Class Clown [Explicit Lyrics]

1. Class Clown

2. Wasting Time: Sharing a Swallow

3. Values (How Much Is That Dog Crap in the Window?) /Shoot Is Shit With T

4. I Used to Be Irish Catholic

5. Confessional

6. Special Dispensation: Heaven, Hell. Purgatory and Limbo

7. Heavy Mysteries

8. Muhammad Ali-America the Beautiful

9. Seven Words You Can Never Say on Television

Class Clown,George Carlin,Atlantic / Wea,Observational Humor,Pop,Satire,Speech/Speaker/Speaking Part,Spoken / Comedy / Radio Shows,Spoken Word,Standup Comedy

Average customer rating:

Carlin's Best Pure Comedy!
Great Stuff
Funny
another .......... review "thing-a-ma-bobber "
A Carlin Classic

Class Clown
George Carlin
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

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Parental Advisory: Explicit Lyrics
Occupation: Foole
You Are All Diseased

ASIN: B00004X0OH
Release Date: 2000-09-12

Tracks:

Class Clown: Bi-Labial Fricative/Attracting Attention/Squeamish
Wasted Time - Sharing A Swallow
Values (How Much Is That Dog Crap in The Window?)
I Used To Be Irish Catholic
The Confessional
Special Dispensation - Heaven, Hell, Purgatory And Limbo
Heavy Mysteries
Muhammad Ali - America The Beautiful
Seven Words You Can Never Say On Television

Customer Reviews:

Carlin's Best Pure Comedy!.......2007-03-13

This was the best of George's pure comedy albums before his humor started having a lot of political commentary mixed in. This was the the album that established Carlin as the best comedian since Lenny Bruce. Is is amazing that when this was released his Seven Words You Can't Say on TV sent shockwaves throughout the industry. Compared to some of the comedians appearing on HBO, this is extremely tame. Also extremely gut wrenching funny!

I loved the bits about the novelty shop with the artificial vomit and the Catholic school stories are hilarious even for those of us who went to public school. A true masterpiece!

Great Stuff.......2006-05-23

This is when Carlin was at his best, pointing out the ridiculousness (sp?) of modern life without falling into angry rants every couple of secons. The "7 Words" segment is one of the best bits of comedy EVER! Listen to this and his other material that pre-dates "You're All Diseased". Here we can listen to a comic genius in his prime, before he became a preacher. I rank this CD up there with "No Cure for Cancer" and other comically brilliant stand-up routines.

Funny.......2005-11-02

This guy doesn't quite get life, but his logical mind makes some great observations about inconsistencies and things most of us have not noticed. What an imagination. I saw Carlin in Minneapolis in 1987. The experience was worth the money. There is no one like Carlin.

another .......... review "thing-a-ma-bobber " .......2004-08-17

In this album, you will find that George talks a lot about naughty stuff, and probably some you might not even "get". George grew up in New York if it means anything to you. Preferably, my favorite material on here is where he acts like a guy in a confessional with Father Rivera, and "Sharing A Swallow". You probably won't find this in stores because of how old it is, but if you ARE lucky enough to find it, or get it from Amazon.com, you will be glad you did, C-3PO!

A Carlin Classic.......2004-07-25

Anyone who remembers childhood with reasonable clarity (there are a few of us) remembers this: they taught you stuff in school, but you didn't always learn anything...especially if you had guys like George Carlin in your class. Carlin, who attended Corpus Christi School in New York, was a confirmed Class Clown, and he remembers those days in an album full of sidesplitting humor.

Caveat Number One: this is not the modern Carlin I'm talking about, the crotchety curmudgeon who is still very funny, but relies overmuch on four-letter words, cynicism, and pessimism. This is Carlin at the peak of his transformation from family-friendly Ed Sullivan entertainer to counterculture comic genius. His style at the time (the early to mid 1970's) was gentler, sillier; he was less likely to sneer, and more willing to smile, on these earlier releases. He delivered all the trenchant social observations and criticisms that show up in his later work--but here his humor seems more chiding, more cajoling, and less misanthropic. Instead of shouting at you, he speaks to you. The difference between the younger Carlin and the one we know today is more remarkable the more you think about it.

Class Clown is that remarkable man's best album. It weaves together fond childhood reminiscences of, and serious questions about, his Catholic upbringing; he combines them with sharp-eyed social commentary about Vietnam, pollution and Lenny Bruce-like observations on American standards. The Bruce influence comes through strongest, perhaps not surprisingly, when Carlin quotes him in "Values (How Much Is That Dog Crap In The Window?)." He goes off on a very Lenny-like reminiscence about growing up seeing the fake dog poop in the windows of novelty stores (and I just lost everyone under the age of 30 with that sentence); he wonders how one goes about buying it ("I'd like to see something in a dog crap, please!"), and speculates that there might be collectors of different breeds ("Do you have any Saint Bernard?" "Yes, but there's no room in the window for that...") Strange stuff, to be sure--and that really defines Carlin at this stage in his career. He was willing to be as weird as possible in pursuit of laughter.

He was also more willing to draw on real life (which he astutely recognized as generally being stranger than anything he could think up) than he is today. And both of those attributes--the willingness to find humor in his life, and the willingness to be as goofy as possible while doing it--make Class Clown a comedy milestone. A good example is one of my favorite moments, also one of the biggest laughs. Carlin, riffing on the weird noises class clowns make, talks about "popping the cheek," does it once or twice to illustrate-and then takes the joke to its goofy extreme by inviting the entire audience to do it too. The resulting noise is delightful--doubly so when the audience, hearing it, dissolves into hysterical laughter. That's something I really miss with Carlin, by the way. He used to invite his audiences along for the ride, daring them to be part of the act instead of just passive observers, and let them know it was all right to laugh at themselves as well as his jokes. That kind of gentle good humor is largely gone from his act, and I think it's our loss.

There's a lot of that gentle humor on Class Clown, most notably in his monologues about the progressive Irish Catholic school he attended. In the latter part of his career, Carlin has become somewhat rabid and one-sided about organized religion (and I have a definite opinion about his attitude, but they don't belong in this review so I'll spare you). On this album, though, Carlin is more willing to poke fun at his former religion, rather than make fun of it and hold it up to unfair ridicule. His harshest joke--"I used to be Irish Catholic...now I'm an American; you know, you grow..."--is the springboard for a series of fond, funny reminiscences about growing up Catholic. He recalls the environs, the school, and most of all the priests. It's obvious he has many affectionate memories of them from the way he talks about them, and it's equally apparent he bears them no ill will (unlike the modern Carlin, who seems to harbor ill will for everyone but himself). His funniest bit here is "Heavy Mystery Time," in which an Irish Catholic boy concocts an increasingly outrageous set of circumstances, in order to remove the sinfulness from a sin. There's nothing mean-spirited about it, nothing done with the intention of hurting anybody--it's just one man's delightful recollection of how boys behave, and how adults react to them.

That's really the heart of Class Clown--it's about the antic joy of childhood in a gentler time. Carlin's astute, wickedly funny observations about people and events are informed throughout the album by that gentleness, that antic, not-quite-lunatic pleasure. That aspect of George Carlin the performer is all but gone today, a reflection perhaps of the gentleness that is gone from our society-and more's the pity, as it's something I wish he (and we) had retained. But if you want to see what the man used to be like when he was an unadulterated genius instead of just pretty effin' funny, then listen to this album. I guarantee you'll be pleasantly surprised.

(Caveat Number Two: Carlin swore less then than he does now, but there is a lot of adult humor and language here--especially the final track, the legendary "Seven Words You Can Never Say On Television" routine. The difference between then and now is that Carlin used to use swear words to examine our values and attitudes towards language; today he just uses swear words. Decide for yourself which is more appropriate.)