Shape

Amazon.com
The exclamation point is gone from the band's name and so too is much of the dizzy innocence that made this Melbourne quartet's Marvin the Album debut one of 1994's special finds. --Jeff Bateman

Shape,Frente,Atlantic / Wea,Adult Alternative Pop/Rock,Alternative Pop/Rock,Popular Music,Rock

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Average customer rating: Like reliving a childhood! classic cd great album Great album - Exta tracks just a bonus So glad I bought this!

The Colour and the Shape Foo Fighters Manufacturer: RCA ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Grunge | Rock | Alternative Styles | Alternative Rock | Styles | Music Post Grunge | American Alternative | Alternative Rock | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: Skin and Bones Zeitgeist Absolute Garbage One by One There Is Nothing Left to Lose ASIN: B000QEIORG Release Date: 2007-07-10

Tracks:

1. Doll
2. Monkey Wrench
3. Hey, Johnny Park!
4. My Poor Brain
5. Wind Up
6. Up In Arms
7. My Hero
8. See You
9. Enough Space
10. February Stars
11. Everlong
12. Walking After You
13. New Way Home
14. Requiem
15. Drivve Me Wild
16. Down In The Park
17. Baker Street
18. Dear Lover
19. The Colour And The Shape

Customer Reviews:

Like reliving a childhood!.......2007-07-19

I won't deny that the primary attraction of this rerelease is the amount of nostalgia I felt for the first release--it was released during a bad time in my life, and, in addition to being the first rock album I ever purchased myself, remains one of the only happy memories of the year 1997 for me.

That being said, there is a short piece in the CD's accompanying booklet by band member Nate Mendel, in which he writes, "This is I think the album we'll always be judged against. But, why?"

His answer is that the album is the most "lived in." I agree with that sentiment, and I'll elaborate my theories. Of all the Foo Fighter's works, TCATS has the most depth and range--it tackles issues like loss, relationship struggles, and feeling oppressed--in short, all the topics any angsty teen (as I most certainly was) has no trouble identifying with. Yet, at the same time, the album runs the gamut of emotions. There's the quiet angst of the opening track, 'Doll,' the dramatic reverence contained in 'My Hero,' the whimsical lightheartedness of 'See You,' and the full-out edge of rock tracks like 'Enough Space,' and 'Hey, Johnny Park!' It's as much a roller coaster ride as an album, and while no single song can stand on its own as well as later Foo works such as 'All My Life' or 'Learn to Fly,' every track is an integral part of the whole experience.

The addition of the six bonus tracks on this rerelease only adds to the experience--the four covers are all b-sides from the original album's singles, and the two additional tracks are planned tracks for the album that were left on the mixing room floor, so to speak. The title track, in particular is of note--it's the closest you'll hear Foo Fighters to sounding like Grohl's previous band, Nirvana, with all its fuzz, distortion, and beautiful disharmony.

All in all, it's a highly recommended purchase, whether you own the original or not--in addition to bonus tracks, the entire original album is remastered, and it sounds crisper and more energetic than ever.

classic cd.......2007-07-18

this is the cd that put the foo fighters on the map. they hadn't quite distinguished themselves as a rock band yet, so they were looking for an identity,and got one with this album. there are the popular songs like "my hero", and "monkey wrench", but there are great unknown songs like "hey johnny park" and "new way home" that really bring this album to life. and as if this album wasn't great enough ten years ago they re-released it with great b-sides as extras. "baker street" is a great cover and so is "down in the park." "dear lover" is a nice love song, and "requiem" is a cool, trippy tune also. all in all the foo fighters put out an excellent album a decade ago, and made it even better with the re-release. get this cd if you remotely like the foo fighters. this is their best record.

great album.......2007-07-15

I didn't really buy this again for the re-mastering because lets face it, it didn't really need to be re-mastered(you can barely make out the sound difference except for it being a little cleaned up) I bought this again for the six bonus tracks which were all b-sides. I also bought it for the packaging. Foo Fighters are a great band.

Great album - Exta tracks just a bonus.......2007-07-14

The Foo Fighters' second album, their first as a "real band" (the first was just a Grohl solo project, essentially) has stood the test of time remarkably well. It has the all-too-rare combination of hard rock and melody. From the outstanding "Monkey Wrench" to the dramatic closer "New Way Home," the cd works as individual songs and as an album as a whole.

This edition with bonus tracks doesn't really offer anything new, but only enhances an already excellent cd by conveniently gathering together the b-sides from this era. I wouldn't describe the b-sides as necessary for anyone other than the hardcore fans (though, if you don't already own this album, you might as well get this edition.)

For those new to the Foo Fighters, this is a great place to start, but don't let the "special edition" stuff fool you: the real greatness of this cd is the main album itself.

So glad I bought this!.......2007-07-13

To say that I am a big fan of the Foo Fighters is an understatement. I have all their albums, and a few singles. This is definetly worth getting.

Now I will be 100% honest. There Is Nothing Left To Lose is still my personal favorite cd. The Colour And The Shape is a very, very close second. Don't get me wrong. I love Colour, and some people like this album the best.

This cd however is still one of my favorite cd's of all time. My hero and everlong are just so perfect, not to mention see you and new way home.

The extra tracks are awesome. I don't like requiem and drive me wild. Never have. But the rest I love! Very great b side tracks.

If you are a border line fan and don't really have one of their cd's, get this one first. You will be blown away. And even if you have the original, this is definetly worth the buy.

Average customer rating: Good companion for Battlestar Fans Captures the feel of the show Awesome Soundtrack BSG Agree with everyone else

Battlestar Galactica: Season One Daniel McGrew , Ken Stacey , Lillis Ó Laoire , Melanie Henley Heyn , Michael Now , and Raya Yarbrough Manufacturer: La-La Land Records ProductGroup: Music Binding: Audio CD Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music Television Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Similar Items: Battlestar Galactica: Season 2 Battlestar Galactica Battlestar Galactica: Season 2.5 (Episodes 10-20) Battlestar Galactica - Season 2.0 (Episodes 1-10) Battlestar Galactica - Season One ASIN: B0009Q0F5U Release Date: 2005-06-21

Tracks:

1. Prologue
2. Main Title (US Version)
3. Helo Chase
4. The Olympic Carrier
5. Helo Rescued
6. A Good Lighter
7. The Thousandth Landing
8. Two Funerals
9. Starbuck Takes On All Eight
10. Forgiven
11. The Card Game
12. Starbuck On The Red Moon
13. Helo In the Warehouse
14. Baltar Speaks With Adama
15. Two Boomers
16. Battlestar Operatica
17. The Dinner Party
18. Battlestar Muzaktica
19. Baltar Panics
20. Boomer Flees
21. Flesh And Bone
22. Battle On The Asteroid
23. Wander My Friends
24. Passacaglia
25. Kobol's Last Gleaming
26. Destiny
27. The Shape Of Things To Come
28. Bloodshed
29. Re-Cap
30. Main Title (UK Version)

Album Description

Presenting the original soundtrack from the first season of Sci Fi Channel's critically acclaimed, top-rated television series starring Edward James Olmos, Mary McDonnell, James Callis, Tricia Helfer and Katee Sackhoff. Composer Bear McCreary's dynamic score ingeniously melds orchestra, vocals and synth into an emotional experience that ranges from full-throttle action to soul-stirring drama. Packed with more than 78 minutes of music, this is a comprehensive collection of the very best musical moments from this amazing sci-fi drama's first season. Features both U.S. and U.K. main title themes and includes exclusive liner notes.

Customer Reviews:

Good companion for Battlestar Fans.......2007-05-07

If you're a Battlestar Galatica Fan, this audio is an excellent companion to your collection. Passacaglia, Forgiven, and The Shape of Things to Come are emotional and addictive orchestral soundtracks. Not every song from the first season is included in this CD. The opening credit songs for the UK and the US versions and the battle songs (The Thousandth Landing, Battle on the Asteroid) are included. Battlestar Muzaktica is quite odd and doesn't fit with the collection of songs.

Captures the feel of the show.......2007-04-11

Has a great selection of songs from the 1st season. I like show/movie CDs that you can picture the scenes and emotion of the actors when you hear the song. The Celtic underlays are great, and the Taiko drumming style is very well used for building intensity in the music. If you really like the series, you should probably really enjoy the music as well!

Awesome Soundtrack.......2007-04-11

If you like the music in a scene that just blends in and makes the scene even more emotional or suspenseful, that is what the scores from season one do on this cd. I initially bought it to for the prologue (cylon music) and the two main titles (U.S. and U.K.) but after listening to the entire cd, I have become completely addicted to it. The titles of the scores usually give you a hint of the scene and the liner notes also tell you the episode that they are from but the soundtrack has definitely made rewatching season one an even more intriguing experience. The scores with words, are written by Bear and are in various languages, but the words, especially the opera piece, are actually so dead one with the scene and in this specific scene hilarious. I love this soundtrack. If you are someone who is addicted to really grasping everything that happens in this show and watch and analyze it beyond face value, this is an added bonus to have in your collection. I highly recommend it!!!

BSG.......2007-04-10

Man I love the Classic and the Present BSG's So Inaturally find the SoundTrack/Score A joy and very relaxing. They tend to sound very similar but they are very diffrent.

Agree with everyone else.......2007-03-28

There have been lots of raving reviews of this album, as well as the equally sensational season 2 soundtrack. I just wanted to add my opinion on one track, "Destiny". An earlier review describes an Arabic string instrument being used, but it is actually a biwa, a traditional Japanese instrument that has such a distinct sound that it's hard to imagine it being used for anything other than traditional gagaku music. I don't know if anyone but McCreary has ever tried to use this instrument for something else, but it hardly matters. The fact that McCreary managed to use it so effectively in a piece that is so different from gagaku music is a perfect testament to his unique genius. I'm really looking forward to following McCreary's career.

Average customer rating: Tremendous A defining moment Lonely Woman Plastic Axe Attacks Freedom!

The Shape of Jazz to Come Ornette Coleman Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD Avant Garde & Free Jazz | Jazz | Styles | Music General | Jazz | Styles | Music $7.99 and Under | Blowout Music | Stores | Music Jazz | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music $7.99 and Under | Prices | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Out to Lunch Free Jazz (A Collective Improvisation) Mingus Ah Um Change of the Century Speak No Evil ASIN: B000002I4W Release Date: 1990-10-25

Tracks:

1. Lonely Woman
2. Eventually
3. Peace
4. Focus On Sanity
5. Congeniality
6. Chronology

Amazon.com essential recording

On this highly influential 1959 album, Ornette Coleman's unique writing style and idiosyncratic solo language forever changed the jazz landscape. On classics such as "Lonely Woman," "Congeniality," and "Focus on Sanity," Coleman used the tunes' moods and melodic contours, rather than their chords, as a basis for his improvisations. In so doing, he opened up jazz soloing immensely and ushered in new freedoms--both individually and collectively. Lest these innovations sound too dry or abstract, it must be noted that both Coleman and trumpeter Don Cherry play with a deep-felt emotion and joy that is as infectious today as it was then. This is truly an essential jazz recording, marking the end of one era, providing the blueprint for the next. --Wally Shoup

Customer Reviews:

Tremendous.......2007-08-01

I wonder if Ornette knew that his title was true, that this album really did change a lot in jazz. This is arguably the first free jazz album, and it contains three of Ornette's very best songs. First off is Lonely Woman, a slow, tender song that's arguably his signature tune; then there's the lengthy Peace, which is a superb tune highlighted by Coleman's sax and Don Cherry's trumpet. Finally, Focus on Sanity is a beautiful piece of chaos that gives us a sneak preview of what Free Jazz: A Collective Improvization would be like. Those three songs are all, in my mind, jazz classics. Plus I really like Ornette's sax tone, on a plastic alto to make it REALLY unique. There are three other songs here, and they're all pretty good too: my favorite out of them is Eventually, which again has great playing from everyone. Chronology is a bit of a stereotypical Coleman song, it says nothing that this album doesn't say any better, but it's all right.
The interesting thing about this album, other than the fact that the songs are so GOOD, is that it abandons traditional harmonic structure: no piano, for instance, which was downright revolutionary for the time. Not even John Coltrane, my favorite free jazz artist, dropped the piano. This isn't my favorite Ornette album (that's Free Jazz), but I really like it just the same. It's an essential jazz classic. Even Rolling Stone admits it in their woefully incomplete "500 greatest albums" book. Highly recommended.

A defining moment.......2007-02-22

This album signified a defining moment in jazz music upon its release in 1959, the sound unpredictable and free to come and go as it pleases. What came to be commonly referred to as free jazz or avant-garde was viewed by some as an affront to the integrity of jazz music at large. For some critics, it was easier to dismiss Coleman as an unskilled technician rather than face the possibility that he just may be brilliant. Coleman became so influential in the scene and movement of his day that even John Coltrane was exploring freer compositions as a result.

The sound quality on this disc is superb. Coleman uses silence in a haunting way, shaping his music around its backdrop and occasionally using it as a centerpiece. This album is fresh and new every time you listen to it, the emotional effect being a soothing and calming one. Sure to become an instant favorite in anyone's collection, Ornette Coleman's "The Shape of Jazz to Come" will seldom find itself outside of your turntables.

Personnel: Ornette Coleman (alto saxophone), Don Cherry (cornet), Charlie Haden (bass) and Billy Higgins (drums).

Lonely Woman.......2006-05-20

If you're on the fence about Ornette Coleman, or think you just don't like "free jazz", or whatever, just try to put away preconceptions and listen to "Lonely Woman" with a relaxed mind and open ears. While doing so, think of Johnny Hodges, perhaps. Dawn, dusk and midnight are great times for this music. It's not "free jazz", and you might be surprised how beautiful it is.

Plastic Axe Attacks.......2006-04-18

Because it is populated by drug addicts, ne-er do wells, misogynists, slackers, and people who wear sunglasses after dark, the world of jazz is thought of as a "cool" place where anything goes. Surprisingly enough, there is stodginess, conservatism, and resistance to change in the world of jazz just as there is everywhere else. No one knows this better than Ornette Coleman.

In the late `50s, sporting a plastic alto sax and some wild new ideas, Coleman blew onto the scene and was quickly fed into the teeth of a whirring buzz saw. Jazz insiders disagreed about Ornette Coleman; some saw him as a deranged savage with no grounding in jazz traditions, others saw him as a grandstanding opportunist attempting to pass off bizarre behavior for avante garde music, and frightening the dogs in the process. Both groups agreed he should be burned at the stake. A smattering of advocates knew better than to speak up.

What's so funny is that 40 plus years later, everyone admits he's a giant of jazz and hugely influential, but nobody listens to him. (He's like PBS in this respect). Two things jump out. When he kicked the piano out of the ensemble, the chords, the musical foundation, went too. Heresy. Next, as good as Don Cherry is, Coleman put all the musical pressure on himself, his alto carries everything. This might be thought of as chutzpah or recklessness except that he really is that good.

The Shape Of Jazz To Come proves this beyond all debate. Though Coleman is considered "way out," this CD is thoroughly listenable and exquisitely beautiful. Coleman's abilities as a solo artist are absolutely stunning, in a class with giants like Coltrane, Parker, and Young. In later efforts, like the Stockholm recordings, he would venture even further off of Main Street, and at times the results are not mellifluous. It doesn't matter. Coleman is the real thing, a fearless originator, a prodigy, and a national treasure. He is like the film director Terry Gilliam in that even his failures are better than the successes of almost all his colleagues. With The Shape Of Jazz To Come, Ornette Coleman succeeds unequivocally.

Freedom!.......2006-02-26

This was a controversial album when it first came out, but you can forget all that and just buy it. This is simply an excellent jazz album, and many of the songs on it have been covered by other artists. Although free jazz can rightly sound forbidding, this album is very accessible. The melodies are very catchy, and the playing is very good. Don Cherry and Charlie Haden provide great support and soloing.

Average customer rating: rock on dave grohl The second album=same excellent rock The second best alternative band ever Magnitude warps space and time... Foo Fighters

The Colour and the Shape Foo Fighters Manufacturer: Capitol ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Rock | Alternative Styles | Alternative Rock | Styles | Music Grunge | Rock | Alternative Styles | Alternative Rock | Styles | Music Post Grunge | American Alternative | Alternative Rock | Styles | Music General | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Hard Rock | Hard Rock & Metal | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: Foo Fighters There Is Nothing Left to Lose One by One In Your Honor Skin and Bones ASIN: B000002UKS Release Date: 1997-05-20

Tracks:

1. Doll
2. Monkey Wrench
3. Hey, Johnny Park!
4. My Poor Brain
5. Wind Up
6. Up In Arms
7. My Hero
8. See You
9. Enough Space
10. February Stars
11. Everlong
12. Walking After You
13. New Way Home

Amazon.com

A major criticism of the Foo Fighters' self-titled debut was its supposed lack of, you know, passion among the well-crafted songs and well-crafted rock. This time out, if it's wreckage you want, it's wreckage you get. The Colour & the Shape grows deeper the more it's played, with the band's ripping power more than matched by Dave Grohl's fascinating examinations of pain and divorce. There's even a convincing long slow ballad, "November Stars," whose intensity should win over doubters. If that doesn't work, then the screaming "My Hero" will. --Rickey Wright

Album Description

Outstanding release on Capitol featuring the band's hit 1997album with four cool & rare bonus tracks, four of thediverse covers that have appeared on assorted singles &compilations: 'Drive Me Wild' (Nona Hendrix or Vanity 6?),Killing Joke's 'Requiem', Gary Numan's 'Down In The Park' &Gerry Rafferty's 'Baker Street'! Limited to just 5,000copies, it features a total of 17 tracks, also including thehit singles 'Everlong', 'Monkeywrench' & 'Hey! Johnny Park'.Double slimline jewel case. 1997 release.

Customer Reviews:

rock on dave grohl.......2007-07-18

ya dave was the drummer for nirvana but he still went on to form his own band and make GREAT music. he is a true musical talent. on the inside sleeve of this album it states he does vocals, drums and guitars! (with the exception of bass). that is a true musician. surprisingly his voice is pretty good. the big hit here is monkey wrench but they are all pretty good.

The second album=same excellent rock.......2007-03-08

This album it is the beginnig of the big success of this band, you will find songs like MY HERO and EVERLONG, Foo Fighters mix the fun with rock with sad love history, if you like an alternative rock music buy this album

The second best alternative band ever.......2004-09-18

Oddly enough I thought that Nirvana, the band that Dave Grohl drummed for from '91 - '94 was the greatest grunge\punk\alternative band of all time. When Dave decided to be a frontman I was a bit concerned since he was such a great drummer and I thought thats where he belonged. When Dave released the Foo Fighters self-titled debut album it went platinum even though Dave didn't have a band and the album was just made up of demos written by Dave during the Nirvana era. There is no question that Dave learned some things from grunge god Kurt Cobain, but in this album the student becomes the master.
This album is much more powerful and melodic than Daves first, now he has a band! Dave Grohl has now decided to be lead vocalist and rythem guitarist with Pat Smear, a person who used to tour with Nirvana on lead guitar and some other great musicians on rhythem. A songs that really stands out is 'November Stars' which in my opinion is the albums best song, mainly because its a ballad! I've really never heard a ballad from an alternative band before. Dave is one of the most talented musicians ever, like Alice Cooper said before me, quote "Dave... What a drummer and then he puts down the drum sticks and decides to be lead singer" unquote, that alone makes him great. This is probably the second best Foo album next to 'Theres nothing left to lose'. Buy it if you like Nirvana, grunge, late eighties\early ninties music, alternative or just rock in general.

Magnitude warps space and time..........2004-07-20

"Colour and the Shape" is plain and simply one of the best albums I have ever heard. Dave Grohl's musical genius should never be discounted, and his talents far surpass almost anyone in the business today - simply put, he is a living legend. CATS is simply awesome, from the mellow opener 'Doll' to the sonic assault that is 'Monkeywrench'. Sonic assault is the perfect word to describe this album. The setup is interesting, as it goes from a series of short songs, that lead up to big ones. 'Up In Arms' is one of the small songs (great one at that) but its message and length is perfect as the drum intro to 'My Hero' begins. The last 4 tracks are an absolute treat and 'Everlong', 'Walking After You', and 'New Way Home' is about a strong a 1-2-3 punch to finish of an album as I have ever seen, rivaled by none other. "Colour and the Shape" is an absolutely essential album. Many years from now, the ripples left behind by Dave Grohl will be alongside names such as Dylan, Lennon, and Morrison, as the true legends of rock music. Very highly recommended.

Foo Fighters.......2004-04-14

I thought this was a great album. I have heard many of their albums but the guitars on this are splendid. In some ways after listening to Nirvana for so long I hear a bit of them in this album. Even the drumming sounds a bit the same. I could never compare the two. Kurt will be sorely missed, but Dave is still going strong.

Average customer rating: does this really need a review? the shape of punk to come Refused: Expressing themselves in loud and fashionable ways. Better With Age A Lesson in Punk....

The Shape of Punk to Come: A Chimerical Bombation In 12 Bursts Refused Manufacturer: Burning Heart ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Hardcore | Hardcore & Punk | Alternative Rock | Styles | Music Punk | Hardcore & Punk | Alternative Rock | Styles | Music General | Rock | Styles | Music Alternative Metal | Hard Rock & Metal | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: Songs to Fan the Flames of Discontent Refused Are Fucking Dead Relationship of Command Survival Sickness The EP Compilation ASIN: B00000DC10 Release Date: 1998-10-27

Tracks:

1. Worms Of The Senses/Faculties Of The Skull
2. Liberation Frequency
3. The Deadly Rythm (Of The Production Line)
4. Summer Holidays Vs. Punk Routine
5. Bruitist Pome #5
6. New Noise
7. Refused Party-Programme
8. Protest Song '68
9. Refused Are Fuckin Dead
10. The Shape Of Punk To Come
11. Tannhauser/Derive
12. The Apollo Programme Was A Hoax

Amazon.com's Best of 1998

If not the album of the year, it's at least the punk-rock album of the year, fiercely representing a musical ethos that has suffered the ignominious shame of commercial popularity. "We want the airwaves back!" shrieks singer (if you can use that word) Dennis, and over the course of The Shape of Punk to Come's 12 sonically stunning tracks, they reclaim the right to rage, rant, and innovate. The Refused broke up soon after recording this album, but they've left behind an invigorating manifesto. --Tod Nelson

Amazon.com

It's a ballsy move to claim you're reinventing a musical genre that has been slogging along quite happily for more than two decades, but the Refused back up their chutzpah with an absolutely awe-inspiring and fearless slab of musical mayhem. The Shape of Punk to Come is nothing short of a punk-rock manifesto. Hardcore pathos is merely the foundation for their architecture: upon that they build an edifice of political expression with a take-no-prisoners approach to the search for artistic meaning and a musical liberation that includes elements of speedcore, free jazz, electronica, lo-fi, and absolutely no pop. Politics, art, and music merge into one monolithic whole. The disc starts with the spoken epigraph, "They told me that the classics never go out of style, but they do, they do," followed by a swirling mess of noise that finally jells into the last undiscovered thunderous riff of "Worms of the Senses/Faculties of the Skull." The song stutters, then speeds along, skips, pauses, then rolls. They follow that with the groovy Gang of Four metronomic punch of "Liberation Frequency." When vocalist Dennis sings, "We want the airwaves back" in a sweet falsetto that belies his ability to deliver a screech not unlike a bull alligator clearing its throat, you believe this band isn't going to gently rise up the Billboard charts; they'd rather storm the ramparts. Unfortunately, when the band writes a song called "The Refused Are Fuckin' Dead," they aren't kidding around: the band broke up before the release of Shape. Let's hope enough people hear this album to kick-start the revolution. --Tod Nelson

Customer Reviews:

does this really need a review?.......2007-06-08

I don't think that I really need to elaborate. This album speaks for itself.

the shape of punk to come.......2007-01-12

this is the sickest hardcore punk album i have ever heard...it's worth all the praise

Refused: Expressing themselves in loud and fashionable ways........2006-11-04

Wow. To be honest, I'm late to the whole Refused bug. "The Shape of Punk to Come" may have been from 1998, but I was not interested in this type of music at the time and didn't even know they existed for another 2-3 years. And from then, the things I heard about them were all positive. And then I was getting into (post)-hardcore, which was where my interest began. I listened to "New Noise" because I heard it was their "classic" tune. I didn't even acquire it until a couple months ago(!)

That being said, I am impressed. The album title is 100% apt, and it's rare for this to happen in punk. While many artists may sing about anti-conformity, several of the bands in the ilk sound similar, and then adding a guitar solo will sometimes be used to make the songs actually stand out. But Refused are a totally different kind of breed. They are kind of like Fugazi, they are punk rockers but they've got all the integrity and creativity that's beyond what some may predict it to be.

Out of all 12 of these songs, not one of these is weak. The awesome electronic instrumental "Brutist Pome #5" is even a highlight on here. The tracks flow in amazingly well and the whole thing was well-written. There is mostly yelling on the album, however, this is not too much of a bad thing, as Dennis also speaks and at times actually will sing, like on the excellent "Summerholidays vs. Punkroutine," a track about the idea of maybe going big. It contains the album's greatest line: "rather be forgotten than remembered for giving in," which in itself should've been seen as a kind of anthem.

Things kick off with speaking, and while it says how classics go out of style, I don't think this will ever be "out of style" for the underground. The lyrics on that track, "Worms of the Senses/Faculties of the Skull," are clearly anti-capitalist, and even though I am not really the most politically-minded, the lyrics are intellegent and that's what drives me to it. NOFX are boring compared to these guys, even if these guys aren't as humorous or anything. At the end of the track there is a "radio station" coming in with this "futuristic" electronic music in the background. That fades out and then you get into "Liberation Frequency," a track that is addictive on here. And throughout, there are ohter interesting moments, like the awesome rhythm section highlighted on the jazzy "Deadly Rhythm," the marching drums of "Protest Song '69," and better yet, the killer riff and memorable tune of my personal favorite, "Refused Are F***ing Dead." Later in the album there's even a bit of orchestral instruments, which is interesting to hear in this sort of album. It is musically interesting, and I wonder what took me so long to get this.

This chimerical bombination is something I confidentally call a favorite of mine, even though I haven't even owned it that long. It inspired me recently to buy "The EP Compilation" which I saw at a store (!) and I loved that one, too. I may even try out some (International) Noise Conspiracy. This is an album in which the greatness is the least questionable thing.

Better With Age.......2006-10-26

When 1-4-5 progression skate punk ruled the roost, this was something different. Hardcore bands usually ran full steam at 4/4 and their poppier brethren followed the South Cal sing-along formula of the Descendents/NOFX/Operation Ivy/Face to Face, etc.

I bought this album when it was released, I was a bit hesitant... I was not a huge fan of the hardcore scene at the time (Earth Crisis, Strife). This album, was like a revelation.

So many people deride it claiming that better music is made today: I don't agree with that, but some people don't like Fugazi either.

Radical politics aside, the album takes many ideas of the 60s protest movement and pushed the limits of hardcore (at the time). Incorporating electronic beats, varied time signatures (jazz interludes, even), and technical guitar work to create something new. It really was new eight years ago, this band touched off thousands of imitators. It is sort of a Sandinsta/London Calling for a new generation Granted, there were other great hardcore bands (Snapcase and Converge come to mind), but Refused not only created a truly brilliant album, but they broke up and went on. Reminds me of ideas Legs McNeil talks about in "Please Kill Me" (mainly the notion that all the good bands break up at their peak). Real punk is futile and angry and basically Refused embodied it better than many of their imitators.

In or out of the context of history, the format of the album closely mirrors several 60s era jazz albums and the Nation of Ulysees political chanting is pretty consistent with the Dischord/DC style of hardcore: politics over prancing. This is something that is sorely lacking in the current generation of bands (eyeliner!). Denis Lyxzen continued that same meme in The International Noise Conspiracy (which eschewed technicality for garage rock ala the Stooges).

This is one of those albums that you really have to listen to and focus on the music (headphones).

In the same way that Jawbreaker touched off the hordes of psuedo-poppy screamers, you can hear the echos of The Shape of Punk to Come in everyone from DEP to Thursday. If you don't have this album, you should.

A Lesson in Punk...........2006-09-03

The aptly titled, The Shape of Punk to Come is a amazing cd. Its fast, furious, creative, and a true lesson in what makes punk music good. This album really was ahead of its time, and years later it's still incredibly addictive. I didn't hear this album untill last year, but even now it still sounds fresh and as good as it was back then.

I think The Shape of Punk to come is one of the most creative albums I've ever heard. This is punk done perfect. Catchy lyrics, rife with what you would probably expect from a punk band. Its unfortuante that these guys broke up shortly after this album, because I would love to have heard what they might have come with next. Even tho the lead singer went onto the band, International Noise Conspiracy, while good, they don't match the intensity or have quite the same magic that made Refused so special. If your a fan of punk music, go get this now if you don't already have it. Its that good.

Average customer rating: Moderate Walking Workout

Shape Fitness Music: Walk, Vol. 2 Moderate Pace 70s Hits Various Artists Manufacturer: Peter Pan ProductGroup: Music Binding: Audio CD Disco | Dance & DJ | Styles | Music Exercise | Miscellaneous | Styles | Music General | R&B | Styles | Music General | Soul | R&B | Styles | Music Quiet Storm | R&B | Styles | Music Similar Items: Shape Fitness Music: Walk, Vol. 1: Easy To Moderate Pace 60's Hits Shape Fitness Music: Walk, Vol. 3: High Energy Body Moves: Non-Stop Disco Workout Shape Fitness Music - Walk 3: High Energy Hits Shape Fitness Music: Cardio, Vol. 2: Pure Rock ASIN: B000IHY9XO Release Date: 2006-12-12

Tracks:

1. Freak
2. Funkytown
3. Ring My Bell
4. Boogie Oogie Oogie
5. Bad Girls
6. Relight My Fire
7. Disco Inferno
8. Enough Is Enough
9. Let's All Chant
10. Xanadu
11. I Will Survive
12. Hustle

Customer Reviews:

Moderate Walking Workout.......2007-04-03

For "active beginners" if there is such a thing... The pace is about 126-132 bpm-suitable for treadmill or outdoor walking.

Average customer rating: Production a bit too polished but a worthy release by the master... Can one song make the CD? Bent Out of Shape ~ Rainbow Rainbow's best Turner era album! Solid Rainbow

Bent Out of Shape Rainbow Manufacturer: Umvd Special Markets ProductGroup: Music Binding: Audio CD General | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Pop Metal | Hard Rock & Metal | Styles | Music Hard Rock | Hard Rock & Metal | Styles | Music Pop Rock | Pop | Styles | Music Album-Oriented Rock (AOR) | Classic Rock | Styles | Music Similar Items: Straight Between the Eyes Difficult to Cure Down to Earth Rising Long Live Rock 'n' Roll ASIN: B00000J2SR Release Date: 1999-05-25

Tracks:

1. Stranded
2. Can't Let You Go
3. Fool For The Night
4. Fire Dance
5. Anybody There
6. Desperate Heart
7. Street Of Dreams
8. Drinking With The Devil
9. Snowman
10. Make Your Move

Customer Reviews:

Production a bit too polished but a worthy release by the master..........2006-08-09

Early Rainbow fans go as far to say that after Dio and Bonnet left on vocals, Joe Lynn Turner era was no longer Rainbow. This is not really fair. Ritchie knew what he wanted and he did it. If you look back and analyze the history of Ritchie Blacmore's project, Rainbow, you have to conclude that Blackmore was a musical genius and has had more influence on pop music than any other person. He also had a very keen sense of timing, knowing what to release and when to release it.

Not even the Beatles or the Stones or whoever have been able to go from relatively non-commercial hard rock (ie-Rainbow Rising) appealing to fans of heavy metal only, to appealing to a completely different segment of the American Adult Oriented (AOR) pop market, while at the same time adding bits and pieces of classical music along with it, to the tune of Beethoven. This is what Ritchie did with the band Rainbow. This was the last of the Turner era studio releases, and while it's not quite as good as "Straight Between the Eyes", it's still very good.

It is a bit too polished and poppy at times (very 80's sounding), which makes the songs seem a bit generic now. It is quite evident that Ritchie's guitar playing was taking a sideline to a certain degree, to the favoring of a strong melody and the smooth high voice of Joe Lynn Turner. This is typical of Ritchie's contrasting personality, while on the one hand he wants a top ten hit, of which he had several in the UK (and close to it in the U.S. with "Stone Cold" and "Street of Dreams") and then on the other hand, he doesn't want the spotlight for himself. His unwillingness to do interviews and his disappearances and constant line-up changes have made Rainbow one of the biggest "sleepers" of all time. How many times have I played a Rainbow song and someone says "that's awesome; who is it"? I say it's Rainbow and they reply "Who"? Unfortunate, but Ritchie is still laughing because he did what he set out to do. He found enough success, but effectively kept himself away from the media hounds and the trappings of personal limelight. The stellar tracks on this CD are: Stranded, Can't Let You Go, Street of Dreams (not really a rock song, but like a Michael Bolton song), and Fire Dance. Overall a bit overproduced with the guitar kind of buried in the mix, but a four star record, for sure.

What Rainbow management should do is re-release Japan Live 84, which is now an out-of-print VHS release. It should be released on CD. This is the last and likely the best concert that Rainbow played with Joe Lynn Turner on vocals. This epitomized what Ritchie had set out to do with the band

Can one song make the CD?.......2006-04-26

Yes, when that song is "Street of Dreams." It is the best ever by Blackmore et al. "Can't Let You Go" is some righteous powerful vocals; dessert if you will to the main dish and another reason to grab this CD. The best part is neither song has anything to do with the Knights, Wizards or Dragons. That little banjo player (thanx Ian) really had gotten quite bent, but with this collection was bent back INTO shape. Cheers.

Bent Out of Shape ~ Rainbow.......2005-12-15

Again a good album by rainbow, after this album Blackmore goes back to deep purple, I rather see Ritchie in rainbow. That is because I think Ian Gillan isn't such a good singer as Joe Lynn Turner. This is the third album with Joe Lynn Turner, and it is very good. Ritchie plays good, but at some songs I think the guitar may be a bit louder. Fire Dance is a song that needs louder guitars, it rocks, but I almost can't here the guitarplay during the stanza. There are two instrumental songs on this album: Anybody there and Snowman. Anybody there is nice to hear, but Snowman is boring. Well, the rest is kinda good, below you can see how I rate the songs:

1. Stranded (7/10)
2. Can't Let You go (10/10) --> my favorite song of the album.
3. Fool For The Night (10/10)
4. Fire Dance (10/10)
5. Anybody There (8/10)
6. Desperate Heart (10/10)
7. Street Of Dreams (10/10)
8. Drinking With the Devil (9/10)
9. Snowman (6/10)
10. Make Your Move (7/10)

As you can see, there are no bad songs on this album, some average songs, but the rest is very good. I recommend this to you!

Rainbow's best Turner era album!.......2005-12-03

This has 2 of Blackmore's best instrumentals and plenty of classic songs Including the hits Can't Let You Go and Street Of Dreams. Turner's vocals are brilliant and Blackmore's playing has never been better.

1.Stranded- 10/10 An excellent fast paced song with a great subtle riff at the beginning. This song has an excellent chorus where Joe Lynn Turner shows off his vocal power. The yells of "Stranded" are awesome too. A great solo by Blackmore who throws in some whammy bar dives and some cool fast lines. The ending of the song sounds great with the yells of "Stranded" and Blackmore's great riff. A great hard rocking classic.

2.Can't Let You Go- 10/10 This song starts out with a great scary organ intro similar to the Ozzy song Mr. Crowley. The riff is great too. The song is very melodic and Joe Lynn Turner's vocal performance is incredible. This is a very commercial song but it's still great. Blackmore's solo is excellent and has a lot of feeling. This song kind of reminds me of Journey actually.

3.Fool For The Night- 9/10 A great melodic rocker. This song has a catchy riff and great soaring vocals. The song has a nice fast tempo to it and excellent drum and bass work. Blackmore's solo is brilliant again and very lyrical.

4.Fire Dance- 9/10 A great fast paced melodic rocker with a great riff. The drumming is amazing too. The keyboard solo is incredible too and Blackmore's solo is as amazing. The trade off works very well in this song and Turner's vocals soar. Turner's amazing high pitched screams att he end remind me of classic Deep Purple. Another classic!

5.Anybody There- 10/10 A beautiful instrumental with some of Ritchie Blackmore's best playing ever. Blackmore plays some of the emotional guitar playing I've ever heard. The backround music is great too.

6.Desperate Heart- 9/10 A great melodic song with an excellent vocal performance from Joe Lynn Turner. The melodic riff is excellent and the drums are great. Blackmore's solo is brilliant again too.

7.Street of Dreams- 10/10 Another Rainbow classic. This starts off with a great melodic intro which a lot of keyboards. Joe Lynn Turner's vocals and lyrics are excellent too. The chorus is very strong and the drum and bass sound is great. Blackmore's solo has a lot of feeling and is very lyrical. This was one of Rainbow's biggest hits too. Blackmore's second solo has a lot of feeling too. This is one of the best songs on the album.

8.Drinking With the Devil- 9/10 A great fast paced rocker with an excellent riff. Turner's vocals are excellent and Blackmore's blazing solo is amazing. Very solid drum and bass work on this fast song.

9.Snowman- 9/10 A great instrumental with an excellent keyboard arrangement and great playing by Blackmore. Blackmore's playing is both emotional and technical. A great instrumental but maybe a little too long.

10.Make Your Move- 9/10 A good fast paced song with excellent drumming. More great high pitched screams by Joe Lynn Turner too. Turner's vocals soar and Blackmore's riff is great again. Blackmore's solo is excellent too.

If you like melodic rock, 80's music, great guitar playing or great singing than this album is for you. The band is

Joe Lynn Turner- Vocals
Ritchie Blackmore- Guitar
Chuck Burgi- Drums
Roger Glover- Bass, Percussion
David Rosenthal- Keyboards

Solid Rainbow.......2005-11-30

It's disappointing that as I write this review, Bent Out Of Shape is only being offered used. After many years I've come to realize that it is one of the better Rainbow albums. Produced by Deep Purple/Rainbow bassist Roger Glover in 1983, Bent Out Shape made it to #34 on the charts thanks to heavy rotation of the video for Street Of Dreams on MTV. When I got the cassette I did not listen to it as much as I should have. But with a lot of formula music out there these days I find myself going back to 70s and early 80s rock. Anyways, there are several excellent tracks like Stranded, Drinking With The Devil, and Can't Let You Go (the other single with a great church organ intro). I also love the two instrumentals, Anybody There and Snowman! Both have great emotional melodic guitar from the master, Ritchie Blackmore. Snowman has a beautiful relaxing melody played on keyboards. Apparently both Richie and singer Joe Lynn Turner wanted to do another album together but due to a sly manager who wanted to see Richie back in Deep Purple, this never happened. They did do the decent Slaves and Masters (Deep Purple) together with Roger but that would be seven years later.

Average customer rating: American Music of Hope and Glory Unbridled spiritual energy

The Shapenote Album John P. Reese , Stephen Jenks , C. Dingley , William Billings , Seaborn McDaniel Denson , Jeremiah Ingalls , Lucius Chapin , Paine Denson , Nehemiah Shumway , The Tudor Choir , and Doug Fullington Manufacturer: Loft Recordings ProductGroup: Music Binding: Audio CD General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Folk | Styles | Music General | Opera & Vocal | Styles | Music Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: Rivers of Delight (American Folk Hymns From the Sacred Harp Tradition) Sacred Harp Singing Early American Choral Music, Vol. 1 Early American Choral Music, Vol. 2 Southern Journey, Vol. 10: And Glory Shone Around - More All Day Singing From The Sacred Harp ASIN: B00005NHNL Release Date: 2001-09-04

Tracks:

1. Montgomery
2. Windham
3. Sweet Prospect
4. China
5. Soar Away
6. The Better Land
7. Weeping Mary
8. White
9. Mortality
10. Eternal Day
11. Heavenly Union
12. Expression
13. Evening Shade
14. Kedron
15. Love The Lord
16. Condescension
17. All Is Well
18. Africa
19. Traveling On
20. Happy Land
21. New Jerusalem
22. Primrose
23. Hallelujah
24. Peace And Joy
25. Schenectady

Customer Reviews:

American Music of Hope and Glory.......2007-04-09

Although I have known about Sacred Harp Music for many years, this album utterly overwhelmed me in its power, beauty and expression of pure American strength and faithful surety. I grew up in the churches of Christ, one of the few American denominations that uses only a capella four-part harmony vocal music in their worship services. Shape notes were known to me since I was able to understand a musical staff, and we used shape notes for each note on the scale (a few more than The Sacred Harp Tradition). Alas, over time, the immense power and beauty of true Sacred Harp music was "homogenized" into congregational singing that remains quite beautiful, but no longer has the vigor of The Sacred Harp tradition. (The churches of Christ still, to this day, occasionally have "Sings" - an all afternoon singing festival with food and fellowship, as do Sacred Harp "Singing Classes" today). This album above all speaks - rather SINGS to the immense faith of Frontier America, and the absolutely majesterial beauty of music well-sung from the human heart, which is, of course, The "Sacred Harp". To any who want to experience a new (and very old) musical tradition, this recording will be one that you will never forget. All choral music singers and admirers should own this marvelous album. (Having a copy of the "1991 Sacred Harp Hymnal" in hand will make your enjoyment all the better!)

Unbridled spiritual energy.......2005-01-01

Anyone who saw "Cold Mountain" and was struck by the vitality and energy of the hymn singing in that one brief scene in church will be immediately impressed with this stunning album. The album's only flaw is that, unfortunately, it does not include that hymn that was in "Cold Mountain" (it is titled "I'm Going Home").

Otherwise, it is pure joy to listen to. The singing is full of that same raw passion that makes it sound so primitive. I've heard other albums where the sound is polished, concert-hall like, and as a result very dead. This is not that way; it moves and stirs as good spiritual music ought to.

This is a new field of music for me, even though I've sung in church choirs for years and listened to all kinds of classical music. Hearing this album makes me want to go find the sheet music and start singing it myself, it is so infectious.

Average customer rating: GREAT! A relaxing journey into our Colonial past Fantastic! Cold Mountain type music that's great

Colonial America Manufacturer: Maggie's Music ProductGroup: Music Binding: Audio CD General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Lute | Instruments | Early Music | Historical Periods | Classical | Styles | Music Lute | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Folk | Styles | Music Irish Folk | Traditional British & Celtic Folk | Folk | Styles | Music Traditional Folk | Folk | Styles | Music General | International | Styles | Music General | Celtic | International | Styles | Music General | International | Indie Music | Stores | Music Celtic | Europe | International | Indie Music | Stores | Music International Folk | International | Indie Music | Stores | Music Similar Items: Early American Roots The World Turned Upside Down Music of the American Revolution: The Birth of Liberty Celtic Roots The Spirit of '76 and Ruffles and Flourishes ASIN: B0000C9Z9X Release Date: 2003-09-01

Tracks:

1. Rickett's Hornpipe/ Fishers Hornpipe
2. Maiden Lane/ Jack O' Lent/ Chestnut/Bonny Broom
3. Parting Friends/Primrose
4. Flowers of Edinburgh/East Neuke of Fife
5. Prelude / La Catherine
6. Planxty Browne/Planxty Burke
7. Cutie Clat Her
8. John Come Kiss me Now
9. Scots Tune
10. Carolan's Farewell to Music
11. A Port
12. Yeil, yeil
13. Kedron/Saint's Delight/Promised Land
14. Gird the Logie
15. La Belle Cavalier
16. La Luxillier/La Balanje
17. Federal Overture
18. Death & Life

Album Description

Spirited new sounds from across the sea to the shores of the New Land. From the first colonists to the American Revolution and the birth of our republic Hesperus Early Music Ensemble's music reflects a time of new ideas, freedom and vitality. In town and village, parlor and ballroom, from the Appalachians to the great concert halls hear the musical pulse of early American music performed on a wide variety of folk and early music instruments. Includes: lively country-dance tunes, evocative Shape Note Hymns, old time Appalachian fiddle tunes, graceful European parlor music, French cotillions, divisions and improvisations. Introduction -The English Colonies in America were a patchwork-not just of territories whose boundaries became state lines, but of people from different places and classes with widely different values and experiences. This recording presents music from that patchwork; from England, the Colonial homeland; Scotland and Ireland, the homes of the largest groups of immigrants outside England; and France, the ally of the Patriots, and music written in the United States. More recordings by HESPERUS from Maggie's Music are Celtic Roots featuring Scottish fiddler, Bonnie Rideout and Early American Roots. Hesperus Ensemble is THE sought after musical group for period music that is both authentic, and most important fun, lively and spirited. They are frequent performers at the Smithsonian's Institute of American Music and can be heard on the soundtrack or the Paramount film with Johnny Depp entitled Sleepy Hollow! Excerpts from liner notes:2.A Set of English Country Dance Tunes: Maiden Lane, Jack O'Lent, Chestnut, Bonny Broom - The visionary London music publisher John Playford first published his English Dancing Master in 1651. It was reprinted 18 times over the next 77 years and is still popular today. 3. Parting Friends/Primrose - These tunes have come down to us in choral arrangements called shape-note hymns .

Customer Reviews:

GREAT!.......2007-05-20

This cd travels everywhere with me and you can easily imagine a ball at Monticello given by Mr. Jefferson when you hear it.
Try not to daydream too much while driving as i had done several times..lol..it's hard not to with this cd..:)
Perfect for a colonial reenactment or party.

A relaxing journey into our Colonial past.......2006-03-16

I bought this CD to provide me with another dimension to my studies of period events. It truly contains a wealth of music, and takes it place as an important addition to my musical library. Living in the Mt Vernon area, I often travel with the CD playing while visiting historical places, and it provides a wonderful companion to "set the mood" for the myriad locations in the area. The quality of the sound is remarkable, the musicians superb, and the breadth of song selection provides a musical landscape for the period. Highly recommended!!

Fantastic!.......2004-03-04

I first heard the "Colonial America" CD by Hesperus when I visited Monticello recently (the home of Thomas Jefferson) where they were playing the songs in the gift shop. Imagine my dismay to find that only one cassette tape was left of the fabulous music of Hesperus; however, that tape held me spell-bound all the way home, from Virginia to North Carolina.

It was an incredible journey from the past that has stayed with me since, and every day I drive that one hour back and forth to work. This music has changed everything about the trips, and I can't wait for more.

Thanks to Amazon.com I was able to buy all three CD's, including "Early American Roots," "Colonial America" and the incredible "Celtic Roots" with the most beautiful violas imaginable.

Thank you Hesperus! Please play more!

Cold Mountain type music that's great.......2003-11-15

Novels and movies like Cold Mountain, Oh Brother Where Art Thou? and Song Catchers are showing the growing interest in traditional music and this recording hits the mark. It is music from the days of early America--the time when the first colonists come to America. You can hear the fiddle playing tunes still popular in the Appalachian mountains today and also hear shape note music arranged by Hesperus as wonderful instrumentals. The music takes you to a time when folks were making music in their homes-before TV, before the internet! This recording is good for teachers or educational purposes too- with informative liner notes. All the music is played on folk and early music instruments and it's lively and an enjoyable listen.

Average customer rating: Solid There best work Foo's Colour and Shape Great CD Highpoint for the Foo Fighters

The Colour and the Shape Foo Fighters Manufacturer: RCA ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Rock | Alternative Styles | Alternative Rock | Styles | Music Grunge | Rock | Alternative Styles | Alternative Rock | Styles | Music Post Grunge | American Alternative | Alternative Rock | Styles | Music General | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Hard Rock | Hard Rock & Metal | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: There Is Nothing Left to Lose One by One Foo Fighters In Your Honor Skin and Bones ASIN: B0000CAXIC Release Date: 2003-10-07

Tracks:

1. Doll
2. Monkey Wrench
3. Hey, Johnny Park!
4. My Poor Brain
5. Wind Up
6. Up in Arms
7. My Hero
8. See You
9. Enough Space
10. February Stars
11. Everlong
12. Walking After You
13. New Way Home

Customer Reviews:

Solid.......2007-03-19

Great album, catchy but not overtly so, from soft silly vocals on "doll" to the semi metal screams of "enough space". Even though my hero and everlong have been played millions of times they're still great songs and all the other songs on the album are just as good, if not better. Play it right through, there's no slow spots.

There best work.......2007-02-26

I've never been and probably never will be a massive Foo Fighters fan as much as I loved Dave Grohl in Nirvana, The Foos never struck a chord with me, this however is there best album, I think there latter material has been rather weak but The Colour And The Shape the groups second record rocks!

Monkey Wrench is the best song Dave Grohl has ever written if you not heard it check out Daves scream at the end it's wild, great song really catchy chorus.

Hey Johnny Park, My hero, Everlong and Walking after you are also high points of the album.

There some neat guitar playing between Dave and then guitar player Pat Smear, some smart bass from Nate Mendall and of course Dave's drumming is always great althought William Goldsmith plays on a couple of tracks here.

Although not every song is great, this is still a damm good record they were defitnatly at their peak when they made this record. Give it a listen!

Foo's Colour and Shape.......2006-07-22

THE COLOUR AND THE SHAPE is an example of how a record brings a rock band into the public spotlight, but is not cosidered to be a breakthrough. This album is a great piece of work, because it displays progression of Foo Fighters' sound before they hit it big. Tracks from this album brought the band millions of listners, but the actual record was not thought to be good enough to promote internationally. Those tracks however, would later lead Foo Fighters to their fame. With Grohl originally from Nirvana, this band would would definately have an awesome sense of time, rhythm, and sound. And they do; Foo Fighters perform well together, keep a steady pulse, and use dynamics to their perfection. This record is mostly a light rock sound, but there are times where there is a good head banger quality present. This album is also some of Foo Fighters best work and rightfully so. Once heard, there's no denying it. With rock classics thrown deep within this record, THE COLOUR AND THE SHAPE is a most have for any rock fan.

Stand out tracks include:
"Hey Johnny Park!"
"Wind Up"
"My Hero"
"Everlong"
"New Way Home"

Great CD.......2006-06-26

This is the CD that made me fall in love with the Foo Fighters. It's great to listen to on a long commute because you can sing along with every song and forget about the traffic!

Highpoint for the Foo Fighters.......2006-03-04

I was a true Foo Fighter's fan. Ok, I didn't do more than listening to their music, but I was a non-concert-going fan. That was before I listened to anything other than your average tv music channel music. During this period, I bought TCATS and loved every bit of it, just as I did with every other FF album that came out.

Now, a couple of years later, I know better. All those albums are not of that same quality I thought they were. Yet, after listening to TCATS again, it IS a wonderful piece of work. It's the only album of FF I would rate above 3.5 stars, and for a reason.

Try comparing all the albums. All of them miss the close to inteligent vibe which surrounds this album. Take "My Hero". Take "Everlong". Take "Monkey Wrench". Ok, I've picked the pure rocksongs. Take "My Poor Brain". I'll never forget the giant feeling of satisfaction I felt the first time the raw guitar noise at the start turned into the melodic riff supported by the air-like vocals of Grohl. As with most great albums, TCATS outclasses many others by having each song complement another. It's a whole, with variaty that lets you breathe for a second before going into the atmosphere of another class rock song.

This record stands far above anything FF made, it's like it's from a complete different band, a band who can make more out of a couple of notes. It's that intelligence that let the songs rise above a certain level. It's that bit that make the songs more than your average riff followed by a hook. It's that aspect that is lost in the other albums, it's that tiny thing that makes the big difference between 'ok' and 'wow, let me listen again'. If you were to own one FF album, you know what to do.

Meditation Music:

1. Simply Gold
2. Sing The Hits Of Whitney Houston and Mariah Carey Songs (Karaoke)
3. Singles 1993-1994
4. Singles 1995-1996
5. Sounds of the Circus - Volume 6
6. Speechless
7. Spiceworld
8. Sports
9. Taking the Stairs: Songs of Hope, Songs of Love
10. Tearing Down The Walls / Take Me To The South

Meditation Music

meditation music

Meditation Music

Singles A's & B's [Box set] [Original recording remastered] [Import]

Gregorian Chant (Vol. 3): Requiem

Goldmark: Rustic Wedding Op26; Enescu: Roumanian Rhapsody Op11/1

Music: Last Tango in Moscow

Electro Soul Experience [Import]

In Rotation [Import]

Hommage a Kenny Rogers [Import]

Icicle Works [Import]

Live Album 2003 [Import]

Released: 1985-1995

Great - Series [Box set] [Import]

Grandes Mariachis De Mexico

El Grillo

Alkan: Piano Music, Volume 1: 12 Etudes, Op. 35

Re-ac-tor