| 1. Despierta |
| 2. Bendita Seas |
| 3. Llevame Contigo |
| 4. Amor Que Divino |
| 5. Te Quiero...Te Quiero...Te Quiero...Te Quiero... |
| 6. Esta Noche (Tonight) |
| 7. Romance |
| 8. Mi Pasion |
| 9. Gracias |
| 10. Buenas Noches Mi Amor |
En Serenata,Los Tres Diamantes,RCA Intl,Bolero,Latin,Latin Continuum,Latin Pop,Latin Pop/Rock,Mexican
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Essential Guitar: 33 Guitar Masterpieces
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000069KIT Release Date: 2002-08-13 |
Customer Reviews:
Two-and-a-half hours of bliss.......2007-04-04
Have you ever heard music that you wanted to last forever, maybe even to dive inside and live there for a while, immersing yourself in sound? That's how I feel about this collection. The only problem I have with it is that I bought it thinking it might be nice to listen to while I write. Not so. It's terrible for that. I'll sit with my hands poised above the laptop keyboard, assuring myself I'll get some work done while I listen. The music takes hold and carries me away.
I'm not expert at describing this or any type of music. I just know what I love. You might too, if you enjoy classical or Spanish guitar -- unless you have absurd expectations about combining listening with work.
not what i expected.......2007-03-26
excellent guitar performances.......2006-07-27
Essential Guitar..........2005-07-26
Buy it and enjoy!!!!
Lives up to its Name!.......2005-06-10
The recording quality is uniformly good, even on the tracks by Segovia. I don't know if they were remastered or recorded late in his career, but they're free of the surface noise present in so many of his recordings. The set clocks in at a generous 2 1/2 hours - one of the greatest deals in instrumental music; this is not a "bargain" quality set. Listen to the samples online - great stuff.
My only mild criticism is in the marketing. The advertising features John Williams and Julian Bream. Each contributes exactly one track. I would have enjoyed more pieces by them for stylistic comparison. But the less well-known (at least to guitar music neophytes like me) artists are every bit as good, and I intend to obtain more of their work.
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The Best of the Three Tenors
Luciano Pavarotti , Placido Domingo , Jose Carerras , Zubin Mehta , and James Levine Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004UB8A Release Date: 2002-06-11 |
Tracks:
- 'O sole mio
- Funiculi, funicula
- Libiamo ne' lieti calici (Brindisi)
- Sous le ciel de Paris
- Torero quiero ser
- Parlami d'amore, Mariu
- Manha de Carnaval
- Lolita
- Dicitencello vuie
- Core 'ngrato
- Because
- You'll Never Walk Alone
- Singin' In The Rain
- Maria
- Tonight
- 'O paese d' 'o sole
- Cielito lindo
- Ochi tchorniye
- Caminito
- La Vie en Rose
- Mattinata
- Wien, Wien, nur du allein
- Amapola
- Lippen schweigen
- Brazil
- Sous les ponts de Paris
- Torna a Surriento
- Nessun dorma
- La donna e mobile
Amazon.com
Back in 1990, three of the world's most celebrated tenors--namely, José Carreras, Plácido Domingo, and Luciano Pavarotti--combined forces to create the Three Tenors, now celebrated on a best-of CD. They gave their first concert in Rome. The event was recorded and went on to become one of the best-selling classical titles of all time.This latest release brings together tracks from that night in Rome (including "Nessun dorma" and a competitive rendition of "O sole mio") with music performed in a 1994 concert in Los Angeles and at the 1998 event in Paris where the Three Tenors sang to an audience of thousands with the Eiffel Tower as their backdrop.
The 22 tracks making up The Best of the Three Tenors range from operatic standards, such as the joyful "Brindisi" from La Traviata, to popular songs like "Singin' in the Rain" and "You'll Never Walk Alone" (from Carousel). There are no solos on this disc; each piece is performed by all three singers. And with plenty of applause and cheering to be heard, not to mention the sense of fun in the singers' voices, the disc captures the atmosphere of these extraordinary musical events. --Rebecca Agnew
Customer Reviews:
Nice songs from this album.......2007-07-22
Not bad.......2006-03-18
The best from the three greatest..........2005-08-11
There are no solos on the cd. I think I've read somewhere that they felt there had been enough "three tenors cd's" and if they were to release yet another one it would be one containing what the audience demands, the three of them joining forces and performing together in the songs.
The result, in my opinion is highly recommendable. The three voices blend perfectly together. I have to admit that I have a personal favourite among the tenors and that I would never buy an entire recording featuring only one of the two others, but I recognize their talents and -as stupid as it may sound- since they are performing together I can also appreciate the other two. (I like them too, but in smaller doses....)Some people have commented on their problems with mastering the english language. If anything, I think it just adds to their charm. By the way, who is perfect??
The songs on this cd is a mixture of beautiful songs, heartwrenching songs, toe-tapping songs and powerful songs. It's wonderful to just listen to the beauty in the three voices. It's fun hearing Pavarotti pushing his "high-note-button" in "O sole mio" and Carreras and Domingo copying his stunt. I have no idea what they're singing about in "Manha de Carnaval", but boy does it sound romantic...... And "Dicitencello vuie" brings tears to my eyes (even if I'm still left in the dark when it comes to understanding the meaning of the words...) In "Because" Carreras takes my breath away when singing "because God made thee mine, I'll cherish thee...through light and darkness, through all time to be, and pray his love may make our love divine...." (What woman wouldn't like to hear those words..??!?) Their rendition of "You'll never walk alone" should satisfy some of the soccer-fans since it's the anthem of a European football-club and "Nessun Dorma" will probably satisfy the rest of the soccer-fans, being the antheme of the 1998 world soccer championship. In short, there should be something for every taste on this cd.
It's a very "versatile" cd. You can play it almost everywhere. You can sing along to it in the car, you can dance around the house to it while doing your chores, you can put your feet up and unwind after a hectic week. Or you can write an Amazon review while listening to it.... (Feel free to add suggestions of your own here.....)
To make a long story short - a very enjoyable cd!
Just Like the Real Thing!.......2005-07-14
Powerful and moving!.......2004-10-21
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Art of Segovia
Andres Segovia Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006B66L Release Date: 2002-10-08 |
Tracks:
- Andante
- Andantino
- Lento
- Romance De Los Pinos
- Madronos
- Serenata Burlesca
- Variations On A Theme From Mozart's 'The Magic Flute'
- Mesto E Calmo
- Theme, Variations & Finale
- Cancion Mexicana No.X
- Sevillana, Op.29
- Sarabanda
- Capriccio Diabolico, Op.85
- Tonadilla For Guitar On The Name Of Andres Segovia
- No.1 In E Minor
- No.3 In A Minor
- Guitarreo
- Segovia, Op.29
Tracks:
- If My Complaints
- Now, O Now I Need Must Part
- Sarabande
- 1. Prelude (Transposed In D Major)
- 4. Tempo Di Bourree
- Courante
- 3. Gavotte En Rondeau
- Aria E Corrente
- Moderato
- Menuet In G Major
- Andantino Variato
- No.7 In A Major
- 2. Canzonetta
- 2. Quasi Lento (Preludio)
- 1. Andantino Poco Allegretto (Allegretto)
- 2. Il Vecchio Castello
- Allegretto
- Tres Calme Et Doucement Expressif
- No.4 In E Flat Minor
- 5. Asturias. Leyenda - Preludio
- 7. Zambra Granadina
- Estudio Sin Luz
- Allegro Con Brio
Amazon.com
DG has put together a fascinating compilation of Segovia's art that reminds us what a protean figure he was. Segovia single-handedly put the instrument on the map by making classical guitar concerts popular events, broadening the instrument's repertory through commissions and transcriptions, and convincing even doubters that it could be a vehicle for serious music. He's heard here in brief pieces recorded between 1952 and 1969. Even in those made when he was well into his 70s, his fingers remain nimble and interpretations lively. Listening straight through, one hears many all-time Segovia favorites as Turina's Sevillana and Albeniz's Asturias and Zambra Granadina and renews appreciation for path-breaking composers like Castelnuovo-Tedesco. He wrote extensively for Segovia and his Capriccio diabolico and Tonadilla are pieces of real substance. Disc two is largely made up transcriptions and it's amazing how well so many of them work on the guitar, at least under Segovia's magic fingers. Thus the transformations of Bach's violin music and even a Chopin Prelude sound idiomatic, and the gorgeous melodies of the Canzonetta from Mendelssohn's Op. 12 String Quartet are irresistible here. An entrancing set. --Dan DavisCustomer Reviews:
A Man and His Art - Magnificently Captured.......2007-04-06
There are a total of 31 pieces played on these CDs and while a playlist would be an unnecessary use of space here, a list of the composers represented is not. More than the specific pieces Segovia gives us here, the range of composers chosen by the compilers and editors - with each piece rearranged by Segovia himself, tells us a great deal about his interests, talents and musical range. These composers include:
Isaac Albeniz, Johann Sebastian Bach, Mario Castelnuovo-Tedesco, Frederic Chopin, Claude Debussy, John Dowland, Manuel de Falla, Cesar Franke, Girolamo Frescobaldi, Edvard Grieg, George Frederic Handel, Felix Mendelsohn, Frederico Moreno Torroba, Modest Mussorgsky, Nicolo Paganini, Felipe Pedrell, Manuel Ponce, Jean-Philippe Rameau, Joaquin Rodrigo, Albert Roussel, Domenico Scarlatti, Alexander Scriabin, Segovia's own composition of Estudio sin luz, Fernando Sor, Francisco Tarrega, Joaquin Turina and Heitor Villa-Lobos. A truly magnificent and broad ranging collection held together by Segovia's unique personal style, approach and sound.
Largely self-taught, Andres Segovia did things with a guitar that others only imagined. He didn't just play Bach, for example - music written for an entirely different type of instrument (keyboards.) He went a step further, and recorder Bach's keyboard lessons written for his students (the Two and Three Part Inventions) and made them sound as if they had been written for the guitar! His artistry is evident to even the casual listener and in this collection, any devote of classical guitar and/or of Segovia as an individual artist, will not be disappointed.
Perfect listening for anytime. Hypnotic and, simply, unsurpassed. A necessary addition to any serious classical guitar collection.
What can you say - it's Segovia!.......2007-02-10
EVERYBODY KNOWS.......2007-01-13
Immortal guitar.......2006-08-02
WOW.......2006-02-23
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The Best of Andrés Segovia: The Millennium Collection
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00068CVGM Release Date: 2004-11-09 |
Customer Reviews:
Can't be beat!.......2007-04-07
Excellent Segovia Disc for Beginners!!!.......2006-08-07
After listening to this CD only once, I've come to realize why Segovia is such an innovative legend. Every track on this CD whether it be Bach, Albinez or Rodrigo is performed with great passion and fire. The notes literally cascade from Segovia's fingers as if they were made of paper.
This CD comes as highly recommended for guitar fanatics. Whether you're into rock, jazz or classical, there is plenty of amazing virtouosity heard on this disc that will amaze you.
Segovia's influence can be heard in the playing of anyone from his contemporaries Julian Bream and John Williams to rock legends Eric Clapton and Steve Hackett.
Here, you get to hear the master at work and I must say, it is awesome!!!
Virtuoso!.......2006-04-27
Very good reasonable price compilation. On the other hand his production is so wide, so it is difficult/impossible to collect one perfect compilation.
Good start to Segovia.
Booklet is good enough.
Maybe not "The Best of," but VERY good!.......2004-12-27
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Very Best of
Placido Domingo Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000083GOJ Release Date: 2003-04-22 |
Tracks:
- Ill Mio Tesoro
- Un'aura Amorosa
- Dies Bildnis Ist Bezaubernd Schon
- La Ci Darem La Mano
- Vani Sono I Lamenti...Svegliatevi Nel Core
- Pays Merveilleux...O Paradis
- Quel Trouble Inconnu Me Penetre...Salut ! Demeure Chaste Et Pure (Faust, Act III)
- Ah! Tout Est Bien Fini... O Souverain, O Juge, O Pere (Le Cid, Act III)
- None But The Lonley Heart
- Lensky's Aria
- Donna, Non Vidi Mai (Manon Lescauy Act, II)
- Ah, Manon, Mi Tradisce
- Dammi I Colori...Recondita Armonia
- E Lucevan Le Stelle (Tosca, Act III)
- Ch'ella Mi Creda (La Fanciulla Del West, Act III)
- Dai Campi, Dai Prati (Mefistofele, Act I)
- Virgini Muse...Quando Al Soave Anelito
- O Sink Hernieder, Nacht Der Liebe
- Was Am Besten Er Kann...Hoho! Hohei!
Tracks:
- Se Quel Guerrier Io Fossi!...Celeste Aida
- Su, Profetessa...Di Tu Se Fedele
- Forse La Soglia Attinse...Ma Se M'e Forza Perderti
- O Tu Che In Seno Agli Angeli
- Su, Cacciator...Fontainebleau!...
- Niun Mi Tema
- Ach, Wie So Herrlich Zu Schau'n
- Sckenkt Man Sich Rosen In Tirol
- Gern Hab'ich Die Frau'n Gekusst
- O Vaterland...Da Geh'ich Zu Maxim
- Dein Ist Mein Ganzes Herz
- Mi Aldea
- Cancion Del Sembrador
- No Puede Ser
- Serenata
- Copillas De Belen
- Coplas Del Pastor Enamorado
- En Aranjues Con Tu Amor
- Jealousy Tango
- La Golondina
Amazon.com
Placido Domingo is a phenomenon, and every aspect of his artistry is on display in this 2-CD compilation, which includes arias from his signature roles in Italian, French, German, and Russian operas, and songs from Viennese and Spanish operettas. The original recordings range from the early 1970s to the present and show that though over the years his bright golden voice has taken on a darker, more burnished glow, it has retained the melting lyricism, the heroic ring, the thrilling top notes, and the focused intensity that make it instantly recognizable. (Comparing the Verdi arias included here with their counterparts of later vintage in the all-Verdi set The Tenor Arias bears this out.) The program demonstrates his stylistic and expressive versatility and his ability to instantly establish character and mood, from Lenski's sorrow (in Eugene Onegin), Cavaradossi's heart-rending despair (in Tosca), Otello's shattering agony, to Tristan's passion, Siegfried's exuberance, Faust's ardor (first in French by Gounod, then in Italian by Boito). In three Mozart arias, Domingo spins endless, perfectly shaped phrases with incredible breath control, then adds an oddity: the famous duet between Zerlina and Don Giovanni, a role he has not performed. Five Viennese operetta songs, one of which he also conducts, are delightful; there is a smile of pleasure in his voice, but not a hint of kitsch. By contrast, Tchaikovsky's "None but the Lonely Heart" is spoiled by an orchestration that is pure Hollywood. In the final Spanish group, he is on home ground and incomparable. This is a glorious record, a must for all lovers of great singing. --Edith EislerCustomer Reviews:
A great introduction to the art of Placido Domingo.......2007-07-04
This is a wonderful introduction to his artistry, and shows that he can sing well across a variety of styles and eras. Let's sample some cuts:
"Il mio Tesoro" (from Mozart's Don Giovanni) is a difficult aria to sing well. And Domingo is up to the challenge. He displays a smooth and rich voice. His is one of those distinctive tenor voices, like Tucker's or Pavarotti's, that is quickly recognizable. This is, as noted, a challenging piece and Domingo handles it well, showing off considerable vocal agility in the process.
From the same opera, "La ci darem la mano," a sweet duet with, in this instance, soprano Susan Graham. This seductive work is sung well by both parties and is a ravishing version.
From Puccini's "Tosca," "Recondita armonia." At the close, his voice rises above orchestra and chorus. Overall, well and richly sung.
And now for something very different. . . The "Forging Scene" from Siegfried. One may not think of Domingo as a heldentenor, but he does a serviceable job here. His voice sometimes appears a bit light, but, overall, he does estimable work. He catches Siegfried's spirit as he forges the shattered remains of his father's sword, "Nothung." When he sings the name of his sword at the close, with the leitmotif ringing out from the orchestra, it is an affecting moment.
Then, "Celeste Aida" (from Verdi's opera). A stentorian voice well deployed to meet the challenges of this wonderful aria. Some tenors scoop as they move from those lower to the higher notes; Domingo's voice is well controlled here. The final high note is well hit.
Strauss (Junior's) "Ach, wie so herrlich zu schau'n" is a romp! A fun piece and well sung by Domingo. He demonstrates, as before, excellent vocal agility.
Lehar's "O Vaterland" is also fun. It is a sprightly tune sprightly sung.
Finally, he ends the second CD with a traditional Spanish tune--"La Golondrina." He does not overpower this work with operatic technique. He sings it well and affectingly.
So, all in all, if one wants a good introduction to Placido Domingo's vocal oeuvre, this is a very strong starting point.
This is really the best........2007-05-16
If you like Placido at all, you must have this CD........2005-04-06
Rare And Great Domingo Classics.......2005-03-08
He is a great force in opera.
Even in his old age, he does'nt seem to be slowing down or call it quits. Recent performances (2000-2005) include Eugene Onegin, the lead in Queen of Spades, Rasputin in Debra Dratell's Nicolas and Alexandra, Idomeneo and his next role Parsifal. He is the singular tenor who mastered every repertoire- Mozart (Don Ottavio, Tamino...unfortunately Domingo as Don Giovanni is a miscast because he is too noble and romantic and GOOD to be a bad guy)..to Puccini heros (Mario Cavaradossi in Tosca, Dick Johnson in Fanciualla Del West, Rodolfo in Boheme, Pinkerton in Madame Butterfly, Calaf in Turandot) Verdi heroes (Radames in Aida, Don Carlos, Stiffelio, etc) to the French repertoire...Gounod (Faust, Romeo) Meyerbeer heroes, Massenet hero (Des Grieux, Le Cid) and Saint Saens (Samson) the list goes on and on. When this man dies, an era will die with him. His legend will live on because he will leave behind dozens of albums, movies and memories......
A real Bobby Dazzler.......2004-02-19
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Rodrigo: Complete Concertos for Guitar and Harp
Joaquin Rodrigo , Antonio de Almeida , Neville Marriner , Barry Davis , Academy of St. Martin-in-the-Fields , Los Romeros , Angel Romero , Pepe Romero , Catherine Michel , and Monte Carlo National Opera Orchestra Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000I94F Release Date: 1999-03-09 |
Tracks:
- Concierto de Aranjuez: Allegro con spirito
- Concierto de Aranjuez: Adagio
- Concierto de Aranjuez: Allegro gentile
- Concerto andaluz: Tiempo de Bolero
- Concerto andaluz: Adagio
- Concerto andaluz: Allegretto
- Concierto serenata: Estudiantina: Allegro ma non troppo - Andante
- Concierto serenata: Intermezzo con aria: Adagio - Allegro moderato
- Concierto serenata: Sarao: Allegro deciso
- Sones en la Giralda: Lento: Allegro vivace - Tempo di sevillana
Tracks:
- Fantasia para un gentilhombre: Villano y Ricercare: Adagietto - Andante moderato
- Fantasia para un gentilhombre: Espanoleta y Fanfare de la Caballeria de Napoles: Adagio - Allegretto molto ritmico
- Fantasia para un gentilhombre: Danza de las hachas: Allegro con brio
- Fantasia para un gentilhombre: Canario. Allegro ma non troppo
- Concierto madrigal: Fanfarre. Allegro marziale
- Concierto madrigal: Madrigal. Andante nostalgico
- Concierto madrigal: Entrada. Allegro vivace
- Concierto madrigal: Pastorcito, tu que vienes, pastorcito, tu que vas. Allegro vivace
- Concierto madrigal: Girardilla. Presto
- Concierto madrigal: Pastoral. Allegro
- Concierto madrigal: Fandango
- Concierto madrigal: Arieta. Andante nostalgico
- Concierto madrigal: Zapateado. Allegro vivace
- Concierto madrigal: Caccia a la espanola. Allegro vivace - Andante nostalgico
- Concerto para una fiesta: Allegro deciso
- Concerto para una fiesta: Andante calmo
- Concerto para una fiesta: Allegro moderato
Customer Reviews:
Joaquin Rodrigo complete concertos sfor guitar & harp.......2007-01-22
Marriner and Romeros unbeatable.......2003-02-11
2'fer bargain.......2001-11-27
Inroduction to Rodrigo.......2001-07-28
the best interpretation by the romeros.......2000-08-18
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Sentimento: Andrea Bocelli with Lorin Maazel and the London Symphony Orchestra [Limited Edition w/ Bonus Track]
Jacques Offenbach , Francesco Paolo Tosti , Gioachino Rossini , Johann Paul Aegidius Martini , Stanislao Gastaldon , Luigi Denza , Stefano Donaudy , and Lorin Maazel Manufacturer: Polygram Int'l ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006IX20 Release Date: 2005-10-04 |
Tracks:
- En Aranjuez Con Tu Amor (Rodrigo)
- Mattinata (Leoncavallo)
- Barcarolle (Offenbach)
- L'Alba Separa Della Luce I'ombra (Tosti)
- Sogno d'Amore (Liszt)
- La Serenata (Tosti)
- L'Ultima Canzone (Tosti)
- Malia (Tosti)
- La Danza (Rossini)
- Ideale (Tosti)
- Sogno (Tosti)
- Plaisir d'Amour (Martini)
- Musica Proibita (S. Gastaldon)
- Occhi Di Fata (Denza)
- A Vuchella (Tosti)
- Vorrei Morire (Tosti)
- Vaghissima Sembianza (S. Donaudy)
Amazon.com
The international crossover success of tenor Andrea Bocelli has spawned any number of imitators on both sides of the Atlantic. But this collection of romantic arias and duets with violinist-conductor Lorin Maazel (who also arranges and helms the London Symphony Orchestra here) proves once again that the classical canon still offers ample room for compelling reinvention without nettlesome pop affectations. In reviving a genre (violin and vocal) largely dormant since the days of Caruso, Bocelli has taken some rewarding liberties with Rodrigo's "En Aranjuez can ta amor" and forged Liszt's familiar Liebestraume No. 3 into "Sogno D'Amore" with new, self-penned lyrics. Maazel's warm, evocative violin obligatos and sensitive, sympathetic arrangements infuse this tenor's showcase not only with unabashed romance, but as their lively romp through Tosti's "Malia" demonstrates, a sense of joyous fun. An album for romantics of all ages and persuasions--and one that gratifyingly demonstrates that crossing over is hardly the same as selling out. Enhanced CD includes a mini-documentary with comments by Bocelli and Maazel, as well as links to a more comprehensive interview with the tenor. --Jerry McCulleyAlbum Details
A Sensational Album featuring Truly Beautiful Songs and Arias that Evoke Feelings of Passion and Romance. The UK Special Edition of the Album Includes the Bonus Track "Non T'amo Pui" by Tosti.Customer Reviews:
Fine idea, weak execution.......2007-04-26
Maazel seems to enjoy the feel of the violin under his chin, and generally produces elegant sounds. The orchestration, which he tells us in his notes evolved amidst a hectic schedule of conducting and rehearsing Don Carlo and Don Giovanni, is basic and generally inoffensive. Good thing he tells the listener of his busy schedule, or one would have to be harsher with his sometimes dreary musical arrangements.
Andrea Bocelli is something of a controversial figure in some circles. I am a picky listener, and suffer from the maniacal ailments that afflict the opera buff. Still, I have always enjoyed Bocelli's popular recordings. I like pleasant tunes sung by a full, clear tenor voice. Having said this, I find his operatic recordings lamentable.
Though not opera per se, Bocelli sounds over-taxed by the repertory at hand (mostly lovely 19th century songs). Each track is unworthy of comparison with past performances by operatic greats-- Pavarotti, Carreras, Gigli, Di Stefano, and Schipa come to mind. Bocelli's voice is strained, and he offers nothing resembling the grace required by these three-minute masterpieces.
Those who are in love with Bocelli's voice will no doubt enjoy this recording. Still, I strongly urge exploring this repertory as it is presented by far more capable performers, and far better endowed voices.
He's magnificent.......2007-03-12
Romantic sounds!.......2007-01-12
Simply beautiful!.......2006-07-09
Average Bocelli at best.......2005-01-20
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Music of Spain
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0009U55QA Release Date: 2005-09-06 |
Customer Reviews:
The classical heritage .......2006-04-16
In the particular case of Fernando Sor, we have a wisdom blending of the counterpoint technique, an evocative mood from his own that, added the well known influence of the Italian composers (Domenico Cimarrosa and Giovanni Batista Pergolesi) and his beloved love for the Operatic genre, allowed him to enrich still more the lyrical possibilities of the guitar. Besides, unlike Nicolo Paganini, for instance fortunately did not transform the guitar in a simple device to show his overwhelming gifts. He used the guitar to play music, on the opposite approach of Paganini who used the music as mere device to play his instrument.
In the guitar genre there has not been most deserved and superb tribute to Mozart that this Variations Op. 9 based on a motive of The most famous Mozart ?s Magic Flute. Loaded of such imaginative freshness and enraptured inspiration you may notice that one of the Variations conserves an undeniable Italian flavor; this is one of the most beloved hidden treasures the guitar can offers us, which raise with special charm in the hands of this formidable soloist.
Aguado on the contrary acquired due his personal state of things, a notable adroitness who excelled by far, to Sor, so his musical approaches rode in opposite directions, trying to exploit at maximum levels the technical possibilities of the instrument.
Julian Bream makes a colossal tribute to both composers in this egregious and golden album.
Average customer rating:
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Sentimento
Andrea Bocelli Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000071X4U Release Date: 2002-11-05 |
Tracks:
- En Aranjuez Con Tu Amor
- Mattinata
- Barcarolle
- Alba Separa Dalla Luce l'Ombra
- Sogno d'Amore (Liebestraum)
- Serenata
- Ultima Canzone
- Malia
- Danza
- Ideale
- Soyno - Andrea Bocelli, The London Symphony Orchestra, Lorin Maazel
- Plaisir d'Amour - Andrea Bocelli, The London Symphony Orchestra, Lorin Maazel
- Musica Proibita
- Occhi Di Fata
- Vucchella
- Vorrei Morire!
Customer Reviews:
Sentimento--Average at Best.......2005-01-20
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The Segovia Collection
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000060O5J Release Date: 2002-06-11 |
Amazon.com
The vastly improved sonics which the Deutsche Grammophon production team achieves with its 24/96 remastering of the guitarist's 1952-1969 mono and stereo performances for Decca allow listeners to finally experience the rich tonal palette and intimate nature of Segovia's performance art in a manner commensurate with the fidelity of the original LP releases (minus the edgy digital glare and graininess of the MCA reissues). What emerges is a portrait of the artist as a lightning rod for great composers, such as Manuel Ponce, Federico Torroba, Mario Castelnuovo-Tedesco, Isaac Albéniz, and Enrique Granados, all of whom enriched the 20th-century repertoire of solo and chamber works by custom-crafting works for this innovative guitarist (Segovia's interpretation of Joaquín Rodrigo's "Fandango" is a paradigm for his role in popularizing the modern Spanish idiom). Likewise, Segovias's work as an arranger in recasting baroque and medieval works for modern guitar, as well as his deep affection for 19th-century masters of the instrument such as Dionisio Aguado and Fernando Sor, shines forth on discs two and three. However, it is Segovia's romantic touch in transposing Bach's Partitas for Solo Violin--as on his virtuoso turns on the "Chaconne in D Minor"--that best illustrate his poetic conception of the instrument. --Chip SternCustomer Reviews:
Above All Others.......2006-10-16
The Great Master, of Masters.......2005-06-28
The scope from Segovia has leaved footsteps in the great world of classical music, for his research and investigations about it. In this set we can listen pieces like "six pavanas" from the ending Age Middle of Luis Milán, and begginig of Rennasaince like Dowland's songs togheter Roncali Ludovico between others on CD 3.
Also show us the great spanish composer Enrique Granados, Torroba, Sor, icons of guitar music. I Basically bought this cd for "Pavane" 1-6 and that better found it in this GREAT SET. If you're a lover of Classical Music, or classical guitar this one of the greatest set box ever made in any genre!!!.
Andrés Segovia, Marquis of Salobreia, was born near Jaen, Granada, Spain. He became a guitarist against the double opposition of his parents. First, they opposed his learning the guitar and got him cello and piano teachers instead. When he persisted in teaching himself guitar, they opposed his becoming a musician. He sought a guitar teacher at the Granada Institute of Music when he studied there, but found none, so continued learning the instrument on his own. He made his debut at the Centro Artística in Granada at the age of 15. He played so skillfully that he was urged to become a professional soloist. He played in Madrid in 1912, at the Paris Conservatory in 1915, and in Barcelona in 1916, and made a wildly successful tour of South America in 1919. He made his formal debut in Paris on April 7, 1924, in a program which included a new work written for him by Albert Roussel, named Segovia. It was the first of many works which were written for him by distinguished composers, enriching the instrument's repertory as Segovia had elevated its artistic potential. His U.S. debut was at Town Hall, New York, on January 8, 1928.
Being self-taught, his technique was unique. It was, in fact, superior to that which was being taught at the time, and extended the flexibility and expressive possibilities of the instrument. The main difference was in the method of using the right hand for strumming and picking the strings: Segovia's method paid much attention to the means of attack: whether hard parts of the fingers, fleshy parts, or the nails were used; other subtleties that affected the dynamics of the instrument; and an economy of motion that allowed longer and more sustained playing. There were classical guitarists before him, and distinguished ones even when he appeared, but it was not an instrument that was regarded as a serious vehicle for classical music. Segovia personally changed that, and not by accident. No doubt affected by his parents' attitude toward his chosen career, he had a driving desire to make it so. He wrote numerous transcriptions of older music for lute and for the Spanish vihuela. He transcribed music of Bach, Haydn, Mozart, Chopin, Handel, and others. He commissioned works by Castelnuovo-Tedesco (notably the great suite Platero and I), Falla, Turina, Tansman, Villa-Lobos, Torroba, Ponce, and Rodrigo, whose Fantasia para un gentilhombre was written for him. His reinstatement of the guitar as a solo instrument was sealed by his becoming one of the great teachers of music history. He established guitar schools or courses at the Accademia Musicale Chigiana, Siena, Santiago de Compostela, and the University of California in Berkeley. His students included Alirio Diaz, Oscar Ghilia, and John Williams.
Segovia become one of the great names in classical music, whose mere name was enough to sell out houses worldwide. He received numerous awards and honors during his lifetime, including the Grand Cross of Isabela and Alfonso, the Gold Medal of the Royal Philharmonic Society of London, and many honorary degrees. The house where he was born had a commemorative plaque attached to it in 1969 proclaiming him the "leading son of the city." King Juan Carlos of Spain ennobled him as the Marquis of Salobreia in 1981, and in the same year a Segovia International Guitar Competition was established in his honor. He continued to give recitals and concerts until an advanced age, and had the rare opportunity, in 1984, of playing at a gala concert honoring the 75th anniversary of professional debut.
THIS GORGEOUS GUITAR MUSIC BEGS FOR LISTENING. . ........2004-02-24
. . . and I literally begged for this boxed set as a gift a while back and got lucky. The technical quality of the remastering is exquisite - the first 2 CD's especially sound as if you're in a recording studio with the master himself. (disc one includes "Fantasia Para Un Gentilhombre" & "Concierto Del Sur" and disc two "Castillos De Espana")
I've found they are now selling the individual CD's separately in the same packaging, so if you're on a limited budget you can collect them at your own speed or limit yourself to those selections you most want. I sincerely recommend them all however and if you buy the boxed set you get the added bonus of an excellent booklet.
There are very few CD's in my collection that I derive as much sheer pleasure listening to. This is indeed a 5 star Segovia collection!
beautiful selection of the decca segovia.......2003-10-02
segovia literally created the 20th century classical guitar out of an instrument with a cachet not far above the banjo. the booklet to the boxed set gives a fine overview of segovia's career and recording practice, though omitting many key details. (segovia innovated guitar concerts in large concert halls because he was among the first to use his fingernails, rather than bare fingertips, to pluck the strings, and pushed guitar makers to build larger, brighter and more sonorous instruments.)
each of the 4 separately cased cds generously samples (up to 80 minutes each) from (1) the guitar concerto; (2) 20th century compositions dedicated to segovia; (3) pieces for lute, vihuela and 19th century guitar, with some albeniz transcriptions thrown in; and (4) segovia's transcriptions of pieces by j.s. bach.
the digital sound in these recordings (almost all from the 1950's) is really superb, giving contour to every detail of the master tapes. it also reveals the changing recording standards of the early lp: though the sound is consistently vivid and balanced, the guitar is sometimes distant and echoy (a "tile bathroom" sound characteristic of the earliest lp's), or intimate but slightly muffled, or bright and contrasty with a hint of added reverb at the top. i was a little taken aback by the uneven dynamics and nail clatter that i hadn't noticed years ago in segovia's playing: modern recording and performance practice have changed expectations toward a more homogenous and finished sound. but there is a spontaneity, fire, grace, color, imagination and wit in segovia's playing that you won't find anywhere else ... well, excepting julian bream.
it's picky to second guess editorial decisions in a set as generous as this ... but what the heck: i really missed tansman's lovely suite of polish dances ("cavatina"), regretted the absence of a complete sonata or suite by manuel ponce, and would trade the boccherini "guitar" (transcribed cello) concerto for the castelnuovo-tedesco guitar concerto. that said, the performances here of rodrigo's "fantasia para un gentilhombre" and ponce's "concerto del sur" are among the best available, and the generous sampling sor etudes will remind all us graying guitarists of the many happy hours we spent practicing these pieces from the only edition then available -- segovia's own.
deutsche grammaphon has also released a 2-cd set of segovia recordings ("the art of andres segovia"), which duplicates only four pieces from this 4-cd boxed set, and veers more toward colorful transcriptions and single movement selections from longer works. together they make a 6 cd collection of many of the finest recordings by the man who started it all, spawned thousands of heirs and imitators -- and set the bar for them very, very high.
There's Only One Segovia.......2002-07-19
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