Salon Mexico Danzon

1. Salón México

2. Patricia

3. Su Majestad el Danzón

4. Madrid

5. Danzon Cha

6. Cerezo Rosa

7. ¿Por Que Llora el Niño?

8. Masacre

9. Besame Mucho

10. Cocoliso

11. Mambo del Gato Tom

12. Tacuba

13. Sabor a Mi

14. Ya No Me Quieres

Salon Mexico Danzon,Various Artists,Sony International,Latin,Mexican,Mexico

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Average customer rating: Universal music Long-Time Favorite Best Copland Album I've Ever Listened To Test of Time--Passed with honors! the PERFECT Bernstein recording

Copland: Appalachian Spring/Fanfare For The Common Man/El Salón México/Danzón Cubano Manufacturer: Sony ProductGroup: Music Binding: Audio CD All Works by Copland | Copland, Aaron | ( C ) | Featured Composers, A-Z | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Marches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Symphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Marches | Miscellaneous | Styles | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music $6.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Copland, Aaron | ( C ) | Composers, A-Z | Classical Music Blowout | Stores | Music Bernstein, Leonard | ( B ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Sony | Computers Brands | Computers Features | Electronics | Desktops | Monitors | Networking | Notebooks Similar Items: Gershwin: Rhapsody In Blue/An American In Paris Copland: Rodeo/Billy The Kid Mussorgsky: Pictures at an Exhibition; Night on Bald Mountain Aaron Copland: Billy the Kid and Rodeo Suite; Ferde Grofé:Grand Canyon Suite Barber's Adagio ASIN: B0000025MO Release Date: 1990-10-25

Tracks:

1. Appalachian Spring: Very Slowly
2. Appalachian Spring: Allegro
3. Appalachian Spring: Moderato
4. Appalachian Spring: Fast
5. Appalachian Spring: Subito allegro
6. Appalachian Spring: As At First (Slowly)
7. Appalachian Spring: Doppio movimento (Shaker Melody 'The Gift To Be Simple')
8. Fanfare For The Common Man
9. El Salon Mexico
10. Danzon Cubano

Amazon.com

If Copland's own recordings of his music have the warmth of a soft summer night, those by Leonard Bernstein convey the blazing heat of noon. In his later remakes of several of these scores for Deutsche Grammophon, Bernstein exhibited a tendency toward overly-nuanced readings. But his earlier accounts with the New York Philharmonic, recorded by CBS in the late 1950s and early 1960s, are still incomparable in their vitality and impetus. Bernstein's way with the Western ballets is exuberantly personal and persuasive. He has the ability to move between delicacy and brashness, always getting the gestures right, and he delivers magical characterizations of both scores. The Phiharmonic's playing, while sometimes a bit raw, is confident and rhythmically secure; there is certainly nothing to apologize for here. There is a wonderful sense of immediacy to Bernstein's account of the Appalachian Spring Suite, in which the New Yorkers give a virtuosic account of themselves, playing in a rhythmically incisive fashion that puts Copland's account with the London Symphony in the shadows. The couplings are a mixed bag, however. Bernstein always had the measure of El Salon Mexico, and gives a rousing account of it here. But the so-called Fanfare for the Common Man is lifted from his recording of the Third Symphony; its beginning is not the same as that of the real fanfare. Both recordings have been wonderfully remastered by their original producer, John McClure, and have excellent presence and a palpable sense of atmosphere in the quiet pages. --Ted Libbey

Amazon.com

Leonard Bernstein was a friend of Aaron Copland's, and he approaches this music with rare flair and verve--as well as with sympathy and warmth--and, we can assume, with a good idea of the composer's intentions regarding it. This is a classic album, containing several of the works in the essential Copland oeuvre; the sound is not as good as you'll find in a more contemporary recording, but for most listeners the spirit will make up for that. --Sarah Bryan Miller

Customer Reviews:

Universal music.......2006-07-14

This recording, aside of bringing back great memories of a live performance of Mr. Bernstein more than 25 years ago directing Mexico State Philarmonic Orchestra playing Salon Mexico, is of grand quality and Aaron Coplands music selection is escellent as is performed and recorded. My mom (77) and my daughter (8) enjoy it just the same.

Long-Time Favorite.......2005-03-16

When I was in the fifth grade, there was a district-wide competition called music memory, and one of the pieces I had to memorize for the competition was the last movement of Appalachian Spring. And I fell in love with that song. I went and bought the cassette of Appalachian Spring with Bernstein conducting the New York Philharmonic, and I listened to it almost every night before going to sleep. I even remember that one night I was listening to that final movement through my walkman as I was laying in bed. Evidently, I was humming along without realizing it, and I woke my parents, who slept downstairs and across the house, with my humming. Anyway, that's how good this recording is. And I'm still amazed at what great taste I had at that age. Now, eleven years later, I have upgraded to a CD, but I still listen to Copeland's masterpiece just about as much. I've heard a lot of great music in those intervening years, but I've still never heard anything quite this perfect. I doubt I ever do.

Best Copland Album I've Ever Listened To.......2004-05-15

I love Appalachian Spring Suite! When I went out to buy the music CD, I got This one because of the cool newspaper cover and it turned out to be the best one out there. I've listened to other recordings of Appalachian Spring performed by other orchestras, they just aren't as good. This is the absolute best one. Not only is this one of my favorite classical albums of all time, it's one of my favorite albums period. Every single track on this CD is money.

Test of Time--Passed with honors!.......2003-07-21

I have been a fan of Aaron Copland's from an early age--in fact, so early that I can hardly remember not knowing "Fanfare for the Common Man". As I became older, my appreciation grew and deepened. I still remember my first exposure to the "Gift to Be Simple" section of Appalachian Spring...it was in history class, played as part of a presentation. I can't even remember the subject of the presentation anymore--all I remember is that at that wild, joyous crescendo, I was not in the room. I was somewhere far away, flying. That is the power in a piece like this, and the standard to which I hold any musical recording.

When I began seeking a full version of Appalachian Spring for my own collection, I had the good fortune to get a "recommendation" of sorts for the definitive recording: Richard Wright, keyboardist of Pink Floyd, has more of a Copland influence than you might suspect. When I read his article in Record Collector Magazine, the particular rendition he recommended was this one--the 1962 recording for CBS, of which he seemed to have the original LP. Imagine my surprise and delight to find that it was still in print and easy to find in stores!

"Aaron Copland's an American classical composer," summarizes Mr. Wright, "and [Appalachian Spring] is his most famous work...Like all of my favourite music there's something in his material that touches me; I think it's the chordal progression and the melodic lines just above them that do it for me here - and the fact that it's very peaceful. When I listen to a lot of the stuff that I've played over the years I feel I've been heavily influenced by Copland, albeit subconsciously." (Note to Pink Floyd fans: Comparing the basic approach in "Shine On You Crazy Diamond" and Copland's "Quiet City" may prove interesting.)

I am in full agreement here...it is absolutely striking what Copland was capable of creating. In his hands, simple, traditional harmonies were transformed into breathtakingly original works that reflect the best of the American spirit...innovative, beautiful, optimistic, and slightly wild. It never ceases to amaze me how he could weave such a beautiful musical texture with so few notes at times--it is indeed a gift to be simple. But Copland's work is not boring by any means--he also knows the place for grand, sweeping statements and shockingly unique, beautiful chord changes that occur seemingly out of nowhere.

As soon as I heard this disc, in comparison to other recordings I'd sampled, it was immediately obvious why this one survived the test of time, why it was still so vivid in the mind of Richard Wright. Copland and Bernstein seem always to be a good match for each other, but there was something very special going on the night this was recorded. Even if you own other renditions of "Appalachian Spring", even if you are interested in no other composition on this disc, this is an absolute must-have.

As for the other pieces, recorded in the early 60s as well, there's a similar magic--even though the "Fanfare" version is radically different, it's a real ear-opener. The pitch changes are done with a shocking fluidity, but it brings new interest to the piece. It is no replacement for the original; it's probably best to treat it as a different song. "Salon Mexicano" and "Danzón Cubano" are also excellently rendered and timeless.

All in all, this is a fantastic album--a must for any classical collection.

the PERFECT Bernstein recording.......2002-12-16

I have heard A LOT and i mean A LOT of Bernstein recordings...and...as far as post-Beethoven works go...this is it...this may only be comparable to his multiple Beethoven 5th Symphonies...
If you own ANYTHING with Leonard Bernstein's name on it...one should say "Beethoven's Fifth Symphony" on it...and the other should be this disc.

Average customer rating: Copland conducts Copland Profound review and comparison with Slatkin's CD Great music, bad orchestras Red Pony Review

Copland: Our Town; The Red Pony Suite; El Salón México; Danzón Cubano; Three Latin American Sketches Manufacturer: Sony ProductGroup: Music Binding: Audio CD All Works by Copland | Copland, Aaron | ( C ) | Featured Composers, A-Z | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Symphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Copland, Aaron | ( C ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Copland: Music for Films Copland: Symphony No. 3; Quiet City Bernstein Century - Copland: Appalachian Spring, Rodeo, etc / Bernstein, New York PO Copland: Appalachian Spring; Rodeo; Fanfare for the Common Man The Copland Collection: Orchestral & Ballet Works, 1936-1948 ASIN: B0000026GF Release Date: 1990-10-25

Tracks:

1. Our Town
2. The Red Pony Suite - Morning On The Ranch: I. Morning On The Ranch
3. The Red Pony Suite - Morning On The Ranch: II. The Gift
4. The Red Pony Suite - Morning On The Ranch: III. Dream March And Circus March
5. The Red Pony Suite - Morning On The Ranch: IV. Walk To The Bunkhouse
6. The Red Pony Suite - Morning On The Ranch: V. Grandfather's Story
7. The Red Pony Suite - Morning On The Ranch: VI. Happy Ending
8. El Salon Mexico
9. Danzon Cubano
10. Three Latin-American Sketches -: Estribillo
11. Three Latin-American Sketches: Paisaje Mexicano
12. Three Latin-American Sketches: Danza de jalisco

Customer Reviews:

Copland conducts Copland.......2003-11-27

Aaron Copland was, admittedly, NOT a great conductor. Nevertheless, musicians enjoyed working with him, possibly because he was so exuberant and enthusiastic. One friend said Copland might tell musicians to "hit a home run." He certainly wanted the musicians to have fun and it's clear that usually happened. Along the way, Copland did manage to give his interpretations of his own music, setting a standard of how it should be played.

It's very apparent in Copland's numerous recordings for Columbia (now available on Sony) that the composer left an important legacy. Among the more original American composers, Copland was distinctly American. He enjoyed a fine musical education from Nadia Boulanger in Paris that gave his compositions some added depth. Initially, Copland followed George Gershwin's example and made considerable use of jazz and blues in his works. Copland himself said he felt he soon exhausted the possibilities of popular music and then turned to American folk music.

A trip to Mexico, where he met and befriended Carlos Chavez, resulted in Copland's first great musical triumph, "El Salon Mexico." It became the only Copland work to ever be conducted by Arturo Toscanini with the NBC Symphony Orchestra. On this CD one has a chance to hear the composer himself conducting this 1936 triumph.

This writer has long enjoyed Copland's wonderful music for the 1948 Technicolor western "The Red Pony," an adaptation of the John Steinbeck story by Lewis Milestone that starred Myrna Loy and a young Robert Mitchum. The music is such an important ingredient in this classic film. Fortunately, Copland extracted a concert suite from the film score and it is included in this CD.

Copland wrote other film scores, too, and we get to hear some of the music he wrote for the 1940 film adaptation of Thornton Wilder's very American play, "Our Town."

The CD includes some additional Latin-influenced works, "Danzon Cubano," which rivals Gershwin's "A Cuban Overture," and "Three Latin American Sketches." These are very colorful, exciting works.

Perhaps, as some have said, the London Symphony Orchestra and the New Philharmonic Orchestra were not up to par in these recordings. Some of that may have been Copland's fault. Still, these are competent performances and they convey what the composer wanted.

Profound.......2003-10-31

Forget what the guy above says about the London Symphony Orchestra's recording of "Our Town." Hands down, the most beautiful piece of music I have ever heard. Moving, surreal, profound. Truly a once in a lifetime experience.

review and comparison with Slatkin's CD.......2003-05-10

It does seem (and I have heard from professional conductors) that performance standards of orchestras in the 1960s and 70s were not what they are today, but I would not necessarily hold that fact against this CD. While Leonard SlatkinÕs more recent recording with the Saint Louis Symphony Orchestra (on the RCA label) is much more pristine, and the musicians sound much more in tune, I find something in CoplandÕs own interpretation of his music that is missing from SlatkinÕs (still very capable) rendition.

Comparing the two versions of ÒOur TownÓ, for example, the difference in character is striking. With Copland the tempo is much slower, the intensity is proportionally much greater, and Copland, with a composerÕs sense of intimacy with his score and the music intended behind it, derives more musicality out of each phrase and note than I hear in SlatkinÕs faster-paced performance. The same can be said for the rest of CoplandÕs CD--what the older recording might lack in technical musicianship, it makes up for in greater interpretive depth. While it is aggravating sometimes to hear instruments out of tune (and I am only assuming that what sounds out of tune to me today was equivalently considered out of tune back then), the tradeoff may be worth it for some.

Great music, bad orchestras.......2000-06-13

While this is some of Copland's best (and most under-recognized) work, the orchestras represented on the CD are, as a whole, awful. Even the London Symphony orchestra had an off day on "Our Town," and the New Philharmonia Orchestra does a good job of butchering the rest of the CD, particularly "Danzon Cubano." The recording of "Danzon" is quite possibly the worst I've ever heard any symphony orchestra play. While it may be worth the money as a bargain CD, do NOT pay full price for this.

Red Pony Review.......2000-01-05

I am currently studying my A-Levels, including a music tehcnology course. One homework was to compose a piece. I played this piece two years ago, and remembered the incredibly difficult timing, and then the satisfaction of getting it right at the start of the Walk to the Bunkhouse. Since I first heard it I kept noticing new sounds, and parts to it. I love it, and keep listening to it again and again, hearing new life in it. Buy this Now!

Average customer rating: Bought this for Concerto for Clarinet Aaron Copland: Populist and Conductor Tribute to Lincoln A great way to get your dose of Copland.... Well balanced retrospective, -or- Listen to this!

The Copland Collection: Orchestral & Ballet Works, 1936-1948 Manufacturer: Sony ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music All Works by Copland | Copland, Aaron | ( C ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Marches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Overtures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Ballets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Symphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Clarinet | Reeds & Winds | Instruments | Classical | Styles | Music Copland, Aaron | ( C ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music Modern & 20th Century | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music Marches | Miscellaneous | Styles | Music General | Soundtracks | Styles | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Sony | Computers Brands | Computers Features | Electronics | Desktops | Monitors | Networking | Notebooks Similar Items: The Copland Collection: Orchestral Works, 1948-1971 Copland: Music for Films A Copland Celebration Vol. 3 A Copland Celebration Vol. 1 Samuel Barber / Thomas Schippers ASIN: B0000027BJ Release Date: 1991-01-18

Tracks:

1. El Salon Mexico
2. An Outdoor Overture
3. Billy The Kid: Introduction: The Open Prairie
4. Billy The Kid: Street In A Frontier Town
5. Billy The Kid: Prairie Night (Card Game At Night)
6. Billy The Kid: Gun Battle
7. Billy The Kid: Celebration (After Billy's Capture)
8. Billy The Kid: Billy's Death
9. Billy The Kid: The Open Prairie Again
10. Quiet City
11. John Henry
12. Our Town
13. Las Agachadas
14. Fanfare For The Common Man

Tracks:

1. Rodeo (Four Dance Episodes): I. Buckaroo Holiday
2. Rodeo (Four Dance Episodes): II. Corral Nocturne
3. Rodeo (Four Dance Episodes): III. Saturday Night Waltz
4. Rodeo (Four Dance Episodes): IV. Hoedown
5. The City: New England Countryside
6. Of Mice And Men: Barley Wagons
7. The City: Sunday Traffic
8. Our Town: Grovers Corners
9. Of Mice And Men: Threshing Machines
10. Appalachian Spring (Suite From The Ballet): Very Slow
11. Appalachian Spring (Suite From The Ballet): Fast
12. Appalachian Spring (Suite From The Ballet): Moderato
13. Appalachian Spring (Suite From The Ballet): Fast
14. Appalachian Spring (Suite From The Ballet): Still Faster
15. Appalachian Spring (Suite From The Ballet): As At First (Slowly)
16. Appalachian Spring (Suite From The Ballet): Calm And flowing
17. Appalachian Spring (Suite From The Ballet): Moderato; Coda
18. Letter From Home
19. Danzon Cubano

Tracks:

1. Lincoln Portrait: Lento
2. Lincoln Portrait: Subito Allegro
3. Lincoln Portrait: 'Fellow Citizens, We Cannot Escape History...'
4. Symphony No. 3: I. Molto Moderato-With Simple Expression
5. Symphony No. 3: II. Allegro Molto
6. Symphony No. 3: III. Andantino Quasi Allegretto
7. Symphony No. 3: IV. Molto Deliberato
8. Concerto For Clarinet, Strings, Harp, & Piano

Amazon.com

Aaron Copland made numerous recordings of his own music, including an extensive series for CBS during the 1960s and '70s, mostly with London orchestras. He was not an especially proficient conductor--consequently, the performances he conducted often lacked pace and rhythmic punch. His last recordings of his most popular scores have been reissued by Sony on an exceptionally well-remastered 3-CD set. These accounts do a good job of conveying the overall shape of the pieces, and they deliver telling characterizations of many episodes. Details emerge that are lost in some other accounts, and there is an appealing gentleness and sweetness to the approach. But the readings do not have as much grip as those of Bernstein and Slatkin, among others, and in spite of the authority they automatically possess, they are not necessarily preferable. --Ted Libbey

Customer Reviews:

Bought this for Concerto for Clarinet.......2007-07-14

The sum is greater than the parts. This is a great Copland collection and shows his diversity. Yet as divers and the three CD are they are all distinctively Copland. Benny Goodman is usually associated with jazz yet he was also diverse in his career. "Concerto for Clarinet, Strings, and Harp & Piano" is a mantra that will carry you to a timeless place.

An added plus is the many other popular pieces that you know you heard but did not realize it was Copland especially the music from movies.

You may have to play the set a few times before being able to recognize the different tracks by name. The down side is many of Copland's works are outside of the date range of this collection.

Aaron Copland: Populist and Conductor.......2005-03-29

If you want a prime collection of Copland's more accessible works, this is it. Yes, it's true that Bernstein's recordings of individual pieces are often bolder and livelier; but this set offers the composer's own authoritative view of his work, and for that reason alone it is priceless. In addition, it includes virtually all the orchestral pieces he composed during his "populist phase," from El Salon Mexico (1936) to the Clarinet Concerto (1948). You won't find some of these lesser-known gems, such as An Outdoor Overture (1938) or Letter from Home (1944, written--like Rhapsody in Blue--for Paul Whiteman), on typical single-disc Copland compilations. I'd even go so far as to claim this as one of the four indispensable compilations of American instrumental music from the first half of the twentieth century (the others on my list--in case anyone cares--are Joshua Rifkin playing Scott Joplin, Oscar Levant playing Gershwin, and the Blanton-Webster band recordings of Duke Ellington).

What amazing riches flowed from Copland's pen during the period covered by these three discs! Billy the Kid (1939), Quiet City (1940), Our Town (1940), Fanfare for the Common Man (1942), Rodeo (1942), Lincoln Portrait (1942), Appalachian Spring (1944), and the Third Symphony (1946)--all are here. Some of this music is so familiar, so deeply ingrained in America's cultural consciousness, that we might be tempted to take it for granted. But imagine how much poorer the American concert repertoire would be without it. It's almost impossible, at this point, to conceive of a time when this wonderful music--which is to America roughly what Mussorgsky's music is to Russia, Grieg's to Norway, and Falla's to Spain--didn't exist. It was during the dozen years covered by this collection that Copland pulled away from the pack of his talented contemporaries (Hanson, Thomson, Harris, etc.) and, in a way, but with greater technical sophistication, filled the void left by the tragically early death of Gershwin, whose heyday, 1924-1935, immediately preceded the composition of the works on this collection.

The ballet music is all presented here in the familiar orchestral suites Copland arranged. Most of the selections are played by the London Symphony Orchestra, although the New Philharmonia and the just-plain Philharmonia get cracks at a few key works. The last-named orchestra, for instance, takes on the biggest piece on the program, Copland's Third, the closest thing American music has to a Beethoven's Ninth (although the work's sublime rhetoric has never completely convinced me--it's neither my personal favorite by Copland nor my favorite American symphony . . . but it sure has its moments). In addition to the fine orchestral playing, another treat is that Henry Fonda narrates the Lincoln Portrait--an almost inevitable pick, given the virtually mythic way his acting style embodied the American spirit and the fact that he had portrayed the sixteenth president in John Ford's classic film Young Mr. Lincoln (1939).

The set concludes with what, over the years, has become my favorite work by Copland, the Concerto for Clarinet, Strings, Harp, & Piano, written for and performed here by surely the last century's greatest clarinetist, Benny Goodman. This work effects a concise synthesis between Copland's mature style and his earlier jazz stylings from the 1920s; in addition, the searing eloquence of the opening slow movement seems to me the most profound lyrical writing Copland ever achieved. Stoltzman's recording, ironically enough, swings harder than the king of swing's, but this collaboration between the composer and the man who commissioned it is for the ages.

The only major "populist" scores written after the period this collection covers are the film scores to The Red Pony (1948) and The Heiress (1949). Both can be acquired on an essential Leonard Slatkin CD for RCA. And since this collection doesn't include chamber music, the great Violin Sonata (1943), a kind of more intimate counterpart to Appalachian Spring, will have to be sought elsewhere. (One good option is Gil Shaham/Andre Previn on DG.) A serious Copland collector will also want to grab the other two volumes of the Copland Collection itself. The early set features important works such as the Organ Symphony (1924), Music for the Theater (1925), and the Short Symphony (1932)--but both of the other collections also include long, thorny pieces like the early Symphonic Ode and the late Connotations that can be rather difficult for the average enthusiast to enjoy.

Most of the essential, universal Copland is to be found on this second installment of the Copland Collection, and I would definitely recommend it as the place to start exploring Copland's magnificent contribution to American music. It has been a wonderful and treasured companion of mine for many years, and it also serves to conjure up a timely and inspiring vision of open prairies, nocturnal cityscapes, and the populist, humane values that America should, ideally, epitomize.

Tribute to Lincoln.......2001-10-28

I purchased this set of Copeland CD's because I wanted the Tribute to Lincoln narrated by Henry Fonda. This is a masterful recording especially for Americans in this time. The Tribute sends chills down my spine whenever I her it. My greatest joy however, was how much I have enjoyed all of the CD's in the set. I tend to be much more of a classical listener. I have heard Copeland but not in any organized fashion. This set has brought a new and delightful experience to my listening options.

A great way to get your dose of Copland...........2000-06-30

The 2nd of this three CD collection is wonderful. My favorite though is the third one. Doesn't mean this isn't good. This Sony Copland Collection set is worth the money for. Copland is sooo much more then Appalachian Spring, Fanfare for the Common Man, Rodeo, etc... But you get a lot of typical Copland on these CDs. Songs we all know and love. But there are some unfamiliar good ones too. Concerto for Clarinet took me by storm. So did Letters from Home. Good quality, good booklet, good recording, good playing (how Copland got the London Symphony to play something right I will never know), good everything. It's not perfect because it doesn't compete with THE best Copland like the third CD set of this collection, or the The Tendeer Land. Oh, these three CD sets don't cover all Copland, but it does for the most part. It doesn't have many chamber works, two choral works, and his two operas. You can cover some of those with the full version of Tender Land and of Second Hurricane (which also comes with the choral work, In the Beginning). But this is a good series. I highly recommend it!

Well balanced retrospective, -or- Listen to this!.......1999-08-11

Mr. Copland's works, as always, are exceptional This album, which consists of his work both as a composer and as a conductor, brings his music to life in a way no other conductor can. This is a well mastered and well produced work and worth the listen. To hear Arron Copland's music as he intended is wonderfull.

Average customer rating: An exotic delight South of the Border, With Panache my hero, Maestro Lenny Netania Davrath is the star of this release

Latin American Fiesta Manufacturer: Sony ProductGroup: Music Binding: Audio CD All Works by Copland | Copland, Aaron | ( C ) | Featured Composers, A-Z | Classical | Styles | Music Villa-Lobos, Heitor | ( V ) | Featured Composers, A-Z | Classical | Styles | Music Tone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Villa-Lobos, Heitor | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Symphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music Modern & 20th Century | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Carlos Chávez: The Complete Symphonies Silvestre Revueltas: Centennial Anthology 1899-1999 Latin American Classics, Vol. 1 Bernstein Century: Bernstein on Jazz - What is Jazz? Bernstein Century - Copland: Appalachian Spring, Rodeo, etc / Bernstein, New York PO ASIN: B00000C297 Release Date: 1998-09-29

Tracks:

1. Danzubano
2. El salco
3. Batuque
4. Dansa brasileira
5. Bachiana Brasileira No. 5,: I. Aria (Cantilena). Adagio
6. Bachiana Brasileira No. 5: II. Dansa (Martelo), Allegretto
7. Sensemay
8. Sinfonindia

Amazon.com

Maestro Lenny was at his best in this extroverted, highly rhythmic music. The Batuque by Brazilian composer Oscar Lorenzo Fernandez will be a discovery for most people, a tremendously exciting orchestral showpiece. There's lots more excitement in the pieces by Guarnieri, Revueltas (a stunning performance of the great Sensemayá), and two pieces by the tourist Aaron Copland. (This version of El Salón México is Bernstein's stereo recording; Sony has already reissued his earlier mono one.) The late Netania Davrath sings beautifully in the familiar Villa-Lobos Bachianas Brasileiras No. 5. Sony's remastering is really first- rate. But there should have been more than 53 minutes of music, even on this mid-priced reissue. --Leslie Gerber

Customer Reviews:

An exotic delight.......2005-05-14

With the exception of the Copland pieces, these are the works of Latin American composers looking for--and finding--their own voice within the tradition of 20th century orchestral music. Four pieces are particularly noteworthy: the justly beloved Bachianas Brasileiras #5 (superbly sung by Natania Devrath), the propulsive Batuque, Sensemaya (a Mesoamerican "Rite of Spring"), and Chavez' "Sinfonia India." This last is not "misplaced geographically" (contrary to an earlier, otherwise helpful review); Chavez, writing in 1936, used the word "Indian" to refer to the native inhabitants of Mexico. He wrote that he and his colleagues in Mexico had to "free ourselves from the stuffy conservatory tradition, the worst kind of academic stagnation. We have found ourselves by going back to the cultural traditions of the Indian racial stock that still accounts for four-fifths of the people."

When I was a lad I went to a Young People's Concert in Manhattan. Bernstein trotted onto the podium and launched into Batuque, followed by many of the works on this disc. This recording was made right at that time of this concert and captures its joy, its sense of exploration, its energy.

South of the Border, With Panache.......2002-01-11

Jaunty. Fanciful. Riveting. Mysterious. Ominous.
There's a very wide range of emotions embodied in "Latin American Fiesta", a first-rate tribute to five Latino composers (and one Gringo) represented within this excellent collection. Bernstein and the Philharmonic really lay into the pieces that call for it, so much so that you may glance over your shoulder during "Sensemaya". "Batuque" is commanding; "Dansa brasileira", playful and way too short. The last work, "Sinfonia India", is misplaced geographically (not by the composer's ethnicity), but it's a highly evocative journey into the Subcontinent and a fitting capstone.
All in all, a thoroughly enjoyable musical excursion.

my hero, Maestro Lenny.......2001-02-25

The re-mastering of this CD is amazing, and these recordings deserved the technical wizardry. It's the kind of music Leonard Bernstein was at his most incredibly brilliant at...rhythmic, emotional, and full of energy.

His interpretation of Copland has always been known as the "definitive" one, and in these two pieces, you can see why. The next three selections are by Brazilian composers, the most well known being Villa-Lobos' "Bachiana Brasileira # 5", here sung so beautifully by Netania Davrath.

Silvestre Revueltas' "Sensemayá" is fabulous. Reminiscent of Stravinsky's "Rite of Spring" in parts, though 100 % Mexican in feeling. It throbs with vitality, and the intensity of its rhythms is astounding...it's also a hard act to follow, which is Carlos Chavez' lot here with his beautiful "Sinfonia India". This piece may take a few hearings to fully appreciate, as there's a lot going on in it, like complex counterpoint, etc.

In my student years, I found a way (not telling how !) to hear the N.Y. Philharmonic rehearse, and would sit in total awe of Maestro Lenny...his genius and his humanity. He was my first hero, and though I never met him, my "father figure". This CD just exudes his presence...it's a special treat for anyone who ever saw him "make music" in person, and experienced the magic of it.

Netania Davrath is the star of this release.......2001-01-25

In addition to the review mentioned above, the recording of the Bachianas is the star here. Soprano Netania Davrath recorded this right after a performance with Bernstein in New York during one of her tours. This recording pops up in many anthologies which is great as that way it can be shared with more music lovers. Davrath is best known for her complete recording of Songs of the Auvergne on Vanguard. Enjoy Davrath along with these fine works from composers from south of the border. You will be glad you did.

Average customer rating: Aaron Copland: Essential Classics

Essential Aaron Copland: 12 Greatest Hits Manufacturer: Decca ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music All Works by Copland | Copland, Aaron | ( C ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Marches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Ballets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Symphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music Modern & 20th Century | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Baltimore Symphony Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music Detroit Symphony Orchestra | ( D ) | Featured Performers, A-Z | Classical | Styles | Music Marches | Miscellaneous | Styles | Music The Decca Records Store | Specialty Stores | Music ASIN: B0000D1FK8 Release Date: 2003-10-14

Tracks:

1. Fanfare For The Common Man
2. Very Slowly
3. Allegro
4. Moderate: The Bride And Her Intended
5. Fast: The Revivalist And His Flock
6. Allegro: Solo Dance Of The Bride
7. Meno Mosso
8. Doppio Movimento: Variations On A Shaker Hymn
9. Moderato: Coda
10. Buckaroo Holiday
11. Corral Nocturne
12. Saturday Night Waltz
13. Hoc-Down
14. Lincoln Portrait
15. Ceremonial Fanfare

Tracks:

1. Quiet City
2. New England Countryside
3. Barley Wagons
4. Sunday Traffic
5. Grovers Corners
6. Threshing Machines
7. El Salon Mexico
8. The Open Prarie
9. Street In A Frontier Town
10. Celebration - Billy In Prison - Waltz
11. Danzon Cubano
12. Lento - Molto Allegro - Adagio Molto
13. Andante Moderato
14. Allegro Vivo

Customer Reviews:

Aaron Copland: Essential Classics.......2003-11-21

This excellent introduction to the symphonic Copland repackages an earlier "Decca Double Decker" (see B000004284). Deleted are "Old American Songs" and added are "Billy the Kid" and "Danzon Cubano". These recordings were made from 1969-1994. The sonics are exemplary. The performances are all very good to excellent. Everyone has their personal favorites of these works so your mileage may vary.

Dorati & Detroit SO > Rodeo, El Solon Mexico, Dance Symphony. Howarth & London Sinfonietta > Music for the Movies. Marriner & The Academy > Quiet City. Metha & LAPO > Fanfare for the Common Man, Appalachian Spring, Lincoln Portrait with Gregory Peck, narrator. Philip Jones Brass Ensemble > Ceremonial Fanfare. Zinman & Baltimore SO > Billy the Kid, Danzon Cubano.

Gregory Peck comes across very, very well. Warm, personal, forthright. Worth the price of the disc just to hear him deliver the words wrapped in Copland's music as directed by Metha and performed by the LA Philharmonic Orchestra.

Don't expect any copious liner notes here -- there aren't any. Just a listing of what's what and who did what. Two panels of the folded sheet are needlessly occupied by advertising other "essential" CDs. I would gladly rip them out if I didn't like the overall design so much. The art direction and design of the package is stellar but lacks "essential" or any background information.

Unless I'm mistaken, there are 5 "hits" on the first disc and 6 on the second. That's 11. The subtitle here is "12 Greatest Hits". Am I missing something?

Still, judging by what's here, the selections and performances, an excellent compilation. I'm glad to have it.

Average customer rating:

Copland: Rodeo; El Salón México; Danzón Cubano; Billy The Kid Manufacturer: Decca ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music All Works by Copland | Copland, Aaron | ( C ) | Featured Composers, A-Z | Classical | Styles | Music Ballets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Symphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music Baltimore Symphony Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music The Decca Records Store | Specialty Stores | Music ASIN: B000004CW1 Release Date: 1994-06-14

Tracks:

1. Rodeo - Ballet: Buckaroo Holiday - Transition
2. Rodeo - Ballet: Corral Nocturne - Ranch House Party
3. Rodeo - Ballet: Saturday Night Waltz
4. Rodeo - Ballet: Hoe-Down
5. El Salon Mexico
6. Danzon Cubano
7. Billy The Kid - Ballet: Introduction: The Open Prairie
8. Billy The Kid - Ballet: Street In A Frontier Town
9. Billy The Kid - Ballet: Mexican Dance And Finale
10. Billy The Kid - Ballet: Prairie Night (Card Game At Night)
11. Billy The Kid - Ballet: Gun Battle
12. Billy The Kid - Ballet: Celebration (After Billy's Capture) - Billy In Prison - His Escape - Billy In The Desert
13. Billy The Kid - Ballet: Billy's Death
14. Billy The Kid - Ballet: The Open Pairie Again

Average customer rating: A Unique Opportunity to hear it from Coplands mind Definitive American symphonic music The composer as conductor is unusurpassed A great treat!

A Copland Celebration Vol. 1 Manufacturer: Sony ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music Nonets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Copland | Copland, Aaron | ( C ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Marches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Ballets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Symphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Copland, Aaron | ( C ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Marches | Miscellaneous | Styles | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: A Copland Celebration Vol. 2 A Copland Celebration Vol. 3 The Copland Collection: Orchestral Works, 1948-1971 The Copland Collection: Orchestral & Ballet Works, 1936-1948 Copland Conducts Copland ASIN: B000050HWS Release Date: 2000-11-07

Tracks:

1. Fanfare For The Common Man
2. Rodeo: Four Dance Episodes: I. Buckaroo Holiday
3. Rodeo: Four Dance Episodes: II. Corral Nocturne
4. Rodeo: Four Dance Episodes: III. Saturday Night Waltz
5. Rodeo: Four Dance Episodes: IV. Hoe-Down
6. Billy The Kid (Orchestral Suite): Introduction: The Open Prairie
7. Billy The Kid (Orchestral Suite): Street In A Frontier Town
8. Billy The Kid (Orchestral Suite): Card Game At Night (Prairie Night)
9. Billy The Kid (Orchestral Suite): Gun Battle
10. Billy The Kid (Orchestral Suite): Celebration Dance (After Billy's Capture)
11. Billy The Kid (Orchestral Suite): Billy's Death
12. Billy The Kid (Orchestral Suite): The Open Prairie Again
13. El Salon Mexico
14. Danzon Cubano
15. Quiet City
16. Down A Country Lane

Tracks:

1. Appalachian Spring: Very Slowly
2. Appalachian Spring: Allegro
3. Appalachian Spring: Moderato
4. Appalachian Spring: Fast
5. Appalachian Spring: Subito Allegro
6. Appalachian Spring: Meno Mosso
7. Appalachian Spring: Doppio Movimento
8. Appalachian Spring: Rather Slow
9. Appalachian Spring: Very Deliberate
10. Appalachian Spring: Poco Piu Mosso
11. Appalachian Spring: A Trifle Slower
12. Appalachian Spring: Molto Allegro Ed Agitato
13. Appalachian Spring: Broadly
14. Appalachian Spring: Moderato (Like A Prayer)
15. Nonet For Strings: Slow And Solemn
16. Nonet For Strings: Ritmico Ed Un Poco Marcato
17. Nonet For Strings: Tempo As At First
18. Appalachian Spring: Copland Rehearses Appalachian Spring

Customer Reviews:

A Unique Opportunity to hear it from Coplands mind.......2004-02-02

Aaron Copland can be and should be considered the father of American concert music. He decisively created a style of music that needed to be made as we were reaching maturity as a country. This collection of his orchestral works gives a great outline of the music that makes Copland such a innovative composer.
I personally find that the most interesting part of this collection is the inclusion of rehearsal audio from the same recording of Appalachian Spring that appears on the CD. This offers a unique opportunity to hear what Copland's vision of his music was. I am one who personally believes that no performance of a concert orchestral piece can be heard as it was meant to be unless the composer is leading the ensemble. By hearing Copland conducting a rehearsal of one of his masterworks, the listener is given a greater appreciation for exactly what Copland's vision was for his own music.

A definite must have for lovers of the young tradition of American Music.

Definitive American symphonic music.......2002-08-08

When I first was introduced to classical music, little attention was being paid to anything American. Edward McDowell was occasionally played. And Los Angeles classical music station, KFAC, would very occasionally play something by Morton Gould. Gershwin was largely ignored And there was Aaron Copland.

For my fairly young ears, the western flavor of the music was esciting. I could picture western movie-like scenes to the accompaniment of "Billy the Kid" and "Rodeo". Indeed, such music is highly pictorial.

But now I'm also familiar with "Fanfare for the Common Man" and Appalachian Spring. I very much recommend this.

The composer as conductor is unusurpassed.......2001-03-29

This is a reissue of recordings conducted by Copland himself that are totally definitive and, to my mind, superior to the recordings by Bernstein that are generally considered to be the best. The composer has a broader, grander vision of these works, taking them at a slower and more majestic pace than Bernstein and others. In his hands this is great classical music, not just upscale cowboy music. The sound quality is phenomenal for the most part as well, the engineers must have performed miracles because the recordings with the LSO sound better than almost any modern digital recording. Highly recommended.

A great treat!.......2001-03-06

Here we have not only the original, complete chamber arrangement of Appalachian Spring in a pretty fine performance by Copland, but we get a neat 17 minutes of Copland rehearsing it, which is pretty cool for the Copland fan. Plus Nonet for Strings, well performed, which is a rare thing these days. The other disk is pretty average - Copland wasn't much of a conductor, but the chamber Appalachian and Nonet make up for it. Cheap and unique. A must have for the Copland fan.

Average customer rating: Wow!

America for Two Manufacturer: Cpo Records ProductGroup: Music Binding: Audio CD All Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Copland | Copland, Aaron | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Grainger | Grainger, Percy Aldridge | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Fantasies | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Overtures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Symphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music ASIN: B000A16SJ6 Release Date: 2005-08-16

Customer Reviews:

Wow!.......2005-08-27

This CD has rarely left my player since I opened it several days ago. I thought I knew what to expect from Piano Duo Genova & Dimitrov because I had previously acquired their CD of French two-piano concerti (Milhaud, Poulenc, Casadesus) and had written a glowing review of it here, but I was simply bowled over by the verve, rhythmic snap, contrapuntal clarity and articulation of this release. If anything it is even more pleasing than its predecessor. Bravo!

All the music presented here -- with the one exception of Copland's 'Danzón Cubano' written for piano duo -- was arranged for two pianos from other sources. And all those arrangements -- again with one exception, that of Gershwin's three 'Piano Preludes' -- are marvelous. Needless to say, all of the works are given sterling performances here by this Bulgarian (by way of Hanover, Germany) duo. The problem with Gregory Stone's arrangements of the Gershwin Preludes, originally for single piano, is that he cannot resist adding some unnecessary pianistic fripperies to Gershwin's quite sufficient scores. One understands his need to add more, having twenty fingers at his disposal, but one doesn't understand why he felt the necessity to make the arrangement in the first place. (That said, I will admit that in the Third Prelude his insertion of a lightning-fast concluding run in parallel tritones is electrifying.) Genova and Dimitrov play them beautifully. All the other arrangements are from orchestral scores and the presence of two virtuoso pianists to present their complexities makes sense.

Stone's arrangement of Gershwin's 'Cuban Overture' is fine, and even better is Percy Grainger's 18-minute 'Porgy and Bess Fantasy.' Copland's 'El Salón Mexico' is presented in its piano duo arrangement by Leonard Bernstein, who also made a one-piano version at the request of Copland, his close friend. Finally, Bernstein's 'Symphonic Dances' from 'West Side Story', a work frequently on pops concerts the world over, has been fashioned into a marvelous two-piano version by the distinguished American composer and pianist, John Musto. Piano Duo Genova & Dimitrov play their hearts out on the disc, clearly understanding the rhythmic and harmonic nuances of these American masterpieces as few Europeans do.

The booklet notes by Edward van den Hoogen are unusually informative.

This is an outstanding release and is strongly recommended.

TT=69'

Scott Morrison

Average customer rating: Powerful Performance of Symphony No.3

Aaron Copland: Symphony No. 3 / Danzón Cubano / El Salón México - Dallas Symphony Orchestra / Eduardo Mata Copland , Mata , and Dallas Symphony Orchestra Manufacturer: Capitol ProductGroup: Music Binding: Audio CD ASIN: B00000DNI6 Release Date: 1990-10-25

Customer Reviews:

Powerful Performance of Symphony No.3.......2005-03-25

I've been meaning to pick up the version of Copland's Symphony No.3 as conducted by Leonard Bernstein and the NY Philharmonic
recorded in 1985 (and which I had heard on the radio at the time). But I've hesitated because this version performed by Eduardo Mata and the Dallas Symphony Orchestra is so powerfully performed, and has proven for me immensely moving and satisfying. The sound quality is excellent; the subwoofing tympani will literally rattle your teeth and windows (especially during the wonderful second movement).

I give this disc 4 stars for this recording of Copland's 3rd Symphony.

The reason I don't it a full five stars is due to the other selections on the same disc,- "Danzon Cubano" and "El Salon Mexico" - which, though recorded well, are not my favorite Copland pieces. To my ears at least, they simply come across as oversimplistic, stereotypical cartoonish Latin filler (oft serving as the same filler on seemingly so many other Copland compilations).
I wish Mata had chosen different selections to fill out this disc, like "Outdoor Symphony" or even "Short Symphony".

Highly recommended for Symphony No.3.

Average customer rating: Most evocative Grand Canyon Vintage all American Fiedler... Nice Sunday Concert

American Salute Manufacturer: RCA ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music All Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Copland | Copland, Aaron | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Morton Gould | Gould, Morton | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Grofé, Ferde | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Overtures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Ballets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Symphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Variations | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Soundtracks | Styles | Music General | Easy Listening | Pop | Styles | Music Orchestral Pop | Easy Listening | Pop | Styles | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Fiedler Greatest Hits George Gershwin: Rhapsody in Blue / Concerto in F / An American in Paris / Variations on "I Got Rhythm" - Earl Wild / Boston Pops Orchestra / Arthur Fiedler Pops Roundup ASIN: B000003EQC Release Date: 1990-10-25

Tracks:

1. American Salute
2. Grand Canyon Suite: Sunrise
3. Grand Canyon Suite: Painted Desert
4. Grand Canyon Suite: On The Trail
5. Grand Canyon Suite: Sunset
6. Grand Canyon Suite: Cloudburst
7. El Salon Mexico
8. Fancy Free: Galop
9. Fancy Free: Waltz
10. Fancy Free: Danzon
11. Cuban Overture
12. Slaughter On Tenth Avenue

Customer Reviews:

Most evocative Grand Canyon.......2006-04-06

This CD is worth buying just for the historic recording of the Grand Canyon Suite by the Boston Pops under Arthur Fiedler. There have been many recordings of Grof?s Grand Canyon Suite, but I think this is the most evocative of the desert and its moods. For example, the CD with Kunzel and the Cincinatti Pops is worth having for the live thunderstorm - definitely a "demo" disc - but Kunzel's perpetual forward thrust emphasizes the jazz at the expense of the (dare I say) impressionist side of the music. Fiedler on the older recording somehow manages to put you right into the desert.

The opening chirps in seconds from the woodwinds, for example, in the Fiedler recording sound like some exotic bird rather than orchestral instruments, and the "Painted Desert" movement sounds so parched I can see the heat shimmers. "Sunset" is rich and expansive; Fiedler's tempi are generally more relaxed than Kunzel's. This is the definitive Grand Canyon recording for me. BTW, technically it stands up very well against later recordings -- the sound is brilliant and has a broad stereophonic landscape.

The other selections for me are simply a bonus; the Gershwin Cuban Overture is particularly good to have as it is not as often recorded as it deserves.

Vintage all American Fiedler..........2005-04-10

The 4 star rating is primarily due to the attractive compositions
grouped on this one disc, by six great American composers. The remastered recording quality is variable with the "Grand Canyon
Suite" and "Cuban Overture" sounding best. The recording dates range from 1958-1964. On Gould's "American Salute" Fiedler conducts at
break neck speed; I think missing some detail. The "Fancy Free" dances are too brief and are probably included as filler. All in all this recording is dated and their are better versions available of all these pieces. Anyway, at a bargain price this is a nice way to spend seventy minutes relaxing. Subtract 1 star
if recorded sound is all important to you!

Nice Sunday Concert.......2002-12-02

This is a nice Sunday afternoon concert played by a wonderful orchestra with a late, lamented leasder, maestro Fiedler.

Please understand that this is not patriotic music per se, but rather a collection of tunes about America or by prominent American composers--which means the title is a bit misleading, even though Gould's American Salute is the title track.

Still, for those who don't know much about the American concert repertoire, this is a nice album. I especially enjoy the Grand Canyon Suite and so too will anyone who's seen it with his own eyes.

Mexican Music:

1. Se Solto Un Leon [Import]
2. Sigamos Siendo Amigos
3. Signos del Amor
4. Signos del Amor
5. Sigue la Tradicion
6. Sopa De Caracol
7. Sopa de Caracol
8. Tatuada en Tus Besos
9. Te Vi Partir
10. Tu Regresaras

Mexican Music

mexican music

Mexican Music

The Radiators

19th Century German Masterpieces

All in Good Time

Music CD: Meltdown

Rock Music rock-music-33

15 Grandes Exitos [Import]

3 for One [Box set] [Import]

3 Conciertos De Guitarra

You're Beautiful Pt.2 [CD-single] [Enhanced] [Import]

Youkali

Why Can't I? [CD-single] [Import]

Y Sus Amigos

Y Sus Estrellas [Import]

Blues Music blues-music-15

The Silver Collection