September Song

September Song

Track Listings

1. I Will Not Be Destroyed
2. What Do You Want From Me
3. September Song
4. I Know You're Here
5. He Loves You With His Life
6. You Never Can Tell
7. You Are My Refuge
8. Divided On The Inside
9. Brand New Day
10. I Need Your Breath On Me

Editorial Reviews

Rev. Ralph E. Johnson, Canaan Hill Church of the Nazarene
She has a remarkable talent that is certainly blessed by God and He honors her work.

Product Description
Freshman project from Contemporary Christian Artist, DeAnne Arnold. Her great sound coupled with a little R&B reminds you of Amy Grant or Nicole Nordeman.

September Song

September Song,DeAnne Arnold,Heartfelt Songs Music Group,DeAnne's flair for contemporary christian music follows the style of Amy Grant and Nichole Nordeman. She's a favorite with the 20-40 age group.,Miscellaneous,Pop


Broadway - The American Musical (PBS Series)
Average customer rating: 5 out of 5 stars
  • Fabulous for any Broadway-lover
  • Top Shelf
  • TERRIFIC CD'S
  • Great Collection of Broadways greatest Songs
  • Great Compilation!
Broadway - The American Musical (PBS Series)

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. The Best of Broadway - The American Musical (PBS Series)
  2. Broadway: The American Musical
  3. Broadway: The American Musical
  4. Broadway - The American Musical (PBS Series)
  5. Somewhere over the Rainbow: The Golden Age of Hollywood Musicals

ASIN: B00064ADMK
Release Date: 2004-10-19

Tracks:

  1. Give My Regards To Broadway- Joel Grey
  2. Swanee- Al Jolson
  3. When The Moon Shines On The Moonshine- Bert Williams
  4. A Pretty Girl Is Like A Melody- John Steel
  5. My Man- Fanny Brice
  6. Fascinating Rhythm- Fred Astaire, Adele Astaire
  7. If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
  8. Someone To Watch Over Me- Gertrude Lawrence
  9. Bill- 78 rpm Version Helen Morgan
  10. Ol' Man River- Paul Robeson
  11. Ain't Misbehavin'- Louis Armstrong & His Orchestra
  12. Ten Cents A Dance- Ruth Etting
  13. Body And Soul- Libby Holman
  14. Brother, Can You Spare A Dime- Bing Crosby
  15. Night And Day- Fred Astaire
  16. Heat Wave- Ethel Waters
  17. Smoke Gets in Your Eyes- Tamara
  18. You're The Top- Ethel Merman
  19. Summertime- Anne Brown
  20. September Song- Walter Huston
  21. My Heart Belongs To Daddy- Mary Martin
  22. It Never Entered My Mind- Shirley Ross
  23. Bewitched, Bothered, Bewildered- Vivienne Segal
  24. Oh, How I Hate To Get Up In The Morning- Irving Berlin
  25. Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

  1. New York, New York- Cris Alexander,Adolph Green,John Reardon
  2. If I Loved You- John Raitt,Jan Clayton
  3. Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
  4. There's No Business Like Show Business- Ensemble
  5. How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
  6. Once In Love With Amy- Ray Bolger
  7. Wunderbar- Alfred Drake,Patricia Morison
  8. Some Enchanted Evening- Ezio Pinza
  9. Lost In The Stars- Todd Duncan
  10. Diamonds Are A Girl's Best Friend- Carol Channing
  11. Luck Be A Lady- Robert Alda,Guys
  12. Getting To Know You- Gertrude Lawrence
  13. Who Cares?- Jack Carson,Betty Oakes
  14. Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
  15. Ballad Of Mack The Knife- Gerald Price
  16. Hey There- from "The Pajama Game" John Raitt
  17. Whatever Lola Wants- Gwen Verdon
  18. I Could Have Danced All Night- Julie Andrews
  19. Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
  20. The Party's Over- Judy Holliday
  21. Glitter And Be Gay- Barbara Cook
  22. Tonight- Larry Kert, Carol Lawrence

Tracks:

  1. Seventy-Six Trombones- Robert Preston
  2. I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
  3. Everything's Coming Up Roses- Ethel Merman
  4. My Favorite Things- from "The Sound Of Music" Mary Martin
  5. Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
  6. Try To Remember- Jerry Orbach
  7. Camelot- from "Camelot" Richard Burton
  8. Love Makes The World Go 'Round- Anna Maria Alberghetti
  9. I Believe In You- Robert Morse And Co.
  10. The Sweetest Sounds- Diahann Carroll,Richard Kiley
  11. Comedy Tonight- Zero Mostel
  12. What Kind Of Fool Am I?- Anthony Newley
  13. As Long As He Needs Me- Georgia Brown
  14. Hello, Dolly!- Carol Channing,Cast
  15. People- Barbra Streisand
  16. Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
  17. If I Were A Rich Man- Zero Mostel
  18. Night Song- Sammy Davis, Jr.
  19. The Impossible Dream- Richard Kiley
  20. If My Friends Could See Me Now- Gwen Verdon
  21. Open a New Window- from Mame Voice

Tracks:

  1. Willkommen- from "Cabaret" Joel Grey
  2. Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
  3. I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
  4. The Ladies Who Lunch- from "Company" Elaine Stritch
  5. Tea For Two- Roger Rathburn,Susan Watson
  6. I'm Still Here- Yvonne De Carlo
  7. I Don't Know How To Love Him- Yvonne Elliman
  8. We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
  9. Corner Of The Sky- John Rubinstein
  10. Send In The Clowns- Glynis Johns
  11. Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
  12. One- from "A Chorus Line" Cast
  13. All That Jazz- Chita Rivera,Ensemble
  14. Tomorrow- Andrea Mcardle
  15. Don't Cry For Me Argentina- Patti Lupone
  16. Come Follow The Band
  17. Lullaby Of Broadway- Jerry Orbach
  18. And I'm Telling You I'm Not Going- Jennifer Holliday
  19. The Bells Of St. Sebastian- Raul Julia

Tracks:

  1. Memory- Betty Buckley
  2. I Am What I Am- George Hearn
  3. Move On- Bernadette Peters,Mandy Patinkin
  4. Do You Hear The People Sing?- Michael Maguire,Cast
  5. The Music Of The Night- Michael Crawford
  6. You're Nothing Without Me- James Naughton,Gregg Edelman
  7. The American Dream- Jonathan Pryce,Cast
  8. Doctor Jazz- Gregory Hines,Company
  9. With One Look- Glenn Close
  10. On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
  11. Le Jazz Hot- Julie Andrews,Ensemble
  12. Seasons Of Love-
  13. Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
  14. I Wanna Be A Producer- Matthew Broderick,Ensemble
  15. Dancing Queen- Louise Plowright,Jenny Galloway
  16. Good Morning Baltimore- Marissa Jaret Winokur
  17. Movin' Out- Michael Cavanaugh,Band
  18. I Go To Rio- Hugh Jackman,Company
  19. Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

5 out of 5 stars Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

5 out of 5 stars Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

5 out of 5 stars TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

5 out of 5 stars Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

5 out of 5 stars Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway
September Songs: The Music of Kurt Weill
Average customer rating: 4 out of 5 stars
  • some brilliant renditions, but can't quite all mix together
  • Cool and Camp
  • September Song Music of Kurt Weill
  • It's a long time between January and December
  • Ain't we Hip?!!?
September Songs: The Music of Kurt Weill

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Lotte Lenya Sings Kurt Weill / Levine, Lenya, Armstrong, Gilford, et al
  2. Lotte Lenya sings Kurt Weill's The Seven Deadly Sins & Berlin Theatre Songs
  3. Weird Nightmare - Meditations on Mingus
  4. Ute Lemper Sings Kurt Weill
  5. Stratas Sings Weill

ASIN: B0000029WM
Release Date: 1997-08-19

Tracks:

  1. Mack The Knife - Nick Cave
  2. Ballad Of The Soldier's Wife - P.J. Harvey
  3. Alabama Song - David Johansen
  4. Youkali Tango - Teresa Stratas
  5. Lost In The Stars - Elvis Costello
  6. Pirate Jenny - Lotte Lenya
  7. Speak Low - Charlie Haden
  8. Oh, Heavenly Salvation - The Persuations
  9. Lonely House - Betty Carter
  10. Surabaya- Johnny - Teresa Stratas
  11. Furchte Dich Nicht - Mary Margaret O'Hara
  12. September Song - Lou Reed
  13. Mack The Knife - Bertolt Brecht
  14. What Keeps Mankind Alive? - William S. Burroughs

Customer Reviews:

3 out of 5 stars some brilliant renditions, but can't quite all mix together.......2006-10-19

I like the spirit of this album, which is to let the music of Kurt Weill attach itself to the many worlds it came from. This was classical music that also used elements of popular music at the time, all with a very dark and almost mechanical tone. So it would seem fitting to have exquisite voices like Teresa Stratas rub elbows with darker elements like Nick Cave in this collection. There are also the jazz influences developed by Charlie Haden and Betty Carter.

In all, there are some brilliant interpretations of Weill here. I am a fan of Cave's "Mack the Knife" and David Johansen's "Alabama Song," and how can someone NOT like Lotte Lenya herself on "Pirate Jenny" and the drolling of the immortal William S. Burroughs talking through "What Keeps Mankind Alive?"

But other tracks feel to be just too short of brilliance. I love that Lou Reed tries to turn "September Song" into a kind of rock ballad, almost a VU "It Was a Pretty Good Year," but the rendition seems a little short of energy and falls flat after a while. Elvis Costello, though magnificent as an overall artist, just doesn't bring new life to "Lost in the Stars."

Perhaps the problem in the end that the choices were a little too much of the Top 40 Weill (if there really can be such a term). These are songs that have for a long time been regarded as the best of Weill, and it might have furthered the purpose of his music to find new gems and bring them into the sunlight.

5 out of 5 stars Cool and Camp.......2006-08-24

This is a very biased review- I originally had much of Weill's work on cassette tape- way back in the olden days- before CD's- so I am already very partial to many of the tracks on this CD- I would recommend it not only to Kurt Weill fans, and the fans of the various artists featured, but I would also strongly recommend this to anyone who likes artsy, camp, fun burlesque, Bohemian European stuff. The record, even though performed by contemporary artists still retains much of it's zeitgeist, it evokes the era in which Weill was writing and it rounds out any great eclectic record collection. It's a great musical discovery for fans of all sorts of genres, and EVERYONE should own at least one recorded arrangement of "Mack The Knife". (You know, for parties and stuff!)

4 out of 5 stars September Song Music of Kurt Weill.......2006-08-22

Songs from the film-documentary done by various artists. Excellent choice if you like Mr Weill's music. I saw the film and always wanted the CD. Now I have and I recommend it highly.

5 out of 5 stars It's a long time between January and December.......2004-06-11

Kurt Weill is one of those composers who juggles Jewish angst with Catholic guilt: and possibly vice versa. As a collection, it is nonpareil. Each interpretation becomes a definitive reading of the "song". Lord, it is one of the best assemblies of contemporary artists going. Lou couldn't be better; Ms O'Hara, in fine form, performs her deranged puppet-dance to the X. OK. An unknown. Roping-in, such a postmodern figure as, well, you-know-who, to orate Weill's lyrics is never less than exceptional. An amazing collection. Is there a DVD?

Paul

2 out of 5 stars Ain't we Hip?!!?.......2003-07-23

This is the avant version of these songs, everything done with that Downtown fingers-across-the-blackboard screech. They even got Johanson doing it, which is no less than amazing. The sole exception is the Persuasions' "O Heavenly Salvation", but one song does not an album make.

The mystery here is that there's a perfectly good compilation from the 80s, "Lost in the Stars: the Music of Kurt Weill", featuring many of the same songs--and, if I'm not mistaken some of the same performers. That's the one you want. Too bad it's OP.
Pure Classics
Average customer rating: 3 out of 5 stars
  • Mostly a decent CD
Pure Classics

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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  1. Classical Hits
  2. Verdi: Il Trovatore (Complete Opera)
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  5. Andrea Bocelli - Amore

ASIN: B0000D1FI6
Release Date: 2003-10-14

Tracks:

  1. Sogno D'Amore - Andrea Bocelli
  2. For The Stars - Anne Sofie Von Otter
  3. Va, Pensiero - Russell Watson
  4. Memory - Sarah Brightman
  5. Non Ti Scordar Di Me - Luciano Pavarotti
  6. First Drop Off, First Kiss - A Beautiful Mind
  7. Shenandoah - Sissel
  8. September Song - Ute Lemper
  9. Someone To Watch Over Me - Keith Jarrett
  10. Gymnopedie No.1 - Jean-Yves Thibaudet
  11. Granada - Placido Domingo
  12. Maria: Tonight Medley - The Three Tenors
  13. Un Bel Di Vedremo - Renee Fleming
  14. Cessa Di Piu Resistere - Juan Diego Florez
  15. Wheels Of A Dream - Bryn Terfel
  16. Rock Island, 1931 - Road To Perdition
  17. Burn It Blue - Frida
  18. Fuego - Bond
  19. Main Title From Star Wars - John Williams

Customer Reviews:

3 out of 5 stars Mostly a decent CD.......2003-10-30

I wonder how many people saw the ad for this CD on TV and ordered it right away without looking further into the contents. Brightman? Bocelli? Pavarotti? Florez? Watson? All Three Tenors? All on one CD? Sounded like a winner in the ad. They don't mention the Main Title from Star Wars. Nor do they mention (even Amazon doesn't show it!), that Anne Sofie Von Otter's performance is actually a duet with Elvis Costello, who simply does not have the chops or vocal gifts that most of the other artists on this CD are blessed with. In fact, that song is positively dreadful, and it's all because of Costello's vocally-strained style. What the hell is he doing on this CD? The rest of this CD is generally fine, but certainly do not expect a CD full of classical music, and be prepared to skip song #2 every time you play the CD.
Ives: Concord Sonata; Songs
Average customer rating: 5 out of 5 stars
  • A European modernist embraces Ives
  • Great Performances, but the Star of this CD is Charles Ives
  • works grow and transform themselves
  • a fresh take on sonata no. 2
  • It takes a Frenchman to capture an American masterpiece!
Ives: Concord Sonata; Songs
Pierre-Laurent Aimard , Susan Graham , and Charles Ives
Manufacturer: Warner Classics
ProductGroup: Music
Binding: Audio CD

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  5. Charles Ives: Songs

ASIN: B0001HZ6MO
Release Date: 2004-05-11

Tracks:

  1. The Things Our Fathers Loved
  2. The Housatonic At Stockbridge
  3. From The Swimmers
  4. Memories (A - Very Pleasant, B - Rather Sad
  5. Ann Street
  6. Serenity (A Unison Chant)
  7. 1, 2, 3
  8. Songs My Mother Taught Me
  9. The Circus Band
  10. The Cage
  11. The Indians
  12. Like A Sick Eagle
  13. A Sound Of A Distant Horn
  14. September
  15. Soliloquy (Or A Study In 7ths And Other Things)
  16. A Farewell To Land
  17. Thoreau
  18. Emerson
  19. Hawthorne
  20. The Alcotts
  21. Thoreau

Amazon.com

Ives' Second Sonata is one of the toughest, but it holds no fears for Aimard, a noted interpreter of Messiaen, Ligetti, and other moderns who require virtuoso technique and idiomatic expertise. Each of its four movements is titled for New England luminaries: Emerson, Hawthorne, the Alcotts, and Thoreau. The longest, "Emerson," is knotty and energetic, bristling with a minefield of cluster chords. "Hawthorne" is a genial scherzo exhibiting a wider palette, while "The Alcotts" is a lyrical paean to domestic tranquility. "Thoreau" embraces the mysteries of nature, played with intensity by Aimard. There's an abundance of power in his playing, but also ravishing effects like the startling diminuendo in "Thoreau" and the array of marches, hymns, and parlor songs Ives threw into the mix. His terrific "Concord" Sonata is matched by the survey of Ives' inventive songs, 17 of them superbly sung by Susan Graham with Aimard superb as her piano partner. Graham captures every nuance of a mind-boggling variety of idioms, from nostalgia, tenderness, and hilarious miniatures like "Ann Street" and the sendup of opera in "Memories - A," among many other highlights. This one's a must for Ivesians, fans of musical eccentricity, modern music enthusiasts, and anyone in search of musical surprises, which abound on almost every track. --Dan Davis

Customer Reviews:

5 out of 5 stars A European modernist embraces Ives.......2007-01-08

Chalres Ives was 46 when he published his "Concord"Sonata, and as the liner notes tell us, its sprawling shape and diverse styles are the result of gathering a lot of music previously composed (none of it for solo piano) and needing a single dwelling. Ives always had his own ideas about how music is held together or flies apart. He wasn't afraid to have it fly apart, and often his notion of coherence was so private, rooted in personal memories, that an outside listener can't be expected to penetrate the associations.

Aimard goes a long way in erasing the ecdentricity, privacy, and quirkiness of Ives's idiom bydrawing the sonata into the mainstream of European modernism, giving it the same clean, detailed, accurate, and impressionistic style that he might give to other individualists like Ligeti and Messiaen. (It's also nice to have the viola addition to the first movement and the flute in the fourth.) The "Concord" Sonata becomes a virtuosic event in his hands, no longer a purely "American" sport. I do find that listening to this vast work is better in concert, where its appearance is always a special occasion. But one has to be grateful for Aimard's quantum leap in execution compared to earlier recordings.

Ives gathered his huge output of 114 songs into a collection two years after the sonata. Susan Graham picks 15 of them, adding two more that folowed after 1922. These songs ask for a vocal chameleon who can shift instantly from Victorian parlor style to patriotic exuberance, folk song, whimsy, rapt nostaliga, and more. No one to date has been able to encompass this enormous range of expression, but Susan Graham comes as close as any. I would rank her with Jan De Gaetani, Thomas Hampson, and William Sharp among the singers I know who excel in Ives, and above the too-classical, somewhat congested renditions by Marilyn Horne and Jennifer Lamore. Aimard's accompaniment misses the Yankee flavor of the marches and patriotic snatches, but in its modernist way his style is as effective as in the sonata. Highly recommended for lovers of this music.

5 out of 5 stars Great Performances, but the Star of this CD is Charles Ives.......2005-08-10

The uniquely atypical music of Charles Ives continues to mature and embed itself in the minds of larger and larger audiences every year. Practically every major orchestra in this country (and in Europe) now includes at least his symphonies in the standard repertoire. His music is probably as 'American' as any composed, so conjoined with literature and history and folksongs and all manner of Americana. This superb recording takes us one step further in appreciating Ives' gifts: his breathtaking Concord Sonata is coupled with one of the finest selections of his many songs and both sonata and songs are performed with consummate skill by pianist Pierre-Laurent Aimard and mezzo soprano Susan Graham.

Aimard's approach to this big piano work is one of direct approach to the complexities of line and mood and in that approach he doesn't allow his own personality to blur Ives' message. Aimard can tackle the impossibly difficult passages and keep them transparent: he can also find the inner quiet beauty as well as any other pianist. The result is a Concord Sonata of majesty and honest simplicity.

Susan Graham has long included Ives' songs in her recitals and that experience shows in her approach to this varied selection. Graham is an immensely intelligent musician, one who can find the meaning of even a brief song in an instant. She is in fine vocal form here, and her collaboration with Aimard completes a presentation that will be difficult to match. This is a fine recording and an excellent entry point for music lovers who may have been wary of Ives' challenges. Relax and enjoy this recital. Grady Harp, August 05

5 out of 5 stars works grow and transform themselves.......2005-04-07

First off this is an Ives cornocopia of songs, all sung here with the reserve that is needed, I've heard too many American art Songs, Copland, Rorem and Ives with that wrongheaded "sing-songin" delivery, it is arrogant if nothing else, and the "cutsy-ness" of it does reach the audience,unless you simply want to be entertained and you checked your brain with your cash at the box office. Straightforward Ives is I think to most effective way of playing his music,that's why I still prefer the Kalish, he brings a gritti-ness to the Concord. Aimard (and all of us) has had time since the Seventies to think and re-think this piece, and there something should be said for the way music grows, transforms itself for different time periods, isn't that why music develops itself it is striongly constituted in the first place, it is well thought through, et cetra, construction all the obvious, Copland's "Piano Variations" is a similar example, the music simply changes with time, well we change, the music is fixed.So I guess there are simply different readings.

Aimard does bring some nice clarity,like to "Hawthorne", the blazing quickness searching until the "forearm" clusters stop the flow, the onward rush of the imagination, words can change the meaning of themselves this quickly which I think is what Ives saw in Hawthorne the writer.

For the "Alcotts" any kind of nostalgia is OK with me,the simple Bb triad timbres capturing the informed naivtivitee of the little home with Bronson Alcott the speaker public man of speaking (there is a difference between public speaking and lecturer,someone who teaches as opposed to simply speaking something Bush II knows quite well.Better simply to speak without saying anything.) This is not here however for Ives loved the Utopian aspect of Danbury existential renderings, the reflections back and forth of the lifeworld, the richness of culture of the complexity of the word,place, song, timbre,all in forms of strength all mixed blending together. Aimard simply brings things out I;ve never heard before, but then that is his approach always to clarify,and that is not always the best approach in Ives where his music does ask questions, his music we have learned should be opaque, and unexplanable,terse yet convoluted; it should not lead you by the nose at each and every moment.And Aimard I;m afraid does want to lead here. I think he thinks the opaqueness will happen by itself, its already in the music, he lets this occur in the fast sections,making it a pure texture,like Debussy, I guess Ives was an existential impressionist with transcendental content.

4 out of 5 stars a fresh take on sonata no. 2.......2004-07-28

I have a slightly different view than with the previous review, as well as the Davis review. If you are a fan of Ives (you probably are if you are interested in this cd), then you may not need to bother with half of this cd. Messo Susan Graham is quite out of touch with the character studies of these wonderful songs. When she isn't yodelling many times louder than she ought to on some high notes to demonstrate her vocal command, she becomes the epitomy of boredom and banality. I imagine Ben Stein could give a more lifelike reading of 'The Circus Band'. The jovial cheer "hear the trombones!" sounds more akin to a yawn on this version. Since when did shear vocal power and sonic richness take such high precedence over interpretive skills? Have you really forgotten Jan de Gaetani's wonderous versions? I feel Graham has done a disservice to this music, and should probably go back to singing French arias which apparently she is quite good at.

The Concord Sonata is definetly the reason you may want to own this disc. Aimard is outstanding as per usual. Emerson does really come alive here, as does Hawthorne with it's dramtic tempo shifts. My main concern lies in the 3rd movement 'the Alcotts'. It is clearly a pastorale movement with a touch of sweet nostalgia. Aimard plays a little too deliberately here- not loose enough with the tempo or lively enough with the rhythms. That really is the only disadvantage. I don't think Aimard played the folk elements strongly enough.
I guess the main question is: if I own the Kalish recording of the Sonata, do I need this one too? Probably again, you are an Ives believer and this version has great insights- why not. Like the Kalish version, this one includes the optional viola line on Emerson and the flute part of Thoreau. They appear better realised with more dramatic impact on the Kalish recording- a minor point. Movement for movement Aimard has the first and seccond, but I prefer 3 and 4 on the Kalish. The 3rd mentioned above, and the fourth seems to have more gravity with Kalish, bringing more of a closure to the tempestuous nature of the work. Aimard shows a more whispy, impressionistic take as he also does at the start of Hawthorne, reminding of Debussy. Not inappropriate stylistically speaking, but definetly a matter of taste. Aimard is a winner and I love what he does for Ligeti and Messiaen. Overall a very successful Ives sonata, and a questionably performed set of songs, well-chosen as they might be. If you are new to Ives this should be enough to get you into further explorations.

5 out of 5 stars It takes a Frenchman to capture an American masterpiece!.......2004-05-19

The "Concord Sonata" of Charles Ives has been described as "the greatest work written by an American." It's a big sprawling, glorious mess of a thing, inspired by the Transcendental writers Emerson, Hawthorne, Alcott and Thoreau. I first heard the ground-breaking version by John Kirkpatrick, and have long cherished the powerful account by Gilbert Kalish (recorded in the '70s). But hearing Pierre-Laurent Aimard play this piece makes me forget all about those earlier recordings. A specialist in Messian and Ligeti, Aimard plays Ives like one to the manner born. Forget any preconceived notions of what it means to be a "French pianist," and let this astonishing performance carry you away. The Alcotts movement has never felt so tender, and the Thoreau movement is likewise exquisitely balanced. Perhaps most enthralling is how he manages to give shape and sense to Emerson, and Hawthorne, the fiendishly hard scherzo, has never had a reading like this. I'd have been content with the sonata, but the disk also holds the gorgeous mezzo Susan Graham singing 17 Ives songs, with Aimard's brilliant accompaniments. A fabulous recording no serious American music collection should be without!
Kurt Weill: Life, Love, & Laughter--Dance Arrangements, 1927-50
Average customer rating: 4 out of 5 stars
  • SAIL ON, KURT!
  • Not at All Vile Weill
  • ELEVATOR MUSIC
Kurt Weill: Life, Love, & Laughter--Dance Arrangements, 1927-50
H.K. Gruber , and Palast Orchestra
Manufacturer: RCA
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Binding: Audio CD

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  1. Ein Freund ein Guter Freu
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ASIN: B000055YBR
Release Date: 2001-02-12

Tracks:

  1. Mile After Mile
  2. Bilbao Song
  3. Stay Well
  4. Life, Love And Laughter
  5. My Ship
  6. Green-up Time
  7. The Little Gray House
  8. Blues Potpourri
  9. September Song
  10. All At Once
  11. Le Roi d'Aquitaine (Waltz)
  12. Foxtrot Potporri
  13. Alabama Song
  14. Lied Der Jenny
  15. Speak Low
  16. It Never Was You
  17. What Good Would the Moon Be
  18. Tango Ballade
  19. Kanonen-Song

Amazon.com

Here's a disc of 19 familiar and unfamiliar Kurt Weill songs arranged for dance band and played by an expert group of specialists in Roaring Twenties band music. They're led by singer-conductor-composer H.K. Gruber, whose previous recordings include Weill's Die Dreigroschenoper. The result is a start-to-finish delight. From the first notes, you're beamed back in time to one of those sleek transatlantic passenger liners, sitting in an art deco ballroom watching elegant couples in tuxedos and ball-gowns swirl by while the band plays hits from Weill's German and Broadway triumphs. Sure, the venom is leached from the originals, but who needs agitprop when you're on a dance floor? The arrangements are by a variety of hands, hired by Weill's European and American publishers with his approval to get more mileage from his musical theater works. They're delightfully square rhythmically and formulaic in transferring Weill's music to conventional dance bands, but the music still holds up and is fun to hear in its new clothes. A special treat is the eight tracks with Max Raabe, whose light tenor and falsetto singing preserve the spirit of Weill's songs, as well as perfectly mimic the boy band singers of times gone by. --Dan Davis

Customer Reviews:

5 out of 5 stars SAIL ON, KURT!.......2006-04-23

I wouldn't take offence here oh, Weill purists! These reconstructions are charming and harmonically reverent to their originals, more than could be said for many versions of the Weill Songbook through the decades, including Lou Reed's friendly `adaptation' of the September Song's chord progression and melodic line!

Shoenberg and Webern expressed their disdain of Weill's music; curiously, Arnold had also disclosed a secret wish of having his own audiences walk back home "whistling his tunes", oh, don't ask why... You can certainly whistle, hum and sway your partner now, as the transatlantic's bouncy dancehall sails on just as Kurt, Lotte and the lot of them did when escaping the lethal hounds of early 30s Berlin.... the-next-little-dollar bound.

5 out of 5 stars Not at All Vile Weill.......2001-08-13

The ever versatile HK Gruber has done it again digging up these gorgeous dance arrangements for Weill's music--proving, if anything, Weill's versatility. Anyone familiar with the Capriccio historical Weill recordings will be aware of the long tradition of dance bands taking Weill's music as the lead for dance music or pop music incarnations (all the way up through the more obvious appropriations familiar to Americans: Mack the Knife and September Song). Hardly MUZAK arrangements (listen to the delicate violin in track 17's "What Good Would the Moon Be" to hear what I mean), this generous helping of 19 songs offers a chance to see Weill through a delightfully different but entirely compatible lens. Max Raabe provides the ideal vocal compliment on 8 of the tracks, his tenor floating effortlessly into his head voice suggesting a "period" sound reminiscent of Bing Crosby. The import title for this disc is "Charming Weill," and that modest adjective expresses the least of its virtues.

2 out of 5 stars ELEVATOR MUSIC.......2001-05-23

This is a very strange CD: why would anyone want to take the quirky rhythms and melodies of the great Kurt Weill and "tame" them into dance arrangements? Certainly one has listened to (& even perhaps admired) dance arrangements of composers from Victor Herbert to Cole Porter to Jerry Herman, but these are all, if you will, main stream composers-- men whose music sounds good in original Broadway or Hollywood arrangements and just as good (or almost as good) as played by a dance band...think "Begin The Beguine" as done by Fred Astaire on film or "Begin The Beguine" done by Jo Stafford with the Paul Weston Orchestra.

But Weill was an innovator: a man who can still be listened to experiencing the thrill of something fresh and new. One immediately thinks of his collaborations with Bertolt Brecht in Germany: "Threepenny Opera" and "The Rise & Fall Of The City of Mahagonny" or "The Seven Deadly Sins", etc. his American opera, "Street Scene" with Langston Hughes or his American musical plays: "One Touch of Venus" with Ogden Nash or "Love Life" with Alan Jay Lerner, etc. The songs on this CD all deserve great recordings from the "Alabama Song" to "September Song" but they turn into a kind of flattened elevator music instead of having fresh interpretations or even more traditional ones. What happens is that the longing in "What Good Would the Moon Be" and the romance of "Speak Low" and the raucousness of "Bilbao Song" are all much too similar and much too easy.

It's a little weird to think of husbands whispering to their wives," Listen, honey, they're playing 'As You Make Your Bed' from "Mahagonny".........let's fox trot!"
Songs by Roger Quilter
Average customer rating: 5 out of 5 stars
  • Archetypical English Art Songs
  • Unexpected pleasure
  • A great listen!
Songs by Roger Quilter

Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002ZXZ
Release Date: 1996-10-22

Tracks:

  1. Three Shakespeare Songs, Op.6: Come Away, Death
  2. Three Shakespeare Songs, Op.6: O Mistress Mine
  3. Three Shakespeare Songs, Op.6: Blow, Blow, Thou Winter Wind
  4. Four Songs Of Mirza Scaffy, Op.2: Neig' shon' Knospe Dich zu dir
  5. Four Songs Of Mirza Scaffy, Op.2: Und was die Sonne gluht
  6. Four Songs Of Mirza Scaffy, Op.2: Ich fuhle Deinen Odem
  7. Four Songs Of Mirza Scaffy, Op.2: Die helle Sonne leuchtet
  8. Autumn Evening, Op.14 No.1
  9. June
  10. Two September Songs, Op.18 Nos.5&6: Through The Sunny Garden
  11. Two September Songs, Op.18 Nos.5&6: The Valley And The Hill
  12. Arab Love Song, Op.25 No.4
  13. Music, When Soft Voices Die, Op.25 No.5
  14. Love's Philosophy, Op.3 No.1
  15. Five Shakespeare Songs, Op.23: Fear No More The Heat O' The Sun
  16. Five Shakespeare Songs, Op.23: Under The Greenwood Tree
  17. Five Shakespeare Songs, Op.23: It Was A Lover And His Lass
  18. Five Shakespeare Songs, Op.23: Take, O Take Those Lips Away
  19. Five Shakespeare Songs, Op.23: Hey, Ho, The Wind And The Rain
  20. Now Sleeps The Crimson Petal, Op.3 No.2
  21. Go, Lovely Rose, Op.24 No.3
  22. A last Year's Rose, Op.14 No.3
  23. Four Child Songs, Op.5: A Good Child
  24. Four Child Songs, Op.5: The Lamplighter
  25. Four Child Songs, Op.5: Where Go The Boats?
  26. Seven Elizabethan Lyrics, Op.12: Weep You No More
  27. Seven Elizabethan Lyrics, Op.12: My Life's Delight
  28. Seven Elizabethan Lyrics, Op.12: Damask Roses
  29. Seven Elizabethan Lyrics, Op.12: The Faithless Shepherdess
  30. Seven Elizabethan Lyrics, Op.12: Brown Is My Love
  31. Seven Elizabethan Lyrics, Op.12: By A Fountainside
  32. Seven Elizabethan Lyrics, Op.12: Fair House Of Joy
  33. Old English Popular Songs: Drink To Me Only With Thine Eyes
  34. Old English Popular Songs: Barbara Allen
  35. Old English Popular Songs: Over The Mountains
  36. Four Shakespeare Songs, Op.30: Who Is Sylvia?
  37. Four Shakespeare Songs, Op.30: When Daffodils Begin To Peer
  38. Four Shakespeare Songs, Op.30: How Should I Your True Love Know?
  39. Four Shakespeare Songs, Op.30: Sigh No More, Ladies

Customer Reviews:

5 out of 5 stars Archetypical English Art Songs.......2006-09-19

'Songs by Roger Quilter', with its oh so appropriate William Morris patterned jacket art is, on the surface, exactly what you expect from the English art song. And, one's first reaction is 'Pretty, but not great'. But, then it starts to grow on you.

One of the biggest surprises is the fact that some of the least interesting pieces are based on Shakespeare's verses. And, some of the best are from poems translated from German into English.

Then, you get to the traditional 'Barbara Allen' and you start to appreciate the debt chamber music can owe to traditional folk tunes. And, you can appreciate from the similarities, the greatness of Stephen Foster, who did almost exactly the same kind of material as Quilter.

One can only wonder if Schubert's Lieder sound like these works to a native German. I think not. Schubert is still more 'beautiful', but Quilter is not a bad way to wile away an hour every once in a while.

5 out of 5 stars Unexpected pleasure.......2005-04-01

This is an intersting recital of songs, not all of them first-rate, but I find I go back to it again and again. Martineau is a sensitive, intelligent accompanist. John Mark Ainsley treats each song, and his audience, with repsect. At no stage do you get the idea the singer is more important than the songs. The disc is worth it just for "Damask Roses" and "Brown is My Love" (slightly less than two and a half minutes between them)

5 out of 5 stars A great listen!.......2000-07-26

John Mark Ainsley has an exceptional voice: warm, rich, and robust but without the ringing quality of Ian Bostridge's. The songs on the CD are all wonderful, especially "Come away, death." I definitely recommend the album.
September Song
Average customer rating: 4.5 out of 5 stars
  • I Love This CD!
  • A little sappy but it's pure Jimmy D
September Song
Jimmy Durante
Manufacturer: Collector's Choice
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005KIX9
Release Date: 2001-08-14

Tracks:

  1. September Song
  2. Look Ahead Little Girl
  3. Count Your Blessings Instead Of Sheep
  4. When The Circus Leaves Town
  5. I Believe
  6. Young At Heart
  7. Don't Lose Your Sense Of Humor
  8. You'll Never Walk Alone
  9. One Room Home
  10. Blue Bird Of Happiness

Album Description

Most may know Jimmies music through the film 'Sleepless In Seattle' but this is the record that broke it to a world already in love with his comedy act. This 1963 album for Warner Bros. went top 40. Did you know 'The Schnozzola' could actually carry a tune? 10 tracks including, 'September Song', 'Look Ahead Little Girl' & 'Blue Bird Of Happiness'. Standard jewel case. 2001 release.

Customer Reviews:

5 out of 5 stars I Love This CD!.......2007-03-13

If you like this type music I recommend this CD! For hard to find CD'd I have found Amazon the perfect place to shop! I also always qualify for the free shipping and this saves me $ too!

4 out of 5 stars A little sappy but it's pure Jimmy D.......2006-11-06

September Song mixes Jimmy Durante's gravelly voice and the softly dramatic strings so common during Durante's day. The result is pure Durante. If you love his music, you'll know most of these songs, if you're new to Jimmy Durante this is worth a listen.
Music from the Films/Film Encores
Average customer rating: 5 out of 5 stars
  • The All-time Best Selling Mantovani LP is now on CD!
Music from the Films/Film Encores

Manufacturer: Dutton Labs UK
ProductGroup: Music
Binding: Audio CD

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ASIN: B0006840IY
Release Date: 2005-03-08

Tracks:

  1. Warsaw Concerto
  2. Serenata d'Amore
  3. Dream of Olwen
  4. Legend of Glass Mountain
  5. Story of Three Loves [Rhapsody on a Theme of Paganini - Rachmaninov]
  6. Cornish Rhapsody
  7. My Foolish Heart [From My Foolish Heart]
  8. Unchained Melody [From Unchained]
  9. Over the Rainbow [From The Wizard of Oz]
  10. Summertime in Venice [From Summer Madness]
  11. Intermezzo [From Escape to Happiness]
  12. Three Coins in the Fountain [From the Coins in the Fountain]
  13. Love Is a Many-Splendored Thing [From Love Is a Many-Splendored Thing]
  14. Laura [From Laura]
  15. High Noon [From High Noon]
  16. Hi-Lili, Hi-Lo
  17. September Song [From September Affair]
  18. Theme [From Limelight]

Customer Reviews:

5 out of 5 stars The All-time Best Selling Mantovani LP is now on CD!.......2005-03-11

When the LP entitled Film Encores Volume I was released in stereo in 1957, Mantovani was already established as one of the world's best selling recording artists. Film Encores, however, became the maestro's most successful recording in the United States, reaching number one and remaining on the Billboard charts for two years. Now you can hear this phenomenal gold record in its entirety on CD and you will understand why it ranks #32 in the top 100 LPs of the 1950s. Many of these tracks have appeared on several CD compilations over the last few years, but songs like My Foolish Heart, Intermezzo, Laura, and Hi Lili Hi Lo are making their first appearance. Coupled with this best seller is another of Mantovani's historic LPs, Music from the Films, which was his first recorded originally in stereo sound. It represents a more classical, movie soundtrack genre, but is equally well orchestrated and performed with twin pianos. Each CD in this recent Vocalion set of grand romantic melodies and popular film music is worth listening to and enjoying repeatedly, as they were listened to and enjoyed by a war weary generation in the 1950s who bought millions of his sophisticated easy listening recordings. In this centennial year 2005 of Mantovani's birth, the release of these time honored albums on CD is a fine tribute to the late maestro and a good fortune to the endless audience desiring more of the peaceful, cathedral-like sounds of his string-laden orchestra.
Ljuba Welitsch The Complete Columbia Recordings
Average customer rating: 5 out of 5 stars
  • Enigimatic Flame!
  • perhaps the most sensual of German lieder singers
Ljuba Welitsch The Complete Columbia Recordings

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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SopranosSopranos | Voices | Opera & Vocal | Styles | Music
TenorsTenors | Voices | Opera & Vocal | Styles | Music
GeneralGeneral | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
ASIN: B0000029V9
Release Date: 1997-06-03

Tracks:

  1. Salome, Op. 54: Final Scene
  2. Tosca - (Act I): 'Perche chiuso?...Mia gelosa'
  3. Tosca - (Act II): 'Vissi d'arte'
  4. Don Giovanni - (Act I): 'Don Ottavio, son morta!...Or sai, chi l'onore'
  5. Don Giovanni - (Act II): 'Crudele! Ah no, mio ben... Non mi dir, bell'idol mio'
  6. Die Fledermaus: 'Czardas'
  7. Der Zigeunerbaron: 'Habet Acht' - (Gypsy Song)
  8. Four Last Songs: 'Fruhling'
  9. Four Last Songs: 'September'
  10. Four Last Songs: 'Beim Schlafengehen'
  11. Four Last Songs: 'Im Abendrot'

Tracks:

  1. Op. 43, No. 1: 'Von ewiger Liebe'
  2. Op 105, No. 1: 'Wie Melodien Zieht Es Mir'
  3. Op. 84, No. 4: 'Vergebliches Standchen'
  4. 'Die Mainacht'
  5. 'Meine Liebe ist grun'
  6. Op. 2: 'Gretchen Am Spinnrade'
  7. Op. 43, No. 1: 'Die Junge Nonne'
  8. Schwanengesang: 'Liebesbotschaft'
  9. Op. 32: 'Die Forelle'
  10. Myrthen, Op. 25, No. 1: 'Widmung'
  11. Liederkreis, Op. 39, No. 5: 'Mondnacht'
  12. Myrthen, Op. 25, No. 3: 'Der Nussbaum'
  13. Zigeunerlieder,Op. 103: No. 1
  14. Zigeunerlieder,Op. 103: No. 2
  15. Zigeunerlieder,Op. 103: No. 4
  16. Zigeunerlieder,Op. 103: No. 7
  17. 'Mne Grustno'
  18. ''Mel'nik'
  19. 'Gde ti, zvezdochka?'
  20. 'Hat Dich Die Liebe Beruhrt'
  21. 'Valse De Chopin'
  22. 'Dei Nacht' - Op. 10, No. 3
  23. 'Cacilie' - Op. 27, No.2
  24. 'Ich atmet' einen linden Duft'
  25. 'Blicke Mir Nicht In Die Lieder'
  26. 'Ich Bin Der Welt Abhanden Gekommen'
  27. 'Um Mitternacht' - (Incomplete)

Amazon.com

Ljuba Welitsch had a short career, her stardom spanning the mid-1940s to the mid-1950s. Perhaps this is because she gave so much of herself--even on records you feel she's operating on all cylinders. Her most famous role, Salome, is represented here by the closing scene with Fritz Reiner and the Metropolitan Opera Orchestra, recorded at the time of her triumphant New York debut. She was also a great Donna Anna, her rendition of the big arias from Don Giovanni full of fire and thrust. Tosca's "Vissi d'arte" is a passionate reading, one of the best on disc. The song disc is more variable but always interesting. A great singer, captured in her prime. -- Dan Davis

Amazon.com

Half of Bulgarian soprano Ljuba Welitsch's Columbia output stems from her salad days at the Met, when her silvery voice cut across the footlights like liquid fire. The 1950 Tosca and Don Giovanni selections, as well as her incomparable Salome Final Scene with the fiery Fritz Reiner at the helm, sound more potent than ever in these 20-bit transfers from original source material. Also memorable are two delicately scaled Joseph Marx lieder and a peerless Strauss Cacille. Sadly, the 1952-3 lieder sessions find Welitsch in dire straits: her voice has acquired a papery edge, with perceptive decline in intonation and breath control. Give Paul Ulanowsky credit, though, for admirably maneuvering through the thankless, Crisco-thick piano "deorchestrations" of Strauss' Four Last Songs. --Jed Distler

Customer Reviews:

5 out of 5 stars Enigimatic Flame!.......2003-11-14

This woman moved me! I felt exitement, finality, pain, passion, victory, sensuousness, and nostalgia of a time unknown to me. The Salome aria is the most convincingly and beautifully sung I have ever heard by far. The thread of sound is never broken. The lieder selections are very lovely and interestingly personal, not at all detached or serious; a joy. Strauss' Four Last Songs done with piano are quite effective as such.

The recorded sound is very impressive; a clean, full-bodied sound. Columbia's mono recordings are absolutely superior.

This soprano seemed to have something very important to say. There is an ever present urgency in her delivery, a haste, and a desperation that clings to the heart. As she sings, she invokes compassion, mystery, fear and joy.

Please hear this woman!

5 out of 5 stars perhaps the most sensual of German lieder singers.......1999-08-22

This collection of Ljuba Welitsch's singing Strauss is an great example of a singer's cultural connection to a composer giving her an almost eerily innate feeling for the music. Welitsch's voice can only be described as sexy, in a pre-war German sort of way, silvery hard and focused in tone combined with a sensuality of expression that is unique. She breathes life and fire into this music in a way that later singers -- even the great Elisabeth Schwarzkopf -- could not.
Kurt Weill: The Centennial
Average customer rating: 5 out of 5 stars
  • Kurt Weill: Re-discovery...
  • Incredible Live Album
Kurt Weill: The Centennial
Kurt Weill , Brock Peters , Carole Cook , Charlotte Rae , Nancy Dussault , Norm Lewis , Peter Becker , Rod McKuen , Shirley Jones , Tim Curry , and Steve Orich
Manufacturer: Lml Music
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005U8HM
Release Date: 2002-01-08

Tracks:

  1. Act 1: Pirate Jenny - Charlotte Rae
  2. Act 1: I'm A Stranger Here Myself - Jodi Stevens
  3. Act 1: Economics - Jane A. Johnston
  4. Act 1: Is It Him Or Is It Me? - Pam Dawber
  5. Act 1: Barbara Song - Linda Purl
  6. Act 1: Lullaby - Kathryn Skatula
  7. Act 1: That's Him - Nancy Dussault
  8. Act 1: Don't Look Now - Sharon Lawrence
  9. Act 1: Apple Jack - Norm Lewis
  10. Act 1: Speak Low - Sally Kellerman
  11. Act 1: September Song - Rod McKuen
  12. Act 1: Ice Cream Sextet - David Holladay

Tracks:

  1. Act 2: Wouldn't You Like To Be On Broadway? - David Holladay
  2. Act 2: What Good Would The Moon Be - Melissa Dye
  3. Act 2: It Never Was You - Hugh Panaro
  4. Act 2: We'll Go Away Together - Hugh Panaro
  5. Act 2: Tschaikowsky - Jack Noseworthy
  6. Act 2: The Saga Of Jenny - Carole Cook
  7. Act 2: Surabaya Johnny - Tim Curry
  8. Act 2: My Ship - Shirley Jones
  9. Act 2: Mack The Knife - Loretta Devine
  10. Act 2: Lost In The Stars - Brock Peters

Customer Reviews:

5 out of 5 stars Kurt Weill: Re-discovery..........2006-11-10

I am so impressed and pleased to have found this recording on Amazon.com. I am always amazed when I find these seemingly obscure recordings, and thrilled to know they exist. What a wonderful history of our musical world---and what a chance to hear interesting, challenging, and unusual performances from so many well-known people. The songs live on--the composer is 'new' again, and this recording becomes part of history re-discovered. Thank you Amazon.com for your continued professionalism and for having these recordings available.

5 out of 5 stars Incredible Live Album.......2002-02-10

This incredible concert (which i attended) benefitting The Actors' Fund of America, contains some absolute MUST performances for any Broadway collector.

For me, the highlights are HUGH PANARO ("It Never Was You"), NANCY DUSSAULT ("It's Him") and TIM CURRY singing "Surabaya Johnny" in German!

Loretta Divine, Brock Peters, they're all great!

Meditation Music:

  1. Smooth
  2. Soldier [CD-single]
  3. Solid Gold Vol. 10
  4. Soundings In Film
  5. Sounds of the Circus - Volume 5
  6. Spice Up Your Life [UK CD2] [CD-single] [Import]
  7. Standing Room Only
  8. Stomp and Swerve: American Music Gets Hot [Explicit Lyrics]
  9. Stop [UK CD1] [CD-single] [Import]
  10. Synthpop for a Darkened Room

Meditation Music

meditation music

Meditation Music

Last Exit to Garageland

Camille Saint-Saens: Trios Op. 18 & Op. 92

Cage: Freeman Etudes, Books One & Two (Complete Music for Violin, Disc One)

Music: See How Far We've Come

Deep Season: Autumn 01 [Import]

Disco Kandi [Import]

Double [Import]

Filmmusik

Day on the Green Live [Import]

Cantorial Concert Masterpieces

D. Forma [Import]

Chile [Import]

Bella Mujer

Dmitri Shostakovich: Symphonies No. 9 & No. 3

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