Windflowers: The Songs of Jerome Moross

Windflowers: The Songs of Jerome Moross

Editorial Reviews

Amazon.com
You're forgiven if the name Jerome Moross doesn't ring any bells. But even if your familiarity stretches past his film scores or the jazzy standard "Lazy Afternoon" from 1954's The Golden Apple, you might still be surprised by the variety of riches to be found on Windflowers. This collaboration between producer Tommy Krasker and the composer's daughter unearthed mostly unknown songs from such shows as Ballet Ballads and Underworld (John Latouche and John Hollander are the most frequent lyricists), and this cast and seven-piece ensemble staged it as a cabaret show in early 2000.

Richard Muenz gets things going with the easy swinger "Beer and Flowers," Jessica Molaskey handles the jazzy stuff (including "Lazy Afternoon"), Philip Chaffin takes the boy-tenor songs, Alice Ripley covers everything from the tender title tune to the rueful "Forget Me Not," Jenny Giering sings ballads beautifully, and even pianist-music director Eric Stern sings and plays the barrelhouse "Baby's Gonna Shake It." Perhaps best of all, the cast shares duets and quartets and backs each other up, providing a sense of joyful ensemble. --David Horiuchi

Product Description
Composer Jerome Moross wrote ballets, film scores and classical works, but his first love was the theatre. "There's always another melody to be written," he would say, and Windflowers: The Songs of Jerome Moross offers delectable proof, with selections from his stage shows Ballad Ballads, The Golden Apple, Underworld, and Gentlemen, Be Seated! -- most unheard in nearly fifty years. Alice Ripley, Richard Muenz, Jessica Molaskey, Philip Chaffin, and Jenny Giering -- five singers equally at home on Broadway, in cabaret, and in the recording studio -- celebrate an American original, in nineteen selections alternately playful and atmospheric, and always highly melodic.

Windflowers: The Songs of Jerome Moross

Windflowers: The Songs of Jerome Moross,Various Artists,P.S. Classics,Classical Composers,Easy Listening,Pop,Popular Music


Windflowers: The Songs of Jerome Moross
Average customer rating: 5 out of 5 stars
  • Breathtaking
  • Songs you'll actually want to hum.
Windflowers: The Songs of Jerome Moross
Various Artists
Manufacturer: P.S. Classics
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Pop | Styles | Music
GeneralGeneral | Easy Listening | Pop | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Pop | Indie Music | Stores | Music
Easy ListeningEasy Listening | Pop | Indie Music | Stores | Music
GeneralGeneral | Soundtracks | Indie Music | Stores | Music
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ASIN: B00005JCQH
Release Date: 2001-05-01

Tracks:

  1. Beer and Flowers
  2. Lazy Afternoon
  3. Come Live With Me
  4. Oh Baby, Gee Baby
  5. Windflowers
  6. I've Got Me
  7. Prologue to Underworld
  8. That Extra Bit
  9. I've Even Been in Love
  10. Baby's Gonna Shake It
  11. It's Almost Time Now
  12. Love Me
  13. Fare You Well
  14. I Can't Remember
  15. It's the Going Home Together
  16. Some Day
  17. My Yellow Flower
  18. Ridin' on the Breeze
  19. Stay With Me

Amazon.com

You're forgiven if the name Jerome Moross doesn't ring any bells. But even if your familiarity stretches past his film scores or the jazzy standard "Lazy Afternoon" from 1954's The Golden Apple, you might still be surprised by the variety of riches to be found on Windflowers. This collaboration between producer Tommy Krasker and the composer's daughter unearthed mostly unknown songs from such shows as Ballet Ballads and Underworld (John Latouche and John Hollander are the most frequent lyricists), and this cast and seven-piece ensemble staged it as a cabaret show in early 2000.

Richard Muenz gets things going with the easy swinger "Beer and Flowers," Jessica Molaskey handles the jazzy stuff (including "Lazy Afternoon"), Philip Chaffin takes the boy-tenor songs, Alice Ripley covers everything from the tender title tune to the rueful "Forget Me Not," Jenny Giering sings ballads beautifully, and even pianist-music director Eric Stern sings and plays the barrelhouse "Baby's Gonna Shake It." Perhaps best of all, the cast shares duets and quartets and backs each other up, providing a sense of joyful ensemble. --David Horiuchi

Album Description

Composer Jerome Moross wrote ballets, film scores and classical works, but his first love was the theatre. "There's always another melody to be written," he would say, and Windflowers: The Songs of Jerome Moross offers delectable proof, with selections from his stage shows Ballad Ballads, The Golden Apple, Underworld, and Gentlemen, Be Seated! -- most unheard in nearly fifty years. Alice Ripley, Richard Muenz, Jessica Molaskey, Philip Chaffin, and Jenny Giering -- five singers equally at home on Broadway, in cabaret, and in the recording studio -- celebrate an American original, in nineteen selections alternately playful and atmospheric, and always highly melodic.

Customer Reviews:

5 out of 5 stars Breathtaking.......2003-03-16

This recording of 18 mostly neglected gems simply shimmers. Ranging in style from Alice Ripley's heartbreakingly beautiful "Windflowers" to the gently swinging duet of Richard Muenz and Jessica Molaskey on "Oh Baby, Gee Baby," this is a thoughtfully arranged, beautifully produced bouquet of wonderful songs.

5 out of 5 stars Songs you'll actually want to hum........2001-05-04

I saw the cabaret show at which these songs were first performed, and it's just as pleasing on disc. Actually, in some ways it's better, because here, the five singers are backed by a small chamber group, which adds immeasurably. (The strings sound amazingly lush in a couple of tracks.) The performers are just as winning as I remembered, particularly Alice Ripley, whose soprano really soars in "Windflowers," and who brings a kittenish quality to "I've Even Been in Love." "Beer and Flowers" could have been written for Richard Muenz's voice, and the same can be said for Jessica Molaskey on "Lazy Afternoon" and Philip Chaffin on "Ridin' on the Breeze." Maybe it's not a compliment anymore to say that these songs are in the best Rodgers & Hammerstein tradition, but that's what they are. If I have any reservations, it's that the two songs from Gentlemen, Be Seated seem a bit blander than everything else, but it's a minor quibble. Overall, it's a most enjoyable listen.

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