| 1. Boys (Co Ed Remix Feat Pharrell Williams Of N E R D) |
| 2. Boys (Co Ed Remix Instrumental Feat Pharrell Williams Of NER |
| 3. Boys (Album Version) |
| 4. Boys (Instrumental Album Version) |
Editorial Reviews
2002 single taken from the Austin Powers Goldmember soundtrack & featuring Pharrell Williams of N.E.R.D.. Tracks, 'Boys' (Co-Ed Remix, Co-Ed Remix Instrumental, Album Version & Album Version Instrumental).
Boys,Britney Spears,Jive Int'l,Dance-Pop,Pop,Popular Music,Rock,Rock/Pop,Teen Pop
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The Mix-Up
Beastie Boys Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PY32CE Release Date: 2007-06-26 |
Tracks:
- B For My Name
- 14th St. Break
- Suco De Tangerina
- The Gala Event
- Electric Worm
- Freaky Hijiki
- Off The Grid
- The Rat Cage
- The Melee
- Dramastically Different
- The Cousin Of Death
- The Kangaroo Rat
Amazon.com
Having long since shed their image as hip-hop's clown princes, the Beastie Boys now bring what feels like their emeritus recording, a celebratory instrumental memoir of all of the influences (except punk) that brought them to their secure place among hip-hop's fickle elite. The party opens with the aptly titled "B for My Name," its plodding bounce staking claim to the mid-tempo path the album treads almost throughout. "14th St. Break" picks up the pace, especially in the auxiliary percussion breakdown, complete with rally whistle. Then, beginning with "Suco de Tangerina," the album drops into a deep groove cut from dub- and dancehall-tinged ostinati that carry through a full third of its tracks. Among these, "The Gala Event" suffers from a lack of developmental motion that characterizes many of these tracks, but highlights still abound. "Off the Grid," for example, departs from the otherwise unbreakable chill and rips the proceedings wide open, blooming again and again in a series of pulsing riffs that celebrate the very institution of the instrumental groove. More than 20 years since Licensed to Ill took a long, irreverent piss into the mainstream, it seems you can still fight for your right to party. --Jason KirkAmazon.com
The Mix-Up is Beastie Boys' first-ever full album of all-new instrumental material. The follow-up to 2004's To The 5 Boroughs, The Mix-Up features Diamond, Horovitz and Yauch back on drums, guitar and bass, with able assistance from Keyboard Money Mark and percussionist Alfredo Ortiz, on 12 brand new wordless, sample-less, scratchless originals. Sure to please fans of the instrumental cuts from Check Your Head and Ill Communication and the cult hit compilation album made up largely of those tracks, The In Sound From Way Out!, The Mix-Up finds NYC's favorite sons drawing on one of their arsenal's primary strengths and pushing it into bold new directions.
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More from Beastie Boys
Paul's Boutique |
Check Your Head |
Ill Communication |
Licensed to Ill |
Awesome, I Shot That |
DVD Video Anthology - Criterion Collection |
Customer Reviews:
the beastie boys have done it again.......2007-07-30
Skip it.......2007-07-30
Poor.......2007-07-28
Chill Background.......2007-07-27
Dreck.......2007-07-26
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Jersey Boys (2005 Original Broadway Cast)
Ronald Melrose , Ken Dow , Anik Oulianine , Stephanie Cummins , Deborah Hurwitz , Kevin Dow , Joe Payne , Larry Saltzman , Dave Spier , Bill Hayes , Randall Andos , Bob Milikan , Debra Shufelt , Maxine Roach , Belinda Whitney , Cenovia Cummins , Eric de Gioia , Louise Owen , Robin Zeh , Sarah Schwartz , Shinwon Kim , Christian Hoff , Daniel Reichard , Donnie Kehr , Erica Piccininni , J. Robert Spencer , Jennifer Naimo , John Lloyd Young , Sara Schmidt , Tituss Burgess , Steve Orich , and Bob Gaudio Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000BFH2QY Release Date: 2005-11-01 |
Tracks:
- Ces Soirees la'
- Early Years Medley
- Cry For Me
- Backups Medley
- Sherry
- Big Girls Don't Cry
- Walk Like A Man
- December, 1963
- My Boyfriend's Back
- My Eyes Adored You
- Dawn (Go Away)
- Big Man In Town
- Dialog: A Little Trouble
- Beggin'
- Dialog: See How You Handle It
- Medley Listen Listen
- c'mon marianne
- Can't Take My Eyes Off Of You
- Working My Way Back To You
- Fallen Angel
Amazon.com
Although it squarely falls in the "jukebox musical" category, Jersey Boys doesn¹t try to integrate its songs in an artificial plotline. The show tells the story of the early-1960s group the Four Seasons, and the musical numbers tend to be introduced in context, as when songwriter Bob Gaudio comes up with a tune, or the quartet performs a show. This allows Jersey Boys to flow better than some of ill-fated peers, and the actors can shine without having to bend backward to accommodate an inane book. The show's most (only) daring move is to start with a hip-hop-tinged French-language version of "December 1963 (Oh, What a Night)," an actual hit in France in 2000. After that it's all VH1-biopic territory, but it's done with so much flair, taste and energy that the ride's a fun one. The Four Seasons had enough hits ("Sherry," "Big Girls Don't Cry," "Rag Doll," etc.) to easily fill an evening at the theater, so it's left to the cast to do right by them. And it does, particularly John Lloyd Young as the band¹s star lead, Frankie Valli. Young hits all the falsetto notes and brings real freshness to the part. His "Can¹t Take My Eyes Off You," a second-act peak, is signed, sealed and delivered with a star's acumen. --Elisabeth VincentelliAlbum Description
Recounting the rich history and reliving the timeless sounds of the phenomenal Frankie Vallie & The 4 Seasons, the new Broadway musical Jersey Boys answers the musical-and philosophical question, "How did four would-be wise guys from Newark, NJ, become one of the greatest chart-topping successes in pop music history?" Jersey Boys celebrates legendary Rock and Roll Hall of Famers Frankie Valli, Bob Gaudio, Tommy DeVito, and Nick Massi who, as the 4 seasons, wrote their own songs, invented their own identity, and sold 175 million records worldwide-all before they were 30.Customer Reviews:
Jersey Boys.......2007-07-30
Jersey Boys relived.......2007-07-28
Jersey Boys-original broadway cast recording.......2007-07-26
Jersey Boys (2005 Original Broadway Cast).......2007-07-19
Jersey Boys.......2007-07-08
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Sounds Of Summer - The Very Best Of The Beach Boys
The Beach Boys Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000093BDX Release Date: 2003-06-10 |
Tracks:
- California Girls
- I Get Around
- Surfin Safari
- Surfin U.S.A.
- Fun, Fun, Fun
- Surfer Girl
- Dont Worry Baby
- Little Deuce Coupe
- Shut Down
- Help Me, Rhonda
- Be True To Your School
- When I Grow Up (To Be A Man)
- In My Room
- God Only Knows
- Sloop John B
- Wouldnt It Be Nice
- Getcha Back
- Come Go With Me
- Rock And Roll Music
- Dance, Dance, Dance
- Barbara Ann
- Do You Wanna Dance?
- Heroes And Villains
- Good Timin
- Kokomo
- Do It Again
- Wild Honey
- Darlin
- I Can Hear Music
- Good Vibrations
Amazon.com
The cynic may question just how many Beach Boys greatest hits albums are enough. Everyone else, however, will appreciate what makes Sounds of Summer unique. This is the first single-disc collection to feature such a large cross section of hits from the group's entire career, spanning 1962's "Surfin' Safari" through 1988's "Kokomo." All 30 tracks, spanning several label changes, were Billboard Top 40 hits and are probably now as identifiable as the national anthem to anyone with radio or TV access. The fact that the tracks aren't in chronological order helps make for a fresh listening experience, as does the crisp digital sound. And yet these songs--even those that are more than four decades old--always sound strangely fresh and will likely remain so as long as there are beaches, young people, and that symbolic season of freedom and dreams. Which is to say that the title here passes the "truth in advertising" test. Perfect for those casual fans not yet ready to spring for the individual albums, Sounds of Summer is in many ways a better representation of this legendary band's art than Elvis' 30 No. 1 Hits and The Beatles 1 were of the King and the Fab Four. --Bill HoldshipAmazon.com
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More from The Beach Boys
The Warmth of the Sun |
Pet Sounds |
20 Good Vibrations, The Greatest Hits |
Good Vibrations: Thirty Years of The Beach Boys |
Endless Harmony |
Endless Harmony DVD |
Customer Reviews:
The Very Best of the Beach Boys.......2007-07-27
Summer music is here --- again!.......2007-06-14
Don't Worry, Baby is a personal favorite but it's the mono version. However, listening to it on a nice set of speakers makes it sound like it's in stereo. I would have liked "Warmth of the Sun" included in this collection but hey, 30 of the best Beach Boys songs on one CD, I'm not complaining!
The perfect Beach Boys collection for casual fans.......2007-06-14
However, since this CD contains only the band's "top 40 singles", serious fans will find this collection a little less appealing since some of the Beach Boys' best music {including many good recordings after 1966} never made the top 40. Several of these songs such as "Let him run wild", "Catch a Wave", "Warmth of the Sun", and "Girls on the Beach" are not included in this otherwise excellent collection. Much of this worthy lesser-known material has just been reissued on the new highly recommended compilation "The Warmth of the Sun".
This is only a minor issue of course since "Sounds of Summer" is surely one of the most comprehensive greatest hits collections ever released by any band. ALL of the Beach Boys hit singles are here on one disc, which makes this an essential CD for every Beach Boys fan.
Must have.......2007-06-13
Great Seller.......2007-06-12
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Pet Sounds
The Beach Boys Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005ASHM Release Date: 1999-07-13 |
Tracks:
- Wouldn't It Be Nice
- You Still Believe In Me
- That's Not Me
- Don't Talk (Put Your Head On My Shoulder)
- I'm Waiting For The Day
- Let's Go Away For Awhile
- Sloop John B
- God Only Knows
- I Know There's An Answer
- Here Today
- I Just Wasn't Made For These Times
- Pet Sounds
- Caroline No
- Hang On To Your Ego - (bonus track)
- Wouldn't It Be Nice (Stereo Mix)
- You Still Believe In Me
- That's Not Me
- Don't Talk (Put Your Head On My Shoulder)
- I'm Waiting For The Day
- Let's Go Away For Awhile
- Sloop John B
- God Only Knows
- I Know There's An Answer
- Here Today
- I Just Wasn't Made For These Times
- Pet Sounds
- Caroline No
Amazon.com essential recording
If you need some pointy-headed pundit to sell you on the merits of Pet Sounds, your money might be better spent on an ear specialist. Brian Wilson's gift to 20th-century music elevated this pop album into a beguiling musical and emotional cogency that still operates outside pop culture's fickle space-time continuum--and limited critical lexicon. There's never been another record to compare (Rubber Soul, its inspiration, is close; Sgt. Pepper's, its response, misses the point), and certainly no album has been as dissected, overanalyzed, and predigested for public consumption. In 1997 Capitol Records devoted an entire four-disc box set, The Pet Sounds Sessions, to its thorough deconstruction. The techno-marvel centerpiece of that project--the album's first true stereo mix, painstakingly conjured out of multitape session sources by producer-engineer Mark Linett (under Wilson's supervision)--was at once heresy and revelation. Now the label has gratifyingly seen fit to offer both mixes on a single disc (along with alternate versions of "Hang On to Your Ego," the original title of "I Know There's An Answer"), an idea that should please the orthodox and heretics alike. And while the album has always clearly been The Brian Wilson Show featuring the Beach Boys, David Leaf's concise new notes attempt to be more inclusive of a wider band perspective. The result (three of the five band members claim credit for the album title) sometimes resembles Rashomon. If Pet Sounds forever crystallized the band's various creative (in)differences, it also became Wilson's grand karmic joke on his band mates; its burgeoning reputation (Mojo magazine's panel of pop experts once elected it greatest album of all time) guaranteed they would sing its songs--and praises--until the end. And if putting two different versions of the same album on one disc seems like overkill, look at the bright side: it's a perfect excuse to listen to the glorious Pet Sounds twice. --Jerry McCulleyAmazon.com
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More from The Beach Boys
Sounds of Summer |
Sunflower/Surf's Up |
20 Good Vibrations, The Greatest Hits |
Good Vibrations: Thirty Years of The Beach Boys |
Endless Harmony |
Endless Harmony DVD |
Album Details
2000 Hdcd Remaster of the Original Mono Mixes. Does Not Include the Bonus Tracks that were on Previous Issues.Customer Reviews:
Listen to the music, people...the MUSIC!!.......2007-07-31
Understanding "Pet Sounds".......2007-07-26
"Revolver" for example, has what ive seen many on here say "Pet Sounds" has: about one great song and three good ones.
now this is true in terms of "sounding lovely" but in terms of musical masterpiece this is not the case.
when i first listened to Pet Sounds, each song started and i asked myself "why am i listening to this?". but by the time each song was over i felt like a different person
the rich chord progressions illustrate the movement that words alone can not explain. Take for example the infamous "God Only Knows". It is a swirl of diminished verse with many inverted chords that keep the listener tagged through its bipolar verses... then the refrain of "god only knows..." is a rich set of major chords (A-E/G#-F#m7) followed by a m7 which is a major chord with a changed root. If i was to post the chords in verse on here it would look like higher math.
this is what the "genius" of Brian Wilson comes to.
When a musician heres an album a lot more goes into play than the sound alone. The technicality, a word oft thrown around yet seldom understood, is another window into the "what" of the song and sound and an explanation of the feelings.
Thus a song like "Thats Not Me" keeps it begging sensationalism not through its simplistic lyrics, but by balancing such simplisity upon a background chorus of percussive indecency... a strange combination that shows not only the narrator's desperation but also his frustration.
The only songs that shouldnt have been on the album from an outstanding standpoint would be the instrumentals...
not because they are free of genius or do not have a complex meaning... but instead because they do not fit the overall flow of the album.
my recommendation for anyone who buys this album:
you must listen to it more than once
the first time, other than a few songs, you will probably be wondering why anyone in the world would say this was the best album, let alone good.
but the more you listen the more you feel
the more the harmonies play the more you can understand
the lyrical meanings of the songs mean nothing when not compared to the harmonies beneath them...
imagine Wouldnt it Be Nice in Minor
that would change everything the song has ever stood for
also, Wilson's rythmic movement and enjambments should be noticed and the effect they have (such as in "Dont Talk") are astounding to the listening ear.
in conclusion
the reason this is one of the greatest albums ever, or possibly the greatest (i have yet to find few who compete) is because it is like a jazz album: it is a listening mans CD. if you just pop it in and lolly around you get nothing. Yet if you become involved with the music, past the normal level of casuality... a plea made by the BBs and the Beatles at this time... You will find what makes it the "greatest album" yet. It touches more than the mind. It touches the mind and heart, and will profoundly affect the way you hear things in the future.
Important, yes, great, no........2007-07-20
Wouldn't It Be Nice to Live Together, in the Kind of World Where We Belong?.......2007-07-15
Anyway, I am in the perfect setting to examine the rewards of "Pet Sounds" by the Beach Boys. Much has been written about this seminal album. And why not? It consistently ranks in the top 10 pop-rock albums of all time. And rightly so if you ask me.
Of course, it wasn't greeted ethusiastically when it came out. At least not as much as their prior hits. Brian Wilson took the hit most of all. Probably unjustly. But time has proven that it was the right move and the right time. To most, perhaps a little early and maybe they would say the wrong time. But I would have to disagree with that. Brian was ahead of everything on the scene at that time. He saw that the music was changing. Plus, artistically, you can not stay in the same place. Artistry needs real growth. Meanwhile, the other Beach Boys needed more hits- and this is why the chasm happened.
But, lets get into this a little more. The Beach Boys were (and still are) the ultimate summer group. Songs about California Girls, fast cars, high school life, requited love, and teen angst, angst, angst. These songs were incredibly successful. But Brian knew that, as he got older, his audience were also doing the same thing. He wanted to try a new direction and add some sophistication. Looking back to 1966, this album is a monumental achievement- and remains so until this day. Sure, some may downplay the importance of this recording, however, that cannot eliminate the fact that it was a monumental change that influenced the musical landscape at that time forever. It is essential, and one of the very best.
But, getting to the main point. Brian Wilson was moving towards greater musical compostion and more adult and inner emotions on record. This was a mega step- and quite a risk at the same time. Most of the music is lush, well thought out, and instruments used precisely to get the right nuances that bounced around in his mind. Certainly the songs are confessional, i.e; "You Still Believe in Me", emotional, i.e, "That's Not Me", "I'm Waiting for the Day", and quiet, heartfelt romance, i.e; "Don't Talk (Put Your Head on my Shoulder)". One must, of course, listen to all the colours and passages in this music. All these songs have a way of revealing certain moods that marry the music perfectly. Beautiful lilting breaks, shifting meter, an array of musical instruments heretofore never thought of in the pop-rock genre. Excellent.
And songs? We are treated to different, but essential, gratuitous hits with "Wouldn't It Be Nice" and "Sloop John B". But more than this, Brian gives us 2 more considerable high standard gems. Yes. We get to "God Only Knows" which I nominate as the most beautiful song ever written in the course of popular music. Grandiose, glorious- I am fairly convinced that a higher power is somehow behind this remarkable song. Sweet, yearning, beautiful beyond compare. Angelic vocals as well. If anyone doubts Brian Wilson's genius, have them look to this song. Absolutely the highest gem. Then we get to the wispful "Caroline No". Brian reflects upon how time can change a relationship. He looks back to a time when his love was new and exciting and wonders why she changed. "Where is the girl I used to know"? He hurts badly from the change and yearns for a return to a satisfying relationship, knowing full well that it has changed forever. Listen to the end. A train in the distance, approaching at a rapid pace, getting louder, and then quickly passing by. A dog barks in the distance-urging its return. But it gone and then silence. What an incredible conveyence of mood this is for the ending. Superb.
In a way, the outtake of "I know There's an Answer" entitled "Hold On to Your Ego" to me, conveys the frustration Brian was going through in order to have the other members of the group in compliance with his new direction. But he knows he's alone and he knows that he's "going to lose the fight". Well, he may have lost it to them- however- he won the classic album. And we are all so much better that he did.
Now, I must go and make sure that kid isn't planning some new attack on my new home. I don't want to lose the fight anymore than Brian does.
In conclusion- a classic and a must have in any considerable music collection.
Goats say "feed me", Seers say "read me". -- yours, Metamorpho
Good.......2007-07-12
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The Warmth of the Sun
The Beach Boys Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000FC2FUG Release Date: 2007-05-22 |
Tracks:
- All Summer Long (new stereo remix)
- Catch A Wave
- Hawaii
- Little Honda
- 409
- It's OK
- You're So Good To Me (new stereo remix)
- Then I Kissed Her (new stereo remix)
- Kiss Me, Baby
- Please Let Me Wonder (new stereo remix)
- Let Him Run Wild (new stereo remix)
- The Little Girl I Once Knew
- Wendy (new stereo remix)
- Disney Girls (1957)
- Forever
- Friends
- Break Away
- Why Do Fools Fall In Love
- Surf's Up
- Feel Flows (featured in the motion picture Almost Famous)
- All This Is That
- 'Til I Die
- Sail On, Sailor (featured in the Oscar-winning motion picture The Departed)
- Cool, Cool Water
- Don't Go Near The Water
- California Saga (On My Way To Sunny Californ-i-a)
- California Dreamin'
- The Warmth Of The Sun
Amazon.com
In a sense, The Warmth of the Sun is to 2004's double-platinum Sounds of Summer as 1975's Spirit of America was to the previous year's chart-topping Endless Summer. Both Summer compilations feature the obvious hits, and their followups collect less famous--though still worthy--tracks like "Hawaii," "409," and "Little Honda." But the 21st-century collections are sequenced by the Beach Boys themselves, and that means this volume's songs are second-tier in fame only. The casual fan whose curiosity was piqued by Sounds of Summer and picks this up for "All Summer Long" will be captivated by Brian Wilson's stops on the road to Pet Sounds ("Kiss Me Baby," "Please Let Me Wonder," "Let Him Run Wild," "The Little Girl I Once Knew"), moved by the father-son collaboration "Break Away" (in many ways the Beach Boys' farewell to the '60s), and floored by a string of five songs from the early '70s--a few of which had their genesis in the ill-fated Smile project--that are a perfect showcase for the maturity the group, especially Brian and Carl, managed to attain less than a decade after penning "Pom Pom Play Girl" ("Surf's Up," "Feel Flows," "All This Is That," "'Til I Die," "Sail On, Sailor"). Taken together, these two volumes provide an extraordinary portrait of a band attempting to straddle popularity and artistic vision, spotlighting each facet just long enough to make you want more. (Collectors note: many of these songs appear in new stereo remixes--they may not be the original Brian Wilson productions as he heard them, but being able to distinctly make out the vibraphone in "Let Him Run Wild" is worth it.) --Benjamin LukoffAmazon.com
Compiled and sequenced by The Beach Boys themselves, The Warmth Of The Sun offers a rich view of the artistry and complex legacy of a band that has produced some of the most brilliant music of all time. This new career-spanning, 28-track collection illuminates much of The Beach Boys' most accomplished work. The Warmth Of The Sun is the perfect complement and companion to 2004's double-platinum Sounds of Summer: The Very Best of The Beach Boys.
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More from The Beach Boys
Sounds of Summer |
Pet Sounds |
20 Good Vibrations, The Greatest Hits |
Good Vibrations: Thirty Years of The Beach Boys |
Endless Harmony |
Endless Harmony DVD |
Customer Reviews:
My feel-good music.......2007-07-21
The WARMTH of the SUN~it won't ever die..........2007-07-18
Brian Wilson is the genius who created a unique American music that is fun and sometimes JOYOUS to hear.If you never heard The BEACH BOYS in concert, seeing the Brian Wilson touring ensemble built-around The Wondermints is probably the best substitute.But give yourself a break~ The Beach Boys have been around more than 40 years,and made millions of listeners of all ages and musical "sophistication"happy: their WARMTH of the SUN...their choir-rich harmonies...won't ever die.
Recycled Package #102.......2007-07-17
I, for one, cannot review "The Warmth of the Sun" on the merits of its songs, because it would be painfully redundant to do so. All that exists here are a few classic tracks intermingled with a few obscurities. As a rule (and especially when applied to the Beach Boys catalog), the more obscure the tune, the worse it is, and this collection practically screams that point. So, why would you buy this collection? I don't know. Maybe if you never bought a Beach Boys album in your life, this would be worthwhile, but with 101 other compilations to choose from, I see no particular advantage for this specific collection. Perhaps you are so masochistic that you feel compelled to buy anything that has the band's name attached. If so, I feel so truly sorry for you, as well as your ex-wife, your estranged children and your mortgage company.
Meanwhile, Mike Love is probably sitting at home right now, arranging the next batch of songs for next week's compilation. That can't be healthy for him, so let's do him a really big favor. Let's ban all future recycled collections credited to the Beach Boys. If our goal is achieved, we might force Mike to do something with an iota of creativity attached. Wouldn't that be nice? D- Tom Ryan
Interesting Album.......2007-07-14
Lackluster.......2007-07-13
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One of the Boys
Gretchen Wilson Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000N60H6I Release Date: 2007-05-15 |
Tracks:
- The Girl I Am
- Come To Bed
- One Of The Boys
- You Don't Have To Go Home
- Heaven Help Me
- There's A Place In The Whiskey
- If You Want A Mother
- Pain Killer
- There Goes The Neighborhood
- Good Ole Boy
- To Tell You The Truth
Amazon.com
Now this is more like it. A song-by-song retort to fans who might confine Wilson to some trailer-park queendom and to critics who might dethrone her for All Jacked Up, a half-hearted, hurried sequel to her quintuple-platinum debut, Gretchen Wilson's third album fires on all radio-ready-honky-tonk-and-hillbilly-rock cylinders. It's also a portrait of a tough, talented woman making her own way in what's still largely a man's, man's country world. She gets plenty of help from hot Nashville writers John Rich, Rivers Rutherford, and Vicky McGehee, but her working-class and feminist spin on country archetypes--temptation, whiskey, work, and Mom--is authentic and her own. Even when, as on the title track, she revisits "Redneck Woman," she retools the conceits with one of her best melodies. When she goes for the throat on "You Don't Have to Go Home," with a ripping fiddle line and an AC/DC guitar break, she's not just wailing last call: she's showing the whole honky-tonk who's boss. She still loves classic rock boogie--"Place in the Whiskey" quotes both Bob Seger and the melody of "Call Me the Breeze"--but she counters all the butt-kicking with solid ballads like "Heaven Help Me," "Pain Killer," and "To Tell You the Truth," her most heartbreaking and honest lyric. Funny, feisty, rocking and, best of all, true to herself, Wilson didn't really need a comeback album; nevertheless, she's made one that brings her all the way back. --Roy KastenCustomer Reviews:
Underrated, but another fine Gretchen Wilson album.......2007-07-23
Honestly, this isn't the way it should've gone down for Gretchen Wilson. When HERE FOR THE PARTY bowed in 2004, it was the most (or atleast one of the most)anticipated country album(s) of the year. It slid in behind the unstoppable Usher who'd had the no. 1 spot locked for several weeks and sold 228,000, not bad for a debut artist. It spawned the massive crossover hit "Redneck Woman", which peaked in the top 30 of the Billboard Hot 100 Chart, a very esteemed achievement for a country single. It propelled her debut album to multi-platinum status - approximately 4 million sold in just the U.S. alone. With the processes of propelling a debut artist to success with here debut album, all looked like it was set it stone that Gretchen Wilson was country's next big superstar in the league of Faith Hill or Shania Twain. Then 2005's ALL JACKED UP arrived to debut at no. 1 with 264,000, more than here debut. However, the "Redneck Woman" styled single "All Jacked Up" failed to rack up reviews even close to that of the single that made Gretchen Wilson, well Gretchen Wilson. Sure, the album didn't go unnoticed in the sense that it didn't sell, but how does 1.1 million compare to 4 million. Making a promising career's problems worse, ONE OF THE BOYS just maybe the sinker. With a tepid no. 5 debut and a devastatingly low 73,000 copies sold, first week sales and follow-up week sales of this fine country album by Wilson have been disappointing.
Sure, ONE OF THE BOYS is a credible, strong effort. But ONE OF THE BOYS lacks two things that made even the underrated ALL JACKED UP a moderate success. One, it lacks "Redneck Woman" which will probably never be replicated by Wilson, ever and two, it lacks anything that remotely sounds close to "Redneck Woman". Even ALL JACKED UP had "All Jacked Up", despite how unnoticed it ultimately went. It's that 'bad-girl' appeal that Wilson had on HERE FOR THE PARTY that disipated with her forthcoming albums that lost some of Wilson's fans. That coupled with the growing devastation of album sales has practically sunk ONE OF THE BOYS. Enough chit-chat about commercial success, let me discuss the album itself.
The album opens with "Girl I Am", which is solid G.W., though not as energized or as exhilarating as the openings of previous G.W. albums ("Here for the Party" and "All Jacked Up"). Vocally, Wilson is great and there is still an air of catchiness as Wilson sings lines like "I don't ever make apologies/ because I don't give a damn..." which leaves hope to the fans that left Wilson that the 'redneck woman' is still in her. "Come To Bed" features John Rich from none other than crazy country duo Big & Rich and the blend is magnificent between him and G.W. The songwriting is top-rate and the hook is more accesible for singing along here than it was on "Girl I Am". Sure, it isn't the second coming, but what is these days? "One of the Boys" serves to buck the trend with title-tracks and despite its conservative tempo, the songwriting is ever vigorous with its comical overtones and Wilson as always is at her best, 'redneck woman' or not. Three for three ladies and gents.
"You Don't Have to Go Home" is the best track up to this point from ONE OF THE BOYS with its country-rock feel and sick guitars. Despite the repetitive nature of the track, it keeps the air of 'traditionalist' country alive and that is very important. "Heaven Help Me" shows an even mellower Wilson (which seems to be an adverse effect for some fans unfortunatly) backed by acoustic sounds of piano, guitar, and strings. Despite her mellow turn, the bluesed-out "There's a Place in the Whiskey" is more production than vocal, but it is a welcome addition to G.W.'s catalogue of songs. Sure it's a bit too busy, but none can deny the potent nature of the blues licks. "If You Want A Mother" is solid while "Pain Killer" is a bit awkward, though still a solid track. What is notable about "Pain Killer", which is by no means my favorite track, is that vocally Wilson is at her strongest and the songwriting is nearly flawless. Eight for eight and still going strong.
"There Goes The Neighborhood" is a personal favorite of mine once again employing blues-influenced riffs. "Good Ole Boy" uses 'cutesy' songwriting, which the unstoppable G.W. pulls off perfectly. Finally the closer "To Tell You the Truth" is heavier in its overall tone as Wilson tackles serious songwriting, which may/may not be a hindrance. It isn't catchy like the rest of her tunes, but if you commit yourself as a true Gretchen Wilson fan, you will appreciate the message and the idea that Wilson is trying to emote on the closing track.
Overall, ONE OF THE BOYS would be a fine album if it was another country artist besides Gretchen Wilson, which is unfortunate. No, it isn't as memorable as her first and maybe in some respects as her underrated second, but it is still very fine in my eyes, despite what the charts or anybody says. I hope that ONE OF THE BOY'S commercial woes don't sink the career of a very promising, young country star. 4 stars.
Grand Ole Gretchen.......2007-07-09
good.......2007-07-03
This girl Rocks.......2007-06-27
GREAATT!!.......2007-06-26
Average customer rating:
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Love Actually
Various Artists Manufacturer: J-Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000DZ3IG Release Date: 2003-11-11 |
Tracks:
- Kelly Clarkson - The Trouble With Love Is
- Dido - Here With Me
- Maroon 5 - Sweetest Goodbye/Sunday Morning
- Norah Jones - Turn Me On
- Wyclef Jean - Take Me As I Am (feat. Sharissa)
- Eva Cassidy - Songbird
- The Calling - Wherever You Will Go
- The Pointer Sisters - Jump (For My Love)
- Joni Mitchell - Both Sides Now
- Lynden David Hall - All You Need Is Love
- The Beach Boys - God Only Knows
- Texas - Ill See It Through
- Sugababes - Too Lost In You
- Craig Armstrong - Glasgow Love Theme
- Otis Redding - White Christmas
- Billy Mack - Christmas Is All Around
- Olivia Olson - All I Want For Christmas Is You
Amazon.com
Noted English screenwriter Richard Curtis makes his directorial bow with this romantic comedy that follows the dizzying foibles of no less than a dozen couples, featuring a cast that includes Hugh Grant as a bachelor British PM and Billy Bob Thornton as a disturbing hybrid of the worst of Clinton and Bush. Seemingly taking its lead from Bridget Jones's Diary and its sequel (both of which Curtis also wrote), Love's rich, eclectic collection of pop songs becomes something more than mere movie-soundtrack wallpaper. Indeed, tracks as disparate as Joni Mitchell's hauntingly autumnal remake of "Both Sides Now" and the Pointer Sisters' effusive '80s hit "Jump" function somewhere between supporting player and narrative Greek chorus. It's a mature, often introspective collection that mixes the expected chestnuts (the Beach Boys' evergreen "God Only Knows") and covers (Eva Cassidy's stately version of Christine McVie's "Songbird," an R&B-infused take of "All You Need Is Love" by Lynden David Hall) with standout work from Norah Jones (a torched-up "Turn Me On"), Texas (the Dusty Springfield-esque dramatics of "I'll See It Through"), and Wyclef Jean's joyous "Take Me As I Am." Underscoring the film's Christmas subtext are three holiday-themed bonus cuts by Otis Redding, Billy Mack (the film's resident rock star burnout, played by Bill Nighy), and Olivia Olson. --Jerry McCulleyCustomer Reviews:
My complaint about Amazon.com.......2007-07-25
I just received the very late e-mail saying that the
order I placed on JUNE 6, 2007 cannot be filled until OCTOBER 4,
2007. This is the most irresponsible customer service that I have
had in a very long time. Not only did you fail to correspond with
me for nearly two months, you now have the audacity to suggest that
the earliest you can deliver this book is the fall of this year!?
This irresponsible (and flippant) response is breathtaking in its
cavalier attitude, where you say "either accept a delivery date four
months late or we will cancel your order". You should have
responded within a week at the most that you were having difficulty
obtaining the book so that I would no longer rely on you to get it
to me and I could then look elsewhere for it.
>
> I would suggest that you should send me the book that you promised
(and I believe I already paid for) ASAP. You could do a Google
search and find a copy (perhaps on your own site!) or you could call
the publisher in China and (at your expense) have them FED-X it to
you for delivery to me. But the one thing you shouldn't do is send
such a cavelier e-mail to me six weeks after I order from you and at
least several weeks after I had expected delivery. This is a rich
example of the incompetent arrogance of Amazon; one that will be
displayed prominently on the internet for some time to come if you
are not able to remedy this situation soon.
To add insult to injury, when I responded to the e-mail message, I recieved a conflicting e-mail from a "Mohan". Typically, I could not communicate back to him (or her) and was left to my own devices in the Amazon.
Huge Disappointment.......2007-07-15
Love Actually CD from Movie.......2007-05-30
Best sound track.......2007-03-15
movie and sound track.......2007-03-10
Average customer rating:
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Beach Boys - 20 Good Vibrations, The Greatest Hits (Volume 1)
The Beach Boys Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00001IVJY Release Date: 1999-09-21 |
Tracks:
- Surfin' Safari
- 409
- Surfin' U.S.A.
- Shut Down
- Surfer Girl
- Little Deuce Coupe
- Catch A Wave
- Be True To Your School
- Fun, Fun, Fun
- I Get Around
- Dance, Dance, Dance
- Do You Wanna Dance?
- Help Me, Rhonda
- California Girls
- Barbara Ann
- Sloop John B.
- Wouldn't It Be Nice
- God Only Knows
- Good Vibrations
- Kokomo
Amazon.com essential recording
The three-volume Good Vibrations series is designed with the hits-hungry fan in mind. Eschewing a strict chronological approach, the best-of sets are arranged according to charting position. Thus the initial collection is laden with the group's trademark tunes, ranging from the California boys' first top 10 charter, 1962's "Surfin' Safari," to their last, 1988's "Kokomo," a stray, post-Brian Wilson success. "Kokomo" is by far the newest selection included here; nothing else dates past 1966's No. 1 smash, "Good Vibrations." With the likes of "Fun, Fun, Fun," "I Get Around," "California Girls," and the incandescent "God Only Knows" rounding out the set, Greatest Hits Volume 1 is the ideal first pick for anyone looking for the Beach Boys at their commercial peak. --Steven StolderAmazon.com
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More from The Beach Boys
Sounds of Summer |
Pet Sounds |
The Greatest Hits Vol. 2: 20 More Good Vibrations |
Good Vibrations: Thirty Years of The Beach Boys |
Endless Harmony |
Endless Harmony DVD |
Customer Reviews:
Best Beach Boys.......2007-06-04
Makes You Feel as if You Live by the Ocean.......2007-04-02
A must-have for BB fans!.......2007-03-08
The California Girl.......2007-02-23
It's givin me good vibrations..........2006-12-29
Average customer rating:
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Low Spark of High Heeled Boys
Traffic Manufacturer: Island ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000639A3 Release Date: 2002-03-19 |
Tracks:
- Hidden Treasure
- The Low Spark Of High-Heeled Boys
- Light Up Or Leave Me Alone
- Rock & Roll Stew
- Many A Mile To Freedom
- Rainmaker
- Bonus Track - Rock & Roll Stew (Single Version)
Amazon.com
Despite not even charting in the band's native England, this album became a platinum-selling American hit on the basis of three enduring FM radio staples--the expansive, jazzy impressionism of the near-12 minute title track, and the more straightforward funk of the R&B charmers "Light Up or Leave Me Alone" and "Rock & Roll Stew." Those disparate tracks perfectly underscore Traffic's rich musical appeal and its restless, sometimes problematic creative and interpersonal relationships. With now thrice-departed Dave Mason out of the mix and percussionists Jim Gordon and Reebop Kwaku Baah participating in the studio for the first time, the band's innate musicality truly takes wing. Winwood's familiar vocal phrasings nearly take a backseat to his fluid, dramatic guitar work on "Rock & Roll Stew Roll" and "Many a Mile to Freedom," while the Tull-ish, folk-madrigal sensibilities of "Hidden Treasure" and "Rainmaker" are further punctuated by Chris Wood's deft flute and woodwind flourishes. Compared with the more organic John Barleycorn album, the contrast is all the more remarkable. While many contemporary bands were experimenting with various attempts at fusion, few achieved this collection's rock-jazz-folk-R&B range or level of often subtle sophistication. Digitally remastered, this edition also contains the six-minute-plus U.S. single version of "Rock & Roll Stew, Parts 1 & 2" as a bonus track. --Jerry McCulleyCustomer Reviews:
"Many A Mile To Freedom" but a short click can get you the remaster W/a bonus!.......2007-07-21
Released in February 1971, "The Low Spark of High Heeled Boys" would enthrall the listener for the duration of the forty-minute journey. It wasn't another record to play but one to study, digest, and rarely file away.
From the opening notes of the beautiful "Hidden Treasures" Traffic had captured our attention. As they commandeered the ride, nobody was looking to escape. The title track is twelve minutes but the message lasts forever. Remember the first time the lyrics hit you between the eyes without warning?
The percentage you're paying is too high priced
while you're living beyond all your means.
And the man in the suit has just bought a new car
from the profit he's made on your dreams.
"Rock And Roll Stew" changes the direction. The tune is upbeat and full of power and passion. With a great mix, you can enjoy Winwood's tremendously tasty guitar.
"Many A Mile To Freedom" isn't only track four of the recording but one of the most overlooked songs of the era. The lyrics are delivered with the skill of a master artisan and the music blends flawlessly. If your original vinyl copies had holes in the grooves, you were not alone!
"Light Up Or Leave Me Alone" is well constructed. The musicianship is clearly detected. Although Dave Mason wasn't part of the session, the band took anything but a defeatist attitude.
"Rainmaker" unfortunately is the finale. The lyrics and music seem to create majestic visions. Listen intently to understand how Chris Wood enhances the recording.
The remaster with the bonus track gives you the single version of "Rock And Roll Stew." Call it a midnight snack after a 5 Star meal.
Enjoy the music and be well,
Craig Fenton
Author of the Jefferson Airplane book "Take Me To A Circus Tent"
Low Spark, high marks.......2007-05-18
Original Albums.......2007-05-11
one of the great things about 1971 was this album........2007-04-10
The Best of the Best.......2007-01-11
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Los Lonely Boys
Los Lonely Boys Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001MX5A4 Release Date: 2004-03-30 |
Tracks:
- Senorita
- Heaven
- Crazy Dream
- Dime Mi Amor
- Hollywood
- More Than Love
- Nobody Else
- Onda
- Real Emotions
- Tell Me Why
- Velvet Sky
- La Contestacion
- End Of A New Beginning - Live Video
Amazon.com
California's Los Lobos are the reigning kings of Tex-Mex/Rock Espanol. But this debut CD by the San Angelo, Texas band Los Lonely Boys might herald a changing of the guard. This is truly a band of brothers, led by guitarist/vocalist Henry Garza and his younger, bass-and-drum-playing siblings Jojo and Ringo. Like a lot of groups, they had to move away to achieve fame--in their case, to Nashville. But after the release of their EP, Willie Nelson heard them, put them on tour as his opening act, and recorded them at his studio. Stylistically, the Garza brothers' bilingual songs about love and life combine Stevie Ray Vaughan blues, Santana-style guitar licks and R&B. Nelson helps out on guitar, with Reese Wynans on keyboards. Produced by Keb Mo and B.B. King producer John Porter, the music is honest, driving, and down home, especially on the organ-filled uptempo tracks "Senorita" and "Tell Me Why." The stinging guitar solo on the Afro-anthemic "Onda" recalls the '70s grooves Santana built his chops on, while "The Answer" and "More than Love" are raw power ballads that show off this group's dynamism and diversity. --Eugene Holley, Jr.Customer Reviews:
Nice job Boys!.......2007-08-01
Simply Amazing!!!.......2007-07-13
Orale Muchachos!!! Thank you Los Lonely Boys!!!!
Texas Trio Takes Tex-Mex To Top.......2007-06-07
blues? I think not.......2007-05-12
Great Tex-Mex Blues Rock.......2007-03-09
Meditation Music:
- Burt Bacharach [Import]
- Centerfold [Import]
- Coast to Coast [Live] [Import]
- Cowsills, The
- Cry Me a River [CD-single]
- Dark Eyes [EP]
- Del Rubio Triplets Anthology
- Die Hungry [Explicit Lyrics]
- Down Memory Lane
- Everytime, Pt. 1 [CD-single] [Import]
Meditation Music
Monteverdi: Selva Morale e Spirituale
Music: Ibiza Anthems, Vol. 4 [EP]
Live on Brighton Beach [Live] [Import]
New Electronic Folk Music: The Peopletree Sessions
Magic Never Dies [Limited Edition] [Import]
Leonard Bernstein: A Jewish Legacy [Milken Archive of American Jewish Music]
Last Night With Don Randi Trio [Import]
La Magia De Sandro [Limited Edition] [Import]