Lo Mío Es Amor

1. Lo Mio Es Amor

2. Dile

3. Cuando Te Encontre

4. Love Is Forever

5. Ella

6. Vivo

7. Solo Faltas Tu

8. Me Quito el Nombre

Lo Mío Es Amor,Tony Vega,Sony International,Latin,Tropical

Average customer rating:

Handel: The Masterworks (Box Set)

Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B00062FLI8
Release Date: 2004-11-30

Wolfgang Amadeus Mozart: Le nozze di Figaro / Don Giovanni / Così fan tutte / Die Zauberflöte - The Drottningholm Court Theatre Orchestra & Chorus / Arnold Östman

Average customer rating:

Refreshing and Surprising!
Some of the most thought-provoking recordings ever, combined with some of the most perfect performances I have ever heard.
Best ever!!

Wolfgang Amadeus Mozart: Le nozze di Figaro / Don Giovanni / Così fan tutte / Die Zauberflöte - The Drottningholm Court Theatre Orchestra & Chorus / Arnold Östman
Barbara Bonney , Arleen Auger , and The Drottningholm Court Theatre Orchestra & Chorus
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Tchaikovsky: Violin Concerto Op35; Brahms: Violin Concerto in D Op77

ASIN: B00006IU7V
Release Date: 2003-03-11

Album Details

These Pioneering Performances of Four of Mozart's Greatest and Most Popular Operas under the Direction of Arnold Östman were Recorded at Nacka Aula, Stockholm. They all Attracted Great Critical Acclaim at the Time of their Original Release and have Been a Part of Decca's Vast Opera Catalogue Ever Since. The Da Ponte Trilogy (One of the Greatest Librettist/Composer Collaborations in the Entire History of Music), Comprising Le Nozze Di Figaro, Don Giovanni and Così Fan Tutte, is Paired with One of Mozart's Last Operas, Dating from the Last Year of his Life, Die Zauberflöte. The Superb Casts Assembled for These Recordings Include Such Experienced Mozart Interpreters as Arleen Auger (Countess, Donna Anna), Barbara Bonney (Susanna, Zerlina, Pamina), Håkan Hagegård (Count, Don Giovanni, Speaker), Sumi Jo (Queen of the Night), Della Jones (Marcellina, Donna Elvira), Petteri Salomaa (Figaro), Kurt Streit (Tamino), Lillian Watson (Papagena), Gösta Winbergh (Ferrando), Rachel Yakar (Fiordilig

Customer Reviews:

Refreshing and Surprising!.......2006-11-24

I would strongly recommend this collection to anyone who is seeking a new approach and sound world for these Mozart operas. Ostman opts for brisk tempi and transparent textures, but hardly ever at the expense of characterization or expressivity. The singers respond to the challenge with performances that bristle with excitement and fun. The cast blends with the orchestra like a chamber music ensemble, inspiring the listener to experience the opera as a conversation between the text and the intimations expressed in Mozart's musically and psychologically penetrating orchestration. Occasionally one may miss the lyric line and warmth associated with such great Mozart conductors as Bruno Walter or Karl Bohm; but the brio, virtousity, and brilliant insights of Ostman compensate with different kinds of rewards. Also, there is an intimate atmosphere in these recordings that is most faithful to the ethos and meaning of the libretti themselves. After listening to this period approach, my understanding of Mozart has changed radically, and I continue to relish the challenge that these performances have given to my interpretative sensibilities.

Some of the most thought-provoking recordings ever, combined with some of the most perfect performances I have ever heard........2005-09-14

First of all, I must state first that I was ANXIOUS to write this rave review. Ever since I got these cd's and realized the treause that is to be found in these recordings I just couldn't wait until I'd had the chance to tell everybody else about it... I honestly believe these recordings should be heard by anybody who is interested in this repertoire and music in general, since this are also some of the most perfect pieces of music in the repertoire.

As for the music itself, I am not going to write about. I think it is enough to read my last sentence to realize exactly what I think about it - and it is really just a must. That's composition taken to the highest possible level.

What I do want to write is about the performances.
Arnold Ostman, not the most known figure in the musical world, (not even amongst musicians- I come from Juilliard, and that name is definitely not one everybody knows) has created in the 80's in Mozart the equivalent of what Harnoncourt and Gardiner have done in Bach performance practice, i.e. has totally changed the conecption which was assimilated into everybody's mind regarding notions about how music of that era should sound like.

Trying to create a performance experience which emulates Mozart's period performance practice he changed everything starting from tempos, through ornamentation and of course- the voices themselves.

For us, most people indoctrinated by the post-romantisicm eastablished especially by Herbert von Karajan and the ilks of him, the first initial response will be a shock. The almost imperceptible swift tempos, the small voices etc. are sure to knock over anybody who haven't heard these recordings before. It might create an intial negative response but hang-on there, as the result is so much more gratifying then of hearing a recording of Karajan, Giulini, Furtwangler or any GREAT other conductor from that era- They were obviously incredible musical figures, but in terms of style and total perception of the piece it just doesn't work on the same level, in Mozart of course. (You'd still want to keep your Furtwangler's ninth copy...)

What is so great about Ostman is the freshness of mind with which he walks into every piece. Just like a real iconoclast
it seems as if he has landed from an entire different planet, and is just coming to conduct these pieces and give their debut. I can't give a more sincere and true compliment than that, musically speaking.

The results are the most fresh interpretations up to date of Mozart most important operas which also derive from some of the best vocal performances I have ever heard.
Under Ostman's direction it seems as though all the singers bloom and give their most musical and inspired performances,
holding on under the swiftest tempos in an admirable way. There is no point in pointing out names because it is as in a rule that the performances are just stellar one by one, even though not carrying around sometimes the most famous names.

This is not to say that all of the recordings in this set are equally perfect, and that I agree to all of the interprations and the insights given by Ostman, but you can't disregard the feeling that he knew EXACTLY what he wanted and executed it almost flawlessly. (the one exception might be small part of Cosi, mainly the overture, which was recorded very early in the stages of period instruments playing- therefore not always as perfect as you would have liked to hear it, but the performance as a whole is still the most beautiful Cosi I know.)

As for the packaging itself: The price is a complete steal, (incredible especially if you order it through other sellers, got mine for about 40$). What you DON'T get are the librettos, so you'd HAVE to get them from a different source. Either a different recording you might have, (you just might want one of the standard reference recordings one usually hears about like Giulini's) or you could just buy the librettos through Amazon, would still cost you very little.

Should not be missed by any terms by anybody who cares for music.

Ran

Best ever!!.......2004-01-12

Ostman created a stir when he made these recordings in the 1980s. And now it available in a collectors' edition box. I'm so excited. Sumi Jo's Queen of the Night here is even better than her recording for Solti. Ostman's Don Giovanni is the fastest I've ever heard, not to mention the most exciting. This Cosi Fan Tutte is Gramophone's reference Cosi. And this Figaro has many "alternative" arias that other recordings never bother with. Don't worry, the alternative is at the back so you can program it out. In fact, this is the only set of Mozart operas with ALL the alternative arias available. Even Gardiner does not have some of these. So this is a supreme set of importance.

Tracks:

Weltliche Vokalwerke: 'Elegiac Song
Weltliche Vokalwerke: Opferlied Op.121b - 'Sacrificial Song'
Weltliche Vokalwerke: Bundeslied Op.122 - 'Song Of Fellowship'
Weltliche Vokalwerke: Ah! perfido Op.65
Weltliche Vokalwerke: Test Of Kissing - WoO 89
Weltliche Vokalwerke: Getting On With Girls
Weltliche Vokalwerke: Premier Amour - WoO 92
Weltliche Vokalwerke: No, Do Not Fear
Weltliche Vokalwerke: In Your Days Of Happiness - WoO 93
Weltliche Vokalwerke: Tremble, Guilty Ones, Tremble, Op. 116

Tracks:

Weltliche Vokalwerke: Lovely Lips - WoO 99, No. 1 (Hess 211)
Weltliche Vokalwerke: You Are My Love - Hess 231
Weltliche Vokalwerke: In You I Crave - WoO 99 - 11 (Hess 215)
Zenobia: Amid All Griefs - WoO 99 - No. 3a
Zenobia: Do You Want Your Husband Safe? (Hess 228)
Weltliche Vokalwerke: But You Tremble - WoO 99 - 6 (Hess 212)
Weltliche Vokalwerke: The Steersman Swears - WoO 99 - No. 5b (Hess 227)
Weltliche Vokalwerke: For You May The Sky - WoO 99 - No. 9 (Hess 216)
Zenobia: Amid All Griefs - WoO 99 - No. 3b (Hess 225)
Weltliche Vokalwerke: Ah, Yet You Are That Lyre - WoO 99 - No. 10b (Hess 218)
Weltliche Vokalwerke: Whoever Will Know WoO 99 - 2 (Hess 214)
Weltliche Vokalwerke: Mehrstimmige Gesange - Gia la notte s'avvicina WoO 99 - 4b
Weltliche Vokalwerke: Mehrstimmige Gesange - Nei campi e nelle selve WoO 99 - 7a (Hess 217)
Weltliche Vokalwerke: Mehrstimmige Gesange - Nei campi e nelle selve WoO 99 - 7b (Hess 220)
Weltliche Vokalwerke: Mehrstimmige Gesange - Fra tutte le pene WoO 99 - 3c (Hess 224)
Weltliche Vokalwerke: Mehrstimmige Gesange - Fra tutte le pene Hess 210
Weltliche Vokalwerke: Mehrstimmige Gesange - Quella cetra ah pur tu sei WoO 99 - 10a (Hess 213)
Weltliche Vokalwerke: Mehrstimmige Gesange - Quella cetra ah pur tu sei WoO 99 - 10c (Hess 219)
Weltliche Vokalwerke: Mehrstimmige Gesange - Giura il nocchier Hess 230
Weltliche Vokalwerke: Mehrstimmige Gesange - Giura il nocchier WoO 99 - 5a (Hess 221)
Weltliche Vokalwerke: Mehrstimmige Gesange - Gia la notte s'avvicina WoO 99 - 4a (Hess 222)
Weltliche Vokalwerke: Abschiedsgesant Wo0 103
Weltliche Vokalwerke: Cantata campestre Wo0 103
Weltliche Vokalwerke: Gesang der Monche Wo0 104
Weltliche Vokalwerke: Hochzietslied Wo0 105
Weltliche Vokalwerke: Lobkowitz - Kantate Wo0 106
Weltliche Vokalwerke: Chor auf die verbundeten Fursten Wo0 95
Weltliche Vokalwerke: Lob auf den Dicken Wo0 100
Weltliche Vokalwerke: Graf, liebster Graf Wo0 101
Weltliche Vokalwerke: Im Arm der Liebe ruht sich's wohl Wo0 159
Weltliche Vokalwerke: Ewig dein Wo0 161
Weltliche Vokalwerke: Kurz ist der Schmerz Wo0 163
Weltliche Vokalwerke: Freundschaft ist die Quelle wahrer Gluckseligkeit Wo0 164
Weltliche Vokalwerke: Gluck zum neuen Jahr! Wo0 166
Weltliche Vokalwerke: Kurz ist der Schmerz Wo0 166
Weltliche Vokalwerke: Brauchle, Linke Wo0 167
Weltliche Vokalwerke: Das Schweigen Wo0 168 - 1
Weltliche Vokalwerke: Das Reden Wo0 168 - 2
Weltliche Vokalwerke: Ich kusse Sie Wo0169
Weltliche Vokalwerke: Ars longa, vita brevis Wo0 170
Weltliche Vokalwerke: Ich Bitt' dick, schreib mir die Es - Skala auf Wo0 172
Weltliche Vokalwerke: Hol' euch der Teufel! B'hut euch Gott! Wo0 173
Weltliche Vokalwerke: Glaube und hoffe! Wo0 174
Weltliche Vokalwerke: Sankt Petrus war ein Fels! Wo0 176
Weltliche Vokalwerke: Glaube und hoffe! Wo0 174
Weltliche Vokalwerke: Bester Magistrat, lhr friert! Wo0 177
Weltliche Vokalwerke: Signor Abate! Wo0 178
Weltliche Vokalwerke: Alles Gute Wo0 179
Weltliche Vokalwerke: Hoffmann, sei ja kein Hofmann Wo0 180
Weltliche Vokalwerke: O Tobias! Wo0 182
Weltliche Vokalwerke: Bester Herr Graf, Sie sind ein Schaf! Wo0 183
Weltliche Vokalwerke: Falstafferel, lab dich sehen! Wo0 184
Weltliche Vokalwerke: Edel sei der Mensch Wo0 185
Weltliche Vokalwerke: Te Solo Adoro Wo0 186
Weltliche Vokalwerke: Schwenke dich ohne Schwanke! Wo0 187
Weltliche Vokalwerke: Gott ist eine feste Burg Wo0 188
Weltliche Vokalwerke: Doktor sperrt das Tor dem Tod Wo0 189
Weltliche Vokalwerke: Ich war hier, Doktor, ich war hier Wo0 190
Weltliche Vokalwerke: Kuhl, nicht lau Wo0 192
Weltliche Vokalwerke: Ars Longa, vita brevis Wo0 192
Weltliche Vokalwerke: Ars longa, vita brevis Wo0 193
Weltliche Vokalwerke: Si non per portas, per muros Wo0 194
Weltliche Vokalwerke: Freu dich des Lebens! Wo0 195
Weltliche Vokalwerke: Es mub sein! Woo 196
Weltliche Vokalwerke: Da ist das Werk Wo0 197
Weltliche Vokalwerke: Wir irren allesamt Wo0198
Weltliche Vokalwerke: Das Schone zum Guten! Wo0 203
Weltliche Vokalwerke: Das Schone za dem Gutten! Wo0 202
Weltliche Vokalwerke: Herr Graf, ich komme zu fragen Hess 276
Weltliche Vokalwerke: Esel aller Estel # 277

Average customer rating:

Very exciting
merely exquisite
A classic recording of a classic golden age voice.

Zinka Milanov

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Ruth Ann Swenson - Positively Golden ~ Colaratura Arias

ASIN: B000003EVA
Release Date: 1990-04-20

Tracks:

Norma: Casta Diva
Norma: Mira, O Norma
ll Trovatore: D'amor Sull'ali Rosee
ll Trovatore: Miserere
La Forza Del Destino: Pace, Pace, Mio Dio
La Gioconda: Suicidio!
Cavalleria Rusticana: Voi Lo Sapete
Un Ballo In Maschera: Teco Io Sto
La Forza Del Destino: Lo Muoio! Non Imprecare
Gianni Schicchi: O Mio Babbino Caro
Rusalka: Mesic Na Nedi Hlu Bokem/O Lovely Moon
Zueignung
Ceznja/Longing
Strepnja/Quivering
Do Not Go My Love

Customer Reviews:

Very exciting.......2004-09-03

Zinka Milanov is a singer I came to in my youth, but through her recordings, as I never had the occasion to hear her on stage, nor to hear her in any Metropolitan Opera Broadcasts. The first recording I ever had was Verdi's "La Forza." I have heard many recordings of the work since then (my only other favorite version is an earlier one with Leontyne Price, not the later version she rerecorded), but Milanov has put her permanent stamp on that work for me. So when I found this recording I was interested in it, as she was singing Verdi, which I expected she would do well, but also Bellini, which I never knew she ever sang.

I have to admit, I listened with a bit of skepticism. I was used to hearing Norma by Callas, Sutherland, Caballe, Sills, and those people we now associate with bel canto. In comparision, Milanov is not in the same class as far as florid singing is concerned, but by no means is she trashy at it either. Her trill is more an illusion than an actuality, but it is still there. The voice seems heavy in comparision to what we have grown accustomed to, but by no means does it sound labored or strained, or even uncomfortable with florid work. I was incredibly surprised, and actually very delighted with what I heard. I look forward to acquiring her recording of Norma.

What really caught me was the depth of sound, not only in her intensity in the dramatic recitatives (Trovatore aria), but in the quality of the sound itself. She nearly has a "contralto chest register." It seems such a well balanced and well developed middle and lower voice was common amongst dramatic sopranos of her day, and in my view, the music is greatly benefitted by that quality. I truly feel her magical high pianissimi are given great warmth all because of this extremely well balanced quality of her voice, also, at no time does one ever feel or consider any strain in anything she is singing.

I never heard her in person, so I really don't know for sure how large her voice really was, but this recording gives the impression that it could be very large, and it was recorded back in the days when the voice was not a creation of technology.

I feel this recording is excellent, and well worth the price. We are hearing singing from the "golden age of opera" (there have been many of them, so one has to decide which golden age, for her singing extended from before the 50's and lasted into the 60's). One thing we do hear is a foundation in the voice. This voice is well grounded and it is filled with emotion. Often today, voices are extremely small, and often very light (almost even too light for Mozart!), and more often than not, the lower ranges of the voice are not well developed if at all. Though high notes may be powerful and glorious, the warmth, the human emotional quality is lacking, and we are left with a faceless meaningless even if extremely beautiful reading of the scores. With Milanov's warmth of tone, we are experiencing a human being expressing human feelings, not a bird, or a mechanical device imitating the human voice; again, the music is improved upon by this wonderful addition of quality.

It is an exellent recording, and I recommend it.

merely exquisite.......2004-07-07

milanov, not atypical of the second golden age of opera, possessed a callas-esque temperment and a voice of astonishing depth. her reading of the Rusalka aria is beguiling. presented here is the 'whooping' glow associated with the milanov timbre. this project is a treasure. on a every piece, milanov sings with great aplomb and conveys brilliantly the pathos of classic histrionic heroines. brava.

A classic recording of a classic golden age voice........1998-09-10

Zinka Milanov represents the type of voice current writers describe as "from the golden age", and indeed this recording offers an invaluable document from the Metropolitan's roster of the 1940's and 50's. The voice is burnished with a vocal weight seldom found on today's stages and the recording features Miss Milanov's impeccable musical preparation. A certain highlight of the disc is the duet with dramatic soprano Margaret Harshaw in "Mira, o Norma". The two Met veterans sing together as if they were two swans swimming the Central Park Reservoir - totally in sync. If one longs for the era of voice that was not victimized by the current dubious effects of modern jet travel, this Milanov disc is a must have.

Vissi d'arte: The Magnificent Voice of Montserrat Caballé

Average customer rating:

One of the very best Caballe recital albums
A CLEAR, BEAUTIFUL, POWERFUL VOICE.
Beautiful!

Vissi d'arte: The Magnificent Voice of Montserrat Caballé

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Donizetti - Lucrezia Borgia / Caballé · Vanzo · Paskalis · Perlea

ASIN: B00008CLII
Release Date: 2003-04-08

Tracks:

Temerari! Sortite...Come Scoglio Immoto Resta
Ei Parte, Senti, Ah No!
Per Pieta, Ben Mio, Pardona
Ne Sulla Terra Creatura Alcuna - Jose Carreras
Ah Conforto E Sol La Speme - Jose Carreras
La Terra, Il Ciel M'Abborrino - Jose Carreras
Venerabile O Padre
Lo Sguardo Avea Degli Angeli
Qual Mare, Qual Terra
Quant'e Grato All'Alma Mia
Questo Cor Ben Lo Comprende
O Beau Pays De La Touraine
Signore, Ascolta! - John Alldis Choir
Tu Che Di Gel Sei Cinta - John Alldis Choir
Suicidio! - Luciano Pavarotti
La Barca S'Avvicina - Luciano Pavarotti
La Mamma Morta - Luciano Pavarotti
Vicino A Te - Luciano Pavarotti
La Nostra Morte E Il Trionfo Dell'Amor! - Luciano Pavarotti

Tracks:

Ecco L'Orrido Campo - Jose Carreras
Ma Dall'Arido Stelo Divulsa - Jose Carreras
M'Ami, M'Ami! - Jose Carreras
Padre, Ricevi L'Estremo Addio - Luciano Pavarotti
Notte Cupa, Truce
Vissi D'Arte
Depuis Le Jour
Ah! Verrano A Te Sull'Aure - Jose Carreras
Il Dolce Suono Mi Colpi Di Sua Voce! - Jose Carreras
Ardon Gli Incensi - Jose Carreras
Mi Chiami, O Norma!
Deh! Con Te, Con Te Li Prendi
Mira, O Norma
Si, Fino All'Ore Estreme
Es Ist Kein Laut Zu Vernehman (Closing Scene)

Amazon.com

Montserrat Caballé had one of the great voices, tonally radiant and technically amazing, able to spin the most ravishing pianissimos as well as effortless fortissimo high notes. This well-filled two-disc collection includes a good cross-section of her recordings from the 1970s and early 1980s when she was at her peak. That alone should send admirers of great singing into a feeding frenzy. The set's title selection, "Vissi d'arte" (from Puccini's Tosca), is done with such tonal beauty and refinement of detail as to silence any criticism about its being too slow. She's as magnificent in bel canto arias like those from Lucia di Lammermoor and the Norma duets, where she's Adalgisa to Joan Sutherland's Norma, as she is in verismo roles from La Gioconda and Andrea Chenier. This set makes a terrific starter pack for those who may not be familiar with Caballé's art, and it's a welcome addition to the collections of those who do. --Dan Davis

Customer Reviews:

One of the very best Caballe recital albums.......2005-04-28

Ditto to the other reviewers. I have lots of Caballe's recordings, and yet very little from my LP and CD collection was duplicated on this two-disc set. It is an absolute must-have for Caballe fans. She outdoes Callas for emotion in the Chernier aria, and she is simply spectacular in Salome's final scene, dazzlingly conducted by none other than Leonard Bernstein.

A CLEAR, BEAUTIFUL, POWERFUL VOICE........2004-03-25

MONTSERRAT CABALLE POSSESES ONE OF THE MOST BEAUTIFUL, POWERFUL,& UNFORGETTABLE VOICES IN OPERA, HERE WE FOUD THE BEST OF THE DECCA YEARS A VERY GOOD ALBUM, AND IF YOU WANT MORE ABOUT THE MARVELLOUS CABALLÈ (I`M SHURE YOU WILL) GO AND GET "THE ULTIMATE COLLECTION" (RCA YEARS), "THE VERY BEST OF MONTSERRAT CABALLE" (EMI/ANGEL YEARS) AND "ETERNAL CABALLE" A BEAUTIFUL COLLECTION OF SONGS AND OPERA ARIAS. VIVA CABALLÈ!

Beautiful!.......2004-01-26

This double CD is another prove of the singing art of Caballé. Tecnichs, passion and beautiful.

Average customer rating:

Ward Marston does it again

The Complete Johanna Gadski, Vol. 2

Manufacturer: Marston
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Folk | Styles | Music
ASIN: B00000JQF6
Release Date: 1999-08-10

Customer Reviews:

Ward Marston does it again.......1999-08-24

The soprano's essays into classical singing were vast and varied, and all represented here; glorious sonic echoes of the "Golden Age of Opera" as presented by one of the finest singers of her time. From Wagner to Verdi to Mozart and back again, Johanna Gadski's voice has been preserved as never before under Ward Marston's remarkably skillful remastering hands. Rare second takes, sometimes third takes, lieder, art songs and oratorio excerpts all ring out with with brilliance. Also included are the fascinating "Mapleson cylinders," maddeningly brief excerpts of actual performances at the Met in 1903, but thrilling just the same. This 3 CD set is a must for all interested in the history of classical singing, generously illustrated with rare photographs and notes.

Centenary Edition - 100 Years of Great Music

Average customer rating:

Centenary Edition - 100 Years of Great Music

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

Mazurkas | Ballets & Dances | Classical | Styles | Music

Polkas | Ballets & Dances | Classical | Styles | Music

Polonaises | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

Czech | Languages | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

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ASIN: B000002S8V
Release Date: 1997-02-18

Tracks:

Ave Maria, D.839 - Edith Clegg
C'Est L'Histoire Amoureuse - Ellen Beach Yaw
Vn Con in e: III. Allegretto Non Troppo-Allegro Molto Vivace (Extract) - Jacques Jacobs
Les Filles De Cadix - Marie Tempest
The Queen Of Spades, Act 3: It Is Nearly Midnight Now - Medea Mei-Figner
Pagliacci, Act I: Recitar!...Vesti La Giubba - Enrico Caruso
Faust, Act IV: Vous Qui Faiter I'Endormine - Pol Plancon
Carmen, Act I: L'Amour Est Un Oiseau Rebelle (Habanera) - Emma Calve
Die Walkure, Act III: Leb' Wohl, Du Kuhnes, Herrliches Kind - Anton van Rooy
Heidenroslein, D257 - Minnie Nast
Die Forelle, D.550 - Leopold Demuth
The Mikado, Act 2: A More Humane Mikado - Richard Temple
Hungarian Dance No.2 in d - Joseph Joachim
Otello, Act I: Esultate! - Francesco Tamagno
Lyric Pieces, Op.43 No.6: To The Spring - Edvard Grieg
Simon The Cellarer - Sir Charles Santley
Caprice Basque, Op.24 - Pablo De Sarasate
Pelleas Et Melisande, Act III: Mes Longs Cheveux - Mary Garden
Lucia Di Lammermoor, Act II: Del Ciel Clemente - Dame Nellie Melba
Otello, Act II: Era La Notte - Victor Maurel
Il Barbiere Di Siviglia, Act I: Ecco Ridente In Cielo - Fernando Di Lucia
Die Konigin Von Saba, Act II: Magische Tone - Leo Slezak
Don Giovanni, Act I: Or Sai Chi L'Onore - Lilli Lehmann
Il Barbiere Di Siviglia, Act I: Largo Al Factotum - Titta Ruffo
La Sonnambula, Act II: Ah, Non Credea Mirarti - Adelina Patti
Romeo Et Juliette, Act I: Je Veux Vivre Dans Ce Reve - Geraldine Farrar
Don Pasquale, Act III: Va Ben Ma Riflettete...Cheti, Cheti, Immantinente - Giuseppe De Luca/Ferruccio Corradetti

Tracks:

Partita No.3, BWV 1006: Prld in E - Joseph Szigeti
Il Barbiere Di Siviglia, Act I: Una Voce Poco Fa - Elvira De Hidalgo
Dalibor, Act II: Jac Je Mi - Emmy Destinn
Aida, Act III: Qui Radames Verra...O Patria Mia - Celestina Boninsegna
Mireille, Act I: O D'Amor Messagera - Luisa Tetrazzini
Otello, Act II: Si, Pel Ciel Marmoreo Giuro! - Giovanni Zenatello/Pasquale Amato
Die Zauberflote, Act I: Infelice, Sconsolata - Frieda Hempel
An Die Musik, D.547 - Elena Gerhardt
La Serenata - Mattia Battistini
Mazurka in D, Op.19 No.2 - Jan Kubelik
Rigoletto, Act I: Questa O Quella - Ippolito Lazaro
Un Ballo In Maschera, Act III: Saper Vorreste - Selma Kurz
The Demon, Act II: Do Not Weep, Child - Feodor Chaliapin
Etude in f, Op.25 No.2 - Ignacy Jan Paderewski
Andrea Chenier, Act I: Un Di All'azzurro Spazio - Bernardo De Muro
Il Barbiere Di Siviglia, Act I: Se Il Mio Nome - Dmitri Smirnov
Ariadne Auf Naxos: Es Gibt Ein Reich - Maria Jeritza
Lucia Di Lammermoor, Act III: Tu Che A Dio Spiegasti L'Ali - Tito Schipa
Sym No.5 in c, Op.67: I. Allegro Con Brio - Berliner Phil/Arthur Nikisch
Die Schone Mullerin, No.1: Das Wandern - Sir George Henschel
Land Of Hope And Glory - Dame Clara Butt

Tracks:

Die Entfuhrung Aus Dem Serail, Act II: Martern Aller Arten - Maria Ivogun
Ste Algerienne: Marche Militaire Francaise - Camille Saint-Saens
Louise, Act III: Depuis Le Jour - Marie-Louise Edvina
Slavonic Dance No.1 in g, Op.46 No.2 - Jacques Thibaud
L'Africaine, Act IV: Pays Merveilleux...O Paradis - Fernand Ansseau
Rigoletto, Act III: La Donna E Mobile - Miguel Fleta
Falstaff, Act I: L'Onore! Ladri! - Mariano Stabile
Liebestraum No.3 in A flat - Wilhelm Backhaus
Waltz in D flat, Op.64 No.1 - Vladimir de Pachmann
Prld in g#, Op.28 No.12 - Alfred Cortot
The Marschallin Dismisses Octavian (Act I): Der Rosenkavalier (Film Music) - Augmented London Tivoli Orch/Richard Strauss
La Boheme, Act III: Donde Lieta Usci - Dame Nellie Melba
The Planets-III. Mercury, The Winged Messenger - LSO/Gustav Holst
Carmen, Act II: La Fleur Que Tu M'Avais Jetee - Georges Thill
Hear My Prayer: Oh For The Wings Of A Dove - Ernest Lough
Recuerdos De La Alhambra (Tremolo Study) - Andres Segovia
Now Sleeps The Crimson Petal - John McCormack
Die Walkure, Act II: Nun Zaume Dein Ross...Hojotoho! - Frieda Leider/Friedrich Schorr
Aida, Act I: Ritorna Vincitor - Florence Austral
Il Trovatore, Act III: Ah! Si, Ben Mio - Aureliano Pertile
Lohengrin, Act I: Einsam In Truben Tagen - Elisabeth Rethberg
Rigoletto, Act III: Bella Figlia Dell'amore - Benjamino Gigli/Amelita Galli-Curci/Louise Homer/Guiseppe De Luca

Tracks:

Turandot, Act II: In Questa Reggia - EVA TURNER
Nuns' Chorus (Casanova) - Anni Frind
Pno Trio in B flat, Op. 97 'Archduke': II. Scherzo (Allegro) - Alfred Cortot/Jacques Thibaud/Pablo Casals
Das Land Des Lachelns, Act II: Dein Ist Mein Ganzes Herz - Richard Tauber
HMS Pinafore, Act II: Never Mind The Why And Wherefore - Henry Lytton/George Baker/Elsie Griffin
Second Liturgy Of St John Chrysostom, Op.29: The Creed - Paris Metropolitan Russian Church Chor/Nicolai Afonsky
Clavelitos - Conchita Supervia
Boris Godunov, Act III: Monologue Of Boris - Feodor Chaliapin
Vn Con in b, Op.61: III. (Extract) Cadenza-Allegro Molto - Yehudi Menuhin
Pno Son No.14 in c#, Op.27 No.2 'Moonlight': I. Adagio Sostenuto - Artur Schnabel
Heidenroslein D.257 - Elisabeth Schumann
Arrival Of The Queen Of Sheba (Solomon) - LPO/Beecham
Prld And Fugue No.2 in c, BWV 847 - Edwin Fischer
The Floral Dance - Peter Dawson
Voi Lo Sapete, O Mamma (Cavalleria Rusticana) - Claudia Muzio
Etude in G flat, Op.10 No.5 - Vladimir Horowitz
Die Walkure, Act I: Wintersturme Wichen Dem Wonnemond...Du Bist Der Lenz - Lauritz Melchoir/Lotte Lehmann
Toccata in d, BWV 565 - Albert Schweitzer
Goldberg Vars, BWV 988: Aria: Andante Espressivo - Wanda Landowska
Hora Staccato - Jascha Heifetz
Don Giovanni, Act II: Questo E Il Fin Di Chi Fa Mal - Glyndebourne Festival Company/Fritz Busch

Tracks:

Ov - La Scala Di Seta - BBC SO/Arturo Toscanini
Vc Ste No.1 in G, BWV 1007: Prld - Pablo Casals
Mazurka No.5 in B flat, Op.7 No.1 - Arthur Rubinstein
Schon Rosmarin - Fritz Kreisler/Franz Rupp
A Midsummers Night's Dream, Incidental Music, Op.61: Scherzo - Benno Moiseiwitsch
La Paloma - Beniamino Gigli
Jesu, Joy Of Man's Desiring - Dame Myra Hess
Otello, Act I: Esultate! - Giacomo Lauri-Volpi
Die Ruinen Von Athen, Incidental Music, Op.113: Ov - LSO/Felix Weingartner
Les Nuits D'Ete: IV. Absence - Maggie Teyte
O My Beloved Father (Gianni Schicchi) - Joan Hammond
Pizzicato Polka - Wiener Phil/Hans Knappertsbusch
Rejoice Greatly, O Daughter Of Zion (Messiah) - Isobel Baillie
Tunadot, Act III: Nessun Dorma - Jussi Bjorling
Vn Con in d, Op.77: III. Allegro Giocoso, Ma Non Troppo Vivace - Ginette Neveu
Le Carnaval Des Animaux: Le Cygne - Pierre Fournier
Le Nozze Di Figaro: Ov - Wiener Phil/Herbert Von Karajan
The Plough Boy - Peter Pears/Benjamin Britten
Aida, Act I: Ritorna Vincitor - Ljuba Welitsch
Mignon, Act II: Addio Mignon, Fa Core! - Giuseppe Di Stefano
Le Nozze Di Figaro, Act I: Non Piu Andrai - Erich Kunz

Tracks:

Sym No.1 in D, Op.25 'Classical': III. Gavotte (Non Troppo Allegro) - Berliner Phil/Sergiu Celibidache
Otello, Act II: Era La Notte - Tito Gobbi
Kindertotenlieder: Oft Denk' Ichsie Sind Nur Ausgegangen - Kathleen Ferrier
Waltz No.5 in A flat, Op.42 - Dinu Lipatti
Die Schone Mullerin, D.795: Ungeduld - Dietrich Fischer-Dieskau/Gerald Moore
Tristan Und Isolde, Act III: Mild Und Leise (Liebestod) - Kirsten Flagstad
Prlds, Book I - No.10: La Cathedrale Engloutie - Walter Gieseking
Tosca, Act II: Vissi D'Arte - Maria Callas
Hn Con No.4 in E flat, K.495: III. Rondo (Allegro Vivace) - Dennis Brain
Gayaneh, Act III: Sabre Dance - PO/Aram Khachaturian
Die Fledermaus, Act II: Klange Der Heimat - Elisabeth Schwarzkopf
Facade: Popular Song - PO/William Walton
Perpetuum Mobile - Yehudi Menuhin/Gerald Moore
Le Nozze Di Figaro, Act II: Voi Signor, Che Giuto Siete - Sena Jurinac/Graziella Sciutti/Monica Sinclair/Hugues Cuenod/Sisto Bruscantini/Franco Calabrese...
Sym No.5 in c, Op.67: I. Allegro Con Brio - PO/Otto Klemperer
Daphnis Et Chloe, Ste No. 2: Danse Generale - PO/Guido Cantelli
La Boheme, Act I: O Soave Fanciulla - Victoria De Los Angeles/Jussi Bjorling/Robert Merrill
Pno Con in a, Op.16: I. Allegro Molto Moderato (Opening) - Solomon
Standchen, Op.106 No.1 - Hans Hotter/Gerald Moore
Pno Con in G: III. Presto - Arturo Benedetti Michelageli

Tracks:

Ov: Rusian And Ludmilla - Philharmonia Orch/Constantin Silvestri
Faust, Act V: Et Voici Le Jardin Charmant - De Los Angeles
Pno Son No.26 in E, Op.81a, 'Les Adieux' : III. Vivacissimamente (Le Retour) - Claudio Arrau
Vn Con in e, Op.64: II. Andante - Yehudi Menuhin
Don Giovanni, Act I: Signor, Guardate Un Poco - Sutherland/Schwarzkopf/Alva/Giulini
Vc Ste No.3 in C, BWV 1009: Sarabande - Paul Tortelier
The Bartered Bride, Act III: Dance Of The Comedians - RPO/Rudolf Kempe
Cosi Fan Tutte, Act I: Un'aura Amorosa - Alfredo Kraus
Pno Con No.1 in b flat, Op.23, I: Allegro Non Troppo E Molto Maestoso (Opening) - John Ogdon
La Boheme, Act III: Donde Liesta usci - Mirella Freni
3 Gymnopedies: I. Lent Et Douloureux - Aldo Ciccolini
Carmen, Act I: L'amour Est Un Aiseau Rebelle (Habanera) - Maria Callas
Turandot, Act III: Principessa Di Morte - Birgit Nilsson/Franco Corelli
Vc Con in e, Op.85: III. Adagio - Jacqueline Du Pre
Sea Pictures: II. In Haven (Capri) - Janet Baker
Vier Letzte Lieder: Fruhling (Hesse) - Elisabeth Schwarzkopf
Madama Butterfly, Act I: Bimba Dagli Occhi Pieni Di Malia - Renata Scotto
Pno Son in c No.8, Op.13 'Pathetique': III. Rondo (Allegro) - Daniel Barenboim

Tracks:

Polonaise No.6 in A flat, Op.53 'Heroic' 6.55 - Maurizio Pollini
L'amico Fritz, Act III: O Amore, O Bella Luce Del Core - Luciano Pavarotti
Chants D'Auvergne: Bailero - Victoria De Los Angeles
On Christmas Night - Choir Of King's College/Cambridge/David Willcocks
Triple Con in C, Op.56: II. Largo 5.26 - D. Oistrakh/Rostropovich/Richter/Karajan
Turandot, Act I: Signor Ascolta - Montserrat Caballe
'Enigma' Vars, Op.36: Nimrod - LSO/Sir Adrian Boult
The Danserye: I. La Mourisque - Early Music Consort Of London/David Munrow
Radetzky March, Op.228 - Wiener Johann Strauss Orchester..
Rhapsody In Blue (Opening) - LSO/Andre Previn
Caprice in a, Op.1 No.24 - Itzhak Periman
Aida, Act I: Se Quel Guerrier Io Fossi...Celeste Aida - Placido Domingo/Riccardo Muti
Tpt Con in E flat: III. Rondo (Allegro Molto) - Maurice Andre/Karajan
Pno Con in g, Op.33: III. Allegro Con Fuoco - Sviatoslav Richter/Kleiber
Ser 'Eine Kleine Nachtmusik', K.525: I. Allegro - Academy Of St. Martin In The Field/Marriener
Sym Fantastique, Op.14a: IV. Marche Au Supplice - Orchestre National De France/Bernstein
Tea For Two - Yehudi Menuhin/Stephane Grappelli

Tracks:

Adagio - The Philadelphia Orchestra/eugene Ormandy
Pagliacci, Act I: Recitar!...Vesti La Giubba - Jose Carreras/Riccardo Muti
Veni Sancte Spiritus Sequence (Mode I) - Choir Of the Benedictine Abbey Of Silos
Str Qt No.13 in B flat, Op.130: V. Cavatina (Adagio Molto Espressivo) - Alban Berg Quartett
Cosi Fan Tutte, Act I: Soave Sia Il Vento - Marshall/Baltsa/Van Dam/Muti
Hpd Con in D: III. Allegretto - Bob Van Asperen
El Grillo - Hilliard Ensemble
Vecchie Letrose - Hesperion XX/Jordi Savall
Vespro Della Beata Vergine Deus In Adiutorium...Domine Ad Adiuvandum Me Festina - Taverner Consort, Choir & Player
The Four Seasons: Spring: I. Allegro - Anne-Sophie Mutter/Karajan
Requiem in d, K.626: Dies Irae - Choeurs Et Orchestre De Paris...
La Bella Helene, Act I: Amours Divins - Jessye Norman/Michel Plasson
Cl Con in E flat, Op.26: III. Allegro - Sabine Meyer/Herbert Blomstedt
Porgy And Bess, Act I: Summertime - Dame Kiri Te Kanawa
Sym No.8 in F, Op.93: IV. Allegro Vivace - London Classical Players/Roger Norrington
Messa Da Requiem: Sanctus - Orchestra E Coro Del Teatro Alla Scala, Milano...
Show Boat, Act I: Make Believe - Frederica Von Stade/Jerry Hadley/John McGlinn
Romance No.2 in F, Op.50 - Frank Peter Zimmermann/Jeffrey Take
Sym No.8 - Part 2 (Conclusion): Alles Vergangliche - LPO/Klaus Tennstedt

Tracks:

Porgy And Bess, Act II: Bess, You Is My Woman Now - White/Hayman/Rattle
Die Walkure, Act III: Loge Hor! Lausche Hieher! - James Morris/Bernard Haitink
L'Africaine, Act IV: Pays Merveilleux...O Paradis - Placido Domingo/John Barker
Winterreise, D.911: Der Lindenbaum - Olaf Bar/Geoffrey Parsons
Hansel Und Gretel, Act II: Der Kleine Sandmann Bin Ich...Abends, Will Ich Schlafen Geh'n - Hendricks/Bonney/Von Otter
Carmina Burana: 5. Ecce Gratum - The London Philharmonic/Franz Welser-Most
Vn Con No.1 in g, Op.26: III. Finale (Allegro Energico) - Kyung-Wha Chung
Don Giovanni, Act I: Or Sal Chi L'onore - Cheryl Studer
Chant Des Moissonneurs Vendeens - Thomas Hampson
No.5 From 'Set No.1': Calcium Light Music - Ensemble Modern/Ingo Metzmacher
Vc Ste No.6, BWV 1012: VI. Gigue - Mstisiav Rostropovich
Hungarian Dance No.2 in d - Sarah Chang
Son in G, K.55 - Christian Zacharias
Sym No.2 in e: III. Adagio (Opening) - Petersburg Philharmonic/Mariss Jansons
Son in A, D.959: II. Andantino - Stephen Kovacevich
Pno Qnt in E flat, Op.44: III. Scherzo. Molto Vivace - Martha Argerich
Werther, Act III: Toute Mon Ame Est La!...Pourquoi Me Reveiller? - Roberto Alagna
Die Meistersinger, Act III: Verachtet Mir Die Meister Nicht - Bernd Weikl/Sawallisch

Tracks:

Spring Song - Adolf Umbach
The Queen Of Spades: Forgive Me - Nikolai Figner
Norwegian Bridal Procession, Op.19 No.2 - Edvard Grieg
Mattinata - Enrico Caruso
Pagliacci: Ah! Tu Mi Sfidi! - Josefina Huguet
Oberon - Ov - LSO/Arthur Nikisch
Gas Shell Bombardment By The Royal Garrison Artillery Outside Lille - Royal Garrison Artillery
Ecossaise, WoO 83 - Ferruccio Busoni
A Message To The Children Of The Empire - King George V And Queen Mary
La Boutique Fantasque (Excerpt) - British SO/Adrian Boult
La Boutique Fantasque (Excerpt) - Royal Albert Hall Orchestra/Eugene Goossens
Messiah: Behold The Lamb Of God - Crystal Palace Handel Festival Chor/Orch...
Parsifal, Akt I: Transformation Scene - Bayreuth Festival Orch/Karl Muck
Pno Con No.1 in e, Op.11: III. Rondo. Vivace - Moriz Rosenthal
Epiphanias - Gerhard Husch
Sym No.41 in C, K.551 'jupiter': I. Allegro Vivace - LPO/Sir Thomas Beecham
Partita No.3 in e, BWV 1006: III. Gavotte En Rondeau - Yehudi Menuhin
Mikrokosmos, Vol.VI No.146, Ostinato - Bela Bartik
Zigeunerweisen - Jascha Helfetz
Sym No.9: II. Im Tempo Eines Germachlichen Landlers - Wiener Philharmoniker/Bruno Walter
pelleas Et melisande, Avte II: Vous Ne Savez Pas - Joachim
Haydn Vars Op.56a - Wiener Philharmonkier/Wilhelm Furtwangler
Belshazzar's Feast - Praise Ye The God Of Gold - Dennis Noble
Sym No.9: IV. Poco Adagio - Tempo I. Poco Adagio - Schwarzkopf
Pno con in f# Op.20: II. Theme And Vars. - Solomon
Sym No.5 in e, Op.64: III. Valse. Allegro Moderato - Orchestra Del Teatro Alla Scala/Milano...
Die Meistersinger Von Nurnberg, Akt III: Qnt - Schwarzkopf
Sym No.7: II. Allegretto - Philharmonia Orch/Nikolai Malko
Scheherazade: IV. Festival At Baghdad - RPO/Sir Thomas Beecham
Das Lied von Der Erde: III. Bon Der Jugen - Fritz Wunderlich
Ich Wollt' Mein Lieb', Op.63 No.1 - Los Angeles
Vc Son: III. Largo - Jacqueline Du Pre
Images: No.3, Rondes De Printemps - LSO/Andre Previn
'Death And The Maiden' Qt: III. Allegro Molto - Alban Berg Quartett
Die Walkure, Akt II: Der Dort Mich Ruft - Cheryl Studer
Pno Con No.1 in d, Op.15: I. Maestoso - Stephen Kovacevich
Sym No.2 'Resurrection': V. Mit Aufschwung Aber Nicht Eilen - Arleen Auger/Dame Janet Baker

Average customer rating:

MY REVIEW

Lo Mío Es Amor
Tony Vega
Manufacturer: Rmm Records
ProductGroup: Music
Binding: Audio CD

General | International | Styles | Music

General | Latin Music | Styles | Music

Salsa | Latin Music | Styles | Music

Merengue | Latin Music | Styles | Music

Salsa & Merengue | Compilations | Latin Music | Styles | Music
ASIN: B000001213
Release Date: 1996-04-16

Tracks:

Lo Mio Es Amor
Dile
Cuando Te Encontre
Love Is Forever
Ella
Vivo
Vivo
Me Quito El Nombre

Customer Reviews:

MY REVIEW.......2002-01-24

Tony Vega has always been an outstanding Salsa singer. This by far has to be the best of all his albums. I love this CD and I recommend it to everyone who know what love is all about.

Average customer rating:

Great Voices of the 50's

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

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Classical | Box Sets | Stores | Music

The Decca Records Store | Specialty Stores | Music
ASIN: B0000042GT
Release Date: 1997-09-16

Tracks:

Wesendonk-Lieder: Der Engel - Wolfgang Amadeus Mozart (1756-1791)
Wesendonk-Lieder: Stehe still - Wolfgang Amadeus Mozart (1756-1791)
Wesendonk-Lieder: Im Treibhaus - Wolfgang Amadeus Mozart (1756-1791)
Wesendonk-Lieder: Schmerzen - Wolfgang Amadeus Mozart (1756-1791)
Wesendonk-Lieder: Traume - Wolfgang Amadeus Mozart (1756-1791)
3 Ruckert-Lieder: Ich bin der Welt abhanden gekommen - Wolfgang Amadeus Mozart (1756-1791)
3 Ruckert-Lieder: Ich atmet' einen linden Duft - Wolfgang Amadeus Mozart (1756-1791)
3 Ruckert-Lieder: Um Mitternacht - Wolfgang Amadeus Mozart (1756-1791)
Lieder: Einerlei, Op. 69 No. 3 'Arnim' - Wolfgang Amadeus Mozart (1756-1791)
Lieder: Ich wollt' ein StrauBlein binden, Op. 68 No. 2 'Brentano' - Wolfgang Amadeus Mozart (1756-1791)
Lieder: Schlechtes Wetter, Op. 69 No. 5 'Heine' - Wolfgang Amadeus Mozart (1756-1791)
Lieder: Befreit, Op. 39 No. 4 'Dehmel' - Wolfgang Amadeus Mozart (1756-1791)
Four Last Songs: Beim Schlafengehen 'Hesse' - Wolfgang Amadeus Mozart (1756-1791)
Four Last Songs: September 'Hesse' - Wolfgang Amadeus Mozart (1756-1791)
Four Last Songs: Fruhling 'Hesse' - Wolfgang Amadeus Mozart (1756-1791)
Four Last Songs: Im Abendrot 'Eichendorff' - Wolfgang Amadeus Mozart (1756-1791)

Tracks:

Sheherazade: Asie
Sheherazade: La Flute enchantee
Sheherazade: L'Indifferent
Trois Poemes de Stephane Mallarme: Soupir
Trois Poemes de Stephane Mallarme: Placet futile
Trois Poemes de Stephane Mallarme: Surgi de la croupe et du bond
Poeme de l'amour et de la mer: La Fleur des eaux
Poeme de l'amour et de la mer: Interlude
Poeme de l'amour et de la mer: La Mort de l'amour
La Damoiselle elue

Tracks:

I Puritani: Son vergin vezzosa
I Puritani: Qui la voce ... Vien, diletto
La Sonnambula: Come per me sereno ... Sovra il sen
La Sonnambula: Ah! no cread mirarti ... Ah! non giunge
Il bacio
Theme & Variations
Villanelle
Le Rossignol
Les Contes d'Hoffmann: Wohlan, nur Mut und Vertrauen
Les Contes d'Hoffmann: Die Legende von Klien Zaches
Fidelio: Gott! Welch' Dunkel heir
Il re pastore: L' amero, saro costante
Exsultate, jubilate, K 165

Tracks:

Pique Dame: Ich muss am Fenster lehnen
Pique Dame: Es geht auf Mitternacht
Un Ballo in Maschera: Ma dall'arido stelo divulsa
Un Ballo in Maschera: Morro, ma prima in grazia
Zigeunerliebe: Lied und csardas
Die lustige Witwe: Vilja Lied
Die Dubarry: Ich schenk' mein Herz
Der Zarewitsch: Einer wird kommmen
Le nozze di Figaro: Non piu andrai
Die Walkure: Leb' wohl, du kuhnes, herrliches Kind! (Wotan's Farewell And Magic Fire Music)
Oberon: Ocean! Du Ungeheuer!
Salome: Ah! Du wolltest mich nicht deinen Mund kussen lassen