Desvelado

Amazon.com
At the outset this youthful hunk got criticized, and in some cases deservedly, for seemingly cashing in on the revered name and distinguished career his father, Robert Pulido. But even on this debut album it was clear the younger Pulido was on to something. The first single and title track connected immediately with its hooky beats and easy sing-along chorus. The young lion had taken a page from his father's book--simple rhythmic cumbias with snap, crackle, and pop. Weak-voiced, Pulido wisely took voice lessons and steadily improved with each successive album. But the key was in his assembling a tight band and great songwriters to produce other conjunto polka faves such as "No Se Porque" and "Cuando Me Dejes de Amar." --Ramiro Burr

Desvelado,Bobby Pulido,EMI International,Latin,Latin Pop,Mexican

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Average customer rating: Perfect Performances Mucho me pesa la cabeza Just Get it! This is such a great recording ýCreoleý Songs and Dances from Old Spain to the New World

Villancicos y Danzas Criollas Manufacturer: Alia Vox Spain ProductGroup: Music Binding: Audio CD General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Vocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Classical | Imports | Stores | Music Similar Items: La Folia, 1490-1701 Altre Follie, 1500-1750 Isabel I: Reina de Castilla Harmonie Universelle Orient - Occident ASIN: B0000E64U4 Release Date: 2004-03-09

Tracks:

1. Chacona: A La Vida Bona
2. Danza Del Hacha - Hesperion XXI
3. Moresca: Di Perra Mora
4. Negrilla A 4: San Sabeya Gugurumbe
5. Ritual Formulario: Hanacpachap Cussicuinin
6. Joto
7. Tono Humano: Ay Que Me Rio De Amor
8. Mestizo E Indio: Tleycantimo Choquiliya
9. Negra A 5: Antonya Flaciquia Gasipa
10. Cachua - Hesperion XXI
11. Rorro: Desvelado Dueno Mio
12. Negrilla: A Siolo Flasiquiyo
13. Juguete: Un Juguetico De Fuego
14. Juguete A 4: Convidando Esta La Noche
15. Guaracha: Ay Que Me Abraso
16. Villancico A 8: Serafin Que Con Dulce

Customer Reviews:

Perfect Performances.......2007-07-11

Villancicos y Danzas Criollas is a homage to the cultural traditions of Iberia and Ibero-America, showing the influence of European traditions in the Americas. The Villancico (also called Chanzoneta) is a form of poetry that was adopted for use in secular songs and, in the 17th century, for Christmas carols (the modern usage of the word denotes a carol). The secular songs were gradually replaced by the Romance while the Christmas carol form became more popular. The typical lyrics of villancicos have two or three stanzas followed by a refrain. The most religious-oriented villancico of this collection is Hanacpachap Cussicuinin (from Lima) where the author asks for their prayer to be answered.

The transmission of musical culture is a favorite (and fascinating) subject for Jordi Savall and this CD includes some beautiful and rousing music. The CD begins with four selections reflecting Iberian music that sets the stage of presenting a song (usually) followed by a dance. Following this introduction we are off the Americas and music from Peru, Guatemala and Mexico.

As pointed out in the booklet, the colonial expansion that took place during the 15th and 16th centuries widen cultural connections to include Africa, Asia and the Americas, which is reflected in this collection of music. One will discover a mixing of African dance rhythms and percussion with European polyphony. This is nicely demonstrated by the first selection with its strong use of drums and bold brass playing combined with a fast-paced dance melody and mixed voices. The second work, by an anonymous composer, is quite a contrast with its more restrained and courtly rhythms played by string instruments without the percussion or brass. The Hanacpachap Cussicuinin is scored for percussion, brass and voices sounding like a solemn funeral procession and is followed by a beautifully played piece for harp and percussion from Mexico. The incomparable Montserrat Figueras sings with peerless passion and beauty, particularly in the short Tono Hidalgo of Juan Hidalgo. One could go on and on extolling the wonderful music of this CD, suffice it to say that among my collection of early music discs this one is at the top.

As with all of Jordi Savall's recordings the performance is excellent and beautifully balanced with voices and instruments receiving equal emphasis. If you do not have this disc and love early music get it without hesitation.

Mucho me pesa la cabeza.......2007-07-02

Again and again we hear "Mucho me pesa la cabeza"..... "Much it pains my head."

This music is so ephemeral... so unique.... so mind massaging..... I love reading while it softly plays in the background in the room!

The massage is quite expansive!

Not a painful massage at all, but it does get inside your head!

Just Get it!.......2006-08-20

It's hard to pick out anything special on this disk... everything is top-notch. The opening 'La Chacona' is a delight and it just gets better and better and better. The second piece definitely is having some fun setting the listener up for 'something.' The ritual piece is majestic while the tone changes again with the harp solo... Hesprion XX/XXI are treasures in the ocean of music.
Gracias, Senores!

This is such a great recording.......2006-01-10

This recording is so great and so
breath taking that leaves me with
only this to say: since the day it
arrived to my doorstep back in mid
December, I have listen to it daily,
not just few tracks, but the whole
CD several times a day.....One
of the best works of Savall and
Hesperion XXI.....

ýCreoleý Songs and Dances from Old Spain to the New World.......2004-05-16

An astonishing collection of vocal polyphony and dance music, largely from Guatemala, Peru, and Mexico. Performed with flair and feeling by the preeminent Spanish early-music ensemble of our time. Not to be missed!

My translation of the album title, given above, is not exact. "Criolla" can refer to anything Latin American, and a "villancico" is first and foremost a Spanish poetic genre from the 15th and 16th centuries. The Norton/Grove Concise Encyclopedia tells us that it was "originally derived from a medieval dance lyric and associated with rustic or popular themes." Certainly the rustic and popular loom large in this lively selection of Renaissance music. Hesperion XXI and its director Jordi Savall have often sampled folk styles in their imaginative reconstitutions of early performance tradition. So most of these selections get percussion accompaniment accentuating the dance element, while strumming guitars, castanets, maracas, and more are employed discreetly but effectively. Lusty and characterful vocal contributions come courtesy of La Capella Reial de Catalunya and soprano Montserrat Figueras, who takes a couple of fine solo turns. It's all recorded in a warm, resonant church acoustic.

In his liner notes, Prof. Rui Vieira Neri introduces the Spanish part of this collection by noting a long tradition of mixing high and low culture, not to mention Christian, Jewish, and Muslim cultural elements in the art and music of the Iberian peninsula. And right away we get to hear a vocal chaconne (a dance imported from the Indies "by mail" according to Lope de Vega) and a Moresca "Di Perra Mora," with strong Arabic flavor and hints of 5/2 meter.

Of the New World selections, some of the most engaging combine indigenous languages with Netherlands musical style. The solemn processional hymn "Hancpachap cussicuinin," written by a native composer in the Quechua language of Peru, was also the first example of polyphony printed in the Americas. Gaspar Fernandes (1570-1629), chapel master at the Puebla cathedral, wrote a number of villancicos that mix Castilian with Nahuatl, the Aztec tongue, including "Tleycantimo choquiliua" on this recording. It is based on a local Indian dance, as is another Christmas villancico included here, "Ay que me abraso," which moves to the beat of the Mexican guaracha.

Bantu and Yoruba phrases crop up frequently in the refrains of the African-influenced numbers, so numerous in their day that they were customarily referred to in the old manuscripts as Negro, Negrilla, or Guineo. Savall includes three such pieces on this recording; they abound in the sort of rhythmic intricacies and call-and-response effects that Europeans already associated with Africa. Among the most infectious is "Antonya, Flasiquiya, Gasipá," in which the song's characters wake up after a long night of drinking and dancing in order to go to Bethlehem to pay homage to baby Jesus, where more carousing will be called for. Each refrain ends with the words "Mucho me pesa la cabeza": "Oh, my aching head."

I wouldn't want to give the impression that this music will appeal mostly to scholars. In fact, it is simply full of human joy, tenderness, and fun, qualities that leap across the centuries at us and need no special pleading, thanks to the terrific performances on this CD. You will enjoy it.

Average customer rating: Lo mejor del barroco latinoamericano

Baroque Music of Latin America Manufacturer: Dorian Recordings ProductGroup: Music Binding: Audio CD General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Vocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems General | Classical | Styles | Music General | Opera & Vocal | Styles | Music ASIN: B00004NKH2 Release Date: 2000-03-14

Tracks:

1. Quien Sal Aqueste Dia Disfracado
2. Dios Y Joseph Apuestan
3. Ausente Del Alma
4. Si De Rosa El Nombre
5. Cuando El Bien Que Adoro
6. A Este Sol Peregrino
7. Desvelado Dueno Mio
8. Recordad Jilguerillos
9. A La Fuente De Bienes
10. A Recoger Pasiones Inhumans
11. A Cantar Un Villancico
12. Nino Mio
13. Hanacpachap
14. El Dia De Corpus
15. Villancico Al Nacimiento
16. Tleycantimo Choquiliya
17. Dame Albricia Mano Anton
18. Mano Fasiquiyo
19. Esta Noche Yo Baila

Customer Reviews:

Lo mejor del barroco latinoamericano.......2000-09-18

In this Dorian recording we hear music by Latin-American composers from South America(Colombia,Venezuela,Peru,and Bolivia) and one Portuguesse composer who worked in Puebla,Mexico....All music after track #10 are christmas carols of the period, two of these carols are anonymous... track #13 was composed by Juan Perez de Bocanegra in Peru, is a hymn in Quechua (The language of the Incas)....Tracks nos. 16,17 and 18 are by Gaspar Fernandes, the manuscript for most of this music were found in Puebla,Mexico...Track #16 is in one of many dialects found in the new world. Tracks nos. 17 and 18 are of a form of popular music at the time, known as 'negrito', this is music that was written for performance by African slaves, because they are in a "broken-down" Spanish, as it was spoken by the african slaves, all three of this villancicos are christmas carols, and I think that this practice was done to make easier the conversions of natives and Africans to christianity....So here in this recording we have a little of the very best of the baroque music in a new world.....The Camerata Renacentista de Caracas do a very good job and the instrumentation is wonderful... I still ask my self this quiestion at times:How much music is still hidden in monasteries an cathedrals in Latin-America???? How many composers might be there be that we still know nothing about them, or their music???????

Average customer rating:

Tíreme Flechas Amor Manufacturer: Opera Tres ProductGroup: Music Binding: Audio CD General | Opera & Vocal | Styles | Music General | Classical | Styles | Music Compilations | Classical | Styles | Music ASIN: B00000JFWC Release Date: 1999-12-08

Average customer rating: His career started here I LOVE BOBBY Wonderfully smooth, easy listening music BOBBY PULIDO IS ONE OF THE BEST TEJANO SINGERS EVER! bOBBY IS ONE OF THE GREATEST TEJANO SINGERS OF ALL TIME!!!

Desvelado Bobby Pulido Manufacturer: EMI Latin ProductGroup: Music Binding: Audio CD General | Latin Music | Styles | Music Latin Pop | Latin Music | Styles | Music Tejano | Latin Music | Styles | Music Mexico | International | Styles | Music Similar Items: Ensename Zona de Peligro Llegaste A Mi Vida ASIN: B000000VFT Release Date: 1995-09-26

Tracks:

1. No Se Por Que
2. Desvelado
3. Sabes
4. Cuando Me Deies De Amar
5. Cindy Don't Know
6. Te Voy A Amar
7. Quiero Decirete
8. Se Me Olvido Olvidarte
9. Ya No Quiero Sonar
10. Regretfully

Amazon.com

At the outset this youthful hunk got criticized, and in some cases deservedly, for seemingly cashing in on the revered name and distinguished career his father, Robert Pulido. But even on this debut album it was clear the younger Pulido was on to something. The first single and title track connected immediately with its hooky beats and easy sing-along chorus. The young lion had taken a page from his father's book--simple rhythmic cumbias with snap, crackle, and pop. Weak-voiced, Pulido wisely took voice lessons and steadily improved with each successive album. But the key was in his assembling a tight band and great songwriters to produce other conjunto polka faves such as "No Se Porque" and "Cuando Me Dejes de Amar." --Ramiro Burr

Customer Reviews:

His career started here.......2004-02-19

This was the beginning of bobby, you can find a taste for everyone with the cd. Start with DESVELADO, then go to QUIERO DECIRTE, for the anglo there are CINDY DON'T KNOW and REGRETFULLY, this is a cd, surely you won't regret to have in your collection as a pulido fan.

I LOVE BOBBY.......2000-08-17

BOBBY IS GORGEOUS. I WANT TO HAVE HIS LOVE CHILD. EVEN IF HE DIDNT SING WELL I WOULD BUY HIS CD FOR HIS PICTURES IN IT.

IIIIIII LOOOOOOOOOVE YOOOOOOUUUUUU BBBBOOOOOOOOBBBBBBBBBYYYYY!!!

@>->----

Wonderfully smooth, easy listening music.......1998-10-18

Upbeat, perky, uplifting, wonderful sounding Tejano music. You do not need to know Spanish - I don't and the CD still sounds wonderful.

BOBBY PULIDO IS ONE OF THE BEST TEJANO SINGERS EVER!.......1998-08-24

Although Bobby has other great songs, this cd "Desvelado" has some of the greatest. His talent makes me very proud to be one of the many fans he has and also a very proud Latina!

bOBBY IS ONE OF THE GREATEST TEJANO SINGERS OF ALL TIME!!!.......1998-07-19

bOBBY'S TALENT IS UNSURPASSED. HIS SINGING ABILITY, A GIFT FROM GOD, IS A JOY AND PRIDE TO THE HISPANIC COMMUNITY. BESIDES HIS INCREDIBLE TALENT, BOBBY IS A FINE YOUNG MAN WITH A BIG HEART.

Average customer rating:

South American Christmas Concert - Es Sol Claro Y Luciente Manufacturer: K&K Verlagsanstalt ProductGroup: Music Binding: Audio CD General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | International | Styles | Music General | Opera & Vocal | Styles | Music Classical | Indie Music | Stores | Music ASIN: B0000TQIYI Release Date: 2003-10-21

Tracks:

1. Cachua - Tanz Der Indios
2. Cachua - Tanz Der Indios
3. Convidando Esta La Noche - Diese Nacht Ladt Uns Ei
4. Mi Nino Dulce Y Sagrado - Mein Susser Und Heiliger
5. Ay, Andar - O Lasst Uns Aufbrechen
6. Desvelado Dueno Mio - Mein Schlafloser Gebieter
7. A Este Sol Peregrino - Dieser Wundersamen Sonne Si
8. Dame Albricia Mano Anton - Gratuliere Mir, Bruder
9. Los Coflades De La Estleya - Die Bruderschaft Des
10. Eso Rigor E Repente - Wir Brauchen Uns Nicht Deswe
11. Vaya De Gira - Setzt Euch In Bewegung
12. Eso Rigor E Repente - Wir Brauchen Uns Nicht Deswe

Album Description

Except for specialists, very little is known about the musical aspects of colonial Latin America. Following the arrival of conquerors and colonizers, an extremely important cultural symbiosis slowly begins to take shape. This process extends all the way to the end of the 18th century and, in some regions, it lasts up to the early 19th century along with the wars of independence. This period witness the development of a large and rich heritage in architecture, painting, sculpture, and literature. The Cuzco paintings or the works of Aleijadinho in Brazil, suffice to recognize important peculitarities. A similar process takes place with the music. Just as the University of Salamanca was the model for New World institutions of higher learning, the Music Chapel of Seville Cathedral became the paradigm for those to be established in the key cities of viceroyalities overseas. They received important musicians, printed music or manuscript copies, instruments and theoretical writings. Nearly the entire corpus of this music can be found in ecclesiastical repositories and are associated with the church and its celebrations. However, few examples of profane works remain. The repertoire included a variety of sources: books printed in and regularly received from Europe, the works of resident maestros, often of great value, and later on, works of native composers formed in Latin America. We can identify three key musical periods. The first period in Mexico, with "a capella" polyphony which recalls Spanish Renaissance. there we can find Liturgical works and Christmas carols, as well as toys, melodies and pitaresque ballads.

Average customer rating:

El Siglo de Oro en el Nuevo Mundo - Villancicos e Oraciones del '600 Latinoamericano Mara Galassi , Maria Cristina Kiehr , Arianne Maurette , Guido Morini , Sabine Weil , Remo Guerrini , Josep Cabre , Gabriel Garrido , Sandro Naglia , Pietro Valguarnera , Sigrid Lee , and Studio Musica Antica Manufacturer: Symphonia ProductGroup: Music Binding: Audio CD General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Compilations | Classical | Styles | Music General | Opera & Vocal | Styles | Music ASIN: B0000067UV Release Date: 1993-12-28

Tracks:

1. Salga El Torillo - Roberto Balconi/Adriana Fernandez/Maria Cristina Kiehr
2. Hanacpachap
3. Danza
4. Si El Amor Se Quedare Dormido
5. Al Dischoso Nacer De Mi Nino
6. Danza
7. Tleycantimo Choquiliya - Pietro Valguarnera/Sandro Naglia/Maria Cristina Kiehr/Mariuccia Domenighini
8. Si Nos Emprestara Oy Dios
9. Xicochi Xicochi Conetzintle - Maria Cristina Kiehr/Adriana Fernandez/Roberto Balconi/Josep Cabre
10. Entrada
11. Pois Con Tanta Graca - Maria Cristina Kiehr/Roberto Balconi/Sandro Naglia
12. In Ilhuicac
13. Dios Itlaco Nantzine - Maria Cristina Kiehr
14. Serenissima Una Noche
15. A Siolo Flasiquiyo - Maria Cristina Kiehr/Josep Cabre/Pietro Valguarnera/Sandro Naglia
16. Hermoso Amor
17. A La Xacara Xacarilla - Maria Cristina Kiehr/Pietro Valguarnera/Adriana Fernandez
18. Desvelado Dueno Mio - Maria Cristina Kiehr/Adriana Fernandez/Josep Cabre
19. Un Juguetico De Fuego
20. Dime Amor Que Prodigio Es Aqueste
21. Los Coflades De La Estleya - Maria Cristina Kiehr/Adriana Fernandez

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1. Dime Amor
2. El Cartel de los Cielos
3. El Principe
4. Encuentro Casual
5. Enemigos Intimos
6. Es Imposible
7. Feliz Dia Papa
8. For Happy Hour Lovers, Vol. 2
9. Fuerza de Tu Amor
10. Generation Next

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