What Now?

What Now?

Track Listings

1. Downtown Burning

2. Not Enough

3. Drive

4. Same as Ever

5. Never Come Down

6. Wake Up

7. Cannot Stop the Feelin

8. Struggle

9. Come On

10. Crawl

11. Disarray

12. Summer's Gone

13. Just Another Day

Tracks:

Prayer
Both Sides Now
Never Saw Blue
Dell' Amore Non Si Sa
What You Never Know (Won't Hurt You)
May It Be
Quanta Qualia
You Are Water
She Moves Through the Fair
My Heart Belongs To You - Hayley Westenra
Ave Maria
I Say Grace

Album Description

Hayley Westenra's new album Odyssey was always going to be a different proposition to Pure, the record-breaking 2003 collection which marked her international debut. A lot has happened to the young New Zealander over the past two or three years--and those changes are clearly reflected by a record which encapsulates her growth from a budding teenage prodigy into a mature young woman.

Now, at 18, Hayley is ready to show the world how much she has grown up, both as an artist and as an individual. Fans of Pure will be pleasantly surprised by her new album. Her wonderful voice retains its crystal-clear purity, but Westenra's singing is now richer and more rounded than before. Touring the world and singing in some of its greatest concert venues, such as the Sydney Opera House, Royal Albert Hall, and Carnegie Hall, has worked wonders for her confidence. Suitably emboldened, she has embraced an even wider range of musical styles including classical, hymns, folk and pop.

"I was happy with Pure at the time, but I've moved on so much," says Hayley. "It's really exciting to have something new out there for people to listen to. I wanted to make a record that represented me as a person. And I think I've improved as a vocalist."

Variety is certainly one of the keywords with Hayley's new album. When she first entered a recording studio in New Zealand as a 12-year-old, Westenra restricted herself to classical pieces and show tunes. Now, in addition to impressive takes on classical works, Hayley uses her new album to perform an inspired cover of Joni Mitchell's "Both Sides Now" and has arranged and written much of the material. "I like to push myself, and I'm now confident enough to try different things. I have been much more involved behind the scenes with this album--I wanted to put my individual stamp on each song."

With her career stretching out promisingly before her, Hayley is also keen to continue experimenting. She is still primarily a classical crossover artist but she also wants to keep broadening those musical horizons. Three years after her international debut CD, Hayley Westenra is still pure: she exudes pure quality and she remains pure class--but her musical journey continues with her new album Odyssey.

Customer Reviews:

Wonderful melodies.......2007-06-08

This is a wonderful CD with beautiful melodies. Hayley Westenra has a very pure voice and sings right on key. The melodies are very relaxing and the musical settings are well arranged.

Hayley Westenra - Odyssey.......2007-06-08

Pure, crystalline, angelic voice. Gorgeously produced. "Prayer" is stunning. "Both Sides Now" wonderful. The rest is good but not her best song selection. When I first heard this girl on the "Celtic Woman" tour I was totally blown away. None of her CDs will disappoint!

Very soothing.......2007-05-14

Hayley Westenra's Odyssey is a very beautiful CD. If you switch on your walkman and listen to the CD's tracks non-stop, you'll soon feel like you're flying in Heaven. It's very soothing and heavenly. It calms you down, without causing you to feel lonely or sad because you're listening to it in solitary, like other vocal or classical songs do sometimes.

I would definitely recommend it to anyone interested. Quanta Qualia and Ave Maria are my most favourite tracks. Quanta Qualia is pure magic! I really feel as if I'm flying in Heaven when I listen to it.

very good pop singer voice.......2007-05-13

the selections were tasteful and varied. the singer has a very good pop singer voice. i would have liked some voice variation between songs. all were sung in exactly the same style. good singing but without tonal variation the disk tends to be bland. i hope that as she gets more exposure she will vary her voice to make the songs stand out individually instead of letting them blend into one song on the disc. i would rate this 5 stars except for that major fault.

Voice & level head deserve high marks .......2007-04-20

Not only has Hayley Westenra's voice remained "pure", but her good sense and sensibilty has stayed intact when so many similar young performers have gone over the deep end with extreme behavior and disreputable remarks. On this CD Miss Westernra covers a number of songs in her own special style, such as excellent versions of "Prayer", "May It Be" and "Both Sides Now". I hope to hear her renditions of more such tunes, old and new. I would like to hear her sing songs like "Yesterday", "I Still Believe in Love" and All I Know. She has a way with her soaring vocals that never lets the listener down.

Average customer rating:

harem
New to Sarah Brightman
Stranger in Paradise - More Like Stranger in a Lost Cause
No voice like hers in the world
Brilliant Brightman, Her best CD.

Harem
Sarah Brightman , and Frank Peterson
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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Eden (US Release - 16 tracks)
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ASIN: B00008W2QZ
Release Date: 2003-06-10

Tracks:

Harem
What A Wonderful World
It's A Beautiful Day
What You Never Know
The Journey Home
Free
Mysterious Days
The War Is Over
Misere Mei
Beautiful
Arabian Nights
Stranger In Paradise
Until The End Of Time
You Take My Breathe Away

Amazon.com

If one's notion of "world music" promises a touch of the exotic and indigenous, often overlooked is the fact that the influence of western pop music has seeped into every corner of the globe, creating a hybrid that's often more than merely the sum of its influences. Theater vet Brightman steps into that pan-cultural hall of mirrors here, wedding her fascination with the music and rhythms of the "forbidden places" (the title's Arabic meaning) of the Middle East to her own oft ethereal vocal charms and rock-solid sense of drama. And if the diva's equally sound crossover sensibilities (and that of longtime producer Frank Peterson) sometimes mire it in familiar world-beat pastiche, Brightman's charmed muse manages some transcendent moments nonetheless. Her musical borrowings (Borodin for the title track; Puccini's *Madame Butterfly* for "It's a Beautiful Day") are as compelling as her choice of collaborators: classical violin star Nigel Kennedy and Iraqi vocalist Kadim Al Sahir add compelling touches to the weary timeliness of "The War is Over." The musical influences range from Europe across the Mediterranean and as far East as the Indian roots of "Bollywood" composer A.R. Rahman's "The Journey Home" and Brightman's own "You Take My Breath Away" to evocative recastings of the emblematic standards "Stranger in Paradise" and Louis Armstrong's "What a Wonderful World," while ex-Killing Joke keyboardist Jaz Coleman provides the savory East-meets-West orchestrations that ensure Brightman's star turns the seamless foundations they deserve. --Jerry McCulley

Amazon.com

Sarah Brightman Photos

More from Sarah Brightman

Time to Say Goodbye
Diva: The Singles Collection
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Customer Reviews:

harem .......2007-05-28

As usual a quick and effecient service ,especially for people who live abroad.Keep up the excellent work John Williams.

New to Sarah Brightman.......2007-03-12

I'm very new to Sarah brightman's music and I enjoy this CD. I think she has an amazing voice. Very talented young woman and this cd was very relaxing and joyful to listen to. I like to learn and heard more from Sarah Brightman.

Stranger in Paradise - More Like Stranger in a Lost Cause.......2006-12-30

I'm not throughly pleased with this album! This CD is only good if you know how to dance in a Middle-Easters fashion. About half of each track is dominated by all orchestrations and no Sarah. Plus, Pop-Sarah isn't really for me. I much prefer the Classical-Sarah. Some of the tracks are okay, like "Harem", "The Journey Home", "Beautiful", and "Stranger in Paradise". Really, this is a good CD for your collection, but I wouldn't listen to it on a 24/7 basis.

No voice like hers in the world.......2006-10-01

I own this cd. I saw her in person at the "Harem" concert. Never had I heard or seen any voice like this. What a performer, best concert I'd ever seen. Beautiful voice, I can never get enough of Sarah Brightman's music. It is so comforting at times. I have all her music and this cd makes you wonder, how can she top this? Thank you Sarah Brightman for giving us your beautiful gift of music.

Brilliant Brightman, Her best CD........2006-09-18

Sarah is just the best, she can hit any note and her individuality shines on this CD. She sings "The Journey Home" from the musical Bombay Dreams and her voice just soars. "Harem", "Mysterious Ways" and "You Take My Breah Away" are songs that take me to dreamland. Amazing! A master piece!

Average customer rating:

We Will Go Home
Good music
Want to hear Gladiator II?
King Arthur
Hans' Best

King Arthur
Hans Zimmer
Manufacturer: Hollywood Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B0002IQIWE
Release Date: 2004-07-27

Tracks:

Tell Me Now (What You See)
Woad To Ruin
Do You Think I'm Saxon?
Hold The Ice
Another Brick In Hadrian's Wall
Budget Meeting
All Of Them!

Amazon.com

What are legends if not for reinventing -- and/or hyper-inflating into Hollywood summer fare? In retooling the Arthurian legend for the goth-beguiled video game age, mega-producer Jerry Bruckheimer did away with details small (the lady in the lake, sword in the stone, etc.) and large (this Arthur is actually Eastern European, by way of Rome). Composer Hans Zimmer picks up that gauntlet, producing an orchestral score bristling with massed brass, chorus and percussion -- if little of the indigenous mysticism that made his work on Gladiator/ so rewarding. What there is of that precious commodity is frontloaded via the song "Tell Me Know (What You See)," his evocative opening collaboration with Clannad's Moya Brennan. From there, Zimmer emphasized this version's Eastern conceits with a half-dozen suites of cues that thunder in the Russian classical tradition -- and all the melodic range of "Jingle Bells." Zimmer--not to mention Poledouris--has done it better, but fans of outsized orchestral Gothic moodfests may yet take this one to heart. --Jerry McCulley

Customer Reviews:

We Will Go Home.......2007-07-13

Does this soundtrack include "We Will Go Home," the song Vorna sings to the men in the bar before they find out about their new mission?

Good music.......2007-05-16

I'm a huge Hans Zimmer fan, his scores are rich and deep. This is not his best, but it's still a great listen.

Want to hear Gladiator II?.......2007-04-12

In the end, this is the only relevant question; do you want to hear a more melodramatic version of Gladiator? More melodramatic, you ask?
And you better believe it, Hans Zimmer actually managed to blow up his sound from Gladiator even more, and I really didn't think this was possible, mainly because I thought it would sound utterly pathetic and over the top. And make no mistake, Zimmer's King Arthur is just that.

I am reviewing this score in retrospect, and it is truly fascinating to do that. When you look at other composers and make a little journey to their past, you usually find more creativity. The further back you go, the more original and fresh music you find. With Hans Zimmer, it's the opposite. With each year you go back, his scores just get more dreary, and that's saying alot because his latest works also don't really qualify as schoolbook examples for colourful scoring.

From Gladiator to Pirates Of The Caribbean 2, Hans Zimmer has yet to come forth with a truly fresh and unique score. Zimmer never, ever, not in a million years, escapes his usual box. And King Arthur is no exception whatsoever. From the get go, 20 horns are amassed and play a overly simplistic motif somewhere between a and A, the strings mush together in midrange, melodramatic chords, and dwell in the shallow realm of overbearing dullness.
I don't understand how an artist - and the art of film composing is severely underrated - can be content with repeating the same thing over and over. If I were Hans Zimmer, I would be embarassed by now to even write one more note for that droning bass.
To top it all off, Zimmer incorporates an Enyaesque voice that is easy on the ears, but in the end signifies nothing, does nothing and does all that with an amazing lack of substance.

That is, amongst others, the major difference between a serious film composer and Hans Zimmer: a good and skillful film composer takes an average film like King Arthur and makes it sound like something worthwhile. Hans Zimmer on the other hand embraces mediocrity and underlines it to create an even more average film.

King Arthur.......2007-04-09

I recently purchased this particular soundtrack, and i would have to say it is awesome. Hans Zimmer is a master at what he does. The music suits the film and since I loved the film I had to get the soundtrack. I loved the song Tell Me Now by Moya Brennan, and Another Brick in Hadrians Wall is the best song im my opinion on the soundtrack. Overall I'm so glad I bought this soundtrack and I rate it up there with the likes of Gladiator, Pirates of the Carribean. Keep up the good work Hans

Hans' Best.......2007-03-12

Hans Zimmer is a film composer with dozens and dozens of scores under his belt. Many who do not collect or even listen to film scores know his name. However, much if his film music sounds very similar and lacks a complex edge that other compose like John Williams, James Horner, and James Newton Howard deliver.

That said, King Arthur is Hans' most intriguing score to date. Backdraft and Gladiator (overrated) were very good, but this score is a departure from Hans' usual motifs. The only bad part for me(not related to the music itself) is that there are only seven tracks and each are very long. I like shorter tracks so I can pinpoint the themes or variations I want to lsiten to, but this is extremely minor. The music is great, and I reccommend you go enjoy Hans' best music yet.

Average customer rating:

Now that is a good cd - finally!
This Is Just Really Great Music
Almost Perfect
Vol. 19
Now 19

Now That's What I Call Music! 19
Various Artists
Manufacturer: Now Hits Collections
ProductGroup: Music
Binding: Audio CD

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Now, Vol. 20
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ASIN: B0009VNC5K
Release Date: 2005-07-19

Tracks:

Hollaback Girl - Gwen Stefani
Switch - Will Smith
1 Thing - Amerie
Oh - Ciara with Ludacris
Slow Down - Bobby Valentino
Mockingbird - Eminem
Girlfight - Brooke Valentine with Big Boi & Lil Jon
Girl - Destiny's Child
La Tortura - Shakira
Baby I'm Back - Baby Bash with Akon
How To Deal - Frankie J.
Ordinary People - John Legend
Breathe - Anna Nalick
Making Memories Of Us - Keith Urban
Incomplete - Backstreet Boys
Let Me Go - 3 Doors Down
Be My Escape - Relient K
Mr. Brightside - The Killers
Speed Of Sound - Coldplay
Feel Good Inc. - Gorillaz

Customer Reviews:

Now that is a good cd - finally!.......2007-07-22

okay, i can say this is one of the better nows, like Now! 15 and 13. here is my review for this cd
1. Gwen Stefani - Hollaback girl--- 3/5. good tune, but can get annoying
2. Will Smith - Switch--- 4/5. great song. played too much though
3. Amerie - 1 thing--- 2/5. boo! bad song.
4.Ciara f. Ludacris--- Oh 1/5 OH NO! HORRIBLE SONG. the 1 pt. goes 2 Luda
5. Bobby Valentino--- Slow down--- 2/5 urg, getting there bobby
6. Eminem - Mockingbird--- 5/5. ONE OF MY FAVORITES ON THE ALBUM
7. Brooke valentine f.big boi and lil jon - Girlfight--- 3/5 eh... so-so
8. Destiny's child - Girl--- 4/5 This song is quite good! surprisingly!
9. Shakira - La Tortura--- 4/5 another good song!
10. Baby Bash f. Akon - Baby i'm back--- 3/5 ummm... it's... okay
11. Frankie J. - How To deal--- 1/5 how to deal with a horrible song.
12. John legend - ordinary people--- 2/5 let's move on shall we?
13. Anna Nalick - Breathe--- 4/5 good song!
14. Keith Urban - Making Memories of us--- 0/5 GYAH! I HATE KEITH URBAN!
15. Backstreet Boys - Incomplete--- 0/5 AGH! BACKSTREET GIVE UP ALREADY!
16. 3 doors down - let me go--- 4/5 finally we're back to the awesome song
17. Relient K - Be my escape--- 5/5 - ANOTHER FAVE! GO RELIENT K!!!
18. The Killers - Mr. Brightside--- 5/5 ANOTHER FAVORITE! THIS SONG RULES
19. Coldplay - speed of sound--- 5/5 3 good songs in a row!
20. Gorillaz - Feel good inc.--- 6/5! THE BEST SONG ON THE WHOLE ALBUM! I NEVER GET TIRED OF THIS!!!

IN Conclusion, a total of 14 good songs on the album. listen to them, choose what you like. overall, i love this album

This Is Just Really Great Music.......2007-03-30

This CD is probably one of the best of the NOW series because it features some really good songs. Here's a track-by-track review:

1. Gwen Stefani-Hollaback Girl: This is an okay hook, but that "bananas"
part is weird and the bleeping gets annoying. It was overplayed. B-

2. Will Smith-Switch: Nice to see Will make a comeback and this is the
perfect comeback single, with a terrific hook. A-

3. Amerie-1 Thing: The beat is the only thing that saves this otherwise
lackluster Amerie tune. C+

4. Ciara feat. Ludacris-Oh: This was overplayed, but Luda is awesome and
the hook is better than the one on "Goodies". B

5. Bobby Valentino-Slow Down: I'm not much for ballads, but this is an
okay song, pretty average at best. C

6. Eminem-Mockingbird: I like Eminem's slower songs and this is pretty good. The lyrics are very touching. A

7. Brooke Valentine-Girlfight: This was overplayed, but it has a good hook. Lil Jon is annoying, though. B

8. Destiny's Child-Girl: This is better than "Cater 2 U", but not
"Soldier". It's an okay song(for Destiny's Child). C

9. Shakira-La Tortura: Shakira's voice bothers me, but the beat is okay,
I guess. A little simplistic. So-so. B-

10. Baby Bash feat. Akon-Baby I'm Back: Some of this guy's other material
is alright, but this is just a smug, stupid song. C-

11. Frankie J-How To Deal: I don't like ballads and I hate this. F

12. John Legend-Ordinary People: This is an okay song, since it has
meaningful lyrics and the piano is good. B+

13. Anna Nalick-Breathe(2 AM): This is an okay song. That's all I can really say about it. B-

14. Keith Urban-Making Memories Of Us: I hate wuss country. F

15. Backstreet Boys-Incomplete: The beginning hinted at something better, but this just evolved into a sapfest. D

16. 3 Doors Down-Let Me Go: This is an okay rock song. A little whiney, but what 3 Doors Down song isn't? A-

17. Relient K-Be My Escape: A little bad, but I'll still give it a decent
rating. B

18. The Killers-Mr. Brightside: I really like this song a lot. It has a good new wave beat. A

19. Coldplay-Speed Of Sound: Okay, this was overplayed, but I still like it a lot because it's a good Coldplay song. A+

20. Gorillaz-Feel Good Inc.: Another of my favourites. This song is just plain addictive. A+

Overall, this is one of the better NOW entries and if you're going to invest your money into just one of these CDs, I would choose this.

Almost Perfect.......2006-12-26

Well, I thought that this CD is going to be perfect for my cousin with a CD player for christmas. Everything about it was perfect but one thing. After she opened it we thought we should test it to see if the CD player worked. The CD player did work but while we where listining to it I noticed that this is a kids CD and it was a little bad for children because it was unapproriate for childeren. I think it sould be for an older age. But it is still a great CD!

Vol. 19.......2006-07-19

Backstreet returns and no one cares, that's probably due to the fact that 'Incomplete' is kinda crappy. Pop music has evolved boys, so you can't put out a track that sounds like it was ripped from your debut b-sides! Anyways, that said there are some other tracks here to beware of. When I first heard 'How To Deal' by Frankie J. I really liked it and then I realized it was because I recognized the beat...it's the same beat to 'Burn' by Usher and I was like, what a loser...He has to steel the beats from a popular song that was JUST released! Anyways, 'Hollaback Girl' is just stupid, and yes it's edited anyways so don't bother. Not a fan of 'Switch', Will should stick to acting, he's good at that.

Highlights include Brooke Valentine's 'Girlfight' which takes the crown for best track here...love it and can't ever get enough of it. As with Amerie's '1 Thing' which is also a great track, probably her best. Dig Ciara's 'Oh' but could live without Eminem's 'Mockingbird'...he's lost a lot since '8 Mile'.

Destiny's Child suffer, or cause us to suffer, but Shakira shows us how it's done and gives us a great song here. Akon saves Baby Bash from serving up another crappy song, and yes, other than Akons vocals this song is crappy, but I like his voice so I'll listen to it. John Legend does brilliantly yet again with 'Ordinary People'. The piano is beautiful and the lyrics are so heartfelt and original...I love it.

I really like Anna Nalick's 'Breathe'...it's soft and calm and different so that's welcome. The Killers and Coldplay deliver good songs, Coldplay's isn't perfect but it's good. Gorillaz also deliver here, 'Feel Good Inc.' is a great song and serves as a perfect closing track for the album. All in all it's good, falters a bit but still a decent offering and a nice addition to your growing CD collection.

Now 19.......2006-03-16

This cd is cool, but I hate how they changed the first song like that.

Average customer rating:

Marimba/Brass/Mariachi/Jazz, and Rock--the sweetest sounds this side of the Rio Grande !!!
Herb Alpert & The TJB, What Now My Love
What now my love
Excellence in Easy Listening!
Finally is on CD!!!!

What Now My Love
Herb Alpert & the Tijuana Brass
Manufacturer: Shout Factory
ProductGroup: Music
Binding: Audio CD

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ASIN: B0009I7O6G
Release Date: 2005-06-07

Tracks:

What Now My Love
Freckles
Memories Of Madrid
It Was A Very Good Year
So Whats New
Plucky
Magic Trumpet
Cantina Blue
Brasilia
If I Were A Rich Man
Five Minutes More
The Shadow Of Your Smile

Album Description

Issued in April 1966, What Now My Love held the #1 spot for nine weeks, longer than any other Tijuana Brass album, and the title track garnered two Grammy Awards.

Each album in the Herb Alpert Signature Series features meticulously remastered sound, deluxe packaging, detailed liner notes, and an intro by Herb Alpert containing personal recollections and anecdotes.

Customer Reviews:

Marimba/Brass/Mariachi/Jazz, and Rock--the sweetest sounds this side of the Rio Grande !!!.......2007-04-10

Herb Alpert & The Tijuana Brass enjoyed great success in their heyday during the 1960s; and enthusiastic fans on both sides of the border invariably came to hear them perform. This CD tells us why. Their sounds are smooth as silk, rich as Rockefeller and as sophisticated any Rhodes Scholar could ever be.

The CD starts with "What Now My Love;" for this number the horn carries the bulk of the melody as the arrangement makes great use of the percussion to enhance it's beauty. The guitar solo in the middle of this track shines like gold! "Freckles" follows next; the guitars, horns and percussion all combine to produce a joyful musical number.

The guitars and horns work hard once again to make "Memories Of Madrid" work very well; and I liked that the tempo of "Memories Of Madrid" spins somewhat faster than the tempo for the first two tracks. Excellent!

Other gems on this CD include "It Was A Very Good Year;" this number uses the piano, guitars, horns and percussion to produce a lush and rather sensitive musical arrangement. "So What's New?" uses the ukulele and percussion to work wonders; the whistling and the tempo also make "So What's New?" a very joyful sounding tune. "Magic Trumpet" also stands out as the trumpets, whistle and percussion infuse this ballad with a marching tune flavor. The cries of joy from the performers as they do this number highlight the joyfulness of this marching band-style number.

"If I Were A Rich Man" demonstrates Herb Alpert & The Tijuana Brass' ability to blend together what would appear to be two completely different styles of music: the band successfully infuses a Jewish Broadway show tune with a Latin American flavor. The horn and guitar start out carrying most of the arrangement and when the percussion joins in you can really sense the happiness of this very special number. Excellent accomplishment!

The CD ends with the classic love song entitled "The Shadow Of Your Smile." The strings and percussion begin this melody; and when the horn joins in it only serves to enhance the beauty of this number. In fact, the depth of the emotion associated with "The Shadow Of Your Smile" makes this ballad a strong and fitting ending for this album.

The liner notes include awesome photos. You also get a commentary by Herb Alpert; and Josh Kun contributes an informative essay as well.

Fans of Herb Alpert & The Tijuana Brass will not be disappointed with this great CD. I also recommend this CD for people who enjoy easy listening music from the 1960s.

Herb Alpert & The TJB, What Now My Love.......2007-03-04

This is the album that sold 6,000,000 copies. Herb Alpert & the Tijuana Brass was number one. They had 5 albums in the top forty, and out sold the Beatles for 1966.
This is a beautiful album. It opens up with the hit What Now My Love. Freckles, a happy swinger, Memories of Madrid, a nice rolling tune, It Was A Very Good Year, the classic Sinatra piece, So What's New, John Pisano's popular original, and Plucky round out side one on the original record.
Side two opened up with Bert Kampferts, Magic Trumpet; a happy mexican march. The album then proceeds to Sol Lake's Catina Blue, Julius Wechter's Brasilia, If I Were A Rich Man, Five Minutes More, and the beautiful standard, The Shadow Of Your Smile.
Overall this is a great record. The first in a string of albums that really epitomized the TJB sound.

What now my love.......2006-07-23

The same goes foor this album by Herb Alpert & The Tijuana Brass. I'm also have the LP versions of the one mentioned above along with Whipped Cream and South of the Border; and a couple of jazz album by Herb like Rise, Fandango etc. These albums are relaxing and a good value for jazz lovers.
Eventually I will purchase the remaining CD by Herb Alpert.

Excellence in Easy Listening!.......2006-05-26

Herb Alpert and the TJB are a class act. Even more, they are timeless. Although their music tends to have a Latin theme, it cannot be qualifed that way. It is just great music to sit back and listen. This collection is no different.

I would not consider this one of their best albums but, when dealing largely in superlatives, lesser works are very good indeed. These are all very good. Don't look for great vocals; look for catchy tunes and superb musicianship. Look for fun.

Finally is on CD!!!!.......2005-10-12

I've been waiting a long time for this album to be on CD! The quality is great and the songs are beautiful, just as Herp Alpert always does. This CD brings me a lot of memories. Hope you like it.

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
The Mahler Symphonies: An Owner's Manual (includes 1 CD)
The Young Person's Guide to the Orchestra (Book & CD)
What to Listen for in Music
Study of Orchestration, Third Edition

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

The Christmas Song - Nat King Cole
Bing Crosby - White Christmas
Blue Christmas - Elvis Presley
Have Yourself A Merry Little Xmas - Frank Sinatra
Winter Wonderland - Tony Bennett
Sleigh Ride - Ella Fitzgerald
Let It Snow - Dean Martin
Home For The Holidays - Perry Como
It's The Most Wonderful Time Of The Year - Johnny Mathis
Have A Holly Jolly Christmas - Burl Ives
Rudolph The Rednosed Reindeer - Gene Autry
Grandma Got Run Over By A Reindeer - Elmo & Patsy
Rockin' Around The Christmas Tree - Brenda Lee
Jingle Bell Rock - Bobby Helms
Little Saint Nick - The Beach Boys
Merry Christmas Darling - Carpenters
Christmas Collage - Kathy Mattea
Little Drummer Boy - David Bowie/Bing Crosby

Tracks:

Happy Christmas (War Is Over) - John Lennon
Santa Claus Is Coming To Town - Bruce Springsteen
Do They Know It's Christmas - Band Aid
Wonderful Christmastime - Paul McCartney
Love Is A Holiday - Michael Bolton
It Must Have Been Old Santa - Harry Connick Jr.
Jingle Bells - Diana Krall
Away In A Manger - Mannheim Steamroller
Deck The Halls - Ottmar Liebert
Love On Layaway - Gloria Estefan
Don't Save It All For Christmas Day - Celine Dion
This Christmas - Joe
Special Gift - Isley Brothers
Christmas In The Yard - Shaggy
My Only Wish (This Year) - Britney Spears
You Don't Have To Be Alone - 'N Sync
O Come All Ye Faithful - Luther Vandross
Silent Night - Boyz II Men

Amazon.com

The title doesn't lie, even if it does sounds like a hyperbolic pitch from an old late-night cable TV ad. With 36 tracks of various genres spread over two discs, Now That's What I Call Christmas might be the best, most eclectic "value-plus" holiday record ever released, assuming your tastes embrace crooners such as Cole, Crosby, and Como, plus contemporary boy bands such as Boyz II Men, as well as the ubiquitous Britney Spears.

In between there are the sumptuous classics by Bobby Helms, Brenda Lee, the Beach Boys, Elvis, and Burl Ives on disc one, balanced on disc two by more recent standards, including Bruce Springsteen's live version of "Santa Claus Is Comin' to Town" and John and Yoko's "Happy Xmas (War is Over)." You're not obligated to like everything here, but that's why Santa invented the forward button on your CD player. --Martin Keller

Customer Reviews:

Now thats what i call super.......2007-03-16

Great collection of songs old and new including hard to find david bowie christmas duet. It is great!

perfect christmas cd!.......2007-01-20

I am so happy that I purchased this cd from amazon! It has every christmas song that I could think of and was at a great price. It was shipped super fast and came in perfect condition! Thanks!

Fantastic.......2007-01-18

Hi loved this CD so much that I bought 2 extra for Xmas gifts, and the result........fantastic!
This is definitely the best Christmas CD ever made.

Thanks
Carmen Pucci

Great Christmas music.......2007-01-18

Great combination of Christmas classics and contemporary Christmas music. My favorites are the classics though.

Great Seasonal Mix of Songs.......2007-01-15

Really only purchased the CD for two songs (Santa Claus is Comin' to Town and Do They Know It's Christmas) and was pleasantly surprised to find some other "keepers" on the disc as well. It was quite a mix of older and newer songs, and a nice addition to my Christmas CD collection.

Average customer rating:

A nice choice for all Doobies fans!
One of the bests from the 70's
This is THE difinitive Doobies album!
It is now a habit listening to this
Doobie Magic

What Were Once Vices Are Now Habits
The Doobie Brothers
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

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The Captain and Me
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The Doobie Brothers

ASIN: B000002KF4
Release Date: 1990-10-25

Tracks:

Song To See You Through
Spirit
Pursuit On 53rd St.
Black Water
Eyes Of Silver
Road Angel
You Just Can't Stop It
Tell Me What You Want (And I'll Give You What You Need)
Down In The Track
Another Park, Another Sunday
Daughters Of The Sea
Flying Cloud

Customer Reviews:

A nice choice for all Doobies fans!.......2007-06-08

Even when this DBs album didn't reach the peaks of popularity obtained wih "Toulouse Street" or "The Captain And Me" back in the 70s, the Doobies made a remarkable musical work in this album, in their characteristic 'Doobie-Wah' style.
Included are some very nice tunes like "Eyes OF Silver", "You Can't Stop It", a very nice romantic song titled "Tell Me What You Want (And I'll Give You What You Need)" (why this ever was selected as a major radio Hit?), and the wonderful, beautiful Superhit "Black Water", at no doubt one of the best Doobies' creatures!!!
Believe me, this CD is worth to be included in your collection even if you're not a serious Doobies fan!

One of the bests from the 70's.......2007-02-24

Besides The Captain And Me, this album represents the original Doobie sound before M. McDonald, featuring, in my opinion, more artistic and energetic sides of their sound. Every song is well-crafted with full of ideas. This is absolutely one of the best classic R&R archives from the 70's.

This is THE difinitive Doobies album!.......2007-01-31

When I first heard the music of The Doobie Brothers, it was from a greatest hits album. I knew that some groups are only good as far as their hits go (cough cough, Eagles, cough), so I was hesitant to get any of their albums. I went with Vices since I loved "Black Water" so much, and...woah! I was totally blown away! Every single track on this album is absolutely amazing, except perhaps "Pursuit on 53rd St." But really, the album has a bunch of rockin' songs, some smooth ballads, and some more mystical sounding songs in a perfect blend of 70's rock goodness. I have since purchased most of the Doobie Brothers' other albums, and while they are good, they still can't quite hold up to this masterpiece of sound. Get it now!

It is now a habit listening to this.......2007-01-14

This is the best of all the Doobie Brothers cds. Nice tracks one after the other.

Doobie Magic.......2006-12-02

What I find most appealing is the free spirited song building that goes on through each track. I sit here and imagine the guys sitting back and letting their accomplished guitar skills wind together with spacious vocal harmonies. And then they take the lid off the can-of-whoop---. If you have ever witnessed a jazz or folk jam session live, this album recreates that vision the minute you close your eyes. Back in the 90's, Washington Sq Park in NYC had an acoustic trio who belted out this sort of stuff... And to the other "disenfranchised" poster... keep in mind that pop culture has always been crafted by big corporations. Early DB's is not that kind of music.

Average customer rating:

Hits of the Time Never Truly Die
Vol. 2
"NOW" : Version 2.0
A review from a hole in the wall
It was an ok cd

Now That's What I Call Music! 2
Various Artists
Manufacturer: Now Hits Collections
ProductGroup: Music
Binding: Audio CD

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Now, Vol. 1
Now That's What I Call Music! 3
Now That's What I Call Music! 4
Now That's What I Call Music! 5
Now That's What I Call Music! 6

ASIN: B00000JMYP
Release Date: 1999-07-27

Tracks:

...Baby One More Time - Britney Spears
You Get What You Give - New Radicals
Millennium - Robbie Williams
Closing Time - Semisonic
Sweetest Thing (The Single Mix) - U2
My Favorite Mistake - Sheryl Crow
Praise You (Radio Edit) - Fatboy Slim
I Think I'm Paranoid - Garbage
Never There - Cake
Because Of You - 98 Degrees
Goodbye (Single Version) - Spice Girls
Take Me There - Blackstreet/Mya
When A Woman's Fed Up (Clean Version) - R. Kelly
Father Of Mine - Everclear
What I Got (Clean Version) - Sublime
I'll Never Break Your Heart - Backstreet Boys
Hard Knock Life (Ghetto Anthem) (Edit) - Jay-Z
Everybody's Free (To Wear Sunscreen) (Edit) - Baz Luhrmann

Customer Reviews:

Hits of the Time Never Truly Die.......2007-03-23

I am sure everyone has at least one if not more compact discs in their car that if someone happed to stumble across you would say, wow that is so old I didn't even know I still have that cd, and pray they don't say anything me about it. More often that not this is your one pick me up disc, right? Well, I defiantly have a couple of these types that only one friend knows that I still listen to. These compact discs I am talking about for me are Now, Vol. 1 and Now, That's What I Call Music! 2.

The main reason I still listen to these compact discs when I have a bad day would be not really because of the words or the beat, but mostly because of what the songs remind me of. They are a familiar thing and you always remember the words no matter how hard you have tried to forget. I am one of those people that anything that I am familiar and comfortable with I will not get rid of because I don't really like changes much. These were all popular songs when I was in junior high and they remind me of those days. Also, when I am just cruising down the highway blasting the compact disc as loud as possible and belting out the words is comforting to me.

These compact discs may not be on everyone's must buy list but they are still good songs no matter how old they get. Every song on these two compact discs were played on the radio many times over. In many cases way too often but this did help in making sure everyone heard these songs. Also, the beats and words were easy enough to follow for the younger kids. With these being songs you would hear on the radio they would also be played anywhere that junior high aged kids would be hanging out like school dances and skating rinks.

I also feel that there is one really meaningful song on the second disc of this collection. This song has a very simple beat, but if you sit there and listen to the words it has a ton of meaning. This is the last song on the disc antilitter Everybody's Free by Baz Luhrmann. This is by far the song on these compact discs I listen to the most as a pick me up song. I don't even sing to this one, I just sit there and soak in the words. I think these compact discs are just all around enjoyable because can you honestly say if you were alone in your car or house and heard; "Barbie Girl", "...Baby One More Time" or songs by Spice Girls or Backstreet Boys you wouldn't sing along? I love to listen to these old hits and no matter how "uncool" the bands and songs seem to my peers listening to them just never completely die out of my mind.

Vol. 2.......2006-07-17

Okay, so we have the next in the long line of comp. disc's that followed the orininal 'Now!' This album, while still decent, falters a bit I feel. First off, I know that the target audience is kids from 8-14 or so, and teenage girls, but the choosing of songs like Jay-Z's 'Hard Knock Life' and R. Kellys 'When a Womans Fed Up' and then stripping it bare is kinda annoying. Not that I'm really a huge fan of either track, I just hate editing. They were better off to choose songs that didn't have to be cleaned up for the youngins and keep it that way rather than butcher music. Anyways, heres my opinion.

The appearance of Britney was of course nec. when summerizing the pop sensations of the late 90's. Of course the Backstreet BOys will make a repeat appearance because they were just that huge...but what shocked me was seeing Everclear again, not that I'm against it (I love the song despite it was so played out) but it just shocked me that the general 'Top 40' public wanted to hear more from these guys.

This album also included some new acts like 'New Radicals' and Robbie Williams, who is actually one of the greatest things to come out of the UK...ever. Semisonic give us the wreched 'Closing Time' and the Spice Girls say 'Goodbye' to everyone...boohoohoo...There is some hope though. Sheryl Crow delivers another great song, as does U2 with 'Sweetest Thing'. Garbage (awesome band) give us one of my favorite tracks of 'Version 2.0' and Cake delivers one of the best songs of the entire year with 'Never There' (I have this really funny story that goes along with this track...another place another time)...Sublime is also a highlight. Love them, wish it weren't edited, but I still love them! Hate 'Praise You' but love 'Take me There' and while it's not really a song you can't go wrong with Baz Luhrmann.

All in all it's decent...not as consistant as Vol. 1 but still delivering a nice glimpse of my past...and everybody elses!

"NOW" : Version 2.0.......2005-04-14

If "NOW 1" was an experiment that happened to succeed; "NOW 2" displays the results. The album gives brings back all the qualities that made the 1st one work, and refines them. There are a couple of tracks that don't work, but they can be ignored when compared to the number of good songs we get. Wheras the the 1st album was all safe pop/rock with some R&B; this one has some harder rock (Garbage, Sublime), alternative sounds (Fatboy Slim, Cake), even some rap (Jay-Z) and spoken word (Baz Luhrmann). The diversitry is essentail, as that is what truly makes it sound like Top 40 radio. All the sounds mend well for a solid cimpilaton:
(1) Britney Spears "...Baby One More Time" C-. The song is very catchy with a sexual tone in it's slick production, yet there's really nothing left beneath the sugar. Sounds great at first; then we realize how little the song really. Still, it was a VERY big hit, so I guess it deserves a place on the album.
(2) New Radicals "You Get What You Give" A. In response to the fast, flash of Britney; here is a relaxed, low key tune that's really about something. Lead singer, Gregg Alexander has a cool tone to his voice that is perfect for delivering his intelligent lyrics. Though the song clocks in at near 5 minutes; it is always able to keep attention throughout.
(3) Robbie Williams "Millennium" A-. Of couse it was shamelessly released to take advantage of the Y2K craze, but it's still a really good single. Robbie is definetly a great male vocalist and his material is equal to his voice. The lyrics really do sum up the insane feelings and fears of the time. It's a shame Americans have never caught on to Robbie.
(4) Semisonic "Closing Time" B. Semisonic was praised to be a great post-grunge band, but they never lived up to it. The 1st single of their sophmore LP isn't bad at all; it's just on the safe side. There's nothing wrong with the craft of delivery, but think about what it could have been if it was more daring.
(5) U2 "The Sweetest Thing" (The Single Mix) B+. Originally a B-side from "The Joshua Tree" (1987), this is a pretty good mix of a U2 classic. Although it's not one of their VERY BEST works; it still does a nice job of conveying the talent U2 brought to the 1980s. A minor, if highly satisfing offer from one of the greatest groups ever.
(6) Sheryl Crow "My Favorite Mistake" A. Simply put; this is Sheryl Crow at her best. Striking, heartfelt lyrics combined with her near flawless guitar chords make for an excellent pop/rock track with real heart. One of 1998's best and possible a personal best from her 11 year career.
(7) Fatboy Slim "Praise You" A. Another brilliant offering from Fatboy Slim: an artist who always does things HIS way. Light on substance and lyrics, yet there is so much to praise for the skill and energy which he infuses into the song. This is the perfect example of why he was the front runner of the "Big Beat Movement".
(8) Garbage "I Think I'm Paranoid" A. Perfect, cutting edge rock from a great female group. The song has some meaning, but the most notable parts are the group's electrified beats which are flowing with energy. It's a catchy, distinct sound that we've never heard before, and that is a relief when you consider today's rock music.
(9) Cake "Never There" B-. Very toned down and subdued compared to the last two tracks. Cake seems like an old fashioned group, yet there is something unmistakenly modern about them. This song has many charms, including the content and horn arrangments, but something seems to be holding it back. You wait for everything to just "pop" into something really grand, yet it never does.
(10) 98 Degrees "Because Of You" A-. While "Invisible Man" was good; this was the single that elevated 98 Degrees among the rest in their genre. It is presented as a pop song, yet the slick R&B current runs beneath it all. As male groups go, few can harmnonize like these guys can; and the essential to gracefully deliver these beautiful lyrics. It'a a small treasure.
(11) Spice Girls "Goodbye" A. Yes, that is an "A" next to a song by the Spice Girls. After all the worthless, mindless dance-pop they bombarded us with; they pull together to create a powerful, touching friendship ballad that really gets under the skin. How ironic is it, that their last song released released in the U.S. would turn out to be a masterpiece?
(12) Blackstreet and Mya feat. Ma$e and Blinky Blink "Take Me There" D. What were all these talented artists thinking? Signing up to do a theme song for "Rugrats" is not a smart career move. Everything about this song diminishes the crdibiliity of the artists involved. As a vehicle for the talents of Blackstreet, Mya and Ma$e; this is a deadly miscalculation. A real disaster from otherwise sane producer Teddy Riley.
(13) R. Kelly "When A Womnan's Fed Up" A. Now this is what music SHOULD be. Powerful and deep; this is a perfect single to display R. Kelly's vast talents. Everything falls perfectly into place, and carries alot of atmosphere and dimension. The writing and beats are so crisp and touching that we can't help but get caught up in this heartbreaking tale.
(14) Everclear "Father Of Mine" B+. The usual quality that expect from that wondeful, underrated group known as Everclear. As always, Art Alexakis' powerful lyrics and voice create a rich, vivid single that is flowing with the group's style. Serves as a good companion to Simple Plan's "Perfect" (2004).
(15) Sublime "What I Got" C. There's some skill in this rock tune, but it's just not very satisfying in the end. It's too short and breif to really go anywhere and we crave more. The group, although higly overrated, does have some talent; yet the don't let it shine to it's full potential here.
(16) Backstreet Boys "I'll Never Break Your Heart" B+. An early showcase for the boys' mastery of the pop ballad. The wrioting seems outdated, yet their smooth voices and charisma elevate it to heartfelt and beautiful. They get panned as "teen pop", but this exceeds that classification in almost every way.
(17) Jay-Z "Hard Knock Life (Ghetto Anthem)" B+. One of the few rap songs on the earlier "NOW"s; this is a strange mix from Jay-Z. His lyrics a rhyming is as tight as ever, but the chorus borrowed from "Annie" is a little jolting at times. Thankfully it isn't used too much, a mixes fairly well at times. In the enmd this is a solid rap track from a great rapper.
(18) Baz Luhrmann "Everybody's Free (To Wear Sunscreen)" A-. This is definetly the most unique song ever put on ANY "NOW". The entire song is spoken word over 5 minutes long. Yet the words have deep sense of poetry to them, and are highly effective because of their relevance. If nothing else this is original to every word.
Bottom Line: ***. A solid collection of Top 40 hits from Late 1998 and early 1999. A good amount of variety and quality helps the album flow very well throughout it's entire running time. It also serves as proof that "NOW" figured out the secret to making a good compilation from the begining. Something that many imitators can't seem to accomplish

A review from a hole in the wall.......2004-11-26

Hmm...It's been almost six years since this release. I still haven't reviewed it! I know, I can't believe I forgot.

Ok.

1. Britney Spears, Baby One More Time: B- I used to hate this song, now I like it because Britney Spears sucks really bad now.

2. New Radicals, You Get What You Give: B Good song. Nothing special, but a good listen.

3. Robbie Williams, Millenium: D- Sorry, I thought it sounded like Justin Timberlake smoking p0t.

4. Semisonic, Closing Time: A One of my favs. Too bad Semisonic was a one-hit wonder.

5. U2, The Sweetest Thing: C- Worst U2 song to date. Slow, stupid, and boring.

6. Sheryl Crow, My Favorite Mistake: B- Not the best from Sheryl Crow, but, I guess it's decent.

7. Fatboy Slim, Praise You: B+ Not the best from Fatoby Slim either. It's still pretty good.

8. Garbage, I Think I'm Paranoid: C+ Pop-Metal? Don't think so.

9. Cake, Never There: B+ Pretty good, but why is it so short?

10. 98, Because Of You: D+ Worst 98 song yet.

11. Spice Girls, Goodbye: F The worst song on the CD. The Spice Girls can do much better!

12. Mya & Blackstreet, Take Me There: F Rugrats? Right...next track

13. R. Kelly, When A Woman's Fed Up: C- This song has absolutely no point! Who cares?

14. Everclear, Father Of Mine: A Woo...a breath of fresh air from the crap on the last 4 tracks. This is a great AC song!

15. Sublime, What I Got: A Once again, this is a great song, that is really short.

16. Backstreet Boys, I'll Never Break Your Heart: C- Meaningful lyrics with horrible singers.

17. Jay-Z, Hard Knock Life: B+ This was a great rap song, but Now could have done a bit better with editing.

18. Baz Luhrman, Everybody's Free To Wear Sunscreen: F I've changed my mind, this is the worst song on this CD. Wait, it can't be because it's not a song!

CD. Various Artists, Now 2 Overall Grade: C+

Truly not the best now, but I've seen much worse with Now 12 and 17.

It was an ok cd.......2004-04-24

1. Britney Spears, Baby One More Time: I like this song. I don't care what people think of her this is one of her best hits. A+

2. New Radicals, You Get What You Give: It was an alright song I have no complaints. B

3. Robbie Williams, Millenium: I really didn't care for the song but I can see where some like it alot. C

4. Semisonic, Closing Time: I loved this song in high school and I still love it today. A

5. U2, The Sweetest Thing: It was a good song by U2 I bought the cd this was released on. B

6. Sheryl Crow, My Favorite Mistake: I was not impressed with this song. I always skip it. D

7. Fatboy Slim, Praise You: I am not a fan of Fatboy Slim and like the previous song this one gets skipped too. F

8. Garbage, I Think I'm Paranoid: It was alright but they overplayed it. C-

9. Cake, Never There: This song was great and I still like it. B

10. 98, Because Of You: It was ok my girlfriend at the time always listened to it but it got on my nerves. D+

11. Spice Girls, Goodbye: I like this song cause it reminds me of when I left for basic training. A

12. Mya & Blackstreet, Take Me There: They needed to leave the Rugrats music off of here. I thought this was a Rugrats promotional disaster. F

13. R. Kelly, When A Woman's Fed Up: It is a good song and I liked the meaning of it. B

14. Everclear, Father Of Mine: This is a good song and I still listen to it all the time. One of the best on the cd. A

15. Sublime, What I Got: The one Sublime song I actually like and I would give it an A but since it is edited... B

16. Backstreet Boys, I'll Never Break Your Heart: The song always reminds me of my senior prom. It does bring back bring good memories. A

17. Jay-Z, Hard Knock Life: Yeah it is a ripoff of Annie combined with rap but it is a good song none-the-less. B

Tracks:

What the World Needs
Heaven Help Me
It All Comes Down to Love
Flies on the Butter (You Can't Go Home Again)
I Will Be
I Want to Know What Love Is
It's Only Love
Sometimes I Feel Like Elvis
Burning Love
Who Am I Supposed to Love
Your Day Will Come
(No One's Gonna) Break Me Down
You Are
Rescue Me
Video

Album Description

2003 album includes the hit single, 'What The World Needs', 'Flies On The Butter (You Can't Go Home Again)' feat. a special appearance by Wynonna & Naomi Judd (The Judds), 'I Want To Know What Love Is' feat. a special appearance from Jeff Beck, 'Burnin' Love' from the film 'Lilo & Stitch', & 'You Are' from the film 'Someone Like You'. 14 tracks. Curb.

Customer Reviews:

Wynonna listening.......2007-05-24

Having recently been to a Wynonna Judd concert where she sang many of the songs from this CD,I am thoroughly enjoying listening to this CD and reliving the memory. I like almost every one of the tracks, which is very rare, and there is great variety in the style of all of the songs, so it never gets boring.

Excellent!.......2007-05-20

I loved this entire CD- Wynonna's voice just literally pins me to the back of my chair. No matter how many times I listen to the title track I get goosebumps every time. That one and the song Rescue Me, the story of which illustrates the kind of person Wynonna is.

What the World Needs Now Is Love ~ Wynonna Judd.......2007-05-07

I love this CD. I had bought it a couple of years ago and it disappeared. It may be up at our cabin but I couldn't wait any longer, so I bought a new one. This is her best CD. She has the words included with the CD. Make sure you look at the words to each song because they are beautiful. It's been along time since I found a CD in which I love all the songs. You won't be sorry you purchased it. It made me a Wynonna fan.

A rediscovered star.......2006-04-08

I bought some of the Judds albums and a couple of Wynonna's earlier albums and enjoyed them immensely - good song choice generally, great voice and superb arrangements (I can live with overblown and schmaltzy) but after that she sort of went off the radar. Maybe personal problems, difficulties with label management, who knows, but here in the UK her admittedly modest profil

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