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1. Poquito de Amor
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2. Como Te Voy a Olvidar
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3. Quiereme
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4. Mi Paz Mi Guerra
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5. Yo Me Voy
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6. Por Donde Comienza
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7. Yenny
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8. Mujer Bonita
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9. Busco la Lunna
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10. Amor Voraz
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11. Cotorra
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12. Homenaje a Rafael
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Un Poco de Amor,Gringo de la Bachata,Sony International,Latin,Latin Music,Latin Pop,Tropical
Average customer rating:
- Superlative collection
- Great value for the money
- Great for the money and a good starter on opera....
- Amazing Value
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100 Best Opera Classics
Manufacturer: EMI Int'l
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ASIN: B0007QOERC
Release Date: 2007-05-14 |
Tracks:
- Voi Che Sepate - Teresa Berganza
- Porgi Amor - Heather Harper
- Deh, Vieni Alla Finestra - Thomas Allen
- Batti, Batti, O Bel Masetto - Elizabeth Gale
- Der Holle Rache - Edda Moser
- O Isis Und Osiris - Cornelius Hauptmann
- Temerari...Come Scoglio - Elisabeth Schwarzkopf
- La Calunnia E Un Venticello - Ruggero Raimondi
- Nei Giardin Del Bello - Ambrosian Opera Chorus
- Casta Diva - Maria Callas
- Se Quel Guerrier...Celeste Aida - Franco Corelli
- Tenesta La Promessa...Addio Del Passato - Beverly Sills
- Niun Mi Tema - Jon Vickers
- Un Bel Di Vedremo - Renata Scotto
- E Lucevan Le Stelle - Placido Domingo
- Si, Mi Chiamano Mimi - Mirella Freni
- In Quelle Trine Morbide - Montserrat Caballe
- Signore, Ascolta - Kiri Te Kanawa
- Recitar...Vesti La Giubba - Jose Carreras
- Amor Ti Vieta Di Non Amor - Roberto Alagna
Tracks:
- Le Veau D'Or Est Toujours Debout - Boris Christoff
- Ou Va La Jeune Hindoue? - Mady Mesple
- L'Amour, L'Amour...Ah! Leve-Toi, Soleil - Alfredo Kraus
- Allons! Le Faut...Adieu Notre Petite Table - Ileana Cotrubas
- Toute Mon Ame Est La Pourquoi Me Reveiller - Nicolai Gedda
- Quand La Flamme De L'Amour - Jose Van Dam
- L'Amour Est Un Oiseau Rebelle - Victoria De Los Angeles
- A Cette Voix...Je Crois Entendre Encore - Alain Vanzo
- Une Puce Gentille - Gabriel Bacquier
- Je Vais Mourir...Adieu, Fiere Cite - Regine Crespin
- Mon Coeur S'Ouvre A Ta Voix - Rita Gorr
- Wie Todesahnung...O Du Mein Holder Abenstern - Dietrich Fischer-Dieskau
- Johohoe! Traft Ihr Das Schiff Im Meere An? - Anja Silja
- In Fernem Land - Chor Der Wiener Staatsoper
- Heil Dir, Sonne! - Siegfried Jerusalem
- Mild Und Leise - Helga Dernesch
Tracks:
- Che Faro Senza Euridice? - Agnes Baltsa
- Der Vogelfanger Bin Ich Ja - Walter Berry
- Finch'Han Dal Vino - Nicolai Ghiaurov
- E Susanna Non Vien!...Dove Sono - Barbara Hendricks
- Abscheulicher! - Christa Ludwig
- Ne M'Abandonne Pas, Espoir De La Vengeance...Asile Hereditaire - Nicolai Gedda
- Largo Al Factotum - Tito Gobbi
- Ella Giammai M'Amo! - Ruggero Raimondi
- La Donna E Mobile - Alfredo Kraus
- Di Quella Pira - Franco Corelli
- Esultate! - James McCracken
- Dio! Mi Potevi Scagliar - Placido Domingo
- Vissi D'Arte, Vissi D'Amore - Maria Callas
- In Questa Reggia - Ghena Dimitrova
- Tanto Amore - Janine Micheau
- O Mio Babbino Caro - Montserrat Caballe
- Ed Anche Beppe Amo - Luciano Pavarotti
- Poveri Fiori - Maria Callas
- Come Un Bel Di Di Maggio - Roberto Alagna
Tracks:
- Les Grands Seigneurs...Ah! Je Ris De Me Voir Si Belle - Victoria De Los Angeles
- Marie, Avec L'Enfant Jesus - Jules Bastin
- Heureux Petit Berger - Janine Micheau
- Connais-Tu Le Pays - Jane Rhodes
- Elle Ne Croyait Pas Dans Sa Candeur - Nicolai Gedda
- Votre Toast, Je Peux Vous Le Rendre...Toreador - Victoria De Los Angeles
- Les Oiseaux Dans La Charmille - Mady Mesple
- Maintenant, Chantons...Devant La Maison De Celui Qui D'Adore - Gerard Souzay
- Depuis Le Jour - Beverly Sills
- Da Geht Er Hin - Elisabeth Schwarzkopf
- Einsam In Truben Tagen - Regine Crespin
- Dich, Teure Halle - Hildegard Behrens
- Leb Wohl, Du Kuhnes, Herrliches Kind - Dietrich Fischer-Dieskau
- Hojotoho! Hojotoho! - Ute Walther
Tracks:
- Non Piu Andrai - Thomas Allen
- La Ci Darem La Mano - Graziella Sciutti
- Duo: Pa-Pa-Pa - Andreas Schmidt
- Soave Sia Il Vento - Delores Ziegler
- Mira, O Norma - Maria Callas
- Il Dolce Suono - Edita Gruberova
- Com'e Gentil - Alfredo Kraus
- Una Voce Poco Fa - Maria Callas
- Libiamo Ne' Lieti Calici - Alfredo Kraus
- Gualtier Malde!...Caro Nome - Michele Pertusi
- Ritorna Vincitor - Birgit Nilsson
- Ave Maria - Katia Ricciarelli
- Nessun Dorma - Franco Corelli
- Che Gelida Manina - Nicolai Gedda
- Ebben? Ne Andro Lontana - Barbara Hendricks
Tracks:
- Mes Amis, Ecoutez L'Histoire - Nicolai Gedda
- Mieux Vaut Mourir...Amour Sacre De La Patrie - Alfredo Kraus
- Ah! Je Veux Vivre Dans Ce Reve - Mady Mesple
- Puisqu'on Ne Peut Flechir...Vainement, Ma Bien-Aimee - Henry Legay
- Suis-Je Gentille Ainsi?...Je Marche Sur Tous Les Chemins - June Anderson
- Belle Nuit, O Nuit D'Amour - Jessye Norman
- La Fleur Que Tu M'Avais Jetee - Jose Carreras
- C'est Toi!...Au Fond Du Temple Saint - John Aler
- Werther, Werther, Qui M'Aurait Dit...Ces Lettres! - Tatiana Troyanos
- Viens, Mallika - Mady Mesple
- Ah! Je Suis Seule Enfin...Dis-Moi Que Je Suis Belle - Beverly Sills
- Alerte, Alerte!...Anges Purs, Anges Radieux - Nicolai Ghiaurov
- Boris's Farewell - Boris Christoff
- Schreckensschwur! - Gary Lakes
- Die 'Selige Morgentraum-Deutweise'...Selig, Wie Die Sonne - Peter Schreier
- Was Am Besten er Kann...Nothung! Nothung! - Siegfried Jerusalem
Customer Reviews:
Superlative collection.......2006-10-11
A collection of 100 individual arias and ensembles from the EMI catalogue of complete works recorded between 1955 and 2003. It includes selections from operas by Italian, Austrian, German, Russian and French composers. The French composers are especially well represented unlike most such anthologies. And there are several more obscure contributions, such as an aria from Catalani's La Wally. A well-judged balance of musical periods and styles, and the very best singers of the last half of the last century. And remarkably, the whole collection of 6 CDS, over 7 hours of music, is being sold for the cost of only 1 CD !
Great value for the money.......2006-04-23
This is simply the best collection of opera arias that I have seen. It's not 100% in that there are a few well-known arias that are not here, but what is here is simply a treasure. The organization is a bit strange, but there's some logic. For example, Disk 6 is mostly from French operas. A seemingly endless amount of glorious music. Just fabulous. You won't be disappointed.
Great for the money and a good starter on opera...........2006-01-07
This cd is a splendid collection of songs, and the price is unbeatable; I have but a few minor complaints about the overall product. The cd would have been much more enjoyable if they had put the music in some sort of order, rather than jumping around from artist to artist sporatically. My only other complaint would be that they could have chosen some better vocalists to play some of the songs. For example, in CD 6, track 3: Romeo et Juliette, the singer was not nearly as strong and definative as she should have been and I've definately heard in various other versions that were way better than this. This disappointed me greatly. But even with these few small complaints, this collection is still great and the price is amazing. It includes MOST of the famous opera pieces, as well some great songs that are often overlooked such as the beautiful song from Wagner's Die Meistersinger von Nurnberg (CD 6, track 16) along with others.
Amazing Value.......2005-08-23
I am so impressed by this collection that I must share my joy at getting so many beautiful arias, duets, et al in one collection. It captures many of the great operatic voices in stellar performances spanning the last 50 years. If you are enchanted by beautiful operatic highlights, removed from their operatic storylines, this set is for you. Hours of gorgeous music for practically pennies!
Average customer rating:
- Very nice introduction to the work of a great soprano
- The very best performance by Victoria de los Angeles
- In Memoriam: A Tribute To The Late Victoria
- the genius of de los angeles
- A n angelic voice
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The Very Best of Victoria de los Angeles
Victoria De Los Angeles
Manufacturer: EMI Classics
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ASIN: B000083GOE
Release Date: 2003-04-22 |
Tracks:
- O Mio Babbino Caro
- Un Bel Di Vedremo
- Si. Mi Chiamano Mimi - Jussi Bjorling
- Senza Mamma
- Voi Lo Sapete, O Mamma
- Qual Fiamma Avea Nel Guardo!... Hui! Stridono Lassu
- Ebben? Ne Andro Lontana
- Nacqui All'Affano...Non Piu Mesta
- Una Voce Poco Fa
- E Strano!... Ah, Fors' E Lui...Sempre Libera
- Porgi, Amor
- Dich, Teure Halle
- Einsam In Truben Tagen
- Je Ne Suis Que Faiblesse...Adieu, Notre Petite Table
- Les Grands Seigneurs...Ah! Je Ris
- Quand Je Vous Aimerai?...L'Amour Est Un Oiseau Rebelle
Tracks:
- Auf Flugein Des Gesanges
- Ich Liebe Dich
- Wiegenlied
- Les Filles De Cadiz
- Cuba Dentro De Un Piano
- Chevre
- Punto De Habanera
- Cancion De Cuna Para Dormir A Un Negrito
- Canto Negro
- De Espana Vengo
- Cancion Del Amor Dolido
- Cancion Del Fuego Fatuo
- La Pastoura Als Camps
- Bailero
- Chut, Chut
- Uno Jionto Postouro
- Oh! Had I Jubal's Lyre
- An Die Musik
- Dein Blaues Auge
- Vergebliches Standchen - Gerald Moore
- L'Invitation Au Voyage
- La Flute Enchantee
- Chanson Espagnole
- Chanson Francaise
- Chanson Italienne
- Clavelitos!
- Malaguena - Gerald Moore
- Granadina - Gerald Moore
- Adios, Granada
- Zapateado (La Tarantula E Un Bicho Mu Malo) - Alicia De Larrocha
Customer Reviews:
Very nice introduction to the work of a great soprano.......2007-07-13
This 2 CD set is a terrific introduction to the body of work of Victoria de los Angeles. As the "liner notes" point out: "She was an artist who brought individuality and a sense of joy to everything she performed. . . ." And this is not hyperbole. She was a top soprano in the middle part of the twentieth century.
Some cuts exemplify her art:
"Un bel di" is a ravishing version of this well known aria. She demonstrates a rich voice with fine musicality. This is a ravishing version of this aria. The singer displays good vocal control. There are nice transitions across the registers.
"Si, mi chiamano Mimi" is another well known work for sopranos. Again, nicely done. She appears (to me anyhow) to catch the spirit of Mimi very nicely indeed.
From "La Traviata," she essays "E strano. . .Sempre Libera." This is an affecting version. She does not have the coloratura armamentarium that some have brought to bear on this aria, but she does a fine job nonetheless. She seems to capture the desperate spirit of Violetta in "Sempre Libera."
Rossini's "Una voce poco fa" is a nice tour de force for sopranos. De los Angeles does a nice job here. This is a work from the Bel canto repertoire, but she does well. She shows vocal agility and captures the spirit of the work. This is an affecting, charming version. There is some occasional vocal harshness, but not a serious issue.
From "Carmen," "L'amour est un oiseau rebelle." Richly and nicely sung.
Her range on this CD is worth noting: from Puccini and Verdi to Wagner to Rossini to Gounod.
And then another of her specialties--songs. She does a nice turn with the Spanish song "Malaguena." Then, in a nice twist, she accompanies herself on guitar in "Adios Granada." I'm not normally so excited about songs, but in this case I found her work enchanting.
So, if you want to get a sense of the artistry of Victoria de los Angeles, this is an excellent starting point. Highly recommended!
The very best performance by Victoria de los Angeles.......2006-09-13
Is the recording on Allegro records of her performance of Madame Butterfly in New Orleans in 1954, not the Rome recording. She is simply radiant, perfect, a voice truly that is a victory for the angels. Unbelievably marvelous.
In Memoriam: A Tribute To The Late Victoria.......2005-02-01
Victoria De Los Angeles died Saturday of heart failure at the age of 83 in Barcelona, Spain. The world of opera mourns her loss. She was a gifted soprano and a wonderful human being. On stage, she was able to directly speak to her audience and communicate with them in a very special and rare way that is not always seen today. She never hid herself behind a facade nor distanced herself from fans and audiences. She was born to sing opera. It was in her blood. This album showcases De Los Angeles in her most memorable and successful roles. Victoria De Los Angeles was one of the first singers from Spain to win worldwide acclaim. Others would follow- Placido Domingo and Montserrat Caballe. De Los Angeles is showcased in this album which may also serve as a tribute to the now late soprano.
Her voice was essentially full lyric with some spinto. Hearing her renditions of "O Mio Babbini Caro"- a signature soprano role, as well as "Ebben Ne Andro Lontana" from La Wally and her performances as Mimi, one is clearly treated to the truest form of a pure lyric soprano. Her voice is spunned gold, with sweet, warm, feminine textures. Her reperotire remained in the Italian and French. Of course, being Spanish, she was a leading singer in Spanish Lieder and romantic ballads. Her Art Songs in Spanish are full of elegance and grace. A champion of obscure composers, she sang and recorded recitals that featured the works of lesser known composers, though strictly Lieder and Folk/Art Song.
Victoria De Los Angeles is fortunately a well-documented artist. Some film footage exist of her performances. I seem to recall that there exists a taped performance of her Violetta in Verdi's La Traviata. She excelled in the lyric roles of Mimi in Puccini's La Boheme, Marguerite in Gounod's Faust. Her Madame Butterfly is a pure lyric rendition, with less of the dramatic intensity other singers have given the role- i.e. Leontine Price, Maria Callas, Renata Tebaldi, etc. But her Butterfly is actually the way the role ought to be sung. It's a voice of grace, naivete and above all romance that must colorize Butterfly. The dramatic intensity only makes her sound older and madly passionate. She is only a fifteen year old girl who has been deceived and betrayed. She must remain youthful sounding. De Los Angeles does justice to the truest form of Butterfly. She was thrilling in French and Italian operas and her Spanish songs were briliant and beautiful.
Victoria will always be remembered. She was a unique and talented artist of the lyric repertoire. Her pure, lovely voice was like an angel's. There will never be another Victoria De Los Angeles. With her death, the end of an era also passes. In particular, I will always remember one reported incident. She was about to make her first recital in America but she had no accompanist- pianist/guitarist etc. When asked how she would handle this, she remarked: "Well I brought my guitar with me". And she proceeded to accompany herself with the guitar.
the genius of de los angeles.......2004-02-14
the incomparable de los angeles combines exquisite sound and nuance to the world of superb singing. her mastery of a variety of styles is astounding and yet it always sounds natural.her magic will live forever.
A n angelic voice.......2004-02-06
De los Angeles' ability to sing with elegance and style has rarely been equalled and never been surpassed. She's the greatest Charlotte in "Werther", the most tender Santuzza in "Cavalleria Rusticana" and the most sumptuos Nedda in "I Pagliacci". Her Lieder-Recordings are legendary, my favourites are the Spanish ones of course. What a piano-culture and what a velvet sound! Get this set, it's cheap and it has GREAT singing!
Average customer rating:
- Refreshing and Surprising!
- Some of the most thought-provoking recordings ever, combined with some of the most perfect performances I have ever heard.
- Best ever!!
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Wolfgang Amadeus Mozart: Le nozze di Figaro / Don Giovanni / Così fan tutte / Die Zauberflöte - The Drottningholm Court Theatre Orchestra & Chorus / Arnold Östman
Barbara Bonney , Arleen Auger , and The Drottningholm Court Theatre Orchestra & Chorus
Manufacturer: Decca
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Binding: Audio CD
All Works by Wolfgang Amadeus Mozart
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ASIN: B00006IU7V
Release Date: 2003-03-11 |
Album Details
These Pioneering Performances of Four of Mozart's Greatest and Most Popular Operas under the Direction of Arnold Östman were Recorded at Nacka Aula, Stockholm. They all Attracted Great Critical Acclaim at the Time of their Original Release and have Been a Part of Decca's Vast Opera Catalogue Ever Since. The Da Ponte Trilogy (One of the Greatest Librettist/Composer Collaborations in the Entire History of Music), Comprising Le Nozze Di Figaro, Don Giovanni and Così Fan Tutte, is Paired with One of Mozart's Last Operas, Dating from the Last Year of his Life, Die Zauberflöte. The Superb Casts Assembled for These Recordings Include Such Experienced Mozart Interpreters as Arleen Auger (Countess, Donna Anna), Barbara Bonney (Susanna, Zerlina, Pamina), Håkan Hagegård (Count, Don Giovanni, Speaker), Sumi Jo (Queen of the Night), Della Jones (Marcellina, Donna Elvira), Petteri Salomaa (Figaro), Kurt Streit (Tamino), Lillian Watson (Papagena), Gösta Winbergh (Ferrando), Rachel Yakar (Fiordilig
Customer Reviews:
Refreshing and Surprising!.......2006-11-24
I would strongly recommend this collection to anyone who is seeking a new approach and sound world for these Mozart operas. Ostman opts for brisk tempi and transparent textures, but hardly ever at the expense of characterization or expressivity. The singers respond to the challenge with performances that bristle with excitement and fun. The cast blends with the orchestra like a chamber music ensemble, inspiring the listener to experience the opera as a conversation between the text and the intimations expressed in Mozart's musically and psychologically penetrating orchestration. Occasionally one may miss the lyric line and warmth associated with such great Mozart conductors as Bruno Walter or Karl Bohm; but the brio, virtousity, and brilliant insights of Ostman compensate with different kinds of rewards. Also, there is an intimate atmosphere in these recordings that is most faithful to the ethos and meaning of the libretti themselves. After listening to this period approach, my understanding of Mozart has changed radically, and I continue to relish the challenge that these performances have given to my interpretative sensibilities.
Some of the most thought-provoking recordings ever, combined with some of the most perfect performances I have ever heard........2005-09-14
First of all, I must state first that I was ANXIOUS to write this rave review. Ever since I got these cd's and realized the treause that is to be found in these recordings I just couldn't wait until I'd had the chance to tell everybody else about it... I honestly believe these recordings should be heard by anybody who is interested in this repertoire and music in general, since this are also some of the most perfect pieces of music in the repertoire.
As for the music itself, I am not going to write about. I think it is enough to read my last sentence to realize exactly what I think about it - and it is really just a must. That's composition taken to the highest possible level.
What I do want to write is about the performances.
Arnold Ostman, not the most known figure in the musical world, (not even amongst musicians- I come from Juilliard, and that name is definitely not one everybody knows) has created in the 80's in Mozart the equivalent of what Harnoncourt and Gardiner have done in Bach performance practice, i.e. has totally changed the conecption which was assimilated into everybody's mind regarding notions about how music of that era should sound like.
Trying to create a performance experience which emulates Mozart's period performance practice he changed everything starting from tempos, through ornamentation and of course- the voices themselves.
For us, most people indoctrinated by the post-romantisicm eastablished especially by Herbert von Karajan and the ilks of him, the first initial response will be a shock. The almost imperceptible swift tempos, the small voices etc. are sure to knock over anybody who haven't heard these recordings before. It might create an intial negative response but hang-on there, as the result is so much more gratifying then of hearing a recording of Karajan, Giulini, Furtwangler or any GREAT other conductor from that era- They were obviously incredible musical figures, but in terms of style and total perception of the piece it just doesn't work on the same level, in Mozart of course. (You'd still want to keep your Furtwangler's ninth copy...)
What is so great about Ostman is the freshness of mind with which he walks into every piece. Just like a real iconoclast
it seems as if he has landed from an entire different planet, and is just coming to conduct these pieces and give their debut. I can't give a more sincere and true compliment than that, musically speaking.
The results are the most fresh interpretations up to date of Mozart most important operas which also derive from some of the best vocal performances I have ever heard.
Under Ostman's direction it seems as though all the singers bloom and give their most musical and inspired performances,
holding on under the swiftest tempos in an admirable way. There is no point in pointing out names because it is as in a rule that the performances are just stellar one by one, even though not carrying around sometimes the most famous names.
This is not to say that all of the recordings in this set are equally perfect, and that I agree to all of the interprations and the insights given by Ostman, but you can't disregard the feeling that he knew EXACTLY what he wanted and executed it almost flawlessly. (the one exception might be small part of Cosi, mainly the overture, which was recorded very early in the stages of period instruments playing- therefore not always as perfect as you would have liked to hear it, but the performance as a whole is still the most beautiful Cosi I know.)
As for the packaging itself: The price is a complete steal, (incredible especially if you order it through other sellers, got mine for about 40$). What you DON'T get are the librettos, so you'd HAVE to get them from a different source. Either a different recording you might have, (you just might want one of the standard reference recordings one usually hears about like Giulini's) or you could just buy the librettos through Amazon, would still cost you very little.
Should not be missed by any terms by anybody who cares for music.
Ran
Best ever!!.......2004-01-12
Ostman created a stir when he made these recordings in the 1980s. And now it available in a collectors' edition box. I'm so excited. Sumi Jo's Queen of the Night here is even better than her recording for Solti. Ostman's Don Giovanni is the fastest I've ever heard, not to mention the most exciting. This Cosi Fan Tutte is Gramophone's reference Cosi. And this Figaro has many "alternative" arias that other recordings never bother with. Don't worry, the alternative is at the back so you can program it out. In fact, this is the only set of Mozart operas with ALL the alternative arias available. Even Gardiner does not have some of these. So this is a supreme set of importance.
I cannot recommend this too highly. Exciting performances now available in Decca's collectors' edition.
Average customer rating:
- Good for what it is, however narrow.
|
Telarc SACD Sampler: The Absolute Sound
Manufacturer: Telarc
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ASIN: B000CRR3Q0
Release Date: 2006-01-24 |
Customer Reviews:
Good for what it is, however narrow........2006-11-09
The Absolute Sound has been a premiere audiophile rag for decades. If you are one, you already know them. If not, then there is only a small chance their magazine will be useful to you. They have another publication for home theatre, "Perfect Vision" which has far broader appeal these days. SACD is the format for this disk. Many of them are pressed in "hybrid" for use on conventional CD players. SACD is a significant improvement on the CD, which initially promised "perfect sound forever".
Telarc is a particularly high quality label that supports SACD. They have a fine list of recordings that extends far beyond these chestnuts.
To appreciate this improvement you need to have a SACD player. So the best use of this disk is to bring it with you to different audio stores to audition their equipment. Over time it functions as a reference disk, or benchmark, as you compare different sound systems.
Because it has only bleeding hunks of well known classical music, it has little other value unless you are interested in classical music but have little experience of it. In that case it may serve as a sampler to lead you to buy complete recordings of these selections. But again you need the SACD player, which you may already have if you are a jazz or rock audiophile. Otherwise, pass it by.
Average customer rating:
- RIP, JERRY HADLEY 1952-2007
- INTERESTING REPERTOIRE, WELL SUNG
|
Jerry Hadley - The Age of Bel Canto
Manufacturer: RCA
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Similar Items:
- Jerry Hadley and Thomas Hampson - Famous Opera Duets (Tenor/Bass)
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ASIN: B000003FTA
Release Date: 1996-01-16 |
Customer Reviews:
RIP, JERRY HADLEY 1952-2007.......2007-07-18
Among his numerous recordings of opera, concert and lighter works, this one CD best serves the late tenor's art. Arias, both familiar and not, exemplify his clear, clean singing, wonderful diction and musicality. Although it is currently unavailable, I'm hoping RCA will see fit to reissue it soon in memory of a truly fine American-trained artist and singer.
INTERESTING REPERTOIRE, WELL SUNG.......2003-11-14
While currently out of print BMG might well reissue the album so some comments are in order. The album has a repertoire that is, under any conditions, exceptionally demanding with the arias from Dom Sebastien, La dame blanche, Les Huguenots, etc., being among the most difficult to sing in the tenor literature. For the most part Hadley proves a wealth of beautiful, well posed tone running into trouble only when he must deal with troublesome top notes that have never been his forte. The top c-sharp taken in the aria "Seul sur la terre" from Dom Sebastien in pure head tone( read falsetto )is really stylistically correct but the versions by Marcelo Alvarez, Roberto Alagna, Luciano Pavarotti( as "Deserto in terra" ), and, of course, Alfredo Kraus are much more thrilling with the top note ringing out in full voice. Kraus was well into his 60s but his ageless voice took the top notes with consummate ease.
The arias from Lucia di Lammermoor, L'elisir d'Amore, Mignon, Lakme, and The Bohemian Girl are all well done with really beautiful tone and stylistic elan. The arias from Les cloches de Corneville, L'eclair, and The Rose of Castille and Sigismondo are well sung but so new to me as music that a critical evaluation is not possible.
The aria from Martha sung in the original German as "Ach, so fromm" is, at the climax, rather stressful and strained.
The sound is excellent and the direction of the English Chamber Orchestra by Richard Bonynge is a real plus for both Hadley and the listener.
Overall this album is worthy of Hadley's reputation as an outstanding lyric tenor who has proven his worth in any number of difficult, demanding operatic roles. Listen, for example, to his clear runs, etc. While Hadley isn't the ideal tenor for operas like Tosca, Il Trovatore, etc., he can and does provide much pleasure in the type of repertoire recorded here and in modern works.
Average customer rating:
- Not worth buying!
- Don't waste your money
- Perfect for "drop the needle" style tests
- A CD with Attention Deficit Disorder
- This sucks...
|
Only Opera CD You'll Ever Need
Manufacturer: RCA
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ASIN: B000003GA0
Release Date: 1997-10-14 |
Tracks:
- Antony & Cleopatra: 'Give Me My Robe' - Leontyne Price
- Fidelio: 'In des Lebens Fruhlingstagen...' - Ben Heppner
- Fidelio: Act II Quartet: 'Ach, du bist gerettet...' - Deborah Voigt
- Norma: 'Casta Diva' - Rosa Ponselle
- Candide: 'Glitter And Be Gay' - Harolyn Blackwell
- Candide: 'Make Our Garden Grow' - Jerry Hadley
- Carmen: Flower Song - Placido Domingo
- Carmen: Habanera - Rise Stevens
- Carmen: Toreador Song - Robert Merrill
- Les pecheurs de perles: Duet: 'Oui, c'est elle, c'est la deesse...' - Robert Merrill
- Mefistofele: 'Ecco il mondo' - Samuel Ramey
- La Wally: 'Eben, ne andro lontana' - ONLY OPERA CD YOU'LL EVER NEED
- Lakme: Bell Song - Lily Pons
- L'Elisir d'Amore: 'Una furtiva lagrima' - Tito Schipa
- Lucia di Lammermoor: 'Chi mi frena in tal momento...' - Carlo Bergonzi
- Lucia di Lammermoor: 'Spargi d'amaro pianto' - Anna Moffo
- Martha: 'M'appari tutto amor' - Jussi Bjoerling
- Porgy & Bess: 'Summertime' - Leontyne Price
- Porgy & Bess: 'Bess, You Is My Woman' - William Warfield
- Andrea Chenier: 'Come un bel di di maggio' - Ben Heppner
- Romeo et Juliette: Juliette's Waltz; 'Je veux vivre' - Ruth Ann Swenson
- Salammbo: Aria - Kiri Te Kanawa
- Hansel & Gretel: 'Suuse, liebe Susse - Helen Donath
- I Pagliacci: 'Vesti la giubba' - Enrico Caruso
- Cavalleria Rusticana: 'Viva il vino' - Jussi Bjoerling
- Cherubin: 'Lorsque vous n'aurez rien' - Dawn Upshaw
- Manon: 'Ah! Fuyez, douce image' - Richard Crooks
- Cosi fan tutte: 'Come scoglio immoto resta' - Leontyne Price
- Don Giovanni: 'La ci darem la mano' - Edith Mathis
- Don Giovanni: 'Deh! vieni alla finestra' - Ezio Pinza
- Don Giovanni: 'Non mi dir' - Carol Vaness
- Le nozze di Figaro: 'Non piu andrai...' - Alan Titus
- Le nozze di Figaro: 'Porgi, amor' - Carol Vaness
- Le nozze di Figaro: 'Deh vieni, non tardar' - Bidu Sayao
- Die Zauberflote: 'Dies Bildnis ist bezaubernd schon' - Fritz Wunderlich
- Die Zauberflote: Der Holle Rache - Zdislawa Donat
- Die Zauberflote: Papageno - Papageno Duet - Christian Boesch
- Boris Godunov: 'I v ljutomgore, nisposlannom Bogom...' - Alexander Kipnis
- Tales Of Hoffmann: Barcarolle - Montserrat Caballe
- La Gioconda: 'Cielo e mar' - Beniamino Gigli
- La Boheme: 'Che gelida manina' - Giuseppe Di Stefano
- La Boheme: 'Mi piaccion quelle cose...' - Licia Albanese
- La Boheme: 'Fremon gia nell'anima' - Luciano Pavarotti
- La Boheme: Musetta's Waltz Song - Judith Blegen
- Gianni Schicchi: 'O mio babbino caro' - Angela Gheorghiu
- Madama Butterfly: 'Ah, ti serro palpitante' - Placido Domingo
- Madama Butterfly: 'Un bel di' - Leontyne Price
- Manon Lescaut: 'Donna non vidi mai' - Jussi Bjoerling
- La rondine: 'Chi il bel sogno di Doretta - Anna Moffo
- TOSCA: 'Recondita armonia' - Placido Domingo
- TOSCA: 'Vissi d'arte' - Irina Oudalova
- TOSCA: 'E avanti a lui...' - Zinka Milanov
- TOSCA: 'E lucevan le stelle' - Mario Lanza
- Turandot: 'Signore, ascolta' - Renata Tebaldi
- Turandot: 'In questa reggia' - Birgit Nilsson
- Turandot: 'Nessun dorma' - Jussi Bjoerling
- Dido & Aeneas: 'When I Am Laid In Earth' - Leontyne Price
- Il Barbiere di Siviglia: 'Largo al factotum' - Robert Merrill
- Il Barbiere di Siviglia: 'Una voce poco fa' - Roberta Peters
- Samson et Dalila: 'Mon coeur s'ouvre' - Christa Ludwig
- The Bartered Bride: 'Wenn ich das einmal erfahre' - Teresa Stratas
- Elektra: 'Agamemnon' - Inge Borkh
- Der Rosenkavalier: 'Ist ein Traum' - Erna Berger
- Salome: 'Nicht in der Welt...' - Inge Borkh
- Eugene Onegin: Lenski's Aria - Placido Domingo
- Eugene Onegin: Tatiana's Letter Scene - Leontyne Price
- Aida: 'Celeste Aida' - Jussi Bjoerling
- Aida: 'Ritorna vincitor!' - Leontyne Price
- Aida: 'Gloria all'Egitto' - John Alldis Choir
- Aida: 'O patria mia' - Leontyne Price
- Un Ballo in Maschera: 'O docezze perdute! O memorie...' - Robert Merrill
- Don Carlo: 'Dio, che nell'anima infondere' - Placido Domingo
- Ernani: 'Emani, involami' - Leontyne Price
- La forza del destino: 'Or muoio tranquillo...' - Robert Merrill
- La forza del destino: 'Pace, pace mio dio' - Zinka Milanov
- Nabucco: 'Va, pensiero' - Oleg Reshetkin
- Otello: 'Credo' - Tito Gobbi
- Otello: Willow Song - Leonie Rysanek
- Otello: 'Niun mi tema' - Jon Vickers
- Rigoletto: 'Qesta o quella' - Alfredo Kraus
- Rigoletto: 'Caro nome' - Anna Moffo
- Rigoletto: 'La donna e mobile' - Jan Peerce
- Rigoletto: 'Bella figlia dell'amore' - Alfredo Kraus
- La Traviata: Brindisi - Montserrat Caballe
- La Traviata: 'Di provenza' - Sherrill Milnes
- La Traviata: 'Sempre libera' - Eleanor Steber
- La Traviata: 'Addio del passato' - Anna Moffo
- Il Trovatore: Anvil Chorus - Moscow Classical Chorus & Ensemble
- Il Trovatore: 'Di quella pira' - Placido Domingo
- Il Trovatore: 'Tacea la notte placido - Leontyne Price
- Die Meistersinger von Nurnberg: 'Morgenlicht leuchtend' - Set Svanholm
- Die Walkure: Ride Of The Valkyries - Staatskapelle Dresden
- Die Walkure: Wotan's Farewell - Lawrence Tibbett
- Siegfried: Song Of The Forest Bird - Norma Sharp
- Gotterdammerung: 'Starke Scheite schichtet mir dort' - Kirsten Flagstad
- Lohengrin: Bridal Chorus - Robert Shaw Chorale
- Lohengrin: 'In fernem Land' - Lauritz Melchior
- Tannhauser: 'Dich teure Halle' - Waltraud Meler
Customer Reviews:
Not worth buying!.......2007-05-29
I found this recording basically worthless. It contains only very short excerpts of the song. Not enough to get into and enjoy!
Don't waste your money.......2007-01-18
This is the worst purchase I have ever made. It is a truly dreadful piece of work.I was so disgusted with it that I threw it into the trash can.
Perfect for "drop the needle" style tests.......2006-11-19
If you want to hear full recordings of arias, then this disc is not for you. It plays only tidbits of 99 arias. Contrary to the title, this is definitely not the only opera disc you'll ever need. You shouldn't take it seriously. This disc has next to no value for an opera neophyte. But for opera fanatics, there has never been a better test of your knowledge of operatic repertoire and singers. It's a great challenge for opera buffs. Sit down with your opera loving friends for an hour, play this disc, and try to be the first to identify the singer, composer, opera, and piece. If you're a music professor, this disc would make for an awesome pop quiz. Find out how well your students really know their opera repertoire.
A CD with Attention Deficit Disorder.......2006-10-02
I don't know anyone who would enjoy this CD. It will drive opera fans nuts with a hundred exerpts that run about 30 seconds each, then fade out without the singers even finishing a single verse. It's more like an index of arias, or a volume of teasers that hucksters might use to sell opera CDs.
I never realized how much Bernstein's "Glitter and be gay" sounded like Delibes' "Bell Song" until I heard 35 seconds of one, followed 23 seconds of the other.
Maybe the TV show 'Jeopardy' could use this CD. 'What is "Hush little baby don't you..."??'
What a waste of beautiful voices and great music. 38 seconds of Enrico Caruso, followed by 31 seconds of Jussi Bjoerling, followed by 38 seconds of Dawn Upshaw.
My copy is going to go sailing into the wastebasket as soon as I finish this review.
This sucks..........2006-03-31
I should only blame myself for not checking out more reviews... this is a CD filled with short, little snippets of great operas songs... and I mean SHORT, LITTLE snippets of 30 seconds or so, each. Don't buy this CD... it is a complete rip off... and that is saying ALOT since it is only $4.00... Again, my fault for not reading the reviews but I trusted that something called a "Music CD" would actually have complete songs... What else does this company offer? A "Music CD" that only has the intros or applause tracks to great songs...?
Move on to something else... Amazon has a great selection... just not this one.
Average customer rating:
- One Of The Best
- outstanding CD and great introduction to these great works
|
Carreras · Domingo · Pavarotti ~ Favorite Arias by the World's Favorite Tenors
Giacomo Puccini , Gaetano Donizetti , Giuseppe Verdi , Umberto Giordano , Ruggiero Leoncavallo , Jules Massenet , Richard Strauss , Pietro Mascagni , Francesco Cilea , Eve Queler , Lorin Maazel , Emerson Buckley , Michael Tilson Thomas , Sir John Pritchard , Giuseppe Patane , Zubin Mehta , Leonard Bernstein , James Levine , Luciano Pavarotti , Placido Domingo , Jose Carreras , and Ingvar Wixell
Manufacturer: Sony
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Binding: Audio CD
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Similar Items:
- Marton · Scotto · Te Kanawa ~ Favorite Puccini Arias by the World's Favorite Sopranos
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- Carreras · Domingo · Pavarotti ~ the three tenors in concert / Mehta
ASIN: B0000027IG
Release Date: 1991-07-02 |
Tracks:
- Fedora: Amor Ti Vieta
- L'Elisir d'Amore: Una Furtiva Lagrima
- Lucia de Lammermoor: Fra Poco A Me Ricovero
- La Traviata: De' Miei Bollenti Spiriti (Domingo)
- Rigoletto: Questa O Quella
- Rigoletto: La Donna E Mobile
- TOSCA: E Lucevan Le Stelle
- La Boheme: Che Gelida Manina
- Gianni Schicchi: Firenze E Come Un Albero Fiorito
- Madama Butterfly: Addio, Fiorito Asil
- Pagliacci: Vesti La Giubra
- Andrea Chenier: Un Di All' Azzurro Spazio
- Andrea Chenier: Come Un Bel Di Di Maggio
- Le Cid: O Souverain, O Juge, O Pere
- Der Rosenkavalier: Di Rigori Armato Il Seno
- Iris: Apri La Tua Finestra!
- Luisa Miller: Quando Le Sere Al Placido
- Adriana Lecouvreur: L'Anima Ho Stanca
- Turandot: Non Piangere, Liu!
- Turadot: Nessun Dorma
Customer Reviews:
One Of The Best.......2005-08-07
This album has got to be one of the best compilations in its genre. If you are into male opera singers, specifically tenors, then you should definitely buy this CD. Imagine their hearty expressive voices coming out of your home stereo system. It might make you cry! (in a good way)
outstanding CD and great introduction to these great works.......2000-05-12
These three are amazing and this CD gives you a great introduction to their talent. The music is soothing and relaxing. The Arias chosen for this CD are awesome, however my only complaint would be that most of them are short (2 to 3 minutes). There are few arias that are longer (more than 4 minutes). I found the short arias to be a bit distracting because I'd just start relaxing into a song and then it would be over. Notwithstanding, a great CD and definitely worth owning.
Average customer rating:
- Excellent introduction to Tebaldi's art
- Wonderfull
- Classic Renata
|
Classic Puccini Recordings
Puccini , and Tebaldi
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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- The Complete Recordings, 1902-1920 (Box Set)
ASIN: B00006IU8W
Release Date: 2003-03-11 |
Album Details
Italian Soprano Renata Tebaldi was One of the Most Important Post-war Sopranos to Tackle a Wide Range of Puccini Roles, and During the 1950s She Recorded Several Complete Opera Recordings. Some of the Operas were Recorded Twice in Mono and Then in Stereo. Amongst Those which Tebaldi Committed to Disc in the Recording Studio on Two Occasions Must Be Included La Bohème and Madama Butterfly. It is the Earlier, Mono Recordings of These Two Operas which Are Included Here and They Reveal a Fresh-voiced Tebaldi in Recordings Which, Despite the Stereo Remakes, have Stood the Test of Time.
Customer Reviews:
Excellent introduction to Tebaldi's art.......2005-09-29
This set covers the entire productive years of Tebaldi's recording career. Turandot, Butterfly and Boheme are from her earlier career while Tosca is from her later career. Since this Tosca recording is now out of print and is somewhat hard to find, this recording itself almost worth the cost of the set. In Turandot, you will find Tebaldi at her fresher voice, lovely and melting. Eventhough I would still rate Callas' first recorded Tosca as my first choice, this Tosca comes very close. Enjoy.
Wonderfull.......2005-08-19
Fantastic recordings at a very good price. Tebaldi and Del Monaco rule. You should definetely own this set.
Classic Renata.......2005-03-16
To say that these 12 disks contain some of the finest singing ever committed to disk is no exaggeration, but a simple statement of fact. Historical fact. In the 100 years (more or less) that Puccini operas have been around, only a few sopranos in each generation have been the equal of Renata Tebaldi. One cannot objectively say that anyone has surpassed her. Some opera lovers find her peerless in many of these performances. Personal tastes in singers vary, but no one ever sang these roles better. Few anywhere nearly so well. There is not a single note on any of these recordings that is not heartfelt to the core of her being. Like Maria Callas and Franco Corelli, she was luminous, gargantuan in her talent that personified an age. This is one of the great compilations.
Average customer rating:
- OPERA HEAVEN
- Incredibly Beautiful . . .
- Ultimate Aria
- Ultimate indeed
|
The Ultimate Aria Collection ~ A Passion for Opera
Georges Bizet , Giuseppe Verdi , Giacomo Puccini , Gaetano Donizetti , Ruggero Leoncavallo , Gioachino Rossini , Gustave Charpentier , Leo Delibes , Vincenzo Bellini , Christoph Willibald Gluck , Pietro Mascagni , Wolfgang Amadeus Mozart , Francesco Cilea , Edouard Lalo , Camille Saint-Saens , Arrigo Boito , George Frideric Handel , Alfredo Catalani , Amilcare Ponchielli , Charles Gounod , Jules Massenet , Ambroise Thomas , Fritz Wunderlich , Rome Opera Theater Orchestra & Chorus , Maria Callas , Elisabeth Schwarzkopf , Orchestra e Coro del Teatro alla Scala , Wiener Philharmoniker , Orchestre de Paris , Carlo Maria Giulini , Tullio Serafin , Sir Charles Mackerras , Francesco Molinari-Pradelli , Riccardo Muti , and Leone Magiera
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
Bellini, Vincenzo
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- The Most Famous Opera Arias
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- Aria II: A Passion for Opera
- Aria: A Passion for Opera
- Rapture: Opera's Most Heavenly Moments
ASIN: B000009OQL
Release Date: 1998-08-11 |
Tracks:
- Carmen: Quand je vous aimerai? ...L'amour (Habanera)
- I Pagliacci: Recitar!... Vesti la giubba
- Madama Butterfly: Un bel di vedremo
- L'Elisir d'Amore: Una furtiva lagrima
- Nabucco: Va pensiero (Chorus Of The Hebrew Slaves)
- Gianni Schicchi: O mio babbino caro
- Rigoletto: La dona e mobile
- The Barber Of Seville: Largo al factotum
- Louise: Depuis le jour
- Lakme: Flower Duet
- Turandot: Nessun dorma
- Norma: Casta diva
- Gianni Schicchi: A vete torto!
- TOSCA: Vissi d'arte
- TOSCA: E lucevan le stelle
- La rondine: Chi il bel sogno di Doretta
- Il Trovatore: Di quella pira
Tracks:
- L'Elisir d'Amore: Quanto e bella, quanto e cara!
- Orphee et Eurydice: J'ai perdu mon Eurydice
- La Boheme: Che gelida manina
- La Boheme: Si, mi chimano Mimi
- La Traviata: Di Provenza il mar
- L'amico Fritz: O amore, o bella luce del core
- Le nozze di Figaro: Voi che sapete
- TOSCA: Recondita armonia
- Adriana Lecouvreur: Ecco, respiro appena...lo son l'umile ancella
- Le Roi d'Ys: Puisqu'on ne peut... Vainement, ma bien-aimee
- Samson et Dalila: Mon coeur s'ouvre a'ta voix
- Mefistofele: Dai campi, dai prati
- Manon Lescaut: In quelle trine morbide
- Serse: Ombra mai fu
- Turandot: Signore, ascolta
- Manon Lescaut: Donna non vidi mai
- La Wally: Ebben? ne ando lontana
- La Gioconda: Cielo e mar
Tracks:
- Aida: Se quel guerriero io fossi...Celeste Aida
- Romeo Et Juliet: L'amour, l'amour...Ah, leve-toi soleil
- Mefistofele: L'altra notte in fondo al mare
- Werther: Toute mon ame est la...Pourqui me reveiller
- Barber Of Seville: Una voce poco fa
- Cosi Fan Tutti: Un aura amorosa
- Le Villi: Se como voi piccina
- Un Balle en Maschera: `Se come voi piccina`
- Carmen: La fleur que tu m'avais jette
- La forza del destino: Pace, pace mio Dio
- Adriana Lecouvreur: L'anima ho stanca
- La Gioconda: Suicidio
- Don Giovanni: Dalla sua pace
- La Traviata: De' miei bolenti spiriti
- La nozzi di Figaro: Porgi amor
- Turandot: Non piangere, Liu
- Mignon: Elle ne croyait pas dans sa candeur naive
Amazon.com
Put together in evident haste, this collection is nevertheless a surefire, appetite-whetting starter kit both for the budding operaphile and for the simply intimidated. The samplings include some of the greatest voices from EMI's vaults: here you'll find the polar opposites Callas and Caballe, the golden wonder of Wunderlich and early Carreras, and a host of other singers who've made their stamp on this century. Emphasis is on the soprano and tenor range, while the lower voices are given short shrift, and the selections cleave predictably to standard Italian and French repertory (with an occasional surprise, such as an aria from Lalo's Le Roi d'Ys). Still, the nearly three and a half hours of music represented will make a ready convert of anyone who hasn't experienced the specially heightened, time-stopping expressivity--beyond the power of mere song--that is the aria's function and will likely spark a desire to explore the larger operatic context in several cases. And though the lack of a booklet with texts or at least bios of the artists is frustrating, this is a good place to begin for an overview of the mesmeric power extraordinary voices can wield. --Thomas May
Customer Reviews:
OPERA HEAVEN.......2002-12-13
Probely this is a good buy for someone who is gest getting into the world of OPERA.Still a very good purchaes with fimiluar songs.
Incredibly Beautiful . . ........2001-10-27
If you love opera - this collection of some of the lovliest arias ever sung by artists from Caballe to Freni, from Delibes to Puccini - will inspire you. It is a wonderful gift for friends or for yourself.
Ultimate Aria.......2001-08-03
In my small operetic mind, this set of Cd's has completely captured me for the Opera. I was a young and upcoming musician in my youth. I'v been around the block "as it were" with the Classics. This collection is indeed, the benchmark upon which all others would hope to aspire.
Congradulations EMI for an incredible vision of the greatest opeatic moments recorded.
Gosh what's next?
Ralph Hassman
Ultimate indeed.......2000-08-02
If you don't like the idea of buying whole operas, or if you're a newcomer to opera - this is an extremely good collection / introduction, worth every single cent. The collection features many of the worlds greatest singers, giving their interpretations of some of the world's greatest arias. The compilation itself is very tasteful and covers a wide range from Handel to early 20th century composers. You won't miss any important stuff from the history of opera, except maybe Wagner and the most modern operas - I'll come back to that fact later. The compilers have actually put some lesser known, although no less beautiful, arias here, that oftenly are neglected on ordinary opera-collections, why the name `ultimate collection' is more than correct in that aspect.
EMI have a enormous archive to pick their recordings from, and that of course makes it easy to find first rate interpretations of all the arias included in this collection, and I do think that almost all of the arias are wonderfully sung here. It may be possible to find better performances of single numbers here and there, but I've not yet heard a more complete, wellmatched, and so thrillingly sung collection.
Well then, is there nothing wrong with this compilation? You might find it a little odd that there are so many soloarias and so few duets, terzettos a.s.o, especially since the drama in operas oftenly is greater in numbers with more than one singer. You might also wish that some of the recordings had been a little more modern (most of these recordings were made during the 50's, 60's & 70's) giving place to younger performers that still are singing on the stages, but those are minor objections when the over all quality is so high.
The maybe strongest objection to this collection is that there is not one single part from any of Wagner's operas, and not any number sung in german, nor is there any parts from modern or russian operas. That may be a miss if you're interested in Wagner, russian and modern opera - on the other hand I think you should watch Wagners, russian and modern operas before listening to recordings of them - and if you've seen them and liked them you will probably buy the whole opera anyway. Therefor I still think that this is a extremely strong and complete compilation - the best I've run into so far. Easy to listen to, yet never banal.
Average customer rating:
- Viveca sparkles
- Pure pleasure....
- More Bravura
- Bel Canto Arias; Vivica Genaux
- BRAVA! BRAVA! BRAVA!
|
Bel Canto Arias; Vivica Genaux
Vivica Genaux , Gioachino Rossini , Gaetano Donizetti , John Nelson , and Ensemble Orchestral de Paris
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000BWTK1
Release Date: 2003-09-16 |
Tracks:
- Nacqui All' Affanno
- Cruda Sorte! Amor Tiranno!
- Amici, In Ogni Evento...Pensa Alla Patria
- Nella Fatal Di Rimini
- Il Segreto Per Esser Felici
- Popolo, Amici, Sanguinosi Allori... Ah! Si, Da Tanti Affani
- E Sgombro Il Loco... Un Bacio, Un Bacio Ancora
- Mura Felici
- Eccomi Alfine In Babilonia... Ah! Quel Giorno Ognor Rammento
- Una Voce Poco Fa
Customer Reviews:
Viveca sparkles.......2007-01-04
If you love Bel Canto and Mezzo Sopranos, you will love Vivica Genaux!
Pure pleasure...........2006-05-19
I have her Farinelli CD, as well. I also saw her on A&E some time ago. My only criticism was her excessive chin movements but, then, I don't get all bent out of shape over Bartoli's grimaces -- and the voice is the thing, after all.
As for Fach, a singer doesn't need to enjoy merely one, although many are restricted to such. What I like about Genaux, aside from the absolutely beautiful tone, is that she is NOT mannered. She has just the right take on every one of these arias. Spare me from the singers who just MUST emote all over the place when simplicity and class are sufficient.
I've had this CD since for some time and decided to see what others thought of it -- I'm always interested in other opinions.
Nancy Eckert
More Bravura.......2006-03-23
When I read a review stating that Vivica sang with two little volume on this recording, I found that very hard to believe. Everything I had previously heard of her showed a voice with unlimited power. However, when I purchased this set I agreed that Vivica sings with to little volume and possibly emotion. This is puzzling; I think it must have been an artistic decision that doesn't really work.
However, I can't agree with the other reviewer about this being the wrong repertoire. Most of Genaux's early roles were Rossini and her Bel Canto technique is superb. I love the selection of music, and despite the shortcomings, I really enjoy listening to this CD. I just wish she used a little more emotion and power in the parts that call for it.
Bel Canto Arias; Vivica Genaux.......2005-09-26
Vivica Genaux seems to have a lovely personality not to mention an absolutely fabulous voice both live and on disc, but some of these arias just don't work for her voice, some are just too.....well.... Bel Canto but the arias by Rossini I liked, especially
"Una Voce Poco Fa".
I also feel I should mention that Vivica is NOT a soprano
as "Sergey Tsoy "Dallas Opera"" states in his review, but rather a Mezzo-soprano.
BRAVA! BRAVA! BRAVA!.......2004-12-20
In my opinion, Vivica is a fantastic singer and an outstanding artist. I have heard her singing live in Rossini's La Cenerentola, and it was literally breathtaking. Many sopranos sing well and have beautiful voices, but it is perhaps their choice of vibrato which makes them sound extremely out of tune, weak, irritating, and just ugh! Also, many of them sing just loudly. I am not a singer, but to my ears, Vivica is absolutely the best soprano (or at least, one of a few) whom I have heard live - beautiful, pure, in tune (yes, fortunately and unfortunately it matters, too), great vibrato, wild tempi, rock-solid consistency of musical ideas, convincing stage presence, logical, elegant, and so forth. It is all these things add together, which make a true impression. I still wonder, how is it possible to sing with such clarity, presicion, and beauty? Because it is often either, or. But she somehow combines everything, and that's just marvelous. And also, her tonal quality is so fresh and sounds really out of the ordinary. Although I have never heard her CDs, I have no second thoughts about this particular one, which I have just bought and wait with great impatience until it arrives. Brava to Vivica, for, to my mind, her type of artistry comes in a truly short suply nowadays! It is my personal opinion.
Mexican Music:
- Veranazo, Vol. 2
- 100% Bachata
- 15 Grandes Exitos
- 16 Exitos...Super Tropicales
- 16 Exitos Tropicales...Vamonos Al Baile con los Plebeyos
- 24 Kilates De Amor
- 24 Kilates De Amor
- 30 Exitos
- 30 Exitos
- A Otro Nivel
Mexican Music
mexican music
Mexican Music
Smoking Popes Tribute
6 Pcs Violin & Organ
Bad News Is Coming [Original recording remastered]
Music: Best of V.1 [Import]
Mael Intuition: The Best of Sparks 1974-1976 [Import]
14 Super Exitos
After the Beginning Again
Alexander Scriabin: Complete Symphonies/Poème de l'extase, Op 54
All Over You Too [Import]
A Latin Jazz Christmas
13 Songs
15 Grandes Exitos
15 Corridos Al Estilo Diferente
Respiration
Come Dance With Me