| 1. Speedy Gonzalez |
| 2. Camina No Corras |
| 3. Que Familia |
| 4. Camelia |
| 5. Tus Ojos |
| 6. Si Te Doy Mi Corazon |
| 7. Diablo Con Antifaz |
| 8. Despeinada |
| 9. Bikini Amarillo |
| 10. Lucila |
| 11. Acapulco Rock |
| 12. Grande, Grande, Grande |
Mexico,Manolo Munoz,Orfeon Records,Latin,Latin Pop/Rock,Mexican
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Viento a Favor
Alejandro Fernández Manufacturer: Sony International ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000QEIM9Q Release Date: 2007-06-26 |
Tracks:
- Te Voy A Perder
- A Manos Llenas
- Tanto Amar
- Amenaza De Lluvia
- Eres
- No Se Me Hace Facil
- Estabas ahi
- Sin Consideracion
- Solitario Y Solo
- Sueño Contigo
- Amor Gitano featuring: Beyoncé
- Cuando Estamos Juntos
Amazon.com
Viento a Favor is Mexican superstar Alejandro Fernandez's 15th studio disc in as many years as a singer. But he still approaches each project with the urgency and earnestness of a newbie singer. That's what makes each tune a small celebration, an intimate moment of discovery. There are no wasted moments amid the sterling arrangements, some of the best in Fernandez's lush pop repertoire. (He's an equally heralded ranchera singer.) Viento a Favor features tunes written by Leonel Garcia and Noel Schajris (better known as emotive Latin-pop duo Sin Bandera) and Mexican singer Reyli Barba. They're all taken to wuthering heights by Fernandez's stellar vocal range, which goes from hushed whispers to booming intensity. First single "Te Voy a Perder" is an epic romance, and "Amor Gitano," a duet with bilingual diva Beyoncé, expectedly smolders. Closing tune "Cuando Estamos Juntos" is another surprise, an acoustic-flavored ode to simple joy. --Joey GuerraCustomer Reviews:
He can just sing anything . . ........2007-07-26
Very good........2007-07-22
Not Alejandro's style.......2007-07-22
Ale, you can come to my home anytime for dinner and ??!
Ale's big FAN!
AF, VIENTO A FAVOR.......2007-07-08
ITS UNIQUE. WHEN YOU LISTEN TO THE FIRST TRACK, YOU ARE WAITING ANXIOUSLY TO HEAR THE NEXT, ITS THAT GREAT.THE MUSIC IS BEAUTIFUL, AND WHEN YOU ADD ALEXS' VOICE, YOU HAVE GOT A PERFECT ALBUM, YOU HAVE GOT VIENTO A FAVOR.
What A Voice!!!!!!!!!!!!!!!!.......2007-06-26
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Amar Es Combatir
Maná Manufacturer: Warner Music Latina ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000GIXEPY Release Date: 2006-08-22 |
Tracks:
- Manda una senal
- Labios compartidos
- Ojala pudiera borrarte
- Arrancame el corazon
- Tengo muchas alas
- Dime Luna
- Bendita tu luz
- Tu me salvaste
- Combatiente
- El viaje
- El Rey tiburon
- Somos mar y arena
- Relax
Amazon.com
It's finally happened. After years of puzzling popularity by way of derivative rock retreads, Mana has finally made the leap to full-bodied musical force on its first album in four years, Amar Es Combatir. The disc is a thoughtful, tender and often terrific collection of pop wizardry. It's buoyed by solid production work, a cohesive sound and singer Fher Olvera's commanding vocal presence. Mana has always drawn inspiration from the arena-rock vibes of everyone from U2 to Journey, but this time, the group takes those blueprints and creates its own urgent framework. It's a thrilling, insanely catchy collection. Everything on the disc crackles with energy, from winsome opener "Manda Un Senal" to swaggering closing track "Relax." In between, the Mexico-based outfit weaves memorable stories of love that are marked by pulsing percussion, driving guitar riffs and emotive vocals. First-rate stuff from a group who finally--at least to these ears--justifies all the fuss. --Joey GuerraAlbum Description
Amar es Combatir, Mana's 9th studio album and first in four years, was produced by Mana with the special collaboration of recording engineer Tom Russo (Audioslave, Macy Gray, Michael Jackson, Eric Clapton). Also includes a duet with JLGuerra.Customer Reviews:
garbage.......2007-06-19
The BEST Latino Rock Band in the world.......2007-04-04
Falta Amor 1990- Great first album under the name Mana. for those of you who don't that they used to be called Sombrero Verde and were also part of the movement called "Rock en tu Idioma" This album has more of an Adult Contemporary sound to it, kinda like a Soft Rock en Espanol type sound. My favorite song in this album is "Rayando El Sol" Mana's first big hit.
Donde Jugaran Los Ninos 1992- Another great masterpiece of work, still has the Soft Rock en espanol sound. Great hits include: Oye Mi Amor, Vivir Sin Aire, and Como Diablos, as well as the beginning up beat hit: De Pies a Cabeza. This album you can say put the group on the map on heading to being one of the best Latino rock band in the world
Cuando Los Angeles LLoran 1995- This is when they kinda leave the Soft Rock en espanol sound and head towards the rock en espanol sound. You can tell of the musical differences by listening to thier sound, Selva Negra, as well thier balads. Thier balads aim towards the edge of rock. I don't have a favorite song from this album but I do consider it as one of my favorites.
Suenos Liquidos 1997- En el Muelle de San Blas is another favorite song from Mana.
MTV Unplugged 1999- Another favorite of mine, has the all songs in a concert setting on CD. You can listen to this album while relaxing or if your up and around.
Revolucion de Amor 2002- Includes the hit Mariposa Tracioniera. Love that song!
Amar es Combatir 2006- My favorite song is Labios Compartidos, still love thier music even though they went a little stronger
The complete latin album.......2007-04-02
sexy spanish music.......2007-03-30
if it you're thinking about it, buy it.......2007-03-13
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Copland: Appalachian Spring/Fanfare For The Common Man/El Salón México/Danzón Cubano
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000025MO Release Date: 1990-10-25 |
Tracks:
- Appalachian Spring: Very Slowly
- Appalachian Spring: Allegro
- Appalachian Spring: Moderato
- Appalachian Spring: Fast
- Appalachian Spring: Subito allegro
- Appalachian Spring: As At First (Slowly)
- Appalachian Spring: Doppio movimento (Shaker Melody 'The Gift To Be Simple')
- Fanfare For The Common Man
- El Salon Mexico
- Danzon Cubano
Amazon.com
If Copland's own recordings of his music have the warmth of a soft summer night, those by Leonard Bernstein convey the blazing heat of noon. In his later remakes of several of these scores for Deutsche Grammophon, Bernstein exhibited a tendency toward overly-nuanced readings. But his earlier accounts with the New York Philharmonic, recorded by CBS in the late 1950s and early 1960s, are still incomparable in their vitality and impetus. Bernstein's way with the Western ballets is exuberantly personal and persuasive. He has the ability to move between delicacy and brashness, always getting the gestures right, and he delivers magical characterizations of both scores. The Phiharmonic's playing, while sometimes a bit raw, is confident and rhythmically secure; there is certainly nothing to apologize for here. There is a wonderful sense of immediacy to Bernstein's account of the Appalachian Spring Suite, in which the New Yorkers give a virtuosic account of themselves, playing in a rhythmically incisive fashion that puts Copland's account with the London Symphony in the shadows. The couplings are a mixed bag, however. Bernstein always had the measure of El Salon Mexico, and gives a rousing account of it here. But the so-called Fanfare for the Common Man is lifted from his recording of the Third Symphony; its beginning is not the same as that of the real fanfare. Both recordings have been wonderfully remastered by their original producer, John McClure, and have excellent presence and a palpable sense of atmosphere in the quiet pages. --Ted LibbeyAmazon.com
Leonard Bernstein was a friend of Aaron Copland's, and he approaches this music with rare flair and verve--as well as with sympathy and warmth--and, we can assume, with a good idea of the composer's intentions regarding it. This is a classic album, containing several of the works in the essential Copland oeuvre; the sound is not as good as you'll find in a more contemporary recording, but for most listeners the spirit will make up for that. --Sarah Bryan MillerCustomer Reviews:
Universal music.......2006-07-14
Long-Time Favorite.......2005-03-16
Best Copland Album I've Ever Listened To.......2004-05-15
Test of Time--Passed with honors!.......2003-07-21
When I began seeking a full version of Appalachian Spring for my own collection, I had the good fortune to get a "recommendation" of sorts for the definitive recording: Richard Wright, keyboardist of Pink Floyd, has more of a Copland influence than you might suspect. When I read his article in Record Collector Magazine, the particular rendition he recommended was this one--the 1962 recording for CBS, of which he seemed to have the original LP. Imagine my surprise and delight to find that it was still in print and easy to find in stores!
"Aaron Copland's an American classical composer," summarizes Mr. Wright, "and [Appalachian Spring] is his most famous work...Like all of my favourite music there's something in his material that touches me; I think it's the chordal progression and the melodic lines just above them that do it for me here - and the fact that it's very peaceful. When I listen to a lot of the stuff that I've played over the years I feel I've been heavily influenced by Copland, albeit subconsciously." (Note to Pink Floyd fans: Comparing the basic approach in "Shine On You Crazy Diamond" and Copland's "Quiet City" may prove interesting.)
I am in full agreement here...it is absolutely striking what Copland was capable of creating. In his hands, simple, traditional harmonies were transformed into breathtakingly original works that reflect the best of the American spirit...innovative, beautiful, optimistic, and slightly wild. It never ceases to amaze me how he could weave such a beautiful musical texture with so few notes at times--it is indeed a gift to be simple. But Copland's work is not boring by any means--he also knows the place for grand, sweeping statements and shockingly unique, beautiful chord changes that occur seemingly out of nowhere.
As soon as I heard this disc, in comparison to other recordings I'd sampled, it was immediately obvious why this one survived the test of time, why it was still so vivid in the mind of Richard Wright. Copland and Bernstein seem always to be a good match for each other, but there was something very special going on the night this was recorded. Even if you own other renditions of "Appalachian Spring", even if you are interested in no other composition on this disc, this is an absolute must-have.
As for the other pieces, recorded in the early 60s as well, there's a similar magic--even though the "Fanfare" version is radically different, it's a real ear-opener. The pitch changes are done with a shocking fluidity, but it brings new interest to the piece. It is no replacement for the original; it's probably best to treat it as a different song. "Salon Mexicano" and "Danzón Cubano" are also excellently rendered and timeless.
All in all, this is a fantastic album--a must for any classical collection.
the PERFECT Bernstein recording.......2002-12-16
If you own ANYTHING with Leonard Bernstein's name on it...one should say "Beethoven's Fifth Symphony" on it...and the other should be this disc.
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La Cantina
Lila Downs Manufacturer: Narada ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000EHQ7WY Release Date: 2006-04-04 |
Tracks:
- La Cumbia Del Mole
- El Corrido De Tacha 'La Teibolera'
- Agua De Rosas
- Tu Recuerdo Y Yo
- La Cama De Piedra
- El Relampago
- Penas Del Alma
- La Tequilera
- Pa' Todo El Ano
- El Centenario
- La Noche De Mi Mal
- Arboles De La Barranca
- La Cumbia Del Mole (English Version)
- Yo Ya Me Voy
- Amarga Navidad
Amazon.com
As a follow-up to her 2005 Latin Grammy win, Mexican-American diva Lila Downs has chosen to release a loving tribute to canciones rancheras, the heartfelt ballads ubiquitous in cantinas throughout Mexico. With their merry accordion riffs and perky snare-led rhythms, the tunes can be reminiscent of Cajun music or Colombian cumbias, but even the cheeriest numbers harbor fate-haunted undertones. The singer's darkly sweet, resonant voice interprets each the fifteen tracks to a fare-thee-well. Her fiery South-of-the-border exhibitionism and touches of dry humor are mirrored by assorted comedic whiz-bang sounds that surface amid the mostly acoustic mix. Third generation accordionist Flaco Jimenez, the doyen of Tex-Mex conjunto (a working class style descended from an older but still extant groove known as norteño,) weaves in and out among bass, harps, mariachi-like fiddles and assorted guitars. Peppered with antique-sounding bytes, dramatic spoken poems and even an in-your-face rap (during "Tu Recuerdo Y Yo", track four), the album plays like a slightly surreal movie that is no less affecting for being nearly untranslatable. --Christina RodenCustomer Reviews:
Lila Down's la cantina.......2007-07-03
Absolutely fabulous.......2007-07-02
But no regrets I can honestly say. At the moment La Cantina is one of my mostly played CDs and it seems I'll never get bored with it - though I still have just a hint what the songs are about. But the FEELINGS are there; sometimes sorrow, sometimes happiness, sometimes something in between.
No use in praising Lila's voice as it has been done in so many reviews before. So I settle to my headline comment: Absolutely fabulous. Now I have already five Lila Downs CDs but I still consider this as the best one. Whatever your taste in music is - this is good.
soulful, beautiful music.......2007-05-22
LIla Downs.......2007-05-09
Lila's Best.......2007-04-10
I wish she would return to Minnesota and do a concert!
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Global Underground: Mexico City
Adam Freeland Manufacturer: Global Underground ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000P7V5V6 Release Date: 2007-06-19 |
Tracks:
- Faze Action - In The Trees (Carl Craig C2 Remix #1)
- Revl9n - Walking Machine (SebastiAn Remix)
- Etienne De Crecy - F***
- Kim - Wet N Wild (Midnight Juggernauts Mix)
- Mr Oizo - Half An Edit
- Adam Freeland - Silverlake Pills
- Kim - By The Time They Reach You (Bagraiders Mix)
- Jape - Floating (Alex Metric Remix)
- Beauty School - Disco Sux (Stone Lions Mix)
- Oliver Huntemann - 37°
- Justice - Phantom
- Minimal Compact - Deadly Weapons (Optimo Mix)
- DJ Mehdi - Signatune (Thomas Bangalter Edit)/ Spank Rock - Bump (Switch Remix)
- Phones - Sharpen The Knives
- Trabant - The One (Para One Remix)
- Kavinsky - Testarossa (SebastiAn Remix)
- Evil 9 - Happy Ending
Tracks:
- Spacemen 3 - Ecstasy Symphony
- My My - Butterflies & Zebras
- Lee Jones - There Comes A Time (Prins Thomas Miks)
- Justus Kohncke - Advance
- 120 days - Come Out, Come Down, Fade Out, Be Gone
- Gui Boratto - Terminal
- Holden - Lump
- Cobblestone Jazz - Dump Truck
- Silversun Pickups - Lazy Eye
- Substance & Vainqueur - Immersion
- Fujiya & Miyagi - Ankle Injuries
- Andrew Weatherall - Feathers
- B-Movie - Nowhere Girl (Adam Freeland Mix)
- Mylo - Paris 400 (Aswefall Remix)
- Adam Freeland - Self Indulgent Ending
Customer Reviews:
Not up to Snuff.......2007-07-30
Worst Global Underground Ever.......2007-07-28
A welcome change.......2007-07-08
Anyways, I'm not even sure how the hell to classify the first CD, as it's an energetic frenzied mix of electro, breaks, acid, and guitars. If you're familiar with Ed Banger's catalogue, then you'll have a good idea of what Adam Freeland's going for, as SebastiAn, Justice, and DJ Mehdi all make appearances here. From the moment the CD starts, the energy hardly lets up and Freeland flies through some absolutely sick cuts. A few tracks and sequences that stand out especially are "F**k," "Floating," and "Signatune" leading up to the devastating "Sharpen the Knives." Definitely not for the faint of heart.
The second CD, although less intense, is much more varied. The first three tracks are hypnotic and fairly subdued before building up to a track by 120 Days, a band whose sound reminds me of Kasabian if they went a more psychedelic route. From there Freeland goes through some techy minimal into a downright weird track by James Holden before getting back to a more conventional rock sound with Silversun Pickups (!), which took me by surprise. Many of these groups/bands would be more familiar to indie rock fans than progressive heads, but that doesn't mean there's a drop in quality here. Freeland continues this sound until the mix comes to a distorted fuzzed-out close.
Clearly the people who went out and bought this before doing any sort of research (are they familiar at all with Freeland's track record??) or sampling have themselves to blame. I suggest that anyone else who is curious about this release would sample some of these tracks before making a decision. It's not the best GU mix by a long shot, but it's way more fresh and exciting than a lot of releases lately.
freeland rules.......2007-07-07
Thank goodness something new is coming out of GU.......2007-07-04
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Pinata
Mexican Institute of Sound Manufacturer: Nacional Mnf Brasil ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000RGSOLE Release Date: 2007-07-24 |
Tracks:
- Killer Kumbia
- Escribeme Pronto
- El Microfono
- Para No Vivir Desesperado
- La Kebradita
- A Girl Like You
- A Todos Ellos
- Hip Hop No Pares
- Katia, Tania, Paulina Y La Kim
- Belludita
- Mi Negra a Bailal
- Lala Meda
- La Kebradita
Album Description
Following the success of last year's debut "Mejico Maxico" is this infectious pastiche of electronica, dub, cha cha, and other musical surprises. Guests on "Pinata" include members of Tom Tom Club, Cornelius, and Babasonicos. In the past year, MIS received widespread acclaim from Spin, the NY Times, and Urb, as well as radio support from such tastemakers as KCRW (LA), Indie 103 (LA), KEXP (Seattle), and KUT (Austin). The band's music has also been featured in other projects including "Ugly Betty", in Dos Equis' national advertising campaign, on multiple soundtracks, and on the upcoming EA Games release "FIFA 2008".Customer Reviews:
Viva MIS!!.......2007-07-25
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Revolución de Amor
Maná Manufacturer: Warner Music Latina ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006EXKB Release Date: 2002-08-20 |
Tracks:
- Justicia, Tierra Y Libertad
- Ay, Doctor
- Fe
- Sabanas Frias
- Pobre Juan
- Porque Te Vas?
- Mariposa Traicionera
- Sin Tu Carino
- Eres Mi Religion
- No Voy A Ser Tu Esclavo
- Angel De Amor
- Nada Que Perder
Amazon.com
With 16 million total units in global sales (1999's MTV Unplugged has sold 3 million copies so far), four-time Grammy winners Maná are one of the biggest Latin rock bands around. Revolución de Amor, the four-piece band's first studio album in five years, continues Maná's ongoing dual interest in themes of love and social issues, and the band is masterful at packaging its potent messages in an accessible guitar-based sound. Hailing from Guadalajara, Mexico, Maná create an organic mix of classic rock, modern rock, and traditional Latin music that will appeal to fans of Santana and Rubén Blades (both of whom make guest appearances here). But the band is also able to attract younger audiences thanks to punkier songs such as "Nada Que Perder," which could very easily break through on K-rock radio stations across the U.S. One of Maná's best albums to date, Revolución de Amor is proof positive that Latin rock can be accessible to a broad range of people who don't speak Spanish. --Tad HendricksonAlbum Description
Electric and acoustic violinist explores the styles of latin, afro-cuban, jazz and electronica with world beat rhythms.Album Description
A musical blend of the style and arrangements that Mana is very well known for, but also features other musical forms such as Funk and Afro, Cuban performances recorded by the group for the first time. Finalizing the completion of this Inernational globe of music, two musical legends collaborate and join Mana on Revolucion De Amor, Carlos Santana and Ruben Blades. 12 tracks. 2002.Customer Reviews:
Maná is great!.......2007-05-17
Same tunes and lyrics as before.......2006-08-25
4 of 13 songs are good
Mariposa
Sabana's
Angel De Amor
Mi Religion
Más de lo mismo.......2005-10-27
An advance beyond their past.......2005-08-19
Nevertheless, I was blown away by this CD's sound: its harmony, arrangement, and emotion. In fact, I was blown away enough to order the 3-CD set of their earlier CDs on Warner, based on Amazon reviewers' raves about their earlier work. I can appreciate where those reviewers were coming from, but I still like "Revolucion de Amor" the best.
For my money, the earlier Maná was a worthy band in the Police vein, but a bit minimalist. This CD, where they arguably went corporate (or whatever), fleshes out their potential and really delivers.
Hey, even with English-language bands, I usually place the lyrics in the background and concentrate on the overall sound. On that count, this CD delivers as much as, say, Tom Petty and the Heartbreakers or the Sisters of Mercy or Procol Harum or Phil Spector's girl groups. Solid harmonies, good musicianship, great balance.
That may just be succumbing to the allures of pop production, but good pop is all too rare, ironically enough.
I hope that the band is working on another CD, three years on, and look forward to what they come up with.
mariposa traicionera.......2005-08-07
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Music from the Coffee Lands
Various Artists Manufacturer: Putumayo World Music ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003EKA Release Date: 1997-10-07 |
Tracks:
- Guajira Bonita - Julian Avalos
- Soltarlo - Claudia Gomez
- Wasuze Otya? - Samite
- Maria Lando - Susana Baca
- Below The Bassline - Ernest Ranglin
- M'Ban Samba - Raimundo Sodre
- Hanzvadzi - Thomas Mapfumo
- Dilema - Los Tradicionales Se Carlos Puebla
- Esa Noche - Cafe Tacuba
- Gabby Kai - James 'Bla' Pahinui
- Kothbiro - Ayub Ogada
- Este Son - Juan Carlos Urena
- La Milonga De Ricardo En Cha-Cha-Cha - Ricardo Lemvo & Makina Loca
Amazon.com
The artists gathered together here hail from nations and cultures noted for the growing and export of coffee. As with this CD's companion release, Music from the Tea Lands, one senses the possibility of lucrative product tie-ins, but part of the proceeds from the album are earmarked for charity and any catchy idea that gets the music out there is a good thing. Like the luscious drink itself, the tunes come in many intensities and flavors, ranging from a light-as-air ditty from Peru, to the more complex vocal stylings of Colombia's Claudia Gomez, to Ricardo Lemvo and Makina Loca's earthy Afro-Cuban Congolese rumba. The album is a lively and fascinating travelogue, making landfall in Cuba, Kenya, Brazil, Uganda, Mexico, Zimbabwe, Costa Rica, Hawaii, and Peru. As with many other Putumayo projects, aside from its musical pleasures, this set would make an entertaining and educational experience for younger family members. --Christina RodenCustomer Reviews:
Suprise!.......2007-01-25
How can you have this CD w/o an Ethiopian contribution.......2007-01-14
Not strong enough-this compilation is decaf.......2006-06-15
I used to have this CD,but I took it to a used CD store.
Its few highlights are Susana Baca,Ernest Ranglin,Thomas Mapfumo,James 'Bla'Pahinui&Ayub Ogada.The rest are easy-listening Buena Vista Social Club.
When it comes to Putumayo's themed compilations,I reccomend "Gardens of Eden" (sadly,it's out of print),"Music from the Tea Lands"(EXCELLENT!),"Asian Lounge".I am looking forward to "Music from the Wine Lands"--considering I live in the Wine Country.Hopefully,"Music from the Wine Lands" won't be snooze-inducing like this one.
Chill out with a cup of coffee or a Mojito.............2005-08-05
One of the best world music compilataions I've heard.......2004-01-25
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Global Underground: Mexico City
Adam Freeland Manufacturer: Global Underground ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000P7V5UW Release Date: 2007-06-19 |
Tracks:
- Faze Action - In The Trees (Carl Craig C2 Remix #1)
- Revl9n - Walking Machine (SebastiAn Remix)
- Etienne De Crecy - F***
- Kim - Wet N Wild (Midnight Juggernauts Mix)
- Mr Oizo - Half An Edit
- Adam Freeland - Silverlake Pills
- Kim - By The Time They Reach You (Bagraiders Mix)
- Jape - Floating (Alex Metric Remix)
- Beauty School - Disco Sux (Stone Lions Mix)
- Oliver Huntemann - 37°
- Justice - Phantom
- Minimal Compact - Deadly Weapons (Optimo Mix)
- DJ Mehdi - Signatune (Thomas Bangalter Edit)/ Spank Rock - Bump (Switch Remix)
- Phones - Sharpen The Knives
- Trabant - The One (Para One Remix)
- Kavinsky - Testarossa (SebastiAn Remix)
- Evil 9 - Happy Ending
Tracks:
- Spacemen 3 - Ecstasy Symphony
- My My - Butterflies & Zebras
- Lee Jones - There Comes A Time (Prins Thomas Miks)
- Justus Kohncke - Advance
- 120 days - Come Out, Come Down, Fade Out, Be Gone
- Gui Boratto - Terminal
- Holden - Lump
- Cobblestone Jazz - Dump Truck
- Silversun Pickups - Lazy Eye
- Substance & Vainqueur - Immersion
- Fujiya & Miyagi - Ankle Injuries
- Andrew Weatherall - Feathers
- B-Movie - Nowhere Girl (Adam Freeland Mix)
- Mylo - Paris 400 (Aswefall Remix)
- Adam Freeland - Self Indulgent Ending
Customer Reviews:
Definitely different, but just plain (throwback word) RAD........2007-07-31
I haven't heard anything from Adam Freeland before this but I will definitely check out more of his stuff now. I think the negative reviews are from people who are disappointed that this album is a 180 from the norm, but if you know not to expect the norm, then get ready for a great experience! This probably should have been released under something other than the "Global Underground" series, like a NU-Breed or something, but the GU people must have wanted to get this guy some exposure, and rightfully so.
Again, different than your usual GU, but one that must be heard, just know what to expect.
"Nothing but Noise"........People listen to the CD!!!! Its a GREAT Mix .......2007-07-12
a refreshing departure from GU's excellent progressive pedigree.......2007-07-10
"This is noisy and awful! I've been a fan of GU ever since the series existed and this is nothing like what they play!"
Yea okay. If this was a Seaman release--or Digweed--then sure, be angry. It would be a complete disaster of sound. You got hooked by the expectation of heavily layered, ethereal progressive house and got edgy, punchy electronica. Complain--people will listen.
But if you have been following Adam Freeland around, or electronic music in general for that matter, you'd know that he's not a progressive house DJ. In fact, he isn't even a house DJ. Known for his blistering breaks and genre-defying sets, Adam has slowly progressed (pardon the pun) towards the French and Australian labels (Ed Banger and Modular come to mind), pushing the boundary between house, electronica, and rock.
To me, the combination is sublime. I love every minute of this release (I'll give the other reviewer some slack since the revl9n track IS a bit weird). If you like artists like SebastiAn, Busy P, Digitalism, The Bagraiders, Ajax, and other "new electro" stars, then pick up this album. If you are a diehard fan of groovy, deep progressive house, then this album shouldn't have even attracted you in the first place.
A real dancer in my book.
Two CD's of noise.......2007-07-07
Fits in perfect.......2007-07-06
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Mexican Music:
- Mis Boleros
- Mis Mejores Momentos
- Noches Tras Noches
- Noches Tras Noches
- Noches Tras Noches
- Norteno de Corazon
- Original de la Sierra: Homenaje a Chalino Sanch
- Pimpinela
- Por el Mundo
- Por Tu Maldito Amor
Mexican Music
Hardcore Til I Die V.2 [Import]
Ibiza Chillout Session [Import]
International Music: Acustica [Import]
link-web.net Music Review: Andrea Chenier
Green Dolphin Street [Original recording remastered] [Import]