| 1. When Morning Gilds the Skies |
| 2. No Wonder |
| 3. Love Makes The World Go Round |
| 4. Shade At My Right |
| 5. Beautiful |
| 6. All of My Days |
| 7. Elders Song |
| 8. Rejoice The Lord Is King |
| 9. Nobody But You |
| 10. Sweet Contentment |
Editorial Reviews
Though her name may be new to you, she is a seasoned Christian music veteran with ten years of ministry and three releases to her credit. Her work with World Vision over the years has led to nearly 2,500 needy children finding sponsors! Her list of ministry highlights are impressive with several Christian network television appearances, national conferences including GMA and Christian Artists Music Seminar and concerts in some of America's largest churches. However, these accomplishments are only possible because of the song.
For each new release, Christy labors to find songs that are not only current, but grounded in Biblical truth. And when the song finally begins, you'll hear Christy's beautiful voice as well as her heart. There's a passion that resonates with each note. ItÕs a passion that makes it clear that Christy deeply believes the words she sings! These are words she lives out each day.
Product Description
The new album from Christy Jantzen is filled with great adult contemporary sounds and arrangements. Ranging from bright upbeat pop to deeply moving ballads, this CD reflects the depth of artistry we have come to expect from Christy Jantzen.
Return To You,Christy Jantzen
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Return to You
Sara Gazarek Manufacturer: Native Language ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000OY8MTI Release Date: 2007-06-05 |
Tracks:
- Let's Try This Again
- Northern Lights
- Carey
- Junk
- Just Let Me Be
- Give Me Back That Old Familiar Feeling
- And So It Goes
- I've Got a Great Idea
- Dear Someone
- Hallelujah
- Makes Me Feel This Way
- Without You
- Original 4
Album Description
Championed by some of music's most celebrated figures, Sara Gazarek has emerged as a strikingly original artist with limitless potential. In follow up to Yours, her widely hailed 2005 debut focusing on American Songbook standards, the 25-year-old Gazarek delivers a sensational follow-up on her sophomore album Return to You, seamlessly combining the intimacy of singer/songwriter stylings with the musical and improvisational elements of jazz. Blessed with a gorgeous, translucent voice, excellent pitch, and supple sense of time, Gazarek is steeped in the jazz tradition, but is not afraid to embrace the music that moves her generation.Customer Reviews:
Outstanding Jazz-Pop from a Gifted Young Singer.......2007-07-04
Maybe I should quit being so obstinate. This is an excellent recording. There is a group of fine young singers (I'm thinking of Jacqui Naylor, Erin Bode, Judith Owen and, to a lesser extent, Jackie Allen) who are jazz singers crossing into pop, and have released some good-to-great recordings in the past few years. This is toward the top of that milieu, and Sara Gazarek definitely deserves mention in the same breath with those others.
The first thing that hits me about this c.d. is how clean it sounds. Certainly Joel Moss and Chris Hobson, the sound engineers, deserve kudos for that; but I'm also talking about Sara Gazarek's voice. Her diction, phrasing, intonation and consistency of volume throughout the ranges of her voice are first-rate. And soundwise, her voice reminds me a lot of Karrin Allyson (and that's a very good thing!).
My favorites on this c.d. are: her gorgeous duet with pianist Josh Nelson on Billy Joel's "And So It Goes"; the addition of some even more gorgeous string bass bowing by Erik Kortes with Nelson on Leonard Cohen's "Hallelujah"; and the closing track with strings, a heartfelt tribute to a mentor, Ludvig Girdland, entitled "Original 4."
As beautiful as those are, though, that is not to slight anything else on this c.d. (including and especially "Carey", a nod to the patron sainte of this group of singers, Joni Mitchell). The whole disc will get your alpha waves in order and put you into a state of bliss. It's worth a listen. No, it's worth a bunch of listens. RC
Sara Gazarek has done it again..........2007-06-10
First off this album is in general a very mellow, mostly relective song list...with some very brightly lit exceptions ("Carey" by Joni Mitchell among others). Sara demonstrates a willing and highly competent ability to have musical expeditions beyond the safety of her very, upbeat, hopeful, easy going songs.. Her fans will appreciate all those "beyond-the-perimeter" efforts here.
The Billy Joel song "And So It Goes" trumps everything on this album IMHO ...and it translates from her live performances of this song to CD quite well...but it is obvious to see her do this piece in person that she is taken by the song almost like she was in a meditative trance....this song digs deep and you cannot avoid the cuts ....and the sequel on this album to this is probably the very aggressively sung piece written by Leonard Cohen, "Halleluah". It was surprising hearing her add this to her song list and her rendition of this with the wider acoustic capabilities of the McCallum left you stunned....it is an expansive composition..full of irony and Sara performed this flawlessly...maybe she will try Cohen's "Famous Blue Raincoat" as was done by Jennifer Warnes and available on Amazon ..in a new ablum which I hope Sara is starting to do RIGHT NOW! The bass play of Erik Kertes is worth the price of admission on "Halleluah". This studio created version is perfect...
You have to add again that her accompanying group is simply the best ..wow......They are a stand alone trio in their own rights...Josh Nelson (keyboards), Erik Kertes on bass, and Matt Slocum, percussion....all understated and perfectly matched to Sara Gazarek's moods and talents...and timing....so if you get a chance to go to her concerts..you are in for a night!!..and Sara is very, very generous in terms of the length of her performance play list...so do not miss her in person...her voice in person is no different than on her albums...
And yes there was a 2nd album after "Yours" and I would consider this "Return to You" Sara Gazarek's 3rd album. She really should promote and pop out a zillion of that "2nd album" as well ...think they might be available from her on her site...."Sara Gazarek Live at the Jazz Bakery"...this was not "incidental music" by any strectch of the imagination and MUST be included as a major part of her work so far..has to be...end of argument.
Buy "Return to You" ...buy "Yours" if you don't already have it...
and of course "Live at the Jazz Bakery" if you can figure out a way to do it.....
See Gazarek in person each and every time you can.see her web site....it has all the dates......
Meanwhile we will wait impatiently for her next CD....for now we will just wear these three CD's out until they are no longer silver but clear!!!
Sara is going to be THE premier jazz vocalist for then next few decades. Here in "Return to You" she has broken some of the ground rules and went to areas where you would not have anticipated.....and we have gladly followed her....slick, sophisticated, smooth, upbeat IS her bedrock style but she is capable of soaring elsewhere....this album provides ample proof of her artistic capabilities and range!!!!
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Disney's Greatest 3
Various Artists Manufacturer: Disney ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006EXKT Release Date: 2002-08-20 |
Amazon.com
Cynical types will accuse Disney of milking the "greatest" concept until it's drier than Tinkerbell's fairy dust ("Supercalafragilisticexpealidocious," "Zip-a-Dee-Doo-Da," and "Heigh Ho" were hits off of Vol. 1; "Bare Necessities," "It's a Small World," and "Some Day My Prince Will Come" stole the show on Vol. 2), but a glimpse of this installment's track listing is all it'll take to squash their suspicions. Once again running reverse-chronologically, Vol. 3 opens with Jonatha Brooke's gorgeously achy ballad "I'll Try," from 2002's arguably not-so-great Return to Neverland, and gradually reaches back through the years to re-raise the curtain on Toy Story 2 ("When She Loved Me," performed by Sarah McLachlan), The Lion King ("Can You Feel the Love Tonight"), Mary Poppins (Julie Andrews's classic "A Spoonful of Sugar"), Pinocchio ("Give a Little Whistle"), and a bundle of treasured others, bottoming out at 1933's "Who's Afraid of the Big Bad Wolf" from The Three Little Pigs. Vol. 3 is not without its weak moments--would a G-rated movie-goers' poll produce Beauty and the Beast's "Gaston" or The Hunchback of Notre Dame's "Topsy Turvy" on a hits list? Seems unlikely. Still, the bulk of these tracks are, as the included Little Mermaid song goes, "Part of Your World," and the spread of decades they represent proves their staying power. Don't expect Disney to latch the lid on its inexhaustible archives until a dozen or so of these records, each as strong as the next, beckon you back for more. --Tammy La GorceCustomer Reviews:
Disney's greatest hits, volum 3.......2007-05-13
above 18 but still have some kid in them
Timeless Disney Music.......2007-05-07
Disney songs are the best.......2006-03-18
Great Disney Music.......2006-02-21
Not as good as Vol 1 and Vol 2.......2005-09-11
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Where Have I Known You Before
Return to Forever Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000046WZ Release Date: 1990-10-25 |
Tracks:
- Vulcan Worlds
- Where Have I Loved You Before
- The Shadow Of Lo
- Where Have I Danced With You Before
- Beyond The Seventh Galaxy
- Earth Juice
- Where Have I Known You Before
- Song To The Pharoah Kings
Customer Reviews:
Incredible proggy jazz rock.......2007-06-07
The lineup at this point included Chick Corea (Fender Rhodes electric piano, acoustic piano, clavinet, Yamaha organ, ARP Odyssey synthesizer, and percussion); bassist extraordinaire Stanley Clarke (Alembic electric bass guitar, Yamaha organ, bell tree, chimes; excellent drummer Lenny White (drums, percussion); and newcomer Al Di Meola (electric and acoustic guitars; acoustic 12 string guitar). I think it goes without saying that this is a musician's band. These guys are all unbelievably talented, with Stanley Clarke setting new standards for performance on the bass that would be equaled by few - this guy is mind-blowingly fast. For his first time playing with RTF (Al was 19 at the time), Al does an incredible job, although his playing is not as dominant in the mix as it would become on later albums. With this album, Chick had started weaving synthesizers into the RTF sound and he gets some great tone colors out of the ARP Odyssey on this album, which is plastered everywhere. As a huge fan of progressive rock and electronica, I do not mind the analog synthesizer use at all, although some jazz fans might be turned off.
The eight tracks on the album range in length from 1'02" to the 14'21" Song to the Pharoah Kings suite. In terms of the music, it is an incredible amalgamation of jazz; jazz rock; progressive rock; space rock; funk and even a tiny bit of classical - more like a proggy jazz rock actually. In fact, as a progger, I really appreciate the dense arrangements and virtuosity. Speaking of which, just about every odd time signature under the sun is used on Where Have I Known You Before and there is some incredibly complex ensemble work.
Sandwiched in-between the highly electric rave-ups are three of Chick's acoustic piano improvisations including Where Have I Loved You Before; Where Have I Danced With You Before; and Where Have I Known You Before. This is the closest this album comes to sounding like traditional jazz and showcases Chick's considerable talents on the acoustic piano. The softer acoustic tracks provide a nice contrast with the highly charged electric tracks. Earth Juice is the "funkiest" piece on the album, although this funk is pretty far removed from Sly and the Family Stone. Of course, Chick's work on the clavinet here and there on the album really lends to the funkiness. The suite that closes the album out is a high point for me and opens with a great synthesizer arrangement, which then launches into some extremely complicated ensemble work that sounds very similar to some of the music that was coming out of the English progressive rock scene at the time. Although there are solos on this lengthy track, they are really very interesting and are seamlessly integrated with the arrangement - in fact, they sound pre-composed.
Although it may not appear to be the case, this Verve release was remastered (albeit a low budget remaster), and the sound quality is very good. There are a few photos of the band and a lengthy bit of "cosmic" verse from Neville Potter. The imagery of the words is both colorful and evocative.
All in all this is an excellent RTF album (my "new" personal favorite) and is very highly recommended along with Romantic Warrior (1976). Proggers should definitely check this album out.
Strong RTF Effort!!.......2005-10-21
Things just get more interesting as each piece is connected by short solo piano interludes from Chick that set up the listener for the next major piece. "Shadow of Lo" is Lenny White's contribution combining soaring melody and earthy funkiness. "Beyond The 7th Galaxy" is a great sequel to the title cut of the previous album "Hymn of The 7th Galaxy, combining frighteningly tight ensemble passages and grand sweeping melodic themes. "Earth Juice"" is an unabashed funk workout for the guys just to stretch out and have fun with. But then, the piece de resistance', "Song of The Pharoah Kings". Setting it up with mysterious organ backdrops and probing Middle Eastern-tinged lead synth, Chick leads the charge into an urgent taut wild ride over the dunes and through ancient lands that pharoahs once ruled. A great way to close.
Some people have complained about Chick's synth tones on this disc, personally, I think they had kind of a playful impish charm that actually worked.
The only weak spot for me was, well, you guessed it readers, Al DiMeola. Although nowhere near as obnoxiously wanky as he became towrads the end of RTF's exitence and his solo outings, I do find myself missing Bill Connors' thick-toned soulful emotionally charged playing. DiMeola here just sounds very dry and mathematical to my ears.
The DiMeola thing notwithstanding, it doesn't take awayt from this disc's sheer sense of adventure and brilliance!
This is an RTF "Must-Have"!.......2005-09-14
Amazing.......2005-09-13
A 70s fusion album that stands the test of time.......2005-03-14
"Song to the Pharaoh Kings" is the highlight of the album.
This is a must-have album if you like 70s fusion.
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When You Land Here It's Time to Return
Flake Music Manufacturer: Omnibus ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000006O4G Release Date: 2002-04-16 |
Customer Reviews:
Flake Music "Returns".......2004-04-14
There's a bit of everything in here: some college-rocky stuff (the warm, thoughtful "Spanway Hits," fast-strumming "Mieke," the slow-burning rocker "Blast Valve") and cool and sweet pop music (the delicate "Roziere," eerie "Vantage," the pleasant "Shins" -- yes, their later name originates from a song title). A handful of untitled tracks (a little rough around the edges) round it off.
"Early work" can be embarrassing or enlightening. With Flake Music, it's the latter. The early stuff isn't bad by any stretch, but it's still fumbling for the right niche to settle into. At times you can detect the influences (such as Built To Spill), usually indie-rock/pop of the 1990s. But it's so earnest that it's lovable, especially given what it morphed into a few years later. Even taken on its own, it's fun.
The swirly sound of the Shins is forming nicely in "When You Land...", with plenty of guitar both jangly and smooth. Some acoustic, some bass, a spattering of other little musical touches add up to a sort of delicately psychedelic-lite sound. That sound suffers, however, from some lo-fi sound quality that doesn't suit the music. Since it was recorded in a living room that isn't surprising, but the music deserves better.
The lyrics are nice work, charmingly bright and fun (except for a brief deviation into emo). In fact, the songwriting is polished and smart. James Mercer's high voice is a bit distant at times (such as in "The Shins"), but is flexible enough. He can be grounded and solid (as in "Mieke") or soar almost to a falsetto (as in the soft "Vantage," where he sounds like he's floating away).
The quartet from Albuquerque were still finding their way back when they were Flake Music, but their youthful fumblings are a pleasant, earnest sort of listen in the reissued "When You Land Here It's Time To Return." Well worth having for fans of indiepop.
Something Is Wrong On This Listing.......2002-01-05
the shins first album.......2001-10-15
Cool collection of high-speed racing tunes!.......1999-09-16
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The Science Fiction Album
Various Artists Manufacturer: Silva America ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000066HE5 Release Date: 2005-02-08 |
Tracks:
- 2001: A Space Odyssey
- Aliens
- Sound Effect - The Nostromo
- Alien
- A.I.
- Armageddon
- Sound Effect - Apollo 13 Lift-off
- Apollo 13
- Back To The Future
- Battle Beyond The Stars
- Battlestar Galactica
- The Black Hole
- Contact
- Capricorn One
- Close Encounters of the Third Kind
- The Day The Earth Stood Still
- Dune
Tracks:
- Galaxy Quest
- Sound Effect - Dogfight in Space
- Enemy Mine
- Ghostbusters
- Gremlins
- Heavy Metal
- Independence Day
- E.T.
- Judge Dredd
- The Last Starfighter
- Lifeforce
- Sound Effect - Crash Landing
- Lost In Space
- Mars Attacks
- The Matrix
- Predator
- The Right Stuff
Tracks:
- Moonraker
- Robocop
- Silent Running
- Sound Effect - Alien Organism
- Species
- Stargate
- Starship Troopers
- Starman
- Star Trek - TV Theme
- Star Trek: The Motion Picture End Title
- Klingon Attack
- Sound Effect - Warp Drive
- Star Trek II: The Wrath of Khan
- Star Trek: Deep Space Nine
- Star Trek: Generations
- Star Trek IV: The Voyage Home
Tracks:
- Star Trek VI: The Undiscovered Country
- Sound Effect - Transporter Crew
- Star Trek: Deep Space Nine - Main Theme
- Star Trek First Contact
- Star Wars
- The Empire Strikes Back
- The Empire Strikes Back
- Return of the Jedi
- Sound Effect - Battle Stations
- Star Wars Episode 1: The Phantom Menace - The Flag Parade
- Anakin's Theme
- The Adventures of Jar Jar
- Duel of the Fates
- The Time Machine
- Things to Come
- The Thing From Another World
- War of the Worlds
- When Worlds Collide
- Total Recall
- You Only Live Twice
- Superman
Customer Reviews:
The penultimate collection ..........2006-12-07
I have always had a weak spot for (good, or maybe even intelligent) science fiction/fantasy and film music, especially its way of evoking mystery, grandure and wide open spaces. Call it a weakness if you want. But it was maybe really kick started off, for as far as I can remember, with Star Trek. But especially Star Trek II, III and IV - essentially a trilogy - because of their very romantic but very warm, human core, set on the broadest canvasses of unlimited and mysterious outer space. But then there was the music for adding that essential extra dimension of emotion and atmosphere. I am happy that much of the music on this album is from the Star Trek series and films, often equaling or sometimes even outclassing the original recordings.
This kind of music (for the movies) should be seen as an art on its own rights with its own merits and qualities. As such, the musical sequences on these CD's are a beautifully played cross section of some of the most evoking orchestral music for science fiction/fantasy film ever created. And I very much like the nicely blended, wide and deep orchestral soundpicture with enough reverberation to evoke a sense of wide open spaces.
I am quite thrilled by tracks like the evocative music from Dune, truly transporting one to the vastly sands of Arrakis (the music is wonderful, but to my great regret I think the movie itself is a flawed masterpiece at best, alas.). And then there is the very different, goofy music for Ghostbusters (memories of childhood), the spoofy but electrifying music from Mars Attacks (lovingly parodist music, this, with not a little touch of irony) and the happily adventurous, forward driving Theme from Galaxy Quest ('Never give up, never surrender!'), now also used for the internet-based fan-series Star Trek: The Hidden Frontier. On the other side of the spectrum we have the atmospheric music for Enemy Mine (an underestimated 'little' movie), the Theme from The Right Stuff (actually science FACT, not fiction, this film, just like Apollo 13, of course), the eerily attractive music for Species, the original End Title for Alien (not used in the theatrical version of the movie, where it was replaced by music from howard Hanson's Second Symphony), the exquisitely exotic music for Stargate, the sweet and warmly sympathetic, beautifully re-orchestrated, theme for Starman, the title cue for Star Trek: TOS (much more melodiously played than the original! If only a series nowadays could continue to be as thought provoking and as original as Star Trek was during its launch, fourty years ago ...) and a truly overpowering End Titles Suite from Star Trek VI: The Undiscovered Country. I especially like the thrillingly grandiloquent rendition here of the music for Star Trek II: The Wrath of Khan. And how nice it is to hear the (thematic) similarities between James Horner's music for The Wrath of Khan, his great break-through as a film music composer, and his (two years) earlier music for Battle Beyond the Stars (which did indeed help him earn the job for writing the music for Star Trek II) ...
But on the 'down side', if one is looking for - for example - the gorgeously expansively played End Titles from Cocoon, it is not included here: one has to acquire the album that 'kicked it all off', so to say, namely 'Space and Beyond', also on Silva Screen. I was very pleased also with the inclusion on that album of some of the music from the series Star Trek: The Next Generation, namely where one of the characters, Tasha Yar, in one of the episodes (Skin of Evil) is saying goodbye to her crewmmates: sweetly sentimental and simple music which I have always wanted to own on CD. I guess that a few cues from the other two sequals ('Alien Invasion: Space and Beyond II' and 'Space3: Beyond the Final Frontier') didn't make it onto this 4 CD collection-album as well, but I guess that it would be the 'better part of the bargain' to opt to buy this 'The Science Fiction Album' instead of buying all three albums separately. Well, of course it is for yourself to ultimately decide what you really want ;-)
If I were to nitpick (which is not easy with such a marvellous project as this one), then I would say that while all music is performed with magnificent grandure and with style, some of it is not performed as crisply and as technically 'on the spot' as some of the original recordings: ensemble is a little slack and the playing somewhat stilted sometimes, losing some of the edge and the originality of the writing. ET and Star Wars spring to mind, but then the soundtracks for Star Wars are traditionally recorded with the magnificent London Symphony Orchestra, conducted by maestro John Williams himself, and these superior recordings (especially the ones for Episode I, II and III) can't really be bettered, IMHO. Likewise for the music from Star Trek: The Motion Picture, I believe that in the end one really has to resort to the ultimate reference, namely the original recording (which is true in many other instances of 'original recordings'), and then the 20th anniversay colector's edition of this soundtrack on Columbia/Legacy (truly unmissable, this veritable classic of sci-fi/film music soundtracks!).
But all in all this 4CD-collection amounts to probably being the penultimate high quality sci-fi music album collection (I certainly know of no other project that comes as close quality as well as quantity wise), with some of the most memorable musical moments from classic to modern sci-fi/fantasy film captured in lavish orchestrations.
Collection-wise: five *stars*. Playing: generally four *stars*, sometimes more. The recording quality: five *stars*. The music (qualified on its own merits as film music) and its (re)orchestrations: generally five *stars*. In the end this is all highly recommended, and certainly not to be missed by science fiction and fantasy film music fans. Klaatu barada nikto.
Muisic of the Spheres.......2006-11-06
The Ulllllltimate Sci-Fi Music Collection.......2005-10-23
The moment I ripped off the shrink-wrap and popped it into my cd player was a moment of great trepidation. Believe me when I tell that I've seen my fair share of sub-par orchestral recording in my lifetime. Very often they are in those big super-packs of music, and suffer from poor direction, improper mastering, and sometime even pathetic orchestration (or worse yet have something sounding like a cheap synthesizer and a kazoo in place of a full orchestra). I needn't have worried though. This sucker is fantastic.
Many people who are not audiophiles will probably miss the point of this cd collection. It is not the original versions of the pieces. It is re-orchestrations, mostly by the phenomenal Prague Symphony Orchestra. Many of these themes didn't sound all that hot in there original versions because they were low budget films or were not recorded in high-fidelity. Here they are given the full treatment, mastered with the most loving care imaginable. Often the version found in these cds is SUPERIOR to the original.
Remember the theme from 2001: A Space Odyssey? Of course you do. But how many times have you heard a cheap imitation of the original version from the movie, starting too low in volume and ending too high (and missing the essential pipe-organ that gives it that extra oomph)? Well, this first track in the entire collection is not only everything it should be instrumental and timing-wise, but it also has been oh-so-carefully adjusted during the mastering process so that at no time is the music either too low or too high in volume (surely a benchmark for every other recording ever to be made of the piece).
Or what about the theme from the (at-the-time) uber-creepy The Black Hole? The orchestration of this piece of music goes from tiumphant to terrifying and back again, with a splendor and cleanness that I CERTAINLY don't remember being in the original recording.
Then there's the new version of the theme from Independence Day, complete with a violin solo, a far more electrifying ending climax, and a chorus so thunderous that you feel like applauding at the end. Simply indescribable. Kind of like the MIND-BLOWING rendition of the theme from The Last Star Fighter. This has been one of my favorite themes for a long time now, but I've never heard it played like this. I think the original version of the theme is something like 1 minute long, but this new version doesn't just fade out (HAHAHAHA!!!!) THIS version is THREE minutes long, goes through the main theme THREE times, with the final strains being so triumphant and joyous I could not help but feel an electrifying charge the first dozen or so times (come to think of it, I still feel that way). This is superior to the original in EVERY way. AWESOME.
And let's not forget the incredible new rendition of Stargate with it's heavy use of clarinets (for Egyptian effect!) and a triumphant new ending (completely lacking the chanting from the original version. This version is so different that for the first minute it is very hard to tell that it is in fact Stargate. But then the main theme kicks in, and then you get this incredible flute solo for my favorite part of theme (the whole thing is played slower, but arguably more powerfully than the original). My goodness. At first I found the thing so different I didn't like it. But then I listened to it again. And again. And again.
I could go on and on, talking about the fantastic new rendition of Moon Raker, the ear-popping Battlestar Galactica, the classic Star Trek (First Contact has a minute or two of the theme from Star Trek:The Motion Picture before going into the main theme), or the sweet renditions of music from the Star Wars movies (or the music from E.T.).
I have to mention though that this collection was not picked based merely on what people want, or on what is popular. No, the people who made it obviously thought a GOOD music collection was better than a popular one. That's why you get a heartbreakingly beautiful theme from A.I. instead of the main theme. It's why you get music from movies that you probably never gave a second thought to the music (because the movie was lousy). It's why you get Armageddon, Judge Dredd, and Robocop (who would have guessed their music was so COOL when there was all that crazy action and bad-acting going on on-screen).
I said it before and I'll say it again. This cd-set was mastered with tender-loving-care, and it shows BIG-TIME. High-fidelity the likes of which I have not seen since the days when cds were brand-new in the world. Dolby Surround. Perfectly balanced. BEAUTIUFL orchestrations. About the only thing that makes me scratch my head is the weird sound-effect tracks (Oooookay.....). Other than that, it's PERFECT. Obviously they could not include every sci-fi theme ever (no one can), but this collection is REALLY GOOD. A lot of great themes that got away (forgotten gems :), new versions of old favorites, and under-appreciated classics aplenty, but ALWAYS the full and complete versions with nothing cut-out (the theme from Dune is quite extended).
If you love movie music (and sci-fi movie music in particular) you MUST buy this awesome collection). It is not the original recordings. Almost always the new ones are better (if they aren't better they're just equal). This is what you have been waiting for. I for one am going to be buying quite a few cds from this company in the future. Give your ears the treat they deserve. Buy it NOW.
SciFi Album gift.......2005-07-20
Away From to be a Collectible Peace.......2004-12-16
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Magical Musicals / Kunzel, Cincinnati Pops Orchestra
Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00001QGKF Release Date: 1999-09-28 |
Tracks:
- Hercules: Introduction
- Hercules: The Gospel Truth
- Hercules: One Last Hope
- Hercules: I Won't Say
- Hercules: Zero To Hero
- Hercules: A Star Is Born
- Hercules: Go The Distance
- Aladdin And the King Of Thieves: Party In Agrabah
- Pocahontas: Just Around The River Bend
- The Return Of Jafar: You're Only Second Rate
- The Return Of Jafar: Forget About Love
- The Return Of Jafar: I'm Looking Out For Me
- The Return Of Jafar: Nothing In The World
- Toy Story: You've Got A Friend In Me
- 101 Dalmations: Cruella De Vil
- Pocahontas: Colors Of The Wind
- Oliver And Company: Once Upon A Time In New York City
- Oliver And Company: Why Should I Worry?
- The Nightmare Before Christmas: What's This?
- James And The Giant Peach: Good News
- Mulan: Orchestral Suite
- The Hunchback Of Notre Dame: The Bells Of Notre Dame
- The Hunchback Of Notre Dame: Someday
- The Hunchback Of Notre Dame: God Help The Outcasts
- The Hunchback Of Notre Dame: Topsy Turvy
- The Hunchback Of Notre Dame: Court Of Miracles
- The Hunchback Of Notre Dame: A Guy Like You
- The Hunchback Of Notre Dame: Heaven's Light
Customer Reviews:
Not impressed.......2003-11-25
Although the orchestration of the songs is well done, most of them simply were not meant to be performed by a chorus; and they sound terrible in that form. If you want some of the songs on this CD, I suggest you look at one of Disney's compilation CDs in the Classic Disney Vol. 1-5 series or the actual soundtracks of the movies.
Inexorable wonder!.......2001-06-23
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Philip Glass : The Music of Candyman
Philip Glass Manufacturer: Orange Mountain ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005QFLQ Release Date: 2001-09-21 |
Tracks:
- Music Box
- Cabrini Green
- Helen's Theme
- Face to Razor
- Floating Candyman
- Return to Cabrini
- It Was Always You, Helen
- Daniel's Flashback
- The Slave Quarters
- Annie's Theme
- All Falls Apart
- The Demise of Candyman
- Reverend's Walk
Album Description
"The Music of Candyman" CD is the original music scores written by Philip Glass and produced by his production company, Euphorbia Productions for the films "Candyman" and its sequel "Candyman: Farewell to the Flesh". Subsequent to the first "Candyman" film release, Philip Glass' fans have been requesting access to these recordings. At this time Orange Mountain Music, Philip Glass' new record company, is very happy to make these recordings available. Newly re-mixed to facilitate home stereo playback from the original masters by Don Christensen, this CD will be an important addition to any serious Glass fan's collection as well as a stimulating record for all listeners. The "Candyman" films started out as "The Forbidden", a short story written by the acclaimed horror/fantasy author Clive Barker. It is the story of a graduate student's investigation into a grisly urban legend with distinct racial and social undertones. Director Bernard Rose's ("Paperhouse", "Immortal Beloved") adaptation has given the narrative an underlying intelligence and believability. Unlike most horror films "Candyman" is low on special-effects but still delivers hair raising suspense and surprising shocks, primarily with its creative imagery. Bernard Rose's innovative and realistic direction, the excellent cast (Virginia Madsen as Helen the graduate student and Tony Todd as Candyman) and the Cabrini Green location (a notorious Chicago housing project) made this film an original in its genre. Written for piano, pipe organ and chorus, Philip Glass's score is perfectly suited for this modern gothic tale. Using some of his well established techniques of rhythmic intensity and switching between major and minor key harmonies, Glass's score is as trance inducing and terrifyingly seductive as Candyman himself.Album Description
In 1990 Philip Glass was approached to compose a score for the psychological horror film 'Candyman' and he provided additional cues for the sequel that followed. Since the release of these films, there has been much demand for a soundtrack album that until now has only been satisfied by bootlegs and cover albums. 2001.Album Details
Features Music Philip Glass Recorded for the Candyman Films. The Orange Mountain Label is Dedicated to Unveiling Previously Unavailable Gems from the Archive of this Important Contemporary Composer.Customer Reviews:
Scary horror music at its finest.......2006-10-29
The album actually draws from both the original "Candyman" film and its sequel "Candyman II: Farewell to the Flesh" (which I have not seen) and while there is some carryover musically there are really two separate musical suites on this CD. The first seven tracks are derived from the first film and center on a haunting melody that is the leitmotif for the film's protagonist, Helen Lyle. The tune is first heard most simply in "Music Box", before changing to a piano solo in "Helen's Theme" and finally culminating in the crescendo of a breathtaking choir with resonating basses and soaring sopranos. The remaining tracks build on the sense of horror in the film, particularly the staccato section of high notes in "Return to Cabrini."
The second half of the CD (tracks 8-13) begin with a brief reiteration of Helen's theme before changing over to Annie's theme, a beautiful melody sung by an anonymous artist. Whereas the first film made heavy use of piano in the score, the sequel replaces it with a magnificent pipe organ. "Annie's Theme" finds its own culmination with choir and organ in "The Demise of Candyman" which soars to unexpected heights.
While you might not listen to this CD every day, it is well written and arranged, and is perfect to enjoy as scary "mood music."
Darkest Horror Soundtrack.......2006-09-30
There is a reason this music doesn't sound as good..........2006-07-22
Geez, I don't remember the movie music being this bad!.......2006-06-06
Candyman, Candyman, Candyman, Candyman......can't do it........2005-03-02
Average customer rating:
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Disney's Superstar Hits
Disney Manufacturer: Disney ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000060P4B Release Date: 2002-03-05 |
Tracks:
- Beauty And The Beast - Celine Dion And Peabo Bryson
- You'll Be In My Hear - Phil Collins
- Circle Of Life - Elton John
- Reflection - Christina Aguilera
- My Funny Friend & Me - Sting
- Colors Of The Wind - Vanessa Williams
- True To Your Heart - 98 Degrees And Stevie Wonder
- Strangers Like Me - Phil Collins
- He Lives In You - Tina Turner
- When She Loved Me - Sarah McLachlan
- You've Got A Friend In Me - Randy Newman & Lyle Lovett
- Once Upon A Time In New York City - Huey Lewis
- A Whole New World - Peabo Bryson And Regina Belle
- I'm Gonna Love You [Madellaine's Love Song] - Jennifer Love Hewitt
- Put It Together[Bibbidi Bobbidi Boo] - Brooke Allison
- Hakuna Metata - Jimmy Cliff And Lebo M
Customer Reviews:
Awesome.......2006-04-04
Disney Always Rocks.......2005-09-29
Awesome collection!.......2003-10-19
For adult listeners, the Disney songs sung by "real" singers.......2003-07-22
The songs collected on "Disney's Superstar Hits" are mostly from the 1990s; there is "Once Upon a Time in New York City" from way back in 1988 from "Oliver and Company" and a few songs from the 21st century. But the only golden oldie is "Put It Together (Bibbidi Bobbidi Boo)," which comes from "Cinderella II" and not the original. The obvious frame of reference would be to see this collection as representing the Disney Renaissance ushered in by the Alan Menken/Howrad Ashman era, which makes it strange that nothing from "Little Mermaid" is included. But the common denominator to this collection is that the songs are not sung by the characters from these films, or, more properly, the people who did the voices for the characters. So instead of Angela Landsbury doing "Beauty and the Beast" it is Celine Dion and Peabo Bryson.
There are several songs from the less than stellar direct to video Disney sequels, such as "The Hunchback of Notre Dame II," "The Lion King II: Return to Pride Rock," "and "Cinderella II," which would be a minor complaint. But Tina Turner sings one of the songs, so it is hard to complain. In fact, the strength of this collection is indeed the superstar singers. Most of them are blasts from the past such as Elton John, Stevie Wonder, Phil Collins, Sting, Huey Lewis, and Randy Newsman, but there is also new blood such as Christina Aguilera, Sarah McLachlan, Vanessa Williams, and even Jennifer Love Hewitt. Peabo Bryson comes out ahead, with the aforementioned "Beauty and the Beast" and another duet, "A Whole New World" with Regina Belle.
This disc is perfect for grown ups, who like the "real" singers singing the best songs from the Disney movies their kids have been dragging them to for the past decade. Vanessa William's "Colors of the Wind" is my personal favorite, although it is hard not to recall the fantastic opening of "The Lion King" when you hear Elton John do "Circle of Life." On the fun side of the ledger I like Randy Newman and Lyle Lovett working their collective ways through "You've Got a Friend in Me" a bit more than Jimmy Cliff and Lebo M's "Hakuna Matata."
Trivia Answer: "A Whole New World" was #1 on the Billboard Pop Chart for one week starting on March 6, 1993. It is the song that replaced Whitney Houston's cover of Dolly Parton's "I Will Always Love You" after 14 weeks on top.
Good CD.......2002-12-29
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Return to Homeland
George Skaroulis Manufacturer: Evzone Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005RDCI Release Date: 2001-11-20 |
Tracks:
- The Dance
- Athena
- Traditions
- Homeland
- Kalymnos
- I Remember
- Eleni
- Tarpon
- Open Arms
- Return To Patmos
- Rosemary
- Evi's Song
- Lullaby For Luke
- Evangelia
- My Dream
- Crossroads
- Mosaic
- Adrift
- Is Agios
Customer Reviews:
Homeland.......2007-01-19
One of the best.......2005-12-01
Scrumptious, Heavenly, Soothing..........2002-01-18
Average customer rating:
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Xena: Warrior Princess, Volume Six : Original Television Soundtrack
Manufacturer: Varese Sarabande ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005LMK2 Release Date: 2001-07-10 |
Tracks:
- With the Angels
- Battling Archangles
- Go to Them
- Body Snatch
- Resistence
- Gab's Trial
- They're Coming
- Back from the Dead
- She'll Be Here
- Callisto in Hell
- Way of Pain
- Kee Coming
- End of Coming
- Ring
- Valhalla
- On a Cow
- Up the Rhein
- Rhein Maidens
- Out of Options
- Kiss
- Return of the Rheingold
- Pas de Deux Femmes
- You Will Dance
Tracks:
- Sounds of War
- To the Rising Sun
- Sounds of Life and Death
- Snow Falling on Cedars
- Burning Higuchi
- Die Demon
- Reality of Dreams
- Xena Vs. Yodishi
- Return to Chin
- Power of the Book
- Secret of the Powder
- Haulin' to the North
- Mausoleum
- It's Over
- Love Is a Weapon
- United in Love
- Joxer the Mighty
- Play's the Thing
- Woman's a Natural Thing/Miss Known World
- Day in the Life
- Catching Fish
- Up in the Trees
- Things in Common
- Down the Valley
- Neighbor Lady
- Smelling Mortality
- Chasin' Chickens
- Quill Is Mightier
- Here Girl
- Xena Main Title
Customer Reviews:
Great, but no prize.......2002-03-31
The cd has its good points, personally "It's Over" from "THAB" with its haunting melodies portraying the consequences of war.
Xena;Warrior Princess volume six.......2002-01-09
Great Collection.......2001-12-25
Just another fine addition to my Xena collection!
Exceptional.......2001-11-30
Though,there is a complain:i can't understand,why after 6 cd's,the producers don't do a cd including cues like:M'laila's song,the cues from the Bacchaen festival,music from Deja Vou All Over Again,where in the end,Gabrielle says to Xena those wonderful words,or even the scene of the kiss in The Quest!That,i can't understand it!
Last, i believe that whoever likes LoDuca's music style,should buy this cd.
Pay attention to the 22 cue:Pas De Deux Femmes.It is one of a something and whoever remembers what's the scene of this song,will agree with me!Mmmm!
A MIX OF THE BEST, THE WORST AND THE MISSING.......2001-11-29
Meditation Music:
- Rock the Planet
- Sanctuary
- Say My Name [CD-single] [Import]
- Scars and Stripes
- Served Acoustic: A Tribute to Warrant
- Showtime! [Live] [Original recording remastered]
- Sing The Hits Of Elvis Presley (karaoke)
- Sing The Hits Of Jessica Simpson (Karaoke)
- Singles [Import]
- Something About My Praise
Meditation Music
Divertissement a La Hongroise Op 54
Music: The Time to Rock: Best of Singles A's & B's [Impo
Early Tzigane Records/Budapest-Monte Carlo-Madrid-Berlin-Milan-Paris 1898-1022
Bruckner: Symphony No. 9 [Enhanced]