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1. Shoot
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2. Hair Piece
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3. Sex in Commercials
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4. Drugs
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5. Birth Control
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6. Son of Wino
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7. Divorce Game
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8. Ed Sullivan Self Taught
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9. Let's Make a Deal
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10. 11 O'Clock News
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FM & AM,George Carlin,Atlantic / Wea,Observational Humor,Pop,Satire,Spoken / Comedy / Radio Shows,Spoken Word,Standup Comedy
Average customer rating:
- I love this album
- It All Started Here
- THIS 2-CD SET SOUNDTRACK IS FULL OF LEGENDS !!!
- A Great Time Capsule
- Exact recording of the reel from a radio station?
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FM (1978 Film)
Various Artists - Soundtracks
Manufacturer: Mca
ProductGroup: Music
Binding: Audio CD
General
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Singer-Songwriters
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| Hard Rock & Metal
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| Blowout Music
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Similar Items:
- FM
- Fast Times At Ridgemont High: Music From The Motion Picture
- Thank God It's Friday: The Original Motion Picture Soundtrack
- Boogie Nights: Music From The Original Motion Picture
- Aja
ASIN: B00004TRSB
Release Date: 2000-06-13 |
Tracks:
- FM - Steely Dan
- Night Moves - Bob Seger & The Silver Bullet Band
- Fly Like An Eagle - Steve Miller
- Cold As Ice - Foreigner
- Breakdown - Tom Petty & The Heartbreakers
- Bad Man - Randy Meisner
- Life In The Fast Lane - Eagles
- Do It Again - Steely Dan
- Lido Shuffle - Boz Scaggs
- More Than A Feeling - Boston
Tracks:
- Tumbling Dice - Linda Ronstadt
- Poor Poor Pitiful Me - Linda Ronstadt
- Livingston Saturday Night - Jimmy Buffett
- There's A Place In The World For A Gambler - Dan Fogelberg
- Just The Way You Are - Billy Joel
- It Keeps You Runnin' - Doobie Brothers
- Your Smiling Face - James Taylor
- Life's Been Good - Joe Walsh
- We Will Rock You - Queen
- FM - Reprise - Steely Dan
Customer Reviews:
I love this album.......2007-03-22
I love this album. I grew up in the 70's and find the music to be a lot of fun. They are the kind of songs you can snap your fingers to, tap your toe or sing at the top of your lungs!
It All Started Here.......2007-03-04
When it comes to soundtracks from popular artists that have nothing to do with the movie - and it can be argued that the motion picture was made to market the music - you have to start with FM.
The title track was composed and recorded by Steely Dan - Donald Fagen & Walter Becker - without any working knowledge of the film. There are a couple live tracks from Tom Petty and The Heartbreakers & Linda Ronstadt, but this two CD set is dominated by previously-released cuts from the darlings of the late 1970s arena rock scene.
The movie was a pedestrian look at disc jockeys at a FM rock station who are at odds with the corporate suits who want to dictate the on-air rules. It was criticized by several cast members because - they claimed - several serious sub-plots were edited out to better highlight this simplistic story. But with a focus soley on the ficticious radio station meant the old tunes by real artists would be the center of attention.
What is now a retrospective on one segment of FM radio was then a guide on how to lazily put together a movie and soundtrack with no effort to merge them into a solid, artistic package.
THIS 2-CD SET SOUNDTRACK IS FULL OF LEGENDS !!!.......2006-04-18
THIS IS THE MOST AMAZING SOUNDTRACK TO A MOVIE I HAVE EVER SEEN.
IT IS ALMOST 30 YEARS OLD AND THE SONG'S ON THIS CD~SET ARE PLAYED ON THE {FM RADIO} STATION'S AS MUCH NOW AS THEY WERE BACK THEN.EVERY PERSON ON THIS SET IS A LEGEND:BOB SEGER,FOREIGNER,
TOM PETTY,STEVE MILLER,EAGLES,JAMES TAYLOR,QUEEN & BOSTON
JUST TO NAME A FEW.
ALL THE SONG'S BY THE PEOPLE ARE HIT'S THERE ARE NO FLOPS'S.
IF I COULD GO BACK IN TIME TO THE 70'S AND THERE WAS ONLY ONE ALBUM I COULD BUY THIS WOULD BE IT!.
THESE ARE THE SONG'S THAT WILL BE PLAYED UNTIL THE END OF TIME.
I DON'T THINK HERE IN 2006 THEY COULD GET ALL THESE PEOPLE BACK TOGETHER FOR A FM PART 2.IF THEY COULD OF THEY WOULD HAVE DID IT IN THE 80'S OR 90'S.
THE WORLD IS NOW FULL OF MOVIE SOUDTRACK'S AND HIT COMPILATION'S.
BUT THIS TO ME SEEMS TO BE THE FIRST AND STILL THE BEST.
PEOPLE SAY THAT THE GREASE AND SATURDAY NIGHT FEVER SOUNDTRACK'S WERE THE BEST OF THE 70'S;BUT THIS IS THE MOST WELL~ROUNDED ONE OF ALL.SO PICK THIS UP AND ENJOY IT,PLAY IT & BLAST IT!.
{A FAN OF GREAT MUSIC OF THE 70'S,80'S & 90'S}/[ROME,NEW YORK]
A Great Time Capsule.......2006-04-07
When this film/soundtrack came out in 1978, I was 24 and working on air at a radio station in the midwest. All of us at the station got a huge kick out of seeing a movie about what we did for a living. However, in all honesty, the soundtrack has aged MUCH better than the movie. As the other reviewers have noted, this album is a great time capsule of what was on the radio in the late '70s. And like several of the other reviewers, I, too, enjoy a great set of memories from listening to it. The fact that this album/CD is still selling almost 30 years after its release is a pretty good indicator that there's some great music on this one. A great addition to anyone's collection!
Exact recording of the reel from a radio station?.......2006-02-18
I love this album. All the songs, the entire mix of songs is the basic boiled down extract of the time. I grew up with this stuff and it just rushes back memories and nostalgic warmth. I am only slightly sad about the quality of the remaster, or was it even remastered? It sounds like the original radio reel they used in the 70's burned direct to CD, with Tape hiss and not much dynamic range. Fortunately I have software to soup it up, however most people don't so, in that regard, it could be considered an authentic reproduction, but, it does not sound as I should think it would. I actually tried to reach the man who was paid to put this to digital media, but have had no luck in reply or any response. I also don't know how many audio nit pickers are out there, but, if you know someone who knows someone, or anything, I would provide them a replication of the replication to exploit and give some input. With the original recording and playback device, it could have been better, but I assume the guy who got this gig for remaster may already know that. I'm not knocking him too bad I hope, it's just that, that analog feel didn't come through, so much as the tape hissss. Otherwise, and around all that, the songs are immortal echos of that time and it is a great mix.. Like going in a time machine and turning on the radio,, with no commercials.. Especially army ones.. lol..
PEACE..
Average customer rating:
- A little better..
- Let me keep this short and sweet (just like the album itself)...
- Completely Ashamed
- Not Worth the Wait
- Good album, but not straight away...
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Critically Ashamed
FM Static
Manufacturer: Tooth & Nail Records
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Punk-Pop
| Hardcore & Punk
| Alternative Rock
| Styles
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General
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Pop Rock
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Similar Items:
- What Are You Waiting For?
- We Can't Stand Sitting Down
- Smile, It's the End of the World
- Exit Lights
- This Is Who We Are
ASIN: B000GEU69U
Release Date: 2006-08-01 |
Tracks:
- Hope The Rock Show Goes Good
- Flop Culture
- Six Candles
- The Next Big Thing
- America's Next Freak
- Tonight
- The Video Store
- Girl Of The Year
- Nice Piece Of Art
- What It Feels Like
- Waste Of Time
- Moment Of Truth
Customer Reviews:
A little better.........2007-07-18
Overall a pretty good disc if ya like TFK or FM Static. I gotta disagree on "The Next Big Thing" though, I didn't think that song was so hot at all. Best song (I.M.O.) is Waste Of Time, although the riff is similar to TFK's rarity Small To Say. The album sounds a little less punkish and a little more soft rockish, so I think it's a slight improvement from the last album. Tonight and Moment Of Truth are pretty good too. Anyway, good to hear from this band again. Can't wait for the next TFK album too, as long as it's better than their last one.
Let me keep this short and sweet (just like the album itself)..........2007-03-24
The coolest, catchiest, most real and heartfelt fun songs you might ever hear. If you like this, try expanding your universe with the Subdudes...start with their "Annunciation" album perhaps. They are a band made up of older dudes than FM Static, so they are a lot less punk, but sound just as sweet and just as sincere.
Completely Ashamed.......2007-03-07
I was the hugest FM Static fan after hearing their previous release. I was so excited to get their new one. What happened to these guys? It's just not good! By the 10th track, they finally warm up, but still are not near the quality of the entire previous album. Many of the first 9 songs are just dumb. The lyrics are dumb and the music isn't much better. Maybe I'm missing what the guys of FMS were trying to accomplish with this release, but for the happy fan, it's a let down.
Not Worth the Wait.......2006-08-13
Towards the middle of FM Static's sophomore release, there is a tremendous song titled "Next Big Thing." However, the rest of the album is watered down, filled with ballads, and absurd lyrics. This would be tolerable if the songs were good, but only a few are. It seems like they are going through the motions on this disc, which is WAY below the standards they set on their debut album. The melodies are there, but the performances are lacking energy and it is way overproduced. The new Hawk Nelson or Stellar Kart CD is a better way to spend your money.
Good album, but not straight away..........2006-08-10
If you're buying the long-expected sequal to 2003's "What Are You Waiting For?" expecting an album with exactly the same formula (as I was), you are going to be disappointed.
Not to say "Critically Ashamed" isn't any good, because it is. But the initial spin I gave it left me feeling disappointed because it wasn't what I had been waiting for, for so long. After more spins though, I got over that fact and started enjoying the songs. Talking about the songs, let's get into a track-by-track review:
#1: "Hope The Rock Show Goes Good"
This is a classic intro, with a young relative of Trevor wishing him luck for the show.
#2: "Flop Culture"
First time round, this song sounds like it could be on "What Are You Waiting For?" with the rest of it's songs, music-wise. But the choice of subject in the lyrics isn't too interesting, it's more about dissing Michael Jackson, Avril Lavigne, Britney Spears and MTV. I'd prefer that they stick to singing about girls, summer and school. Still, it's a catchy upbeat song.
#3: "Six Candles"
The second song on the album and already the first lower-tempo song. Strong lyrics and appropriate music accomanying them. This is when you first notice that this album is definitely going in a different direction than the debut album, as the lyrics are much slower than before and the intonation is not quite "happy".
#4 "The Next Big Thing"
This is one of the most catchy songs on this album and probably the one which is going to get stuck in your head frequently. Like Flop Culture, it sounds like a song you'd expect from FM Static, but the execution is once again that tiny bit different which separates it from the debut album material. It really is a sing-a-long track though.
#5 "America's Next Freak"
Another song which doesn't really have an energetic feeling to it, moreso a mature, emotional feeling. It does it well though, as it's just as catchy as the upbeat tracks on the album.
#6 "Tonight"
"Critically Ashamed"'s equivalant of "Hey Now" from the debut album, except this time the song isn't entirely accoustic. It's another emotional song which comes with strong lyrics.
#7 "The Video Store"
For me, this is one of the poorer songs. The chosen subject just doesn't seem quite right, obsessing over a girl you met once in a video store and never forgetting that day. It sounds kind of lame, and that feeling is amplified by the "Ah, ah, ah"'s in the chorus and the Fred Durst bashing in the second verse.
#8 "Girl Of The Year"
A fun song with fun lyrics. No important lyrics here, but it doesn't hurt the song. This is one of the songs which attains the "What Are You Waiting For?" feeling the most.
#9 "Nice Piece Of Art"
The song itself isn't brilliant, but it has a killer chorus which you look forward to from the beginning of each verse. It's another slow song though, of which it becomes apparant this far in that the album is 50% (or maybe a bit more) slower songs. They're all good though, so it's not a downside, unless you're expecting more of the debut album.
#10 "What It Feels Like"
This song isn't anything special. It's okay, but not the song which is going to be played the most on this album. There's nothing wrong with the lyrics, but the execution of the song is forgetful.
#11 "Waste Of Time"
This song surprised me, in that even though it wouldn't blend in with the other songs from the debut album (though it's not particularly slow like "Nice Piece Of Art"), I think of it as one of, if not the best track on this album. The verses and the chorus are great and the music sounds great as well.
#12 "Moment Of Truth"
The closing track on this album is an almost exact copy of the closing track "Hey Now" from the debut album. This is really not a bad thing, as the slow, accoustic "Hey Now" is one of my favourite tracks from that album. Therefore, this track is destined to attain the same status in my books. The intonation of the vocals is perfect and the guitar accompanying them sounds just like it should.
All in all, this album is far from a disappointment, once you get over the surprise of your expectations being off. The album was advertised by FM Static as "a summer album which will stick with you paired with the memories of the best summer you ever had", but it's not that. "What Are You Waiting For?" is, as whenever I hear a song from it, I remember Summer and Fall 2003 vividly. That album felt overall more energetic and bouncy to me.
One thing the successor has in common with it's predecessor is the squeaky-clean lyrics, but that's okay, because I wasn't expecting different as the band is classified as Christian Rock, and I if want to hear "tough" lyrics, there are plenty of other bands I listen to which can give me that. One could say that the change in this album from energetic bouncy pop-rock to slightly less bouncy and slower is simply the maturing of the band, but I don't need FM Static to mature; again, there are enough bands who mature with each coming album, and after all, FM Static *is* a side-project.
So, finally, don't think I'm advising against buying this album, I'm just trying to explain why I preferred FM Static's debut album more. I like this album a lot and therefore give it 4 out of 5 stars! Buy it, give it a chance, and I'm sure you'll like it as well.
Average customer rating:
- KKSF fan
- Great Jazz
- A disgrace to jazz.
- It's good with total relaxed feeling
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KKSF 103.7 FM Sampler for AIDS Relief, Vol. 16
Various Artists
Manufacturer: Kksf
ProductGroup: Music
Binding: Audio CD
General
| Jazz
| Styles
| Music
General
| Compilations
| Jazz
| Styles
| Music
Smooth Jazz
| Jazz
| Styles
| Music
Contemporary R&B
| R&B
| Styles
| Music
General
| R&B
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Similar Items:
- KKSF 103.7 - Aids Relief Sampler 15 [ENHANCED]
- KKSF 103.7 Aids Relief Volume 17
- KKSF 103.7 FM Sampler for AIDS Relief, Vol. 12
- KKSF 103.7 FM Sampler for AIDS Relief, Vol. 9
- KKSF 103.7 FM Sampler for AIDS Relief, Vol. 7
ASIN: B000AY9OQW
Release Date: 2005-10-18 |
Tracks:
- Fields of Gold - Fourplay
- Malibu Dreams - Kenny G
- The Look of Love - Diana Krall
- Pacific Coast Highway - Nils
- Take Five - XL
- Goin' Out Of My Head - Luther Vandross
- Honey-Dipped - Dave Koz
- Foreign Nature - Colors In Motion
- Sexual Healing - Marvin Gaye
- No Ordinary Love - Chris Botti
- Rainforest - Paul Hardcastle
- Suede - Marion Meadows
Album Description
KKSF 103.7 is proud to continue the fight against AIDS with the release of Sampler for AIDS Relief Volume 16. All net proceeds, a minimum of $4 for each compact disc, will be donated to Bay Area AIDS Relief Organizations including The San Francisco AIDS Foundation and The Health Trust of San Jose. The previous fifteen KKSF Samplers have raised more than $4,000,000. The songs featured on Sampler 16 represent some the best smooth jazz and sophisticated vocals played on KKSF 103.7, The Bay Area's Smooth Jazz Station.
KKSF 103.7 is committed to making Sampler For AIDS Relief Volume 16 another best seller with a major on-air promotion campaign (including retail where-to-buy tags) to build awareness and demand. Be prepared for big consumer response to Sampler 16 and for a bonus sales lift for available previous editions 11 & 15. Volumes 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 12, 13 and 14 are no longer available on CD.
Customer Reviews:
KKSF fan.......2007-01-26
This is not the best KKSF product but it is still very enjoyable. Whoever compiled the songs did an excellent job of "mixing it up" a bit. Definitely worth buying.
Great Jazz.......2007-01-09
Now I have all 16 CD's these are a great collection I love the Radio station I miss it. I now live in Ga far from San Fransico but I can still enjoy the music. If your lucky enough to if you can find the other CD you will also enjoy them and make a great collection Enjoy!!
A disgrace to jazz........2006-02-18
While there might be deserving artists on this CD, there is one song in partiicular that makes the entire CD a disgrace to jazz: "Take 5" by XL. Most jazz entusiasts have heard the original version of this song by The Dave Brubeck Quartet. It was particular creative because it used five beats per measure (hence the name "Take Five") of the song rather than the traditional four beats that almost every popular song uses.
I was absolutely apalled when I first heard this cover on KKSF. XL had redone the song, but taken out its key element of having five beats and replacing it with the bleak four beats.
Call it what you will but this is not a collection of songs from a smooth jazz station being that no station can bear the name "jazz" when they play a song that defiles jazz as much as XL's cover. Moreso, they play this song to an extent when I have never heard them play the original "Take FIve".
It's good with total relaxed feeling.......2005-11-21
Well, this CD is quite good. It is involving with a lot of relaxing music. As I occasionally listen to KKSF 103.7 on radio, I know a lot of the tracks on this CD. Overall, it is good.
(Tracks that I like: 1, 4, 5, 8, 9, 11, 12)
Average customer rating:
- Excellent!
- He's Smarter Than Most, but Kind of Wicked
- Carlin's first ... and the start of a new phase in his career
- Classic George!!!
- High Wattage
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FM & AM
George Carlin
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD
General
| Miscellaneous
| Styles
| Music
General
| Comedy
| Miscellaneous
| Styles
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Country Comedy
| Comedy
| Miscellaneous
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| Comedy
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| 4-for-3 Music
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Similar Items:
- Class Clown
- Occupation: Foole
- Toledo Window Box
- A Place for My Stuff!
- Parental Advisory: Explicit Lyrics
ASIN: B00004X0OG
Release Date: 2000-09-12 |
Tracks:
- Shoot
- The Hair Piece
- Sex In Commercials
- Drugs
- Birth Control
- Son Of Wind
- Divorce Game
- Ed Sullivan Self Taught
- Let's Make A Deal
- The 11 O'Clock News
Customer Reviews:
Excellent!.......2007-03-13
This disk was my introduction to Carlin and I was hooked. Full of classic hilarious lines "Tonight's forecast ... Dark," "Not anymore Monty" and introduced a lot of things our mothers would say. This was way before he became over political in his act and the majority of the material is gut-wrenching belly laugh humor at its best! George is definately the best comic genious of our time!
He's Smarter Than Most, but Kind of Wicked.......2005-11-02
Carlin has such a quick wit and has observations about life that prompt one to say, "Oh yeah, I've never thought about it that way before." If you can get past his vulgarity and understand his unique humanity, then you will be able to appreciate this comic genius. He was not afraid and still is not afraid to tackle the very controversial topics such as birth control, drugs and others. His impression of radio DJ's is very funny and he has a good grasp of the English language.
Carlin's first ... and the start of a new phase in his career.......2005-08-01
George Carlin is definitely the thinking person's comic. He's always been right on target with his observations and tackles topics that many comedians - then and now - wouldn't even think to discuss.
In the 1980's, the rise of unabashed hypocritical tele-evangelists, and their flock, screamed for a sane answer and George was it ... and then some. He always had a bad habit of touching nerves with the raw truth.
His comedy is like a fine wine, it improves with time. FM & AM was the start of a new phase in his career - completely casting aside the clean-cut image and started telling it like it is (he couldn't be The Hippy Dippy Weatherman forever).
Classic George!!!.......2003-09-08
All the classic early George is here: Shoot, Hippy Dippy Weatherman, The News. It will keep you laughing for days!!!
High Wattage.......2001-06-20
FM & AM is another classic George Carlin album from the early 70's. The album is broken up into the FM side that contains his new, hippie side and the AM side is a throw back to his earlier comedy roots. Both sets of routines show that Mr. Carlin could be topical and cutting edge in his humor focusing on counterculture issues of the day like use of vulgar language, drugs and sex or could slide into universal routines like mocking radio station DJ's, newscasts & Ed Sullivan. His "11 O'Clock News" bit is an absolute scream as he mocks the typical talking heads of local newscasts who take themselves way more seriously than everyone else does. In "Sex In Commercials:, he skewers the supposed wholesome images of products that use a subliminal message sex to get you buy their stuff. His Ed Sullivan routine is great. FM & AM shows that George Carlin is a comic who can inhabit numerous comedy styles and make us laugh at all of them.
Average customer rating:
- Very Nice! And only $9!
- Chausson's quartet is the gem
- Oh boy!
- Ravishing
- Stunning and passionate work
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Franck: Quintet in Fm; Chausson: String quartet in Cm
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
Quartets
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Similar Items:
- Franck - Sonata for violin and piano · Debussy - Sonatas · Ravel - Introduction and Allegro / Chung · Lupu · Ellis · Melos Ensemble
- Fauré: Piano Quintets
- Fauré: Piano Quartets
- Chausson: Concert for Violin, Piano and String Quartet
- Vaughan Williams: Phantasy Quintet/String Quartets 1 & 2
ASIN: B0000060CH
Release Date: 1998-06-02 |
Tracks:
- Molto Moderato
- Lento
- Allegro Non Troppo
- Grave
- Tres Calme
- Gaiement Et Pas Trop Vite
Amazon.com
At the end of his life, Franck composed three chamber music masterpieces which, along with the popular Symphony in D minor, placed him at the forefront of French composers of "abstract" instrumental music. This piano quintet is one of those masterpieces. Like the Symphony in D minor, it has three movements and it's constructed according to the principals of cyclical form, which simply means that the various movements share some themes. It's an absolutely gorgeous piece of music, and this award-winning recording is the finest available performance of it. With an ample coupling in the form of Chausson's quartet, and a budget price to boot, you can't go wrong. --David Hurwitz
Customer Reviews:
Very Nice! And only $9!.......2007-06-06
I just got this CD a couple of weeks ago and it is a pleasure to listen to. The Franck Quintet is one of my favorites of the genre and it doesn't disapoint here. Fiery and tempestous, the first movement sets the tone for the entire piece. I would have liked the piano to come through a little more at the beginning (I realize it is probably a pianissimo phrase, I just thought it was a bit muddy). The second movement was lovely (Mr. Levinas comes through fine on the piano here) and I must add to the other reviewers remarks that Jean-Philippe Audoli's violin playing is exquisite, especially in the 2nd movement. The closing third is eery and suspensful and filled with tension and this ensemble gets the most out if it. Bravo all around.
I felt that Chauson piece - which I am not as familiar with - was charming, if not sometimes quirky, and brilliantly played, but a far cry from the drama of the Franck.
And all this for 9 bucks - what a steal!
W.Steven
Chausson's quartet is the gem.......2005-07-15
Like other reviewers here, I bought this disc for the Franck's quintet. But it turned out to me that I repeatedly play the Chausson's quartet when I put it on my CD player. For Franck, the performance here is passionate and intense, but I still prefer the cool and atmospheric interpretation by Richter and the Borodin quartet. And for Chausson, it is a really a work unjustly overshadowed by other French composers like Debussy and Ravel.
Chausson's quartet illustrates French romanticism at its best. The emotional yet a bit mystical atmosphere is already witnessed in the first few bars, and it progresses to intensive passions at the end of the first movement. And the climax of the work is the second movement Lento, which is calm and serene. This is the Swan Song of the composer. Chausson died when revising the third movement and it was completed by D'Indy. The mood ending the whole work does not match entirely with the previous movements. This may be the reason why some reviewers here think the piece is odd. Nevertheless, it does not diminish the achievement of the piece. And Quatuor Ludwig does a great job here in bringing this beautiful work to CD.
Coincidentally, Franck, Chausson, Faure, Debussy, and Ravel all left us only one string quartet in their career. And the first two should deserve much more reputation. I hope quartets specialized in the French repertoire like Ysaye Quartet will play them more in their concerts. I was glad that they played one movement of the Franck quartet as the encore piece in their Hong Kong concert in March 2005.
Oh boy!.......2001-11-30
Firstly, Franck's Piano Quintet is a masterpiece by any standards. Such passion. Try out the furious coda to the 'con fuoco' finale if you want an example. But the Quintet has you on the edge of your seat throughout. It is truly remarkable music and, in its demonic intensity, quite unlike any other 19th cent. French composition. The Quator's performance copes admirably with the extremes of Franck's dynamics. They are urgent when necessary but also elegant and refined. They drag you through this piece from the opening passage of the first movement to the riveting disintegrating concluding passage of the last. Special mention must go to the wonderfully eloquent and subtle playing of Jean-Phillippe Audoli. And Michael Levinas projects the difficult piano part with genuine individualism but does not overwhelm the texture of the Quartet players. This disc would be a must-buy at Full Price, but at Bargain Price there is no excuse for hesitation (P.S....the sound quality is good with a warm ambience and perfect balance between piano and strings). BUY IT!
Ravishing.......2001-11-17
The Franck quintet certainly is. Inspired by one of Franck's piano pupils, an apparently alluring young woman, the Piano Quintet is one of the most sultry works in chamber literature. From the passionate cry of its opening measure to the relentlessly driven last movement, a sort of "Chasseur Maudit" in which lust is the pursuing demon, the work was too much for its dedicatee, the sedate (at least in musical terms) Camille Saint-Saens. At the premiere of the work, in which Saint-Saens was soloist, he stormed off the stage, leaving the music behind on the piano.
Unlike Saint-Saens, Michael Levinas and the Ludwig Quartet clearly love this music and embrace its passionate nature with a special fire in their playing. And Levinas manages to get inside the difficult piano part to show that it is perhaps the most musical, as well as musically challenging, of all the celebrated 19th-century piano quintets.
The Chausson quartet, a work that was presumably incomplete on the composer's death, has an understandably unfinished quality, but that gives this very interesting piece an added mysteriousness. Not at all as firey as the Franck, it is a piece of proto-Impressionism in the style of Chausson's Concert: somewhat rambling, but filled with striking ideas and producing sauve sounds on the strings more anticipatory of Ravel than of Debussy.
The sound on this Naxos disc is not quite as polished as the performances, but it is certainly well above average. All around, a great bargain.
Stunning and passionate work.......2001-08-15
The Franck Piano Quintet is, without any argument, a passionate passionate piece. From its furious beginning (the opening theme from the strings) to it's pounding close (the 3 distinct chords at the end of the final movement) the quintet rages about in a fury of emotions. The Ludwig Quartet capture the pieces passion perfectly. They sweep through the first movement with eloquence, crashing through to it's clamoring climax. the second movement, although slow and relaxed compared to the first, is also quite a spectacle. Jean-Philippe Audoli's tone is stunning in this calm movement. The theme rings beautifully, building to another tense climax, to end peacefully and magically. The final movement is a passionate blur of music, racing through a recap of the entire piece, to a forceful and powerful end.... The Ludwig Quartet and Michael Levinas capture the essence of Franck's work perfectly, never missing a note. These skilled musicians create a beautiful sound together, even making my heart race as they play the beautiful quintet. I already own a recording of the quintet, and I was totally blown away by this version. The Chausson Quartet, although an odd piece, is put together well by the Ludwig Quartet. The soaring, disturbing movements are deep and, like the Franck, passionate. This collection of French impressionist work is not one to miss out on. There is beautiful music, amazing talent, and a killer price to match. BUY!!!!
Average customer rating:
- River Dawn: Piano Meditations
- Modern-day Satie
- Great!
- Nice, but not quite right for bodywork sessions
- Masterpiece!
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River Dawn: Piano Meditations--music for relaxation, yoga, massage, healing
Catherine Marie Charlton
Manufacturer: OM
ProductGroup: Music
Binding: Audio CD
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- Lady of the Spice Lands - music for relaxation, massage, yoga, for the love of music...
- The Undershore
ASIN: B00005QTY8
Release Date: 2001-10-01 |
Tracks:
- Part 1
- Part 2
- Part 3
- Part 4
- Part 5
- Part 6
- Part 7
- Part 8
- Part 9
Album Description
You will want to play this album again again and again, for calming, soothing background music.
The flow of energy, creativity, spirit, and relaxation begins....
Experience the calm and beauty of peaceful piano music from concert pianist and improviser Catherine Marie Charlton. During this 60 minute uninterrupted solo performance, her refreshing and rejuvenating music continually meanders and evolves, carrying you forward in your thoughts, but is never distracting. With no track changes to disrupt your relaxation, this music is perfect for playing in the background during rest, yoga practice, massage, to aid concentration while working, to inspire creativity, or to soothe guests while entertaining.
With this honest and intimate recording, you will feel as if you are guest to a private peformance by the concert pianist and recording artist, meditating in her living room. Also a dancer and yoga student, Catherine Marie Charlton invites you to join in a journey through a world of calm, a world of change, a world of inspiration, a world of dreams, a world of creativity and energy.
Sit back, relax, breathe deeply, and feel the river dawn....
Customer Reviews:
River Dawn: Piano Meditations.......2007-07-13
Delightful arrangement. Soothing music for massage. Volume of this copy very poor. I must turn my CD volume control high in order to hear it.
Modern-day Satie .......2006-12-17
I have been scouring for music to use during healing imagery sessions. I wanted something quiet, clear and fresh. Music that could stand on its own but not overwhelm or bore. This album is perfect. It is lyrical, uncomplicated, and fills an hour without breaks in between. I also find myself listening to it at other times. With candlight, sets a calming mood.
Great!.......2006-04-26
I listen to this CD all the time, especially when I've had a stressful day.
Nice, but not quite right for bodywork sessions.......2006-03-20
This is a sweet, quiet album, however, it doesn't quite work for a massage therapy or other bodywork sessions. While the music itself is not intrusive, there are occasional "bum" and off notes that filter in through the hour-long piece that can be distracting in a quiet bodywork session. While this would not be a problem if the music is just serving as background sound as you do other things, in a massage, a client's mind looks to the music for calm and focus. For many, music is an essential component of the relaxation response during a massage. I used this with a number of my regular clients and they each were distracted or jarred when an off note tumbled by. I certainly understand that one can't be perfect over an hour-long performance, but I find this unsuitable for massage for that reason.
Masterpiece!.......2006-03-19
River Dawn moves me. I often play it while working, while relaxing, while dining, and many other occasions. This disc is passionate, romantic, and soothing. This disc would fit nicely in anyone's collection....check it out.
Average customer rating:
- Pick a speed and stick to it!
- One Of The Great Recordings Of Chopin's 2nd Piano Concerto
- ??!!But this is a GREAT album!!??
- AX & MACKERRAS PERK UP IN CONCERTO NO. 2
- Sublime Chopin
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Chopin: Piano Concerto No.2 in Fm/Grand Fantasia
Manufacturer: Sony
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Similar Items:
- Chopin: Piano Concerto No. 1 in Em/ Variations, Op. 2
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- Ax, Stoltzman, Ma : Brahms, Beethoven, Mozart : Trios for Piano, Clarinet, Cello
ASIN: B000007TJV
Release Date: 1998-06-30 |
Tracks:
- Concerto No. 2 For Piano & Orchestra In F Minor, Op. 21: Maestoso
- Concerto No. 2 For Piano & Orchestra In F Minor, Op. 21: Larghetto
- Concerto No. 2 For Piano & Orchestra In F Minor, Op. 21: Allegro Vivace
- Grand Fantasia On Polish Airs For Piano & Orchestra In F Major, Op. 13: Largo Non Troppo
- Grande Polonaise Brillante For Piano & Orchestra, Op. 22: Andante Spianato. Tranquillo
- Grande Polonaise Brillante For Piano & Orchestra, Op. 22: Grande Polonaise. Molto Allegro
Amazon.com essential recording
Revisiting the very repertoire featured on his concerto recording debut from the seventies, Emanuel Ax makes his first foray into the world of period instruments, playing a mid-1800s Erard. While its sound is not as big as that of a modern concert grand, the treble and bass registers have greater timbral differentiation. Ax responds to the instrument like a kid with a new toy. The concerto's outer movements are lighter in texture and more urgent in expression than the two shorter concerted works, which sing and dance with just the right blend of pomp and brio. Abetted by his superb, responsive band, Charles Mackerras clarifies instrumental detail in a way that belies Chopin's maligned reputation as an orchestrator. --Jed Distler
Customer Reviews:
Pick a speed and stick to it!.......2007-02-11
Ax cannot seem to maintain a tempo for very long before applying rubato with a heavy and unsubtle stick. No competition for Hofmann or Cortot, to name my favourites.
One Of The Great Recordings Of Chopin's 2nd Piano Concerto.......2001-12-20
Emanuel Ax does the impossible, making an excellent transition in his playing from a contemporary piano to this vintage 1851 Erard. Unlike Argerich, Ax's playing is indeed sublime, creating an understated, yet still beautiful, interpretation of Chopin's 2nd Piano Concerto. It's as though he is letting his fingers "sing" across the Erard's keyboard, in lieu of pounding it. There is still much drama he gleams from his playing, even with his deft, subtle touch. Mackerras does such an excellent job illuminating the orchestral textures of Chopin's score that you almost forget that it's being performed by the Orchestra Of The Age Of Enlightenment on period instruments, not an ensemble with modern instruments. Ax, Mackerras and the orchestra yield excellent performances of the other scores, but their finest effort is indeed the concerto. The sound quality is excellent.
??!!But this is a GREAT album!!??.......2001-02-23
I was a little hurt while reading the other reviews of this album - I've become quite attached to this recording ever since I bought it. We've spent a lot of time together, mostly in my car, but also late at night with the headphones on. Emanuel Ax plays brilliantly: his playing is extremely mature, purely musical, with a singing quality that most virtuosi forget (or never learn). He gets a (surprisingly) beautiful tone out of the 1851 Erard and handles the "flowering" of melody so smoothly and rhythmically it's as though he has simply closed his eyes and imagined the notes out of the piano - ie. Ax does more than just play the piano. In fact, you forget that a piano and a piano player are involved - rather, the music is allowed to stream through uninhibited by showy flashes of technical gymnastics. The "Grande Polonaise" is flawless, and the "Fantasia on Polish Airs" is a beautifully performed (by the Orchestra of The Age of Enlightenment) insight into early Chopin orchestral writing.
The audio technical quality is superb - the orchestra is well balanced, as is the piano (in both treble and bass). *It might be helpful to note that I played the album for a friend of mine: he wasn't at all impressed with the concerto but was very impressed with Emanuel Ax. So, if you haven't heard the concerto, but love Chopin: buy this album; But if you have a copy of the concerto that you already love, maybe it'd be better just to stick with that (although, really I think this is the best...at least that I have heard). I also recommend that you listen to audio samples - then you'll know for sure.
AX & MACKERRAS PERK UP IN CONCERTO NO. 2.......2000-10-12
After the stultifying rendition of the E Minor Concerto, I was a bit tremulous about how Ax, et. al., would pursue the F Minor; tremble not, however, it's much, much better.
Fact is: The Op. 21 is played so well here, relative to the Op. 11, that it comes off as being the better of the two. Now that's interesting, since Concerto No. 2 has always been the underdog. What Ax and MacKerras (and the OAE) completely missed interpretively in Concerto No. 1, they seem to hit head on now.
Quite a relief, all things being equal.
The opening Maestoso is immediately gripping, the OAE awakening, apparently, from its slumbering through Concerto No. 1. Pianist Ax, too, seems in full throttle. The Larghetto is beautifully done. There is a warmth and depth here that is quite touching--- and difficult to achieve on the 1851 Erard. The Allegro finale is taken exceptionally well: spritely and joyous.
The inclusion of Chopin's Fantasia, Op. 13 (one of my favorite plums) and the Andante Spianato/Grand Polonaise, Op. 22, both played with spirit and lyricism, adds just the right measure to the CD.
I would hardly suggest this recording as one of choice for the F Minor Concerto, relative to the performance of pianist, conductor or orchestra, or for the quality of sound. However, as a stab at authenticity, it's worth a listen.
[Running time: 59:31]
Sublime Chopin.......2000-08-13
Emanuel Ax and Sir Charles Mackerras team up on an album that is delightful in every way. Using an 1851 Erard which was restored after being, according to the liner notes, "found languishing in a school in London, shoved up against the radiators" (!!), Ax brings out the poetry and feeling of these works so well, and is backed so ably by Mackerras' forces, that you forget it's supposed to be a "period instruments" affair. Some of the music is admittedly fluff (particularly the "Grand Fantasia on Polish Airs"), but what entertaining and splendidly played fluff! This and the other volume by the same forces (containing the Chopin Concerto No. 1) which is sold separately are delightful and worthy of Chopin lovers everywhere.
Average customer rating:
- Classic Progressive Rock
- Slash & Burn
- FM - Overlooked Band From Progregressive Rock Hey Day
- Great melodic prog from Canada
- Pebonr is wrong...very wrong
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Black Noise
FM
Manufacturer: Umvd Import
ProductGroup: Music
Binding: Audio CD
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- Second Life Syndrome
ASIN: B000006YQW
Release Date: 1992-05-18 |
Tracks:
- Phasors on Stun
- One O'Clock Tomorrow
- Hours
- Journey
- Dialing for Dharma
- Slaughter in Robot Village
- Aldebaran
- Black Noise
Album Description
1977 debut album for the Canadian progressive rock act remastered for CD at a budget price. 8 tracks. MCA. 1993.
Customer Reviews:
Classic Progressive Rock.......2007-07-04
I saw FM opening for RUSH in the 80's and loved the sound of the electric violin FM uses to differentiate their sound. This disc is a fine representation of their music. Listen to it with headphones and discover all the nuances of how they combine sounds to create that classic overture rock of the late 70's and early 80's.
Slash & Burn.......2007-04-06
In the late 70s, Canada's FM had a sound that was all their own--a sound that owed its dynamism to the essential tension between the fiery, new wave-influenced electric mandolin/violin of Nash the Slash and the prog-influenced keys/vocals of Cameron Hawkins. Sadly, the original line-up (along with the Slash and Hawkins, there was also drummer Martin Deller)would only survive just long enough for Black Noise to be released. Nash the Slash went on to an interesting--if often erratic--solo career, while Hawkins and Deller reformulated FM as a kind of prog/pop group with the addition of Ben Mink. But Black Noise is the ONLY disc by FM you'll ever need to own. Many reviewers here seem to not acknowledge the quite obvious influence of the then burgeoning punk/new wave movement on the architecture of FM's sound. But several of the songs on Black Noise almost sound like some unholy hybrid between Yes and Ultravox (particularly "Slaughter in Robot Village" and the killer opening track "Phasors on Stun"). There's hardly a wasted note on Black Noise, though the lyrics to many of the songs (courtesy of Hawkins) are often embarrasingly juvenile, without the least trace of irony or self-deprecation. As a consequence, Hawkins' lyrics are easily the weakest link in the group's otherwise astounding synergy. Still, the interplay between the Slash's riveting mandolin/violin and Hawkins' excellent Rick Wakeman-inspired keyboard work is at times electric. And Deller's percussion work borders on the Bruford-esque. Virtually unclassifiable at the time, Black Noise can now be seen as an attempt to bridge two disparate worlds: art and punk.
FM - Overlooked Band From Progregressive Rock Hey Day.......2007-03-27
FM was a progressive rock band out of Canada that always seemed to be just out of reach of making the big time. "Black Noise" was their biggest selling album and the single "Phasors On Stun" managed to get some airplay on U.S. AOR radio. I was never really exposed to much of their stuff back in the day, but when I was going to see the reunited band (minus Nash The Slash) at the North East Art Rock Festival last year, I decided to pick this album up. Although it sounds a bit dated now, it is still a solid album with well written songs that lean towards the more commercial end of progressive rock. The unique thing about this band is that there was no guitar (other than bass). The lead instruments were either Cam Hawkins keyboard and / or Nash The Slash's electric violin and mandolin. Slash's mandolin was amplified and sounded very guitar like, but at the same time different from an electric guitar. This gave the band a sound like no one else which earned them a solid cult following in the late 70's and early 80's. The music on the album is pretty much classic progressive rock. There are a few pop oriented tunes "Phasors" and "Journey" come to mind, several instrumentals, and a couple of longer drawn out epics. The subject matter of the songs mostly deal with science fiction themes. To me the highlight of the album is the almost 10 minute title track "Black Noise" that closes the album. This is what good prog is all about and, at least from my exposure to FM, is the band's crowning individual achievement. The album is worth owning for this track alone. I never understood why this band never got bigger than they did, as they seemed to have had tons of potential and were as good, if not better, than many of their contemporaries. Unfortunately FM has been relegated to B list status when it comes to the history of progressive rock. I think they deserved better and this album is a testament to what they could achieve. It was great seeing the re-united band last year at NEARfest.
Great melodic prog from Canada.......2006-05-13
FM is yet another band that has been unfairly relegated to the far corners of the prog rock niche, which is too bad - this 1977 release is a great example of highly melodic and synth heavy progressive rock. In a manner similar to another much more famous prog band from Canada, FM is a trio. The three musicians on this album include Cameron Hawkins (synthesizers, Rickenbacker bass guitar, piano, and lead voice); Martin Deller (Drums, percussion, and synthesizers) and "Nash the Slash" (electric violins and mandolin, glockenspiel, vocals, and effects). All of the musicians are very good and really crank out some tight performances. There are eight tracks on the album that range in length from 2'36" to 9'55". Overall, this is well written and performed progressive rock that sounds a great deal like the prog band England, not to mention UK (especially their Danger Money album from 1979). Melodies and harmonies abound, and synthesizer use is very heavy. In fact, there are points where a low frequency left hand synth bass line is used in place of the real bass guitar. As a bassist, I like to hear the bass guitar, but then again the synth bass lines are not too bad. The vocals are excellent and work well with the predominantly upbeat nature of the music. Although many of the songs have vocals, there are some excellent instrumentals as well and include the fantastic jazz-rockish piece Hours that features excellent soloing on the violin, mini-moog, and drums. The other instrumentals include Dialing for Dharma and the excellent Slaughter in Robot Village. The instrumental Dialing for Dharma is pretty interesting and starts off with a pulsating synth line that would not be out of place on an album by electronic composer Larry Fast. Slaughter in Robot Village is very different and features some great sounding Rickenbacker bass lines - my only wish is that this instrument had been used throughout. The 9'55" closing title track Black Noise is a very interesting piece that ranges from thunderous "tribal" drumming to spacey electric violin leads, and is a personal favorite. I guess that my only complaint is that the piece Black Noise ends so abruptly- the ending literally comes out of nowhere. Ah well. All in all, this is a great album that is recommended to all fans of melodic progressive rock.
Pebonr is wrong...very wrong.......2005-09-10
This is a classic from these obscure Canadian proggers. It is hard not to admire the outstanding drumming, keyboard and bass work and violin!!!! Pebozo is so removed from good music (i.e. Iced quief, Queenyrike, and the like) that he can't realize the greatness of these guys. City of Fear is a great album also.I have been unable to get a hold of Surveilance or Headroom. This CD is highly recommended.
Average customer rating:
- One Of The Best Just Got Better
- one of the best live albums ever made, bare none
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FM/Live
Climax Blues Band
Manufacturer: Fuel 2000
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Binding: Audio CD
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ASIN: B000F1IPRO
Release Date: 2006-04-25 |
Tracks:
- All The Time In The World
- I Am Constant
- Flight
- Seventh Son
- Standing By A River
- So Many Roads
- Mesopopmania
- Country Hat
- You Make Me Sick
- Shake Your Love
- Goin' To New York
- Let's Work Together
Customer Reviews:
One Of The Best Just Got Better.......2006-07-22
Just wanted to mention that the remastering on this CD is outstanding.
The vocals that were originally a bit too harsh have been smoothed out. - If you know this music, you know the parts - on "Standing By A river" - the vocals are much better now.
And the guitar and sax sound much more defined and separated.
No bonus material, same concert. But, it's worth the price to hear the concert with the improved sound.
I've played this CD more than I thought I would.
one of the best live albums ever made, bare none.......2006-05-26
Outstanding concert tape, finally on CD available. This is a must for everoney who enjoys genuine music by a real band, who could write their own material and added some songs from others but played it their own way. This is fine example of a true band, at the height of their time. This is a ONE concert-recording, not being plucked from many performances and/or with many studio-overdubs. Listen to what this band could manage. The way they handled their instruments but more the interplay by the 4 members (on vocals/sax/harmonica, vocals/leadguitar, bassguitar and drums), every song recorded in only one take. Amazing. The music varies from straight blues to pop and (prog-)rock. It has so much to offer, everything on a good level. Those guys knew how to rock. Vocals are fine, guitarplaying excellent, rythmsection fills in and gives an added touch. Even the sax plays a role on its own. "Country Hat" is a solo only-number, on slide-guitar and sets Peter Haycock apart from so many other guitarists. Listen how this song developes from slow blues to full speed slide-play. And how it becomes immediately an integral part of the following up "You Make Me Sick". On every song he shows you what a guitarplayer he used to be, making his music a part of the song in a way you cannot describe, interwoven with the other instruments. What amazes you is that this IS a live recording, recorded in one take, no frills, overdubs, tricks etc. It gives you a sight of how real music was played. Even for the midseventies this is for real. Strongly recommended! Five stars is to less.
sert
Average customer rating:
- Don't let them tell you who you cannot love...
- Wake up radio, this is the music for the repressed rock masses
- Tied for best
- This is their best cd so far
- A fine rebellion
|
Dead FM
Strike Anywhere
Manufacturer: Fat Wreck Chords
ProductGroup: Music
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ASIN: B000GIWGTO
Release Date: 2006-09-05 |
Tracks:
- Sedition
- How To Pray
- Prisoner Echoes
- Instinct
- The Promise
- Speak To Our Empty Pockets
- Two Thousand Voices
- Hollywood Cemetary
- Allies
- Gunpowder
- Dead Hours
- Iron Trees
- House Arrest
- Ballad Of Bloody Run
Customer Reviews:
Don't let them tell you who you cannot love..........2007-03-28
I was expecting this to suck considering everything they've done had been a step-down from the album before. But I think it was actually a nice step-up from Exit English (which was a total disappointments after Change Is A Sound). This album actually has fast songs again. And where as til this day, I still can't tell the difference between songs on Exit English, Dead FM has a lot of dynamics to it. The vocals are a little less abrasive. But the album is still energetic. The lyrics are still well-crafted political hymns (much unlike Against Me or Anti-Flag who have very simple cliche lyrics). Cool guitar work. Fast songs, slow songs. Most the tracks are have an upbeat feel. Decent drum sound. Bad bass sound. Thin guitar sound is pretty thin and low in the mix. But in the final process, the album sounds really together. Probably one of the best mixes, considering the vintage equipment used. Its a good album. Go buy it.
Wake up radio, this is the music for the repressed rock masses.......2007-02-15
The FM airwaves wouldn't be so dead if they were injected with this commanding collection of politically & social charged punk rock anthems. Wake up radio, this is the music for the repressed rock masses.
Tied for best.......2006-12-23
Along with Change is a Sound, this is by far the best of Strike Anywhere. I bought this CD the day it came out and immediately started playing it and syncing it to my ipod. Dead FM is a great CD and I have nothing bad to say about it. If you like Strike Anywhere (or punk rock for that matter) than you will like this CD.
This is their best cd so far.......2006-10-27
I have all of Strike Anywhere's albums and I think that Dead FM is Strike Anywhere's greatest cd so far. It has a good production and all their songs are melodic and catchy. This cd is a cut above their previous albums musically. If you want to hear a good melodic punk rock band, listen to Strike Anywhere.
A fine rebellion.......2006-09-30
Thank God for Fat Mike. Every time I get depressed about the state of the nation, his Fat Wreck Chords releases an inspiring, combative agit-prop proto-punk album full of revolutionary zeal.
Listening to Strike Anywhere's new album Dead FM improved my day today. After reading about the upcoming ABC movie violation known as "The Path to 9/11", it was difficult for me to do anything. Yet one play of Dead FM had me up and slam dancing around my office while howling at the witty invectives screamed out by vocalist Tom Barnett.
Dead FM blends the angry, political bent of punk with a melodic hard core that makes for an unruly bit of noise guaranteed to have your landlady calling the cops on you. Dead FM is the first album they've made for Mike, having produced four very energetic albums for Jade Tree beforehand. Barnett's group consists of guitarists Matt Sherwood and Matt Smith, bassist Garth Petrie, and drummer Eric Kane. They all gleefully pound out strong iconoclastic beats to back up Tom's sharp blunts of commentary mixed with some harmonic backups that some may find out of place on an album as raw as Dead FM. Yet, this concoction works very well, allowing Barnett and his band to explore avenues that punk had until now not dared cross.
Much of the material here is extremely personal, including "Sedition", which chronicles Barnett's grandfather's unknowing role in the Manhattan Project and "House Arrest", a fine little paean to unjust incarceration. Three years ago, Barnett and his band mates were held in a Japanese jail cell. But Dead FM goes far beyond personal experiences, lampooning the idiocy of global political leadership. Much like Against Me! Strike Anywhere is a punk roots band, the kind of punk that was made before the major labels started throwing six-figure marketing campaigns at bands in the eighties to kill off the burgeoning movement. Both bands couldn't have found a better time to resurrect the original punk style.
Yes, Thank God for Fat Mike and Strike Anywhere. We're living in a time where political discourse is at an all time low and the entire prescription drug induced zombie population roams the earth in a daze of reality television shows and cutesy-pie pop divas. We need an infusion of adrenaline to get their hearts and minds working again. Strike Anywhere is just the band for the job.
Mexican Music:
- For Adults Only [Live]
- From Back in the Day: The Best of Laff [Explicit Lyrics] [EP]
- Georgie on My Mind
- Get Out of My Room
- Girl Power Interview [Import]
- Greatest Bits
- Guy Stuff
- Hits of the 90's: Vol.1 [Karaoke]
- I'm Telling You for the Last Time [Enhanced]
- In Conversation [Import]
Mexican Music
mexican music
Mexican Music
La Verbena De La Paloma
Pavanes, Pastorales And Serenades For Oboe And Harp
Robert Johnson
Music CD: Todas Sus Grabaciones: 1966 - 1974 [Import]
Smiles Everyone
Ruega Por Nosotros
Read to Me
Rossini: Chamber Music
Red Headed Stranger
Reggaetonhits 2005
Rare Oul' Stuff [Explicit Lyrics] [Import]
Redneck Wonderland [Import]
Peace on Earth [CD-single]
The Fear Is What Keeps Us Here
Like You Do...Best of the Lightning Seeds