Music Man, Oklahoma or the rest of the great American musicals. These 3 discs are the closest you can ever hear to the original in 1927 and the recordings are leaps and bounds above any movie version or revival cast. Listening to Bill or Make Believe you almost want to cry at what Kern and Hammerstein were able to create.

I defy anyone to come up with another Broadway production that has three songs in a row better than Make Believe, Ol' Man River and Can't Help Lovin' Dat Man (West Side Story's Maria, America and Tonight are the best three in a row of a movie musical) and it's a shame that no movie version of Showboat can compare to this version. The first act is full of songs that are as good as any ever sung on a stage and I can't think of another production with a first act that compete against the big 3 plus Cotton Blossom, Where's The Mate For Me, Life On The Wicked Stage, Till Good Luck Comes My Way, Misry's Comin' Aroun', You are Love, Act One finale and Why Do I Love You?. You just don't want to have the music stop.

If you don't like opera you won't like this version. Sung the way Kern and Hammerstein wrote them, you can't help but feel the operatic nature of these songs. Tough noogies because Showboat is above all an opera disguised as a Broadway play and no sweetening should be allowed.

The four leads are all superb, Frederica von Stade as Nola especially. The booklet contains the complete libretto and allows a different way to appreciate the music.

If you buy just one version of Showboat you need this one. If you have other versions of Showboat you need this one. As a matter of fact, anyone with ears to hear needs this version. A true American treasure.

DON'T DESPAIR. IT'S BEEN REISSUED!!!!!.......2006-11-16

One of the great recordings of musical theatre ever. Although it's no longer available on EMI Angel, it was reissued in October, 2006, as an EMI Classic's "Great Recordings of the Century." It's been "Digitially Remastered at Abbey Road Studios from the Original Masters" and "noise-shaped via the Prism SNS system for optimum sound quality." If ART remastering does for this recording what it has done for other EMI Classics in my library, then it should sound superb. However, I understand the booklet is not as detailed as the one in the original 3-disc release.

Thank you, EMI.

I would hope other labels would follow suit and remaster and reissue other examples of classic American musical theater. It would be a pity if our children, grandchildren, and future generations were unable to savor "110 in the Shade" or "Little Mary Sunshine" or . . . . . . . . . (fill in the blanks.)

An American tragedy...........2006-02-06

This is the first of the great American musical plays, and probably remained unchallenged until the mid-1950s when West Side Story appeared. The term "musical comedy" does not apply. The few laugh lines are subsumed by the terrible sense of loss and disaster that work throughout the story. At its core is homelessness, the destruction wrought by racism, bad choices, human weakness, and reconciliation. The cast?--this was one of the few crossover recordings I've ever heard that actually worked. The trio of Jerry Hadley, Frederica von Stade, and Teresa Stratas is a marvel; Stratas in particular seems to have had a patented Dark Cloud that shadowed her. It's perfect for Julie Dozier Laverne. And the late Bruce Hubbard brings a magnificent dignity and voice to Joe--his singing of "Ol' Man River" amy not efface Paul Robeson, but can stand beside it.

Gorgeous!.......2005-08-26

Simply gorgeous! The most unforgetable music and the best voices! An album for all time!
M. J. Conrades

Wonderful Town (Original 1953 Broadway Cast)

Average customer rating:

Wonderful Town is a wonderful show
Light and lively musical comedy
a must-have recording for REAL Broadway fans
Leonard Bart-stein? Listen for yourself....
Quality over quantity

Wonderful Town (Original 1953 Broadway Cast)
Leonard Bernstein , Betty Comden , and Adolph Green
Manufacturer: Decca U.S.
ProductGroup: Music
Binding: Audio CD

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Redhead (1959 Original Broadway Cast)

ASIN: B00005O6KS
Release Date: 2001-09-25

Tracks:

Christopher Street
Ohio
One Hundred Easy Ways
What a Waste
A Little Bit in Love
Pass the Football
Conversation Piece
A Quiet Girl
Conga!
My Darlin' Eileen
Swing!
It's Love
Ballet at the Village Vortex
Wrong Note Rag
Opening (from the original Decca recording of "On the Town")
Carried Away (from "On the Town")
Lonely Town (from "On the Town")
I Can Cook Too (from "On the Town")
Lucky to Be Me (from "On the Town")
Ya Got Me (from "On the Town")

Customer Reviews:

Wonderful Town is a wonderful show.......2004-10-25

This is a terrific show. It has a famous composer, great tunes and a good, upbeat story. Why it has so thoroughly faded from memory is a question that puzzles me greatly.

The orchestrations are attributed to another individual, but Bernstein must have taken some substantial role in their creation, for large parts of "Wonderful Town" resemble only one other musical, "West Side Story."

Rosalind Russell is the star here, and rightly so. She sings--or rather croaks--her material very well, indeed. Only in "Swing" is she overmatched by the musical requirements and even then she fights them to a draw.

Edith Adams is very good, too, as Eileen. I think of her as Edie Adams, a sixties icon, wife of comedian Ernie Kovacs, mayhem-minded member of the Nairobi Trio and super-sexy pitchwoman for White Owl Cigars. I had no idea that she had also starred on Broadway. It was a pleasant surprise to find her here.

The men in the lead parts sing in that typical Broadway growl: perfect diction and lousy tone. They are endearingly awful. And I mean that in the best possible sense.

Five stars, no doubt about it!

Light and lively musical comedy .......2004-08-07

The first cast album of WONDERFUL TOWN sounds even better than ever in Decca's latest remastering. The sound is still somewhat flat (as are all Decca albums from the 40s/50s) but the Decca engineers have worked wonders on the 50 year old tapes making them sound as good as possible. Rosalind Russell was a perfect choice to play the acerbic Ruth. She doesn't have much of a singing voice but the songs were tailored to her limited range and she makes the character come alive. Edith Adams sounds properly winsome as her sister Eileen. In the supporing roles, Jordan Bentley comes off best as Wreck, but George Gaynes makes for a ponderous, somehwat stuffy Bob Baker.

In terms of album production, Decca eliminated the Overture and some of the dance music, and re-arranged "Christopher Street" to eliminate the spoken vignettes. Otherwise the score is presented in a faithful aural re-creation. The booklet offers a detailed synopsis to guide you through the score.

The bonus tracks are six songs from ON THE TOWN originally recorded when that show was playing on Broadway. This is NOT the definitive recording of ON THE TOWN. For that you need the 1960 album avaialble on Sony. But, the excerpts heard here provide an enjoyable bonus.

a must-have recording for REAL Broadway fans.......2002-12-26

This marvellous new re-issue of WONDERFUL TOWN is a must-have for Broadway buffs. In fact, this is really two albums in one, as it also contains the rare 1945 studio recording of ON THE TOWN as a bonus!

The story is based on the play "My Sister Eileen", written by Joseph Fields and Jerome Chodorov; as well as the stories written by Ruth McKenney. The play was later turned into a successful Columbia film starring Rosalind Russell (as Ruth Sherwood) and Janet Blair as Eileen. Several years later Columbia released a musical version (following the success of WONDERFUL TOWN) which starred Janet Leigh and Betty Garrett.

WONDERFUL TOWN originally starred Rosalind Russell (repeating her film role) as Ruth and Edith 'Edie' Adams as Eileen. The cast also included George Gaynes (GIGI, 'Punky Brewster') as the romantic male lead.

The score by Betty Comden and the late Adolph Green is gorgeous, and features the comical "100 Easy Ways", the lilting "A Little Bit in Love" and the showstopping "Conga!" and "Wrong-Note Rag".

No Broadway-recording collection is complete without the original cast of this landmark musical.

This re-issue from the superb Decca Broadway range also includes the rare 1945 set of ON THE TOWN, which featured original cast-members Betty Comden, Adolph Green and Nancy Walker singing their songs from the show, with Mary Martin singing "Lonely Town" and "Lucky to Be Me".

Highly-recommended.

Leonard Bart-stein? Listen for yourself...........2002-09-23

Leonard Bernstein never erred on the side of subtlety, and this original-cast album contains two of his most enjoyable essays in musical near-mayhem: "Christopher Street" and "The Wrong Note Rag." The former is vastly like the theme music to "The Simpsons," and the listener can decide for himself how much of a coincidence this is or isn't. "The Wrong Note Rag" uses the tritone of the scale and a varied meter to make life difficult for the singers and anyone trying to count along. Unlike so many send-ups of the 1920s, this song ingenioulsy captures the musical and lyrical feel of novelty numbers like 1924's "Fascinating Rhythm"--or, better yet, the slightly later "Crazy Rhythm." A parody of the 1920s that shows any sense of the 1920s is a rare item, indeed. "Wonderful Town" is an interesting, enjoyable, and valuable historical piece, and I can only imagine what later performers did with it. I don't want to know.

Quality over quantity.......2002-05-19

Yes, the original 1953 cast recording of "Wonderful Town" may not be the most complete cast recording of the hit musical BUT I would wholeheartedly reccommend this CD over any other version. Why? Because of its original cast members and its original orchestrations! Rosalind Russell is peerless as Ruth Sherwood (I consider her version of "One Hundred Easy Ways" one of the funniest songs in musical theatre history) and Edie Adams shines through radiantly. Listen to her sing "A Little Bit In Love" to understand what I'm talking about. Also, the original orchestrations gtive this CD more vibrance than any of the later incarnations INCLUDING the 1999 studio recording, which to me sounds too mechanical and the British orchestrator doesn't seem to get the rhythms right. The original cast recording is A MUST for the true theatre fan, abridged score or not

Average customer rating:

Good job
Masterful!
Great CD of Classical music's power pieces!

Time Life Presents: Classical Thunder

Manufacturer: Time Life Records
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

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Thunder & Lightning
25 Thunderous Classics
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Simply the Best Classical Anthems

ASIN: B00081U6XC
Release Date: 2005-04-26

Tracks:

Introduction
Ride Of The Valkyries
Mars, The Bringer Of War
Montagues And Capulets
Sabre Dance
William Tell Overture (Conclusion)
In The Hall Of The Mountain King
The Hut On Fowl's Legs
The Great Gate At Kiev
Fanfare For The Common Man
Allegro Con Brio
Marche Au Supplice (March To The Scaffold)
Sacrificial Dance (The Chosen One)
Circus Maximus
Les Toreadors
Finlandia, Op.26
1812 Overture, Op.49 (Conclusion)

Tracks:

Procession Of The Nobles
Rakoczy March
Ritual Fire Dance
The Hero's Battlefield
Pines Of The Appian Way
Dies Irae
Allegro Con Brio
Allegretto
Air Et Danse Bacchanale
Farandole
Infernal Dance Of King Kastchei
O Fortuna
The Wedding Of Kije
Hurricane
Marche Slave, Op.31

Customer Reviews:

Good job.......2005-08-26

I remember when I was little, I had this cd, but i lost it. I bought a similiar type of one through TIme Life and decided to try the Classical Thunder one. I have like it so far.

Masterful!.......2005-06-15

This two CD set is magnificent. I got the set in the early 1990's when it was advertised on television, along with other releases in Time Life's set. I was struck by the interpretations of the conductors. Whenever I hear these pieces now, I judge them against this recording. Amazing selection as well. There are staples of orchestra repetoire, like Beethoven symphonies, but also gems that are not heard very often, like the Rimsky-Korsakov "Procession of the Nobles." A very impressive recording.

Great CD of Classical music's power pieces!.......2005-06-07

I got this CD when I was around 16 because I loved a lot of the music on this double CD set. As a student pursuing a Music Education major, it has been a great asset for my musically, and just great for listening to. I will drive on short trips and take this with me and blast it louder than the guy in the next car blasting rap music. I also take it skiing as it sets a great tempo down the mountain. This is a great CD for anyone that loves music.

Average customer rating:

The Simple, the Sublime, and the Surreal
Great complete set
the BEST

Satie: L'Oeuvre Pour Piano

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

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ASIN: B00005IA09
Release Date: 2002-02-12

Tracks:

Trois Gymnopedies: I. Lent Et Douloureux
Trois Gymnopedies: II. Lent Et Triste
Trois Gymnopedies: III. Lent Et Grave
Heures Seculaires Et Instantanees: I. Obstacles Venimeux
Heures Seculaires Et Instantanees: II. Crepuscule Matinal (De Midi)
Heures Seculaires Et Instantanees: III. Affolements Granitiques
Les Trois Valses Du Precieux Degoute: I. Sa Taille
Les Trois Valses Du Precieux Degoute: II. Son Binocle
Les Trois Valses Du Precieux Degoute: III. Ses Jambes
Avant-Dernieres Pensees: I. Idylle
Avant-Dernieres Pensees: II. Aubade
Avant-Dernieres Pensees: III. Meditation
Trois Gnossiennes: I. Lent
Trois Gnossiennes: II. Avec Etonnement
Trois Gnossiennes: III. Lent
Trois Morceaux En Forme De Poire: Maniere De Commencement
Trois Morceaux En Forme De Poire: Prolongation Du Meme
Trois Morceaux En Forme De Poire: I. Lentement
Trois Morceaux En Forme De Poire: II. Enleve
Trois Morceaux En Forme De Poire: III. Brutal
Trois Morceaux En Forme De Poire: En Plus
Trois Morceaux En Forme De Poire: Redite
Croquis Et Agaceries D'Un Gros Bonhomme En Bois: I. Tyrolienne Turque
Croquis Et Agaceries D'Un Gros Bonhomme En Bois: II. Danse Maigre (A La Maniere De Ces Messieurs)
Croquis Et Agaceries D'Un Gros Bonhomme En Bois: III. Espanana (Sorte De Valse)
Trois Nocturnes: I. Doux Et Calme
Trois Nocturnes: II. Simplement
Trois Nocturnes: III. Un Peu Movt
La Belle Excentrique, Fant Serieuse: I. Grande Ritournelle
La Belle Excentrique, Fant Serieuse: II. Marche Franco-Lunaire
La Belle Excentrique, Fant Serieuse: Valse Du Mysterieux Baiser Dans L'Oeil
La Belle Excentrique, Fant Serieuse: Cancan 'Grandmondain'

Tracks:

Descriptions Automatiques: I. Sur Un Vaisseau
Descriptions Automatiques: II. Sur Une Lanterne
Descriptions Automatiques: III. Sur Un Casque
Veritables Prlds Flasques: I. Severe Reprimande
Veritables Prlds Flasques: II. Seul A La Maison
Veritables Prlds Flasques: III. On Joue
Vieux Sequins Et Vieilles Cuirasses: I. Chez Le Marchand D'or (Venise XIIIe Siecle)
Vieux Sequins Et Vieilles Cuirasses: II. Danse Cuirassee (Periode Grecque)
Vieux Sequins Et Vieilles Cuirasses: III. La Defaite Des Cimbres (Cauchemar)
En Habit De Cheval: I. Choral
En Habit De Cheval: II. Fugue Litanique
En Habit De Cheval: III. Autre Choral
En Habit De Cheval: IV. Fugue De Papier
Sports Et Divertissements: Choral Inappetissant
Sports Et Divertissements: La Balancoire
Sports Et Divertissements: La Chasse
Sports Et Divertissements: La Comedie Italienne (A La Napolitaine)
Sports Et Divertissements: Le Reveil De La Mariee
Sports Et Divertissements: Colin-Maillard
Sports Et Divertissements: La Peche
Sports Et Divertissements: Le Yachting
Sports Et Divertissements: Le Bain De Mer
Sports Et Divertissements: Le Carnaval
Sports Et Divertissements: Le Golf
Sports Et Divertissements: La Pieuvre
Sports Et Divertissements: Les Courses
Sports Et Divertissements: Les Quatre Coins
Sports Et Divertissements: Le Pique-nique
Sports Et Divertissements: Le Water-chute
Sports Et Divertissements: Le Tango
Sports Et Divertissements: Le Traineau
Sports Et Divertissements: Le Flirt
Sports Et Divertissements: Le Feu D'artifice
Sports Et Divertissements: Le Tennis
Chapitres Tournes En Tous Sens: I. Celle Qui Parle Trop
Chapitres Tournes En Tous Sens: II. Le Porteur De Grosses Pierres
Chapitres Tournes En Tous Sens: III. Regrets Des Enfermes (Jonas Et Latude)
Apercus Desagreables: I. Pastorale
Apercus Desagreables: II. Choral
Apercus Desagreables: III. Fugue
Embryons Desseches: I. D'Holothurie
Embryons Desseches: II. D' Edriophtalma
Embryons Desseches: III. De Podophtalma
Trois Sarabandes: No.1
Trois Sarabandes: No.2
Trois Sarabandes: No.3

Tracks:

Prlds Flasques: I. Voix D'interieur
Prlds Flasques: II. Idylle Cynique
Prlds Flasques: III. Chanson Canine
Prlds Flasques: IV. Avec Camaraderie
Reverie De L'enfance De Pantagruel
Les Pantins Dansent
Passacaille (Oeuvre Posthume)
Le Piege De Meduse (Oeuvre Posthume): Quadrille/Valse/Pas Vite/Mazurka/Un Peu Vif/Polka/Quadrille
Menus Propos Enfantins: I. Le Chant Guerrier Du Roi Des Haricots
Menus Propos Enfantins: II. Ce Que Dit La Petite Princesse Des Tulipes
Menus Propos Enfantins: III. Valse Du Chocolat Aux Amandes
Enfantillages Pittoresques: I. Petit Prld A La Journee
Enfantillages Pittoresques: II. Berceuse
Enfantillages Pittoresques: III. Marche Du Grand Escalier
Peccadilles Importunes: I. Etre Jaloux De Son Camarade Qui A Une Grosse Tete
Peccadilles Importunes: II. Lui Manger Sa Tartine
Peccadilles Importunes: III. Profiter De Ce Qu'il A Des Cors Aux Pieds Pour Lui Prendre Son Cerceau
Pieces Froides, No.1 - Trois Airs A Faire Fuir: I. D'Une Maniere Particuliere
Pieces Froides, No.1 - Trois Airs A Faire Fuir: II. Modestement
Pieces Froides, No.1 - Trois Airs A Faire Fuir: III. S'inviter
Pieces Froides, No.2 - Danses De Travers: I. En Y Regardant A Deux Fois
Pieces Froides, No.2 - Danses De Travers: II. Passer
Pieces Froides, No.2 - Danses De Travers: III. Encore
Prld En Tapisserie
Trois Gnossiennes: No.4 Lent
Trois Gnossiennes: No.5 Modere
Trois Gnossiennes: No.6 Avec Conviction Et Avec Une Tristesse Rigoureuse
Nouvelles Pieces Froides: I. Sur Un Mur
Nouvelles Pieces Froides: II. Sur Un Arbre
Nouvelles Pieces Froides: III. Sur Un Pont
Premiere Pensee De La Rose+Croix
Sonneries De La Rose+Croix: I. Air De L'Ordre
Sonneries De La Rose+Croix: II. Air Du Grand Maitre
Sonneries De La Rose+Croix: III. Air Du Grand Prieur
Deux Reveries Nocturnes: I. Pas Vite (Revez Doucement)
Deux Reveries Nocturnes: II. Tres Moderement

Tracks:

Petite Ov A Danser
Quatre Prlds: I. Fete Donnee Par Des Chevaliers Normands En L'Honneur D'Une Jeune Demoiselle
Quatre Prlds: II. Prld D'Eginhard
Quatre Prlds: III. 1er Prld Du Nazareen
Quatre Prlds: IV. 2eme Prld Du Nazareen
Le Fils Des Etoiles, Wagnerie Kaldeenne Du Sar Peladan: Prld Du 1er Acte: La Vocation
Le Fils Des Etoiles, Wagnerie Kaldeenne Du Sar Peladan: Prld Du 2eme Acte: L'Initiation
Le Fils Des Etoiles, Wagnerie Kaldeenne Du Sar Peladan: Prld Du 3eme Acte: L'Incantation
Jack In The Box: I. Prld
Jack In The Box: II. Entracte
Jack In The Box: Final
Desepoir Agreable
Effronterie
Poesie
Prld Canin
Profondeur
Songe Creux
Prld De La Porte Heroique De Ciel
Musiques Intimes Et Secretes: Nostalgie
Musiques Intimes Et Secretes: Froide Songerie
Musiques Intimes Et Secretes: Facheux Exemple
Carnet D'esquisses Et De Croquis (Air - Essais - * - Notes - Notes - Le Prisonnier Maussade...

Tracks:

Premier Menuet
Nocturne No.4
Nocturne No.5
Trois Petites Pieces Montees: De L'Enfance De Pantagruel (Reverie)
Trois Petites Pieces Montees: Marche De Cocagne (Demarche)
Trois Petites Pieces Montees: Jeux De Gargantua (Colin De Polka)
Ogives: Premiere Ogive
Ogives: Deuxieme Ogive
Ogives: Troisieme Ogive
Ogives: Quatrieme Ogive
Danses Gothiques: No.1 A L'Occasion D'Une Grande Peine
Danses Gothiques: No.2 Dans Laquelle Les Peres De La Tres Veritable Et Tres Sainte Eglise Sont...
Danses Gothiques: No.3 En Faveur D'Un Malheureux
Danses Gothiques: No.4 A Propos De Saint-Bernard Et Sainte-Lucie
Danses Gothiques: No.5 Pour Les Pauvres Trespasses
Danses Gothiques: No.6 Ou Il Est Question Du Pardon Des Injures Recues
Danses Gothiques: No.7 Par Pitie Pour Les Ivrognes, Honteux Debauches, Imparfaits, Desagreables...
Danses Gothiques: No.8 En Le Haut Honneur Du Venere Saint-Michel, Le Gracieux Archange
Danses Gothiques: No.9 Apres Avoir Obtenu La Remise De Ses Fautes
Sonatine Bureaucratique
Poudre D'Or, Valse
Pages Mystiques: I. Priere
Pages Mystiques: II. Vexations
Pages Mystiques: III. Harmonies
Douze Petits Chorals

Amazon.com

Pianist Aldo Ciccolini garnered lots of attention in the late 1960s and early 1970s when he recorded all of Erik Satie's original piano music for EMI. The cycle remains first choice for Satie fans, who certainly will welcome its first complete (as opposed to excerpted) reissue on CD. Ciccolini's interpretations are paradigms of expressive economy and directness, and happily eschew the "let's see how slow and important I can make these works" attitude that sometimes prevails among younger Satie practitioners. Ciccolini's diamond-edged sonority, sparkling technique, and willingness to accept the composer's high quirk quotient at face value further enhance these performances. While Ciccolini admirably overdubs himself in the piano duet works, one misses the added color and ensemble give and take gained from Ciccolini's digital remakes partnered by Gabriel Tacchino. For the price, though, Satie fans can hardly go wrong. Don't let EMI's French-only annotations prevent you from acquiring this classic cycle. Get it while you can. --Jed Distler

Customer Reviews:

The Simple, the Sublime, and the Surreal.......2007-03-27

This collection makes for good listening. There is a great deal of variety and character (Oh, is there character!) to be found in the various pieces. While most people have likely heard one or more of Satie's Gymnopedies at the very least in the background music of a TV ad, this collection pulls together the rarely-heard piano pieces as well. One that I had been seeking, Vexations, is a short piece to be repeated 840 times.

The titles of the pieces bear witness to Satie's sense of humor, rebellion against conventions of the day, and his pleasure in the surreal. Translations help to enjoy the unusual titles (who could not love "Piece in the Form of a Pear"?), some of which are reminiscent of Magritte's monikers.

Aldo Ciccolini's performances are clear, with definite respect for the composer's works. There was a noticeable distinction between the tempi of the works that come "in threes", such as the Gymnopedies.

I found that this collection fit nicely on my iPod, allowing me to take it on the road and enjoy it wherever the mood struck me. In some cases, the juxtaposition of Satie's music with my whereabouts provided yet another dimension of surreal-ity that had to be savored. The fact that most of these piano pieces are brief lends them to shuffling with other styles.

While this collection is not for the casual listener to classical music, it does allow you to come into closer contact with one of the more unconventional minds of classical music. If you are serious about late 19th- or early 20th-century music, especially French music, or the influence of popular music on serious music, then this is not only for you, but a bargain as well.

Great complete set.......2004-11-21

This is the definitive Satie collection for piano. Well-recorded and well played. I am a fan of French Impressionism in all of its incarnations and appreciated getting a full set of Satie under one cover. However, not all of these interpretations are my favorites. The best Gnossienne, IMHO, is that of Reinbert de Leeuw. He takes it slow and draws everything out of that piece. Ciccolini's interpretation is rushed and not as melodic. However, the Ciccolini tempo works well on other pieces, such as the other Satie favorite, Gymnopédies.

All in all, this collection is well worth having for any Satie fan.

the BEST.......2003-04-21

Satie is a weirdo. Often overlooked by serious classical enthusiasts for a variety of reasons, he was an eccentric person and a very original composer. His quirky, playful temperament gave his pieces the intrigue they still hold today.

Aldo Ciccolini is the perfect pianist for these pieces. He seems to be the quintessential Satie interpreter. His playing is dazzling, crisp, and delightful. Aldo has a real knack for these sorts of french artists, and really seems to understand their style.

Tracks:

Swanee
Sweet And Low Down
That Certain Feeling
Looking For A Boy
When Do We Dance?
Do-Do-Do
Someone To Watch Over Me
Clap Yo' Hands
Maybe
My One And Only
'S Wonderful - Funny Face
Rhap In Blue
Prld No.1
Prld No.2
Prld No.3
Rhap In Blue: Andante
Second Rhap

Customer Reviews:

The Best Recordings of George Gershwin's Piano Improvisations.......2006-08-09

This low priced CD is the greatest presentation of George Gershwin's incredible improvisational skill, reworking his popular hits of the day into complex arrangements that can hold the interest of the 'most discriminating music lover.' These disc recordings are much more lifelike than the well known piano-roll CDs. On this Cd Gershwin's filled-in tenth cords in his left hand along with his consecutive four-note chord spreads to the octave with his right, cross rhythms, and virtuoso embellishments give the piano arrangements a full sound. The recording of 'Swanee' is a small 1919 group recording of the Van Eps Quartet with a young George Gershwin at the piano and Nathan Glantz on the saxaphone. The Van Eps Quartet plays in a yiddish sounding style which accents Swanee's rooting in yiddish music. The next recordings are of George Gershwin at the piano recorded in 1926 and 1928. This CD also includes the 1924 Paul Whiteman orchestra recording of 'Rhapsody in Blue' with the composer at the piano. The arrangement was shortened to about 9 minutes in order to fit onto the two sides of a 78rmp record, but I think this is the best recording of 'Rhapsody in Blue' ever recorded, because this was recorded when 'Rhapsody in Blue' was New, Exciting, and Full of Life. This recording lets the humor that was originally intended by Gershwin shine through. His own recording of his three preludes is the best rendition of the popular preludes. Gershwin stands as the best performer of his own works, and this CD is the best example of his own playing. The improvisations of his show tunes on this CD are much more fleshed out than his brief radio recordings available elsewhere, although I recommend trying to find all of his recordings. Gershwin's solo piano arrangement of the Andante section of Rhapsody in Blue is another opportunity to hear George play his own material. The last recording on the disc is a 1931 rehersal of 'Second Rhapsody' which George Gershwin had recorded onto disc by NBC for him to listen to. Once again, George Gershwin is the best interpreter of his own works, and this CD is the best document of Gershwin playing Gershwin.

A Chorus Line (1975 Original Broadway Cast) (Multichannel/Stereo SACD)

Average customer rating:

great soundtrack for a great show.....
A Chorus Line
What They Did For Love
God, I hope you get it...
a great musical

A Chorus Line (1975 Original Broadway Cast) (Multichannel/Stereo SACD)
Marvin Hamlisch , Edward Kleban , and Donna McKechnie
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B000087N0S
Release Date: 2003-03-11

Tracks:

Opening: I Hope I Get It - Company
I Can Do That - Wayne Cilento
At the Ballet - Carole Bishop, Kay Cole, Nancy Lane
Sing! - Renee Baughman, Don Percassi
Montage, Pt. 1: Hello Twelve, Hello Thirteen, Hello Love [Expanded Vers - Baayork Lee, Cameron Mason
Montage, Pt. 2: Mother - Patricia Garland, Ron Kuhlman
Montage, Pt. 3: Gimmie the Ball - Ronald Dennis, Michael Stuart
Nothing - Priscilla Lopez
Dance: Ten; Looks: Three - Pamela Blair
Music and the Mirror - Donna McKechnie
One - Company
What I Did for Love - Priscilla Lopez, Company
One (Reprise)/Finale

Amazon.com

Michael Bennett's 1975 tale of Broadway's gypsies--the chorus dancers--resonated with audiences as few shows ever have, examining with both hilarity and heartbreak the grueling life of ordinary performers always auditioning for an opportunity to be members of a faceless chorus line. And along the way, it picked up the Pulitzer, the New York Drama Critics Award, and nine Tonys, and became the longest-running show in Broadway history. The original cast (eight of whom contributed their real-life memories to the show) included no major stars, but are unmatched on this cast recording of Marvin Hamlisch and Edward Kleban's score, including Priscilla Lopez's poignant "Nothing," Donna McKechnie's yearning dance number "The Music and the Mirror," one of Broadway's most famous torch ballads in "What I Did for Love," and the ultimate high-kicking chorus number, "One." Fans of the show will welcome the 1998 remastered CD, which adds two and a half minutes to "Hello Twelve, Hello Thirteen, Hello Love." While still incomplete, the montage now includes "Four-foot ten," "Little brat," and "The worst thing in school...." --David Horiuchi

Customer Reviews:

great soundtrack for a great show............2007-06-09

I first heard this soundtrack on my cousin's CD player, back when she was pursuing musical theater, as a young teenager (at least ten years ago). Some of the greatest songs from the musical repertoire are here: "What I Did For Love," "One," and "Nothing." It's always a great sign when a score (in this case, by the talented duo of Hamlisch and Kleban) works so well that people don't have to see the musical to know what it's about from just a few musical numbers. That isn't to say that the show isn't wonderful, too. To make long stories [very] short for the sake of the increasingly decreasing attention spans of my readers who just want to know "Should I buy this," A CHORUS LINE is the story of a group of singer/dancers from diverse backgrounds, coming together on one Broadway stage for the same reason. They all want a crack at being a part of a dancing chorus line on The Great White Way, that could be their big break. There are other dramas going on, behind that, of course (and we hear all of their stories, complete with monologue, song and dance number). The drama is high, but so is the infectiousness. You really build attachments and interests in each of the characters, and the story is so well-written, you'll be compelled to stick through the songs and follow the stories, just to see who is "The One." This is truly a great example of storytelling in musical theater. There is a reason it was one of the longest running shows on Broadway.

A Chorus Line.......2007-05-31

Makes you recall the thrill of attending this terrific musical. You experience the glory and the pain and love every minute of it again.

What They Did For Love.......2007-02-12

A Chorus Line was an unlikely Broadway hit--there were no big name celebrities to brighten up the stage, no elaborate sets, and, according to the liner notes, "almost no plot." However, A Chorus Line shined brightly because it highlighted the lives of the people who are in the chorus line of a Broadway musical. By focusing on the people who normally don't make the leap into stardom, A Chorus Line paradoxically gained remarkable strength and popularity. A Chorus Line ran for fifteen years; and this CD shows why.

The CD begins with the track entitled "Opening: I Hope I Get It." Too many actors and actresses have arrived to compete for jobs in a chorus line in a Broadway production. Zach, the man who must chose the people who make the final cut, stuns the actors by requesting them to talk about themselves. This provides the premise for the rest of the music of the show. One by one the actors open up and share their life stories in song; and the music by Marvin Hamlisch enhances their songs greatly.

Several memorable stories told in song by the actors include "I Can Do That" in which Mike, performed by Wayne Cilento, tells about how he swiped his sister's dance shoes to race to a dance rehearsal; the beautiful ballad about escaping the heartache of real life at the theater entitled "At The Ballet" performed by Carole Bishop, Nancy Lane and Kay Cole; "Montage, Part 3: Gimme The Ball" performed by Michel Stuart and Ronald Dennis as Greg and Richie respectively; and "Dance: Ten; Looks Three" performed by Pamela Blair in the role of Val. Excellent!

Other numbers on this original cast recording deserve very special mention. "What I Did For Love" is delivered flawlessly by Priscilla Lopez and Company; in this song Priscilla's character Diana Morales sings beautifully of how she would have no regrets if she could never dance again. Priscilla Lopez also performs the memorable balled "Nothing" about how she simply did not profit from a course she took with an acting professor several years earlier.

The finale, a reprise of the smash number "One," features the cast singing together as polished professionals instead of the somewhat clumsy chorus line hopefuls they were before. I still remember feeling chills up and down my spine when I saw this number in the show at New York's Schubert Theater in 1979.

The liner notes have an excellent essay by Marc Kirkeby and the photos of the cast are a real treat. The notes indicate which actors performed each song and the artwork will impress you.

The sound is excellent even on my portable CD player. There is very little, if any, surface noise.

A Chorus Line represents a sophisticated look at the real lives of struggling actors and actresses. These people scramble for jobs in their chosen profession so that they can be happy and well fed at the same time. The catchy melodies by Marvin Hamlisch will delight you; and the lyrics by Edward Kleban display forethought and sheer brilliance.

I highly recommend this CD for fans of the theater and for people who love the outstanding music of Marvin Hamlisch. People who enjoy convincing exposés of the real lives of struggling actors will also enjoy this CD.

God, I hope you get it..........2006-11-28

I Just saw the new Broadway revival (which is fantastic), knew I had to give the original a re-listen, and have come to the conclussion that while it does not inspire deep thought or endeavor to change the world, A Chorus Line is a musical everyone, not just dancers and singers, can relate too. The central conceit of the show is the audience being invited to sit in on auditions for the dancing chorus of a broadway musical. Slowly the cast of hopeful auditionees dwindles to a victorious 8, who eventually earn roles and reveal much about their struggle for success. Yes, on the whole, it is a musical dancers will identify with, but it is not solely about dancing. A Chorus Line is about why and how we are able to do what we love. As we watch the audition play out on stage and hear the stories of the characters, one can't help but feel the same fear and pressure, and the cd masterfully captures the intimacy of "A Chorus Line".
A Chorus Line begins with the famous, pulse-pounding "GOD I HOPE I GET IT", where we hear the dancers inner thoughts while learning the choreography. This is a mostly danced number, but it is energetic, effecting and a brilliant opening.
More great numbers are "AT THE BALLET", which has three dancers taking down their "audition facades" and describing the therapy dance provided during troubled childhoods. The "MONTAGE" numbers are a funny mixture of painful, embarrassing, and entirely too real memories of teenage years. "DANCE 10, LOOKS 3" Is a hillarious yet sadly true song about the power of appearance. "WHAT I DID FOR LOVE" is one of the most original love songs of all time, about the sacrafices made not for the people we love, but for ourselves. It sumarizes the whole musical: Why we do what we do for the things we love.
The idea of A Chorus Line has become a little cliche after years and years of exposure and performance, but it is deffinately worth the praise it receives and fame it has accumilated. A must have for every lover of musical theatre.

a great musical.......2006-11-06

I enjoy listening to the original broaadway musical A Chorus Line. However I didnt realize I was purchasing the broadway version. I was actually looking for the film version.

Average customer rating:

Listen for hours
Hauntingly beautiful

Satie: Piano Music

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

Minuets | Ballets & Dances | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

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The Music Of Satie: Orchestra, Piano, Voice
After the Rain...The Soft Sounds of Erik Satie
Satie: Piano Works
Bartok: Complete Solo Piano Music
Satie: Gymnopédies No1-3; Gnossiennes No1-6

ASIN: B000001K23
Release Date: 1992-11-04

Tracks:

3 Gymnopedies
Sonatine bureaucratique
Prelude en tapisserie
Passcaille
Croquis et agaceries d'un gros bonhomme en bois
Embryons desseches
2 Pieces froides: No.1-Airs a faire fuir
2 Pieces froides: No.2-Danses de travers
Descriptions automatiques
3 Sarabandes
Heures seculaires et instantanees
Menus propos enfantins
Enfantillages pittoresques
Peccadilles importunes
Les Pantins dansent
4 Ogives

Tracks:

3 Gnossiennes
Vieux Sequins et vielles cuirasses
Reverie de l'enfance de Pantagruel
Avant-dernieres pensees
Premier menuet
Trios valses du precieux degoute
Veritables preludes flasques
Sports et divertissements
5 Noctures
Chapitres tournes en tous sens
Prelude de la Parte heroique du ciel
4 Preludes
Danses gothiques

Customer Reviews:

Listen for hours.......2006-01-25

I don't listen to a *whole* lot of classical music, and pretty much no other solo piano than this. I bought this album years ago, and it is that rare music, where everything is good. As the other review notes, it's fine in the background. But whenever, and wherever, you tune in to it, pay attention to it, something good is going on. And: you can listen to it again next week, or next month, or next year, and find things you didn't find before. It's good piano music that doesn't have to be dazzlingly fast or difficult. And, Glazer touches the notes just right: more gently than you might have thought a piano note could be.

Hauntingly beautiful.......2002-10-30

I first became acquainted with Satie when I found a transcription of Gymnopedie I in a guitar magazine. After years of playing it on classical guitar, I finally got a recording on piano, and was delighted to discover that, though few of the pieces match the haunting tone of Gymnopedie I, the rest of the music on the CD is of the same caliber. Great music to have going in the bckground, or to relax and listen to.

Average customer rating:

Broadway Sings the Blues: Party's Over

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Live from Radio City Music Hall

ASIN: B000002921
Release Date: 1993-09-21

Tracks:

Bewitched, Bothered And Bewildered (Mono) - Vivienne Segal
Smoke Gets In Your Eyes (Mono) - Joan Roberts
I Never Know When - Elaine Stritch
Lonely Town - John Reardon
Where Am I Going? - Gwen Verdon
If He Walked Into My Life - Angela Lansbury
Anyone Can Whistle - Lee Remick
This Nearly Was Mine - Giorgio Tozzi
My Own Morning - Leslie Uggams
Send In The Clowns - Glynis Johns
Be On Your Own - Karen Akers
Being Alive - Dean Jones
Fifty Percent - Dorothy Loudon
What I Did For Love - Priscilla Lopez/Company
Bill - Anita Darian
The Party's Over - Judy Holliday

Average customer rating:

complete but lacking
good for completists, but...
Yes, its worth five discs

Satie: The Complete Solo Piano Music

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

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Jean-Yves Thibaudet - Debussy · images, études ~ complete works for piano, vol. 2
Satie: L'Oeuvre Pour Piano
Jean-Yves Thibaudet ~ Debussy - complete piano works, vol. 1
Maurice Ravel: L'Oeuvre Pour Piano Seul
The Magic of Satie

ASIN: B00008RWRB
Release Date: 2003-06-10

Customer Reviews:

complete but lacking.......2005-06-14

While I am a fan of Thibaudet in general, he just seems lost here. Satie is deceptively difficult to judge as a performer, the music is at times mercurial or static, profound or frivolous, or all of the above. Yet one hardly needs to underline the oddness, it's perfectly revealed if you play it straight.
While some misread notes suggest he may not really know these pieces, Thibaudet manages to project something less than a competent sight reading. In such an endeavor he would certainly get the right feel occasionally by accident. Instead, he regularly puts the wrong foot forward, with odd accents and effects getting in the way, perhaps trying too hard to add spin to music whose mysteries refuse to unfold under such duress.
I would recommend collecting a number of different performers: Reinbert DeLeeuw, Pascal Roge, Anne Queffelec, JoAnna MacGregor and Michel Legrand have all made worthy contributions to the recent discography and their combined recordings would make a pretty-near complete survey.

good for completists, but..........2004-05-18

I jumped at the chance to buy this set; a new digital recording of Satie's complete solo piano music. I had admired Jean-Yves Thibaudet in the past and had seen him perform Messiaen's "Turangalila Symphony"; a great performance. However, after listening to this set for three straight months, I'm rather frustrated with it, mostly on aesthetic grounds, since I can't deny Thibaudet's talents; I just disagree with some of his interpretations.

To start, most of the shorter, "lite" pieces are performed very well on disc 4. Even the most popular, (Gymnopedies, Gnossiennes) are excellent. I am also thankful I now have performances of "Uspud" and many of Satie's conservatory assignments, played expertly and with good humor. For these, the set is worth having.

But now, the bad news. As I have complained about in the past with Thibaudet's Ravel discs, I'm frankly rather put-off by his inexplicable, pointless staccato in many of the pieces. "Petite Overture a la Danser" is one of my favorite Satie miniatures, and here Thibaudet botches it by playing it way too fast with no pedal. It sounds like a joke, and I think he totally misses the point of the piece. In the "Nazareen" preludes, he adds his own extreme dynamics which are not indicated in the original scores, and the effect seems like a cheap attempt to add "spice" to what are supposed to be meditative sound constructions, based on poetry forms rather than classical forms.

"Prelude to the Heroic Gate of Heaven" is taken far too slow, and Thibaudet completely cuts out the "Curtain" coda in the original Salabert edition for no apparent reason; he seems determined to give the piece a more "proper" ending, and for this listener, it's a terrible, narcissistic, and disrespectful miscalculation.

I will keep this set since it is a complete document, flawed though it may be. But I still must insist that the best living interpreter of Satie's piano music is the ever-underrated Reinbert DeLeeuw, who is completely in-tune with Satie's sly magic. His tempos may be slow, his dynamics few, but that's the whole point; this is highly personal music, and DeLeeuw has an aesthetic I can personally agree with. For an audible explanation of what I'm talking about, compare the performances of "Petite Overture a la Danser" by DeLeeuw and Thibaudet, and you'll see what I mean.

Yes, its worth five discs.......2003-12-17

Each disc averages about 75 minutes of music. Over six hours of Satie? Definitely yes. If you have an affinity for Satie's classic pieces you should not pass up this set. There are so many standout pieces in so many wonderful styles you can only leave this set with wonder. And Thibaudet seems made for this music. The best interpreter of Satie that I've heard. His technique is amazing with such a range of subtle fingering tempo and dynamics. Its as though I've heard some of these for the first time with new shocks of emotion I hadn't experienced before. Not to be missed.

Average customer rating:

Classics Explained: Rite of Spring
Stravinsky , Rahbari , and Brt Po Brussels
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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