| 1. No Quiero Olvidarte Otra Vez |
| 2. Llevatelo |
| 3. Lo Mucho Que Te Quiero |
| 4. Yo No Sé |
| 5. Camino Por el Camino |
| 6. Hoy |
| 7. Perdóname Mi Vida |
| 8. I'm Sorry Sir |
| 9. Sufri |
| 10. Suegra |
Class,Mazz,EMI International,Latin,Latin Pop
Average customer rating:
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As Cruel as School Children
Gym Class Heroes Manufacturer: Fueled By Ramen ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000FUF80W Release Date: 2006-11-04 |
Tracks:
- 1st period: The Queen and I
- 2nd period: Shoot Down the Stars
- 3rd Period: New Friend Request
- 4th period: Clothes Off!!
- Lunch: Sloppy Love Jingle Pt. 1
- 6th period: Viva La White
- 7th Period: 7 Weeks
- 8th period: It's Ok, But Just This Once!
- Study Hall: Sloppy Love Jingle Pt. 2
- 10th Period: Biters Block
- Yearbook Club: Boys In Bands Interlude
- 12th period: Scandalous Scholastics
- 13th period: On My Own Time (Write On!)
- Intramurals: Cupid's Chokehold
- Detention: Sloppy Love Jingle Pt. 3
Amazon.com
The Roots aren't the only hip-hop group to build their sound around live instrumentation. Yet this Upstate New York quartet doesn't sound much like Philly's finest. Further, As Cruel as School Children is more radio-ready than previous efforts, especially "Cupid's Chokehold," which appropriates Supertramp's "Breakfast in America" to fine effect, i.e. "Take a look at my girlfriend / She's the only one I got." (A different mix appears on The Papercut Chronicles.) Not many indie-pop artists can freestyle, though, as frontman Travis McCoy proves on "Sloppy Love Jingle, Pts. 1-3," a trio of a cappella raps. Aside from dividing these tracks into "periods," "study halls," and the like, in fitting with the high school theme, McCoy's narratives touch on teachers, cheerleaders, and lunch room chatter. Guests include William Beckett (The Academy Is...) on "7 Weeks" and Speech (Arrested Development) on "Biter's Block." Cruel as School Children was co-produced by Patrick Stump (Fall Out Boy) and released by band mate Pete Wentz's Decaydance imprint. Stump, who pops up in the "Cupid" video, also provides programming and backing vocals. --Kathleen C. FennessyAlbum Description
This upstate NY 4-piece hip-hop band fuse crisp guitar rhythms, deep melodic bass lines, head cracking beats, and conscious lyrics to create a sound truly their own. Their debut full-length, "The Papercut Chronicles", has sold over 32,000 copies, converting anyone within ear shot into fans. This, their follow-up, is surely going to launch the band to the next level.Customer Reviews:
Musical breath of fresh air!!.......2007-07-24
Took a chance and was well rewarded.......2007-07-09
Good radio rap never hurt anyone???.......2007-06-22
Smoothed out and mellow is the modus operandi of this four man crew from Geneva, New York. For those who are seeking a hip hop revival like Common's "Be" last year or the wonderful delight that helped pioneered MF Doom's to greater heights (I'm talking 2004's brilliant Madvillain - Madvillainy) you might want to look elsewhere. Friends this is hip hop for the Hollister/Abercrombie/Lacoste crowd.
To put it into a pop cultural perspective, this is the type of rap you'd expect to catch Dawson or one of the Gilmore Girls listening to, or if we still even cared about him, Seth from the OC. You'd never hear it bumping out of the trunk of any of the thugs on The Shield, that's for sure.
But before you get this impression that I am totally dismissing this album, let me preface back and say that I actually very much so like this work. The Queen And I tells of a drunk girlfriend who's 'only one more swallow from being oh so hollow' (and you're complaining?) over an acoustic strum and a 'hey-hey' chorus. Shoot Down The Stars contrasts a grim verse with a positive chorus of sunshine harmonies.
Their one track which could be redeeming, the of-its-moment track New Friend Request, plays on the desperate need to be liked on the MySpace website, is actually quite clever even if the pieces are a bit taken from Jurassic 5. I mean really the lyrics can appeal to anyone who has used Myspace - 'I didn't take it personal when you ignored my request to be your friend. I spilled my guts and hit send; I waited two weeks for a response and got nothing. Honestly, it only made me want you more.'
Particularly nasty are covers of Jermaine Jackson's We Don't Have to Take Our Clothes Off (To Have a Good Time) which ticks a smug '80s referencing box with no tongue in no cheek.
Talking of musical cross-pollination, Gym Class Heroes may apparently be able to 'put the f u back into fun' but on this evidence they could put something into country music (without the r). Putting the fun back into hip-hop isn't too challenging, but their need to show the breadth of their musical styles when they can't even master one isn't ambition, its truly arrested development.
As Cruel as School Children is a great feel good summer album but with quirky tunes and tongue-in-cheek raps which possibly border a little too much on pop culture, I can't see it surviving much past this year when the scene and pop culture take a new shape in 2008. Still regardless I have to say again I think it's a really fun RAP album to listen to care free, and really in a genre bending so much over hos, bling and pimpin' rides it's a nice diversion from the norm.
What's the big deal about these guys anyway?.......2007-05-06
I really don't see what all the hype is about these guys. I'm not saying they don't have talent, because the production is definitely on point, and leader Travis McCoy does have a nice flow. It's what he SAYS that's his downfall. If you really listen to the lyrics, you'll find that most of these songs have the stupidest concepts in the world. I realize that the album is following a high school theme, but missteps still can't be ignored, like the statutory "Scandalous Scholastics", a tale about a 15-year-old Travis having relations with one of his teachers (even though that kind of thing isn't really news any more, but...). And there is a series of a cappella raps called "Sloppy Love Jingle" that are all skippable.
If people are wondering where "Cupid's Chokehold" is, the thing is, that's actually a song from the band's previous album The Papercut Chronicles, and the fact that it's being re-released NOW suggests that the guys were getting really desperate for a hit single. And as you know, the song features Fall Out Boy frontman Patrick Stump, and although he sounds fine there, he sounds ridiculous on "Clothes Off", an already horrendous reworking of Jermaine Stewart's "We Don't Have to Take Our Clothes Off", this time stating "We HAVE to take our clothes off."
Lame ideas continue, as "New Friend Request" is a dry story about meeting a girl on MySpace; and although I'm married to a white girl, "Viva la White Girl" didn't do anything for me (probably because it doesn't make much sense). Basically, if Travis rapped more like the way he does on "Shoot Down the Stars", then maybe the band would be more accessible. I'm all for silly music, but As Cruel As School Children is a little too experimental for my taste.
Anthony Rupert
Not what you hear on the radio....but much better.......2007-04-14
Average customer rating:
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Class of 3000: Music Volume One
Manufacturer: La Face ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000RB6UY2 Release Date: 2007-07-03 |
Tracks:
- Class of 3000 Theme
- Life Without Music
- Throwdown
- Oh Peanut
- We Want Your Soul
- Banana Zoo
- A Richer Shade Of Blue
- Fight The Blob
- UFO Ninja
- Kim Kam Jam
- Luna Love
- The Crayon Song
- My Mentor
- Cool Kitty
Amazon.com
Fall in, funketeers: the first soundtrack to "Class of 3000," the Cartoon Network show executive-produced by Andre 3000 of OutKast, mashes up a melange of beats and styles so beautifully conceived, so inner-city cool, that parents who once grooved to the "Fat Albert" gang will find themselves in thrall (cartoons able to make the grade with school-age kids while putting across a message happen once every 30 years, apparently). Here we have the whole "3000" crew cutting up to Andre, a.k.a. Sunny Bridges', whip-smart concoctions--Li'l D, Kim and Kam, Tamika, Madison, Philly Phil, and Edward trade the spotlight on weird but wickedly fun tracks like "Banana Zoo," "Oh Peanut," and "We Want Your Soul." The messages seep through, but in the end the grooves matter most. Future funkers of America, take note. And tune in immediately. --Tammy La GorceAlbum Description
Class of 3000 is the critically-acclaimed Cartoon Network original series from creator and executive producers Andre "3000" Benjamin and Tom Lynch. Each episode features a new, original song written and performed by Andre "3000" Benjamin accompanied by an animated music video. In addition, Benjamin contributes his visual direction for the series and its original music videos. The Class of 3000: Music From The First Season CD is comprised of 15 songs from the show, performed by the kids/characters in the show, and executive-produced by, who else...Andre Benjamin!Customer Reviews:
ooooooh Peanut..........2007-07-31
It's a great soundtrack.......2007-07-27
What I was wishing for!.......2007-07-21
I have been lovin' Outkast for years and years and am so thrilled that Andre has made this creative choice. Never being one to play to stereotypes, he has made an awesome "family" album. If only other hip hop fathers would get over their gangsta selves and make music that they would let their own kids listen too!
awesome.......2007-07-08
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Working Class Hero: The Definitive Lennon
John Lennon Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000AV2G3I Release Date: 2005-10-04 |
Tracks:
- (Just Like) Starting Over
- Imagine
- Watching The Wheels
- Jealous Guy
- Instant Karma!
- Stand By Me
- Working Class Hero
- Power To The People
- Oh My Love
- Oh Yoko
- Nobody Loves You When You're Down And Out
- Nobody Told Me
- Bless You
- Come Together (Live)
- New York City
- I'm Stepping Out
- You Are Here
- Borrowed Time
- Happy Xmas (War Is Over)
Tracks:
- Woman
- Mind Games
- Out Of The Blue
- Whatever Gets You Thru The Night
- Love
- Mother
- Beautiful Boy (Darling Boy)
- Woman Is The Nigger Of The World
- God
- Scared
- #9 Dream
- I'm Losing You (Anthology Version)
- Isolation
- Cold Turkey
- Intuition
- Gimme Some Truth
- Give Peace A Chance
- Real Love
- Grow Old With Me
Amazon.com
On October 9, 2005, John Lennon would have turned 65, if only...Instead, the former Beatles leader and endlessly complex rock icon remains forever frozen in time, basking in the warm reception of his 1980 return to recording after a long, self-imposed exile from the music business. But this two-disc, 38-track collection does more than merely commemorate the landmark birthday Lennon tragically never celebrated; it's arguably the best compact overview of his often conflicted post-Fabs career. Considering he spent fully half the decade chronicled here in semi-retirement, it's a remarkably robust and diverse body of work, whether focused on sloganeering agit-prop ("Power to the People," "Woman is the Nigger of the World," "Give Peace a Chance," "Working Class Hero"), semi-autobiographical musings that ranged from the harrowing ("Cold Turkey," "Mother") to the unabashedly sentimental ("Oh Yoko!," "Watching the Wheels," "Starting Over"). "Imagine" and "Happy Xmas (War is Over)" may showcase one of the era's most wide-eyed idealists, but the range of emotions cataloged in much of his other work argue that John Lennon was a bundle of emotional and philosophical complexities. As Yoko One once noted, "People have wanted to box him in..But he was a very human, three-dimensional person... Sometimes he was angry, sometimes he was sad, sometimes he was very vulnerable and sweet. All of that was going on in every period of his life." This set never sidesteps those complications; indeed, the songs collected here thrive on them. --Jerry McCulley
Amazon.com
John Lennon Photos
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More from John Lennon
Imagine |
Lennon Legend |
The U.S. vs. John Lennon |
Mind Games |
Working Class Hero |
John Lennon Anthology |
Customer Reviews:
Long live the legend of Lennon........2007-07-22
It even has some very hard to find stuff and obscure songs on there like Real Love (minus the 3 Beatles) and Grow Old With Me, and New York City and Woman is the Nigger of the World from Sometime in NYC.
The songs are in pristine quality, some are remixed ever so slightly and you'd need good ears to pick the differences.
Simply you'd be very hard pressed to pick a Lennon song from his solo years that isn't here.
It's a compilation so you can play the songs as they are stringed on the CD or sequence them in chronological order if you like- but I like compilations because it doesn't mean I have to load 6 cds to hear a good mix of songs- this double cd collection does it all for you.
Long live the legend of Lennon.
Working Class Hero: The Definitive Lennon.......2007-01-20
finally the singles package awaited arrives.......2007-01-19
This is the fourth major career overview for Lennon, after Shaved Fish, the John Lennon Collection, and the embarrassingly named Legend, a title which Lennon himself would have undoubtedly forbade. With thirty-eight tracks on two discs, it surpasses the latter two in comprehensiveness, and benefits from better remastering detail to any of the earlier sets.
George Harrison has stated that he thought Lennon's writing went a bit off in his later years. His melodic sense resurfaced by the Double Fantasy sessions, perhaps recharged by his five-year hiatus from recording. Given the lackluster songs populating much of his album output from 1972 to 1975, however, Harrison's assessment is quite apt. If Lennon's struggles to compose enough good material to fill up an entire record made his post-Imagine albums rather spotty, his singles certainly were not. Having grown up and worked with the Beatles during a time when the single ruled rock and roll, like his colleagues Lennon always paid special attention to their quality. Working Class Hero collects every non-Beatles 45 that Lennon issued in his lifetime for the first time since the 1970s singles compilation Shaved Fish. Including five of the six posthumous singles (not counting reissues), this is welcome indeed.
"Greatest Hits" packages often get short shrift from some quarters. In what was for a long time one of the main alternatives to [...] for on-line pop music album review sites, Wilson & Alroy refuse to even consider reviewing compilations, greatest hits or otherwise. Trapped in an album-oriented classic rock mentality, this only displays the depth of their ignorance regarding the history of the music about which they issue authoritative pronouncements. Many greatest hits comps might indeed be superfluous, but singles packages are another story altogether. Some of the greatest work by many artists, such as those affiliated with the Motown or Stax labels in the 1960s for instance, came in the form of singles. You'd be far better off with a good Supremes hits collection than any one of their albums issued during the group's operational life.
Similarly, Lennon's singles are the best items in his solo catalogue, Plastic Ono Band and Imagine aside. This package includes them generously, making up about half of the total number of tracks. For instance, it's good to see "Woman Is the Nigger of the World" return to an official Lennon comp, a jarringly effective feminist anthem of which the title alone probably gives most people hives, which is precisely the point. Lennon wasn't driven solely by a need to make his audience comfortable, the desire to make a statement politically or socially often a main source of his vitality as an artist.
Interestingly, the Wingspan compilation by his ex-partner from five years earlier, also a double-disc overview with an equivalent number of tracks, covers roughly the same period of time. They make an intriguing comparison of the duo's accomplishments from the 1970s while both were still very much in the commercial spotlight. Whether this set is an answer to that one is known only to EMI, Yoko, and the Apple front office.
Of the flaws in Working Class Hero, one is presented in contrast to Wingspan. It would have been better had the producers echoed the format from the McCartney comp, placing the hit singles on one disc, and the assembled album cuts and lesser hits on the second. Also, some non-singles cuts were poorly selected: while still a good balladeer, Lennon's solo strengths were often in other areas. We don't necessarily need "Love", and "Oh My Love," *and* "Oh Yoko!" here, as all are from the two must-have albums. Better cuts from the Lennon Anthology, such as the superior "I'm Losing You" backed up by Cheap Trick that *is* included, the non-album b-side "Move Over Ms. L," and excerpts from the live material with Frank Zappa no longer available on the Some Time in New York City reissue would have been preferable to "Intuition," "Out the Blue," and "You Are Here."
These minor caveats aside, this is the best career retrospective for one of the best rock and roll artists of any era. The assembly of all those great Lennon singles is easily worth the purchase price. Thank you, John.
Enjoy what we were given.......2006-09-28
The Lennon Anthology That Says It All.......2006-09-02
Even in hindsight, I don't even think most of us who lived through Beatles era completely appreciate the impact that John Lennon had on their own lives. Richard Nixon understood Lennon's impact on the peace movement. Nixon lived in fear of Lennon and fought a long battle in court to have him deported as an undesirable alien.
After the breakup of the Beatles, Paul, and Ringo retreated into the cocoon of domestic bliss and the bland irrelevance of by-the-numbers rock stardom. George became a devotee of Krishna Consciousness and had a fleeting moment of social consciousness when he put together two benefit concerts for the refugees of war torn Bangladesh in 1971.
John was the keeper of the flame and the unapologetic activist, and despite all of his personal flaws John was indeed the "brilliant Beatle."
The two CD, 38 song anthology, "Working Class Hero" demonstrates how profoundly relevant Lennon's music remains to our own lives in 2006, three decades after his death.
John was the visionary and the dreamer, even as he told us that "the dream was over." John's music embraced existential ambiguity and contradiction. Lennon's exploration of the human condition was uncharted territory for a pop musician to explore the "boggie down" climate of the American music business in the early Seventies. Not even Dylan was writting songs that were as emotionally resonant and flat-out honest as John's "Mother", "Imagine", or "God."
No other musician has significantly changed the lives of those who heard his message, as John Lennon has. John's message was simple: no matter how long you live, or how dire the world appears to be, never give up on your dreams. To his critics who called him naieve John said, "You may say I'm a dreamer, but I'm not the only one." John was right. Without our dreams we might as well be dead.
"Working Class Hero" is sole anthology of Lennon's work that defines Lennon the artist, the man, the philosopher and charismatic leader of a movement for world peace. Lennon's magnificent story is embedded in the content of the 38 songs in "Working Class Hero."
Pay no attention to the naysayers who have various hairs-splitting complaints about "Working Class Hero." One reviewer complains the album has been "remixed" but it's a specious claim because the pristine digital sound quality is actually far better than the early 1970s state of the art studio mixes. The biggest improvements are on the Phil Specter produced tracks in which Mr. Specter, for the first time in his career, seemed oddly disengaged from the artist he was producing.
As far selection of the 38 songs that comprise this anthology, they couldn't be better. If there was an important song from Lennon's legacy left out of this collection, nobody has pointed it out to me. These are the exact songs I would select if I were burning my own CD of John Lennon's songs. All previous Lennon collections have significant omissions of some of John's best songs. This anthology does justice to the complete trajectory of John Lennon's solo career from "Live Peace in Toronto 1969" to "Live in New York City" his posthumous live release in 1986. There isn't a single song that is filler here.
The presentation of the songs isn't in any rigid chronological order but there is a pattern of presenting the songs in reverse chronology. It benins with "Starting Over" in a journey backwards in time end up with John's earliest Plastic Ono Band recordings, like "Cold Turkey" and "Give Peace a Chance". The reason why some songs are presented out of order is, perhaps, an effort to equitably distribute Lennon's best music over the run length of both CDs.
If you are a causal fan of John Lennon's the only other way you'll get a more complete profile of John's career is to purchase the 4 CD box set "Anthology" (1998) which is grossly overpriced at $67.49. "Anthology" is more complete but not better than "Working Class Hero", because "Anthology degrades the quality of selections by including outtakes, alternative takes, studio chatter, home recording sessions and rarities that weren't good enough to be included in any of John's catalog of releases.
By contrast, "Working Class Hero" is Lennon's top-shelf material and you don't have to suffer through the 2 hours of filler cuts to harvest the bounty of these essential 38 songs that defined Lennon as an artist. The price of "Working Class Hero" is $22.99, which is a steal by comparison
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The Papercut Chronicles
Gym Class Heroes Manufacturer: Fueled By Ramen ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007KIFPA Release Date: 2005-02-22 |
Tracks:
- Za Intro
- Papercuts
- Petrified Life And The Twice Told Joke / Decrepit Bricks
- Make Out Club
- Taxi Driver
- So Long Friend
- Everyday's Forecast
- Pillmatic
- Simple Living
- Cupid's Chokehold
- Faces In The Hall
- Graduation Day
- Apollo 3-1-5
- Wejusfreestylin' Pt2
- To Bob Ross With Love
- Papercuts / The Reason For The Lesions
- Nothing Boy VS. The Echo Factor
- Band Aids
Customer Reviews:
Surprised it is not labeled: Explicit.......2007-06-05
Solid Indie Hip-hop Album........2007-05-18
On top of this, I am also a diehard indie fan...So finding this band, a deffinate mix of both genres blew my mind. I listened to it non stop, saw every show that came within 120 miles of my home town and became obsessed.
Then of course they blew up. Cupids Chokehold came out, and every pop kid under the sun fell in love...I had to hate them, for at least a while. Typically when this happens with a band, I lose all interest and never listen to htem again. I expected the same of GCH.
But it didn't happen. Despite the fact you can't say your a fan without getting laughed at, I cannot help it. Any hip-hop fan that talks (S word I can't say) would be shut up in a half a second if they heard a song like Pillmatic or Shoot Down The Stars, and any emo/indie fan wouldn't be able to say another word after hearing 7 weeks or even Papercuts.
If you are a music fan, you have to give these guys a listen. They are one of the best genre bending bands I have ever heard, and I believe have the ability to keep coming for a good 5 years.
Great.......2007-04-01
Great CD.......2006-08-23
fbr did it again.......2006-06-11
Average customer rating:
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Different Class
Pulp Manufacturer: Island ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001E8P Release Date: 1996-02-27 |
Tracks:
- Mis-shapes
- Pencil Skirt
- Common People
- I Spy
- Disco 2000
- Live Bed Show
- Something Changed
- Sorted For E's & Wizz
- F.E.E.L.I.N.G.C.A.L.L.E.D.L.O.V.E.
- Underwear
- Monday Morning
- Bar Italia
Amazon.com
Like the Boomtown Rats fronted by Martin Amis. Classic Britpop. --Jeff BatemanCustomer Reviews:
I missed out on this years ago..........2007-04-20
The standout tracks are clearly (IMO) "Mis-Shapes", "Common People" and "I Spy". The music is rather jangly and at times has a distinctly dance-able beat. What won me over though were the lyrics. Jarvis Cocker manages to create a fantastic mental image to go along with his lyrics, which are alternately humorous and serious, occassionally silly ("Sorted for E's and Wizz") and vaguely malevolent ("I Spy"). Cocker's delivery is very basic - he doesn't have a lot of range, but he makes good use of his voice and some of the spoken parts of the songs send chills up my spine.
All in all, this is a great album. I wish that I'd given it a chance back in 1995.
One of the best albums of all time.......2006-12-08
I recently requested "Common People" at a club...and it remains an anthem of angst, brit pop, glam rock and a brillant screw-the-world perspective.
Alas, Pulp's follow-up albums were not able to come close to "Different Class". So disappointing. But it's not called a Magnum Opus for nothing. I hope frontman Jarvis Cocker's new solo album will provide some solace.
An essential recording........2006-10-24
I was looking for some music from the britpop era, (being a huge fan of Oasis, Blur, Coldplay, The Verve, etc) and a stumbled upon their greatest hits CD. I must say that the only track I really got into was "Disco 2000", the rest were OK, not great. Then, after a couple of spins of that CD (and listening to the lyrics) I started lo like them.
I got His N' Hers (I played it to death) and then this one... wow... I played three times in a row, it was an amazing experience. Jarvis Cocker knows how to create an atmosphere with each song.
Every song could have been a single, amazing lyrics (to me, this guy is one of the best lyricists in britain nowadays). The stories of typical day-life on working-class people from the UK is something that the casual listener can relate to.
I recommend this CD to everybody. It came out during the so-called britpop era (I love that genre, even though most of the bands are now defunct). I won't mention any particular track.
Get it right now, it's a piece of Britain's music history.
All around great stuff.......2006-09-14
Simply one of the finest albums you'll ever encounter.......2006-06-24
There are many musical highlights on the album, but what I find most remarkable is that there are several songs so good it makes the other songs seem bad in comparison, while one song in particular makes even the other great songs suffer in contrast. Fans will always differ on their favorites, but few will question that the album starts off strongly with "Mis-Shapes." "I Spy" is one of my favorites on the album along with "Disco 2000," which follows it. "Sorted for E's and Wizz" is another stunner. But seriously, all the songs on the disc are at least good, most are very good, and two or three are great. But the best of the bunch is unquestionably "Common People."
"Common People" is simply a great song on multiple levels. Musically it is incredibly compelling, one of those tunes that once you hear it you can't get it out of your head, with an upbeat tempo that makes you want to get up and dance around. But this would merely make it a good song; what makes it great is the story the song tells. An art school student is noticed by a fellow student, a rich girl from Greece, who declares to him that she wants to learn about what it is like to live as one of the common people. There is a definite sexual come on, as she says that she wants "to sleep with common people, like you." At this point you think you know where the song is going, to a nice if somewhat standard narrative of two people from different classes who have a romance despite it all. But the song instantly takes you in a different tangent. What follows is as extraordinary as it is unexpected. Our hero takes the girl to a supermarket and asks her to imagine being there with no money, a notion she laughs at. At this point the song turns very serious and dark, as he tears into her for her calloused desire to slum and make a game out of taking on a mode of life that is for others a fairly desperate affair. He tells her that if she is laying in a bed watching roaches on the wall she can just call her dad and her problems would be over, but to truly find out what it would be like to live like "common people" would mean learning what it means to have no choices, no outs, no control. He sings:
You will never understand
How it feels to live your life
With no meaning or control
So instead of the song of romance and love that we think we are getting at the beginning, we get an impassioned condemnation of anyone who would make light of the struggles of those who are less well off. I know of no other song like it. Pulp has done a number of really fine albums and a host of great songs, but this song has to go down as one of my all time favorites. It definitely goes onto my all time Top 40.
There are four Pulp albums that I think any serious music fan should own: HIS 'N' HERS, DIFFERENT CLASS, THIS IS HARDCORE, and WE LOVE LIFE. If one were bound and determined to own only one Pulp album, one might go with HITS, but this DIFFERENT CLASS is so good that I just can't imagine anyone not wanting this and others as well. Trust me: if you don't own this album you need to get it today. Your ears will thank you.
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Working Class Dog
Rick Springfield Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000G7PNC2 Release Date: 2006-07-25 |
Tracks:
- Love Is Alright Tonite
- Jessie's Girl Springfield
- Hole In My Heart
- Carry Me Away
- I've Done Everything For You
- The Light Of Love
- Everybody's Girl
- Daddy's Pearl
- Red Hot & Blue Love
- Inside Silvia
- Easy To Cry
- Taxi Dancing
- Jessie's Girl
Customer Reviews:
remember back then .......2007-04-16
Excellant Remastering of a Classic.......2007-04-11
Great bonus material and cool liner notes.......2006-07-28
If you owned the album before, pick up this new version. You will only love it more.
Average customer rating:
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Stained Class
Judas Priest Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005R62K Release Date: 2001-11-06 |
Tracks:
- Exciter
- White Heat, Red Hot
- Better By You, Better Than Me
- Stained Class
- Invader
- Saints In Hell
- Savage
- Beyond The Relms Of Death
- Heroes End
- Fire Burns Below
- Better By Your, Better Than Me (Live)
Customer Reviews:
The Best Metal Recording of All Time!!!.......2007-06-02
Surely it's Stained Glass not Class.......2007-05-01
"Stained Class" TOWERS in the Priest Catalog.......2007-04-07
Another aspect that I appreciate about Priest's brand of metal is that it never has that stoner vibe. Listen to practically any Priest CD and you'll ascertain that these guys are professional musicians/artists and not drug-obsessed losers that just escaped mom's basement.
Here's a run-down of the songs featured on STAINED CLASS:
(1.) "Exciter." This is a smokin' speed metal track. If you wanna know where speed metal originated look no further (also check out "Let Us Prey" from SIN AFTER SIN). Even so, I was never a fan of "Exciter." I respect it greatly but it never tripped my trigger, if you know what I mean. Personal Rating: 3.5/5 Stars.
(2.) "White Heat, Red Hot." This one has a catchy mid-paced main riff. They coulda done better with the words of the chorus, but I still like it. Personal Rating: 4/5 Stars.
(3.) "Better By You, Better Than Me." This is pretty much the big 'hit' of the album. It's a cover a a Spooky Tooth song, which I've never heard. Simple, unique, catchy and well-done. Personal Rating: 4.5/5 Stars.
(4.) "Stained Class." This song probably won't blow you away at first, but after some time you'll see its brilliance. It's epic! One thing's for sure, no one ever sang like Rob Halford sings on this song before. Personal Rating: 5/5 Stars.
(5.) "Invader." This one's obviously about a UFO sighting and alien invasion. I never liked it. The chorus is just dumb. It's simply filler fodder. Personal Rating: 2/5 Stars.
(6.) "Saints in Hell." Whoa! This one's incredible. Sci-fi/fantasy lyrics about a stolen bell and the saints that go to hell to retrieve it (huh?). Rob was obviously smokin' something when he came up with these lyrics. Still, "Saints in Hell" is metal of the highest order. Personal Rating: 5/5 Stars.
(7.) "Savage." A very unique and respectable number in the Priest catalog, albeit dated. The lyrics address the intrinsic evils associated with imperialism and cultural contamination. Personal Rating: 4/5 Stars.
(8.) "Beyond the Realms of Death." Brace yourself, 'cause this is essentially the "Stairway to Heaven" of heavy metal. Intriguing subject matter and musical composition of the highest caliber. Numerous metal bands have tried to remake this song in their own image. Queensryche did it with "The Lady Wore Black," Iron Maiden did it with "Children of the Damned" and Metallica did it with "Fade to Black" -- all three great songs, but they stand on the foundation laid by "Beyond the Realms of Death." By the way, guess who wrote the music for "Beyond"? None other than drummer Les Binks! I couldn't believe it when I found out; I thought for sure this was the product of Tipton/Downing. This definitely proves that Binks was far more than just a phenomenal drummer. Personal Rating: 5/5 Stars.
(9.) "Heroes End." This one definitely has a dated vibe, but remains unique and respectable in the Priest catalog. The lyrics address the shame of musical legends that prematurely die (e.g. Janis Joplin, Jimi Hendrix, etc.). The song is worth it just for the powerful post-chorus section with its expertly done trade-off vocals. Personal Rating: 4/5 Stars.
BONUS TRACKS: (1.) "Fire Burns Below." For once we get a bonus track that is actually worth listening to! This is an older song that they essentially went back to and "fixed" up. Good, unique, mellow, emotional song which utilizes acoustics and a drum machine. Personal Rating: 4/5 Stars. (2.) "Better By You, Better Than Me" (Live). Decent live cut, but not as good as the studio version.
FINAL ANALYSIS: You simply can't go wrong with Judas Priest's three late 70's releases SAD WINGS OF DESTINY, SIN AFTER SIN and STAINED CLASS. All three are innovative, mature and brilliant; they TOWER in the Priest catalog. MUST HEAR CUTS: "Stained Class," "Saints in Hell" and "Beyond the Realms of Death," followed closely by "Better By You, Better Than Me."
Dark, Sublime, Amazing!.......2007-04-03
One of The Best 70's Albums.......2007-01-28
When Stained Class came out, the recording technology blew away anything before it. Recording technology improved immensely during the 70's and you can hear the improved sound between this record and previous Judas Priest albums or even any early 70's progressive rock album such as that by Yes, etc. Some may have written that the recording sounds bad, but believe me, when this record came out, it was cutting edge. This brings up a good point. This was for many years one of my 10 desert album discs or if you could only bring 10 albums/CD's before the planet exploded, this would have been one of them, but after multitudes of listenings, even I can say this album is somewhat dated. So for younger listeners this may not be as awesome as some of the reviews let on, those reviews are more of a statement of the album's importance when it was released and may be more for those who were around when this came out. For those that don't want something dated, there is a Tribute to Judas Priest: Legends of Metal that have more modern bands playing, but this too is from 1997 and also slightly dated, but there may be other more up to date tribute CD's. From what I've heard, many bands that play JP covers, revere the band, and play great versions of the songs, albeit with their own style.
Stained Class was supposed to be a takeoff on the term "stained glass." I must have listened to the title track dozens of times, but could not understand what Rob Halford was singing on that song. There are websites that can be found with a web-search for those that want to know the lyrics to the songs. The lyrics, however, of the juggernaut of the album, Beyond the Realms of Death, were more or less clear. Others have written that this song was about suicide, and to me, it was a bit more than that. It was about someone that goes insane, or withdraws into their own mind leaving the outside world, depending on your point of view. Whether this person kills themselves or withdraws so much into themselves that they're dead to the outside world is unclear.
There is also the drugginess associated with the album. From the possible meaning from Exciter of: "when ignition hits you", to Beyond the Realms of Death where: "He had enough..." sounded to me as "He had an up/he couldn't take anymore." Then there's the album cover itself. Whoa! Again, now it may seem moot, but at the time, it was this wild up-to-date psychedelic album cover with all sorts of "images" reflected off of the supposed metallic skull, with two beams of light entering it, and one beam exiting. This was a time when music was still released on records and the larger album art work allowed one to appreciate it more.
Until relatively recently I didn't know Better By You, Better Than Me was a cover song, and I much didn't care, and thought it fit in well with the style of the album. I would recommend the remastered versions of any 70's album, as the standard CD transference missed overtones that made the songs on the album so awesome. The two bonus tracks, I have read elsewhere, are first an outtake from the 1987 Ram It Down sessions, and the live tune from a 1990 L.A. concert.
For those that might be interested in Judas Priest's three earlier albums, Rocka Rolla, Sad Wings of Destiny, and Sin After Sin, I would recommend the Live: Unleashed In the East instead. The live album offers good performances of the songs, much tighter, crisper, and most of their relevant songs from the earlier albums. Most of Judas Priest's subsequent albums go downhill from the Live album. I looked for a Best of Compilation that had JP's best songs, Exciter, Stained Class, and BTROD, and there weren't any and realized that Stained Class is JP's Best Of album.
Enjoy!
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Cupid's Chokehold
ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000N0W9EM Release Date: 2007-03-20 |
Album Description
Gym Class Heroes are a four-member alternative hip-hop band from Geneva, New York. It was the band's alternative hip-hop style and use of live instruments in favour of looped samples and canned beats that caught the attention of Fall Out Boy's Pete Wentz, who immediately signed the group to his Decaydance imprint. Gym Class Heroes have gained critical acclaim around the world for kicking out genre-busting jams that seamlessly meld rap, rock & r'n'b. With their highly successful 2006 tour with Fall Out Boy and headlined sold out dates the band has built a large, dedicated fan base and established an overwhelming online presence. `Cupid's Chokehold' features Patrick Stump from Fall Out Boy and contains a sample from Supertramp's `Breakfast In America'. It the first single released from the band's sophomore album "As Cruel As School Children".Customer Reviews:
Decent Hip-Hop Song Made Better by Supertramp's Roger Hodgson........2007-03-28
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Between the Barres 20th Anniversary Edition
ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005TOTO Release Date: 2001-11-05 |
Tracks:
- Plies
- Plies
- Plies
- Battements Tendus
- Battements Tendus
- Battements Glisses
- Battements Glisses
- Ronds de Jambe a Terre
- Ronds de Jambe a Terre
- Ronds de Jambe a Terre
- Battements Fondu
- Battements Fondu - Tango
- Battements Fondu
- Battements Fondu
- Battements Frappes
- Battements Frappes
- Battements Frappes
- Ronds de Jambe en L'air
- Ronds de Jambe en L'air
- Ronds de Jambe en L'air
- Petits Battements
- Petits Battements
- Petits Battements
- Adage
- Adage
- Adage
- Grande Battements
- Grande Battements
- Grande Battements
- Grande Battements en Cloche
- Grande Battements en Cloche
- Stretch
- Stretch
- Stretch
- Bonus Adage
- Bonus Adage
- Bonus Adage
Tracks:
- Port de Bras
- Port de Bras
- Port de Bras
- Battements Tendus
- Battements Tendus
- Battements Tendus
- Battements Tendus
- Pirouettes
- Pirouettes
- Pirouettes
- Pirouettes
- Pirouettes
- Pirouettes
- Adage
- Adage - Spanish
- Adage
- Allegro
- Allegro
- Allegro
- Allegro
- Allegro
- Allegro - Mazurka
- Allegro - Tarantella
- Allegro
- Allegro
- Allegro - Fouette turns
- Allegro
- Allegro
- Allegro - Polka
- Allegro - Grande Waltz
- Allegro - Grande Waltz
- Allegro - Grande Waltz
- Allegro - Grande Waltz
- Tours en Diagonale
- Tours en Diagonale
- Boys Tours en L'air
- Grande Tour Jetes - Tango
- Petite Batterie
- Petite Batterie
- Grande Battements
- Grande Battements
- Port de Bras/Reverance
- Port de Bras/Reverance
- Port de Bras/Reverance
Album Description
Between The Barres is the 2oth anniversary of Original Music for the Ballet Class composed and played by Michael Roberts. This 2 cd set is a compilation of the original LP's. Volumes 1,2,3 and 5 with the addition of new Barre and Center music. Suitable for all levels of the Ballet Class.Customer Reviews:
helpful for getting class back to.......2007-07-01
Beautiful misic to listen and dance to.......2007-03-17
Between the Barres.......2005-10-16
Great Purchase.......2005-09-04
One ballet teacher's opinion.......2005-08-02
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Class Clown
George Carlin Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004X0OH Release Date: 2000-09-12 |
Tracks:
- Class Clown: Bi-Labial Fricative/Attracting Attention/Squeamish
- Wasted Time - Sharing A Swallow
- Values (How Much Is That Dog Crap in The Window?)
- I Used To Be Irish Catholic
- The Confessional
- Special Dispensation - Heaven, Hell, Purgatory And Limbo
- Heavy Mysteries
- Muhammad Ali - America The Beautiful
- Seven Words You Can Never Say On Television
Customer Reviews:
Carlin's Best Pure Comedy!.......2007-03-13
I loved the bits about the novelty shop with the artificial vomit and the Catholic school stories are hilarious even for those of us who went to public school. A true masterpiece!
Great Stuff.......2006-05-23
Funny.......2005-11-02
another .......... review "thing-a-ma-bobber " .......2004-08-17
A Carlin Classic.......2004-07-25
Caveat Number One: this is not the modern Carlin I'm talking about, the crotchety curmudgeon who is still very funny, but relies overmuch on four-letter words, cynicism, and pessimism. This is Carlin at the peak of his transformation from family-friendly Ed Sullivan entertainer to counterculture comic genius. His style at the time (the early to mid 1970's) was gentler, sillier; he was less likely to sneer, and more willing to smile, on these earlier releases. He delivered all the trenchant social observations and criticisms that show up in his later work--but here his humor seems more chiding, more cajoling, and less misanthropic. Instead of shouting at you, he speaks to you. The difference between the younger Carlin and the one we know today is more remarkable the more you think about it.
Class Clown is that remarkable man's best album. It weaves together fond childhood reminiscences of, and serious questions about, his Catholic upbringing; he combines them with sharp-eyed social commentary about Vietnam, pollution and Lenny Bruce-like observations on American standards. The Bruce influence comes through strongest, perhaps not surprisingly, when Carlin quotes him in "Values (How Much Is That Dog Crap In The Window?)." He goes off on a very Lenny-like reminiscence about growing up seeing the fake dog poop in the windows of novelty stores (and I just lost everyone under the age of 30 with that sentence); he wonders how one goes about buying it ("I'd like to see something in a dog crap, please!"), and speculates that there might be collectors of different breeds ("Do you have any Saint Bernard?" "Yes, but there's no room in the window for that...") Strange stuff, to be sure--and that really defines Carlin at this stage in his career. He was willing to be as weird as possible in pursuit of laughter.
He was also more willing to draw on real life (which he astutely recognized as generally being stranger than anything he could think up) than he is today. And both of those attributes--the willingness to find humor in his life, and the willingness to be as goofy as possible while doing it--make Class Clown a comedy milestone. A good example is one of my favorite moments, also one of the biggest laughs. Carlin, riffing on the weird noises class clowns make, talks about "popping the cheek," does it once or twice to illustrate-and then takes the joke to its goofy extreme by inviting the entire audience to do it too. The resulting noise is delightful--doubly so when the audience, hearing it, dissolves into hysterical laughter. That's something I really miss with Carlin, by the way. He used to invite his audiences along for the ride, daring them to be part of the act instead of just passive observers, and let them know it was all right to laugh at themselves as well as his jokes. That kind of gentle good humor is largely gone from his act, and I think it's our loss.
There's a lot of that gentle humor on Class Clown, most notably in his monologues about the progressive Irish Catholic school he attended. In the latter part of his career, Carlin has become somewhat rabid and one-sided about organized religion (and I have a definite opinion about his attitude, but they don't belong in this review so I'll spare you). On this album, though, Carlin is more willing to poke fun at his former religion, rather than make fun of it and hold it up to unfair ridicule. His harshest joke--"I used to be Irish Catholic...now I'm an American; you know, you grow..."--is the springboard for a series of fond, funny reminiscences about growing up Catholic. He recalls the environs, the school, and most of all the priests. It's obvious he has many affectionate memories of them from the way he talks about them, and it's equally apparent he bears them no ill will (unlike the modern Carlin, who seems to harbor ill will for everyone but himself). His funniest bit here is "Heavy Mystery Time," in which an Irish Catholic boy concocts an increasingly outrageous set of circumstances, in order to remove the sinfulness from a sin. There's nothing mean-spirited about it, nothing done with the intention of hurting anybody--it's just one man's delightful recollection of how boys behave, and how adults react to them.
That's really the heart of Class Clown--it's about the antic joy of childhood in a gentler time. Carlin's astute, wickedly funny observations about people and events are informed throughout the album by that gentleness, that antic, not-quite-lunatic pleasure. That aspect of George Carlin the performer is all but gone today, a reflection perhaps of the gentleness that is gone from our society-and more's the pity, as it's something I wish he (and we) had retained. But if you want to see what the man used to be like when he was an unadulterated genius instead of just pretty effin' funny, then listen to this album. I guarantee you'll be pleasantly surprised.
(Caveat Number Two: Carlin swore less then than he does now, but there is a lot of adult humor and language here--especially the final track, the legendary "Seven Words You Can Never Say On Television" routine. The difference between then and now is that Carlin used to use swear words to examine our values and attitudes towards language; today he just uses swear words. Decide for yourself which is more appropriate.)
Mexican Music:
- Con Tambora
- Corazon de Bolero
- Corazon de Bolero
- Corazones
- Corazones Rotos Al Rumor del Vient
- Cosa Nuestra [Import]
- Cuba Classics, Vol. 5
- Cuentan Por Ahi
- Cumbia Mix
- De Vallenato a Cumbia
Mexican Music
Work/Drugs or Me [CD-single] [Enhanced] [Import]
Music: Eccentric Soul: Capsoul Label [Import]
One of These Days: The Trespass Anthology [Original recording remastered] [Import]
Cuban Originals [Original recording remastered]
Dvorák: Requiem/The Heirs Of The White Mountain
Echo & the Bunnymen [Extra tracks] [Original recording remastered]
Cinco Gallos de la Cancion Ranchera