Tesoro

1. Tu Castigo

2. Dos Amantes

3. Tesoro

4. Fijate Qué No

5. Hasta Que Amanezca

6. No Fue Mi Culpa

7. Están Lloviendo Lágrimas

8. Dios Te Perdone Porque Yo No

9. Como Quieres Que Te Quiera

10. Alegre y Entristecida

Tesoro,Graciela Beltran,EMI International,Latin,Latin Pop,Mexican,Tejano

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Average customer rating: A Wonderful Collection Celebrate Mozart's 250th at a Budget Price

Little Night Music - Ultimate Mozart Collection [20 CD Set] Manufacturer: Delta ProductGroup: Music Binding: Audio CD Dances | Ballets & Dances | Classical | Styles | Music Minuets | Ballets & Dances | Classical | Styles | Music Quartets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Fantasies | Forms & Genres | Classical | Styles | Music Divertimentos | Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music Classical | Symphonies | Forms & Genres | Classical | Styles | Music Sinfonia Concertante | Symphonies | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Vocal & Song | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music | Cantatas | Romances Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Bassoon | Reeds & Winds | Instruments | Classical | Styles | Music Clarinet | Reeds & Winds | Instruments | Classical | Styles | Music Flute | Reeds & Winds | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music Salzburg Chamber Orchestra | ( S ) | Featured Performers, A-Z | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music Compilations | Classical | Styles | Music General | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music Box Sets at 30% Off | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Passion - Most Famous Orchestral Spectaculars [20 CD Set] Rhapsody in Blue - Ultimate Piano Collection [20 CD Set] Rendezvous of Angels - Concert Collection [20 CD Set] Classical Masterpieces of the Millennium [20 CD Set] Thelonious Monk 3 CD Set (LP edition packaging) ASIN: B00012QLTG Release Date: 2003-12-09

Tracks:

1. Eine Kleine Nachtmusik, K.525: Allegro - Herbert Kraus, Vienna Mozart Ensemble
2. Eine Kleine Nachtmusik, K.525: Romance. Andante - Herbert Kraus, Vienna Mozart Ensemble
3. Eine Kleine Nachtmusik, K.525: Menuetto. Allegretto - Herbert Kraus, Vienna Mozart Ensemble
4. Eine Kleine Nachtmusik, K.525: Rondo. Allegro - Herbert Kraus, Vienna Mozart Ensemble
5. Divertimento in D, K.136: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
6. Divertimento in D, K.136: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
7. Divertimento in D, K.136: Presto - Camerata Academica of the Salzburg Mozarteum, Sandor V
8. Divertimento in B Flat, K.137: Allegro Di Molto - Camerata Academica of the Salzburg Mozarteum, Sandor V
9. Divertimento in B Flat, K.137: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
10. Divertimento in B Flat, K.137: Allegro Assai - Camerata Academica of the Salzburg Mozarteum, Sandor V
11. Divertimento in F, K.138: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
12. Divertimento in F, K.138: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
13. Divertimento in F, K.138: Presto - Camerata Academica of the Salzburg Mozarteum, Sandor V
14. Divertimento in E Flat, K.113: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
15. Divertimento in E Flat, K.113: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
16. Divertimento in E Flat, K.113: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
17. Divertimento in E Flat, K.113: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V

Tracks:

1. Serenata Notturna in D, K.239: Marcia. Maestoso - The Berlin Chamber Orchestra, Peter Wohlert
2. Serenata Notturna in D, K.239: Menuetto - The Berlin Chamber Orchestra, Peter Wohlert
3. Serenata Notturna in D, K.239: Rondeau. Allegretto - The Berlin Chamber Orchestra, Peter Wohlert
4. Divertimento in D, K.131: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
5. Divertimento in D, K.131: Adagio - Camerata Academica of the Salzburg Mozarteum, Sandor V
6. Divertimento in D, K.131: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
7. Divertimento in D, K.131: Allegretto - Camerata Academica of the Salzburg Mozarteum, Sandor V
8. Divertimento in D, K.131: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
9. Divertimento in D, K.131: Adagio- Allegro Molto - Camerata Academica of the Salzburg Mozarteum, Sandor V
10. Divertimento in D, K.205: Largo-Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
11. Divertimento in D, K.205: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
12. Divertimento in D, K.205: Adagio - Camerata Academica of the Salzburg Mozarteum, Sandor V
13. Divertimento in D, K.205: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
14. Divertimento in D, K.205: Finale. Presto - Camerata Academica of the Salzburg Mozarteum, Sandor V

Tracks:

1. Symphony No. 34 in C, K.388: Allegro Vivace - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
2. Symphony No. 34 in C, K.388: Andante Di Molto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
3. Symphony No. 34 in C, K.388: Finale. Allegro Vivace - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
4. Symphony No. 35 in D, K.285, Haffner: Allegro Con Spirito - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
5. Symphony No. 35 in D, K.285, Haffner: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
6. Symphony No. 35 in D, K.285, Haffner: Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
7. Symphony No. 35 in D, K.285, Haffner: Presto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
8. Symphony No. 36 in C, K.425, Linz: Adagio/Allegro Spiritoso - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
9. Symphony No. 36 in C, K.425, Linz: Poco Adagio - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
10. Symphony No. 36 in C, K.425, Linz: Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
11. Symphony No. 36 in C, K.425, Linz: Presto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

1. Symphony No. 38 in D, K.504, Prague: Adagio/Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
2. Symphony No. 38 in D, K.504, Prague: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
3. Symphony No. 38 in D, K.504, Prague: Finale. Presto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
4. Symphony No. 39 in E Flat, K.543: Adagio/Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
5. Symphony No. 39 in E Flat, K.543: Andante Con Moto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
6. Symphony No. 39 in E Flat, K.543: Menuetto. Allegretto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
7. Symphony No. 39 in E Flat, K.543: Finale. Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

1. Symphony No. 40 in G Minor, K.550: Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
2. Symphony No. 40 in G Minor, K.550: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
3. Symphony No. 40 in G Minor, K.550: Menuetto. Allegretto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
4. Symphony No. 40 in G Minor, K.550: Allegro Assai - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
5. Symphony No. 41 in C, K.551, Jupiter: Allegro Vivace - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
6. Symphony No. 41 in C, K.551, Jupiter: Andante Cantabile - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
7. Symphony No. 41 in C, K.551, Jupiter: Menuetto. Allegretto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
8. Symphony No. 41 in C, K.551, Jupiter: Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

1. Symphony No. 9 in C, K. 73 (75a): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
2. Symphony No. 9 in C, K. 73 (75a): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
3. Symphony No. 9 in C, K. 73 (75a): Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
4. Symphony No. 9 in C, K. 73 (75a): Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
5. Symphony No. 10 in G, K.74: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
6. Symphony No. 10 in G, K.74: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
7. Symphony No. 10 in G, K.74: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
8. Symphony No. 10 in D, K. 81 (73l): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
9. Symphony No. 10 in D, K. 81 (73l): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
10. Symphony No. 10 in D, K. 81 (73l): Allegreo Molto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
11. Symphony No. 11 in D, K. 84 (73g): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
12. Symphony No. 11 in D, K. 84 (73g): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
13. Symphony No. 11 in D, K. 84 (73g): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
14. Symphony in D, K. 95 (73a): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
15. Symphony in D, K. 95 (73a): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
16. Symphony in D, K. 95 (73a): Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
17. Symphony in D, K. 95 (73a): Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
18. Symphony in F, K.75: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
19. Symphony in F, K.75: Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
20. Symphony in F, K.75: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
21. Symphony in F, K.75: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

1. Piano Concerto No. 12 in A, K.414: Allegro - Capella Coloniensis, Marian Migdal
2. Piano Concerto No. 12 in A, K.414: Andante - Capella Coloniensis, Marian Migdal
3. Piano Concerto No. 12 in A, K.414: Allegretto - Capella Coloniensis, Marian Migdal
4. Piano Concerto No. 25 in C, K.503: Allegro Maestoso - Capella Coloniensis, Marian Migdal
5. Piano Concerto No. 25 in C, K.503: Andante - Capella Coloniensis, Marian Migdal
6. Piano Concerto No. 25 in C, K.503: Allegretto - Capella Coloniensis, Marian Migdal

Tracks:

1. Piano Concerto No. 13 in C, K.415: Allegro - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
2. Piano Concerto No. 13 in C, K.415: Andante - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
3. Piano Concerto No. 13 in C, K.415: Allegro - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
4. Piano Concerto No. 23 in A, K.488: Allegro - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
5. Piano Concerto No. 23 in A, K.488: Adagio - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
6. Piano Concerto No. 23 in A, K.488: Allegro Assai - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson

Tracks:

1. Flute Concerto in G Major, K.313: Allegro Maestoso - Hungarian State Orchestra, , Ervin Lukacs
2. Flute Concerto in G Major, K.313: Adagio Non Troppo - Hungarian State Orchestra, , Ervin Lukacs
3. Flute Concerto in G Major, K.313: Rondo: Tempo Di Minuetto - Hungarian State Orchestra, , Ervin Lukacs
4. Flute Concerto in D Major, K.314: Allegro Aperto - Hungarian State Orchestra, , Ervin Lukacs
5. Flute Concerto in D Major, K.314: Andante Ma Non Troppo - Hungarian State Orchestra, , Ervin Lukacs
6. Flute Concerto in D Major, K.314: Rondo. Allegro - Hungarian State Orchestra, , Ervin Lukacs
7. Concerto for Flute and Harp in C, K.299: Allegro - Cologne Concerto, Saskia Kwast, Martin Sandhoff
8. Concerto for Flute and Harp in C, K.299: Andantino - Cologne Concerto, Saskia Kwast, Martin Sandhoff
9. Concerto for Flute and Harp in C, K.299: Rondo. Allegro - Cologne Concerto, Saskia Kwast, Martin Sandhoff

Tracks:

1. Clarinet Concerto in A, K.622: Allegro - English Chamber Orchestra, David Glasser, Geoffrey Simon
2. Clarinet Concerto in A, K.622: Adagio - English Chamber Orchestra, David Glasser, Geoffrey Simon
3. Clarinet Concerto in A, K.622: Rondo. Allegro - English Chamber Orchestra, David Glasser, Geoffrey Simon
4. Oboe Concerto in C, K.314: Allegro Aperto - C.P.E. Bach Chamber Orchestra, Burkhard Glaetzner, Hartmut Haenchen
5. Oboe Concerto in C, K.314: Adagio Non Troppo - C.P.E. Bach Chamber Orchestra, Burkhard Glaetzner, Hartmut Haenchen
6. Oboe Concerto in C, K.314: Rondo, Allegretto - C.P.E. Bach Chamber Orchestra, Burkhard Glaetzner, Hartmut Haenchen
7. Bassoon Concerto in B Flat, K.191: Allegro - Klaus Hellman, Herbert Kraus, Vienna Mozart Ensemble
8. Bassoon Concerto in B Flat, K.191: Andante Ma Adagio - Klaus Hellman, Herbert Kraus, Vienna Mozart Ensemble
9. Bassoon Concerto in B Flat, K.191: Rondeau, Tempo Di Minuetto - Klaus Hellman, Herbert Kraus, Vienna Mozart Ensemble

Tracks:

1. String Quartet in a Major K.464: Allegro - Petersen Quartett
2. String Quartet in a Major K.464: Menuetto - Petersen Quartett
3. String Quartet in a Major K.464: Andante - Petersen Quartett
4. String Quartet in a Major K.464: Allegro - Petersen Quartett
5. String Quartet in C Major K.465 Dissonant: Adagio, Allegro - Petersen Quartett
6. String Quartet in C Major K.465 Dissonant: Andante Cantabile - Petersen Quartett
7. String Quartet in C Major K.465 Dissonant: Menuetto. Allegro - Petersen Quartett
8. String Quartet in C Major K.465 Dissonant: Allegro - Petersen Quartett

Tracks:

1. Vioin Concerto No. 3 in G, K.216: Allegro - Christian Altenburger, German Bach Soloists, Helmut Winschermann
2. Vioin Concerto No. 3 in G, K.216: Adagio - Christian Altenburger, German Bach Soloists, Helmut Winschermann
3. Vioin Concerto No. 3 in G, K.216: Rondo. Allegro - Christian Altenburger, German Bach Soloists, Helmut Winschermann
4. Vioin Concerto No. 4 in D, K.218: Allegro - Christian Altenburger, German Bach Soloists, Helmut Winschermann
5. Vioin Concerto No. 4 in D, K.218: Andante Cantabile - Christian Altenburger, German Bach Soloists, Helmut Winschermann
6. Vioin Concerto No. 4 in D, K.218: Rondeau. Andante Grazioso - Christian Altenburger, German Bach Soloists, Helmut Winschermann
7. Fantasy in F Minor, K.608 - Camerata Academica of the Salzburg Mozarteum, Sandor V

Tracks:

1. Violin Concerto No. 5 in A, K.219: Allegro Aperto - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
2. Violin Concerto No. 5 in A, K.219: Adagio - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
3. Violin Concerto No. 5 in A, K.219: Rondeau, Tempo Di Minuetto - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
4. Sinfonia Concertante in E Flat for Violin and Viola, K.364: ... - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
5. Sinfonia Concertante in E Flat for Violin and Viola, K.364: Andante - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
6. Sinfonia Concertante in E Flat for Violin and Viola, K.364: Presto - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann

Tracks:

1. Requiem, K.626: Requiem - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
2. Requiem, K.626: Dies Irae - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
3. Requiem, K.626: Tuba Mirum - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
4. Requiem, K.626: Rex Tremendae - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
5. Requiem, K.626: Recordare - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
6. Requiem, K.626: Confutatis - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
7. Requiem, K.626: Lacrimosa - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
8. Requiem, K.626: Domine Jesu - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
9. Requiem, K.626: Hostias - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
10. Requiem, K.626: Sanctus - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
11. Requiem, K.626: Benedictus - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
12. Requiem, K.626: Agnus Dei - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
13. Requiem, K.626: Lux Aeterna - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
14. Laudate Dominum - Budapest Philharmonic Orchestra, Ivan Fischer, Jeunesses Musicales Chorus, Maria Zadori

Tracks:

1. Missa Solembis in C Minor, K.139: Kyrie - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
2. Missa Solembis in C Minor, K.139: Gloria - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
3. Missa Solembis in C Minor, K.139: Credo - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
4. Missa Solembis in C Minor, K.139: Sanctus - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
5. Missa Solembis in C Minor, K.139: Benedictus - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
6. Missa Solembis in C Minor, K.139: Agnus Dei - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
7. Misericordias Domini, K.222 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
8. Inter Natos Mulierum, K.72 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
9. Sancta Maria, Mater Dei, K.273 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
10. Venite Populi, K.260 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach

Tracks:

1. Ave Verum Corpus [From Lorenzo's Oil] - Berlin Radio Symphony Orchestra, Marcus Creed, Rias Chamber Chorus
2. Exsultate, Jubilate, K.165 - Gabrielle Fuchs
3. Church Sonata in C, K.328 - Robert Kuppelwieser
4. Laudate Dominum - Camerata Academica of the Salzburg Mozarteum, Gabrielle Fuchs, Ernst Hinreiner
5. Fantasy in F Minor, K.608
6. Ah, Lo Previdi...Ah, T'Invola Agl'occhi Miei, K.272 - Hungarian State Opera Orchestra, Ervin Lukacs, Sylvia Sass

Tracks:

1. Magic Flute, K.620 - Staatskapelle Dresden, Hans Vonk
2. Marriage of Figaro, K.492 - Staatskapelle Dresden, Hans Vonk
3. Ascanio in Alba, K.111 - Staatskapelle Dresden, Hans Vonk
4. Idomeneo, K.366 - Staatskapelle Dresden, Hans Vonk
5. Impresario, K.486 - Staatskapelle Dresden, Hans Vonk
6. Cosi Fan Tutte, K.588 - Staatskapelle Dresden, Hans Vonk
7. Abduction from the Seraglio, K.384 - Staatskapelle Dresden, Hans Vonk
8. Finta Giardiniera, K.196 - Staatskapelle Dresden, Hans Vonk
9. Lucio Silla, K.135 - Staatskapelle Dresden, Hans Vonk
10. Clemenza Di Tito, K.621 - Staatskapelle Dresden, Hans Vonk
11. Don Giovanni, K.527 - Staatskapelle Dresden, Hans Vonk

Tracks:

1. Five Minuets, K.461: No. 1 in C - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
2. Five Minuets, K.461: No. 2 in E Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
3. Five Minuets, K.461: No. 3 in G - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
4. Five Minuets, K.461: No. 4 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
5. Five Minuets, K.461: No. 5 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
6. Six Contredances, K.462: No. 1 in C - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
7. Six Contredances, K.462: No. 2 in E Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
8. Six Contredances, K.462: No. 3 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
9. Six Contredances, K.462: No. 4 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
10. Six Contredances, K.462: No. 5 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
11. Six Contredances, K.462: No. 6 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
12. Two Quadriles, K.463: No. 1 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
13. Two Quadriles, K.463: No. 2 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
14. Six German Dances, K.509 - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
15. Contredanse, K.534, Das Donnerwetter - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
16. Contredanse, K.535 la Bataille - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
17. Contredanse, K.587 Der Sieg Vom Helden Koburg - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
18. Six German Dances, K.600: No. 1 in C - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
19. Six German Dances, K.600: No. 2 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
20. Six German Dances, K.600: No. 3 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
21. Six German Dances, K.600: No. 4 in E Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
22. Six German Dances, K.600: No. 5 in G, The Canary - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
23. Six German Dances, K.600: No. 6 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
24. Two Contredanses, K.603: No. 1 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
25. Two Contredanses, K.603: No. 2 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
26. Three German Dances, K.605: No. 1 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
27. Three German Dances, K.605: No. 2 in G - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
28. Three German Dances, K.605: No. 3 in C, The Sleighride - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

1. Magic Flute, K.620 Highlights: Overture - Staatskapelle Dresden, Hans Vonk
2. Magic Flute, K.620 Highlights: Der Vogelfer Bin Ich Ja, ... - Bratislava Philharmonic, Hermann Prey
3. Magic Flute, K.620 Highlights: O Isis and Osiris, The Priest's Chorus - Bulgarian National Choir, Sofia Philharmonic Orchestra, Svetoslav Obretenov Bulgarian Choir
4. Magic Flute, K.620 Highlights: Der H Rache, Queen of the ... - Berlin Radio Symphony Orchestra, Sumi Jo, Roberto Paternostro
5. Magic Flute, K.620 Highlights: Ies Bildnis Ist Bezaubernd Sch... - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
6. Magic Flute, K.620 Highlights: Ein Mhen Oder Weibchen, ... - Bratislava Philharmonic, Hermann Prey,
7. Magic Flute, K.620 Highlights: Heil Sei Euch Geweihten, Final Chorus - Bulgarian National Choir, Sofia Philharmonic Orchestra, Svetoslav Obretenov Bulgarian Choir
8. Idomeneo, K.366 Highlights: Vedrommi Intorno, Idomeneo's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
9. Idomeneo, K.366 Highlights: Ballet Music - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
10. Idomeneo, K.366 Highlights: Il Padre Adorato, Idamente's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
11. Idomeneo, K.366 Highlights: d'Oreste, d'Ajace, Electra's Aria - Hungarian State Opera Orchestra, Ervin Lukacs, Sylvia Sass
12. Idomeneo, K.366 Highlights: Torna la Pace, Idomenco's Aria - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka

Tracks:

1. Don Giovanni, K.527 Highlights: Overture - Staatskapelle Dresden, Hans Vonk
2. Don Giovanni, K.527 Highlights: Madamina, Il Catalogo Questo, ... - Renato Bruson, NHK Chamber Soloists, Roberto Paternostro
3. Don Giovanni, K.527 Highlights: Li Darem la Mano, Duet ... - Renato Bruson, Sona Ghazarian, NHK Chamber Soloists, Roberto Paternostro
4. Don Giovanni, K.527 Highlights: Dalla Sua Pace, Don Ottavio's Aria - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
5. Don Giovanni, K.527 Highlights: Mi Traduell'alma Ingrata, ... - Sona Ghazarian, NHK Chamber Soloists, Roberto Paternostro
6. Don Giovanni, K.527 Highlights: Il Mio Tesoro, Don Ottavio's Aria - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
7. Abduction from the Seraglio, K.384: Ich Baue Ganz Auf Deine ... - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
8. Abduction from the Seraglio, K.384: Singt Dem Gron Bassa Lieder, ... - Berlin Radio Symphony Orchestra, Rias Chamber Chorus, Hanns Martin Schneidt
9. Abduction from the Seraglio, K.384: Wenn Der Freude Trn ... - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
10. Cosan Tutte, K. 588: Come Scoglio, Fiordiligi's Aria - Bulgarian Radio Symphony Orchestra, Vassil Stefanov, Anna Tomowa Sintow
11. Cosan Tutte, K. 588: Un'aura Amorosa, Ferrando's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
12. Clemenza Di Tito, K.621: Ah Se Fosse Intorno Al Trono, Tito's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini

Album Description

Enjoy a little night music with Mozart and this ultimate collection of his music. This incredible 20-CD set presents the listener with all of Mozart's most famous works, from Symphonies and Concertos, to highlights of his best operas The Magic Flute and Don Giovanni. Take in his Missa Solemnis, Ave Verum and Requiem and don't forget Eine Kleine Nachtmusik...this set truly is the most definitive Mozart collection ever assembled!

Customer Reviews:

A Wonderful Collection.......2007-04-11

As a selection, this is highly representative of Mozart's music. Just seeing the volume of work makes one marvel at Mozart's genius. Hear everything from piano to woodwinds, symphonies to concertos as well as religious pieces and operas. On my cd player, which is not a very expensive model, I get fine tonal quality and dynamics. I would highly recommend this box set to any fan of Mozart's work.

Celebrate Mozart's 250th at a Budget Price.......2006-01-11

This month will mark the 250th anniversary of the birth of one of the giants of the classical music world. While I am certainly not a classical music snob (the only Mozart piece I can identify is "Eine Kleine Nachtmusik," and what little I know of his life came from the 1984 movie "Amadeus"), I recognize his genius and the significance of his music.

This 20-CD box set gathers all of his major symphonies, concertos and operas into one massive collection. All of the selections are performed by European musicians (eg. the Budapest Philharmonic Orchestra, the Berliner Kammerorchester, etc.). While not household names, the music is uniformly excellent.

If you're looking for an inexpensive purchase (I got mine at a national retailer that rhymes with "Clam's Tub" for under $20!) to kick off your "Rock Me Amadeus" party, this is a great choice. RECOMMENDED

Average customer rating: A great introduction to the art of Placido Domingo This is really the best. If you like Placido at all, you must have this CD. Rare And Great Domingo Classics A real Bobby Dazzler

Very Best of Placido Domingo Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD General | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music General | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music Paris Symphony Orchestra | ( P ) | Featured Performers, A-Z | Classical | Styles | Music Similar Items: Placido Domingo: A Love Until The End Of Time Bravo Domingo Perhaps Love The Domingo Songbook The Best of the Three Tenors ASIN: B000083GOJ Release Date: 2003-04-22

Tracks:

1. Ill Mio Tesoro
2. Un'aura Amorosa
3. Dies Bildnis Ist Bezaubernd Schon
4. La Ci Darem La Mano
5. Vani Sono I Lamenti...Svegliatevi Nel Core
6. Pays Merveilleux...O Paradis
7. Quel Trouble Inconnu Me Penetre...Salut ! Demeure Chaste Et Pure (Faust, Act III)
8. Ah! Tout Est Bien Fini... O Souverain, O Juge, O Pere (Le Cid, Act III)
9. None But The Lonley Heart
10. Lensky's Aria
11. Donna, Non Vidi Mai (Manon Lescauy Act, II)
12. Ah, Manon, Mi Tradisce
13. Dammi I Colori...Recondita Armonia
14. E Lucevan Le Stelle (Tosca, Act III)
15. Ch'ella Mi Creda (La Fanciulla Del West, Act III)
16. Dai Campi, Dai Prati (Mefistofele, Act I)
17. Virgini Muse...Quando Al Soave Anelito
18. O Sink Hernieder, Nacht Der Liebe
19. Was Am Besten Er Kann...Hoho! Hohei!

Tracks:

1. Se Quel Guerrier Io Fossi!...Celeste Aida
2. Su, Profetessa...Di Tu Se Fedele
3. Forse La Soglia Attinse...Ma Se M'e Forza Perderti
4. O Tu Che In Seno Agli Angeli
5. Su, Cacciator...Fontainebleau!...
6. Niun Mi Tema
7. Ach, Wie So Herrlich Zu Schau'n
8. Sckenkt Man Sich Rosen In Tirol
9. Gern Hab'ich Die Frau'n Gekusst
10. O Vaterland...Da Geh'ich Zu Maxim
11. Dein Ist Mein Ganzes Herz
12. Mi Aldea
13. Cancion Del Sembrador
14. No Puede Ser
15. Serenata
16. Copillas De Belen
17. Coplas Del Pastor Enamorado
18. En Aranjues Con Tu Amor
19. Jealousy Tango
20. La Golondina

Amazon.com

Placido Domingo is a phenomenon, and every aspect of his artistry is on display in this 2-CD compilation, which includes arias from his signature roles in Italian, French, German, and Russian operas, and songs from Viennese and Spanish operettas. The original recordings range from the early 1970s to the present and show that though over the years his bright golden voice has taken on a darker, more burnished glow, it has retained the melting lyricism, the heroic ring, the thrilling top notes, and the focused intensity that make it instantly recognizable. (Comparing the Verdi arias included here with their counterparts of later vintage in the all-Verdi set The Tenor Arias bears this out.) The program demonstrates his stylistic and expressive versatility and his ability to instantly establish character and mood, from Lenski's sorrow (in Eugene Onegin), Cavaradossi's heart-rending despair (in Tosca), Otello's shattering agony, to Tristan's passion, Siegfried's exuberance, Faust's ardor (first in French by Gounod, then in Italian by Boito). In three Mozart arias, Domingo spins endless, perfectly shaped phrases with incredible breath control, then adds an oddity: the famous duet between Zerlina and Don Giovanni, a role he has not performed. Five Viennese operetta songs, one of which he also conducts, are delightful; there is a smile of pleasure in his voice, but not a hint of kitsch. By contrast, Tchaikovsky's "None but the Lonely Heart" is spoiled by an orchestration that is pure Hollywood. In the final Spanish group, he is on home ground and incomparable. This is a glorious record, a must for all lovers of great singing. --Edith Eisler

Customer Reviews:

A great introduction to the art of Placido Domingo.......2007-07-04

Placido Domingo, of course, is one of the finest tenors of the latter part of the 20th century. This 2 CD set well captures his talent, showing the range of his singing. We hear cuts from Puccini and Verdi to Tchaikovsky and Wagner to Strauss and Handel. And even a traditional Spanish sung and some operetta thrown in for good measure!

This is a wonderful introduction to his artistry, and shows that he can sing well across a variety of styles and eras. Let's sample some cuts:

"Il mio Tesoro" (from Mozart's Don Giovanni) is a difficult aria to sing well. And Domingo is up to the challenge. He displays a smooth and rich voice. His is one of those distinctive tenor voices, like Tucker's or Pavarotti's, that is quickly recognizable. This is, as noted, a challenging piece and Domingo handles it well, showing off considerable vocal agility in the process.

From the same opera, "La ci darem la mano," a sweet duet with, in this instance, soprano Susan Graham. This seductive work is sung well by both parties and is a ravishing version.

From Puccini's "Tosca," "Recondita armonia." At the close, his voice rises above orchestra and chorus. Overall, well and richly sung.

And now for something very different. . . The "Forging Scene" from Siegfried. One may not think of Domingo as a heldentenor, but he does a serviceable job here. His voice sometimes appears a bit light, but, overall, he does estimable work. He catches Siegfried's spirit as he forges the shattered remains of his father's sword, "Nothung." When he sings the name of his sword at the close, with the leitmotif ringing out from the orchestra, it is an affecting moment.

Then, "Celeste Aida" (from Verdi's opera). A stentorian voice well deployed to meet the challenges of this wonderful aria. Some tenors scoop as they move from those lower to the higher notes; Domingo's voice is well controlled here. The final high note is well hit.

Strauss (Junior's) "Ach, wie so herrlich zu schau'n" is a romp! A fun piece and well sung by Domingo. He demonstrates, as before, excellent vocal agility.

Lehar's "O Vaterland" is also fun. It is a sprightly tune sprightly sung.

Finally, he ends the second CD with a traditional Spanish tune--"La Golondrina." He does not overpower this work with operatic technique. He sings it well and affectingly.

So, all in all, if one wants a good introduction to Placido Domingo's vocal oeuvre, this is a very strong starting point.

This is really the best........2007-05-16

I have many of Mr. Domingo's recordings but I really love this one. He seems to get better with age. Some of the songs are on some of my other recordings but they seem new and fresh on this CD. I really think this is the best of Placido Domingo.

If you like Placido at all, you must have this CD........2005-04-06

Placido Domingo has been around for so long, it is easy to take this great artist for granted. I totally agree with the previous reviews of this album; I can also say that I had the opportunity to hear him live in concert on April 2, 2005 in Biloxi, Mississippi, and his voice is still stunning. His opening aria that night was the prayer from El Cid, "O Souverain," which he dedicated to the memory of Pope John Paul II. This piece is the 8th selection on CD 1, and is from a 1997 live recording. His thrilling finish blew me away when I listened to it the first time, and and the crowd on the recording reacts the same way the Mississippi audience did when we heard him. That aria alone is worth the price of this CD set.

Rare And Great Domingo Classics.......2005-03-08

EMI's "The Very Best Of" series is a wonderful way for the opera lover/novice or even connoisseur in training to get acquainted with the great singers of opera in the 20th century. It is possible that in a few years, the great singers of today (from the 90's up to now and further into the future) will grace the album covers of The Very Best Of...The Very Best Of Renee Fleming, The Very Best Of Salvatore Licitra, etc. This is not exactly the best of Domingo. It is more of a collection of rare and wonderfully expressive arias from operas that range all over the map- Mozart, Verdi, Puccini, Wagner, Meyerbeer, Gounod, Massenet. Now, here's the reason why so many people adore Domingo, myself included - Domingo is a Renaissance Opera Tenor. He has sung almost every tenor role in the opera universe. Even if he is, to some, the "tenor who sang with Pavoratti in the three tenors" he proves he's the strongest of the bunch, the most dedicated, the most prolific and most artistic. Domingo has a beautiful voice, with secure high register and dark, masculine middle chest voice and exciting dramatic electricity! He's sung more than 50 operas, in addition operetta and Spanish Zarzuela (the Spanish equivalent to musicals or operetta which is where he got started and his parents sung in Zarzuela) and he has also recorded Spanish mainstream love songs for Latin audiences. A winner of Grammies, an actor in movies about operas that he starred in (Tosca, La Traviata, Otello) and the most active tenor on tv broadcasts, he is just incredible and powerful.
He is a great force in opera.

Even in his old age, he does'nt seem to be slowing down or call it quits. Recent performances (2000-2005) include Eugene Onegin, the lead in Queen of Spades, Rasputin in Debra Dratell's Nicolas and Alexandra, Idomeneo and his next role Parsifal. He is the singular tenor who mastered every repertoire- Mozart (Don Ottavio, Tamino...unfortunately Domingo as Don Giovanni is a miscast because he is too noble and romantic and GOOD to be a bad guy)..to Puccini heros (Mario Cavaradossi in Tosca, Dick Johnson in Fanciualla Del West, Rodolfo in Boheme, Pinkerton in Madame Butterfly, Calaf in Turandot) Verdi heroes (Radames in Aida, Don Carlos, Stiffelio, etc) to the French repertoire...Gounod (Faust, Romeo) Meyerbeer heroes, Massenet hero (Des Grieux, Le Cid) and Saint Saens (Samson) the list goes on and on. When this man dies, an era will die with him. His legend will live on because he will leave behind dozens of albums, movies and memories......

A real Bobby Dazzler.......2004-02-19

Fans of Mr. Domingo would be lucky to find a selection of music that more profoundly explores and exhibits the diversity of his vocal ability and interpretation than is offered on these two discs. Delicious displays of Mozart, ringing renditions of the most challenging high Italian roles, powerfully rounded accounts of some of the heavy German/Russian repetoir, and some noticably nostalgic songs from the light Spannish tradition provide an impressive catalogue of the great man's rich, focussed, technically impecable and singularly beguiling vocal talent. Those who are yet to form an opinion on any particular genre of the operatic spectrum would do well to start here, so eclectic is this album. Also, you might be reassured to know that, should you become an admirer of P.D.'s talent as a result of listening to this compilation, (it is difficult to resist), you will have no trouble finding other recordings by him. A record-breaker with more than 110 roles to his repetoir (40 is a respected total for an opera singer), he is the most recorded tenor in history, leaving more than 80 complete accounts to date of operas in the Italian, French, German and Russian traditions.

Average customer rating: Best Cherubino... wonderful music Close Your Eyes and Listen Terrific value, beautiful quality. Exceptional recording

Mozart: The Marriage of Figaro / Pace, de Carolis, Frontali, Morandi [Highlights] Wolfgang Amadeus Mozart , Hungarian State Opera Orchestra , Pier Giorgio Morandi , Patrizia Pace , Natale de Carolis , Donato di Stefano , Ingrid Kertesi , Roberto Frontali , Denes Gulyas , Tamas Bator , and Jozsef Mukk Manufacturer: Naxos ProductGroup: Music Binding: Audio CD All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances German | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music $6.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Mozart, Wolfgang Amadeus | ( M ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: The Most Famous Opera Arias The Shawshank Redemption: Original Motion Picture Soundtrack The Most Famous Opera Duets Rossini: The Barber of Seville (Complete opera); Beverly Sills; Nicolai Gedda; James Levine; London Symphony Orchestra Mozart: Don Giovanni [Highlights] ASIN: B00004NK2F Release Date: 2000-03-14

Tracks:

1. Overture
2. Cinque, Dieci...
3. Bravo, Signor Padrone!
4. Se Vuol Ballare, Signor Contino
5. La Vendetta
6. Non So Piu Cosa Son
7. Non Piu Andrai
8. Porgi Amor
9. Voi, Che Sapete
10. Venite, Inginocchiatevi
11. Susanna, Or Via Sortite?
12. Hai Gia Vinta Causa!
13. Vedro, Mentr'io Sospiro
14. Riconosci In Questo Amplesso
15. E Susanna Non Vien!
16. Dove Sono I Bei Momenti?
17. Sull'aria...
18. Tutto E Disposto
19. Aprite Un Po' Quegl'occhi
20. Giunse Al Fin Il Momento
21. Deh Vieni Non Tardar
22. Pace, Pace, Mio Dolce Tesoro!
23. Final Scene: Gente! Gente!

Customer Reviews:

Best Cherubino..........2007-05-06

No kidding. This album has the best Cherubino part compared to the other Le Nozze di Figaro copycat. After you've listened to Non so più cosa son, you would feel bad hearing the other rendition of the same song.

wonderful music.......2006-06-20

you do not have to be an opera expert to appreciate this cd , as a person who is just beging to appreciate fine opera this is a wonderful choice . waht is nice amazon gives you the opportunity to listen to the tracs prior to buying it. i am extremelly pleased with this item and im sure you will be to. sincerly christian john nielsen

Close Your Eyes and Listen.......2006-05-28

If right now you need to know joy and timelessness, a heart filled with light, beauty that has been and will be always, overflowing with the splendor you are fashioned from, knowing all that is your own, that you are only in the least important sense alone, with nothing to fear other than never perceiving any of this, close your eyes and listen to the Duettino Sull'aria from Le Nozze di Figaro...

Terrific value, beautiful quality........2004-04-16

This CD is a wonderful value with top-notch recording. The Cherubino character (mischievous lovestruck youth) is especially delightful on this CD. I fell in love with "Sul Aria" in The Shawshank Redemption, and later saw this opera live. Though it's only a highlights album, I found it rather complete, with solid linear notes (plot summary for you to follow along), and ALL of the beloved songs I had remembered. I recommend this one!

Exceptional recording.......2003-09-29

The quality of this recording is exceptional. Naxos recordings are often played on classical music stations for good reason. The performances are excellent.

Average customer rating: Brilliant! My Birthday Present to me Amazing voice One of the Best Battle and Marsalis scintillating and stunning

Kathleen Battle · Wynton Marsalis ~ Baroque Duet / Anthony Newman · Orch St. Luke's · Nelson George Frideric Handel , Alessandro Scarlatti , Luca Antonio Predieri , Alessandro Stradella , Johann Sebastian Bach , John Nelson , Kathleen Battle , Wynton Marsalis , Orchestra of St. Lukes , Anthony Newman , John T. Kulowitsch , Krista Bennion Feeney , Eriko Sato , and Marc Goldberg Manufacturer: Sony ProductGroup: Music Binding: Audio CD Trios | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Alessandro Scarlatti | Scarlatti, Alessandro | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Stradella | Stradella, Alessandro | ( S ) | Featured Composers, A-Z | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Trio Sonatas | Sonatas | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Vocal & Song | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Battle, Kathleen | Divas | Opera & Vocal | Styles | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Sony | Computers Brands | Computers Features | Electronics | Desktops | Monitors | Networking | Notebooks Similar Items: Kathleen Battle Sings Mozart Wynton Marsalis - Baroque Music for Trumpet The Bach Album A Christmas Celebration: Kathleen Battle Kathleen Battle & Christopher Parkening ~ Pleasures of Their Company ASIN: B0000027C1 Release Date: 1992-04-21

Tracks:

1. Let The Bright Seraphim
2. No 1: Si Suoni La Tromba
3. No. 3: Con Voce Festiva
4. No. 4: Rompe Sprezza
5. No. 6: Mio Tesoro Per Te Moro (Aria In Forma Di Menuet Alla Francese)
6. I. Sinfonia. Grave
7. II. Recitativo
8. III. Sinfonia-Aria
9. IV. Recitativo
10. V. Aria. Largo
11. VI. Aria. Poco Mosso, Sempre Dolce E Leggiero-Ritornello
12. VII. Recitativo
13. VIII. Aria-Sinfonia. Grave (Da Capo)
14. Eternal Source Of Light Divine
15. Pace Una Volta
16. I. Spiritosa, E Staccata
17. II. (Allegretto-Corrente)
18. III. Canzone
19. IV. (Allegro)
20. Seufzer, Tranen, Kummer, Not
21. Alle Voci Del Bronzo Guerriero
22. I. Aria: Jauchzet Gott In Allen Landen
23. IV. Chorale: Sei Lob Und Preis Mit Ehren; Alleluja

Customer Reviews:

Brilliant! .......2007-05-31

Spectacular display of brilliance and harmony. Truly, two masters of their respective disciplines melding together to display flawless virtuosity. Wynton Marsalis not only tames the piccolo beast, but somehow expertly mimics the human voice. And not just any voice, but the bright edgeless tone of Kathleen Battle. If you love Baroque, at any level, this is a must buy!

My Birthday Present to me.......2007-05-29

Actually, I was driving and I heard it on the radio. Luckily, the radio station has a website to see what played at what time. After getting goose bumps listening to the little I did on my birthday, I knew I had to have it. Its since been downloaded on my ipod. If you want to feel uplifted, and joyous listen to this wonderful CD . Kathleen Battles voice and Wynton Marsalis trumpet playing is phenominal. My favorites are the last 7 or 8 cuts of the CD especially.

Amazing voice.......2007-05-13

What an amazing voice this woman has. Pairing her with Wynton Marsalis was a match made in musical heaven.

One of the Best.......2007-01-05

I heard cuts from this CD on the radio one early Sunday morning last year. Mesmerized, I ordered it and continue to be zoned out on this incredibly beautiful music masterfully executed by Marsalis and Battle.

Battle and Marsalis scintillating and stunning.......2006-12-28

The making of this album was filmed in a wonderful documentary that brings to the fore the vulnerability and humanity of both artists. Marsalis and Battle are close friends, and the album itself is clearly a labor of love; Marsalis, who stopped performing classical trumpet in the late 80's, returned to the form when Battle was ready to make this recording.

The album is packed with regal music and royal performances. Bach's 51st cantata is particularly captivating, what with its technical demands and relentless pace. But Battle and Marsalis are able to derive strength and energy from one another in the film - through the difficult preparation process of confronting its daunting technical minefield - to realize a stunning result.

Bravo! Their contribution to the recorded corpus here is sublime.

Average customer rating: Magnificent "Bjorling" Frederick's Understatement. Remastering is not perfect THE ultimate singing voice

Jussi Björling Rediscovered Wolfgang Amadeus Mozart , Umberto Giordano , Georges Bizet , Jules Massenet , Edvard Grieg , Jean Sibelius , Carl Leopold Sjoberg , Pietro Mascagni , Francesco Paolo Tosti , Giacomo Puccini , Stephen Foster , Jussi Bjorling , and Frederick Schauwecker Manufacturer: RCA ProductGroup: Music Binding: Audio CD All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Foster, Stephen | ( F ) | Featured Composers, A-Z | Classical | Styles | Music Grieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mascagni | Mascagni, Pietro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Sibelius | Sibelius, Jean | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Björling, Jussi | ( B ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Schubert, Franz | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music Vocal Works by Beethoven | Beethoven, Ludwig van | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Artists Of The Century - Jussi Bjorling, The Ultimate Collection The "Pearl Fishers" Duet Jussi Bjorling: Opera Arias Jussi Björling: Opera Arias Jussi Björling Edition: Studio Recordings 1930-1959 ASIN: B0000C0FB4 Release Date: 2003-09-09

Tracks:

1. Applause
2. Adelaide, Op. 46
3. Frulingsglaube, D686 (Op. 2 No. 2)
4. Die Forelle, D 550
5. Standchen, D957/Op. Posth. No. 4
6. Die Bose Farbe, D795/Op. 25 No. 17
7. Traum Durch Die Dammerung, Op. 29 No. 1
8. Cacilie, Op. 27 No. 2
9. Standchen, Op. 106 No. 1
10. Il Mio Tesoro
11. Amor Ti Vieta
12. Flower Song (From 'La Fleur Que Tu M'Avais Jetee')
13. Encore: The Dream 'Instant charmant; En Fermant Les Yeux'
14. The Swan, Op. 25 No. 2
15. The Dream, Op. 48 No. 6
16. Diamond On The March Snow, Op. 36 No. 6
17. Rushes, Whisper, Op. 36 No. 4
18. Black Roses, Op. 36 No. 1
19. Enocre: Visions
20. Addo Alla Madre
21. Encore: Ideale
22. E Lucevan Le Stelle
23. Encore: L'Alba Separa Della Luce Ombra
24. Encore: Jeanie With The Light Brown Hair
25. Encore: 'Come Un Bel Di Di Maggio'
26. Encore: 'Che Gelida Manina'

Amazon.com

Before there were the Three Tenors there was Jussi Björling, the great Swedish tenor who died in 1960 at the age of 49. His bright, sunny tone had a slight, emotion-laden tear in it that conveyed feeling as well as, or more than, any number of sobs and effects that other tenors use. His Carnegie Hall recital of September 24, 1955 has long been available; in addition, this CD features nine never-before released selections from that recital which either did not fit on the original LP or were omitted for some other reason. He can sing at any dynamic level, the voice is always secure, and his taste and musicianship, as always, are impeccable. I doubt we'll ever hear Tosti's Ideale sung more tenderly or "Che gelida manina" sung with such poetic abandon; the newly discovered Grieg, Sibelius, and Sjoberg songs are sung with an opera singer's--rather than a Lieder singer's--style, but it's doubtful anyone will complain. Björling fans should race to hear this; for those who came to opera after his heyday (or during the reign of other tenors), this will be a stunning ear-opener. A must have. --Robert Levine

Customer Reviews:

Magnificent.......2005-09-02

Some years ago I met an elderly gentleman who'd served as a co-pilot on a B-24 bomber during WWII. During a raid on a North German site their aircraft was badly damaged and they were forced to crash-land it in Sweden. The shaken but uninjured crew was picked up by the Swedish authorities and immediately interred (Sweden being a neutral country). They were sent to a dreadful and notorious Swedish internment camp--the largest and lushest hotel in Stockholm--and given something of an expense account. It just happened to be the same hotel where Jussi Bjorling had his digs.

Through a variety of happenings, the vet ended up befriending Bjorling, who he described to me as "one hell of a nice guy" and they became drinking buddies. He and his fellow aviators had front row seats at any and all recitals and apparently became society figures in cultured Stockholm. To my wonder and astonishment, this old Regular Joe fellow, no opera fan before Sweden, told me he was the guy who taught Jussi Bjorling the song "Pistol Packin' Mama." Now wouldn't we all pay good money to have heard him sing that!!

There's nothing more terrific than a great voice attached to a great guy who'd sit and drink with downed aviators and happily learn their favorite pop songs. This disc of music is as wonderful as the guy who recorded it.

"Bjorling".......2005-01-05

In a word - superb. This brings to mind the review of Bjorling's RCA LP "Bjorling in Opera" by Stereo Review's critic George Jellinek, shortly after it's release in 1959, which he ended by saying "highly recommended, especially for other tenors".

Frederick's Understatement........2004-12-22

It was 50 years ago that I met and fell in love with
the accompanist at the voice studio where I studied
for love of singing (i.e., mine was a modest voice).
She in turn introduced me to some of the great singers
then active, or who came through, Chicago. And also, her
own teachers and colleagues, including Dr. Rudolf Ganz and
Frederick Schauwecker. One day, when the topic of melody
came up, Dr Ganz suggested that all piano students should
hear Jussi Bjoerling deliver legato melody. And when Lynn
asked Mr. Shauwecker, who little praised anyone, even a client,
how Jussi did on the trip they were just back from, she was
astonished to hear him grudgingly admit that "Jussi is singing
like an angel. It can't possibly continue at such a level, even
for him." It didn't. As we found out a couple of weeks later
when we heard this recital live, it didn't "continue", it got
better. At the time I found it the greatest listening experience
of my life. Today, 50 years later, it still is. Whatever vocal
records you have by anyone, this is better. There are no equals.
"Like an angel" is one of Frederick's understatements.

Remastering is not perfect.......2004-07-20

This CD is a recording of one Carnegie Hall recital on September 24, 1955. Many composers are represented, including Beethoven, Mozart, Bizet, Grieg and Sibelius to name a few. There is even a Stephen Foster - Jeannie with the Light Brown Hair. The accompanying literature has all the lyrics.

Jussi Bjorling is obvious a tenor in top form, but this recording forty years later omits the higher overtones of his voice. Nevertheless, this is a recording of the highest caliber that does justice to this talented man who died too young.

THE ultimate singing voice.......2004-05-22

This live concert cd contains some of the most fantastic singing ever by a human being and that goes both for the lyric and the dramatic repertoire. Why RCA have denied us this fabulous sound for all these years really beats me. I have long cherished Bjoerlings Troubadour recording with RCA, but compared to the Bjoerling sound on this cd, his Manrico sounds like a light Wiener Sänger. The sound on this cd is simply the most ravishing sound I have ever heard.

Average customer rating: Delightful! A Great and Varied Collection MAGIC is a good word to describe Fritz Wunderlich

The Magic of Wunderlich [Includes Bonus DVD] Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Bellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gluck | Gluck, Christoph W. | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Lortzing | Lortzing, Albert | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Vocal & Song | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Russian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Soundtracks | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music Similar Items: Very Best of Fritz Wunderlich: Great German Tenor The Art of Fritz Wunderlich An die Musik [2 CD & DVD Limited Edition] Schumann: Dichterliebe / Wunderlich, Giesen ASIN: B000AC5B20 Release Date: 2005-10-11

Tracks:

1. Finstre Furien, Ihr Geister Der Holle (Crude Furie Delg'orridi Abissi)
2. Wenn Der Freude Tranen Flieben
3. Dies Bildnis Ist Bezaubernd Schon
4. Lebe Wohl Flandrisch Madchen
5. Nadir, Du Stehst Wirklich Vor Mir - Und In Des Tempels Grund (C'est Toi, Toi Qu'enfin Je Revois - Au Fond Du Temple Saint)
6. Wohin Seid Ihr Entschwunden (Kuda, Kuda, Kuda Vi Udalilis)
7. Ich Denk Ihn Lieber Mir Von Meinem Statde - Liebe Ist Seligkeit, Ist Licht Und Leben (Signor Ne Principe Io O Vorrei - E Il So Dell'anima, La Vita E Amora)
8. O, Lass Uns Fliehen Aus Diesen Mauern (Parigi, O Cara, Noi Lasceremo)
9. Und Es Blitzten Die Sterne (E Lucevan Le Stelle)
10. Wenn Es Abend Wird - Grub Mir Mein Wein
11. Wien Wird Bei Nacht Erst Schon
12. Heute Nacht Oder Nie
13. Ein Lied Geht Um Die Welt
14. Be My Love
15. Granada

Tracks:

1. Nun Schwanden Vor Dem Heiligen Strahle/Verzweiflung, Wut Und Schrecken
2. Mit Wurd' Und Hoheit Angetan
3. Ma Qual Mai S'ofre, Oh Dei - Fuggi Crudele
4. Come Mai Creder Deggio - Dalla Sua Pace
5. Amici Miei - Il Mio Tesoro Intanto
6. Nur Einen Wunsch, Nur Ein Verlangen (Unis Des La Plus Tendre Enfance)
7. O Unverhofftes Gluck - Das Hore Ich Von Dir, Von Meinem Freunde? (O Moment Trop Heureux! - Et Tu Pretends Encore Que Tu M'aimes?)
8. Hier Nimm Den Ring Der Treue (Prendie: L'anel Ti Dono)
9. O Schweige Still, O Lasse Dich Erbitten (Ne Parle Pas, Rose, Je T'en Supplie)
10. Doch Nun Zu Dir - Trenne Nicht Das Band Der Liebe
11. Di Rigori Armato Il Seno
12. Heimliche Aufforderung Op.27 No.3
13. Ich Trage Meine Minne Op.32 No.1
14. Standchen Op.17 No.2
15. Zueignung Op.10 No.1
16. Morgen Op.27 No.4

Customer Reviews:

Delightful!.......2007-01-19

What a beautful voice and such an artist. I've always loved Wunderlich's voice and this album was such a delightful surprise to happen across. The Pearl Fishers' duet with Herman Prey is spectacular--it would be even better than Bjoerling/Merrill if it were in the original French!

A Great and Varied Collection.......2005-12-19

Fritz Wunderlich is a name that is familiar to opera buffs, at least those who enjoy the great singers of the past, but his name is not as familiar with the general public. It probably would have been, had it not been for a tragic and fluke accident that claimed his life. For those who are familiar with this great tenor, he's a beloved musician that makes listeners wonder what could have been.

Wunderlich's voice is one that can be light and airy at times, yet it can also have a dramatic intensity. This two disc set includes a variety of pieces that display Wunderlich's wide range and great vocal talent. His excerpts from Mozart are perhaps his strongest. So often the tenor roles in Mozart operas are cast with performers who are agile and can reach the higher notes, but their voices are somewhat weak. Wunderlich shows just how beautiful these arias can be. The same holds true for his arias from EUGENE ONEGIN and the pieces from well known operettas. His "Au Fond De Temple Saint" performed with Hermann Prey (a dream team pairing if there ever was one) is close to the Bjorling/Merrill rendition. We see his versatility in the excerpt from Haydn's CREATION and the live performance of "Di Rigori Armato" from DER ROSENKAVALIER is a treat and allows the listener to compare his live and studio recordings. The bonus DVD has a few slight flaws, but we see, at least in the scenes from THE BARBER OF SEVILLE that he not only has a wonderful voice but a good stage presence as well.

Most of the tracks are performed in German, even the Bellini, Bizet, and Verdi tracks, as was the case in many of the recordings of famous German singers. This may detract at first, especially of we expect to hear gorgeous French singing and it comes out, well German sounding. Still, it's a wonderful set with great variety and shows us what we missed in this tenor whose career had just begun.

MAGIC is a good word to describe Fritz Wunderlich.......2005-11-08

Magic is a good word to describe Fritz Wunderlich (1930-1966), and if you aren't already familiar with his work, you'll see why when you experience this CD.

Many of the tracks are not new to CDs: I'd say 50% of them are also in the "Art of Fritz Wunderlich" set (DG, 7 CDs), including Handel, Mozart, Bellini, and other opera arias. There are 3 tracks from "Don Giovanni" which I had not encountered elsewhere, and a scene from Richard Strauss's "Der Rosenkavalier" + 5 Strauss Lieder (with orchestra) not previously released in recent years.

Wunderlich was never less than the very best, and here is no exception. The bonus DVD has almost 30 minutes of scenes of Wunderlich (Count Almaviva) in Rossini's "Barber of Seville", sung in German with Hermann Prey (Figaro) and Erika Koth (Rosina) from a 1959 black and white TV production, in very good mono sound; and two scenes from Tchaikovsky's "Eugene Onegin", also sung in German, and with a young Brigitte Fassbaender (a little more hiss but very good, full, rich mono sound). The Rossini is available from English sources, and hopefully will be available in the US soon.

Like conductor Karl Bohm (1894-1981), I'm going to try to get as much Fritz Wunderlich material as I can find, CD or DVD, as is practical (and even when it isn't!).

Average customer rating: clear as a bell Renee Fleming...somewhat out of her depth Handel sung with gusto and wit Very disappointing Handel recital Brava Renee!!!

Handel Renee Fleming , Harry Bicket , Orchestra of the Age of Enlightenment , and George Friedrich Handel Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Handel, George Frideric | ( H ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: Sacred Songs Lorraine Hunt Lieberson: Handel Arias The Inner Voice : The Making of a Singer Renee Fleming: By Request Renée Fleming ASIN: B0002SZVV8 Release Date: 2004-09-14

Tracks:

1. Oh Sleep, Why Dost Thou Leave Me?
2. Endless Pleasure
3. Scoglio D'Immota Fronte
4. Quando Spieghi I Tuoi Tormenti
5. Ombra Mai Fu
6. To Fleeting Pleasures Make Your Court
7. Lascia Ch'io Pianga
8. Dunque, I Lacci D'un Volto...Ah! Crudel
9. Let The Bright Seraphim
10. V'adoro, Pupille
11. Da Tempeste Il Legno Infranto
12. Ritorna, Oh Caro E Dolce Mio Tesoro
13. Sommo Rettor Del Cielo...D'una Torbida Sorgente
14. Pensieri, Voi Mi Tormentate
15. Bel Piacere E Godera Fido Amor!
16. Calm Thou Soul...Convey Me To Some Peaceful Shore

Amazon.com

Those who may have feared that Renée Fleming might approach Handel with a too-Romantic vocal attitude need not have; whether it's the leadership of the sympathetic, historically informed Harry Bicket, the sound of the spare but warm Orchestra of the Age of Enlightenment, plain good sense and musicianship, or any combination of these, here she offers sixteen arias in almost-impeccable Baroque fashion. I doubt whether sopranos of Handel's age had voices as plush as Ms Fleming's but she manages to keep her tone as light and as airy as possible in these selections, never leaning or swooping into an accompanying note in an "un-Baroque" manner, and the result is simply ravishing. The voice, of course, is almost unbelievably beautiful and agile, the technique impeccable, complete with a trill unmatchable in any soprano singing today. From the long-breathed lines of "O sleep why dost thou leave me" from Semele to the fireworks in Cleopatra's "Da tempeste…," with stops along the way at the famous "Ombra mai fu" and a complete rarity from the composer's Lotario, this CD is just breathtaking. Brava Fleming--and bravo Harry Bicket! Oh, yes--bravo Handel! --Robert Levine

Customer Reviews:

clear as a bell.......2007-02-16

Renee Fleming is one of the most talented female vocalists around. She has such a beautiful, crystal clear voice, and she sings every song on this album well. As a singer myself, I definitely look up to her and very much admire the tone, quality, power, and range of her voice. I would definitely reccommend this album to anyone who enjoys classical music or is looking for someone to aspire to.

Renee Fleming...somewhat out of her depth.......2006-10-20

While it's not the most thrilling Renee Fleming album in the catalogue, her interpretations of Handel pieces is quite an accomplished feat, but when compared to her earlier efforts, rings hollow with it's lack of emotion. As other reviewers have noted, Ms Fleming does not sound like she is in complete grasp of the material, and her performance lacks any real depth or dramatic weight.

Perhaps the pieces of Handel aren't completely flattering to her style, or the mood in the recording studio might not have been exactly right...a million things might have happened to dull this album's power. I have listened to this album a couple of times now, and I'll keep it in my collection, but this one is for the die-hard Renee Fleming fans.

[Decca /Universal 475 547-2]

Handel sung with gusto and wit.......2005-12-07

I am utterly in love with Renee Fleming's voice and I am very glad that she returned to her roots in this luminous Handel Recital. While her fioritura is not as excellent as Sutherland's she surpasses the Australian with her sincerity and sense for drama. Not one word is sung without attention, her silken voice sound absolutely radiant here. I also noticed that she is singing more precisely and elegantly here, giving Handel a dignified elegance, yet passion that it hasn't had since Ferrier (Who was an alto but she still reigns supreme). It is definitely a step in the right direction. Brava Miss Fleming!

Very disappointing Handel recital.......2005-10-30

This recital is mostly very bland and boring, with Fleming's Baroque vocal technique lacking in many ways.
The slow, languid arias like the opening "Oh Sleep" are too drawn out, without any character. The fast acrobatic arias show lack of agility, and poorly executed and overdone ornamentation. Fleming's heavy, laboured coloratura seems ill fitted for these selections. "Scoglio d'immota" in particular is very bad. Her leaps "from stone to stone" in this aria are proceeded by something of a bellow before each note. Fleming's rthythmic waywardness is also very evident in many tracks, and her diction is very indistinct. In English tracks she prounounces vowels in such bizarre ways, her singing of "endless laav" made me laugh and her Italian in "Quando spieghi" is just awful.
Fleming's "Ombra Mai Fu" lacks any character, tenderness, not to mention the missing recitativo. Lorraine Hunt's infinitely superior version should not be even compared to this one. And "Lascia ch'io pianga" is just so over the top, it sounds like a crossover track without the beat. Even Angela Gheorghiu's soppy but honest singing of this piece beats Fleming's interpretation.
"Let the Bright Serephim" has very serious tempo and scooping issues; Kiri Te Kanawa's unremarkable but pleasant enough version is better. "V'adoro pupille" is another drawn out, overtly sentimental aria. And in "Da Tempeste" Fleming sings the runs as it was jazz (?) music, it's strange, and the da capo part is so over the top. This aria is a total mess.
I have to admit I have problems listening to this album as a whole, midway through I just could not tolerate it any more. When I finally listened to the rest of this album, I liked it even less. The last track, Peaceful Shore is again so bland and pointless. I was just glad to be at the end of this recital.
As many people pointed out, even the accoustics of this recording are not good. The Orchestra of Enlightment plays just fine, but it makes little difference. With so many wonderful recent Handel recitals to choose from (Hunt, Bayrakdarian, Conolly, classics like Kirkby, Battle's Baroque Duets...) I think this is the one to skip.

Brava Renee!!!.......2005-09-28

This album is truly amazing. Renee has such a way with music from the Baroque era. She didn't over Romanticize the music. She lightened her voice perfectly for Handel's arias. The Giulio Cesare arias are incredible, and Endless Pleasure from Semele is astounding. Once again Brava!!

Average customer rating: Refreshing and Surprising! Some of the most thought-provoking recordings ever, combined with some of the most perfect performances I have ever heard. Best ever!!

Wolfgang Amadeus Mozart: Le nozze di Figaro / Don Giovanni / Così fan tutte / Die Zauberflöte - The Drottningholm Court Theatre Orchestra & Chorus / Arnold Östman Barbara Bonney , Arleen Auger , and The Drottningholm Court Theatre Orchestra & Chorus Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music General | Soundtracks | Styles | Music Bargain Box Sets | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music The Decca Records Store | Specialty Stores | Music Similar Items: Beethoven: Symphonies Nos. 1-9 (Fra) Wagner: Der Ring des Nibelungen Mozart Opera Glyndebourne Collection: Cosi fan Tutte, Don Giovanni, Le Nozze di Figaro, Die Entfuhhrung aus dem Serail, Idomeneo, Die Zauberflote (6 DVDs) Complete Mozart Symphonies / Pinnock, English Concert Tchaikovsky: Violin Concerto Op35; Brahms: Violin Concerto in D Op77 ASIN: B00006IU7V Release Date: 2003-03-11

Album Details

These Pioneering Performances of Four of Mozart's Greatest and Most Popular Operas under the Direction of Arnold Östman were Recorded at Nacka Aula, Stockholm. They all Attracted Great Critical Acclaim at the Time of their Original Release and have Been a Part of Decca's Vast Opera Catalogue Ever Since. The Da Ponte Trilogy (One of the Greatest Librettist/Composer Collaborations in the Entire History of Music), Comprising Le Nozze Di Figaro, Don Giovanni and Così Fan Tutte, is Paired with One of Mozart's Last Operas, Dating from the Last Year of his Life, Die Zauberflöte. The Superb Casts Assembled for These Recordings Include Such Experienced Mozart Interpreters as Arleen Auger (Countess, Donna Anna), Barbara Bonney (Susanna, Zerlina, Pamina), Håkan Hagegård (Count, Don Giovanni, Speaker), Sumi Jo (Queen of the Night), Della Jones (Marcellina, Donna Elvira), Petteri Salomaa (Figaro), Kurt Streit (Tamino), Lillian Watson (Papagena), Gösta Winbergh (Ferrando), Rachel Yakar (Fiordilig

Customer Reviews:

Refreshing and Surprising!.......2006-11-24

I would strongly recommend this collection to anyone who is seeking a new approach and sound world for these Mozart operas. Ostman opts for brisk tempi and transparent textures, but hardly ever at the expense of characterization or expressivity. The singers respond to the challenge with performances that bristle with excitement and fun. The cast blends with the orchestra like a chamber music ensemble, inspiring the listener to experience the opera as a conversation between the text and the intimations expressed in Mozart's musically and psychologically penetrating orchestration. Occasionally one may miss the lyric line and warmth associated with such great Mozart conductors as Bruno Walter or Karl Bohm; but the brio, virtousity, and brilliant insights of Ostman compensate with different kinds of rewards. Also, there is an intimate atmosphere in these recordings that is most faithful to the ethos and meaning of the libretti themselves. After listening to this period approach, my understanding of Mozart has changed radically, and I continue to relish the challenge that these performances have given to my interpretative sensibilities.

Some of the most thought-provoking recordings ever, combined with some of the most perfect performances I have ever heard........2005-09-14

First of all, I must state first that I was ANXIOUS to write this rave review. Ever since I got these cd's and realized the treause that is to be found in these recordings I just couldn't wait until I'd had the chance to tell everybody else about it... I honestly believe these recordings should be heard by anybody who is interested in this repertoire and music in general, since this are also some of the most perfect pieces of music in the repertoire.

As for the music itself, I am not going to write about. I think it is enough to read my last sentence to realize exactly what I think about it - and it is really just a must. That's composition taken to the highest possible level.

What I do want to write is about the performances.
Arnold Ostman, not the most known figure in the musical world, (not even amongst musicians- I come from Juilliard, and that name is definitely not one everybody knows) has created in the 80's in Mozart the equivalent of what Harnoncourt and Gardiner have done in Bach performance practice, i.e. has totally changed the conecption which was assimilated into everybody's mind regarding notions about how music of that era should sound like.

Trying to create a performance experience which emulates Mozart's period performance practice he changed everything starting from tempos, through ornamentation and of course- the voices themselves.

For us, most people indoctrinated by the post-romantisicm eastablished especially by Herbert von Karajan and the ilks of him, the first initial response will be a shock. The almost imperceptible swift tempos, the small voices etc. are sure to knock over anybody who haven't heard these recordings before. It might create an intial negative response but hang-on there, as the result is so much more gratifying then of hearing a recording of Karajan, Giulini, Furtwangler or any GREAT other conductor from that era- They were obviously incredible musical figures, but in terms of style and total perception of the piece it just doesn't work on the same level, in Mozart of course. (You'd still want to keep your Furtwangler's ninth copy...)

What is so great about Ostman is the freshness of mind with which he walks into every piece. Just like a real iconoclast
it seems as if he has landed from an entire different planet, and is just coming to conduct these pieces and give their debut. I can't give a more sincere and true compliment than that, musically speaking.

The results are the most fresh interpretations up to date of Mozart most important operas which also derive from some of the best vocal performances I have ever heard.
Under Ostman's direction it seems as though all the singers bloom and give their most musical and inspired performances,
holding on under the swiftest tempos in an admirable way. There is no point in pointing out names because it is as in a rule that the performances are just stellar one by one, even though not carrying around sometimes the most famous names.

This is not to say that all of the recordings in this set are equally perfect, and that I agree to all of the interprations and the insights given by Ostman, but you can't disregard the feeling that he knew EXACTLY what he wanted and executed it almost flawlessly. (the one exception might be small part of Cosi, mainly the overture, which was recorded very early in the stages of period instruments playing- therefore not always as perfect as you would have liked to hear it, but the performance as a whole is still the most beautiful Cosi I know.)

As for the packaging itself: The price is a complete steal, (incredible especially if you order it through other sellers, got mine for about 40$). What you DON'T get are the librettos, so you'd HAVE to get them from a different source. Either a different recording you might have, (you just might want one of the standard reference recordings one usually hears about like Giulini's) or you could just buy the librettos through Amazon, would still cost you very little.

Should not be missed by any terms by anybody who cares for music.

Ran

Best ever!!.......2004-01-12

Ostman created a stir when he made these recordings in the 1980s. And now it available in a collectors' edition box. I'm so excited. Sumi Jo's Queen of the Night here is even better than her recording for Solti. Ostman's Don Giovanni is the fastest I've ever heard, not to mention the most exciting. This Cosi Fan Tutte is Gramophone's reference Cosi. And this Figaro has many "alternative" arias that other recordings never bother with. Don't worry, the alternative is at the back so you can program it out. In fact, this is the only set of Mozart operas with ALL the alternative arias available. Even Gardiner does not have some of these. So this is a supreme set of importance.

I cannot recommend this too highly. Exciting performances now available in Decca's collectors' edition.

Average customer rating: What a great CD! The best Figaro on record!

Mozart: Le nozze di Figaro / Te Kanawa, Popp, Ramey, Solti [Highlights] Wolfgang Amadeus Mozart , Georg Solti , Kiri Te Kanawa , Lucia Popp , Frederica von Stade , Samuel Ramey , Thomas Allen , Kurt Moll , and London Philharmonic Orchestra Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Allen, Thomas | ( A ) | Featured Performers, A-Z | Classical | Styles | Music Solti, Sir Georg | ( S ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances German | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Te Kanawa, Kiri | Divas | Opera & Vocal | Styles | Music Von Stade, Frederica | Divas | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Mozart: Don Giovanni [Highlights] Mozart - Così fan tutte / Cuberli, Bartoli, Rodgers, Streit, Furlanetto, Tomlinson, Berlin Phil., Barenboim [highlights] Puccini - La Bohème / Freni, Pavarotti, Harwood, Berlin Phil., Karajan [Highlights] Verdi: Rigoletto (Highlights) / Sutherland, Pavarotti Mozart: The Magic Flute (Highlights) ASIN: B0000041RS Release Date: 1990-10-25

Tracks:

1. Le nozze di Figaro: Overture
2. Le nozze di Figaro: Act I, No. 3: Se vuol ballare (Figaro)
3. Le nozze di Figaro: Act I, No. 4: La Vendetta (Bartolo)
4. Le nozze di Figaro: Act I, No. 6: Non so piu cosa son (Cherubino)
5. Le nozze di Figaro: Act I, No. 9: Non piu andrai (Figaro)
6. Le nozze di Figaro: Act II, No. 10: Porgi, amor (Contessa)
7. Le nozze di Figaro: Act II, No. 11: Voi che sapete (Cherubino)
8. Le nozze di Figaro: Act II, No. 12: Venite che inginocchiatevi (Susanna)
9. Le nozze di Figaro: Act III, No. 17: Hai gia vienta la causa!... Vedro mentr'io sospiro (Conte)
10. Le nozze di Figaro: Act III, No. 18: Riconosci in questo amplesso (Sextet)
11. Le nozze di Figaro: Act III, No. 19: E Susanna non vien!... Dove sono (Contessa)
12. Le nozze di Figaro: Act III, No. 20: Cosa mi narri?... Che soave zeffiretto (Contessa, Susanna)
13. Le nozze di Figaro: Act IV, No. 26: Tutto e disposto...Aprite un po' quegli occhi (Figaro)
14. Le nozze di Figaro: Act IV, No. 27: Giunse alfin il momento...Deh vieni, non tardar (Susanna)
15. Le nozze di Figaro: Act IV, Finale: Pace, pace mio dolce tesoro

Customer Reviews:

What a great CD!.......2007-02-15

This is a dream cast, recorded for posterity. I've seen/heard many productions of Nozze, and have never heard it better.

The best Figaro on record!.......2000-07-27

This is a recording that ranks with the greatest. The sparkling, crisp overture and a remarkable cast, this is one for every classical music lover's library. Solti conducted with his usual unerring command, and you will never hear a better Countess or Figaro than Te Kanawa and Ramey. No one beats von Stade as Cherubino, and Thomas Allen and Lucia Popp as the Count and Susanna are wonderful. Obviously, I can't say enough good things about it. The recit's are stylistically correct, and not under- or over-done, and the arias all seem "right" in tempo, in feel, in motivation. I always feel that this is the realization/interpretation that Wolfgang would have loved.

If you are looking for the best recording of Figaro, stop here!

Average customer rating:

Beniamino Gigli: Historical Re