Dear Dear [Import]

Dear Dear [Import]

Track Listings

1. She La
2. Music Man
3. Nice to Luv You
4. Lovers and Losers
5. We Are, We Pretend
6. Apollo and Me
7. Faithful
8. Inside the Horn
9. You Don't Get Away (That Easy)
10. Book
11. Dear, Dear

Dear Dear,54-40,Columbia,Alternative Pop/Rock,Jangle Pop,Pop,Roots Rock


Dear Miles
Average customer rating: 4.5 out of 5 stars
  • Nothing Special
  • Inspired
  • A WONDERFUL, SIZZLING MILES DAVIS TRIBUTE BY RON CARTER AND THREE TALENTED FRIENDS.
Dear Miles
Ron Carter
Manufacturer: Blue Note Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B000QFAF9U
Release Date: 2007-06-19

Tracks:

  1. Gone
  2. Seven Steps To Heaven
  3. My Funny Valentine
  4. Bags' Groove
  5. Someday My Prince Will Come
  6. Cut And Paste
  7. Stella By Starlight
  8. As Time Goes By
  9. Bye Bye Blackbird
  10. 595

Amazon.com

Bassist Ron Carter provided the anchor for Miles Davis's band from 1963 to 1969, becoming an indispensable part of one of the trumpeter's greatest bands. While there's plenty of reflection on Davis's music and personality here, the emphasis is squarely on Carter's own long-standing quartet, featuring pianist Stephen Scott, drummer Payton Crossley and percussionist Roger Squitero. As you'd expect from that line-up the emphasis is often on rhythm, with Carter's warm-toned, resonant bass pulsing at the heart of the music. Davis's fleet "Seven Steps to Heaven" inspires racing invention from Scott and some vibrantly explosive percussion from Squitero, while "My Funny Valentine" has Scott playing with the kind of spare lyricism that was a Davis hallmark, Carter supplying a beautiful chordal accompaniment. There's even a bell-like elegance to the subtle blues-feel of "Bag's Groove." While much of the material alludes directly to Davis's inspiration, the quartet's also reflects one of Davis's own stylistic sources, pianist Ahmad Jamal's trio. --Stuart Broomer

Customer Reviews:

3 out of 5 stars Nothing Special.......2007-07-19

I don't know...maybe i'm listening to too much Thelonious Monk (an incredible genius) so this CD by Ron Carter seems, by contrast, very middle of the road, like "ordinary everyday" jazz you might hear at a cocktail lounge. It's very well produced and very well played, but I hear no genius in the music, like I do when I listen to Monk.

5 out of 5 stars Inspired.......2007-06-25

The promotional materials accompanying "Dear Miles" quote Ron Carter as saying "I would have been offended 10 years ago if someone had asked me to do a Mile tribute album." Why Carter would suddenly be defensive about a Miles tribute at any point in his career is strange. He's been interpreting Miles materials continually as accompanist and bandleader since leaving Miles' greatest quintet around 1968.



It's not the project that's strange--Ron Carter was a seminal contributor to Miles' creations during Miles' most fertile period, so accusing him of plagiarism would be ludicrous--what's strange here is the choice of material. These are not Miles' heavy hitters. For the most part, they're not tunes associated exclusively with Miles at all. In fact, the track list would prompt many music lovers to put the CD back on the shelf. This is a badly shop-worn setlist. Who wants to hear another "My Funny Valentine"? What's been done with it since Chet Baker that compelled a second listen? "Someday My Prince Will Come" and "Stella by Starlight"? It sounds like an "as-seen-on-TV" compilation.



But from the first cut, it's apparent that something remarkable is happening on "Dear Miles". "Gone," one of Gil Evans' finest big band arrangements from "Porgy and Bess," is transmuted in its translation to the quartet format to become something wonderful indeed. "My Funny Valentine" gets an overhaul that rediscovers something at the heart of the tune that is beautiful in its simplicity. And then there's "Bag's Groove," a tune that Carter has beautifully reinterpreted before (notably in a duet with Jim Hall), but never to greater effect on this CD. Even "As Time Goes By" becomes something new and vibrant here.



This is Carter's best work since 1999's Latin-inspired "Orfeu," and his greatest traditional small ensemble work since Miles.

5 out of 5 stars A WONDERFUL, SIZZLING MILES DAVIS TRIBUTE BY RON CARTER AND THREE TALENTED FRIENDS........2007-06-20

Five ENJOYABLE Stars!! Composer, arranger, educator, perennial jazz poll- and Grammy-winner Ron Carter, unquestionably one of the greatest bassists in jazz history, has conjured up a great tribute to Miles Davis, who brought him front and center in the jazz world. Historically, Mr Carter arrived in the quintet after the "Kind of Blue" era, playing from 1963 to 1968 teaming up with Herbie Hancock and Tony Williams to form one of jazz' most stellar rhythm sections, playing many of these very songs. This CD is a wonderful set of Miles associated-songs which are fresh while often maintaining much of the atmosphere of the originals. Mr Carter is joined by the stupendously inventive Stephen Scott on piano, superlative drummer Payton Crossley and master percussionist Roger Squitero. Wonderfully recorded, you can often hear the reverberations of Mr Carter's strings suspending the notes in the air longer than we normally hear.

The 'Pieces De Resistance', the best of the best, begin with a song I listened to six consecutive times before moving on: the 5-minute "Stella by Starlight" which begins with a bridge fragment and is a robust, wonderfully-constructed, touching extended bass solo by the 'bassist-extraordinare' with some tasteful piano, percussion and great brush support. And look for Ron's amazing 'mystery note' near the end, in a performance that mirrors the Miles Davis tempo and atmosphere but stands on it's own; ditto for the tempo shifting "My Funny Valentine". "Gone" has some superlative drumming, stout Carter 'walking', great Scott pianism, and great overall interplay. "Seven Steps To Heaven" starts out in a familiar vein but launches into it's own trajectory from there with Scott absolutely on fire and with some muscular bongo playing by 'conguero' Squitero. The waltz "Some Day My Prince Will Come" starts out where we would expect and Scott turns it funky and bluesy in a great performance that almost sounds 'Brubeck-ian' near the end. There are two Ron Carter compositions: the blazing fast "Cut and Paste" with Crossley showing his 'accent' and solo mastery and Carter giving a bass-walking seminar, and the bluesy, almost "So What"-ish "595" which is a showcase for Ron's writing and arranging plus Squitero's background percussive virtuosity. Don't let the song times dissuade you, each satisfying song gets a thorough examination and exposition. Now 70, a fleet-fingered, highly-inventive Ron Carter is as potent a bassist and as vital a composer and group leader as ever, inspiring those around him as evidenced by this disc. My Highest Recommendation. Five WONDERFUL Stars!!

(Note: this review is based on an iTunes digital download.)
The Lord of the Rings: Fellowship of the Ring - The Complete Recordings
Average customer rating: 5 out of 5 stars
  • Beautiful
  • Awesome
  • Excellent Music tracks from Movie
  • Complete?
  • Great Collection, Poor Packaging
The Lord of the Rings: Fellowship of the Ring - The Complete Recordings
Howard Shore
Manufacturer: Reprise / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B000BNI90O
Release Date: 2005-12-13

Tracks:

  1. Lord of the Rings: The Fellowship of the Ring/Prologue: One Ring ...
  2. Lord of the Rings: The Fellowship of the Ring/The Shire
  3. Lord of the Rings: The Fellowship of the Ring/Bag End (Featuring ...)
  4. Lord of the Rings: The Fellowship of the Ring/Very Old Friends
  5. Lord of the Rings: The Fellowship of the Ring/Flaming Red Hair
  6. Lord of the Rings: The Fellowship of the Ring/Farewell Dear Bilbo
  7. Lord of the Rings: The Fellowship of the Ring/Keep It Secret, Keep ...
  8. Lord of the Rings: The Fellowship of the Ring/A Conspiracy Unmasked
  9. Lord of the Rings: The Fellowship of the Ring/Three Is Company
  10. Lord of the Rings: The Fellowship of the Ring/The Passing of the Elves
  11. Lord of the Rings: The Fellowship of the Ring/Saruman the White
  12. Lord of the Rings: The Fellowship of the Ring/A Shortcut to Mushrooms
  13. Lord of the Rings: The Fellowship of the Ring/Strider
  14. Lord of the Rings: The Fellowship of the Ring/The Nazgul ...

Tracks:

  1. Lord of the Rings: The Fellowship of the Ring/Weathertop
  2. Lord of the Rings: The Fellowship of the Ring/The Caverns of Isengard
  3. Lord of the Rings: The Fellowship of the Ring/Give Up the Halfling
  4. Lord of the Rings: The Fellowship of the Ring/Orthanc
  5. Lord of the Rings: The Fellowship of the Ring/Rivendell
  6. Lord of the Rings: The Fellowship of the Ring/The Sword That Was ...
  7. Lord of the Rings: The Fellowship of the Ring/The Council of ...
  8. Lord of the Rings: The Fellowship of the Ring/The Great Eye
  9. Lord of the Rings: The Fellowship of the Ring/Gilraen's Memorial
  10. Lord of the Rings: The Fellowship of the Ring/The Pass of Caradhras
  11. Lord of the Rings: The Fellowship of the Ring/The Doors of Durin
  12. Lord of the Rings: The Fellowship of the Ring/Moria
  13. Lord of the Rings: The Fellowship of the Ring/Gollum
  14. Lord of the Rings: The Fellowship of the Ring/Balin's Tomb

Tracks:

  1. Khazad-Dum
  2. Caras Galadhon (featuring Lament for Gandalf, performed by Elizabeth Fraser)
  3. The Mirror of Galadriel
  4. The Fighting Uruk-hai
  5. Parth Galen
  6. The Departure of Boromir
  7. The Road Goes Ever On (part 1)
  8. May It Be (composed and performed by Enya)
  9. The Road Goes Ever On (part 2. featuring In Dreams, perfomed by Edward Ross)
  10. Lord of the Rings: The Fellowship of the Ring/Khazad-D
  11. Lord of the Rings: The Fellowship of the Ring/Caras Galadhon ...
  12. Lord of the Rings: The Fellowship of the Ring/The Mirror of Galadriel
  13. Lord of the Rings: The Fellowship of the Ring/The Fighting Uruk-Hai
  14. Lord of the Rings: The Fellowship of the Ring/Parth Galen
  15. Lord of the Rings: The Fellowship of the Ring/The Departure of Boromir
  16. Lord of the Rings: The Fellowship of the Ring/The Road Goes Ever ...
  17. Lord of the Rings: The Fellowship of the Ring/May It Be
  18. Lord of the Rings: The Fellowship of the Ring/The Road Goes Ever ...

Amazon.com

As fans of Peter Jackson's Lord of the Rings trilogy know, each film exists in two versions: the theatrical one and the extended one that appeared on DVD. This luxurious box set--which also comes with a detailed essay on the movie's musical themes--features the full extended score, so many cues not on the CDs of the individual movies are included. Granted, the majority of listeners will be perfectly happy with the shorter versions of the scores--it's a safe bet that most people can live without hearing, say, Ian McKellen's 35-second-long ditty "The Road Goes Ever On" at the beginning of "Bag End," or Viggo Mortensen's performance of his own composition, "The Song of Lúthien," within the track "The Nazgûl." But if you're a completist and/or a devotee of Howard Shore's pounding tympani and overwhelming choral compositions (featured particularly prominently on disc 3, a large chunk of which is devoted to a battle scene), then this set is a dream come true. Audiophiles should note that the fourth disc, a DVD, offers the score in Dolby Digital 5.1 Surround Sound. Fire up those speakers so the whole shire can hear. --Elisabeth Vincentelli

Album Description

An epic film score receives epic treatment with The Lord of the Rings: Fellowship of the Ring/Complete Recordings. Released for the first time on CD, the complete score for the first film in the Lord of the Rings trilogy contains more than 180 minutes of music on three CDs plus a DVD-Audio disc of the entire score in Surround Sound. Breathtaking and majestic, the 2001 Oscar and Grammy winning score compsted by Howard Shore also includes Enya's Oscar nominated "May It Be." For fans of any of The Lord of the Rings films, the Fellowship of the Ring/Complete Recordings is an essential experience.

Customer Reviews:

5 out of 5 stars Beautiful.......2007-06-15

I picked up this set because I am both a LOTR fan, movies and books and I need music to help me work. There are some tracks that I skipped over, like the short little ditties in the bar, but many of the songs, such as the Elvish chants are easy to get lost in - its just too bad they don't last longer. The packaging really is well done, though the DVD disc was loose when I received it in the mail, but unharmed. I will have to wait until the price on the second set comes down a little more, but I can't wait for ROTK.

5 out of 5 stars Awesome.......2007-06-12

This is by far the editon to get if you loved the lord of the rings soundtrack. It has every song on it from the extended edition. and the DVD-A version is very nice.

5 out of 5 stars Excellent Music tracks from Movie.......2007-05-03

Brings the movie back as you listen to the full version of the track.

3 out of 5 stars Complete?.......2007-04-07

This CD collection is wonderful; it has much of the material from the movie that was only included in the extended edition DVD, but it is far from complete. While it does have the complete version of "The Passing of the Elves" and two versions of "The Road Goes Ever On", many of the songs are highly incomplete and inferior to the originals. "Aniron," the theme for Aragorn and Arwen performed by Enya, is incomplete and the lyrics are hard to match to what is being sung. The sound quality for this song is even worse on the accompanying DVD, which is supposed to have all of the music in "superior sound". The song "Prophecy" is reduced to two barely-audible lines and "May It Be" is shortened and different than the original. $60 for this when there are more complete songs on the original soundtrack is ridiculous.

3 out of 5 stars Great Collection, Poor Packaging.......2007-04-03

I realy can't add to what others have said about this set, the music is simply the best LOTR soundtrack collection out there! It is all here, and the contents of this set will make any LOTR fan happy and the music DVD is a great one disc addition if you want to hear the entire score in one sitting (to which I have done a number of times already).
My only complaint is the somewhat flimsy cardboard box that houses the contents of this musical treasure. Mine came damaged, and considering the price, I expected better packaging. This is a minor quabble on my part and NO, I havent returned it due to the fact that the music itself Is what I truly treasure, It just would have been nicer to have recieved it undamaged.

Music-5
Packaging-3

*for the record I had rated this Item 5 stars not the 3 stars that is showing at the top of my review*
Greatest Hits
Average customer rating: 4.5 out of 5 stars
  • Typical Mancini
  • It's Hard to Believe He's Gone
  • Nostalgic
  • On connaît tous sa musique, beaucoup moins son nom...
  • Henry Mancini's Greatest Hits
Greatest Hits
Henry Mancini
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004Y9YB
Release Date: 2000-09-26

Tracks:

  1. Peter Gunn
  2. A Profound Gass
  3. Snowfall
  4. Mr. Lucky
  5. The Great Impostor: Theme
  6. Moon River
  7. Breakfast at Tiffany's
  8. Experiment In Terror
  9. Hatari: Theme
  10. Baby Elephant Walk
  11. Just For Tonight (Vocal)
  12. Days Of Wine And Roses (Vocal)
  13. Charade (Vocal)
  14. The Pink Panther Theme
  15. Dear Heart (Vocal)
  16. How Soon (Vocal)
  17. A Shot In The Dark
  18. The Sweetheart Tree (Vocal)
  19. Two For The Road (Vocal)
  20. Love Theme From 'Romeo An Juliet'
  21. Whistling Away The Dark
  22. What's Happening!!

Customer Reviews:

3 out of 5 stars Typical Mancini.......2007-03-25

First, I really like Mancini's music generally and I am really concerned that he may be one of the greats of American music who will soon be forgotten if he hasn't been already. (US music schools tend to be a little snobby and don't give a number of truly great American composers their due.) However, the mix of this particular CD is simply too average. Many good songs are not on it and some weak ones are. I would not recommend this CD except to ManciniPhiles like me.

4 out of 5 stars It's Hard to Believe He's Gone.......2006-05-23

Henry Mancini gave us so much of our consciousness of the 1960s and 1970s, and yet was "out" almost as soon as he was "in."

His work became synonymous with much-despised "elevator music" in the later 1960s. This stereotype (or monotype, for his earliest works) can mislead.

For example, "Lujon" [not in this collection] was used in a movie just last year to exemplify mystery and an exotic atmosphere.

Mancini dies way too young. While some would argue that he'd become a self-parody, his innate gifts compromised by relentless commercialization, you cannot take away his lasting gift to our culture. He was an original, and he captured an essence of our collective experience.

He's here in this collection, waiting round the bend, my Huckleberry friend.

4 out of 5 stars Nostalgic.......2006-02-20

A great trip down memory lane. The selections sound just like I remember them from the movies and the radio. Enjoy

5 out of 5 stars On connaît tous sa musique, beaucoup moins son nom..........2005-09-20

En ces temps où le terme de BO est galvaudé (pénible Yann Tiersen, satanés Choristes !), cette compilation est l'occasion de rendre hommage à l'un des grands génies du genre, largement méconnu, et victime d'un des plus incroyables quiproquos de la Musique.
En effet, c'est lui qui a composé l'éternel thème de la Panthère Rose, et son mythique refrain de saxophone, définitivement associés au dessin animé du même nom, et qui invariablement provoquent sourires (voire moqueries) chez les non-initiés... Rappelons qu'au départ La Panthère Rose est un film réalisé par le génial Blake Edwards en 1964, avec l'inénarrable Peters Sellers dans le rôle principal, et que cette fameuse Panthère Rose désigne non pas un sympathique félin, mais un diamant d'une valeur inestimable, et dont le vol est à l'origine du scénario.
Mais sa contribution à l'histoire de la musique ne s'arrête pas là. En effet, on lui doit également le monumental Moon River, titre dont l'insurpassable limpidité mélodique est capable de me porter au bord des larmes en quelques mesures, repris entre autres par Sinatra et Morrissey et susurré par la délicieuse Audrey Hepburn dans Breakfast At Tiffany's. Et c'est toujours lui qui est à l'origine du thème explosif de Peter Gunn, avec sa ligne de basse à réveiller les morts et ses arrangements de cuivres qui traumatiseront toute une génération de compositeurs, Quincy Jones en tête...
En tout cas, cette compilation est une excellente introduction à l'univers de Henry Mancini, qui en mêlant arrangements jazzy, vocaux surannés et mélodies inoubliables, a tout simplement inventé la Lounge music, avant que ce mot ne désigne un vaste fourre-tout pour bobos peu curieux...

5 out of 5 stars Henry Mancini's Greatest Hits.......2005-07-13

This CD is all one needs to understand why this dude is the master when it comes to composing. Having been introduced to this great human being at an early age, my fascination for his work is still a vital part of my being. This CD is just what I have always wanted. It has all the classics, along with some older gems I never knew existed. I love it so much, that I am going to send my mama back home one. She was, is and always will be perhaps his GREATEST FAN ever. If you just can't live without Mancini's music, then this CD is for you. Enjoy, enjoy,
enjoy!!
Dear Mr. Sinatra
Average customer rating: 4 out of 5 stars
  • That's life, but do it your way, John.
  • Quality over quantity.
  • amazing
  • whats the problem?
  • You got to feel it!
Dear Mr. Sinatra
John Pizzarelli
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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  1. From This Moment On
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ASIN: B000FTWAC2
Release Date: 2006-07-18

Tracks:

  1. Ring-A-Ding Ding
  2. You Make Me Feel So Young
  3. How About You?
  4. If I Had You
  5. Witchcraft
  6. I've Got You Under My Skin
  7. Nice 'N' Easy
  8. Medley: I See Your Face Before Me/In The Wee Small Hours (Of The Morning)
  9. Can't We Be Friends?
  10. Yes Sir, That's My Baby
  11. Last Dance

Amazon.com

With his eternally boyish tenor and cheery romantic outlook, John Pizzarelli is a stylistic world apart from Frank Sinatra, he of the manly baritone and dark sensual undercurrents. But like his Italian-American forebear, he's a consummate swinger, and he knows how to make a lyric his own. Comprised mostly of tunes written for the Chairman, Dear Mr. Sinatra is a musical fan letter without the usual schmaltz or reverence. An actively intelligent singer and guitarist, Pizzarelli reshapes the material to fit his personality, whether quietly enunciating "You Make Me Feel So Young," scatting over a brief guitar solo on "How About You?," or making the emotions sneak up on you on a medley of "I See Your Face Before Me" and "In the Wee Small Hours (of the Morning)." He's equally at home with the Clayton-Hamilton Jazz Orchestra as he is with his working combo, largely because in John Clayton, he has a skilled arranger who is equally open to recasting the songs--dig the jagged rhythms, hesitation effects, and burnished tones on "I've Got You Under My Skin." Even as he asserts his own style, Pizzarelli subtly conveys his affection for Sinatra in his phrasing. The album also boasts an agreeable Frank-like running time of 39 minutes. --Lloyd Sachs

Customer Reviews:

4 out of 5 stars That's life, but do it your way, John........2007-05-25

Tasteful, swinging, infectious sounds, with John Clayton tailoring them to Pizzarelli's smallish tenor voice almost as effectively as Johnny Mandel did the same for Shirley Horn. But Sinatra was/is the Great American Songbook, more responsible for the continuing vitality of the standards of Berlin, Kern, Gershwin, Rodgers, Porter, Arlen, Van Heusen, and company than any other singer. Simply by selecting songs from the repertory and performing them with taste and artistry, along with swing and soulful conviction, insures that a performer is honoring the memory and enduring influence of the progenitor.

Comparisons can be unflattering, but the point is they should be unnecessary. Instead, Pizzarelli practically invites them with his dedication--on grounds, moreover, that could be used by any number of singers who perform classic Songbook material through sincere and skillful interpretation. That's probably the reason that some listeners of the album feel compelled to question the comparison, whether defending the present effort or finding it wanting in some ways.

4 out of 5 stars Quality over quantity........2007-03-14

Every singer ends up attempting Sinatra eventually, but few manage so well....
John Pizzarelli has been playing jazz guitar with his legendary father, Bucky, since he was 6 years old.
John's latest album is Dear Mr. Sinatra, on which he plays songs written for Ol' Blue Eyes....
The crooner is noted for his sensitive phrasing and powerful interpretative voice, which recall the relaxed stylings of Nat "King" Cole and Chet Baker, as well as for his fluid, inventive guitar playing.
On this album of covers of songs made famous by Frank Sinatra, John Pizzarelli wisely avoids the pitfalls of Ol' Blue Eyes imitations in favor of his own intimate approach, best heard on the set's more relaxed arrangements.
My highlights are the tracks "I've Got You Under My Skin", "Nice and Easy" and "You Make Me Feel So Young".
Both attention-grabbing and supportive, his expertly arranged big band accompaniment likewise evokes the ring-a-ding-ding of the Rat Pack era while steering clear of mere pastiche.
With a total time just under 40 minutes, the program is a little short by CD standards, but the performances by John Pizzarelli and the Clayton-Hamilton Jazz Orchestra in this warm tribute to Frank Sinatra are consistently of high caliber and hit the mark every time.

5 out of 5 stars amazing.......2007-03-03

I had a chance to see Pizzarelli live, and he is amazing. A great entertainer who never leaves you bored for a second. The CD is very good, but you must see him live to appreciate his true skill!

5 out of 5 stars whats the problem?.......2007-02-08

this is just a well made record of great songs. i have had it with the "the mix is bad" argument or "he doesn't do sinatra right". its just mr. pizzarelli's take on the music. mr. clayton's arrangements are fresh and dynamic. this is not a cd you put on for dinner. it has highs and lows. its wonderful and i like it!

2 out of 5 stars You got to feel it!.......2007-01-17

The difference between a wannabe and the real thing is with Frank and other good singers the music comes from deep inside and the listener feels the music. This CD is a monotone reproduction of some music and songs. Also remember these are very classic songs but you miss the soul that Frank puts into his them. There is a Michael Bouble that comes dam close to Frank.
Asa Breed
Average customer rating: Not rated
    Asa Breed
    Matthew Dear
    Manufacturer: Ghostly Int'l
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000PAAI02
    Release Date: 2007-06-05

    Tracks:

    1. Fleece on Brain
    2. Neighborhoods
    3. Deserter
    4. Shy
    5. Elementary Lover
    6. Don and Sherri
    7. Will Gravity Win Tonight?
    8. Pom Pom
    9. Death to Feelers
    10. Give Me More
    11. Midnight Lovers
    12. Good to Be Alive

    Amazon.com

    Tech man Matthew Dear has spent the last several years dipping his toes into pop, and while Asa Breed doesn't exactly dive into the deep end, it gets Dear pretty well soaked. Initially associated with the Richie Hawtin school of Detroit minimalism, he's been diversifying his sound over the course of his prolific recorded output (he also records under the names Jabberjaw and False, among others) since at least 2003's Leave Luck to Heaven. But Breed is more song-oriented and accessible than anything else he's released, even as it rolls out the sharp-edged studio craft that has built Dear's reputation as a producer. Songs like "Pom Pom" are fractured new wave flashbacks while short and seemingly simple songs like "Death to Feelers" get deeply ambient, revealing new layers with repeated listens. Another trick that helps soften the record is the work done on Dear's droning baritone. An acquired taste at best, he wisely chose to give it a sharper electro edge, mixing it up in a Nick-Cave-meets-Gary Numan way as his lyrics bounce between nonsensical and sarcastic. Stripped down and largely acoustic songs like "Midnight Lovers" and "Vine to Vine" only add minimal effects, letting Dear's weird words drive the music forward. While some fans hoping for a proper DJ record might be disappointed, Asa Breed is clearly the work of a man who wants little or nothing to do with what's expected. --Matthew Cooke
    The Music of St. Paul's Cathedral
    Average customer rating: 5 out of 5 stars
    • IMPRESSED
    • St. Paul's Cathedral ImpressiveCollection of Anglican Hymns
    • Excellent Cathedral Organ & Choral
    • LACK OF DICTION?!!!
    • Marred by lack of diction
    The Music of St. Paul's Cathedral

    Manufacturer: Hyperion UK
    ProductGroup: Music
    Binding: Audio CD

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    Similar Items:
    1. Praise to the Lord - Hymns From St. Paul's Cathedral
    2. Treasures of English Church Music
    3. The Psalms of David from Kings Choir of Kings College, Cambridge, Vol. 1
    4. A Vaughan Williams Hymnal
    5. Abide With Me

    ASIN: B00004U2KC
    Release Date: 2000-08-15

    Customer Reviews:

    5 out of 5 stars IMPRESSED.......2007-05-21

    AS A FIRST TIME BUYER AT AMAZON,I AM IMPRESSED AT THE QUALITY OF CD AND TIME OF SERVICE

    5 out of 5 stars St. Paul's Cathedral ImpressiveCollection of Anglican Hymns.......2007-01-24

    St. Paul's Cathdral is the second largest cathedral church in the basilican style, exceeded only by St. Peter's Rome. New York City's St. John the Divine is larger than St. Paul's, but with decidely gothic elements. All three cathedrals have fine choirs, but St. Paul's and St. John's continue the noble and unique sound of boys and men in the English tradition. St. Paul's great organ is one of the world's finest, with a decay of seven seconds. The great hymns are all here, conducted by John Scott, only recently appointed organist of St. Thomas' Church, Fifth Avenue, New York City. This is a recording will a be prized addition to your library of choral music. You will not be disappointed.

    5 out of 5 stars Excellent Cathedral Organ & Choral .......2006-02-24

    This selection of recordings by The Choir of St. Paul's Cathedral contains pieces representative of traditional Anglican musical liturgy. The technical aspects of this production on compact disk seem to be outstanding, but beware that the original recordings were in some cases less than stellar. Another reviewer points out that on some tracks the lyrics sung by the choir are overwhelmed by the superb organ playing, which no doubt occurred due to inadequate microphone placement during the recording sessions. That said, I nevertheless rate this presentation of the St. Paul's Choir highly. It provides a mixture of musical types. In addition to the choir, the CD presents the work of four organists, including a marvelous organ solo, as well as several pieces sung a cappella by the choir and its boy treble soloists. I especially recommend this choir's rendetion of Gregorio Allegri's "Miserere," which features the voices of two boy trebles, a boy alto and a bass, which yeilds a mesmerizing experience. Unless one is acquiring full sets of the St. Paul's Choir's music, this compact disk should delight anyone interested in traditional cathedral organ and choral music.

    5 out of 5 stars LACK OF DICTION?!!!.......2003-11-12

    Obviously the individual who wrote the review including the "marred by lack of diction" remark is not too familiar with the traditional boychoir sound. I am moved to sickness that they were so openly compared with the sound of the all-too-familiar MTC. THOSE WERE ADULTS!!! These are boys! Boys cannot give the kind of sound of the MTC because their voices are not developed enough. The greatest hope a boychoir has of wowing audiences is in their contrast in dynamics. They model this beautiffully in their acapella pieces. In their accompanied pieces, I feel they hold their own above the (sometimes blearing) organ.
    Know the genre a little better before you slander a great performance.

    3 out of 5 stars Marred by lack of diction.......2003-04-22

    The singing is beautiful, melodious and full of harmony. The organ would make Bach proud.

    But the lyrics do not stand out. In fact, they are obliterated by the surrounding melodies.

    I hate to do this, but I am comparing with the Mormon Tabernacle Choir. These little boys would learn from them.

    It is a pity that these grand lyrics should be obscured by inept singing by a choir of young boys and men.
    Dear Heather
    Average customer rating: 3.5 out of 5 stars
    • Intriguing, But Certainly Not Classic
    • The Slow Demise of the Ladies' Man
    • magnificient !
    • Stick to Composing
    • Reaping and Reporting
    Dear Heather
    Leonard Cohen
    Manufacturer: Sony
    ProductGroup: Music
    Binding: Audio CD

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    1. Ten New Songs
    2. Essential Leonard Cohen
    3. The Future
    4. Various Positions
    5. New Skin for the Old Ceremony

    ASIN: B0002MPTDO
    Release Date: 2004-10-26

    Tracks:

    1. Go No More A-Roving
    2. Because Of
    3. The Letters
    4. Undertow
    5. Morning Glory
    6. On That Day
    7. Villanelle For Our Time
    8. There For You
    9. Dear Heather
    10. Nightingale
    11. To A Teacher
    12. The Faith
    13. Tennessee Waltz- Live

    Amazon.com

    Leonard Cohen must be the envy of countless singer-songwriters. Who else has been cozily buffered from the ravages of pop music than this eminent but never particularly prominent Canadian wordsmith? Nearing four decades as a recording artist, Cohen has never left his original label, despite failing to ever register anything resembling a commercial hit. Long ago shed of the "new Dylan" trappings that greeted his first recordings, Cohen now cushions his carefully wrought lyrics in smooth keyboard-and-vocal-heavy arrangements that owe far more to MOR pop and cabaret then folk-rock. His words and delivery have become more nuanced and playful as he's grayed. Listen to the sexy self-deprecation of "Because of" ("Because of a few songs/ Wherein I spoke of their mystery/ Women have been/ Exceptionally kind in my old age") or the weary resolve of his 9-11 statement, "On That Day" ("Did you go crazy or did you report/ On that day…they wounded New York?"). Dear Heather, likes its creator, is at once new and old, familiar and fresh. --Steven Stolder

    Customer Reviews:

    3 out of 5 stars Intriguing, But Certainly Not Classic.......2007-04-04

    Leonard Cohen's dense, sometimes morbid work can be an acquired taste, whether you're reading his two novels, perusing his several books of poetry, or listening to his albums of mournful, hyper-literate songs. Until now, however, any excursion into Cohen's shadowy world has always been worth the ride. Cohen is too meticulous a craftsman ever to release a truly mediocre album, but "Dear Heather" suffers from a distinct absence of heft. Although they are undeniably well-made, the songs and poems presented here seem to lack importance; none force you, as listener, to live more vividly in the world; none enrich your experience, in the way that early songs such as "Suzanne" and "Famous Blue Raincoat" did. Which is not to say that this album is bad, by any means. But I have been a Cohen fan for nearly thirty years, and this is the only Leonard Cohen record that I have ever found to be--quite frankly--somewhat forgetable. Neophytes would do better to begin with The Songs of Leonard Cohen, or with his bizzare-but-magnificent second novel, Beautiful Losers.

    3 out of 5 stars The Slow Demise of the Ladies' Man.......2007-01-27

    It took me quite a few listens to warm up to this CD. Cohen's voice, which has never been strong, seems to have faded to raspy whisper. The backup singers take on a much larger role than any other CD and seem to be required to carry the melody on some songs, while others are spoken word poems. The CD is filled the typical Cohen somberness, but this time delivered with a lack energy. The addition of the live version of "The Tennessee Waltz" with its steel guitars seems out of place compared to the subdued tone of the rest of the album. Highlights of the CD include "Go No More A-Roving," "Because Of," "The Letters," and "Villanelle For Our Time." All-in-all, a mildly disappointing effort from this cultural icon.

    Those new to Cohen are better off starting with one of his first four albums-- the "Songs" trilogy and "New Skin for the Old Ceremony."

    5 out of 5 stars magnificient !.......2007-01-14

    Despite the few bad reviews I've read, I decided to buy the CD and decide by myself. And I don't regret it. The songs may not be easy to listen, but like any good book or great piece of art are hard to read and understand, if you are willing to get delighted by real music, you'll get it . There's lots of talent on this CD. It made my imagination and philosophies fly, made me cheerful, made me sad. My favorite songs: it;s hard to decide between so many. It brightenly opens with " No more a-roving" which, regardless of not containing Leonard's lyrics, he makes of this poem such a song !!! I love to listen to it while in my deck on a clear full moon night. "Nightingale" lifts up my mood so much and makes me feel so much at home (specially because I live in the mountains/woods) and am a nature/wildlife lover. "The Faith", just soothes my soul and relaxes me so much that takes me floating to the highest cloud, while listening to it watching the sun set on a cold afternoon....But right away I get up and start dancing to the tunes of "Tennessee Waltz, which IS NOT OUT OF TUNE like some reviewer mentioned. Here, Leonard is singing as imitating a "country/folk " singer due to the roots of the song. I love that song too !
    In summary: I have to clean my CD, because i had played it over and over, and over and over...and I think it's dirty now...Like they said: "In the repetition you'll find the taste"
    Leonard's voice and Anjani's vocals make an amazing contrast. I give this CD a "FIVE" . Some may say because it fits my personality. I love contrast . I like being sad and then happy right after. I like to sooth my soul. I like Leonard Cohen.

    2 out of 5 stars Stick to Composing.......2007-01-10

    The material on this CD, while not quite as good as some of Cohen's work,
    is still of very high quality. Cohen's voice, while never good, is absolutely frightful on this album. It is almost impossible to listen to the CD in one sitting-the strain on the ears is too great.

    4 out of 5 stars Reaping and Reporting.......2006-06-26

    The problem for songwriter-poets is what we expect of them. We seem to think they should live a life of debauchery in order to propel their talent - and allow us to watch as they reap the seeds of its destruction. Leonard Cohen has always toyed with this image, never quite succumbing to it, never quite displaying what he's capable of. What he has given us is a new ethos for performance poetry, i.e. sublimating personality to poetry's innate music.
    Now an elder statesman, Cohen is neither afraid of his talent nor afraid to lose it. On this collection he sings the poetry of Lord Byron and Frank Scott and adds a verse to the country music classic, "Tennessee Waltz." He trifles with poetic tropes from unrequited love to nightingales to flowers. Cohen manages humor here through irony, as only a poet can, stopping just short of taking himself seriously.
    The poet's life is to dangle willingly from life's apocalyptic edge and report back. Cohen doesn't dangle quite as precariously here as in earlier albums, but he does report with enough spark to make this album a worthy addition to any collection.
    Here, My Dear
    Average customer rating: 5 out of 5 stars
    • love is there so is saddness
    • Soothing for the bewildered & broken-hearted
    • Tell it like it is Marvin
    • Underrated and overlooked
    • Dark Classic
    Here, My Dear
    Marvin Gaye
    Manufacturer: Motown
    ProductGroup: Music
    Binding: Audio CD

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    1. I Want You
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    ASIN: B000001AKC
    Release Date: 1994-04-05

    Tracks:

    1. Here, My Dear
    2. I Met A Little Girl
    3. When Did You Stop Loving Me, When Did I Stop Loving You
    4. Anger
    5. Is That Enough
    6. Everybody Needs Love
    7. Time To Get It Together
    8. Sparrow
    9. Anna's Song
    10. When Did You Stop Loving Me, When Did I Stop Loving You (Instrumental)
    11. A Funky Space Reincarnation
    12. You Can Leave, But It's Going To Cost You
    13. Falling In Love Again
    14. When Did You Stop Loving Me, When Did I Stop Loving You (Reprise)

    Amazon.com essential recording

    Ordered by a judge to turn over the profits from two albums to the first wife he'd left, Marvin Gaye produced this bitter, sad, bewildered masterwork. Over sprawling funk tracks, he questions her, himself, love, family, and, of course, asks, "Why do I have to pay attorney fees?" Both incomparably smooth and incontrovertibly twisted, Here, My Dear is Gaye with the mask off: even the multiple vocal overdubs can't hide his pain and his weariness. --Rickey Wright

    Customer Reviews:

    5 out of 5 stars love is there so is saddness.......2006-11-10

    this cd was straight from the soul and that's how I live and I love it and I miss Marvin so much.

    5 out of 5 stars Soothing for the bewildered & broken-hearted.......2006-06-09

    I came across this excellent gem last summer, during the final court proceedings etc. of the ugly break-up of a relationship. My ex kept suing and suing relentlessly, until she had exhausted all possibilities. She had been the greatest love of my life and... Well, don't wanna bore you with all the details.

    During my trials & tribulations (literally), I was on an emotional rollercoaster of anger, self-doubt, the pangs of disprized love and what not, and absolutely nothing seemed to help. I was devastated and exhausted.

    I picked up Gaye's masterpiece by coincidence, as I had seen it featured in the presentation of the all time top 100 hundred rock and pop albums, by one of the UK's largest music magazines. (Possibly Q or Mojo).

    I was immediately attracted to it upon happening incidentally upon it in the shelfs of a music store, and started listening.

    For all of last summer, I never *stopped* listening to it. I took it with me everywhere. Whenever pains and self-doubts and remnants of profound loving emotions for my ex came along, I put in my discman and was immediately balanced and brought into a pleasing, if somewhat bittersweet, equilibrium.

    As noted by some, track no. 11, the 8 m and 12 sec puffed-up sci-fi opus of "A Funky Space Reincarnation" doesn't really belong on this album, and upsets the flow of it. But in the age of CD-players, Ipods etc., one can easily skip it, and I frequently did.

    I agree completely that this is one of the top 100 albums of all time, and must definitely be one of the top 10 soul albums of the world history, at any rate.

    I recommend it as the perfect antidote to an ugly and/or painful relationship break-up - as have many other reviewers on this product page - and especially in those cases involving court trials and/or lawyers.

    This record will save you innumerable hours of pain and anguish, and possibly even drug store tabs.

    I do not know how it will come across to someone who as of yet have been spared of harrowing relationship break-ups, and speculate that it might not resonnate fully to such fortunate, youthful people. Hopeless romantics should stay clear of it, and leave it to be cherished by those of us whose doctors would have easily prescribed it had they known it's healing capacities.

    For the baggage-laden adults who have been in places where Gaye painfully wails and laments from in this everlasting, allways fresh and soulsoothing opus, I truly recommend this painstaking effort by the late soul-crooner, as his most elaborate, resonnating and to-the-core delivery effort, and as part of an anti-blues ("blue funk") regimen along with DVD's such as Atom Egoyans "Exotica", and the idiosyncratic Jim Carrey-effort of "Eternal Sunshine of the Spotless Mind".

    Feel better!

    4 out of 5 stars Tell it like it is Marvin.......2006-03-14

    Marvin, in "Here My Dear," is both telling Anna Gordy how he feels about their pending divorce settlement and also letting the listeners on "inside" information. He was a master of the suite (singing one song and going directly into another song with a new tempo). Since he had to pay Anna with his royalties of the album, he would truly do it "Marvin's way." This album, in my opinion, truly has some classic songs.

    4 out of 5 stars Underrated and overlooked.......2006-02-24

    Finally picked this one up and I'm very glad I did! This is a great album that is generally overlooked by all but Marvin Gaye fanatics, but it ranks up there with his best. Very much a concept album, Here My Dear chronicles Gaye's turbulent marriage to Anna Gordy, who received the album's profits as part of the couple's divorce settlement. Emotionally raw but beautifully sung, this one's a lost classic.

    5 out of 5 stars Dark Classic.......2005-12-30

    I owned "What's Going On" and "Let's Get It On" for a while before delving further into Marvin's catalogue, expecting that I wouldn't find anything to rival those two masterpieces. When I picked this album up a few days ago, I discovered that I couldn't have been more wrong. I can't say that this is his best album, but it certainly forces the question.

    Everybody knows the story involving his ex-wife and the court order granting her the proceeds from the album, but it bears repeating just how much nerve it took to title this album "Hear, My Dear" and write the whole thing about their stormy relationship. Throughout the album, Marvin bitingly wonders why he's been forced to part with the fruits of his labor, and there is no denying the frustration that seeps through at every turn - "What could I do? The judge said she got to keep on livin' the way she's accustomed to." Yet, there is no denying the love he once had for Anna, the sense of loss, the anger and self-doubt - pretty much all of the emotions that anyone would go through during a divorce. It's all laid out here, for everyone to hear.

    Musically, this is a fantastic album, and Marvin continues to impress me as a composer. The songs are subtly complex, with accents of jazz overtop the mellow yet undeniable funk. His vocals are, as always, bittersweet and smooth as can be. The real reason that "Hear, My Dear" deserves its classic status, though, is because Marvin put together a thematically consistent string of songs that, above all else, are honest. This is one of the most honest albums ever.

    The one low point on the album is the somewhat plodding "A Funky Space Reincarnation". Here, Marvin spouts ridiculously goofball sci-fi lyrics that would make George Clinton cringe. All the more jarring is the juxtaposition of the song next to the deeply personal and dark material that surrounds it. One gets the impression that this is what the whole album could have been, and in that regard it does serve to make you even more pleased with what it actually turned out to be.

    This one slight misstep aside, "Here, My Dear" represents a great artistic achievement for Marvin Gaye, and for popular music in general. At the same time sad, hopeful, funny and disturbing, it is an essential for any soul or funk fan.
    Praise to the Lord - Hymns From St. Paul's Cathedral
    Average customer rating: 5 out of 5 stars
    • a voice teacher and early music fan
    • Hymns for every one
    • Super Praise!
    Praise to the Lord - Hymns From St. Paul's Cathedral

    Manufacturer: Hyperion UK
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00002EIUG
    Release Date: 1999-10-12

    Customer Reviews:

    5 out of 5 stars a voice teacher and early music fan.......2007-02-09

    'The HYMN-a word derived from the Greek 'hymnos'-has been defined as 'a term of unknown origin applied from ancient times to a wide variety of songs in honor of gods, heroes or notable men.'
    The founder of English hymnody is Isaac Watts (1674-1748), whose work in reforming congregational song texts culminated in the publication of his 'Hymns and Spiritual Songs' in 1707. Watts' collection was as complete and comprehensive a set of hymns as had ever been proposed for English worship and it raised the profile of the hymn sufficiently to overcome the prevailing psalmody. The great flowering period of English hymnody began with the work of the Methodist hymn-writers John Wesley (1703-1791) and his brother Charles (1707-1788). The Wesleys gave great prominence to hymns within their Methodist worship and published many books.
    The modern hymn book is a collection of hymns drawn from various times and places. This most accomplished recording by St. Paul's Cathedral Choir presents 16 well-loved hymns from 'The New English Hymnal'. A great number of the hymns, which originate from many different eras and traditions, are given an extra musical dimension by John Scott's original descants and thrilling brass arrangements.
    Over the years, I have found myself purchasing mostly the recordings of English choirs. They seem to have incredible vocal skills, perfectly executed phrases, flawless diction and some unidentifiable ingredient that makes them very appealing to hear. Of course, I personally enjoy the all male choirs sound; boy sopranos and male altos make the difference. This is a very appealing group of hymns!!!!!

    5 out of 5 stars Hymns for every one.......2002-12-01

    As I have said already..I am from espiscopal church..these my songs are well know by me...these songs give encouragement when it seems that all hope is lost..these are tunes that are well received....they are also very simple for the every day person to gain strength from day to day..they will become your daily prayer.....

    5 out of 5 stars Super Praise!.......2000-06-10

    Praise The Lord offers the listener traditional hymns in the English/British tradition. the clarity of the voices make it possible for the listener to follow the words distinctly. The organ soars as accompaniment. the CD provides organ and choral quality for the novice and the experienced musician.
    My Dear
    Average customer rating: 4.5 out of 5 stars
    • Catchy yet Falls Short a bit...
    • Loved it!
    • NEW YEARS DAY ROCKS
    My Dear
    New Years Day
    Manufacturer: Tvt
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000P5FHGM
    Release Date: 2007-05-08

    Tracks:

    1. I Was Right
    2. Ready Aim Misfire
    3. My Dear
    4. Part Time Lover
    5. Sunrise Sunset
    6. My Sweet Unvalentine
    7. You'll Only Make It Worse
    8. Brilliant Lies
    9. Temecula Sunrise
    10. Razor
    11. Saying Goodbye

    Album Description

    New Years Day has been making quite a lot of noise and touching the hearts of many with their ultra-catchy, anthemic songs that just happen to be loaded with daggers for lyrics. Making them unique in the boy dominated punk scene is the bold presence of 22-year old singer Ash Costello, who provides distinct and empowering vocals to a rock band that can really back it up. The result is "My Dear", the debut album that Alternative Press calls "Punk with a nice Vampira bite," and which prompted AbsolutePunk.com to declare them "A real contender for `Next Big Thing.'" New Years Day will roll out their sharp-spiked pop punk nationwide on this summer's Vans Warped Tour starting on June 28, following dates in April and May opening for Ozma and William Tell.

    The first single off "My Dear" is the infections pop punk anthem "I Was Right." Its edgy companion video is directed by VMA winner Shane Drake (Panic! At The Disco, Fall Out Boy, Gym Class Heroes) and will help NYD make the leap from MySpace phenomenon to rock stars.

    Customer Reviews:

    4 out of 5 stars Catchy yet Falls Short a bit..........2007-07-02

    So i found new years Day On Trusty Old [...] After Browsing around and finding my new Favorite Band "paramore"


    Well,Their Both In the Same Music Genre and both have female lead singers..ANYWAYS!

    The lead chick Of NYD Is Pretty hot which is a plus and the Music is very upbeat and Pop/punk/Rock And The Lead singer's voice isnt BAD...But it Definately falls short.

    Its obvious She doesnt have much of a Vocal Range in any of her songs and Her voice can even come off as slightly annoying to me at times...The cd Is great and All...But the lead singer Has Some Growing to Do Vocally....

    Overall Its a good CD and i hope by their Second album She will gain a bit more diversity and whatnot.

    5 out of 5 stars Loved it!.......2007-06-27

    I love every single song on this album! Most listened song being "you'll only make it worse" Must listen for any rock fan!

    5 out of 5 stars NEW YEARS DAY ROCKS.......2007-05-19

    I have been the biggest fan of New Year's Day ever since their first single came out: "Ready, Aim, Misfire" Once the CD came out I cant stop listening to it, i love them so much, i would highly recommend this to anyone who appreciates good and original music!

    Meditation Music:

    1. Decades of Love
    2. E-Town Live [Live]
    3. Enuff Znuff, A Tribute to
    4. Eric Brandoli
    5. Friendship Train
    6. From Now On...The EP [Explicit Lyrics]
    7. Girl Singers of the Big Swing Bands
    8. Greatest Hits: My Prerogative [Import]
    9. Healing Under Your Wings
    10. Heart of the Movies

    Meditation Music

    meditation music

    Meditation Music

    Missing You: The Collection [Import]

    Restless Spirits

    Organ Recital in The Münsterschwarzach Abbey Church

    Music: Skyway

    Shaman Music [Import]

    O Globo [Import]

    Maxximum [Limited Edition] [Import]

    Night on My Side [Enhanced]

    Piss Off

    Orff: Carmina Burana / T. Allen, S. Armstrong, G. English, , LSO, Previn

    Secret Tea

    Para Siempre

    Physis [Import]

    Wagner: The Ring

    Metal Heart