| 1. Man of Steel |
| 2. Lonely Superman |
| 3. Intro: Bill Anderson |
| 4. Gay Lifestyle |
| 5. Gay Reproduction |
| 6. Lone Ranger |
| 7. Clemson Addicts |
| 8. Pancakes and Pizza Diet |
| 9. Flying Fruits |
| 10. Too Healthy |
| 11. Guilty Looks |
| 12. Me and Will Rogers |
| 13. Governor Joe Frank |
| 14. My Name |
| 15. Seat Cushion |
| 16. Reverand Jim Baker |
| 17. Jim and Tammy Baker |
| 18. Deuteronomy |
| 19. Roy Dodd Henry |
| 20. Timmy's Commercial |
One Last Time,Lewis Grizzard,Southern Tracks,Observational Humor,Pop,Spoken / Comedy / Radio Shows
Average customer rating:
|
Live: One Last Time
Manufacturer: EMI Gospel ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000NOKAB2 Release Date: 2007-04-10 |
Tracks:
- Livin'
- Blessed & Highly Favored
- Something New
- Instrument
- You Heard Me Cry
- Tried Him And I Know Him
- Holy Will
- Name It Claim It
- Looking To Get There (Heaven)
- God Understands All
- I've Got An Angel
- My Redeemer Liveth
- World
- Pray For The U.S.A.
- Pray For The U.S.A.
- Jesus Is A Love Song
- You Brought The Sunshine
Customer Reviews:
A collector's item with a few problems.......2007-07-03
Don't Take it for granted...A Must Have!.......2007-06-20
A CD that will inspire to change from the beginning till the End.
Got to love the Clark Sisters and their legacy.
Warning:The CD does have it technical issues like Karen's 'It's Not Over' because you can tell the difference between studio and LIVE...Overall great buy!
AND THE WINNER IS>>........2007-06-17
Amazing!.......2007-06-13
The Clark Sisters CD is breath taking !!!.......2007-05-31
I was nonchalantly listening and then the song "Instrument" came on then everything stopped and up went the praise. And if that was not enough, the following song "You Heard Me Cry" just floored me.
The whole album is well put together with the old and the new. The sisters take turns taking the lead on specific songs which really accentuates how talented each sister really is. "One Last Time" (Live)should be a CD that you will play for years to come.
If you have never really listened to the Clark Sisters before I would advise you to listen to the samples and then order/buy it immediately. You'll be glad you did!
Average customer rating:
|
Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating: |
Stories Of Schumann And Grieg
Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001KCV Release Date: 1995-04-16 |
Tracks:
- Symphony No. 3 In E-flat Major, Op. 97: 'Rhenish' - Lebhaft
- Andante And Variations In B-Flat Major
- Symphonic Etudes, Op. 13
- Toccata In C Major, Op. 7
- Kreisleriana, Op. 16
- Piano Concerto In A Minor, Op. 54: Allegro Vivace
- Carnaval, Op. 9
- 'Dedication', Op. 25/1
- Symphony No. 4 in D Minor, Op. 120: Introduction - Vivace
- Papilons, Op. 2
- Op. 25-3: 'The Nut Tree'
- Symphony No. 3 In E-flat Major, Op. 97: 'Rhenish' - Lebhaft-Schneller
- Piano Quintet In E-flat Major, Op. 44: Allegro ma non troppo
- Piano Concerto In A Minor, Op. 54: Allegro affettuoso
- Carnaval, Op. 9: Waltz
- Album For The Young, Op. 68: The Merry Farmer
- Scenes From Childhood, Op. 15: Dreams
- Cello Concerto In A Minor, Op. 129: Nicht au schnell
- Symphony No. 3 In E-flat Major, Op. 97: 'Rhenish' - Feierlich
- Peer Gynt Suite No. 1, Op. 46, No 1
- Lyric Suite, Op. 54-2: Norwegian Rustic Dance
- Op. 12 No. 4: Elf Dance
- Op. 35, No. 1: Norwegian Dances
- Elegiac Melodies
- Op. 64, No. 4: Symphonic Dances
- Op. 35, No. 2: Norwegian Dances
- Op. 5-3: 'I Love Thee'
- Op. 43, No. 1: Butterfly
- Op. 65, No. 6: Wedding Day At Troldhaugen
- Peer Gynt Suite No. 1, Op. 46, No. 3: Anitra's Dance
- Peer Gynt Suite No. 2, Op. 55, No. 4: Solveig's Song
- Peer Gynt Suite No. 1, Op. 46, No. 4: In The Hall Of The Mountain King
- Piano Concerto In A Minor, Op. 16: Allegro moderato; Allegro marcato
- Holberg Suite, Op. 40: Prelude: Allegro vivace
- Lyric Suite, Op. 54, No. 3: Dance Of The Dwarfs
- Homage To Chopin
- Sigurd Jorsalfar Suite, Op. 56, No. 3: Homage March
- Peer Gynt Suite No. 1, Op. 46: Morning Mood
- Peer Gynt Suite No. 1, Op. 46: The Death Of Aase
- Peer Gynt Suite No. 1, Op. 46: Anitra's Dance
- Peer Gynt Suite No. 1, Op. 46: In The Hall Of The Mountain King
- Peer Gynt Suite No. 2, Op. 55: III The Return Of Peer Gynt
- Peer Gynt Suite No. 2, Op. 55: IV Solveig's Song
Average customer rating:
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The Best of Grieg
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000014H9 Release Date: 1994-02-15 |
Tracks:
- Piano Concerto In A Minor, Op.16: Allegro molto moderato
- Two Elegiac Pieces, Op.34: Last Spring (Varen)
- Norwegian Dance No.2, Op.35: Allegretto tranquillo e grazioso
- Peer Gynt Suite No.1, Op.46: Morning
- Peer Gynt Suite No.1, Op.46: Anitra's Dance
- Peer Gynt Suite No.1, Op.46: In the Hall of the Mountain King
- Peer Gynt Suite No.2, Op.55: Arabian Dance
- Peer Gynt Ste No.2, Op.55: Solveig's Song
- Holberg Suite, Op.40: Prelude
- Holberg Suite, Op.40: Andante
- Norwegian Bridal Procession, Op.19, No.2
- Lyric Suite, Op.54: No.3 Notturno
- Lyric Suite Op.54: No.4: March of the Dwarfs
- Wedding Day At Troldhaugen, Op.65, No.6
- Two Elegiac Melodies, Op.34: Heart Wounds (Hjertesar)
- Sigurd Jorsalfar, Op.56: Homage March
Customer Reviews:
AN EXCELLENT INTRODUCTION TO NORWAY'S GREATEST COMPOSER.......2000-05-18
Average customer rating:
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The Science Fiction Album
Various Artists Manufacturer: Silva America ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000066HE5 Release Date: 2005-02-08 |
Tracks:
- 2001: A Space Odyssey
- Aliens
- Sound Effect - The Nostromo
- Alien
- A.I.
- Armageddon
- Sound Effect - Apollo 13 Lift-off
- Apollo 13
- Back To The Future
- Battle Beyond The Stars
- Battlestar Galactica
- The Black Hole
- Contact
- Capricorn One
- Close Encounters of the Third Kind
- The Day The Earth Stood Still
- Dune
Tracks:
- Galaxy Quest
- Sound Effect - Dogfight in Space
- Enemy Mine
- Ghostbusters
- Gremlins
- Heavy Metal
- Independence Day
- E.T.
- Judge Dredd
- The Last Starfighter
- Lifeforce
- Sound Effect - Crash Landing
- Lost In Space
- Mars Attacks
- The Matrix
- Predator
- The Right Stuff
Tracks:
- Moonraker
- Robocop
- Silent Running
- Sound Effect - Alien Organism
- Species
- Stargate
- Starship Troopers
- Starman
- Star Trek - TV Theme
- Star Trek: The Motion Picture End Title
- Klingon Attack
- Sound Effect - Warp Drive
- Star Trek II: The Wrath of Khan
- Star Trek: Deep Space Nine
- Star Trek: Generations
- Star Trek IV: The Voyage Home
Tracks:
- Star Trek VI: The Undiscovered Country
- Sound Effect - Transporter Crew
- Star Trek: Deep Space Nine - Main Theme
- Star Trek First Contact
- Star Wars
- The Empire Strikes Back
- The Empire Strikes Back
- Return of the Jedi
- Sound Effect - Battle Stations
- Star Wars Episode 1: The Phantom Menace - The Flag Parade
- Anakin's Theme
- The Adventures of Jar Jar
- Duel of the Fates
- The Time Machine
- Things to Come
- The Thing From Another World
- War of the Worlds
- When Worlds Collide
- Total Recall
- You Only Live Twice
- Superman
Customer Reviews:
The penultimate collection ..........2006-12-07
I have always had a weak spot for (good, or maybe even intelligent) science fiction/fantasy and film music, especially its way of evoking mystery, grandure and wide open spaces. Call it a weakness if you want. But it was maybe really kick started off, for as far as I can remember, with Star Trek. But especially Star Trek II, III and IV - essentially a trilogy - because of their very romantic but very warm, human core, set on the broadest canvasses of unlimited and mysterious outer space. But then there was the music for adding that essential extra dimension of emotion and atmosphere. I am happy that much of the music on this album is from the Star Trek series and films, often equaling or sometimes even outclassing the original recordings.
This kind of music (for the movies) should be seen as an art on its own rights with its own merits and qualities. As such, the musical sequences on these CD's are a beautifully played cross section of some of the most evoking orchestral music for science fiction/fantasy film ever created. And I very much like the nicely blended, wide and deep orchestral soundpicture with enough reverberation to evoke a sense of wide open spaces.
I am quite thrilled by tracks like the evocative music from Dune, truly transporting one to the vastly sands of Arrakis (the music is wonderful, but to my great regret I think the movie itself is a flawed masterpiece at best, alas.). And then there is the very different, goofy music for Ghostbusters (memories of childhood), the spoofy but electrifying music from Mars Attacks (lovingly parodist music, this, with not a little touch of irony) and the happily adventurous, forward driving Theme from Galaxy Quest ('Never give up, never surrender!'), now also used for the internet-based fan-series Star Trek: The Hidden Frontier. On the other side of the spectrum we have the atmospheric music for Enemy Mine (an underestimated 'little' movie), the Theme from The Right Stuff (actually science FACT, not fiction, this film, just like Apollo 13, of course), the eerily attractive music for Species, the original End Title for Alien (not used in the theatrical version of the movie, where it was replaced by music from howard Hanson's Second Symphony), the exquisitely exotic music for Stargate, the sweet and warmly sympathetic, beautifully re-orchestrated, theme for Starman, the title cue for Star Trek: TOS (much more melodiously played than the original! If only a series nowadays could continue to be as thought provoking and as original as Star Trek was during its launch, fourty years ago ...) and a truly overpowering End Titles Suite from Star Trek VI: The Undiscovered Country. I especially like the thrillingly grandiloquent rendition here of the music for Star Trek II: The Wrath of Khan. And how nice it is to hear the (thematic) similarities between James Horner's music for The Wrath of Khan, his great break-through as a film music composer, and his (two years) earlier music for Battle Beyond the Stars (which did indeed help him earn the job for writing the music for Star Trek II) ...
But on the 'down side', if one is looking for - for example - the gorgeously expansively played End Titles from Cocoon, it is not included here: one has to acquire the album that 'kicked it all off', so to say, namely 'Space and Beyond', also on Silva Screen. I was very pleased also with the inclusion on that album of some of the music from the series Star Trek: The Next Generation, namely where one of the characters, Tasha Yar, in one of the episodes (Skin of Evil) is saying goodbye to her crewmmates: sweetly sentimental and simple music which I have always wanted to own on CD. I guess that a few cues from the other two sequals ('Alien Invasion: Space and Beyond II' and 'Space3: Beyond the Final Frontier') didn't make it onto this 4 CD collection-album as well, but I guess that it would be the 'better part of the bargain' to opt to buy this 'The Science Fiction Album' instead of buying all three albums separately. Well, of course it is for yourself to ultimately decide what you really want ;-)
If I were to nitpick (which is not easy with such a marvellous project as this one), then I would say that while all music is performed with magnificent grandure and with style, some of it is not performed as crisply and as technically 'on the spot' as some of the original recordings: ensemble is a little slack and the playing somewhat stilted sometimes, losing some of the edge and the originality of the writing. ET and Star Wars spring to mind, but then the soundtracks for Star Wars are traditionally recorded with the magnificent London Symphony Orchestra, conducted by maestro John Williams himself, and these superior recordings (especially the ones for Episode I, II and III) can't really be bettered, IMHO. Likewise for the music from Star Trek: The Motion Picture, I believe that in the end one really has to resort to the ultimate reference, namely the original recording (which is true in many other instances of 'original recordings'), and then the 20th anniversay colector's edition of this soundtrack on Columbia/Legacy (truly unmissable, this veritable classic of sci-fi/film music soundtracks!).
But all in all this 4CD-collection amounts to probably being the penultimate high quality sci-fi music album collection (I certainly know of no other project that comes as close quality as well as quantity wise), with some of the most memorable musical moments from classic to modern sci-fi/fantasy film captured in lavish orchestrations.
Collection-wise: five *stars*. Playing: generally four *stars*, sometimes more. The recording quality: five *stars*. The music (qualified on its own merits as film music) and its (re)orchestrations: generally five *stars*. In the end this is all highly recommended, and certainly not to be missed by science fiction and fantasy film music fans. Klaatu barada nikto.
Muisic of the Spheres.......2006-11-06
The Ulllllltimate Sci-Fi Music Collection.......2005-10-23
The moment I ripped off the shrink-wrap and popped it into my cd player was a moment of great trepidation. Believe me when I tell that I've seen my fair share of sub-par orchestral recording in my lifetime. Very often they are in those big super-packs of music, and suffer from poor direction, improper mastering, and sometime even pathetic orchestration (or worse yet have something sounding like a cheap synthesizer and a kazoo in place of a full orchestra). I needn't have worried though. This sucker is fantastic.
Many people who are not audiophiles will probably miss the point of this cd collection. It is not the original versions of the pieces. It is re-orchestrations, mostly by the phenomenal Prague Symphony Orchestra. Many of these themes didn't sound all that hot in there original versions because they were low budget films or were not recorded in high-fidelity. Here they are given the full treatment, mastered with the most loving care imaginable. Often the version found in these cds is SUPERIOR to the original.
Remember the theme from 2001: A Space Odyssey? Of course you do. But how many times have you heard a cheap imitation of the original version from the movie, starting too low in volume and ending too high (and missing the essential pipe-organ that gives it that extra oomph)? Well, this first track in the entire collection is not only everything it should be instrumental and timing-wise, but it also has been oh-so-carefully adjusted during the mastering process so that at no time is the music either too low or too high in volume (surely a benchmark for every other recording ever to be made of the piece).
Or what about the theme from the (at-the-time) uber-creepy The Black Hole? The orchestration of this piece of music goes from tiumphant to terrifying and back again, with a splendor and cleanness that I CERTAINLY don't remember being in the original recording.
Then there's the new version of the theme from Independence Day, complete with a violin solo, a far more electrifying ending climax, and a chorus so thunderous that you feel like applauding at the end. Simply indescribable. Kind of like the MIND-BLOWING rendition of the theme from The Last Star Fighter. This has been one of my favorite themes for a long time now, but I've never heard it played like this. I think the original version of the theme is something like 1 minute long, but this new version doesn't just fade out (HAHAHAHA!!!!) THIS version is THREE minutes long, goes through the main theme THREE times, with the final strains being so triumphant and joyous I could not help but feel an electrifying charge the first dozen or so times (come to think of it, I still feel that way). This is superior to the original in EVERY way. AWESOME.
And let's not forget the incredible new rendition of Stargate with it's heavy use of clarinets (for Egyptian effect!) and a triumphant new ending (completely lacking the chanting from the original version. This version is so different that for the first minute it is very hard to tell that it is in fact Stargate. But then the main theme kicks in, and then you get this incredible flute solo for my favorite part of theme (the whole thing is played slower, but arguably more powerfully than the original). My goodness. At first I found the thing so different I didn't like it. But then I listened to it again. And again. And again.
I could go on and on, talking about the fantastic new rendition of Moon Raker, the ear-popping Battlestar Galactica, the classic Star Trek (First Contact has a minute or two of the theme from Star Trek:The Motion Picture before going into the main theme), or the sweet renditions of music from the Star Wars movies (or the music from E.T.).
I have to mention though that this collection was not picked based merely on what people want, or on what is popular. No, the people who made it obviously thought a GOOD music collection was better than a popular one. That's why you get a heartbreakingly beautiful theme from A.I. instead of the main theme. It's why you get music from movies that you probably never gave a second thought to the music (because the movie was lousy). It's why you get Armageddon, Judge Dredd, and Robocop (who would have guessed their music was so COOL when there was all that crazy action and bad-acting going on on-screen).
I said it before and I'll say it again. This cd-set was mastered with tender-loving-care, and it shows BIG-TIME. High-fidelity the likes of which I have not seen since the days when cds were brand-new in the world. Dolby Surround. Perfectly balanced. BEAUTIUFL orchestrations. About the only thing that makes me scratch my head is the weird sound-effect tracks (Oooookay.....). Other than that, it's PERFECT. Obviously they could not include every sci-fi theme ever (no one can), but this collection is REALLY GOOD. A lot of great themes that got away (forgotten gems :), new versions of old favorites, and under-appreciated classics aplenty, but ALWAYS the full and complete versions with nothing cut-out (the theme from Dune is quite extended).
If you love movie music (and sci-fi movie music in particular) you MUST buy this awesome collection). It is not the original recordings. Almost always the new ones are better (if they aren't better they're just equal). This is what you have been waiting for. I for one am going to be buying quite a few cds from this company in the future. Give your ears the treat they deserve. Buy it NOW.
SciFi Album gift.......2005-07-20
Away From to be a Collectible Peace.......2004-12-16
Average customer rating:
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Magical Musicals / Kunzel, Cincinnati Pops Orchestra
Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00001QGKF Release Date: 1999-09-28 |
Tracks:
- Hercules: Introduction
- Hercules: The Gospel Truth
- Hercules: One Last Hope
- Hercules: I Won't Say
- Hercules: Zero To Hero
- Hercules: A Star Is Born
- Hercules: Go The Distance
- Aladdin And the King Of Thieves: Party In Agrabah
- Pocahontas: Just Around The River Bend
- The Return Of Jafar: You're Only Second Rate
- The Return Of Jafar: Forget About Love
- The Return Of Jafar: I'm Looking Out For Me
- The Return Of Jafar: Nothing In The World
- Toy Story: You've Got A Friend In Me
- 101 Dalmations: Cruella De Vil
- Pocahontas: Colors Of The Wind
- Oliver And Company: Once Upon A Time In New York City
- Oliver And Company: Why Should I Worry?
- The Nightmare Before Christmas: What's This?
- James And The Giant Peach: Good News
- Mulan: Orchestral Suite
- The Hunchback Of Notre Dame: The Bells Of Notre Dame
- The Hunchback Of Notre Dame: Someday
- The Hunchback Of Notre Dame: God Help The Outcasts
- The Hunchback Of Notre Dame: Topsy Turvy
- The Hunchback Of Notre Dame: Court Of Miracles
- The Hunchback Of Notre Dame: A Guy Like You
- The Hunchback Of Notre Dame: Heaven's Light
Customer Reviews:
Not impressed.......2003-11-25
Although the orchestration of the songs is well done, most of them simply were not meant to be performed by a chorus; and they sound terrible in that form. If you want some of the songs on this CD, I suggest you look at one of Disney's compilation CDs in the Classic Disney Vol. 1-5 series or the actual soundtracks of the movies.
Inexorable wonder!.......2001-06-23
Average customer rating:
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Grieg: Complete Music with Orchestra
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005KK4O Release Date: 2002-05-14 |
Tracks:
- Con in a, Op.16: 1. Allegro Molto Moderato - Lilya Zilberstein
- Con in a, Op.16: 2. Adagio - Attacca - Lilya Zilberstein
- Con in a, Op.16: 3. Allegro Moderato E Marcato - Quasi Presto - Andante Maestoso - Lilya Zilberstein
- In Autumn, Op.11 - Gothenburg SO/Neeme Jarvi
- Symphonic Dances, Op.64: 1. Allegro Moderato E Marcato - Gothenburg SO/Neeme Jarvi
- Symphonic Dances, Op.64: 2. Allegretto Grazioso - Gothenburg SO/Neeme Jarvi
- Symphonic Dances, Op.64: 3. Allegro Giocoso - Gothenburg SO/Neeme Jarvi
- Symphonic Dances, Op.64: 4. Andante - Allegro Molto E Risoluto - Gothenburg SO/Neeme Jarvi
Tracks:
- From Holberg's Time, Op.40: 1. Prld: Allegro Vivace - Gothenburg SO/Neeme Jarvi
- From Holberg's Time, Op.40: 2. Sarabande: Andante - Gothenburg SO/Neeme Jarvi
- From Holberg's Time, Op.40: 3. Gavotte: Allegretto - Musette: Un Poco Mosso - Gavotte - Gothenburg SO/Neeme Jarvi
- From Holberg's Time, Op.40: 4. Air: Andante Religioso - Gothenburg SO/Neeme Jarvi
- From Holberg's Time, Op.40: 5. Rigaudon: Allegro Con Brio - Gothenburg SO/Neeme Jarvi
- Two Elegiac Melodies, Op.34: 1. The Wounded Heart: Allegretto Espressivo - Gothenburg SO/Neeme Jarvi
- Two Elegiac Melodies, Op.34: 2. Last Spring: Andante - Gothenburg SO/Neeme Jarvi
- Two Melodies, Op.53: 1. Norwegian: Allegro Risoluto - Poco Tranquillo - Gothenburg SO/Neeme Jarvi
- Two Melodies, Op.53: 2. The First Meeting: Lento - Gothenburg SO/Neeme Jarvi
- Two Nordic Melodies, Op.63: 1. In Folk Style: Andante - Gothenburg SO/Neeme Jarvi
- Two Nordic Melodies, Op.63: 2. Cow-Call: Andantino/Peasant Dance: Allegro Molto Vivace - Allegro... - Gothenburg SO/Neeme Jarvi
- Two Lyric Pieces, Op.68: 1. Evening In The Mountains: Andantino - Marten Larsson
- Two Lyric Pieces, Op.68: 2. At The Cradle: Allegretto Con Moto - Gothenburg SO/Neeme Jarvi
- Lyric Ste, Op.54: 1. Shepherd Boy: Andantino Espressivo - Gothenburg SO/Neeme Jarvi
- Lyric Ste, Op.54: 2. Bell-Ringing: Andante - Gothenburg SO/Neeme Jarvi
- Lyric Ste, Op.54: 3. Norwegian March: Allegretto Marcato - Gothenburg SO/Neeme Jarvi
- Lyric Ste, Op.54: 4. Notturno: Andante - Gothenburg SO/Neeme Jarvi
- Lyric Ste, Op.54: 5. March Of The Trolls: Allegro Marcato - Gothenburg SO/Neeme Jarvi
Tracks:
- Peer Gynt, Op.23: No.1. At The Wedding - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
- Peer Gynt, Op.23: No.2. Halling - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
- Peer Gynt, Op.23: No.3. Springar - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
- Peer Gynt, Op.23: No.4. The Abduction Of The Bride: Ingrid's Lament - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
- Peer Gynt, Op.23: No.5. Peer Gynt And The Herd-Girls - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
- Peer Gynt, Op.23: No.6. Peer Gynt And The Woman In Green - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
- Peer Gynt, Op.23: No.7. Peer Gynt: 'Great Folk May Be Known By The Mounts That They Ride' - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
- Peer Gynt, Op.23: No.8. In The Hall Of The Mountain King - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
- Peer Gynt, Op.23: No.9. Dance Of The Mountain King's Daughter - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
- Peer Gynt, Op.23: No.10. Peer Gynt Hunted By The Trolls - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
- Peer Gynt, Op.23: No.11. Peer Gynt And The Boyg/No.12. The Death Of Ase - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
- Peer Gynt, Op.23: Act III: Prld - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
- Peer Gynt, Op.23: Act III, Scene 4 - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
- Peer Gynt, Op.23: No.13. Morning Mood - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
- Peer Gynt, Op.23: No.14. The Thief And The Receiver - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
- Peer Gynt, Op.23: No.15. Arabian Dance - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
- Peer Gynt, Op.23: No.16. Anitra's Dance - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
- Peer Gynt, Op.23: No.17. Peer Gynt's Ser - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
- Peer Gynt, Op.23: No.18. Peer Gynt And Anitra - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
- Peer Gynt, Op.23: No.19. Solveig's Song - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
- Peer Gynt, Op.23: No.20. Peer Gynt At The Statue Of Memnon - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
- Peer Gynt, Op.23: No.21. Peer Gynt's Homecoming: Stormy Evening On The Sea - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
- Peer Gynt, Op.23: No.22. Shipwreck - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
- Peer Gynt, Op.23: No.23. Solveig Sings In The Hut - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
Tracks:
- Peer Gynt, Op.23: No.24. Night Scene - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
- Peer Gynt, Op.23: No.25. Whitsun Hymn: 'Blessed Morn' - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
- Peer Gynt, Op.23: No.26. Solveig's Cradle Song - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
- Sigurd Jorsalfar, Op.22: Hornsignaler (Fanfares) - Kjell Magnus Sandve/Gosta Ohlin's Vox Ens/Gosta Ohlin/Pro Musica Chm Chor
- Sigurd Jorsalfar, Op.22: No.1. Act I: Prld - Kjell Magnus Sandve/Gosta Ohlin's Vox Ens/Gosta Ohlin/Pro Musica Chm Chor
- Sigurd Jorsalfar, Op.22: No.2. Borghild's Dream - Kjell Magnus Sandve/Gosta Ohlin's Vox Ens/Gosta Ohlin/Pro Musica Chm Chor
- Sigurd Jorsalfar, Op.22: No.3. The Matching Game - Kjell Magnus Sandve/Gosta Ohlin's Vox Ens/Gosta Ohlin/Pro Musica Chm Chor
- Sigurd Jorsalfar, Op.22: No.4. The Northland Folk - Kjell Magnus Sandve/Gosta Ohlin's Vox Ens/Gosta Ohlin/Pro Musica Chm Chor
- Sigurd Jorsalfar, Op.22: No.5. Homage March - Kjell Magnus Sandve/Gosta Ohlin's Vox Ens/Gosta Ohlin/Pro Musica Chm Chor
- Sigurd Jorsalfar, Op.22: No.6. Interlude I - Kjell Magnus Sandve/Gosta Ohlin's Vox Ens/Gosta Ohlin/Pro Musica Chm Chor
- Sigurd Jorsalfar, Op.22: No.7. Mellomspill II - Kjell Magnus Sandve/Gosta Ohlin's Vox Ens/Gosta Ohlin/Pro Musica Chm Chor
- Sigurd Jorsalfar, Op.22: No.8. The King's Song - Kjell Magnus Sandve/Gosta Ohlin's Vox Ens/Gosta Ohlin/Pro Musica Chm Chor
- Funeral March In Memory Of Rikard Nordraak: Lento - Gothenburg SO/Neeme Jarvi
- Norwegian Dances, Op.35: 1. Allegro Marcato - Gothenburg SO/Neeme Jarvi
- Norwegian Dances, Op.35: 2. Allegretto Tranquillo E Grazioso - Gothenburg SO/Neeme Jarvi
- Norwegian Dances, Op.35: 3. Allegro Moderato Alla Marcia - Gothenburg SO/Neeme Jarvi
- Norwegian Dances, Op.35: 4. Allegro Molto - Gothenburg SO/Neeme Jarvi
Tracks:
- Sym in c: 1. Allegro Molto - Gothenburg SO/Neeme Jarvi
- Sym in c: 2. Adagio Espressivo - Gothenburg SO/Neeme Jarvi
- Sym in c: 3. Intermezzo: Allegro Energico - Gothenburg SO/Neeme Jarvi
- Sym in c: 4. Finale: Allegro Molto Vivace - Gothenburg SO/Neeme Jarvi
- Land-sighting, Op.31 - Hakan Hagegard/Men's Voices Of The Gothenburg Sym Chor
- Olav Trygvason, Op.50: Scene I: No.1. Skjult I De Mange Manende Navne/No.2. I, Som Op Af... - Hakan Hagegard/Gothenburg Sym Chor/Mats Nilsson/Randi Stene
- Olav Trygvason, Op.50: Scene II: No.3. Ej Er Det Nok/No.4. Tak, At I Talte - Anne Gjevang/Gothenburg Sym Chor/Mats Nilsson/Hakan Hagegard
- Olav Trygvason, Op.50: Scene III: No.5. Giv Alle Guder Gammens Og Glaedes-Skal/No.6. Alfer Og... - Gothenburg Sym Chor/Mats Nilsson
Tracks:
- Old Norwegian Melody With Vars, Op.51: Poco Tranquillo - Gothenburg SO/Neeme Jarvi
- Old Norwegian Melody With Vars, Op.51: Tema. Andantino Espressivo - Gothenburg SO/Neeme Jarvi
- Old Norwegian Melody With Vars, Op.51: Poco Allegro, Ma Tranquillo - Gothenburg SO/Neeme Jarvi
- Old Norwegian Melody With Vars, Op.51: Energico - Gothenburg SO/Neeme Jarvi
- Old Norwegian Melody With Vars, Op.51: Allegro Leggiero - Gothenburg SO/Neeme Jarvi
- Old Norwegian Melody With Vars, Op.51: Poco Andante - Gothenburg SO/Neeme Jarvi
- Old Norwegian Melody With Vars, Op.51: Maestoso - Gothenburg SO/Neeme Jarvi
- Old Norwegian Melody With Vars, Op.51: Allegro Scherzando E Leggiero - Gothenburg SO/Neeme Jarvi
- Old Norwegian Melody With Vars, Op.51: Andante - Gothenburg SO/Neeme Jarvi
- Old Norwegian Melody With Vars, Op.51: Andante Molto Tranquillo - Gothenburg SO/Neeme Jarvi
- Old Norwegian Melody With Vars, Op.51: Presto - Gothenburg SO/Neeme Jarvi
- Old Norwegian Melody With Vars, Op.51: Tempo Di Menuetto - Gothenburg SO/Neeme Jarvi
- Old Norwegian Melody With Vars, Op.51: Allegro Marcato - Gothenburg SO/Neeme Jarvi
- Old Norwegian Melody With Vars, Op.51: Tempo Di Valse - Gothenburg SO/Neeme Jarvi
- Old Norwegian Melody With Vars, Op.51: Adagio Molto Espressivo - Gothenburg SO/Neeme Jarvi
- Old Norwegian Melody With Vars, Op.51: Finale. Allegro Molto Marcato - Gothenburg SO/Neeme Jarvi
- Old Norwegian Melody With Vars, Op.51: Finale. Pomposo - Gothenburg SO/Neeme Jarvi
- Old Norwegian Melody With Vars, Op.51: Finale. Prestissimo - Gothenburg SO/Neeme Jarvi
- Old Norwegian Melody With Vars, Op.51: Finale. Andante Molto Tranquillo - Gothenburg SO/Neeme Jarvi
- The First Meeting - Barbara Bonney
- From Monte Pincio - Hakan Hagegard
- A Swan - Barbara Bonney
- Spring - Barbara Bonney
- Henrik Wergeland - Hakan Hagegard
- The Mountain Thrall, Op.32 - Hakan Hagegard
- Before A Southern Convent, Op.20 - Barbara Bonney/Randi Stene/Women's Voices Of The Gothenburg Sym Chor/Mats Nilsson
- Bergliot, Op.42 - Rut Tellefsen
Customer Reviews:
It's all here.......2006-04-14
For the long works, the Piano Concerto is attention-grabbing and beautiful. The Symphonic Dances and the Norwegian Dances are lively and tremendously extraordinary. The lesser-known Symphony in C Minor should be more recognized, as it is as powerful as other symphonies, like Mahler's first and Beethoven's sixth. For the short works, In Autumn and Landkjenning can be best described as sheer masterpieces.
For Peer Gynt, it is good to hear the first digitally-recorded authentic version. The suite version is just not enough for that full listening experience. NOTE: if you want to buy a Peer Gynt that includes the complete dialogue, I would recommend conductor Ole Kristian Ruud's version with the Bergen Philharmonic Orchestra; the dialogue lengthens the 90-minute work by two hours.
To know the rest is to listen to them straight through. All the works in this box set (especially the Piano Concerto) should be a possession for all Grieg-lovers.
A+
An excellent box-set.......2003-08-30
Neeme Jarvi is very good.
In first CD, there is a powerful performance of Piano Concerto by Zilberstein.She is also great in F.Liszt recordings (at DG Classics). In second CD, works for string orchestra (including, famous Holberg Suite) to be found. And in 3rd and 4th CDs, marvellous recordins of Peer Gynt and Sigurd Jorsalfar (Sigurd, the Crusader)to be found.This works are the first recordings of complete score. Still, speakers to be present at Peer Gynt.And Funeral March for R. Nordraak is very influence in 4th CD.The wind ensemble of Gothenburg Symphony Orchestra is very good...
In 5th CD, there is an unknown work by Grieg: Symphony in C-minor. This work written in early period, but didn't perfomed often. Still, this work's name is "Forbidden Symphony"...And then, a majestic work "Land-Sighting" to be found. This is very successful choral work of composer and he written in a heavenly tone:E Major...And then, there is an unknown work again, an incomplete opera: "Olav Trygvason"... Grieg written this work on a libretto by his friend, Bjornson (a famous poet of Norway), but he could finish first act...
And in last CD, there are other vocal works, and his beatiful work: "Old Norwegian Melody with Variations". And then, 5 Songs to be found. This songs originally written for voice and piano (like other many songs) but he later orchestrated these works.And the first song "The First Meeting" was discovered in 80's and still, they used a new edition, published from new founded manuscript, so this is the first recording of Grieg's beatiful song.
In other words: this box-set is excellent and Highly recommended.
Wonderful recordings, slightly marred by lack of texts.......2003-04-09
This is now the fourth or fifth release for some of these CDs, first came the individual volumes, then the full price box, then releases on budget DG Classikon, and now a Collector's Edition box at half the price, but sadly minus the texts to CDs 2,3 and 6. This won't matter so much in the orchestral songs, CD6, where the texts to Bergtekne, Bergliot etc. are available in other releases or on the Lieder web page, but CDs 2 and 3 are currently the only complete recording of Peer Gynt and the sung or spoken texts are not available outside sheet music collections. Personally (as someone more interested in the vocal music than the orchestral) I would try and locate the original volumes, but at least DG has given those who don't feel the extra expense is justified a cheaper option.
Further recommendation: Anne Sofie von Otter's recording of the Haugtussa song cycle.
Average customer rating:
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The Man From U.N.C.L.E., Vol. 2
Manufacturer: Film Score Monthly ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0006SSQ7U Release Date: 2005-01-04 |
Tracks:
- First Season End Title
- Vulcan Affair (Suite No. 2)
- Iowa-Scuba Affair
- Shark Affair
- Deadly Games Affair (Suite No. 2)
- Meet Mr. Solo
- Giuoco Piano Affair
- King of Knaves Affair: Suite No. 2
- First Season Main Title [Revised]
- Deadly Decoy Affair
- Spy With My Face
- Second Season Main Title
- Alexander the Greater Affair
- Ultimate Computer Affair
- Very Important Zombie Affair
- Dippy Blonde Affair
- Seadly Goddess Afair
- Moonglow Affair
Tracks:
- One of Our Spies Is Missing
- Third Season Main Title
- Sort of Do-It-Youself Dreadful Affair
- Galatea Affair
- Pop Art Affair
- Come With Me to the Casbah Affair
- Off-Broadway Affair
- Concrete Overcoat Affair
- Napoleon's Tomb Affair
- Alternate Fourth Season Main Title
- Fourth Season (End Title)
- Test Tube Killer Affair
- Prince of Darkness Affair
- Seven Wonders of the World Affair
Customer Reviews:
Another great trip down the MFU memory lane.......2005-10-19
My only problem is that THE CDs ARE COPY PROTECTED! Considerable work is needed to get the music onto your iPod, if you really want the music in your mp3 collection. This is a major hassle and a surprise, since the first set in the series was not copy protected.
The best of the three Double CDs ORIGINAL soundtrack release.......2005-07-12
Indeed, this is an unbelievable collection of three double CDs packages with the complete series soundtrack, and I mean the complete music, not a tune is missing.
And this is the ORIGINAL Man From Uncle music. Let me stress the point: this is the four years ORIGINAL soundtrack with the original recordings as they were heard throughout the series, not a no-name orchestra doing personal versions of the stuff. The audio transfer is very, very good, the music from late episodes is even in stereo.
Each individual CD carries over 70 minutes of music. All in all there you have the four TV seasons main titles and all, absolutely all of TMFU unforgetable music.
This is not a chronological release, meaning, all CDs have a mix of music from all four TV seasons. Volume 1 is heavier on early TV seasons stuff, fans of Jerry Goldsmith will love it. Those of us who prefer what Gerald Fried and later Richard Shores did with TMFU music, then volume 2 is mandatory. If you are a fan, you can't miss any of these six CDs. However if buying all three double packages is too much for you, you must go with Volume 2, no questions asked. Volume three is the weakest of them as it brings "suites" and a whole CD with "The Girl From Uncle" soundtrack, but you have a bonus "Open Channel D" beeper.
Each package is gorgeous, each with a glossy color booklet with extensive liner notes with details on how each tune was written to a specific TV series episode and how it was used onwards. You have bios on the composers, on how the recordings were made, even an overview on how many instruments were available in each of the years the music was recorded.
So, throw away your Hugo Montenegro Man From Uncle CD, this is the REAL thing.
Average customer rating:
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Classical Dreams: Music to Inspire
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005Q467 Release Date: 2001-10-09 |
Tracks:
- Antiphon: Ecce Annuntio Vobis - Dominique Vellard
- Symphony No. 5: Adagietto - Jukka-Pekka Saraste
- Gymnopedie No. 1 - Paul Tortelier
- Pavane - Paul Tortelier
- The Planets: Venus - Sir Charles Mackerras
- Old And Lost Rivers - Christoph Eschenbach
- Prld To The Afternoon Of A Faun - Dmitri Kitaenko
- Summer Pastorale - Jesus Lopez-Cobos
- Masques Et Bergamasques: Pastorale - Jean-Bernard Pommier
- Summa - Bournemouth Sinfonietta
- Pictures At An Exhibition: The Old Castle - Sir Charles Mackerras
- The Wounded Heart - Jonathan Rees
- Ser in e: Larghetto - Andrew Litton
Tracks:
- Apollon Musagete: The Birth Of Apollo - Jukka-Pekka Saraste
- Adagio for Strings - City Of London Sinfonia
- The Swan Of Tuonela - Paavo Jarvi
- Enigma Vars: Nimrod - RPO/Andrew Litton
- Petite Ste: En Bateau (Orch. Busser) - Jean-Bernard Pommier
- Holberg Ste: Air - Jonathan Rees
- Fantasia On 'Greensleeves' - Christopher Warren-Green
- Gymnopedie No. 3 - Paul Tortelier
- Pavane Pour Une Infante Defunte - Jukka-Pekka Saraste
- The Last Spring - Jonathan Rees
- Thais: Meditation (From Thais) - Paul Tortelier
- Vocalise - Andrew Litton
- Mother Goose: The Fairy Garden - Dmitri Kitaenko
- Antiphon: Ecce Annuntio Vobis - Dominique Vellard
Customer Reviews:
If stranded on an island and had one disc..........2006-01-23
Truly inspired collection.......2004-12-07
Another gem here that I had never heard before is Pick's "Old and Lost Rivers". Ravel's final movement from Mother Goose is one of his best orchestrations and at the top of my 'A' list.
About the only pieces I missed here were Debussy's Engulfed Cathedral and Respighi's fourth church window, St. Gregory the Great. Perhaps they would be a bit too dramatic for this collection, though.
The only shortcoming of this collection is the lack of liner notes, but this is a minor issue. The music is superb.
Encore! Encore!.......2004-06-17
Encore! Encore!.......2004-06-17
Surprised and ... inspired.......2002-05-10