| 1. Mi Fantasia |
| 2. Necesita de Ti |
| 3. Llega Que Llega |
| 4. Ya No Te Vayas |
| 5. Tienes Razon |
| 6. Necesito Una Comañera |
| 7. Viva el Amor |
| 8. Si No Es Contigo |
| 9. Volvamos a Intentar |
| 10. Ella No Sabia |
Mi Fantasia,Los Bukis,Fonovisa Inc.,Latin,Mexican,Tejano
Average customer rating:
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The Most Relaxing Classical Album in the World...Ever!
Johann Sebastian Bach , Léo Delibes , Gabriel Fauré , Erik Satie , Wolfgang Amadeus Mozart , Edvard Grieg , Johann Pachelbel , Claude Debussy , Felix Mendelssohn , Camille Saint-Saens , Henryk Gorecki , Antonio Vivaldi , Edward Elgar , Jocelyn Pook , Sergey Rachmaninov , Tomaso Giovanni Albinoni , Luigi Boccherini , Jules Massenet , Ludwig van Beethoven , Jacques Offenbach , Pietro Mascagni , Antonin Dvorak , Giacomo Puccini , Ralph Vaughan Williams , Alexander Borodin , Joaquin Rodrigo , and Samuel Barber Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000I93Z Release Date: 1999-03-30 |
Tracks:
- Air 'On the G String' - Academy Of St. Martin In The Fields
- Morning - Academy Of St. Martin In The Fields
- Canon In D - Academy Of St. Martin In The Fields
- Jesu, Joy Of Man's Desiring - Academy Of St. Martin In The Fields
- Gymnopedie No.1 - City Of Birmingham Symphony Orchestra
- II. Andante - Stephen Hough
- Viens, Mallika - Mady Mesple
- In Paradisum - Choir Of King's College, Cambridge
- Clair De Lune - Dame Moura Lympany
- II. Andate - Yehudi Menuhin
- The Swan - Osian Ellis
- II. Lento E Largo - Tranquillissimo - Zofia Kilanowicz
- II. Andantino - James Galway
- II. Largo - Yehudi Menuhin
- Nimrod - London Symphony Orchestra
- Blow the Wind - Pie Jesu - Jocelyn Pook
- Variation 18 - Cecile Ousset
- Pavane Op.50 - Gareth Morris
Tracks:
- Zion Hort Die Wachter Singen - South German Madrigal Choir
- Adagio In G Minor - Academy Of St. Martin In The Fields
- Minuet - Academy Of St. Martin In The Fields
- II. Largo - Andrei Gavrilov
- Meditation - Hans Kalafusz
- I. Adagio Sostenuto - Dame Moura Lympany
- Belle Nuit, O Nuit D'amour (Barcarolle) - Elisabeth Schwarzkopf
- II. Andante - Nigel North
- II. Adagio - Jack Brymer
- Intermezzo - Philharmonia Orchestra
- I. Moderato - London Chamber Orchestra
- O Mio Babbino Caro - Montserrat Caballe
- Fantasia On 'Greensleeves' - Sinfonia Of London
- II. Adagio Sostenuto (Opening) - Cecile Ousset
- Nocturne - Academy Of St. Martin In The Fields
- II. Adagio (Opening) - Julian Bream
- Adagio For Strings Op.11a - The Philadelphia Orchestra
- Entr'acte To Act III - Orchestre National De France
Amazon.com
You want relaxing classical music that'll soothe your soul but won't lull you into sleep? Here's a double CD for you. The Most Relaxing Classical Album in the World ... Ever! does its best to cover both well-worn classical favorites (Bach's "Air on the G String," Pachelbel's "Cannon," Debussy's "Clair de Lune") and some eclectic left-field choices (an excerpt from Górecki's Symphony No. 3, Jocelyn Pook's "Blow the Wind," and Samuel Barber's Adagio for Strings. The performances of most of these excerpts are top-notch--artists include Sir Neville Marriner, James Galway, Jacqueline du Pré and the Philadelphia Orchestra--and there's enough variety here for everyone. --Edward GarabedianCustomer Reviews:
Lives Up To The Title, Fine Variety Of Genre's........2007-02-04
Good for relaxing pregnant women.......2007-01-17
Too much opera.......2007-01-10
Does what it set out to do, very well.......2006-11-15
That said, i totally adore this set because i have learned to take it on its own terms. These discs weren't meant for expert classical listeners, so a review from that sort of mindset is useless. This set was meant for pure, easy listening, and for a basic starters kit for classical newbies. Most of all, it was just meant to do what the title says, to relax the average human being. classical expert or not.
Yes, some of these pieces have been altered or shortened, like Mozart's Flute and Harp Concerto Andantino, but they have been edited for a good enough reason: the full versions would have been too long to flow with the rest of the album. And also, the full versions contain so much development that they don't become easy listening anymore. The shortened versions work in the context of the album. Most essentially, the shortened versions on the discs still convey the main flavor the composers were going for. The melodies and themes remain unchanged.
To sum up, it is true that when i want to actually listen deeply to classical music, this album would never be a choice. I would want to hear the complete works like the composers intended. But at certain times when i simply don't mind about that stuff, when i just need to loosen up and free my mind of stress with some nice melodies, this set does the job well enough.
Last but not least: being a purist and a classical buff, i am very particular about performance quality. I was very glad to find that EMI did not get lazy about this. All the artists are world-class, and all the performances are at least exceptional. Some performances are even quite excellent, like the Clair De Lune, which is one of the best i've heard. (Credit to Dame Lympany, the pianist.)
So once again, recommended for its stated purpose, to relax. I am a purist, a classical buff, and i still enjoy this disc. That says something.
TRULY The most relaxing and beautiful music ever written........2006-11-10
SIMPLY BEAUTIFUL !!!!!!!!!!
Average customer rating:
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Best of the Millennium: Top 40 Classical Hits
Manufacturer: Utv Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004GOZA Release Date: 2000-02-08 |
Tracks:
- Adagio In G Minor
- Jesu, Joy OF Man's Desiring
- Moonlight Sonata - Adagio sostenuto
- March Of The Toreadors (Carmen)
- Celebrated Minuet
- Polovtsian Dance No. 1 (Prince Igor)
- Cradle Song
- 'Minute' Waltz
- Suite Bergamasque: Clair de Lune
- Largo
- Pomp And Circumstance March No. 1
- Rhapsody In Blue - Andante And Finale
- Peer Gynt Suite: Morning
- Messiah: Hallelujah Chorus
- Liebestraum
- Cavalleria Rusticana: Intermezzo
- A Midsummer Night's Dream: Wedding March
- 'Masterpiece Theater' Theme: Rondau (First Symphonic Suite)
- The Great Gate Of Kiev
Tracks:
- Eine klein Nachtmusik - Allegro: Eine kleine Nachtmusik - Allegro
- Orpheus In The Underworld: Cancan
- Carmina Burana - O Fortuna
- Canon In D
- Lietenant Kije Suite - Troika
- Turandot: Nessun dorma
- Rhapsody On A Theme Of Paganini - 18th Variation: Rhapsody On A Theme Of Paganini- 18th Variation
- Bolero - Conclusion
- The Tale Of Czar Sultan: Flight Of The Bumblebee
- William Tell Overture - Finale
- Carnival Of The Animals: The Swan
- Gymnopedie No. 3
- Ave Maria
- Blue Danube Waltz
- Thus Spake Zarathustra - Sunrise
- Firebird Suite - Finale
- 1812 Overture - Finale: 1812 Overtune - Finale
- Fantasia On 'Greensleeves'
- Anvil Chorus (II Trovatore)
- The Four Seasons - Largo From 'Winter'
- Die Walkure: Ride Of The Valkyries
Amazon.com
For those who want the most remembered passages of classical music's best-loved works, here's a package for you. On this bargain priced double-CD, you'll find music from 40 different classical composers; for the most part, the recordings excerpted here are some of the very best. Of course, you only get one Bach sampling (Jesu, Joy of Man's Desiring, played by the Orpheus Chamber Orchestra) and one Mozart (A Little Night Music conducted by Herbert von Karajan), but this is still a nice collection--perhaps the starting point for a budding collection of classical music. This set's downfall? Unfortunately, though the liner notes discuss the evolution of classical music chronologically, the tracks are programmed in alphabetical order by composer's last name. This makes for some startling transitions! Emil Gilels's reflective performance of the Adagio from Beethoven's "Moonlight" sonata is followed by the crashing cymbals and bombast of Carmen's "March of the Toreadors," a recipe for a heart attack if there ever was one. Still, there's something here for everyone and the liner notes even explain what movies this music can be found in. A nice touch. --Jason VerlindeCustomer Reviews:
Waste of money.......2006-01-12
Ken
Great Music Compilation.......2005-08-15
If you like classical music don't buy this CD........2005-03-11
A must for anyone wanting the staples of classical music.......2005-02-23
I recommend this album, along with the boxed set, "Age of the Classics" for anyone who is interested in becoming familiar with the most famous staples of classical music.
A great compilation.......2005-02-09
Average customer rating:
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Little Night Music - Ultimate Mozart Collection [20 CD Set]
Manufacturer: Delta ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00012QLTG Release Date: 2003-12-09 |
Tracks:
- Eine Kleine Nachtmusik, K.525: Allegro - Herbert Kraus, Vienna Mozart Ensemble
- Eine Kleine Nachtmusik, K.525: Romance. Andante - Herbert Kraus, Vienna Mozart Ensemble
- Eine Kleine Nachtmusik, K.525: Menuetto. Allegretto - Herbert Kraus, Vienna Mozart Ensemble
- Eine Kleine Nachtmusik, K.525: Rondo. Allegro - Herbert Kraus, Vienna Mozart Ensemble
- Divertimento in D, K.136: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in D, K.136: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in D, K.136: Presto - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in B Flat, K.137: Allegro Di Molto - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in B Flat, K.137: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in B Flat, K.137: Allegro Assai - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in F, K.138: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in F, K.138: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in F, K.138: Presto - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in E Flat, K.113: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in E Flat, K.113: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in E Flat, K.113: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in E Flat, K.113: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
Tracks:
- Serenata Notturna in D, K.239: Marcia. Maestoso - The Berlin Chamber Orchestra, Peter Wohlert
- Serenata Notturna in D, K.239: Menuetto - The Berlin Chamber Orchestra, Peter Wohlert
- Serenata Notturna in D, K.239: Rondeau. Allegretto - The Berlin Chamber Orchestra, Peter Wohlert
- Divertimento in D, K.131: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in D, K.131: Adagio - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in D, K.131: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in D, K.131: Allegretto - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in D, K.131: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in D, K.131: Adagio- Allegro Molto - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in D, K.205: Largo-Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in D, K.205: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in D, K.205: Adagio - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in D, K.205: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in D, K.205: Finale. Presto - Camerata Academica of the Salzburg Mozarteum, Sandor V
Tracks:
- Symphony No. 34 in C, K.388: Allegro Vivace - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 34 in C, K.388: Andante Di Molto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 34 in C, K.388: Finale. Allegro Vivace - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 35 in D, K.285, Haffner: Allegro Con Spirito - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 35 in D, K.285, Haffner: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 35 in D, K.285, Haffner: Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 35 in D, K.285, Haffner: Presto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 36 in C, K.425, Linz: Adagio/Allegro Spiritoso - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 36 in C, K.425, Linz: Poco Adagio - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 36 in C, K.425, Linz: Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 36 in C, K.425, Linz: Presto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Tracks:
- Symphony No. 38 in D, K.504, Prague: Adagio/Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 38 in D, K.504, Prague: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 38 in D, K.504, Prague: Finale. Presto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 39 in E Flat, K.543: Adagio/Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 39 in E Flat, K.543: Andante Con Moto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 39 in E Flat, K.543: Menuetto. Allegretto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 39 in E Flat, K.543: Finale. Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Tracks:
- Symphony No. 40 in G Minor, K.550: Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 40 in G Minor, K.550: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 40 in G Minor, K.550: Menuetto. Allegretto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 40 in G Minor, K.550: Allegro Assai - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 41 in C, K.551, Jupiter: Allegro Vivace - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 41 in C, K.551, Jupiter: Andante Cantabile - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 41 in C, K.551, Jupiter: Menuetto. Allegretto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 41 in C, K.551, Jupiter: Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Tracks:
- Symphony No. 9 in C, K. 73 (75a): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 9 in C, K. 73 (75a): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 9 in C, K. 73 (75a): Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 9 in C, K. 73 (75a): Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 10 in G, K.74: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 10 in G, K.74: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 10 in G, K.74: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 10 in D, K. 81 (73l): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 10 in D, K. 81 (73l): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 10 in D, K. 81 (73l): Allegreo Molto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 11 in D, K. 84 (73g): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 11 in D, K. 84 (73g): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 11 in D, K. 84 (73g): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony in D, K. 95 (73a): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony in D, K. 95 (73a): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony in D, K. 95 (73a): Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony in D, K. 95 (73a): Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony in F, K.75: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony in F, K.75: Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony in F, K.75: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony in F, K.75: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Tracks:
- Piano Concerto No. 12 in A, K.414: Allegro - Capella Coloniensis, Marian Migdal
- Piano Concerto No. 12 in A, K.414: Andante - Capella Coloniensis, Marian Migdal
- Piano Concerto No. 12 in A, K.414: Allegretto - Capella Coloniensis, Marian Migdal
- Piano Concerto No. 25 in C, K.503: Allegro Maestoso - Capella Coloniensis, Marian Migdal
- Piano Concerto No. 25 in C, K.503: Andante - Capella Coloniensis, Marian Migdal
- Piano Concerto No. 25 in C, K.503: Allegretto - Capella Coloniensis, Marian Migdal
Tracks:
- Piano Concerto No. 13 in C, K.415: Allegro - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
- Piano Concerto No. 13 in C, K.415: Andante - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
- Piano Concerto No. 13 in C, K.415: Allegro - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
- Piano Concerto No. 23 in A, K.488: Allegro - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
- Piano Concerto No. 23 in A, K.488: Adagio - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
- Piano Concerto No. 23 in A, K.488: Allegro Assai - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
Tracks:
- Flute Concerto in G Major, K.313: Allegro Maestoso - Hungarian State Orchestra, , Ervin Lukacs
- Flute Concerto in G Major, K.313: Adagio Non Troppo - Hungarian State Orchestra, , Ervin Lukacs
- Flute Concerto in G Major, K.313: Rondo: Tempo Di Minuetto - Hungarian State Orchestra, , Ervin Lukacs
- Flute Concerto in D Major, K.314: Allegro Aperto - Hungarian State Orchestra, , Ervin Lukacs
- Flute Concerto in D Major, K.314: Andante Ma Non Troppo - Hungarian State Orchestra, , Ervin Lukacs
- Flute Concerto in D Major, K.314: Rondo. Allegro - Hungarian State Orchestra, , Ervin Lukacs
- Concerto for Flute and Harp in C, K.299: Allegro - Cologne Concerto, Saskia Kwast, Martin Sandhoff
- Concerto for Flute and Harp in C, K.299: Andantino - Cologne Concerto, Saskia Kwast, Martin Sandhoff
- Concerto for Flute and Harp in C, K.299: Rondo. Allegro - Cologne Concerto, Saskia Kwast, Martin Sandhoff
Tracks:
- Clarinet Concerto in A, K.622: Allegro - English Chamber Orchestra, David Glasser, Geoffrey Simon
- Clarinet Concerto in A, K.622: Adagio - English Chamber Orchestra, David Glasser, Geoffrey Simon
- Clarinet Concerto in A, K.622: Rondo. Allegro - English Chamber Orchestra, David Glasser, Geoffrey Simon
- Oboe Concerto in C, K.314: Allegro Aperto - C.P.E. Bach Chamber Orchestra, Burkhard Glaetzner, Hartmut Haenchen
- Oboe Concerto in C, K.314: Adagio Non Troppo - C.P.E. Bach Chamber Orchestra, Burkhard Glaetzner, Hartmut Haenchen
- Oboe Concerto in C, K.314: Rondo, Allegretto - C.P.E. Bach Chamber Orchestra, Burkhard Glaetzner, Hartmut Haenchen
- Bassoon Concerto in B Flat, K.191: Allegro - Klaus Hellman, Herbert Kraus, Vienna Mozart Ensemble
- Bassoon Concerto in B Flat, K.191: Andante Ma Adagio - Klaus Hellman, Herbert Kraus, Vienna Mozart Ensemble
- Bassoon Concerto in B Flat, K.191: Rondeau, Tempo Di Minuetto - Klaus Hellman, Herbert Kraus, Vienna Mozart Ensemble
Tracks:
- String Quartet in a Major K.464: Allegro - Petersen Quartett
- String Quartet in a Major K.464: Menuetto - Petersen Quartett
- String Quartet in a Major K.464: Andante - Petersen Quartett
- String Quartet in a Major K.464: Allegro - Petersen Quartett
- String Quartet in C Major K.465 Dissonant: Adagio, Allegro - Petersen Quartett
- String Quartet in C Major K.465 Dissonant: Andante Cantabile - Petersen Quartett
- String Quartet in C Major K.465 Dissonant: Menuetto. Allegro - Petersen Quartett
- String Quartet in C Major K.465 Dissonant: Allegro - Petersen Quartett
Tracks:
- Vioin Concerto No. 3 in G, K.216: Allegro - Christian Altenburger, German Bach Soloists, Helmut Winschermann
- Vioin Concerto No. 3 in G, K.216: Adagio - Christian Altenburger, German Bach Soloists, Helmut Winschermann
- Vioin Concerto No. 3 in G, K.216: Rondo. Allegro - Christian Altenburger, German Bach Soloists, Helmut Winschermann
- Vioin Concerto No. 4 in D, K.218: Allegro - Christian Altenburger, German Bach Soloists, Helmut Winschermann
- Vioin Concerto No. 4 in D, K.218: Andante Cantabile - Christian Altenburger, German Bach Soloists, Helmut Winschermann
- Vioin Concerto No. 4 in D, K.218: Rondeau. Andante Grazioso - Christian Altenburger, German Bach Soloists, Helmut Winschermann
- Fantasy in F Minor, K.608 - Camerata Academica of the Salzburg Mozarteum, Sandor V
Tracks:
- Violin Concerto No. 5 in A, K.219: Allegro Aperto - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
- Violin Concerto No. 5 in A, K.219: Adagio - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
- Violin Concerto No. 5 in A, K.219: Rondeau, Tempo Di Minuetto - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
- Sinfonia Concertante in E Flat for Violin and Viola, K.364: ... - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
- Sinfonia Concertante in E Flat for Violin and Viola, K.364: Andante - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
- Sinfonia Concertante in E Flat for Violin and Viola, K.364: Presto - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
Tracks:
- Requiem, K.626: Requiem - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
- Requiem, K.626: Dies Irae - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
- Requiem, K.626: Tuba Mirum - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
- Requiem, K.626: Rex Tremendae - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
- Requiem, K.626: Recordare - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
- Requiem, K.626: Confutatis - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
- Requiem, K.626: Lacrimosa - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
- Requiem, K.626: Domine Jesu - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
- Requiem, K.626: Hostias - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
- Requiem, K.626: Sanctus - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
- Requiem, K.626: Benedictus - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
- Requiem, K.626: Agnus Dei - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
- Requiem, K.626: Lux Aeterna - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
- Laudate Dominum - Budapest Philharmonic Orchestra, Ivan Fischer, Jeunesses Musicales Chorus, Maria Zadori
Tracks:
- Missa Solembis in C Minor, K.139: Kyrie - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
- Missa Solembis in C Minor, K.139: Gloria - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
- Missa Solembis in C Minor, K.139: Credo - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
- Missa Solembis in C Minor, K.139: Sanctus - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
- Missa Solembis in C Minor, K.139: Benedictus - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
- Missa Solembis in C Minor, K.139: Agnus Dei - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
- Misericordias Domini, K.222 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
- Inter Natos Mulierum, K.72 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
- Sancta Maria, Mater Dei, K.273 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
- Venite Populi, K.260 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
Tracks:
- Ave Verum Corpus [From Lorenzo's Oil] - Berlin Radio Symphony Orchestra, Marcus Creed, Rias Chamber Chorus
- Exsultate, Jubilate, K.165 - Gabrielle Fuchs
- Church Sonata in C, K.328 - Robert Kuppelwieser
- Laudate Dominum - Camerata Academica of the Salzburg Mozarteum, Gabrielle Fuchs, Ernst Hinreiner
- Fantasy in F Minor, K.608
- Ah, Lo Previdi...Ah, T'Invola Agl'occhi Miei, K.272 - Hungarian State Opera Orchestra, Ervin Lukacs, Sylvia Sass
Tracks:
- Magic Flute, K.620 - Staatskapelle Dresden, Hans Vonk
- Marriage of Figaro, K.492 - Staatskapelle Dresden, Hans Vonk
- Ascanio in Alba, K.111 - Staatskapelle Dresden, Hans Vonk
- Idomeneo, K.366 - Staatskapelle Dresden, Hans Vonk
- Impresario, K.486 - Staatskapelle Dresden, Hans Vonk
- Cosi Fan Tutte, K.588 - Staatskapelle Dresden, Hans Vonk
- Abduction from the Seraglio, K.384 - Staatskapelle Dresden, Hans Vonk
- Finta Giardiniera, K.196 - Staatskapelle Dresden, Hans Vonk
- Lucio Silla, K.135 - Staatskapelle Dresden, Hans Vonk
- Clemenza Di Tito, K.621 - Staatskapelle Dresden, Hans Vonk
- Don Giovanni, K.527 - Staatskapelle Dresden, Hans Vonk
Tracks:
- Five Minuets, K.461: No. 1 in C - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Five Minuets, K.461: No. 2 in E Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Five Minuets, K.461: No. 3 in G - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Five Minuets, K.461: No. 4 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Five Minuets, K.461: No. 5 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Six Contredances, K.462: No. 1 in C - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Six Contredances, K.462: No. 2 in E Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Six Contredances, K.462: No. 3 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Six Contredances, K.462: No. 4 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Six Contredances, K.462: No. 5 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Six Contredances, K.462: No. 6 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Two Quadriles, K.463: No. 1 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Two Quadriles, K.463: No. 2 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Six German Dances, K.509 - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Contredanse, K.534, Das Donnerwetter - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Contredanse, K.535 la Bataille - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Contredanse, K.587 Der Sieg Vom Helden Koburg - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Six German Dances, K.600: No. 1 in C - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Six German Dances, K.600: No. 2 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Six German Dances, K.600: No. 3 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Six German Dances, K.600: No. 4 in E Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Six German Dances, K.600: No. 5 in G, The Canary - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Six German Dances, K.600: No. 6 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Two Contredanses, K.603: No. 1 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Two Contredanses, K.603: No. 2 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Three German Dances, K.605: No. 1 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Three German Dances, K.605: No. 2 in G - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Three German Dances, K.605: No. 3 in C, The Sleighride - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Tracks:
- Magic Flute, K.620 Highlights: Overture - Staatskapelle Dresden, Hans Vonk
- Magic Flute, K.620 Highlights: Der Vogelfer Bin Ich Ja, ... - Bratislava Philharmonic, Hermann Prey
- Magic Flute, K.620 Highlights: O Isis and Osiris, The Priest's Chorus - Bulgarian National Choir, Sofia Philharmonic Orchestra, Svetoslav Obretenov Bulgarian Choir
- Magic Flute, K.620 Highlights: Der H Rache, Queen of the ... - Berlin Radio Symphony Orchestra, Sumi Jo, Roberto Paternostro
- Magic Flute, K.620 Highlights: Ies Bildnis Ist Bezaubernd Sch... - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
- Magic Flute, K.620 Highlights: Ein Mhen Oder Weibchen, ... - Bratislava Philharmonic, Hermann Prey,
- Magic Flute, K.620 Highlights: Heil Sei Euch Geweihten, Final Chorus - Bulgarian National Choir, Sofia Philharmonic Orchestra, Svetoslav Obretenov Bulgarian Choir
- Idomeneo, K.366 Highlights: Vedrommi Intorno, Idomeneo's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
- Idomeneo, K.366 Highlights: Ballet Music - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
- Idomeneo, K.366 Highlights: Il Padre Adorato, Idamente's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
- Idomeneo, K.366 Highlights: d'Oreste, d'Ajace, Electra's Aria - Hungarian State Opera Orchestra, Ervin Lukacs, Sylvia Sass
- Idomeneo, K.366 Highlights: Torna la Pace, Idomenco's Aria - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
Tracks:
- Don Giovanni, K.527 Highlights: Overture - Staatskapelle Dresden, Hans Vonk
- Don Giovanni, K.527 Highlights: Madamina, Il Catalogo Questo, ... - Renato Bruson, NHK Chamber Soloists, Roberto Paternostro
- Don Giovanni, K.527 Highlights: Li Darem la Mano, Duet ... - Renato Bruson, Sona Ghazarian, NHK Chamber Soloists, Roberto Paternostro
- Don Giovanni, K.527 Highlights: Dalla Sua Pace, Don Ottavio's Aria - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
- Don Giovanni, K.527 Highlights: Mi Traduell'alma Ingrata, ... - Sona Ghazarian, NHK Chamber Soloists, Roberto Paternostro
- Don Giovanni, K.527 Highlights: Il Mio Tesoro, Don Ottavio's Aria - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
- Abduction from the Seraglio, K.384: Ich Baue Ganz Auf Deine ... - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
- Abduction from the Seraglio, K.384: Singt Dem Gron Bassa Lieder, ... - Berlin Radio Symphony Orchestra, Rias Chamber Chorus, Hanns Martin Schneidt
- Abduction from the Seraglio, K.384: Wenn Der Freude Trn ... - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
- Cosan Tutte, K. 588: Come Scoglio, Fiordiligi's Aria - Bulgarian Radio Symphony Orchestra, Vassil Stefanov, Anna Tomowa Sintow
- Cosan Tutte, K. 588: Un'aura Amorosa, Ferrando's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
- Clemenza Di Tito, K.621: Ah Se Fosse Intorno Al Trono, Tito's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
Album Description
Enjoy a little night music with Mozart and this ultimate collection of his music. This incredible 20-CD set presents the listener with all of Mozart's most famous works, from Symphonies and Concertos, to highlights of his best operas The Magic Flute and Don Giovanni. Take in his Missa Solemnis, Ave Verum and Requiem and don't forget Eine Kleine Nachtmusik...this set truly is the most definitive Mozart collection ever assembled!Customer Reviews:
A Wonderful Collection.......2007-04-11
Celebrate Mozart's 250th at a Budget Price.......2006-01-11
This 20-CD box set gathers all of his major symphonies, concertos and operas into one massive collection. All of the selections are performed by European musicians (eg. the Budapest Philharmonic Orchestra, the Berliner Kammerorchester, etc.). While not household names, the music is uniformly excellent.
If you're looking for an inexpensive purchase (I got mine at a national retailer that rhymes with "Clam's Tub" for under $20!) to kick off your "Rock Me Amadeus" party, this is a great choice. RECOMMENDED
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
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The Complete Wedding Album
Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000006ONZ Release Date: 1998-04-28 |
Tracks:
- Rigaudon - Empire Brass
- Sinfonia - Michael Murray
- Toccata - Michael Murray
- Wedding March - Michael Murray
- The Prince Of Denmark's March - Michael Murray
- Trumpet Tune In D Major - Michael Murray
- Te Deum - Michael Murray
- Ave Maria - Michael Murray
- Canon In D Major - Yolanda Kondonassis
- Jesu, Joy Of Man's Desiring - Yolanda Kondonassis
- Prelude No. 1 In C Major - Yolanda Kondonassis
- Entrance Of The Queen Of Sheba - Keith Clark
- Air - Orchestra Of St. Luke's
- Hornpipe - Orchestra Of St. Luke's
- Rondeau - Empire Brass
- Unchained Melody - Erich Kunzel
- Through The Eyes Of Love - William Tritt
- Love Theme From Romeo And Juliet - William Tritt
- The Wedding Song (There Is Love - Danny Donnelly
- Dodi Li - Shira Kammen
Tracks:
- Rondeau - Michael Murray
- Sheep May Safely Graze - Michael Murray
- Ave Maria - Michael Murray
- Gymnopedie No. 1 - Michael Chertock
- Clair De Lune - Michael Chertock
- Adagio Sostenuto - Michael Chertock
- Largo - Angel Romero
- Largo - Larry Cooperman
- Largo - Keith Clark
- Allegro - Boston Symphony Orchestra
- Adagio In G Minor For Strings - Keith Clark
- Fantasia On 'Greensleeves' - Leonard Slatkin
- Adagio For Strings - Erich Kunzel
- 'Treulich Gefuart,' Bridal Chorus - Atlanta Symphony Orchestra And Chorus
- Wedding March - Atlanta Symphony Orchestra
Customer Reviews:
GORGEOUS!.......2007-06-13
Wonderful intro To MEHDl ..........2006-06-08
I was instantly blown away by the quality of this music and so I gave it a try and now that I have listened to these CDs several times I really must say that although I'm still a Tomaso Albinoni fan of, I find MEHDl to be a great addition to this CD. I had them both in my multi-disc CD player during the wedding and love the way they compliment each other. I highly recommend that you give this artist a try or atleast just go listen to the samples, I have a feeling you'll be glad you did.
great.......2006-02-19
The Complete Wedding Album.......2005-08-05
Almost the compete wedding album.......2004-05-07
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Gabriela Montero plays Chopin, Falla, Ginestera, etc. [Includes Bonus CD]
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0009VK0LO Release Date: 2005-09-13 |
Tracks:
- Moment Musical In E Mino Op. 12 No. 4
- Prelude In G Op.32 No.5
- Etude-Tableau In D Op.39 No.9
- Prelude in D Flat Op.17 No.3
- Prelude In E Flat Minor Op.16 No.4
- Prelude In G Op.13 No.3
- Etude in C Sharp Minor Op.42 No.5
- La Vida Breve: First Spanish Dance - Manuel De Falla
- Goyescas: Quejas O La Maya Y El Ruisenor
- Danza Del Viejo Boyero
- Danza De La Moza Donosa
- Danza Del Gaucho Matrero
- Nocturne In D Flat Op.27 No.2
- Fantaisie-Impromptu In C Sharp Minor Op.66
- Mephisto Waltz No.1
Tracks:
- On Rachmaniov: Vocalise
- On The Theme From Bach 'Goldberg Variations'
- On Chopin: Nocturne In D Flat
- On Rachmaninov: Piano Concerto No.2
- Inspired By Scriabin
- On Duermete Mi Nino
- In The Style Of Tango
- On Granados: 'Quejas O La Maya El Ruisenor'
- In The Style Of Bach
- On Chopin: Prelude In A
- 'Improvisation in Blue (Gabriela Montero)'
- 'Song for Natalia and Isabella (Gabriela Montero)'
Customer Reviews:
Gabriela Montero CDs.......2007-06-12
Non-professional Review.......2007-03-27
Absolutely Magnificent!.......2007-03-09
Improvisations Unbelievable!.......2007-01-26
A beautiful breath of fresh air!.......2007-01-20
It's interesting hearing the negative response coming from some classical musicians and fans. At times it can seem to roughly follow the stages of grief as proposed by Kubler-Ross. I'm a professional guitarist, and it's funny because it's almost identical to how guitarists react to hearing another guitarist, but with an big class-conscious overlay (all very civilized, of course). Think of the "guitarist screwing in a lightbulb" joke. To paraphrase and extrapolate on what someone might say upon hearing her improvisation:
1. Shock: Wow, he's good. Oh, and it's a woman!? And you say it's improvisation??
2. Denial: That can't possibly be improvisation. Classical musicians don't engage in that untidy process. What she's playing must be written out, and I can tell! Don't ask, I just know it.
3. Anger: This stuff is no good. Only permanent music is of value through the ages, and that's why classical music (and only the European kind) is better than any other music. Besides, I can't improvise, so I reject it - and only THOSE people engage in improvisation.
4. Depression: She can play all the classical music, and seemingly can improvise, or at least pass her stuff off as such. Not only that, she's getting attention and money, and we're not. Why is the world unfair?
5. Acceptance: (sort of) Well, I guess she's selling CD's, and is becoming successful. She is, I hate to admit it, a great player. Even if she is a faker. Of course, they're begging my Muffy to become artist-in-residence in Spoleto....
The other reviewer has a point when he says that she may be viewed as a curiosity. Because she's crossing genres, people may not know what to make of it, and this often causes reflexive hostility. As an improvisor, I would agree that it's hard to say that something is 100% improvised - players tend to have pet phrases and favorite general ideas they return to. But to me, Gabriela's playing is at the highest level of skill, beauty, and feeling, whether improvising or playing written pieces.
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Adagio: A Windham Hill Collection
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000089YAX Release Date: 2003-03-04 |
Tracks:
- Air 'On The String' - Philippe Saisse
- Ave Maria - Paul McCandless
- Arioso - Tracy Silverman
- Nocturne - Steve Erquiaga
- Sarabande - Paul Schwartz
- Intermezzo No.6 - David Benoit
- Adagio - Brian Dunning
- Adagio - Patrick O'Hearn
- Prelude In C-Sharp Minor - Edgar Meyer
- Adagio - Richard Schonherz
- Adagio For Strings - Philip Aaberg
- Largo - Tim Story
Amazon.com
Adagio follows in the rosin-dusted footsteps of The Impressionists, A Different Mozart, and A Different Prelude. As with those releases, it was produced by Dawn Atkinson and features many of the same artists. The results are as varied as the musicians. Violinist Tracy Silverman cuts one of his patented echo-delayed pizzicato violin arrangements of a Bach arioso, while Patrick O'Hearn drapes a somber keyboard shroud around the Adagio from Rodrigo's Fantasy for a Gentleman. Jeff Johnson and Brian Dunning find the Celtic air in the Adagio from Handel's Sonata in G, while Philip Aaberg discovers infinity between the notes of Barber's ubiquitous Adagio for Strings. He stretches the melody across his piano in finely drawn lines, subtlety filled out with synthesizer undertones. Subtlety is a casualty on Philipe Saisse's bongos, bells, and synth arrangement of Bach's Air on a G String. It's also sacrificed in a corny confection of Handel's Sarabande by Paul Schwartz. His ham-fisted electronic keyboards would've sounded dated even before Switched-On Bach. But Adagio features plenty of musicians who are willing to surrender themselves to their elegiac themes, including guitarist Steve Erquiaga, Mike Marshall, and Edgar Meyers. --John DilibertoCustomer Reviews:
Simply Gorgeous !.......2003-10-05
The artistry is stunning, the artists bring themselves to the music while at the same time maintaining the integrity of the original piece.
My favorite is Grieg's Nocturne, arranged and performed by Steve Erquiaga. I have been in love with his music from the moment
I heard his CD "Cafe Paradiso" (Imaginary road Records). It is absolutely stunning!
When I saw that he was on "Adagio" I went for it. I'm so happy that I did ...
Other hightlights for me are Philip Aaberg's "Adagio for Strings", Tracy Silverman's "Arioso" ..... they're all beautiful.
Thank You for this wonderful music.
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Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000004CYV Release Date: 2007-03-13 |
Tracks:
- First Booke Of Songes: I. Unquiet Thoughts
- First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
- First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
- First Booke Of Songes: IV. If My Complaints Could Passions Move
- First Booke Of Songes: V. Can She Excuse My Wrongs
- First Booke Of Songes: VI. Now, O Now, I Needs Must Part
- First Booke Of Songes: VII. Dear, If You Change
- First Booke Of Songes: VIII. Burst Fourth My Tears
- First Booke Of Songes: IX. Go Crystal Tears
- First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
- First Booke Of Songes: XI. Come Away, Come Sweet Love
- First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
- First Booke Of Songes: XIII. Sleep, Wayward Thoughts
- First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
- First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
- First Booke Of Songes: XVI. Would My Conceit
- First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
- First Booke Of Songes: XVIII. His Golden Locks
- First Booke Of Songes: XIX. Awake, Sweet Love
- First Booke Of Songes: XX. Come, Heavy Sleep
- First Booke Of Songes: XXI. Away With These Self-Loving Lads
Tracks:
- Second Booke Of Songs: I. I Saw My Lady Weep
- Second Booke Of Songs: II. Flow My Tears
- Second Booke Of Songs: III. Sorrow, Stay
- Second Booke Of Songs: IV. Die Not Before Thy Day
- Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
- Second Booke Of Songs: VI. Time's Eldest Son
- Second Booke Of Songs: VII. Then Sit Thee Down
- Second Booke Of Songs: VIII. When Others Sing Venite
- Second Booke Of Songs: IX. Praise Blindness Eyes
- Second Booke Of Songs: X. O Sweet Woods
- Second Booke Of Songs: XI. If Floods Of Tears
- Second Booke Of Songs: XII. Fine Knacks For Ladies
- Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
- Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
- Second Booke Of Songs: XV. White As Lilies Was Her Face
- Second Booke Of Songs: XVI. Woeful Heart
- Second Booke Of Songs: XVII. A Shepherd In A Shade
- Second Booke Of Songs: XVIII. Faction That Ever Dwells
- Second Booke Of Songs: XIX. Shall I Sue
- Second Booke Of Songs: XX. Toss Not My Soul
- Second Booke Of Songs: XXI. Clear Or Cloudy
- Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here
Tracks:
- Third Booke Of Songs 1603: I. Farewell, Too Fair
- Third Booke Of Songs 1603: II. Time Stands Still
- Third Booke Of Songs 1603: III. Behold A Wonder Here
- Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
- Third Booke Of Songs 1603: V. Me, Me, And None But Me
- Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
- Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
- Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
- Third Booke Of Songs 1603: IX. What If I Never Speed?
- Third Booke Of Songs 1603: X. Love Stood Amazed
- Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
- Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
- Third Booke Of Songs 1603: XIII. O What Hath Overwrought
- Third Booke Of Songs 1603: XIV. Farewell, Unkind
- Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
- Third Booke Of Songs 1603: XVI. Fie On This Feigning!
- Third Booke Of Songs 1603: XVII. I Must Complain
- Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
- Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
- Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
- Third Booke Of Songs 1603: XXI. Come When I Call
Tracks:
- A Pilgrimes Solace: I. Disdain Me Still
- A Pilgrimes Solace: II. Sweet Stay Awhile
- A Pilgrimes Solace: III. To Ask For All Thy Love
- A Pilgrimes Solace: IV. Love, Those Beams That Breed
- A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
- A Pilgrimes Solace: VI. Were Every Thought An Eye
- A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
- A Pilgrimes Solace: VIII. Tell Me, True Love
- A Pilgrimes Solace: IX. Go Nightly Cares
- A Pilgrimes Solace: X. From Silent Night
- A Pilgrimes Solace: XI. Lasso vita mia
- A Pilgrimes Solace: XII. In This Trembling Shadow Cast
- A Pilgrimes Solace: XIII. If That A Sinner's Sights
- A Pilgrimes Solace: XIV. Thou Mighty God
- A Pilgrimes Solace: XV. When David's Life
- A Pilgrimes Solace: XVI. When The Poor Cripple
Tracks:
- A Pilgrimes Solace: XVII. Where Sin Sore Wounding
- A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
- A Pilgrimes Solace: XIX. Up Merry Mates
- A Pilgrimes Solace: XX. Welcome Black Night
- A Pilgrimes Solace: XXI. Cease, Cease These False Sports
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae
Tracks:
- Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
- Mr. Henry Noell Lamentations: II. Domine ne in furore
- Mr. Henry Noell Lamentations: III. Miserere mei Deus
- Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
- Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
- Mr. Henry Noell Lamentations: VI. De profundis
- Mr. Henry Noell Lamentations: VII. Domine exaudi
- Lachrimae: Lachrimae Antiquae
- Lachrimae: Lachrimae Antiquae Novae
- Lachrimae: Lachrimae Gementes
- Lachrimae: Lachrimae Tristes
- Lachrimae: Lachrimae Coactae
- Lachrimae: Lachrimae Amantis
- Lachrimae: Lachrimae Verae
- Lachrimae: Mr. John Langton's Pavan
- Lachrimae: Mr. Nicholas Gryffith His Galiard
- Lachrimae: Sir John Souch His Galiard
- Lachrimae: Semper Dowland Semper Dolens
- Lachrimae: Mr. Giles Hobies Galiard
- Lachrimae: The King Of Denmark's Galiard
- Lachrimae: Sir Henry Umpton's Funerall
- Lachrimae: Mr. Henry Noell His Galiard
- Lachrimae: The Earl Of Essex Galiard
- Lachrimae: Mr. Bucton His Galiard
- Lachrimae: Mr. George Whitehead His Almand
- Lachrimae: Captain Digorie Piper His Galiard
- Lachrimae: Mr. Thomas Collier His Galiard
- Lachrimae: Mrs. Nichols Almand
Tracks:
- Sacred Songs: Sorrow, Come!
- Sacred Songs: I Shame At Mine Unworthiness
- Sacred Songs: An Heart That's Broken And Contrite
- Psalms: Psalm 100: All People That On Earth Do Dwell
- Psalms: Psalm 38: Put Me Not To Rebuke O Lord
- Psalms: Psalm 130: Lord To Thee I Make My Moan
- Psalms: Psalm 104: My Soul Praise The Lord
- Psalms: Psalm 100: All People That On Earth Do Dwell
- Psalms: Psalm 134: Behold And Have Regard
- A Prayer For The Queen's Most Excellent Majesty
- Instrumental Music: Solus cum sola pavan
- Instrumental Music: Lachrimae
- Instrumental Music: Galliard
- Instrumental Music: Pipers Pavan
- Instrumental Music: Lachrimae
- Instrumental Music: Lady Rich Galliard
- Instrumental Music: Earl Of Essex Galliard
- Instrumental Music: If My Complaints
- Instrumental Music: Lachrimae Doolande
- Instrumental Music: Lord Willoughbie's Welcome Home
- Instrumental Music: My Lord Chamberlaine His Galliard
- Instrumental Music: Comagain
- Instrumental Music: Pavan Lachrymae
- Instrumental Music: Sorrow Stay
Tracks:
- Lute Music: Preludium
- Lute Music: Lachrimae
- Lute Music: Can She Excuse
- Lute Music: Dr. Case's Pavan
- Lute Music: Melancholy Galliard
- Lute Music: Sir John Smith, His Almain
- Lute Music: Fantasia
- Lute Music: A Dream
- Lute Music: Almain
- Lute Music: The Queen's Galliard
- Lute Music: Coranto
- Lute Music: Resolution
- Lute Music: Mrs. Vaux Galliard
- Lute Music: Almain
- Lute Music: Mr. Dowland's MIdnight
- Lute Music: Fantasia
- Lute Music: Loth To Depart
- Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
- Lute Music: The Earl Of Essex, His Galliard
- Lute Music: Pavan
- Lute Music: John Dowland's Galliard
- Lute Music: Aloe
- Lute Music: The Lady Clifton's Spirit
- Lute Music: What If A Day
- Lute Music: Mr. Giles Hobie's Galliard
- Lute Music: Come Away (Song arrangement)
- Lute Music: Galliard
- Lute Music: Fancy (Fantasia)
Tracks:
- Lute Music: Lachrimae (Basic Version)
- Lute Music: Galliard To Lachrimae
- Lute Music: [Jig]
- Lute Music: Galliard On 'Wasingham'
- Lute Music: Complaint (Ballad Setting)
- Lute Music: Mignarda (Galliard)
- Lute Music: Semper Dowland Semper Dolens (Pavan)
- Lute Music: The Frog Galliard
- Lute Music: A Fancy (Fantasia)
- Lute Music: Fancy (Fantasia)
- Lute Music: Piper's Pavan
- Lute Music: Captain Digorie Piper's Galliard
- Lute Music: Lady Laiton's Almain
- Lute Music: Dowland's Galliard
- Lute Music: Dowland's First Galliard
- Lute Music: Tarleton's Jig
- Lute Music: Walsingham (ballad Setting)
- Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
- Lute Music: Sir Henry Guilforde, His Almain
- Lute Music: Pavan (Related To 'Lachrimae')
- Lute Music: Mr. Langton's Galliard
- Lute Music: Mrs. Clifton's Almain
- Lute Music: Galliard
- Lute Music: Lady Hunsdon's Puffe (Almain)
- Lute Music: Galliard
- Lute Music: Go From My Window (Ballad Setting)
- Lute Music: Fancy (Fantasia)
Tracks:
- Lute Music: Pavana Johan Douland
- Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
- Lute Music: La mia Barbara
- Lute Music: Sir Henry Umpton's Funeral (Pavan)
- Lute Music: Lachrimae
- Lute Music: Farewell Fancy (Chromatic Fantasia)
- Lute Music: Farewell (On The 'In Nomine' Theme)
- Lute Music: The King of Denmark's Galliard
- Lute Music: Mrs. Vaux's Jig
- Lute Music: Mrs. Nichol's Almain
- Lute Music: Galliard
- Lute Music: Lord Strang's March
- Lute Music: Mrs. Winter's Jump
- Lute Music: Can She Excuse (Galliard)
- Lute Music: The Shoemaker's Wife, A Toy
- Lute Music: Mrs. Norrish's Delight
- Lute Music: Galliard
- Lute Music: Mrs. White's Thing (Almain)
- Lute Music: Mrs. White's Nothing
- Lute Music: The Frog Galliard
- Lute Music: Solus cum sola
- Lute Music: The Lord Viscount Lisle, His Galliard
- Lute Music: Orlando Sleepeth (Ballad Setting)
- Lute Music: Robin (Ballad Setting)
- Lute Music: Galliard (On A Galliard By Daniel Bacheler)
- Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)
Tracks:
- Lute Music: The Lady Russell's Pavan
- Lute Music: Fancy (Fantasia)
- Lute Music: Sir John Langton's Pavan
- Lute Music: Earl Of Derby, His Galliard
- Lute Music: A Coy Toy
- Lute Music: Fortune My Foe
- Lute Music: [Almain]
- Lute Music: Mr. Knight's Galliard
- Lute Music: Sir John Souch His Galliard
- Lute Music: Tarletone's Riserrectione
- Lute Music: The Lady Rich, Her Galliard
- Consort Music: Lachrimae Pavan
- Consort Music: Can She Excuse Galliard
- Consort Music: Captain Piper's Pavan And Galliard
- Consort Music: The Frog Galliard
- Consort Music: Round Battell Galliard
- Consort Music: Fortune My Foe
- Consort Music: Dowland's First Galliard
- Consort Music: Katherine Darcie's Galliard
- Consort Music: Tarleton's Jigge
- Consort Music: Almain a 2
- Consort Music: Mistress Nichols Almain a 2
- Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
- Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
- Opusculum: Mr. John Langton Pavan And Galliard
- Opusculum: La mia Barbara Pavan and Galliard
- Opusculum: Lachrimae Antiquae Novae Pavan and Galliard
Tracks:
- Consort Music: Mistress NIchols Almain
- Consort Music: Volta a 4 ('Ioh. Douland')
- Consort Music: Were Every Thought an Eye
- Consort Music: Lady If You So Spite Me
- Consort Music: Pavan a 4
- A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
- A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
- A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
- A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
- A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
- A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
- A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
- A Musicall Banquet: VIII. Far From Triumphing Court
- A Musicall Banquet: IX. Lady, If You So Spite Me
- A Musicall Banquet: X. In Darkness Let Me Dwell
- A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
- A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
- A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
- A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
- A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
- A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
- A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
- A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
- A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
- A Musicall Banquet: XX. O bella piu (Anon, Italian)
Customer Reviews:
The greatest songs ever?.......2007-07-26
Please buy it.
A musical treasure-box.......2006-09-10
The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).
This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.
I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.
a beautiful journey into melancholy.......2001-06-15
Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).
Average customer rating:
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Classical Masterpieces of the Millennium [20 CD Set]
Manufacturer: Delta ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000K1C9 Release Date: 1999-08-24 |
Tracks:
- Brandenbutg Concerto No.3 In G First Movement
- Overture No.3 In D Second Movement
- Violin Concerto In E First Movement
- Prelude In C minor
- Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
- Overture No.2 In B minor Minuet And Badinerie
- Oboe Concerto In D minor Second Movement
- Brandenburg Concerto No.4 In G Third Movement
- Musical Offering - Fuga canonica
- Easter Oratorio - Overture
- Minuet In D minor
- Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
- Brandenburg Concerto No.1 In F Second Movement
- Art Of The Fugue - Contrapunctus 9
- Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
- Overture No.4 In D - Réjouissance
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Water Music - Alla Hornpipe
- Xerxes - Ombra Mai Fu (Largo)
- Messiah - And The Glory Of The Lord
- Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
- Organ Concerto In F, Op. 4, No. 4 Allegro
- Water Music - Air
- Messiah - For Unto Us A Child Is Born
- Concerto Grosso In B flat, Op. 3, No. 2 - Largo
- Salomon - Sinfonia, Act 3
- The Choice Of Hercules - While For Thy Arms
- Water Music - Allegro (Suite No. 1)
- Suite No. 5 In E - Air With Variations
- Jephtha - How Dark, O Lord
- Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
- Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
- Water Music - Andante Allegro Da Capo
- Concerto for Trumpet & Orchestra in E-flat: First Movement
- Symphony No. 94 in G: Surprise Symphony-second movement
- Concerto for Violin No. 2 in D: Third Movement
- Flute Trio No. 31 in G: Second Movement
- Symphony No. 31 in D: Hornsignal-First Movement
- String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
- Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
- Concerto for 2 Horns & Orchestra in E-flat: Second Movement
- Symphony No. 88 in G: Fourth Movement
- String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
- Notturno No. 1 in C: Second Movement
- Symphony No. 98 in B: Londoner No. 4-Fourth Movement
- Eine Kleine Nachtmusik - first movement
- Piano Concerto in A - second movement
- Flute Concerto in D - Rondeau
- Serenade - Minuet
- Violin Concerto - first movement
- Symphony No. 40 in G minor - first movement
- Clarinet Concerto - second movement
- Turkish March
- Divertimento - Minuet
- Horn Concerto No. 3 in E-flat - first movement
- Symphony No. 5 in C minor, Op. 67-First Movement
- Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
- Overture
- O welche Lust (Prisoners' Chorus)
- Ha, welch ein Augenblick (Pizarros's Aria)
- Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
- Concerto for Violin and Orchestra in D, Op. 61: Third Movement
- Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
- Sympony No. 6 in F, Op. 68: Pastorale-First Movement
- Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
- German Dance No. 1 In C
- Impromptu Op. 90, No. 3 In G-Flat
- Heidenroslein
- Ave Maria
- Der Lindenbaum
- Quintet In A 'Trout Quintet' - Andante
- Mass No. 6 In E-Flat - Kyrie
- Die Schone Mullerin Des Mullers Blumen
- German Dance No. 2 In G
- Piano Sonata In B-Flat
- Nachtgesang Im Walde
- Winterreise - No. 15: Die Krahe
- German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
- Symphony No. 8 In B Minor 'Unfinished' - Second Movement
- Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
- Nocturne in E-flat, Op. 9, no. 2
- Etude in G-flat, Op. 10, no. 5
- Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
- Mazurka in D minor, Op. 33, no. 2
- Prelude in D-flat, Op. 28, no. 15 Raindrop
- Etude in C, Op. 10, no. 1
- Nocturne in D-flat, Op. 27, no. 2
- Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
- Scherzo in B minor, Op. 20
- Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
- Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
- Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
- Violin Concerto - second movement
- The Sleeping Beauty - Waltz
- Capriccio Italien, Op. 45
- Swan Lake - Waltz
- Eugene Onegin - Polonaise
- The Nutcracker - Waltz of the Flowers
- Orchestral Suite No. 4 - Mozartiana - Third Movement
- Swan Lake - Dance of the Swans
- Symphony No. 6 in B minor - Pathétique - Third Movement
- Hungarian Dance No.5
- Lullaby
- Symphony No.1 in C minor, Op. 68 - Third Movement
- Intermezzo in E-flat, Op.117, no. 1
- Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
- Waltz, Op. 39, no. 15
- Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
- String Quintet in G, Op. 111 - Second Movement
- Symphony No.4 in E minor, Op. 98 - Third Movement
- Intermezzo in A minor, Op. 76, no. 7
- Hungarian Dance No.1 in G minor
- German Requiem Selig sind die Toten (Final Chorus)
- Die Fledermaus - Overture
- Kaiser Waltz, Op.437
- Thunder And Lightning Polka, Op. 324
- Roses From The South Waltz, Op. 388
- AnnenPolka, Op. 117
- Vienna Blood Waltz, Op. 354
- Eljen A Magyar Polka, Op. 332
- Wine, Women and Song Waltz, Op. 333
- On The Beautiful Blue Danube Waltz, Op. 134
- Die Meistersinger Von Nurnberg - Overture
- Tannhauser - Die Pilger sind's (Pilgims' Chorus)
- Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
- Lohengrin - Act 3 Prelude and Bridal Chorus
- The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
- The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
- Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
- Die Walkure - Ride of the Valkyries
- Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
- Tristan und Isolde - Liebestod
- Thus sprach Zarathustra, Op. 30 (excerpt)
- Don Juan, Op. 20
- Eine Alpensinfonie, Op. 64, I.Nacht
- Don Quixote, Op.35, first movement: Introduction
- Salome, Op. 54, Dance Of The Seven Veils
- Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
- Piano Concerto 2 In C minor, Op. 18 - First Movement
- Vocalise, Op.34, No. 14
- Prelude In G Sharp minor, Op. 32, No. 12
- Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
- Symphony No. 2 In E minor, Op. 27 - Third Movement
- Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
- Rhapsody, Op. 43 On A Theme By Paganini
- Hungarian Rhapsody No.2
- Liebestraum No.3 in A-flat
- Piano Concerto No.1 in E-flat - third movement
- Angelus
- Mephisto Waltz No.1 (Dance in a Village Tavern)
- Prelude and Fugue on B-A-C-H
- Dante Symphony - Finale. - Purgatorio - Magnificat
- Les Préludes
- Boléro
- Daphnis et Chloé first movement: Nocturne
- Rhapsodie Espagnole
- Shéhérazade - first movement: Asie
- Ma Mère l'Oye - fourth movement: La Belle et la Bête
- Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
- La Valse
- Slavic Dance No. 1 in C, Op. 46, no.1
- Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
- Humoresque, Op. 101
- Slavic Dance No. 8 in G minor, Op. 46, no. 8
- Serenade for String Orchestra, Op. 22 - second movement
- Romance for Violin and Orchestra In F minor, Op. 11
- Symphony No. 7 in D minor - third movement
- Melodie (Songs My Mother Taught Me)
- Carneval Overture, Op. 92
- Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
- Symphony No.4 In A, Op. 90. Italian - First Movement
- Frühlingslied In A, Op. 62, No. 6
- Wedding March (From A Midsummer Night's Dream, Op.61)
- Duetto In F, Op.30, No.6 (From Songs Without Words)
- String Symphony No.9 In C. Schweitzer Symphony - Third Movement
- Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
- Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
- Notturno (From A Midsumment Night's Dream, Op. 61)
- Rondo Capriccioso, Op.14
- String Symphony No. 12 In G minor - First Movement
- Venetian Gondola Song In F Sharp minor, Op.30, No.6
- Scherzo (From A Midsumment Night's Dream, Op. 61)
- Violin Concerto In E minor, Op.64 - Third Movement
- Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
- Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
- Holberg Suite, Op. 40 - IV. Air. Andante religioso
- Arietta, Op. 12, no. 1
- Homage March from Sigurd Jorsalfar, Op. 56
- Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
- Wedding Day at Troldhauen, Op. 65, no. 6
- The Last Spring, Op. 34, no. 2
- Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
- Nordic Melody Op. 63
- Notturno, Op. 54, no. 4
- Elegie, Op. 47, no. 5
- Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
- Piano Concerto in A minor, Op. 16 - Allegro
- Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
- Traumerai (from Kinderszenen, Op. 15)
- Mondnacht (from Eichendorff-Liederkreis, Op. 39)
- Aufschwung (from Fantasietucke, Op. 12)
- Triolett, Op. 114, no. 2
- Tanzlied (No. 1 from Duets, Op. 78)
- Symphony No. 4 in D minor, Op. 120 - second movement
- Frühlingsgruss
- Abschied (from Waldszenen Op. 82)
- Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
- Manfred Overture, Op. 115
- Romance in F sharp, Op. 28, no. 2
- Die Rose stand im Tau
- Liebesgarten (from Four Duets, Op. 34)
- Warum? (from Fantasiestucke, Op. 12)
- Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
- Von fremden Landern und Menschen (from Kinderszenen, Op. 15)
Album Description
An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.Customer Reviews:
Mill. Classical review.......2007-05-13
classical music for the unitiated.......2007-04-01
Some little gems there that I had forgotten!.......2007-03-30
I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.
It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!
Classical Masterpieces of the Millennium [20 CD Set]
A very helpful collection.......2007-03-24
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.
Excellent!.......2007-03-08
Average customer rating:
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The Antiphonal Music of Gabrieli
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000029PE Release Date: 1996-10-01 |
Tracks:
- Giovanni Gabrieli: Canzon Septimi Toni No. 2
- Giovanni Gabrieli: Canzon Duodecimi Toni
- Giovanni Gabrieli: Canzon A 12
- Giovanni Gabrieli: Sonata Octavi Toni
- Giovanni Gabrieli: Canzon Per Sonare No. 27
- Giovanni Gabrieli: Canzon Quarti Toni
- Giovanni Gabrieli: Canzon A 12
- Giovanni Gabrieli: Canzon Per Sonare No. 28
- Giovanni Gabrieli: Sonate Pian'e Forte
- Giovanni Gabrieli: Canzon Primi Toni
- Giovanni Gabrieli: Canzon Septimi Toni No. 1
- Giovanni Gabrieli: Canzon Noni Toni
- Giovanni Gabrieli: Canzon Per Sonare No. 2
- Giovanni Gabrieli: Primo Tono
- Giovanni Gabrieli: Secondo Tono
- Giovanni Gabrieli: Terzo E Quarto Tono
- Giovanni Gabrieli: Canzon Per Sonare No. 1 La Spiritata
- Giovanni Gabrieli: Ottavo Tono
- Giovanni Gabrieli: Nono Tono
- Giovanni Gabrieli: Decimo Tono
- Giovanni Gabrieli: Canzon Per Sonare No. 3 Intonazioni D'organo
- Giovanni Gabrieli: Undicesimo Tono
- Giovanni Gabrieli: Duodecimo Tono
- Giovanni Gabrieli: Canzon Per Sonare No. 4
- Giovanni Gabrieli: Fantasia In The Sixth Tone
- Giovanni Gabrieli: Tocata In D Minor
- Giovanni Gabrieli: Canzon Prima In G Major
- Giovanni Gabrieli: Canzon Seconda In C Major
- Giovanni Gabrieli: Canzon Terza In A Minor
- Giovanni Gabrieli: Canzon Quarta In G Minor
- Giovanni Gabrieli: Canzon Quinta In G Minor
- Giovanni Gabrieli: Toccata In G Major
Amazon.com
Venice was a good place to be in the 17th century if you liked to hang out in church--not that you had much choice in those days. Gabrieli's reputation rests on his "polychoral" compositions: works for several choirs, a choir being any size group of voices or instruments. For example, a sacred composition for three choirs might have two brass groups and one chorus, or two choruses and one brass ensemble. The idea was to keep things flexible to allow for changing local conditions. The result, in any case, was a magnificent "question and answer" style of writing, in which great blocks of harmony challenged each other from opposite sides of San Marco Cathedral. If this sort of thing intrigues you, then you owe it to yourself to hear this terrific collection. It's a cosmic experience. --David HurwitzCustomer Reviews:
Essential recording for every brass player.......2007-07-24
Antiphonal Masterpiece.......2007-05-16
The different groups played directed off the vocal and instrumental parts written by Gabrieli making any adjustment for transposition in their head on sight, thus allowing them all to be as much focused on the music as possible as they were not looking at 3rd generation arrangements which always tend to leave out markings. These possibly were the best brass performers in America at the time and their interpretations are unified through exceptional listening across the ensemble for intonation, style, and tempo. A slightly non-justifiable reason that I hold for this album's excellence is the raw energy and beauty of this unprepared collaboration. In the time of Gabrieli, rehearsals were rare, and musicians would, on a daily basis, sit down and perform music that they hadn't studied, and while these are not the original instruments for which Gabrieli wrote, the quick pacing of this production (one weekend) to me lends more on the positive side for the enjoyment of the listener.
In short, this is a remarkable collaboration of some of the best performers on fantastic Renaissance literature and worthy of owning merely for that fact, and when combined with live and engaging performances where the music is played expertly from one section to the next off of each individual, this album becomes a gem for anyone with an interest in the brass ensemble sound.
All-star brass.......2007-01-17
Instant playing.......2006-07-11
A VERY special album.......2005-08-03
My only complaint is with the web site sound samples being MONO !
This album is in STEREO and really portrays the placement of the 3 major antiphonal quintets! You won't be disapointed.
Mexican Music:
- Millenium Hits
- Mix
- Mundo de Avila Boy's
- No Lo Voy a Olvidar
- On Time
- Orquesta Pasion Juvenil
- Otra Vez
- Pasion Juvenil en USA
- Por Esa Mujer
- Que Siga la Fiesta: Remixes of Millennium
Mexican Music
Divertimento K138 / Concerto for 4 Violins Op 10
Debussy: Prélude à l'après-midi d'un faune; Schoenberg: Chamber Symphony No1
Music: Putumayo Presents: World Lounge
Generation P'tits Clous! [Import]
Essentials [Original recording remastered]
Let the Transmitting Begin Ep [Import]
Exploring the Scene [Import] [Limited Edition] [Original recording remastered]