Woman II [Import]

1. That Don't Impress Me Much

2. In Our Lifetime

3. Maria

4. Look At Me

5. Torn

6. Kiss Me

7. What Can I Do (Tin Tin Out Remix)

8. Big Big World

9. Sunshine

10. Don't Look Any Further

11. Right Beside You

12. Constant Craving

13. Walking Down Madison

14. Cornflake Girl

15. I Love You, Always Forever

16. She Cries Your Name

17. I'll Stand By You

18. Fall From Grace

19. All Woman

20. Without You

See all 39 tracks on this disc

Woman II,Various Artists,Universal/Umtv

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Average customer rating: Must have! an artistic triumph Interpretations of Gurdjieff's Music Inspired Subjectivity Encounters An Objective Music Stunning

Gurdjieff, Tsabropoulos: Chants, Hymns and Dances Manufacturer: ECM ProductGroup: Music Binding: Audio CD Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music ECM Classical | ECM Records | Amazon.com Label Stores | Stores | Music ECM Jazz & World | ECM Records | Amazon.com Label Stores | Stores | Music Similar Items: Sacred Hymns The Triangle Weeping Meadow Ojos Negros Gurdjieff's Music for the Movements ASIN: B0002ONC72 Release Date: 2004-09-28

Tracks:

1. Chant from a Holy Book
2. Bayaty
3. Prayer
4. Duduki
5. Interlude I
6. Trois Morceaux aprHymnes Byzantins I
7. Trois Morceaux aprHymnes Byzantins II
8. Trois Morceaux aprHymnes Byzantins III
9. Dance
10. Chant
11. Interlude II
12. Assyrian Woman Mourners
13. Armenian Song
14. (No. 11)
15. Womans Prayer
16. Chant from a Holy Book, var. 1

Amazon.com

Philosopher, seeker after the truth, reconciler of science and religion, teacher, guru to artists, writers and musicians, Gurdjieff was an enigmatic figure; even his birthdate is uncertain: 1866 or 1877. He taught movements "to alter or heighten consciousness" at his Institute for the Harmonious Development of Man, located outside Paris---a highly improvisatory process for which he composed equally improvisatory music. Technically untrained, he depended on skilled assistants to realize and write down his ideas, and found one in a devoted disciple: Ukranian pianist/composer Thomas de Hartmann, who selflessly suspended his own career and, after Gurdjieff's death in 1948, privately published and recorded some of their collaborations. As a composer, Gurdjieff, born at the border of Armenia and Turkey, was influenced by the region's ethnic and cultural diversity, by his childhood memories of the religious and philosophical songs improvised by his father, a Greek troubadour, by the hymns of the Greek Orthodox Church, and by his extensive travels through Europe and Asia. For this recording, the performers themselves arranged his compositions for cello and piano, adding five pieces by pianist Tsabropoulos, including three based on Byzantine hymns. Both players have been involved with Armenian, Ukranian and Greek Orthodox music; both are expert improvisers. Their strong feeling and affinity for the material allows them to approach it with both reverence and freedom; the playing is primarily subdued and inward. The piano texture ranges from delicate tinkling to full-blooded chords and arpeggios; the cello, playing mostly in the low and middle register, often in unison with the piano, sounds dark, warm and beautiful. The music, except for one lively dance, is slow, solemn, and mournful, in the minor mode. Melodies featuring oriental intervals are elaborated but not developed; based on single-note drones, harmonies are static or move in stepwise progressions but do not modulate. This lack of contrast and variety creates an otherworldly, disembodied atmosphere, despite several buildups of motion, dynamics, and intensity. --Edith Eisler

Customer Reviews:

Must have!.......2006-01-12

This amazingly beautiful album to me is the soundtrack of Anatolia, of an era gone by when Turks, Greeks, Armenians and other ethnic groups shared their lives peacefully and harmoniously. Its sadness inevitably reminds me of millions who unnecessarily died on this soil in many wars fought in early twentieth century, of people forced to leave the only land the knew for unknown destinations and destinies, of the unimaginable hardships endured by its people. And more personally it takes me fom New York and puts me right next to my father's grave in a forgotten Anatolian village, 6000 miles away.

an artistic triumph.......2005-12-28

Peaceful, meditative, sad, introspective, deceptively simple. Classical. Coming from a deep sense of inner peace, like all things from the Work, but NOT New Agey.

Mystical.

Mr Gurdjieff sang or hummed his songs and Thomas deHartmann "wrote them down and added harmony". Hard to tell where Mr. G stops and deHartmann starts, but we will never know. Mr G speaks of Objective Music and the vast majority pieces of subjective music. This is the former.

I must confess that many other peformances and arrangements of the music of Gurdjieff/de Hartmann, the way it was "supposed to be played", left me cold. Most of the other renditions I heard were played by those Drunk with Orthodoxy, amaturish or just plain lacking in musical ability.

This version is a revelation!

I think G would approve of this.

I like this, I think that the arrangements for cello and piano instead of just piano, as written, is an artistic triumph. The cello played by Anja Lechner expresses the peace and meditative sadness inherent in the music, even if that wasn't the way it's usually played. Composers are often not the best intepreters of their music.

That having been said there are three part to this music, pieces by G/deH, Tsabropoulos and then more G/deH and when the pianist sticks his own works in the middle of Mr G's the quality of composition falls somewhat. His compositions are or similar mood and type to G/deH, but really don't have the same achieve the same heights of depth and soul. (Mr G would say they are not Objective Music, I guess.) Perfomances of all pieces are uniformly good.

I would hope this group will arrange more of Mr G's music in this format in the future.

Recommended.

Interpretations of Gurdjieff's Music.......2005-12-14

You may want to pass this one up if you enjoy Gurdjieff's music as he intended it to be. To me these seem like rambling, flimsy interpretations of strong, articulate works (if you have heard any of the Kremski recordings, you know).

The arrangements do not seem to have captured the spirit of Gurdjieff's music very well. If someone did with Beethoven what has been done with Gurdjieff's music here, I don't think it would be taken seriously.

If you are interested in a new "twist" on Gurdjieff's music, then you may enjoy this. If you enjoy Gurdjieff's music closer to the way which he composed it, then you will want to look for a different recording.

Inspired Subjectivity Encounters An Objective Music.......2005-03-19

Georges Ivanovitch Gurdjieff's music was first given a broad public exposure with Keith Jarrett's recording "Sacred Hymns" in 1980. The public was perhaps already partly prepared for this music in 1979, due to the release of director Peter Brook's beautiful film on the life of G.I. Gurdjieff, "Meetings with Remarkable Men". The closing sequences of "Meetings with Remarkable Men" show the middle-aged Gurdjieff being taught about deep ontological truths through live performances of both music and dance.

In the 1920's, at his Institute for the Harmonious Development of Man, Gurdjieff continued this work by collaborating with Thomas de Hartmann on creating an "objective music". A music that "would work upon all listeners equally, focusing their mental life and bringing them to a new relationship with the living universe". It is probably Keith Jarrett, who has worked closely with the Gurdjieff Societies of both London and New York, that has produced the most "authentic" or "objective" reading of Gurdjieff's music in recent years.

On this ECM New Series disc of 2004, "Chants, Hymns and Dances", Anja Lechner and Vassilis Tsabropoulos decided to take a more liberal, "subjective", approach. Their interest in these compositions is perhaps more "musical than philosophical". Their suitability for this task should be apparent. Lechner's most recent work has involved interpreting the music of both Armenian Composer Tigran Mansurian and the Ukrainian Valentin Silvestrov. While Tsabropoulos, for his part, has worked with ancient Byzantine music and the music of the Greek Orthodox Church.

According to the informative liner notes by Steve Lake, "This music exists for the individual to make of it what he or she will, according to capacity". Lechner and Tsabropoulos both have deep experience with composed music and also with the process of free improvisation. Indeed, these two performers brilliantly interpret Gurdjieff's music with gentle assurance and a bright spontaneity. The five original compositions on this disc by Tsabropoulos even suggest an affinity with the Gurdjieff sensibility that borders on predestination.

"Chants, Hymns and Dances" is worthy of repeated encounter and remains serenely vital with each new audition. This is an ambiguous music that defies easy spiritual classification.

Stunning.......2005-03-02

This is one of the most moving records I have ever heard. It is a must have for any classical music lover or anyone who appreciates deeply emotional music. So simple, so powerful. Wow.

Average customer rating: A Slight Innacuracy Excelente Hard to Find Orchestral Instrumentals, Vol. 2 Not totally an instrumental Another Collection You Wonr Find Anywhere else

Hard to Find Orchestral Instrumentals II Manufacturer: Eric Collection ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Marches | Miscellaneous | Styles | Music Pop Rock | Pop | Styles | Music General | Oldies | Pop | Styles | Music General | Easy Listening | Pop | Styles | Music Orchestral Pop | Easy Listening | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Oldies | Compilations | Pop | Styles | Music Classic Big Band | Swing Jazz | Jazz | Styles | Music Similar Items: Hard to Find Pop Instrumentals II All-Time Great Instrumental Hits, Vol. 1 All-Time Great Instrumental Hits, Vol. 2 25 Rockin' Instrumentals Rock Instrumental Classics, Vol. 3: The Seventies ASIN: B00008L3O0 Release Date: 2003-04-22

Tracks:

1. Gonna Fly Now (Theme From 'Rocky') - Bill Conti
2. Theme From 'Ben Casey' - Valjean
3. Theme From 'The Apartment' - Ferrante & Teicher
4. The Long Ships (Part 1) - Charles Albertine (mono)
5. The Day The Rains Came - Raymond Lefevre (mono)
6. Beautiful Obsession - Sir Chauncey
7. Theme From 'The Sundowners'- Felix Slatkin
8. Chariot (I Will Follow Him) - Franck Pourcel
9. That's The Way With Love - Peter Soffici (mono)
10. Theme From 'The Dark At The Top Of The Stairs' - Percy Faith
11. Theme From 'A Man And A Woman' (from The Soundtrack) - Francis Lai
12. Route 66 Theme - Nelson Riddle
13. Moonglow & Theme From 'Picnic' - George Cates (mono)
14. Swinging Sweethearts - Ron Goodwin (mono)
15. Ringo's Theme (This Boy) - George Martin
16. Song For Anna (Chanson D'Anna) - (Herb) Ohta-San
17. Nadia's Theme (The Young & The Restless) - Barry Devorzon & Perry Botkinc Jr.
18. Danny Boy - Sil Austin
19. Trumpeter's Prayer - Tutti Camarata
20. One Moment In Time - Vienna Symphonic Orchestra (VSOP)

Album Description

A spectacular follow-up to Volume One in this instrumental series featuring 15 songs that have never been on a U.S. CD before. But this set isn't just for collectors, but also for listeners. All recordings have been digitally mastered from the original master tapes & are in True Stereo wherever possible. Includes a full 8-page booklet with detailed liner notes on each song.

Customer Reviews:

A Slight Innacuracy.......2007-06-13

The version of "Nadia's Theme" (Theme from The Young and the Restless) isn't actually the one you're expecting. I believe it's actually the original arrangement made for "Bless the Beasts and the Children". So what later became the Young and the Restless theme (the one that was a hit) still remains unreleased on CD.

Hopefully, we can see that version on a future release. Maybe they could get "Little Ballerina Blue" on one while they're at it.

Still, some great stuff here.

Excelente .......2007-03-22

El tema de nadia es una de las canciones mas excelentes de la historia de la musica

Hard to Find Orchestral Instrumentals, Vol. 2.......2006-03-22

The purchase went as we had hoped. The delievry was as promised, and the quality of the product equal too, or above our expectations.

Not totally an instrumental.......2006-03-10

I was excited to find this album. I bought it but was horrified to find a loud vocal on the first track. The rest of the music is all instrumental but this one track simply JARS you when it plays. Very disappointing!

Another Collection You Wonr Find Anywhere else.......2003-05-06

Well, ERIC records has done it again.

Continuing their unique practice of giving us both well known hits and impossible to find rarities, Eric presents Volume 2 of "Hard to Find Orchestral Instrumentals". This one is, in my opinion, even better than the first.

First off, the sound quality of this disk is ASTOUNDING. ERIC has gotten the various reissue departments to provide them with absolute first generation mono and stereo masters and this CD proves it. The aural quality is breathtaking. The fact that Orchestral music is so beautifully suited for true stereo playback is exhibited here, as a whopping 15 of the 20 tracks are True Stereo and sound magnificent.

There are, of course, the big soundtrack hits here, like 'The Day The Rains Came" "Rocky", "Ben Casey", "Theme from The Apartment", and " Nadias Theme". All top 30 and well remembered. However, for this 43 year old fan, it was the some of the lessor known tracks, in particulatr the 1963 Colpix low level charter "Theme From The Long Ships" that really makes this collection the gem that it is. Outstanding tracks include "Theme From The Sundowners" , "The Dark At The Top of The Stairs" and "I Will Follow Him" , all tracks that will suddenly sound familiar again after first listen.

Therein lies the BEST part of this collection. When you put this on your player, you will be treated to a nostalgic feast,
a time when the magic of Orchestral music still ruled the charts, and existed in all our homes. And you'll certainly remember most of these once you hear them, which is the fun part!!

There arent enough great things I can say about this collection AND its sister CD "Hard To Find pop Instrumentals- Part 2" I personally liked this volume better, but if you dont have either yet, give yourself a musical treat, and some REAL listening enjoyment and pick these up...

Its listening the way it used to be.

MA....

Average customer rating: Dreamgirls 2001 Not the real "DREAM" experience Absolutely brilliant! Amazing!!!!!! One Night Only

Dreamgirls in Concert (2001 Concert Cast) Henry Krieger , Audra McDonald , Brian Stokes Mitchell , Emily Skinner , and Darius de Haas Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music General | Pop | Styles | Music General | R&B | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music McDonald, Audra | Divas | Opera & Vocal | Styles | Music Similar Items: Dreamgirls (1982 Original Broadway Cast) Dreamgirls: Music From The Motion Picture [2-CD Deluxe Edition] Dreamgirls Company (2006 Broadway Revival Cast) The Drowsy Chaperone (2006 Original Broadway Cast) ASIN: B00005Y4P4 Release Date: 2002-02-26

Tracks:

1. I'm Looking for Something, Baby
2. Goin' Downtown
3. Takin' the Long Way Home
4. Move (You're Steppin on My Heart)
5. Scene: Fifty bucks says the Dreamettes don't win
6. Fake Your Way to the Top
7. Scene: It ain't working, Marty
8. Cadillac Car
9. Cadillac Car (On the Road)
10. Cadillac Car (Recording Studio)
11. Scene: I don't believe they can do that
12. Steppin' to the Bad Side
13. Scene: I'm working on a long shot
14. Party, Party
15. I Want You, Baby
16. Scene: I'm a woman now
17. Family
18. Scene: What are you doing to that girl?
19. Dreamgirls
20. Press Conference
21. Heavy
22. Walkin' Down the Strip/Scene: Las Vegas
23. It's All Over
24. And I Am Telling You I'm Not Going

Tracks:

1. Opening Act II: Dreams Medley
2. Scene: Effie White is the best singer you're gonna find
3. I Am Changing
4. Vogue Sequence
5. When I First Saw You
6. Ain't No Party
7. I Meant You No Harm
8. The Rap
9. I Miss You, Old Friend
10. One Night Only
11. One Night Only (Disco Version)
12. I'm Somebody
13. Hard to Say Good-bye
14. Dreamgirls (Reprise)

Amazon.com

A Chorus Line may be better known, but Dreamgirls was a towering achievement for director Michael Bennett. Loosely based on the Supremes' story, the 1982 musical told a typical show-biz tale of fame, backbiting, and survival. As is often the case for one-night only events, the cast in this concert version (recorded in New York on September 24, 2001) is led by an eye-popping assortment of Broadway powerhouses: Lillias White (The Life), Audra McDonald (Ragtime, Marie Christine), and Heather Headley (Ragtime). McDonald reveals a previously undisclosed comic streak, while Headley confirms her status as a rising star. Reprising the role of Effie Melody White (created by Jennifer Holliday), White belts the classic "And I Am Telling You I'm Not Going." But the beauty of Dreamgirls is that it's so packed with catchy, Motown-influenced R&B numbers that each lead can sink her teeth into some prime material and get a turn in the spotlight. This double-CD set really makes you wish you'd been there when the show was recorded: you can hear the crowd going berserk at times, and the temptation is strong to do the same thing in the comfort of your living room. --Elisabeth Vincentelli

Customer Reviews:

Dreamgirls 2001.......2007-06-27

This was the worst reproduction of Dreamgirls that I ever heard. I was so disappointed the CD went into the garbage. This is one CD that I would not sell to the public because I expect so much and get so little.

Not the real "DREAM" experience.......2007-04-04

Forget about the film sountrack. Get this CD set. And it's far better than the original cast recording which goes lacking. More songs and more everything that makes a live performance just what it is. Live (compared to film where anything can be done to enhance a performance!) -- the energy, the excitement and the performances make this a rare treat for anyone wanting to share in the real DREAM experience.

Isn't a full Broadway revival long over due. But wait: I've heard rumors that a rvial may be "in the works. I certainly hope so. Maybe this time it will receive the Tony award it deserved in the first place.

Absolutely brilliant!.......2007-01-28

There is atleast 5 new songs on this album that were not in the movie! These girls kill it I mean they are just amazing singers, and this all live! This is needed for any Dreamgirls fanatic like me! You are gonna love it! Enjoy! love live laugh :)

Amazing!!!!!!.......2006-12-04

As a theatre lover, this recording is amazing. I actually prefer this recording to the OBC. Sheryl Lee Ralph is okay, but can't touch Audra's Deena. The first time I heard Ms. White's "And I Am Telling You..", goosbumps all over my body. The only weak cast member in my opinon is Heather Headly. Vocally, she just isn't there. Too much Aida, not enough Dreamgirls. But all in all, a great live recording of a great show.

One Night Only .......2006-07-19

I was lucky enough to attend this One Night Only concert performance of Dreamgirls and it was a night I will never forget!! The cast was brilliant and the cd is as good if not better than the Broadway cast recording because it is the entire show not just the songs. Bravo to everyone involved !!!

Average customer rating: Not worth buying! Don't waste your money Perfect for "drop the needle" style tests A CD with Attention Deficit Disorder This sucks...

Only Opera CD You'll Ever Need Manufacturer: RCA ProductGroup: Music Binding: Audio CD All Works by Barber | Barber, Samuel | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Bellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Boito, Arrigo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Delibes, Léo | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Flotow | Flotow, Friedrich von | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | 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ASIN: B000003GA0 Release Date: 1997-10-14

Tracks:

1. Antony & Cleopatra: 'Give Me My Robe' - Leontyne Price
2. Fidelio: 'In des Lebens Fruhlingstagen...' - Ben Heppner
3. Fidelio: Act II Quartet: 'Ach, du bist gerettet...' - Deborah Voigt
4. Norma: 'Casta Diva' - Rosa Ponselle
5. Candide: 'Glitter And Be Gay' - Harolyn Blackwell
6. Candide: 'Make Our Garden Grow' - Jerry Hadley
7. Carmen: Flower Song - Placido Domingo
8. Carmen: Habanera - Rise Stevens
9. Carmen: Toreador Song - Robert Merrill
10. Les pecheurs de perles: Duet: 'Oui, c'est elle, c'est la deesse...' - Robert Merrill
11. Mefistofele: 'Ecco il mondo' - Samuel Ramey
12. La Wally: 'Eben, ne andro lontana' - ONLY OPERA CD YOU'LL EVER NEED
13. Lakme: Bell Song - Lily Pons
14. L'Elisir d'Amore: 'Una furtiva lagrima' - Tito Schipa
15. Lucia di Lammermoor: 'Chi mi frena in tal momento...' - Carlo Bergonzi
16. Lucia di Lammermoor: 'Spargi d'amaro pianto' - Anna Moffo
17. Martha: 'M'appari tutto amor' - Jussi Bjoerling
18. Porgy & Bess: 'Summertime' - Leontyne Price
19. Porgy & Bess: 'Bess, You Is My Woman' - William Warfield
20. Andrea Chenier: 'Come un bel di di maggio' - Ben Heppner
21. Romeo et Juliette: Juliette's Waltz; 'Je veux vivre' - Ruth Ann Swenson
22. Salammbo: Aria - Kiri Te Kanawa
23. Hansel & Gretel: 'Suuse, liebe Susse - Helen Donath
24. I Pagliacci: 'Vesti la giubba' - Enrico Caruso
25. Cavalleria Rusticana: 'Viva il vino' - Jussi Bjoerling
26. Cherubin: 'Lorsque vous n'aurez rien' - Dawn Upshaw
27. Manon: 'Ah! Fuyez, douce image' - Richard Crooks
28. Cosi fan tutte: 'Come scoglio immoto resta' - Leontyne Price
29. Don Giovanni: 'La ci darem la mano' - Edith Mathis
30. Don Giovanni: 'Deh! vieni alla finestra' - Ezio Pinza
31. Don Giovanni: 'Non mi dir' - Carol Vaness
32. Le nozze di Figaro: 'Non piu andrai...' - Alan Titus
33. Le nozze di Figaro: 'Porgi, amor' - Carol Vaness
34. Le nozze di Figaro: 'Deh vieni, non tardar' - Bidu Sayao
35. Die Zauberflote: 'Dies Bildnis ist bezaubernd schon' - Fritz Wunderlich
36. Die Zauberflote: Der Holle Rache - Zdislawa Donat
37. Die Zauberflote: Papageno - Papageno Duet - Christian Boesch
38. Boris Godunov: 'I v ljutomgore, nisposlannom Bogom...' - Alexander Kipnis
39. Tales Of Hoffmann: Barcarolle - Montserrat Caballe
40. La Gioconda: 'Cielo e mar' - Beniamino Gigli
41. La Boheme: 'Che gelida manina' - Giuseppe Di Stefano
42. La Boheme: 'Mi piaccion quelle cose...' - Licia Albanese
43. La Boheme: 'Fremon gia nell'anima' - Luciano Pavarotti
44. La Boheme: Musetta's Waltz Song - Judith Blegen
45. Gianni Schicchi: 'O mio babbino caro' - Angela Gheorghiu
46. Madama Butterfly: 'Ah, ti serro palpitante' - Placido Domingo
47. Madama Butterfly: 'Un bel di' - Leontyne Price
48. Manon Lescaut: 'Donna non vidi mai' - Jussi Bjoerling
49. La rondine: 'Chi il bel sogno di Doretta - Anna Moffo
50. TOSCA: 'Recondita armonia' - Placido Domingo
51. TOSCA: 'Vissi d'arte' - Irina Oudalova
52. TOSCA: 'E avanti a lui...' - Zinka Milanov
53. TOSCA: 'E lucevan le stelle' - Mario Lanza
54. Turandot: 'Signore, ascolta' - Renata Tebaldi
55. Turandot: 'In questa reggia' - Birgit Nilsson
56. Turandot: 'Nessun dorma' - Jussi Bjoerling
57. Dido & Aeneas: 'When I Am Laid In Earth' - Leontyne Price
58. Il Barbiere di Siviglia: 'Largo al factotum' - Robert Merrill
59. Il Barbiere di Siviglia: 'Una voce poco fa' - Roberta Peters
60. Samson et Dalila: 'Mon coeur s'ouvre' - Christa Ludwig
61. The Bartered Bride: 'Wenn ich das einmal erfahre' - Teresa Stratas
62. Elektra: 'Agamemnon' - Inge Borkh
63. Der Rosenkavalier: 'Ist ein Traum' - Erna Berger
64. Salome: 'Nicht in der Welt...' - Inge Borkh
65. Eugene Onegin: Lenski's Aria - Placido Domingo
66. Eugene Onegin: Tatiana's Letter Scene - Leontyne Price
67. Aida: 'Celeste Aida' - Jussi Bjoerling
68. Aida: 'Ritorna vincitor!' - Leontyne Price
69. Aida: 'Gloria all'Egitto' - John Alldis Choir
70. Aida: 'O patria mia' - Leontyne Price
71. Un Ballo in Maschera: 'O docezze perdute! O memorie...' - Robert Merrill
72. Don Carlo: 'Dio, che nell'anima infondere' - Placido Domingo
73. Ernani: 'Emani, involami' - Leontyne Price
74. La forza del destino: 'Or muoio tranquillo...' - Robert Merrill
75. La forza del destino: 'Pace, pace mio dio' - Zinka Milanov
76. Nabucco: 'Va, pensiero' - Oleg Reshetkin
77. Otello: 'Credo' - Tito Gobbi
78. Otello: Willow Song - Leonie Rysanek
79. Otello: 'Niun mi tema' - Jon Vickers
80. Rigoletto: 'Qesta o quella' - Alfredo Kraus
81. Rigoletto: 'Caro nome' - Anna Moffo
82. Rigoletto: 'La donna e mobile' - Jan Peerce
83. Rigoletto: 'Bella figlia dell'amore' - Alfredo Kraus
84. La Traviata: Brindisi - Montserrat Caballe
85. La Traviata: 'Di provenza' - Sherrill Milnes
86. La Traviata: 'Sempre libera' - Eleanor Steber
87. La Traviata: 'Addio del passato' - Anna Moffo
88. Il Trovatore: Anvil Chorus - Moscow Classical Chorus & Ensemble
89. Il Trovatore: 'Di quella pira' - Placido Domingo
90. Il Trovatore: 'Tacea la notte placido - Leontyne Price
91. Die Meistersinger von Nurnberg: 'Morgenlicht leuchtend' - Set Svanholm
92. Die Walkure: Ride Of The Valkyries - Staatskapelle Dresden
93. Die Walkure: Wotan's Farewell - Lawrence Tibbett
94. Siegfried: Song Of The Forest Bird - Norma Sharp
95. Gotterdammerung: 'Starke Scheite schichtet mir dort' - Kirsten Flagstad
96. Lohengrin: Bridal Chorus - Robert Shaw Chorale
97. Lohengrin: 'In fernem Land' - Lauritz Melchior
98. Tannhauser: 'Dich teure Halle' - Waltraud Meler

Customer Reviews:

Not worth buying!.......2007-05-29

I found this recording basically worthless. It contains only very short excerpts of the song. Not enough to get into and enjoy!

Don't waste your money.......2007-01-18

This is the worst purchase I have ever made. It is a truly dreadful piece of work.I was so disgusted with it that I threw it into the trash can.

Perfect for "drop the needle" style tests.......2006-11-19

If you want to hear full recordings of arias, then this disc is not for you. It plays only tidbits of 99 arias. Contrary to the title, this is definitely not the only opera disc you'll ever need. You shouldn't take it seriously. This disc has next to no value for an opera neophyte. But for opera fanatics, there has never been a better test of your knowledge of operatic repertoire and singers. It's a great challenge for opera buffs. Sit down with your opera loving friends for an hour, play this disc, and try to be the first to identify the singer, composer, opera, and piece. If you're a music professor, this disc would make for an awesome pop quiz. Find out how well your students really know their opera repertoire.

A CD with Attention Deficit Disorder.......2006-10-02

I don't know anyone who would enjoy this CD. It will drive opera fans nuts with a hundred exerpts that run about 30 seconds each, then fade out without the singers even finishing a single verse. It's more like an index of arias, or a volume of teasers that hucksters might use to sell opera CDs.

I never realized how much Bernstein's "Glitter and be gay" sounded like Delibes' "Bell Song" until I heard 35 seconds of one, followed 23 seconds of the other.

Maybe the TV show 'Jeopardy' could use this CD. 'What is "Hush little baby don't you..."??'

What a waste of beautiful voices and great music. 38 seconds of Enrico Caruso, followed by 31 seconds of Jussi Bjoerling, followed by 38 seconds of Dawn Upshaw.

My copy is going to go sailing into the wastebasket as soon as I finish this review.

This sucks..........2006-03-31

I should only blame myself for not checking out more reviews... this is a CD filled with short, little snippets of great operas songs... and I mean SHORT, LITTLE snippets of 30 seconds or so, each. Don't buy this CD... it is a complete rip off... and that is saying ALOT since it is only $4.00... Again, my fault for not reading the reviews but I trusted that something called a "Music CD" would actually have complete songs... What else does this company offer? A "Music CD" that only has the intros or applause tracks to great songs...?

Move on to something else... Amazon has a great selection... just not this one.

Average customer rating: excellent but uncomplete To call it music may be a bit limiting. A worthwhile collection OhMyGodHowDreadful Kid Stockhausen

OHM: The Early Gurus of Electronic Music Various Artists Manufacturer: Ellipsis Arts ProductGroup: Music Binding: Audio CD Waltzes | Ballets & Dances | Classical | Styles | Music Cage, John | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Messiaen | Messiaen, Olivier | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Reich, Steve | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Riley, Terry | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Stockhausen, Karlheinz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Electronic | Instruments | Classical | Styles | Music | Computer General | Classical | Styles | Music Ambient | Dance & DJ | Styles | Music General | Dance & DJ | Styles | Music Electronica | Dance & DJ | Styles | Music Electronica | Compilations | Dance & DJ | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music Minimal Techno | Techno | Dance & DJ | Styles | Music Avant Garde & Free Jazz | Jazz | Styles | Music General | New Age | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Pop Rock | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Progressive Rock | Progressive | Rock | Styles | Music Experimental Rock | Rock | Alternative Styles | Alternative Rock | Styles | Music Experimental Music | Miscellaneous | Styles | Music General | Dance & DJ | Box Sets | Stores | Music Electronica | Dance & DJ | Box Sets | Stores | Music General | Dance & DJ | Indie Music | Stores | Music Electronica | Dance & DJ | Indie Music | Stores | Music Similar Items: An Anthology of Noise & Electronic Music, Vol. 3: 1952-2004 Audio Culture: Readings in Modern Music Roxy Music Profiler - Season 4 A Decade of Hits ASIN: B00004T0FZ Release Date: 2000-04-25

Tracks:

1. Valse Sentimentale - Clara Rockmore
2. Oraison - Ens D'Ondes De Montreal
3. Etude Aux Chemins De Fer - Pierre Schaeffer
4. Williams Mix - John Cage
5. Klangstudie II - Herbert Eimert/Robert Beyer
6. Low Speed - Otto Luening
7. Dripsody - Hugh Le Caine
8. Forbidden Planet: Main Title - Louis Barron/Bebe Barron
9. Elektronische Tanzste: Concertando Rubato - Oskar Sala
10. Poem Electronique - Edgard Varese
11. Sine Music (A Swarm Of Butterflies Encountered Over The Ocean) - Richard Maxfield
12. Apocalypse-Part 2 - Tod Dockstader
13. Kontakte - James Tenney/William Winant
14. Wireless Fant - Vladimir Ussachevsky
15. Philomel - Milton Babbitt
16. Spacecraft - MEV

Tracks:

1. Cindy Electronium - Raymond Scott
2. Pendulum Music - Sonic Youth
3. Bye Bye Butterfly - Pauline Oliveros
4. Projection Esemplastic For White Noise - Joji Yuasa
5. Silver Apples Of The Moon, Part 1 - Morton Subotnick
6. Rainforest Version 1 - David Tudor
7. Poppy Nogood - Terry Riley
8. Boat-Woman-Song - Holger Czukay
9. Music Promenade - Luc Ferrari
10. Vibrations Composees: Rosace 3 - Francois Bayle
11. Mutations - Jean-Claude Risset
12. Hibiki-Hana-Ma - Iannis Xenakis
13. Map Of 49's Dream The Two Systems Of Eleven Sets Of Galactic Intervals: Drift Study '31/69 c.... - La Monte Young

Tracks:

1. He Destroyed Her Image - Charles Dodge
2. Six Fants On A Poem By Thomas Campion: Her Song - Paul Lansky
3. Appalachian Grove - Laurie Spiegel
4. En Phase/Hors Phase - Bernard Parmegiani
5. On The Other Ocean - David Behrman
6. Stria - John Chowning
7. Living Sound, Patent Pending Music For Sound-Joined Rooms Series - Maryanne Amacher
8. Automatic Writing - Robert Ashley
9. Canti Illuminati - Alvin Curran
10. Music On A Long Thin Wire - Alvin Lucier
11. Melange - Klaus Schulze
12. Before And After Charm (La Notte) - Jon Hassell
13. Unfamiliar Wind (Leeks Hills) - Brian Eno

Amazon.com

Opening with Clara Rockmore's reworking of Tchaikovsky with the theremin, and finishing with one of Brian Eno's ambient soundscapes, OHM artfully succeeds in its goal of giving a representative (as opposed to the impossible, comprehensive) overview of the first several decades of electronic music. Over 3 discs, 42 compositions, and 96 pages of notes and photos, OHM clearly illustrates the producers' and contributing writers' point that early electronic music is much of the foundation of contemporary music. Herein lies the connective tissue bridging musique concrète, 20th-century classical, electronic experimentation, and the theoretical avant-garde to psychedelia, ambient, dub, techno, electro, and synthpop and the globalization of sound. The groundbreaking uses of loops, sampling, drones, remixes, and cut-and-paste technology are put fully into context. The diversity of music included makes any sort of summation impossible, but that is also the point: electronic music is not really a genre, but an open field of endless possibility. From John Cage's famous "William's Mix" of tape snippets to Karkheinz Stockhausen's electronic orchestral compositions, from David Tudor and Holger Czukay's experiments in unrelated blendings of audio elements to David Behrman's supremely peaceful duet between computers and musicians, the aural renegades on OHM tread where none (save a few of their contemporaries) had gone before. The liner notes convey the incredible amount of hard work and experimentation it took to stitch together many of these pieces in the predigital era. Putting aside the inevitable quibbles about what's missing (much of it due to legal and/or logistical issues), a more complete collection of musical eggheads, eccentrics, and visionaries is hard to imagine. --Carl Hanni

Customer Reviews:

excellent but uncomplete.......2006-11-12

Althought most of the music here is an excellent collection of electronic music history, this 3 CDs lack of the important contribution given by the RAI phonology studios of Milan, Italy in the 50s
(which was bigger than Koln's WDR studios) with Bruno Maderna, Luciano Berio and Luigi Nono.
This is a big mistake. Milans studios were the biggest of europe and produced many important electroacoustic pieces.
If the collection aim to describe faithfully electronic music history, it should include this artists too.

To call it music may be a bit limiting. .......2006-10-24

Some of the tracks on here are "music". That is that they contain all the bits we're trained to experience as music -- melody, etc. Some are not, and the composers would be the first people to tell you that. A lot of these works are reactions to ingrained rules, so they're bound to be jarring.

A more successful way to approach such a broad and varied collection of audio experimentation is to think of it as curated sound. This isn't something to wash the dishes to, or to seduce someone to (although if you did manage to seduce someone with the recordings on this anthology, HOLD ON TO THAT PERSON, because they've got to be a keeper). These are unique sound textures that deserve a close, probably solitary listen, and I think if you're in the right frame of mind, it can be a very rewarding listen.

My main complaint is sequencing: each dicrete piece follows it's own internal logic, so there are more than a couple rough gear changes. However, since each piece is so different, and the collection is so varied, I'm not sure that you could totally escape that.

A worthwhile collection.......2006-01-11

The OHM collection contains some of those ground breaking electronic compositions that have shaped today's styles, from the early electronic instruments of Theremin and Martenot, through Pierre Schaeffer's Music Concrete tape music and the electronic music of Stockhausen and Subotnick, to the mainframe computer output of Risset and Chowning.

It is unfair to mark this collection down due to the production quality and 'musicality' of its contents, to do so would be to staggeringly miss the point of the development of electronic music through the 20th Century. What this collection shows is the ideas behind those at the cutting edge of the genre before many could even conceive of such output. That said it is hard going at points, as experimental music can be.

Highlights for me are no doubt Olivier Messiaen's 'Oraison' on CD 1, David Tudor's 'Rainforest Version 1' on CD 2 and on CD 3 David Behrman's 'On the Other Ocean' and Maryanne Amacher's 'Living sound Patent Pending'.

OhMyGodHowDreadful.......2005-08-15

Ok, this collection is supposed to be early works and, thus not expected to be very sophisticated or polished. But the OHM collection sounds like the first attempt of a spastic cat turned-loose on a Moog keyboard. When it is not boreing, this collection of random and dissonant sounds (I can't call it music) is without any redeeming qualities to make it worth while. Don't get me wrong, I am a long-time fan of Wendy (nie Walter) Carlos and some other real pioneers of electronic music. However, I find that the Ohm collection has no similar qualities and is a major disappointment.

Kid Stockhausen.......2003-01-17

This is required listening for anybody interested in the history of electronic music. Although implicitly aiming for the techno music audience, this audio history is overwhelmingly focused on the classical avant-garde of electro-acoustic composers. The closest you'll get to pop electronica is the Brian Eno track at the end of the third disc. No Kraftwerk, no Moroder, etc. Instead "OHM" manages to point to the continuities between, say, John Cage and artists currently working at the experimental edges of electronica (so-called IDM). It seems to be saying, "You think Kid 606 is visionary? Well check out this Stockhausen track from '59!"

Admittedly, some of the songs are much more interesting to think about than they are to listen to. Some of the early pieces that were made through thosuands of hours of pains-taking tape-splicing could be made today in an afternoon with a digital audio editor and a few effects plug-ins.

It is a beautiful package, containing a 90 page booklet of essays, quotations from the featured artists, and photographs. What all music should be: an education in daring.

Average customer rating: Fine reissue of a classic set

Purcell: Theatre Music Manufacturer: Decca ProductGroup: Music Binding: Audio CD Purcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Incidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Strings | Instruments | Classical | Styles | Music Hogwood, Christopher | ( H ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Purcell, Henry | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Odes | Vocal Non-Opera | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Cantatas for Solo Countertenor Purcell: The Fairy Queen Purcell: Songs & Airs / Argenta, North, Boothby, Nicholson, Toll Monteverdi - Madrigali guerrieri ed amorosi / Concerto Köln, Jacobs Lawes: The Consort Setts for 5 & 7 viols and organ ASIN: B0001Y4JHA Release Date: 2004-10-12

Customer Reviews:

Fine reissue of a classic set.......2006-05-24

Think about the stupidest, most formulaic Hollywood movies you can think of: cheesy action pictures, fluffy, unfunny comedies, big but stiff epics. Now imagine that one of the greatest living composers was working in Hollywood, turning out astonishing, hauntingly beautiful and stirring musical scores for these throwaway movies. That's what you get with this set: music Henry Purcell composed for some two dozen often utterly forgettable plays (trust me--I've read a number of them!) Occasionally, when he teams up with a playwright worthy of his stature, such as John Dryden, Aphra Behn, or William Congreve, the results are even better, but for the most part you can enjoy the music here without knowing anything about the original plays.

This set originally appeared as separate LPs in the 70s and 80s, and has been long out of print. That's a pity, since Purcell spent a good deal of his short professional life in the theatre, either writing the incidental music contained on these CDs, or the music for his larger works, the semi-operas (King Arthur, The Fairy Queen, and the like). Almost all of these works are enjoyable gems; certainly, they represent a pinnacle of English 17th century music. Purcell had a genius for spinning musical gold out of the most leaden lyrics (check out his Odes and Welcome Songs on Hyperion if you don't believe me), and he does the same with the song texts in these plays.

Hogwood and the AAM offer clean, listenable performances, and the sound on these old analog discs has been cleaned up and brightened--although they were pretty good, even in the late 70s. As with most Hogwood, emotional extremes are kept to a minimum, so the "otherworldly" nature of late 17th century music, so often emphasised in more recent Baroque performances, doesn't come across here. It would be interesting to see what a group like The King's Consort would do with this music, but this set fills the major gap in the Purcell canon quite nicely.

My only beef with the reissue, as with many reissues, is that the liner notes are rather thin for a 6-cd set--the lyrics to the songs, for example, are especially missed. Still, it's a worthwhile set, and a must for fans of Purcell, English Baroque music, or anyone who just wants to experience a taste of the last days of the Restoration stage.

Average customer rating: Enchanting folk songs (taken a few at a time) A Must For All Britten Admirers

Britten: Folk Song Arrangements Felicity Lott , Philip Langridge , Christopher van Kampen , Benjamin Britten , Carlos Bonell , and Graham Johnson Manufacturer: Naxos ProductGroup: Music Binding: Audio CD All Works by Britten | Britten, Sir Benjamin | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Folk | Styles | Music General | Opera & Vocal | Styles | Music Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: Britten: Folk Song Arrangements, Vol. 2 Gerald Finzi: I Said to Love; Let Us Garlands Bring; Before and After Summer Britten: Songs Bryn Terfel - The Vagabond & other songs by Vaughan Williams, Butterworth, Finzi & Ireland Britten: Seven Sonnets of Michelangelo; The Holy Sonnets of John Donne; Winter Words ASIN: B0007ORDUE Release Date: 2005-03-22

Tracks:

1. The Salley Gardens
2. Little Sir William
3. The Bonny Earl O' Moray
4. O Can Y Sew Cushions?
5. The Trees They Grow So High
6. The Ash Grove
7. Oliver Cromwell
8. Greensleeves - Philip Langridge
9. I Wonder As I Wander - Philip Langridge
10. The Crocodile - Philip Langridge
11. The Plough Boy
12. There's One To Soothe
13. Sweet Polly Oliver
14. The Miller Of Dee
15. The Foggy, Foggy Dew
16. O Waly, Waly
17. Come You Not From Newcastle?
18. Pray Goody - Philip Langridge
19. The Brisk Young Widow
20. Sally In Our Alley
21. The Lincolnshire Poacher
22. Early One Morning
23. Ca' The Yowes
24. The Holly And The Ivy
25. Soldier, Won't You Marry Me?
26. The Deaf Woman's Courtship

Tracks:

1. Avengin And Bright
2. Sail On, Sail On
3. How Sweet The Answer
4. The Minstrel Boy
5. At The Mid Hour Of Night
6. Rich And Rare
7. Dear Harp Of My Country!
8. Oft In The Stilly Night
9. The Last Rose Of Summer
10. O The Sight Entrancing
11. La Noel Passee
12. Voici Le Printemps
13. Fileuse
14. Le Roi S'en Va-T'en Chasse
15. La Belle Est Au Jardin D'amour
16. Il Est Quelqu'un Sur Terre
17. Eho! Eho!
18. Quand J'etais Chez Mon Pere
19. I Will Give My Love An Apple - Carlos Bonell
20. Sailor-Boy - Carlos Bonell
21. Master Kilby - Carlos Bonell
22. The Soldier And The Sailor - Carlos Bonell
23. Bonny At Morn - Carlos Bonell
24. The Shooting Of His Dear - Carlos Bonell
25. German Folk Song: The Stream In The Valley - Christopher van Kampen
26. Unidentified Folk Song Setting - Christopher van Kampen

Customer Reviews:

Enchanting folk songs (taken a few at a time).......2006-06-24

Britten made numerous folksong arrangements over the years--the reviewer below summarizes them very well. Here are 52 for tenor voice accompanied by paino, harp, or guitar--there's also a Vol. 2 in addition to this double CD. Only a few items, like The Minstrel Boy and Greensleeves, are likely to sound familiar to American listeners unless they already know Britten's arrangements. He adds subversive harmonies that can be dissonant and distrubing; at other times the arrangements are a bit twee. Philip Langridge has a more mellifluous tone than Peter Pears, for whom almost all the songs were set. This makes the recital easy listening, but the simple tunes quickly become too much of a good thing--it's better to listen to a handful at a time.

Persoally, I like the Irish and Scottish folksongs the best, because of their haunting modal harmonies, and the harpist Ossian Ellis is a marvelous accompanist for several of them, but there's lots to choose form here. The chief drawbacks are two: Langridge was a bit too old by 1995 to keep an unpleasant wobble out of his tone at loud volume, not to mention that he is peculiarly humorless in the comic songs. Second, Graham Johnson is an unimginative accompanist without rhythmic vigor, which compares unfavorably to Britten's own classic recordings, in both mono and stereo, with Pears. Yet for all that, there are many lovely songs here, and they are now available, transferred from the Collins Classics label to Naxos at bargain price.

A Must For All Britten Admirers.......2005-04-09

Many lovers of Benjamin Britten's music have no idea that he made extraordinary arrangements of many folksongs. And although this 2CD set is part of Naxos's 'English Song Series' and although it mainly contains songs from the Britain (and Ireland), Britten also set French and American folksongs and they are included here as this issue comprises all his voice-and-piano folksong settings. (He also made voice-and-orchestra versions of some of the songs here but they are not included.) His interest in poetry was intense, and as a friend has commented, 'Britten's knowledge of the obscure corners of English poetry would have put many a professor of English to shame.' His interest in making these settings lasted his entire composing life. Over the years he made six numbered collections: Vols 1, 3, 5 & 6 are primarily British (and some American) folksongs; Vol. 2 French; Vol. 4 Moore's Irish Songs. Also included here are several scattered single songs and songs published posthumously for a total of 52 songs in all. They are parceled out between two of the greatest English singers of the day: soprano Dame Felicity Lott and tenor Philip Langridge. They are mostly accompanied by the best English accompanist since Gerald Moore, pianist Graham Johnson. (One group are accompanied by guitarist Carlos Bonell, and a couple feature cellist Christopher van Kampen.)

The piano accompaniments are generally rather spare, tending not to call attention to themselves, but on closer listening one realizes that Britten has used his own easily identifiable harmonic and structural sense (not surprisingly, one of Britten's favorite devices, the canon, occurs repeatedly), always in pursuit of bringing out the literal meaning and, even more so, the psychology of the song at hand. For instance, he mimics the harp in 'Dear Harp of our Country' and 'The Last Rose of Summer' and the spinning of the mill-wheel in 'The Miller of Dee' or of the spinning wheel in 'Fileuse.' There is the yearning upward interval used to accompany the girl's name in 'Sally in Our Alley.' There is the sad tolling of the bell in 'At the mid hour of the night,' the indecisive alternating chords in 'O Waly, Waly.' Many of these songs are familiar, but many are obscure, at least to this writer. Each is so aptly set that one discovers new things on each listening. Some old favorites, like 'Sail On, Sail On' and 'The Ash Grove' are given fresh colorings. I was amused to realize that that silly Monty Python send-up, 'The Lumberjack Song,' uses (approximately) the tune of 'The Foggy, Foggy Dew' (set here to a melody different than the one I know from my youth).

The performances, not surprisingly, are about as good as they get. I cannot forget the sound of Janet Baker's voice in 'O Waly, Waly,' but this is no criticism of Lott's version, which is also touchingly effective. Langridge, whose diction is a marvel, is similarly effective in such favorites as 'The Plough Boy,' 'The Foggy, Foggy Dew,' and 'The Minstrel Boy.' Is there a more sensitive accompanist than Graham Johnson? I don't think so. I will admit that am not fond of the guitar (clearly my own idiosyncratic taste) but Carlos Bonell is effective in his accompaniment of Vol. 6, which includes 'I will give my love an apple' and 'Bonny at Morn' among others. At the end of CD2 is a song with cello obbligato played by Christopher van Kampen, and an unknown folksong that, in the absence of text, is given to the cello. The texts, too, are worth studying for their folk-wisdom. I was particularly struck by this line from 'Pray Goody': "Remember when the judgement's weak, the prejudice is strong." ('Pray Goody' also has an especially effective piano accompaniment that requires virtuosic control by the pianist.)

Anyone interested in the music of Britten really ought to own this set. It is an aspect of his art that should not be missed.

2CDs TT=132:47

Scott Morrison

Average customer rating: The whole career of one of the greatest singers of all time Birgit Sings Like Sweetness A Document In The Grand Career Of Birgit Nilsson (1918-2005) Great

Birgit Nilsson Sings Richard Wagner & Richard Strauss Manufacturer: Gala ProductGroup: Music Binding: Audio CD All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Nilsson, Birgit | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Strauss, Richard | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music Wagner, Richard | U to Z | Featured Composers, A-Z | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music CDs $7 - $10 | Operas | Opera & Vocal | Today's Deals in Music | Formats | Music All Bargain Titles | Operas | Opera & Vocal | Today's Deals in Music | Formats | Music Similar Items: Birgit Nilsson: Opera Arias Nilsson Sings Verdi Or sai chi l'onore: Opernarien von Mozart, Weber, Wagner, Strauss Wagner: Opera Arias & Duets Prima Voce: Flagstad ASIN: B000001XNS Release Date: 2000-06-06

Tracks:

1. Ariadne auf Naxos: Es Ist alles vergebens - Es gibt ein Reich
2. Salome: Es ist kein Laut zu vernehmen
3. Salome: Ah! du wolltest mich nicht deinen Mund kussen lassen, Jochanaan
4. Salome: Sie ist ein Ungeheuer, deine Tochter
5. Salome: Ah! Ich habe deinen Mund gekusst, Jochanaan
6. Elektra: Was willst du, Fremder Mensch?
7. Die Fau Ohne Schatten: Es dunkelt, dass ich nicht sehe zur Arbeit
8. Die Fau Ohne Schatten: Es gibt derer, Die bleiben immer gelassen Abtu ich von meinem Leibe die Kinder
9. Die Fau Ohne Schatten: Die Weib ist irre - Barak, ich hab es nicht getan
10. Tannhauser: Dich, teure Halle
11. Lohengrin: Euch Luften, die mein Klagen
12. Lohengrin: Elsa!-Wer Ruft?
13. Lohengrin: Ortrud, wo bist du?

Tracks:

1. Tristan und Isolde: Horst du sie noch?
2. Tristan und Isolde: Mild und leise wie er lachelt
3. Die Walkure: Schlafst du, Gast?
4. Die Walkure: Wintersturme wichen dem Wonnemond
5. Die Walkure: De bist der Lenz
6. Die Walkure: O susseste Wonne! Seligstes Weib!
7. Die Walkure: Siegmund heiss ich und Siegmund bin ich!
8. Siegfried: Ewig war ich, ewig bin ich
9. Gotterdammerung: Schweigt eures Jammers jauchzenden Schwall
10. Gotterdammerung: Starke Scheite, Schichtet mir dort

Customer Reviews:

The whole career of one of the greatest singers of all time.......2007-01-14

I could nor beleive my eyes when I saw the price of this recording. It covers the whole career of the greatest Wagner and Strauss singer in the last half of the 20th Century. I think the whole performance of Ariadne of Naxos allurs in the archives of the Swedish Broadcasting company - a release, please!
When the news arrived that La Nilsson hade died in her home, surrounded by family members and near friends, on Christmas Day 2005 (kidneys not functioning, and no more dialysis possible) - we at once underrstand her uniquiness - there was nobody there to take over the helm and shield....It is quite wonderful that this eextensive compilation was published just recently. It is a very worthy portrait of a blessed singer!

Birgit Sings Like Sweetness.......2007-01-08

This is the first time I had heard Birgit Nilsson sing. The CD was great. However, I did have to blast the music because it is the original recording on the CD. Besides the quality it is worth purchasing if you want to hear one of the best. Her voice is clear and sweet, and welcoming to the ears.

A Document In The Grand Career Of Birgit Nilsson (1918-2005).......2006-03-23

The great soprano from Sweden, Birgit Nilsson, once contemplated suicide when she met with dismal reviews in her first perfomrance as Agathe from Weber's Die Freitschutz, for she was inexperienced and fresh out of the farm she grew up in. She went on to become the greatest dramatic soprano of all time, and for me, she is an even more thrilling and masterful soprano than the overrated Maria Callas. Birgit Nilsson died of unknown causes in her hometown of Sweden on Christmas of '05 only months ago. Her huge, steely, bright, metallic voice was reportedly capable of breaking glass and stone. This album covers many years in her career. Her Ariadne is not well known and it's captured in a young voice (50's) and she is in phenomenal shape. The dramatic heft of the role is suited to her voice. Wagner was her specialty of course and here we have slices of her Elisabeth from Tannhauser. She also sang Venus. Isolde was another great role of hers (the one she debuted at the Met) and Brunhilde is of course her best role. Singing Strauss is no piece of cake but when we listen to her Salome and Elektra and Dryer's Wife from Die Frau we are hearing a woman who, despite age, is singing with strength and vigor. She gets into character each time and she sings beautifully. All fans of La Nilsson must get this one.

Great.......2003-08-20

This is a very good CD for people who follow Birgit Nilsson's development. It contains live performances from 1949 (Ariadne auf Naxos - Nilsson sang Ariadne!!) to 1977 (Dyer's Wife in Die Frau Ohne Schatten). You can see her development from young to old over close to 30 years. For someone like me who have many of Birgit Nilsson's commercial recordings, this is a great CD too because it allows me to compare her 'live' performances with the studio recordings. It also enables me to see how her voice developed over the years. For instance, her voice grew in warm as she progressed in her career. By 1977, her voice had lost some ease - you can tell that she has to sing with more effort but her top register is still amazing, the gleam is still there even if it is more effortful to produce (when I say effortful I mean by young Birgit Nilsson standards - if you compare with other singers, she still sings effortlessly). Imagine - by 1977, she was 59 and she still puts singers singers half her age at 30 to shame. A very interesting CD in very mono sound. 5 stars for Nilsson's superb performances (her vocalism never fails to amaze me), for a fantastic variety of excerpts, for very mono sound, for the historical importance of this CD and for the incredible bargain price ... for 2 CDs.

If you are a 'historical' freak, buy this. If you are a Birgit Nilsson freak, buy this. If you are an opera freak, buy this. Even if you are not a freak, buy this!!

Average customer rating: Yet Another Excellent New Year's Day VPO Concert Another Beautiful Concert

New Year's Concert 2005 Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Dances | Ballets & Dances | Classical | Styles | Music Polkas | Ballets & Dances | Classical | Styles | Music Waltzes | Ballets & Dances | Classical | Styles | Music Strauss Jr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Josef Strauss | Strauss, Josef | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music Marches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Maazel, Lorin | ( M ) | Featured Performers, A-Z | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Compilations | Classical | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music Similar Items: 2006 Neujahrskonzert - New Year's Concert New Year's Concert 2004 2007 New Year's Concert New Year's Concert 2003 Best of New Year's Concert ASIN: B0006L7M7C Release Date: 2005-01-25

Tracks:

1. Indigo March, Op.349
2. Haute-Volee-Polka, Op.155
3. Pleasure Seekers, Op.91
4. Winter Pleasure, Op.121
5. The Emancipated Woman, Op.282
6. A Thousand And One Nights, Op.346
7. The Bayadere, Op.351

Tracks:

1. Beautiful Galatea
2. Speech Dr. Clemens Hellsberg
3. Klipp-Klapp, Galopp, Op.466
4. Pictures Of The North Sea
5. Peasants' Polka, Op.276
6. Fata Morgana, Op.330
7. Pleasure Train, Op.281
8. In The Viennese Manner
9. Russian March Fantasy, Op.353
10. One Heart, One Mind, Op.323
11. Pizzicato-Polka
12. Tales From The Vienna, Op.325
13. Electrisch, Polka Schnell
14. At The Hunt, Op.373
15. New Year's Address
16. The Blue Danube, Op.314

Customer Reviews:

Yet Another Excellent New Year's Day VPO Concert.......2005-04-27

This year's concert was devoted almost exclusively to music by Johann Strauss II. Without question, it is among the Vienna Philharmonic's best New Year's Concerts, led by a long-time collaborator at the podium, American conductor Lorin Maazel, who has conducted the orchestra since the early 1960s. The orchestra responded enthusiastically to him, following his tempi even when he wasn't conducting (In two works he plays violin solos, most notably the "Tales from the Vienna Woods" waltz.). On a somber note, the traditional final piece of the concert, Johann Strauss' Radetzky March was not played, a silent tribute offered to the victims of the December 26th earthquake and tsunami in the Indian Ocean (However, the other traditional encore, the "Blue Danube" waltz was played.). Fans of both the Vienna Philharmonic and Lorin Maazel will be interested in acquiring this CD.

Another Beautiful Concert.......2005-02-24

Tremendous in the Dobly 5.1 surround sound. Great ballet to the Blue Danube waltz. Maazel does some violin solos on the Tales from the Vienna Woods

Average customer rating: A must for baroque music lovers! A charming twist on the story of Don Quixote.

Boismortier - Don Quichotte chez la Duchesse / S. Van Dyck · R. Biren · M. Hall · P. Gay · Le Concert Spirituel · Niquet Joseph Bodin de Boismortier , Hervé Niquet , Stephan van Dyck , Meredith Hall , Le Concert Spirituel , Richard Biren , Paul Gay , Marie-Pierre Wattiez , Patrick Ardagh-Walter , Anne Mopin , Brigitte Le Baron Akiko Toda , and Nicole Dubrovitch Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music Ballets & Dances | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music CDs Under $7 | Classical General | Classical | Today's Deals in Music | Formats | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: Boismortier: Ballets de Village/Sérénade Boismortier: Sérénades françaises Delalande - Te Deum /Gens * Piau * Steyer * Fouchecourt * Piolino * Correas * Les Arts Florissants * Christie Lully: Grands Motets, Vol 1 (Te Deum; Miserere; Plaude laetare Gallia) /Le Concert Spirituel * Niquet Tragédiennes ASIN: B0000014EO Release Date: 1997-03-18

Tracks:

1. Ouverture
2. Hunting The Monster
3. Don Quixote's Air
4. Sancho's Air
5. Marche
6. Menuets I Et II
7. Shepherd's Air
8. Tambourins I Et II
9. Peasant Girl's Scene
10. Merlin The Magician
11. Ouverture
12. The Cave Of Montesinos
13. Sancho's Troubles
14. Air Of Enchantment
15. Angry Air
16. Struggle With The Giant
17. Air To Break The Spell
18. Air Of Montesinos
19. Air For Disenchanted Lovers
20. Divertissement
21. Chorus Of Demons
22. Dulcinea Transported
23. The Gentle Sapajou
24. Spanish Air
25. Altisidore's Entrance
26. Merlin's Return
27. The Infanta From The Congo
28. Altisidore's Air
29. Chorus Of Japanese
30. Japanese March And Air
31. Japanese Woman's Air
32. Chaconne

Customer Reviews:

A must for baroque music lovers!.......2000-02-21

French Baroque Opera is often regarded as serious, mithologic, dramatic and ..."a little bit boring" as an english traveler of the XVIIIth century said (Dr. Charles Burney?). But with this recording by Naxos you won't have any chance but to disagree with him. Hervé Niquet is a master of his art and takes the challenge of this brillant score with passion, energy and humor. The orchestra and the singers are superb, with that very french witty style and elegance. The clarity and transparency of sound are so overwhelming that it mekes you feel as if you were enjoying an aristocratic divertissement in one of those french chateaux of the XVIIIth century instead of being listening to it at home...you need only to close your eyes and imagine you are just there!

A charming twist on the story of Don Quixote........1999-02-06

I find the opera Don Quichotte chez la Duchesse the culimination of Boismortier's career, for it contains such a variety of ideas and motifs that it could only be the product of a seasoned composer. The plot is a takeoff of the classic story of Don Quixote. The characters are at once charming and witty, and the events of the story are so surprising, unexpected and humorous that while listening to the opera for the first time I burst out laughing in many places at the hilarity and sheer novelty of the work. This opera is a magnificent contrast to the typically dark and dramatic Baroque opera. The words are pushed along by a vivacity and life I have never experienced in any other music. Typically, Boismortier is dismissed as a minor composer of the Baroque, but, considering myself a person quite knowledgeable of music of this period, I can not understand why anybody would think this. During his life Boismortier was one of the most prolific and successful composers in all of Europe. His melodies are sweet and simple, joyful and above all full of a love for life that have seen in the works of no other composer. I have nothing but praise for this man and his music, and I can wholeheartedly recommend the purchase of his opera Don Quichotte chez la Duchesse.

Meditation Music:

1. Affirmation [Import] [CD-single]
2. All of My Life Has Led To This
3. All Of The Above
4. Area
5. As You Like It, Vol. 1 [Import]
6. At The Eleventh hour
7. Bop Bop Baby, Vol. 2 [CD-single] [Enhanced] [Import]
8. Buddy
9. Calibos
10. Carousel Dreams - A Collection of Lullabies

Meditation Music

meditation music

Meditation Music

Prairie School Freakout/Wayne EP [Original recording remastered]

Music Celebrating The Poetry Of Robert Burns

Music for Clarinet & Guitar

Music: Reclaim

Mad About the Boy, Vol. 12 [Import]

Love Profusion [CD-single] [Import]

Mind over Matter

Planets

On Top

Moments Musicaux / Sonata, D.958

Mardi Gras Party

Lo Mejor de Polo Polo

Los Razos

Albéniz: Iberia; España; Recuerdos de viaje; Sonata No. 5

Plays Duke Ellington