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1. Velero
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2. Me Enamoro Más
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3. Enamorada
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4. Donde
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5. Sin Ti
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6. Latina - Luisa, Miah
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7. Amor a la Distancia
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8. Nadie
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9. Solo Tu
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10. Amándote y Ser Amada
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Luisa,Luisa,Atlantic / Wea,Latin Music,Latin Pop,Pop,Tropical
Average customer rating:
- The End of the Big Voice?
- Fla Gator Lady
- 20 Great Tenor Arias
- Plesantly surprised...
- Absolutely Agree About Corelli
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Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...
Manufacturer: Decca
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Binding: Audio CD
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- Paul Potts [United Kingdom]: One Chance
- The Most Famous Opera Duets
- The Most Famous Opera Arias
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ASIN: B000007OTX
Release Date: 1998-06-09 |
Tracks:
- La Boheme: Che gelida manina
- Manon Lescaut: Donna non vidi mai
- Carmen Bizet: La fleur que tu m'avais jetee (Flower Song)
- Luisa Miller: O! fede negar potessi .. Quando le sere al placido
- La Traviata: Lunge da lei ... De' miei bollenti spiriti
- Martha: M'appari
- Giordano: Amor ti vieta
- L'Africaine: Mi batte il cuor .. O paradiso
- La Favorita: Favorita del re . . . Spirto gentil
- Werther: 'Pourquoi me reveiller'
- Die Meistersinger von Nurnberg: 'Morgenlich leuchtend in rosigem Schein'
- Les Contes d'Hoffmann: O Dieu! De quelle ivresse
- TOSCA: E lucevan le stelle
- Pagliacci: Recitar! ... Vesti la giubba
- Il Trovatore: Di quella pira
- Aida: Se quel guerrier .. Celeste Aida
- TOSCA: Recondita armonia
- L'Elisir d'Amore: Una furtiva lagrima
- La Gioconda: Cielo e mar!
- Turandot: Nessun dorma
Customer Reviews:
The End of the Big Voice?.......2007-04-16
This CD, which is truly fine overall, reminds me of Marilyn Horne's lament that we have probably seen the end of the big voice and it makes me sad. I agree with the reviewer who refers to "microphonies". And more justice could be done to Bjorling's voice with a better transfer. But at some point, music becomes a matter of taste and I prefers singers who have the instrument and the support and the training, whether formal or not, to just let fly and take a chance on making a mistake. Domingo can be wonderful and so can his musicianship but he tends to be so stiff. I have to wonder at the virulence and asperity with which some people go after Pavarotti. It's true that late in his career he made some questionable recordings but the answer to that is simple: don't buy them. At his best, he belongs for all time in the top echelon of tenors. I love this CD and would recommend it to anyone who enjoys great (big) voices.
Fla Gator Lady.......2007-01-12
Highly recommend this CD with these beloved arias of the greatest tenors in opera. I have owned this CD for a couple of years and purchased another for a friend who always requests that I play it ... perfect for listening in the car, dinner, bridge games, relaxation ... just so perfect. You won't be disappointed in this one.
20 Great Tenor Arias.......2007-01-09
A great disc,combination of the greatest tenors of the 20th century and some of the most beautiful music ever written in any century,a must addition to any opera lovers collection.
Plesantly surprised..........2006-01-14
I don't remember how I found this CD the other day surfing through the "Amazon" such as it is, but I did. I listened to a few clips provided & on the strength of that, I purchased this CD.
First it is a great buy. A booklet with pictures of each tenor, a small bio, the year recorded and TRANSLATIONS of each aria are provided. This is really nice. It seems more & more that translations are being left out. Being a former opera singer, I may know most of the words, but sometimes it's just nice to read along (sometimes it's just nice to listen too).
Being on the Decca label, there is admittedly quite a few Pavarotti selections. Out of 20 selections, he has 6 of them. But I love Pavarotti, so this is no problem for me. These are all early recordings & his voice is magnificent! Being a singer, I still marvel at his ability to sing "All'armi!" on a high D and still say the 2nd syllable "mi" on such a note! WOW. There is also of course his very sweet, impassioned and lyrical turn as Rodolfo in "La Boheme" as well as the lesser known (although I still have it on casette) "La Favorita" which has a particularly high tessitura.
Also featured are a young Plácido Domingo singing a VERY nice "Flower song/ La fleur que tu m'avais jetée" from Carmen. He usually sounds too pushed for me on the top notes (as one might expect from a Pavarotti fan, I like free top notes) but in this recording he is pretty darn fabulous. He also sings an aria from "Tales of Hoffman/Les Contes d'Hoffman" and I have always felt that he, like Neil Schicoff, were well suited to this role.
Lamentably there are only one selection each from Carreras, Correlli, Monaco, Aragall & Kollo. Especial kudos to the young recording they feature for Aragall. He had a very free and nice high tenor well suited to Verdi. Of course as his career went forward with the natural darkening of his voice and the "heavier" roles, he did start to develop a wobble. But this recording is before that. His top, his phrasing are all beautifully done in his featured aria from "La Traviata."
Mario del Monaco's "E lucevan le stelle" is hauntingly beautiful and has such a wonderful pianissimo in it that it makes you just want to gasp for beauty's sake. I now know every tenor I've heard sing this aria was trying to emulate what he did.
This is a great CD because it does bring together on one CD some of the greatest singers of the 20th/21st century. Bergonzi, di Stefano, Björling, in addition to the previously mentioned artists is quite an impressive collection. I'm sure there's only one of each for Carreras, Aragall (I believe they are formerly EMI/Angel artists) and perhaps some of the others because they are "imported" from another label. There's so much Pavarotti on this CD because he IS a Decca artist.
A highly recommended CD, affordable, not the usually obscure and unpolished artists that are sometimes found on compilations. Plus acutal linear notes and translations. Nicely done, Decca!!!
Absolutely Agree About Corelli.......2005-05-27
Franco Corelli's "Nessun Dorma" is still the best of them all - clear, passionate, and exciting. (And those final two notes...! Gives me chills just to think of it.) I was fortunate enough to see him live in both "Turandot" and "Romeo and Juliet" a year before his retirement, and he was still a Calaf and a Romeo to die for... as, of course, Liu and Juliet did! As it is, I tend to buy compilations depending on how much Corelli they include - though Bjorling is a strong second, and I have happy memories of Domingo. Long live the Golden Age of Operatic Tenors!
Average customer rating:
- Opera for Aficianados as well as Newbies
- superb!
- beatiful music
- Best Opera CD ever
- Rapture
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Rapture: Opera's Most Heavenly Moments
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
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- The Most Famous Opera Duets
- The Most Famous Opera Arias
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ASIN: B00006L3K2
Release Date: 2002-10-08 |
Tracks:
- Casta Diva - Renee Fleming
- Barcarolle - Edita Gruberova
- Ebben? Ne Andro Lontana - Maria Chiara
- Intermezzo - Herbert Von Karajan
- Letter Duet - Edith Mathis
- Che Faro Senza Euridice - Grace Bumbry
- Va Pensiero - Giuseppe Sinopoli
- Una Furtiva Lagrima - Gosta Winbergh
- Porgi Amor - Gundula Janowitz
- Humming Chorus - Ambrosian Opera Chorus
- Soave Sia Il Vento - Kiri Te Kanawa
- Overture (Excerpt) - Philharmonia Orchestra
- Un'aura Amorosa - Hans-Peter Blochwitz
- Un Bel Di - Mirella Freni
- Depuis Le Jour - Montserrat Caballe
- La Ci Darem La Mano - Dietrich Fischer-Dieskau
- Quando Le Sere Al Placido - Placido Domingo
- Mir Ist So Wunderbar - Lucia Popp
Tracks:
- Flower Duet - Joan Sutherland
- The Pearl Fishers Duet - Bryn Terfel
- Lascia Ch'io Pianga - Kiri Te Kanawa
- Prelude - Bayerisches Staatsorchestra
- O Silver Moon - Renee Fleming
- When I Am Laid In Earth - Tatiana Troyanos
- Miserere - Placido Domingo
- Vissi D'arte - Mirella Freni
- Intermezzo - Berlin Philharmonic Orchestra
- Softly Awakes My Heart - Grace Bumbry
- Ombra Mai Fu (Largo) - Bryn Terfel
- Pilgrim's Chorus - Chorus Of The Bayreuth Festival
- Ruhe Sanft - Kiri Te Kanawa
- Flower Duet - Teresa Berganza
- Entr'acte - Berlin Philharmonic Orchestra
- Mira O Norma - Marilyn Horne
- Hochsten Heiles Wunder - Chorus Of The German Opera Berlin
Customer Reviews:
Opera for Aficianados as well as Newbies.......2007-06-11
If you are looking for peaceful, beautiful music this is for you. It is a delightful mix of some of opera's most memorable moments. Long time opera fans will be familiar with most of the arias and newcomers to opera will recognize music that has become identified with movies and commercials.
superb! .......2007-05-12
If you love wonderful operatic moments then this cd is a great buy for all of the wonderful and spectacular music on it. You get two cds for the price of one great opera cd, and all of the talented singers that were taken and put on these tracks do definate justice to all of the composers listed. A great cd to add to your collection especially if you are an aspiring singer or a student in music. Absolutely Fantastic!
beatiful music.......2007-02-23
former reviews are no exaggeration, this is the most beautiful music I have come across. I have many opera CDs but this is one I never tire of.
I listen to the CD everyday and it is always soothing, uplifting and inspiring. I wish I could find another as wonderful.
Best Opera CD ever.......2007-02-16
I have orderd plenty of classical CD's and DVD's on this webside.
Most were phantastish but this one is the best.
I listen so often to this CD that it should have grooves.
I never get tired of it.
I recommend this CD highly.
Roswitha
Rapture.......2007-01-24
Wonderous---Melodious----
This compilation of Opera's finest moments is positively wonderful!!!!Unquestionably the best buy I have made in Opera Music..No kidding,I have trays full of CDs covering every facet of Opera,but none as beautiful...A full 2 1/2 hours of the best of the best....Heavenly Moments says it ALL...I vote 6 stars!!!!!
Average customer rating:
- Verdi: Opera LaTraviata
- The Sound is very listenable
- Come closer to Maria Callas
- Best of La Traviata and Maria Callas
- Simply the best...
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Verdi: La Traviata (complete opera live 1955) with Maria Callas, Giuseppe di Stefano, Carlo Maria Giulini, Orchestra & Chorus of La Scala, Milan
Giuseppe Verdi , Orchestra e coro del Teatro alla Scala , Carlo Maria Giulini , Maria Callas , Giuseppe di Stefano , Ettore Bastianini , Silvio Maionica , Luisa Mandelli , and Arturo La Porta
Manufacturer: EMI Classics
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Similar Items:
- Puccini: Tosca (complete opera) with Maria Callas, Giuseppe di Stefano, Tito Gobbi, Victor de Sabata, Chorus & Orchestra of La Scala, Milan
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ASIN: B00000630Y
Release Date: 1998-03-17 |
Tracks:
- La Traviata: Preludio (Orchestra)
- La Traviata: Act One: Dell'invito trascorsa e gia l'lora
- La Traviata: Act One: Libiamo, ne' lieti calici
- La Traviata: Act One: Che e cio (coro/Violetta/Flora/Marchese/Barone/Dottore/Gaston/Alfredo)
- La Traviata: Act One: Un di felice, eterea (Alfredo/Violetta)
- La Traviata: Act One: Ebben? Che diavol fate? (Gastone/Violetta/Alfredo)
- La Traviata: Act One: Si ridesta in ciel l'aurora (Flora/Gastone/Barone/Dottore/Marchese/Coro)
- La Traviata: Act One: E strano! E strano!
- La Traviata: Act One: Ah, fors'e lui che l'anima
- La Traviata: Act One: Follie! follie! Delirio vano e questo! (Violetta)
- La Traviata: Act One: Sempre libera (Violetta - Alfredo)
- La Traviata: Act Two: Scene One: Lunge da lei
- La Traviata: Act Two: Scene One: De' miei bollenti spiriti (Alfredo)
- La Traviata: Act Two: Scene One: Annina, donde vieni?...Alfredo?...Per Parigi or or partiva (Alfredo/Annina/Violetta/Germont)
- La Traviata: Act Two: Scene One: Pura siccome un angelo
- La Traviata: Act Two: Scene One: Non sapete quale affetto
- La Traviata: Act Two: Scene One: Un di, quando le veneri
- La Traviata: Act Two: Scene One: Ah! dite alla giovine
- La Traviata: Act Two: Scene One: Imponete...Non amarlo ditegli
- La Traviata: Act Two: Scene One: Morro! La mia memoria (Germont/Violetta)
- La Traviata: Act Two: Scene One: Dammi tu forza, o cielo! (Violetta/Annina)
- La Traviata: Act Two: Scene One: Che fai?...Nulla (Alfredo/Violetta)
- La Traviata: Act Two: Scene One: Ah, vive sol quel core all'amore mio! (Alfredo/Commissionario/Germont)
- La Traviata: Act Two: Scene One: Di Provenza il mar (Germont /Alfredo)
Tracks:
- La Traviata: Act Two: Scene Two: Avram lieta di maschere la notte (Flora/Marchese/Dottore)
- La Traviata: Act Two: Scene Two: Noi siamo zingarelle (Coro/Flora/Marchese/Dottore)
- La Traviata: Act Two: Scene Two: Di Madride noi siam mattadori (Coro/Gastone/Flora/Dottore/Marchese)
- La Traviata: Act Two: Scene Two: Alfredo! Voi!
- La Traviata: Act Two: Scene Two: Invitato a qui seguirmi
- La Traviata: Act Two: Scene Two: Ogni suo aver tal femmina (Flora/Gastone/Barone/Dottore/Marchese/Coro)
- La Traviata: Act Two: Scene Two: Di sprezzo degno se stesso rende (Germont/Alfredo/Flora/Gastone/Barone/Dottore/Marchese/Coro)
- La Traviata: Act Two: Scene Two: Alfredo, Alfredo, di questo core (Violetta/Germont/Alfredo/Gastone/Barone/Dottore/Marchese/Coro)
- La Traviata: Act Three: Preludio (Orchestra)
- La Traviata: Act Three: Annina? ...Comandate? (Violetta/Annina/Dottore)
- La Traviata: Act Three: Teneste la promessa
- La Traviata: Act Three: Addio, del passato (Violetta)
- La Traviata: Act Three: Largo al quadrupede (Coro)
- La Traviata: Act Three: Signora!... Che t'accadde?
- La Traviata: Act Three: Parigi, o cara (Annina/Violetta/Alfredo)
- La Traviata: Act Three: Ah, non piu, a un tempio
- La Traviata: Act Three: Ah! gran Dio! Morir si giovine (Violetta/Alfredo)
- La Traviata: Act Three: Ah! Violetta...Voi, signor!
- La Traviata: Act Three: Prendi, quest'e l'immagine (Germont/Violetta/Alfredo)
- La Traviata: Act Three: Se una pudica vergine (Violetta/Germont/Alfredo/Annina/Dottore)
Amazon.com essential recording
This live recording of the 1955 Visconti production at La Scala is the best of the available Maria Callas Traviatas. Aside from a minor pitch problem or two, she's in great voice, coloring phrases to reveal character and investing the coloratura with variety and passion. Her "Addio del passato" is heart-breaking. She fully captures Violetta's pride and vulnerability in the scene with Germont, though her partner, Ettore Bastianini, sings insensitively, if beautifully. Giuseppe Di Stefano is all one could ask for as Alfredo. Carlo Giulini conducts a performance that delivers all the lyricism and drama of the score. The recorded sound is primitive, but in EMI's latest transfer you can listen through it to a wondrous performance. --Dan Davis
Customer Reviews:
Verdi: Opera LaTraviata.......2007-07-04
Enjoyable recording,singers Maria Callas, DiStefano,Bastianini surperb. Clarity as if recently recorded. Orchestra and chorus fantastic.
The Sound is very listenable.......2007-01-05
Don't be put off by other reviewers' rants on the sound of this superb performance. If you're comfortable listening to some of the better Opera D'Oro sets, you'll find this more than satisfactory. I ordered it recently despite those complaints and am VERY glad I did. If you want to hear truly unforgivable EMI sound of a pirate Callas, listen to the MACBETH; you'll then see what a good job EMI did with this Callas performance. But if you decide you want the Lisbon TRAVIATA instead of this one, just about everyone says the Pearl is far superior to EMI in their remastering job.
Come closer to Maria Callas.......2007-01-03
This CD is a master piece of Maria Callas' performance. Together with Stefano, they created a milestone that their followers are difficult to overpass. Listen to this live, you feel you were back in 1955. The atmosphere it produced is fresh and new to the later generations. But because the record technique as mono, not stereo, if you feel untolerable for the mono, it will cut your expectation little bit. But generally, if you are really a fans of Maria Callas, you will definately like it.
Best of La Traviata and Maria Callas.......2006-11-13
Even though this recording is not stereophonic, you can still enjoy the marvelous voice of Maria Callas. You don't have to see her performance to understand how artistic she was. With her voice she was not actually singing, but she was acting as well. Not many singers could portrait Violetta's character like Maria Callas portraits in this particular recording. I would definitely recommend everyone who is interested in operas or not interested at all. La Traviata in general is a very light opera, so you do not have to be an opera buff to like it.
Simply the best..........2006-03-19
This recording of one of the greatest Verdi's opera is surely the best I've ever heard. Callas was at her top, others interprets are excellent also. A great historical piece of art.
Average customer rating:
- Stick with the Plot
- Callas, an over-rated soprano
- It's a SHOCK!
- Perhaps The Best Recorded "Madama Butterfly"
- Perfection
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Puccini: Madama Butterfly (complete opera) with Maria Callas, Lucia Danieli, Nicolai Gedda, Herbert von Karajan, Chorus & Orchestra of La Scala, Milan
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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- Puccini: Tosca (complete opera) with Maria Callas, Giuseppe di Stefano, Tito Gobbi, Victor de Sabata, Chorus & Orchestra of La Scala, Milan
- Puccini - La Bohème / Freni, Pavarotti, Harwood, Ghiaurov, Karajan
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ASIN: B000002RXX
Release Date: 1997-08-19 |
Tracks:
- E Soffitto...E Pareti...
- Questa E La Cameriera
- Dovunque Al Mondo
- Quale Smania Vi Prende!
- Quanto Cielo!...Ancora Un Passo Or Via
- Gran Ventura
- L'Imperial Commissario
- Vieni, Amor Mio!
- Ieri Son Salita Tutta Sola
- Ed Eccoci In Famiglia
- Vieni La Sera
- Bimba Dagli Occhi Pieni Di Malia
- Vogliatemi Bene, Un Bene Piccolino
- E Izaghi Ed Izanami
- Un Bel Di Vedremo
- C'e. Entrate
- Non Lo Sapete Insomma
Tracks:
- A Voi Pero Giurerei Fede Costante
- Ora A Noi
- E Questo? E Questo?
- Che Tua Madre Dovra
- Io Scendo Al Piano
- Vespa! Rospo Maledetto!
- Una Nave Da Guerra
- Scuoti Quella Fronda Di Ciliegio
- Or Vienmi Ad Adornar
- Cora A Bocca Chiusa
- Oh Eh! Oh Eh! Oh Eh!
- Gia Il Sole!
- Povera Butterfly!
- Io So Che Alle Sue Pene
- Addio, Fiorito Asil
- Glielo Dirai?
- Che Vuol Da Me?
- Come Una Mosca Prigioniera
- Con Onor Muore
Customer Reviews:
Stick with the Plot.......2007-02-09
Puccini.
Up there with Mozart when it comes to tearing the heart out of your soul.
Maria Callas - what a sexy women - no wonder that rich Greek fella courted her. She is a diamond, a truly wonderful opera singer. No, she is better than that. Maria Callas interprets the music into an emotional fury that extends passion and mundanity to their horizons.
Why buy Playboy when you can get the real deal right here. Smouldering femininity with knobs on. Simply the best.
Callas, an over-rated soprano.......2006-12-22
Nicolai Gedda as B.F Pinkerton is brilliant, a true showman in the role and a brilliant tenor full-stop. Callas on the other was not good at Cio-Cio San, in fact she was terrible.
It truly shows the difference between the two lead roles vocal technique and capability, in 'Vogliatemi bene', Gedda was brilliant note perfect and tone perfect, Callas was terrible she shrieked most of her way through the duet and sang a shrill top C at the end which compared with Gedda's masterful top C was a piece of dirt.
If you disagree listen the the track over and over again, see how shrill and whiney Callas's top C really is.
All over brilliant performance by Gedda, Callas was unworthy of such a great Pinkerton.
It's a SHOCK!.......2005-12-21
It's a SHOCK how Callas interpreted "Madama Butterfly" It's close to perfect. Must listen for opera lovers!
Perhaps The Best Recorded "Madama Butterfly".......2005-09-07
There are many "Butterfly" recordings out there that are excellent in their own right but this recording deserves a category of excellence all it's own. What almost looks like mis-casting on paper, Callas does an astonishing job with the title role, which she recorded months before singing a series in Chicago and never to touch the role again. This is really one of those recordings that should be considered an historical event in the history of recorded opera. The collaboration of all the principles with von Karajan shows a unique unity that hasn't been duplicated very often.
But there's Callas' Cio Cio San that is really the reason to consider this recording. Even her silences, such as when she notices Kate in the garden in the final scenes, speaks volumes. There's this incredible thread that she creates from her entrance to her death that is like nothing I've ever heard before in this role. Also her choice of tone is remarkable and characteristic of this most chameleon of artists. She transforms herself from child to woman during the love duet and really does not sing at full tilt until the heart rendering final scene. This is an amazing studio portrayal and like I said, absolutely historical.
Perfection.......2005-08-09
I purchased Madama Butterfly and Macbeth online a couple of years ago. I listened to Macbeth first and was astonished. Then I decided to listen to Butterfly. When I heard Butterfly's entrance (Ancora un passo or via) I wasn't sure if the woman singing was Callas. As she went on singing, I was shocked. I couldn't believe my ears that this was the same woman I just heard a few minutes back singing evil Lady Macbeth. It was like listening to another singer. The transformation of the voice was a work of art itself. Listen to the way she says MORTO. The other highlights of this masterwork are the love duet, her mastery singing of un bel di, and her bone chilling con onor moure.
This recording is an excellent example of her artistry. Maria Callas' ability to change the tone of her voice for the different roles she performed onstage and recordings was great achievement. This is one of the many reasons why I love her so much. She has helped me through some tough times in the past. Whenever I was in need of inspiration, Callas came to the rescue. Maria Callas is my idol and I am grateful and honored to be part of the Maria Callas experience.
Average customer rating:
- Luciano Pavrotti: The Best (Farewell Tour)
- Luciano Pavorotti
- Luciano is the best!
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Luciano Pavrotti: The Best (Farewell Tour)
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Similar Items:
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ASIN: B0007V5WB4
Release Date: 2005-09-13 |
Tracks:
- La donna obile
- Una furtiva lagrima
- "Libiamo ne'lieti calici (Brindisi)
- Donna non vidi mai
- Che gelida manina
- O soave fanciulla
- Mi batte il cor...O Paradiso!
- M'appari
- Quando le sere al placido chiaror d'un ciel stellato
- Se quel guerrier io fossi!..Celeste Aida
- Forse la soglia attinse
- Recitar! - "Vesti la giubba"
- Come un bel di maggio
- Ah mes amis - Pour mon
- Di quella pira
- Nessun dorma!
Tracks:
- Torna a Surriento
- Santa Lucia luntana
- La Danza
- L'ultima canzone
- Non t'amo pi
- Mattinata
- 'O sole mio
- 'A vucchella
- Core 'ngrato
- Nel blu, dipinto di blu
- Vivere
- Il Canto
- Caruso
- Buongiorno a te
- Ti adoro
- E lucevan le stelle
- Questa o quella (Ballata)
- Parmi veder le lagrime
Customer Reviews:
Luciano Pavrotti: The Best (Farewell Tour).......2007-06-27
Wonderful Pavarotti sings the best of the best. His voice never ceases to amaze me. Listening pleasure at it's finest.
Luciano Pavorotti.......2007-02-17
All the songs are wonderful, can never become tired of listening to his songs. Excellent.
Luciano is the best!.......2007-01-20
I can't speak more highly of this collection of Pavrotti's songs. I keep this two CD pack in my car so I can enjoy it on my way to and from work. Even after I have arrived, I find myself sitting in my car waiting for a song to end. Walking out on a song seems sacriligious. While I grew up listening to Caruso and Lanza, there is no question that Pavrotti is the Master! Although, I do have to admit Pavrotti has the greater advantage of modern recording technology to better present his talent than Caruso and Lanza had. However, Lanza definitely didn't have the power that Pavrotti has. With Caruso, we will never know... I highly recommend this collection of Pavrotti's, if you are a Pavrotti fan. If you aren't, buy it anyway and become one:)
Average customer rating:
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The Most Soothing Lullabies In The Universe
Manufacturer: Denon Records
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Similar Items:
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ASIN: B0001NBNE8
Release Date: 2004-04-06 |
Tracks:
- CHOPIN: Piano Concerto No. 1, Larghetto
- DEBUSSY: Clair de Lune
- MANFREDINI: Concerto grosso in C, I. Largo (Pastorale)
- MOZART: Eine Kleine Nachtmusik, Andante
- BEETHOVEN: Moonlight Sonata, Adagio
- BACH: Goldberg
- SIBELIUS: Swan of Tuonela
- LISZT: Liebestraume
- SCHUMANN: Dreaming
- MASSENET: Meditation from "Thais"
- VAUGHAN WILLIAMS: Greensleeves
Tracks:
- HANDEL-WEINER: Sicilienne
- A. CORELLI: Concerto grosso in G, Pastorale
- VERDI: "When the evening becomes peaceful"
- CHOPIN: Three Preludes
- MOZART: Clarinet Concerto in A, II. Adagio
- BRAHMS: Piano Sonata No. 3, II. Andante espressivo
- TCHAIKOVSKY: Swan Lake (excerpt)
- MENDELSSOHN: Three Songs Without Words
- MAHLER: Symphony No. 3, IV. Sehr Langsam
Average customer rating:
- OKAY, TAKE ME AWAY.
- Great music...stunning recording quality
- Incredible
- Just Stunning!
|
Essential Verdi
Manufacturer: Decca
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- The #1 Opera Album
ASIN: B000056JSW
Release Date: 2001-02-13 |
Tracks:
- Rigoletto: La donna e mobile - Luciano Pavarotti
- Nabucco: Va pesiero - Chicago Symphony Orchestra
- La forza del destino: Overture - Kirov Orchestra
- La Traviata: Un di felice - Joan Sutherland
- I Vespri Siciliani: Merce dilette amiche - Maria Chiara
- La Traviata: Libiamo ne' lieti calici - Joan Sutherland
- Il Trovatore: Di quella pira - Jose Carreras
- Il Trovatore: Vedi! le fosche notturne spoglie - Chicago Symphony Orchestra And Chorus
- Il Trovatore: Stride la vampa! - Stefania Toczyska
- Aida: Ritorna vincitor! - Leontyne Price
- Don Carlo: Dio che nell'alma infondere - Carlo Bergonzi
- La Traviata: Prelude - Orchestra E Coro Del Maggio Musicale Fiorentino
- Rigoletto: Caro nome - Joan Sutherland
- Don Carlo: O don fatale - Olga Borodina
- Aida: Se quel guerrier io fossi! Celeste Aida - Carlo Bergonzi
- Emani: Ernani! Ernani involami - Joan Sutherland
- Un Ballo in Maschera: Di tu se fedele - Jussi Bjorling
- Un Ballo in Maschera: Morro ma prima in grazia - Margaret Price
- Luisa Miller: Quando le sere al placido - Luciano Pavarotti
- Aida: Gloria all'Egitto - Chicago Symphony Orchestra
Tracks:
- Requiem: Dies irae - Wiener Philharmoniker
- La forza del destino: Pace pace mio Dio - Angela Gheorghiu
- Rigoletto: Questa o quella - Carlo Bergonzi
- Rigoletto: Bella figlia dell'amore - Luciano Pavarotti
- Otello: Ave Maria - Renee Fleming
- La Traviata: Parigi o cara - Frank Lopardo
- Macbeth: Ah la paterna mano - Luciano Pavarotti
- Il Trovatore: Squilli echeggi la tromba guerriera - Chicago Symphony Orchestra And Chorus
- Don Carlo: O Carlo ascolta - Dmitri Hvorostovsky
- Requiem: Ingemisco - Luciano Pavarotti
- Simon Baccanegra: Come in quest'ora bruna - Kiri Te Kanawa
- Macbeth: Salve o Re! Si colmi il calice - Lucia Aliberti
- Aida: O patria mia - Leontyne Price
- I lombardi: La mia letizia infondere - Placido Domingo
- Aida: Lo sguardo avea degli angeli - Montserrat Caballe
- La forza del destino: Solenne in quest'ora - Nikolai Putilin
- Macbeth: Patria opressa - Chicago Symphony Orchestra And Chorus
- Il Trovatore: Tacea la notte - Katia Ricciarelli
- I due Foscari: Dal piu remoto esilio - Odio solo ed odio atroce - Jose Carreras
- Don Carlo: Spuntato ecco il di esultanza - Orchestra E Coro Del Teatro Alla Scala Di Milano
Customer Reviews:
OKAY, TAKE ME AWAY........2006-01-20
I don't know opera.
Last summer we had an incredible 20th anniversary trip to Italy. As a side trip from Venice, we planned a night in Verona. Neither my wife or I had been to an opera.
Is this how its supposed to be...
...an incredible star filled night with a three quarter moon, the largest stage and outdoor theatrical production on the planet, all taking place in a roman colleseum (arena) built in 180 a.d., an incredible colorful set and production with a full symphony orchestra and voices that don't come easy. Aida.
Now I know what all the hpye is as you opera fans sure are lucky to have such a beautiful setting for all your productions.
Okay, we got spoiled. But I also found myself getting spoiled on the Italian composer Verdi.
For me, this set is not only a "take me back to Verona" trip, but a great introduction to Verdi's other works. With some of the biggest names in the opera world in starring roles, I listened to both discs twice the first night they arrived.
And, of course, we are planning a return trip to Verona in the very near future to see some more Verdi...perhaps Nabucco or Otello or Macbeth...I'll even settle for Aida again. It was such a magical experience and a superb introduction to opera and Verdi.
This set continues that magical moment for us and provides a great introduction to a master of the opera...Verdi.
Great music...stunning recording quality.......2002-11-01
This is a marvelous compendium of Verdi's opera works that even the serious opera fan wouldn't turn his nose up at. These are the top contemporary soloists singing with first tier orchestras. When I saw the Decca label, I expected reasonable quality, but this disk is stunningly well engineered. Most of the vocals match the best jazz cds for immediacy and intimacy, and the orchestras are equally well done.
Incredible.......2002-06-05
I don't say incredible about too many things, but Verdi was the zenith of Italian Opera and Solti and the Chicago Symphony and the Vienna Philharmonic are the quintessential ensembles for modern classical performance. Not to mention that most of the voices showcased have their own lines of CDs (Pavarotti, etc.) This CD is the best Verdi album available, and it has EVERYTHING. BUY THIS CD!
Just Stunning!.......2002-01-26
In my opinion this recording is stunning. I am not usually a fan of compilations in classical music, as they're usually watered down representations made under the presumption that the listener would find the full-blown version intimidating or boring. This one, however, is not only an exception in my view, but a recording that deserves a high place of honor in every serious listener's collection. The representation of artists, both vocal and orchestral, is breathtaking and impressive for the span of years. A great big thank you to the people at Decca responsible for putting this collection together, as it is obvious to this listener that a great deal of thought and care went into looking for the most beautiful version of every piece on here. I have purchased two copies, one for home and one for the office, and have gotten two friends similarly hooked. I am also feverishly searching for more pairings of Joan Sutherland and Carlo Bergonzi. In the meantime, I'm on to Essential Puccini!!
Average customer rating:
- listening to this cd
- If you are unsure about opera, this is where to begin
- The Perfect Opera CD
- Romantic
|
Amor--Opera's Great Love Songs
Manufacturer: Decca
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Similar Items:
- The Most Famous Opera Arias
- Amore II ~ Great Italian Love Arias
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- The Best of Italian Opera
- The #1 Opera Album
ASIN: B000009OU8
Release Date: 1998-08-11 |
Tracks:
- Celeste Aida
- O mio babbino caro
- Donna non vidi mai
- Quando le sere al placido
- Mon coeur s'ouvre a ta voix
- Una furtiva lagrima
- Signore, ascolta!
- Recondita armonia
- Vissi d'arte
- E lucevan le stelle
- Habanera: L'amour est un oiseau rebelle
- Amor ti vieta
- Gualtier Malde...Caro nome
- Cielo e mar
- Quando m'en vo
- La fleur que tu m'avais jetee
- O mio Fernando
- Pourquoi me reveiller
- Voi che sapete
- Un bel di (One fine day)
- Nessun dorma
Customer Reviews:
listening to this cd.......2007-02-19
this is a wonderful cd. i have it in my car and listen to it all the time. you wont go wrong buying this cd if you love the operah and great voices.
If you are unsure about opera, this is where to begin.......2004-06-22
Many people are turned off of opera because of the nature of the beast - unknown tongue, the continual singing and particularly the sopranos whose voices are as piercing as they are diffdicult to understand. These selections are ravishing in their beauty. It has been estimated that 2/3 of all classical effort was put into opera. Thus it is not surprising that some of the best music ever penned can be found here, particularly those that deal with that most human of emotion - love.
The orchestration is wonderful, the voices emotional and quite sincere, the authenticity is present. It is difficult to surpass Verdi or Puccini in plumbing the emotional depths. All in all a good experience.
The Perfect Opera CD.......2002-08-08
I'm so in love with this CD, I'm giving it to as many ppl as I can. It's a great introduction to opera for ppl who don't listen to it very often. It has all the great hits with all the great singers, who can make shivers go down your spine. My friends who don't know opera as much as I do love it too.
Romantic.......2000-05-12
If you have just got to be interested in Opera, this is a good start. You can listen to the best pieces of the most famous (an romantic) Operas performed by the best singers. If you are a long-time Opera lover, this CD will remind you of all the performances that you went with your loved one and romantic moments after the concerts.
Average customer rating:
- Better than most
- Wonderful Music
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More Of The Most Relaxing Classical Music In The Universe
Ludwig van Beethoven , Eugene-Auguste Ysaye , Johann Sebastian Bach , Jean Sibelius , Sergey Prokofiev , Jules Massenet , Anonymous , Fryderyk Chopin , Giacomo Puccini , Robert Schumann , Pyotr Il'yich Tchaikovsky , Kazuo Yamada , Claude Debussy , Felix Mendelssohn , Carl Maria von Weber , Enrique Granados , Gustav Holst , and Various Artists
Manufacturer: Denon Records
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ASIN: B0000AINLR
Release Date: 2003-08-12 |
Tracks:
- RACHMANINOFF Piano Concerto #2, Adagio
- VERDI Preludio
- PAGANINI "Introduzione e tema con variazioni"
- BRAHMS Sonata for two pianos, Andante
- MOZART Adagio in E Major
- BEETHOVEN "Pathetique" Sonata, Adagio
- YSAYE Sonate #2, "Malinconia"
- BACH Prelude #22, Well-Tempered Clavier, Book I
- VERDI "Quando le sere al placido" (When the Evening Becomes Peaceful)
- BACH Orchestral Suite #2
- SIBELIUS The Swan of Tuonela
- PROKOFIEV Romeo and Juliet
- MASSENET Meditation from "Tha
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Tracks:
- TRADITIONAL Catalonian Folk Song
- CHOPIN Piano Concerto #1, Larghetto
- PUCCINI "Crisantemi" (Chrysanthemums)
- SCHUMANN "Traumerei" (Dreaming)
- TCHAIKOVSKY Swan Lake (excerpt)
- K. YAMADA ''Chugoku-Chiho No Komoriuta" Lullaby
- DEBUSSY "En Bateau" (By Boat)
- BEETHOVEN Symphony #6 "Pastoral", Andante
- MENDELSSOHN Songs Without Words
- WEBER Introduction, theme and variations
- GRANADOS "Goyescas" (Sketches on the works of Goya)
- TCHAIKOVSKY Nocturne in F
- HOLST The Planets, "Neptune"
Customer Reviews:
Better than most.......2007-02-08
This is a good mixture of elevator music, and some soft relaxing melodies.
Wonderful Music.......2007-01-18
Wonderful music for your listening pleasure. Very relaxing and soothing. Nothing beats classical music.
Average customer rating:
- Not as good as Amore
- a voice teacher and early music fan
- Verdi
- The triumph of mediocrity
- no expert
|
Andrea Bocelli: Verdi
Zubin Mehta , Israel Philharmonic Orchestra , and Zubin Mehta
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
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ASIN: B00004X16D
Release Date: 2000-09-12 |
Tracks:
- Il Trovatore: Di quella pira (Il Trovatore)
- Il Trovatore: Ah si, ben mio (Il trovatore)
- Rigoletto: La donna e mobile (Rigoletto)
- Un Ballo in Maschera: Di'tu se fedele (Un ballo in maschera)
- Un Ballo in Maschera: Ma se m'e forza perditi (Un ballo in maschera)
- Rigoletto: Ella mi fu rapita (Rigoletto)
- Rigoletto: Possente amor mi chiama (Rigoletto)
- Aida: Celeste Aida (Aida)
- La Traviata: De' miei bollenti spiriti (La traviata)
- La Traviata: oh mio rimorso (La traviata)
- I lombardi: La mia letizia infondere vorrei (I lombardi)
- Ernani: Merce, diletti amici (Ernani)
- Don Carlo: Io la vidi e il suo sorriso (Don Carlo)
- Luisa Miller: Quando le sere al placido (Luisa Miller)
- La forza del destino: La vita e inferno all'infelice (La forza del destino)
Amazon.com Classical Music Reviews
With this CD devoted solely to operatic arias--by none less than Giuseppe Verdi, the greatest Italian opera composer of all time--pop crossover phenomenon Andrea Bocelli throws his hat into the operatic ring with the big boys. The hat occasionally fits, and occasionally it doesn't. The beauty of the voice is undeniable, as is the relative ease in all registers. But, regardless of what the engineers do, it is clearly a small voice. For "Celeste Aïda"--Radames's great aria from Aïda--Bocelli opens with fine, as-big-as-possible exclamation and sounds confident; the long diminuendo on the aria's final high B-flat is stunning (whether or not the engineers were twiddling with the knobs, we'll never know). The tenor is more at home with Alfredo's Act Two music from La Traviata; he sings with grace and charm, ending the rarely performed cabaletta (a brief and showy piece that usually follows an aria) with one of the longest, most solid high Cs ever recorded. Elsewhere, there are mixed results: "Di' tu se fedele" from Un ballo in maschera is so free of feeling that it seems digitally produced. A big, unnecessary high D at the close of the Duke's cabaletta "Possente amor" from Rigoletto is screamed, and Bocelli sounds at times as if he's about to collapse from exhaustion during a heavy aria from Ernani. But "Ah si, ben mio" from Il Trovatore is beautiful, as is the Luisa Miller aria; Don Carlo also seems to fit Bocelli well. Needless to say, the singer's fans will certainly want to have this--and it might encourage them to try other recordings of music by Verdi. Newcomers and the curious will find plenty to admire, too. The sound itself remains alluring, and Bocelli has taken steps also towards improving his technique. In short, some nice surprises for the opera lover, and many for the Bocelli fan. --Robert Levine
Customer Reviews:
Not as good as Amore.......2007-03-24
This CD came perfectly, I just prefer the Amore CD better.
a voice teacher and early music fan.......2007-02-14
It is said that from the age of eleven years, Guiseppe Verdi (1813-1901) wanted to write operas. He left his post as organist to study music in Milan, a move made possbile by his patron,Barezzi, whose daughter he eventually married in 1836. Shortly thereafter he composed his first opera 'Oberto" which was so successful that his future seemed secure. However, the death of his wife and two babies some time later forced him into a state of depression. The impressario Mirelli gave him the book 'Nabucco' (Nebuchadnezzar) to read, and he immediately began to write music for it. Therewith he embarked on the career which eventually made him the "Grand Old Man" of Italian opera. In modern slang, he was a "natural".From "Oberto", written in his twenties, to "Falstaff", completed when he was eighty, his characteristic integrity and intensity persisted; as he wrote his 30 operas, his powers of expression broadened and deepened. By the time he wrote 'Aida', commissioned by the Khedive of Egypt, Verdi was 56. 'Aida' is often named as his greatest opera. The live elephants used in the production, the authentic costumes and musical instruments copied from ancient Egyptian tombs made an attractive picture, and his music made a "Celeste Aida" of the whole.
Lets face it; Bocelli is no Pavoratti, and perhaps it was not wise to choose some of the arias associated with tenors of his ilk, but Bocelli makes the best of his talents, which are considerable. And he has done a lot to create interest among young voice students,(male) and as a voice teacher I make use of his appearance and his youthfulness to engage their interest, and he does that!!!!I think his record sales tell the tale.
Verdi.......2007-01-03
Excellent Verdi selections. As usual, top tonal quality with excellent breath control. The best tenor to come along with such diversification as to sing just about anything presented to him. A superb choice for the connoisseur of italian operas.
The triumph of mediocrity.......2006-02-04
No, Bocelli is not an awful singer, he is an awful OPERA singer, and it shows here. His colorless, uneducated and bland voice make me wonder why people like him so much. As a baritone in training I'm able to say that my voice teacher's STUDENTS sing much better than this guy.
His tessitura is nowere near adequate for singing any of the arias from Rigoletto, "La donna è mobile" sounds much like a kid would sing it. "Celeste Aida" is one of the worst selections, and one of the most electronically enhanced, as it requires a precise voice placement (which Bocelli doesn't posses) since much of it lies very high in the register, and a heavier, rounder voice; if the role is not adequate for many REAL tenors, it is much less adequate for a pop singer. The "feeling" raving reviewers talk about is nothing more than a voice coming (incorrectly) from the throat, and the "beautiful" high D in "Possente amor" is a beautifully screamed falsetto, the same could be said about "Di quella pira"'s C; what's amazing about all this is the fact that electronic enhancement doesn't make his voice sound better. Some have ludicrously compared him to the likes of Vargas, Domingo, and Corelli, even saying he's better; this is nothing more than ignorance and bad taste.
Maybe his fans are tired of detractors bringing out the big names in their defense, so let's be honest: he's one of the WORST opera interpreters out there, I wish great singers like Mariusz Kwiecen, Matthew Polenzani, and René Pape received the publicity he gets, though it won't happen; at least some consolation lies in the fact that these people are true artists willingly and GLADLY offering their art to the people in order to make a living; I'm sure if Andrea didn't make so much $$$$ with his opera experiment, he would've dropped this travesty long ago.
no expert.......2005-12-17
I'm not a genuine, dyed-in -the-wool opera fan. The sound of the soprano voice makes me grit my teeth. Some of the great tenors are very pleasing, but mostly I'm just not especially enthusiastic or impressed. Actually, I think it's rather stupid for good singers to abuse their voices by bellowing. This was necessary before the invention of amplification, but not any more.
So, obviously, I'm not in the position to compare Bocelli's arias to those of the tenors considered the greats. I can hear that his voice lacks the robustness of the Pavarottis of this world. BUT - I like many of the famous arias, and to my ear, Bocelli's performances, electronically enhanced or not, are melodic and pleasant to the ear. As a result of listening to Bocelli, I've become familiar with some great music that I would otherwise be likely to ignore.
So I listen and enjoy and really don't care about all the criticism.
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