1907: "Dear Old Golden Rule Days" [Explicit Lyrics]

1. School Days (Byron G. Harlan)
2. I Just Can't Make My Eyes Behave (Ada Jones)
3. San Antonio (Billy Murray & Chorus)
4. Red Wing (Frank C. Stanley and Henry Burr)
5. Camp Meeting Time (Collins and Harlan)
6. Maple Leaf Rag (U.S. Marine Band)
7. Pagliacci--Vesti la giubba (Enrico Caruso)
8. Because You’re You (Elise Stevenson & Harry Macdonough)
9. Let's Take an Old-Fashioned Walk (Ada Jones and Billy Murray)
10. I Love a Lassie (Harry Lauder)
11. The Bird On Nellie’s Hat (Helen Trix)
12. My Gal Sal (Byron G. Harlan)
13. "Merry Widow" Waltz (Victor Dance Orchestra)
14. No Wedding Bells for Me (Bob Roberts)
15. Harrigan (Billy Murray)
16. Honey Boy (Columbia Quartette)
17. Three Rubes Seeing New York (Peerless Trio)
18. Bake Dat Chicken Pie (Collins and Harlan)
19. My Irish Rosie (Ada Jones)
20. Nobody’s Little Girl (Byron G. Harlan)
See all 25 tracks on this disc

1907: "Dear Old Golden Rule Days",Arthur Collins,Bert [né Egbert Austin] Williams,Frank C. Stanley,Anonymous,George M. Cohan,Paul Dresser,Frank Dumont,Gus Edwards,Byron G. Harlan,Will Heelan,Silvio Hein,Victor Herbert,Herbert Ingraham,Scott Joplin,Harry Lauder,Franz Lehar,Ruggero Leoncavallo,Kerry Mills,Jean Schwartz,Alfred Solman,Albert von Tilzer,Scottish Traditional,Charles Trevathan,Egbert Anson Van Alstyne,Victor Orchestra,Ada Jones,Byron G. Harlan,Helen Trix,Billy Murray,Enrico Caruso,Henry Burr,Bob Roberts,Gerald Grafton,May Irwin,Peerless Trio,Archeophone Records,Film,Film Music,German/Austrian Operetta,Keyboard,Music Theater,Musical Theater,Opera,Pop,Popular Music,Rag for Keyboard,Renaissance Polyphonic Song,Solo Voice(s) and Orchestra

Herbert L. Clarke: Original Recordings 1907-21

Average customer rating:

Brilliant playing transcending primitive recording technique
The Master of the Cornet
Clarke is the cornet master!
heartbreaking music from a bygone era
Be careful

Herbert L. Clarke: Original Recordings 1907-21

Manufacturer: Crystal Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music
Similar Items:

Cornet Favorites
Turn-of-the-Century Cornet Favorites
Carnaval
The Legendary Trumpet Virtuosity of Rafael Mendez
The Legacy

ASIN: B000003J4O
Release Date: 1996-10-01

Tracks:

Bride Of The Waves
The Holy City
Sounds From The Hudson (Valse Brilliante)
Killarney
Caprice Brilliante (The Debutante)
Perhaps Love's Dream Will Last Forever
Carnival Of Venice
Ah Cupid
Bride Of The Waves
Once Upon A Time
Rondo Caprice (From The Shores Of The Mighty Pacific)
Aloha Oe (Farewell) (Hawaiian Love Song)
Russian Fantasie
The Palms
La Veta Caprice (Lillian)
Berceuse From Jocelyn
Sounds From The Hudson (Valse Brilliante)
Twilight Dreams Waltz-Intermezzo
Southern Cross
Love's Old Sweet Song
Showers Of Gold Scherzo
Macushla
Caprice Brilliante (The Debutante)
Killarney
Carnival Of Venice
Stars In A Velvety Sky

Amazon.com

These 26 selections, recorded from 1904 to 1922, document the work of an important American player and band composer. Despite the trivial nature of most of the music, one can't help listening to Herbert Clarke's playing with respect and growing affection. He was a most elegant player, with a beautiful tone that comes across even in the earliest of these recordings. The showiest pieces, which can be quite dazzling, are still performed with taste and musicianship. This disc is an important sound document, and the transfers from even the earliest of the recordings are surprisingly listenable. Highly recommended to all brass and nostalgia lovers. --Leslie Gerber

Customer Reviews:

Brilliant playing transcending primitive recording technique.......2001-01-11

Hearing this CD -- despite the distracting surface noise from the primative acoustic recordings from which this CD was remastered -- I appreciate for the first time the greatness of Clarke as a cornet soloist. If he is not the greatest to date, he is surely one of the giants upon whose shoulders modern virtuosi of the trumpet (which has pretty much replaced the cornet) stand.

Clarke's sheer artistry in both composition and performance still dazzle and his interpretive ability brings to life some of the 'tear jerkers' of the golden age of popular brass music in a way no modern performance comes close to.

Although on first hearing one could be very much distracted by the primitive recordings, the brass player soon focuses on Clarke's playing so completely that the the surface noise disappears.

Every trumpet player and cornetist, more, every brass player and lover of band music, should own a copy.

The Master of the Cornet.......2001-01-04

God bless Crystal Records for taking the time to re-issue these extremely rare and valuable recordings from an unfortunately neglected giant in American musical history. Most people today don't realise how famous and influential Mr. Clarke and his peers (Sousa, Pryor et. al.)were on the American musical scene at the beginning of the Twentieth century. It is very important that these recordings (and others from this period, the birth of sound recording) be preserved for future generations.

As for those who could not stand the "hiss" on these recordings, how spoiled can you be? You simply miss the point of all this. We all know that these records were made during the infancy of the recording industry, and that they didn't have the technology we now have. I find it thrilling to listen to them just as they are. Recorded sound is the closest we have to time travel, and I find it fascinating to listen to these recordings as though I was there when they were first made. And most of all, through the marvel of recorded sound (Mr. Sousa notwithstanding) I can listen today to the greatest cornetist who ever lived, even though he passed away over 50 years ago.

Hopefully Crystal Records will someday put out an anthology of original Sousa and Pryor Band recordings.

Clarke is the cornet master!.......2000-08-03

Herbert Clarke is the finest cornetist the planet has ever seen. The technical brilliance on Carnival is just breathtaking. The sound quality of the recording is little hinderance on the true genius behind this man's playing. Don't let the hiss bother you!!!

heartbreaking music from a bygone era.......2000-03-22

These vintage recordings would have been otherwise lost to us--and a great loss at that. Clarke plays so beautifully, esp. those pieces that he wrote. It's notall oom-paa-paa, but music that is deeply affecting and stirring.This is the effect that Wynton Marsalis was going for in his "Carneval." While Marsalis's album is a wonderful tribute, this is the original. A must-have for any serious trumpet player.

Be careful.......1999-09-14

Watch out if you want to buy this cd! It's a good cd with Herbert Clarke playing some of his own pieces the way they should be played...but the recording is TERRIBLE! Naturally, it's a 1904 recording! But the hiss for the first half of the cd is almost painful. It's NOT something you can just ignore, so don't be caught unawares.

Average customer rating:

Old music, fun listening.

1907: "Dear Old Golden Rule Days"

Manufacturer: Archeophone Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

General | Pop | Styles | Music

General | Compilations | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Miscellaneous | Styles | Music

General | Pop | Indie Music | Stores | Music
Similar Items:

1908: Take Me Out with the Crowd
The 1890s, Volume 2: Wear Yer Bran' New Gown
The 1890s, Volume 1: Wipe Him Off the Land
1912: Waitin' on the Levee
1916: "The Country Found Them Ready"

ASIN: B0000ACNCV
Release Date: 2003-05-27

Tracks:

School Days (Byron G. Harlan)
I Just Can't Make My Eyes Behave (Ada Jones)
San Antonio (Billy Murray & Chorus)
Red Wing (Frank C. Stanley and Henry Burr)
Camp Meeting Time (Collins and Harlan)
Maple Leaf Rag (U.S. Marine Band)
Pagliacci--Vesti la giubba (Enrico Caruso)
Because Youre You (Elise Stevenson & Harry Macdonough)
Let's Take an Old-Fashioned Walk (Ada Jones and Billy Murray)
I Love a Lassie (Harry Lauder)
The Bird On Nellies Hat (Helen Trix)
My Gal Sal (Byron G. Harlan)
"Merry Widow" Waltz (Victor Dance Orchestra)
No Wedding Bells for Me (Bob Roberts)
Harrigan (Billy Murray)
Honey Boy (Columbia Quartette)
Three Rubes Seeing New York (Peerless Trio)
Bake Dat Chicken Pie (Collins and Harlan)
My Irish Rosie (Ada Jones)
Nobodys Little Girl (Byron G. Harlan)
Because I'm Married Now (Billy Murray)
He's a Cousin of Mine (Bert Williams)
The Bully (May Irwin)
If I'm Going to Die I'm Going to Have Some Fun (Arthur Collins)
Auld Lang Syne (Frank C. Stanley)

Customer Reviews:

Old music, fun listening........2007-02-11

In perspective these are some of the most popular songs of their time. I enjoy the historical value of songs from the past. Hearing someone sing about things you may have only learned from a history book, makes it more real.

The Wizard of Oz - Vintage Recordings from the 1903 Broadway Musical

Average customer rating:

A Collection of the Original Oz Stage Productions
Ain't it a Shame!
Why the 1903 "Wizard" was forgotten
A long overdue revisit to a classic American musical
Long-Forgotten Broadway Hit Gets First Rate Revival

The Wizard of Oz - Vintage Recordings from the 1903 Broadway Musical

Manufacturer: Original Cast Record
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Soundtracks | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Broadway & Vocalists | Indie Music | Stores | Music

General | Soundtracks | Indie Music | Stores | Music
Similar Items:

The Shirley Temple Storybook Collection: Land of Oz/The Reluctant Dragon
The Wizard of Oz (1988 London Cast)
The Wizard Of Oz In Concert: A Benefit Performance For The Children's Defense Fund (1996 Lincoln Center Cast)
Shock Treatment (1981)
The Wizard Of Oz: Original Motion Picture Soundtrack - The Deluxe Edition

ASIN: B00009MPYQ

Tracks:

Wizard of OzSelection (Arthur Pryor's Band)
The Bullfrog and the Coon (Ada Jones)
Pocahontas (Edward M. Favor)
Daisy Donohue (Harry Tally)
Down on the Brandywine (Collins & Harlan)
Come Take a Skate with Me Sung (Collins & Harlan)
I Love You All the Time (Harry Macdonough)
The Moon Has His Eyes on You (Ada Jones)
When You Love, Love, Love (Thomas E. Whitbred)
When We Get Whats a-Comin to Us
Mister Dooley Sung (Edward M. Favor)
Julie Dooley (J. W. Myers)
Meet Me Down at the Corner (Jones & Spencer)
Budweisers a Friend of Mine (Billy Murray)
Theres a Lot of Things You Never Learn at School (Bob Roberts)
Under a Panama (Billy Murray)
Good Bye Fedora (Collins & Harlan)
Sitting Bull (Collins & Harlan)
I Love Only One Girl in this Wide Wide World (Harry Macdonough)
Sammy (Harry Macdonough)
The Tale of a Stroll (Morgan & Stanley)
Cant You See Im Lonely? (Ada Jones)
Are You Sincere? (Byron G. Harlan)
Hurrah for Baffins Bay (Collins & Harlan)
Football (Dan W. Quinn)
Id Like to Go Halves in That (Burt Shepard)
Rejoice!The Wizard is No Longer King
The Traveler and the Pie
Must You? (Dan W. Quinn)
Thats Where She Sits All Day (Dan W. Quinn)
The Sweetest Girl in Dixie (Henry Burr)
Scarecrow Laugh (Fred Stone)

Tracks:

Sammy Mira (Music Box Disc)
Must You? (Mira Music Box Disc)
Opening Prayer
Phantom Patrol
Just a Simple Girl from the Prairie
Poppy Song
Love is Love
When We Get What's A-Comin' to Us
The Traveler and the Pie
When You Love, Love, Love
Rejoice! The Wizard is No Longer King
Phantom Patrol (Aeolian Piano Roll)
My Little Maid of Oz Aeolian Piano Roll
The Tik-Tok Man of OzSelection (Rythmodik Piano Roll)
The Tik-Tok Man of OzSelection (Piano Roll)
Ask the Flowers to Tell You (Macdonough & Dunlap)
My Beautiful Dream Girl (John Barnes Wells)
My Pretty Little Piece of Dresden China (Bessie Wynn)
Gay Paree (Montgomery & Stone)
Travel Travel Little Star (Montgomery & Stone)
A Scotch Moriah (Montgomery & Stone)
Hurrah for Baffins Bay (Dan W. Quinn)
Daisy Donohue (Trombone Solo by Arthur Pryor)
Mr. DooleyMedley (Xylophone Solo J. Frank Hopkins)
Down on the BrandywineMedley (Edison Military Band)
The Bullfrog and the CoonMedley (Six Brown Brothers)
Ill Take You Back to Italy (Ada Jones & Billy Murray)
Father Goose Songs (Sallie Osbourne)

Album Description

The Wizard of Oz a musical with book and lyrics by L. Frank Baum and music by Paul Tietjens premiered on June 16, 1902, at the Grand Opera House in Chicago. It was an instant hit and made stars of David Montgomery (the Tin Woodman) and Fred Stone (the Scarecrow). On January 21, 1903 the show opened at the Majestic Theatre in New York. It ran for nine months and set out on the road with a second company right on its heels. The show toured, came back to New York, toured, and returned to New York again many times until finally disbanding around 1911. Stock and amateur companies continued to present it into the 1930s when it was overshadowed by the classic MGM film starring Judy Garland.

The show was legendary for its success and its impact on American culture. It was the Cats or Les Mis of the early 1900s--but the show has been swallowed by history. What made audiences of the early 1900s devour the show and return for more again and again? In this unprecedented 2-CD set—featuring over 145 minutes of vintage recordings and 64 pages of lyrics, photos, notes and synopsis—you can discover how The Wizard of Oz entertained the American public for the first two decades of the 20th century. And like the audiences of nearly a hundred years ago, you can hum along to "Budweiser," "Sammy," and "Hurrah for Baffin's Bay"—everyone's favorite songs from The Wizard of Oz! Also included in this comprehensive collection are recordings from later Oz musicals, The Woggle-Bug and The Tik-Tok Man of Oz written by Oz creator L. Frank Baum, as well as vintage non-Oz recordings by original "Wizard of Oz stars" Montgomery & Stone and Bessie Wynn

Customer Reviews:

A Collection of the Original Oz Stage Productions.......2006-12-07

This Double-Disk Collection contains music from the original and varied Oz Stage Productions: "the Wizard of Oz", "the Woggle-Bug" (based on 'Marvelous Land of Oz) and "the Tik-Tok Man of Oz" (based on 'Ozma of Oz'). There are plenty of "Wizard" songs and music, but there isn't a lot of "Woggle-Bug" and/or "Tik-Tok Man".
I often wondered how different the 1st & Original Production of 'Oz Wizard' was different to the book, and thanks to Mark Evan Schwartz's book "Oz: Before the Rainbow" I found out for myself (WORTH A READ!!). Later I got this CD to go along with the book's stage telling (more or less) and I listened in interest to the songs which, I read, were entirely different to the future Musicals of Oz. The songs are good, but not all of them are actually completely restored to perfection, so the singing may/will sound somewhat muffled. Also, due to the time it was made (for some reason), the songs don't actually fit into the story (even the stage's rewritten story) and sound distant/unrelated. But there are songs that sound similar to the original story ("Rejoice! The Wizard is No Longer King"). CD 2's Track 3 has music played during Silent Oz Film "His Majesty, Scarecrow" on the MGM 3-Disk DVD.
The best thing about this CD Collection is the two booklets packaged along with the disks: the first (entitled "The Records") has writing on "What the Wizard Was" with a synopsis of the stage production story and "About the Recordings", a listing of all the songs on CD 1 (which are helpful for "Selection" Tracks not specifically named on the back) and notes on the songs like their origins and background. Booklet 2 (entitled "The Lyrics") has the words to the songs (in case you can't make out the words/want to sing-along). BOTH CDs include b&w photos of the actors, performance (few of which can be seen in "Oz: Before the Rainbow" book) and even reprints of a few illustrations made for the stage. The pictures are the best part of this purchase.
The Entirely Different Songs may not fit with the story, original or rewritten, but there's nothing really wrong with the music when one enjoys to what they're listening to.
I know that there is also another 'Oz on Stage' CD Collection called "Before the Rainbow" . . . hmmm, I wonder if I should get that too?

Ain't it a Shame!.......2006-05-20

I think that this is a wonderful album of HISTORICAL value. Not too many people know this, but "the wizard of oz" was made into a smash hit in 1903, but because all the history was BARELY in obscurity, hungry tiger press wanted to educate the blockheads in the world about this remarkable piece of history. that being said, david maxine collected all of the old material, such as Piano rolls (my especial favorite of all of them is "the poppy song", i LOVE the bass notes: "nnn-ded-deh mmmm-ded-deh"), and music boxes, and cylinders, and records!
however, it is quite a shame that that CRAPPY movie with judy garland pushed this lovely musical into obscurity. i would have liked to see it in my day, but it was already lost in darkness, but thanks to the highly DIGNIFIED people in the world, this cd is available!! BUY IT!!!! I *ORDER* YOU!!! YOU CANNOT BE DIGNIFIED WITHOUT THIS REPLACING YOUR "RAP" GARBAGE WITH THIS JEWEL!!!!

Why the 1903 "Wizard" was forgotten.......2004-03-20

This truly remarkable 2-disc collection of old cylinders, discs, music boxes and piano rolls explains why the 1903 musical version of "The Wizard of Oz" did not survive the early thirties. It wasn't because it was before its time or even of its time, but simply because it was way behind the times. Its producers resisted composer's Paul Tietjens' attempts to write plot-driven numbers. His contribution survives only in the incidental music preserved on piano rolls (and the most interesting element on this collection) linking very disparate and even incongruous vaudeville acts by various authors and performers that graced the stage during the musical's multi-decade run. In other words, Baum was telling a story and the songs were telling another... As fascinating as they are for historical reasons, those numbers are commonplace, mostly uninspired flash-in-the-tin-pan ditties, with timid syncopation and a stong reliance on musical clichés. There is not a single standard among them and not even a decent lyric where "fine" doesn't rhyme with "mine" and "love you" doesn't rhyme with "I do"- or even "I know you know I know you do", as happens more than once. As an assemblage of shtick pieces and ephemeral sentimental or nonsensical ditties, this collection cannot be topped and it represents a monumental effort. Without it and its very generous and informative liner notes, I would not have the same appreciation for the absolute genius of Victor Herbert's operettas ("Babes in Toyland" came out the same year) where the more memorable songs are plot-driven and introduced and linked by the most luscious, inventive and varied incidental music ever heard outside an opera house. This sort of unified concept would culminate in Jerome Kern's "Show Boat" and it remains a truth today that the integration of plot and music - reminiscent of opera - is the true secret of successful and perennial musicals, whatever the current idiom. This collection also makes one appreciate the complete originality of the Hollywood film for actually going back to Baum's books, entrusting the songs, lyrics and music to Harold Arlen, Yip Harburg and Herbert Stothart and scrapping the musical's colourful but checkered history (except for casting ex-vaudevillians as the main characters, of course!). Highly recommended for its nostalgia value, its irreplaceable rarities and a better understanding of the history of American popular music.

A long overdue revisit to a classic American musical.......2003-09-30

Although it was one of the most financially successful stage musicals of the early 1900's, very little information is presently available on the 1903 production of THE WIZARD OF OZ. In what was obviously a labor of love, David Maxine has done much to correct this oversight by releasing a 2-CD set with over 145 minutes worth of extremely rare recordings of music from this and other OZ-themed musicals dating back to before World War I. Recorded materials include vintage acoustical disc and cylinder phonograph records, piano rolls, and music box discs, many of which go back almost a century. In addition, he has included two booklets worth of historical background information on the 1903 WIZARD OF OZ production, its stars, the individual musical numbers, and lyrics for the songs included on the CDs. (Lavishly illustrated with rare old black and white photos and artwork, these booklets, and the information they contain, are themselves worth the price of the set!) Several bonus CD tracks are included that offer rare recordings by Montgomery & Stone (the original Tin Woodsman and Scarecrow) and Bessie Wynn, who was also in the 1903 cast. Not just for dedicated Oz fans, this set is a "must have" for anyone interested in the history of American musical theater and American popular culture of the early 1900's.

Long-Forgotten Broadway Hit Gets First Rate Revival.......2003-09-17

One hundred and three years ago, author L. Frank Baum published the best-selling children's book of the 20th century, THE WIZARD OF OZ. Although the book was adapted several times as plays, silent motion pictures, animated cartoons, and radio shows in the next few decades, it is the 1939 MGM film that most people think of as THE WIZARD OF OZ. The success and popularity of that film completely eclipsed the memories of previous incarnations and even the book itself in popular culture. However, prior to the film's release, there was a successful stage version which premiered on Broadway in 1903 and delighted audiences for many years, making stars of Fred Stone and David Montgomery, the original Scarecrow and Tinman. As with the MGM film, chilren who saw THE WIZARD OF OZ on stage carried fond memories of the production into adulthood. Ray Bolger was so impressed with the Fred Stone's Scarecrow, that he remembered it vividly as an adult and based his own protrayal of the character in the movie on Mr. Stone's stage version.

Unfortunately, time and Judy Garland have pushed the once popular Broadway Smash into history. It has been all but forgotten...until now.

As the show moved from theater to theater and casts changed, so did the songs. Many of these were recorded on the primative equipment of the day: Wax cylinders, 78-RPM records, piano rolls, and music Boxes, and surprisingly many of these still exist. Now, thanks to those hard-working gents at HUNGRY TIGER PRESS, you can own these historic recordings on this awesome 2-CD set. THE WIZARD OF OZ: Vintage Recordings From The 1903 Broadway Musical contains over 145 minutes of terrific early 20th century music. You won't find "Over the Rainbow" or "Ding! Dong! The Witch Is Dead!" here. Instead, this WIZARD OF OZ contains tracks like "Budweiser's a Friend of Mine", "Sammy", "Hurrah for Baffin's Bay", and "Rejoice! The Wizard is No Longer King", each one a portal over the rainbow to the Broadway stage of a century ago.

Obviously the play was quite different in plot from the movie--Dorothy travelled to Oz with her cow Imogene instead of Toto, for starters--, but the songs represent the style of popular music of 100 years ago and are collected here in a beautiful compilation. The set contains two booklets of liner notes which contain credits, lyrics, a written history of the production, and are extensively illustrated with photos and illustrations. Although the sound quality of the source material is not always up to today's standards, the songs are presented in the best versions possible, and the music is highly enjoyable. With 60 tracks and the wealth of information contained here, both written and photographic, this 2-CD set is good value for the money. A must-have for all collectors of WIZARD OF OZ memorabilia, an insightful look at popular music and Broadway history from a century ago, a glimpse into ethnic and racial stereotypes that were accepted at the time, and a curiosity for fans of the 1939 film, this set is big on appeal. Kudos to the Hungry Tiger Press for rescuing this treasure trove of musical history from obscurity!

Hoch Deutschlands Flotte! Music of the Imperial German Navy in Archival Recordings, 1907-1917
Average customer rating:

A Valuable Release

Enjoyable trip into history

It doesn' t come any better than this

Hoch Deutschlands Flotte, a musical journey in to the past

Hoch Deutschlands Flotte! Music of the Imperial German Navy in Archival Recordings, 1907-1917
Various
Manufacturer: Brandenburg Historica
ProductGroup: Music
Binding: Audio CD

Germany | Continental Europe | Europe | International | Styles | Music
Marches | Miscellaneous | Styles | Music
Compilations | Classical | Styles | Music
ASIN: B000R181LC
Release Date: 2007-06-05

Tracks:

Flaggenparade mit dem Hollaendischen Ehrenmarsch HM I, 60 (Rauscher)
Deutsches Flaggenlied aus "Unsere Marine" (Thiele-Linderer)
Unter der Admiralsflagge - Marsch, Op. 82 (Fucik)
Hiss'Wimpel und Flaggen - Marsch (Witteborn)
Deutschland zur See - Marsch (Fetràs)
Prinz-Admiral Marsch (Jummel)
Praesentiermarsch der I. Matrosen-Division HM I, 61 (Heinrich v. Preussen)
Parademarsch der I. Matrosen-Division AM II, 173 (Luebbert)
Parademarsch der II. Matrosen-Division AM II, 113 (Eriksson)
Parademarsch des III. Seebataillons, Tsingtau AM II, 198 (Radeck)
Germans to the Front! - Marsch (Wagner)
Admiral Stosch-Marsch, Op. 140 (Latann)
Seemannslos - Fantasie (Petrie)
Matrosenlied (Ramrath-Loens)
Blaujacken-Marsch (Anon.)
Lied der Torpedoboote (Witteborn)
Marine-Marsch (v. Blon)
Das Lied von der Emden (Soechting-Boeer)
SMS Moewe - Marsch (Richter)
Das war U-9 - Marschcouplet (Dannenberg)
Unterseeboot-9 im Einsatz - Dramatization (Schoenwald) .
Hoch Deutschlands Flotte! - Marsch (Friedemann)
Marsch des Yorckschen Korps AM II, 37 (v. Beethoven)
Zapfenstreich-Marsch und Gebet (Trad.-Anon.-Wieprecht)
Unsere Marine HM II, 145 - Marsch (Thiele)

Product Description

The mighty dreadnoughts and battle cruisers of Kaiser Wilhelm II's navy sail again in this magnificent, first-ever compilation from Brandenburg Historica! This TWENTY-FIVE-TRACK CD presents the marches and songs of the golden age of German sea power, with PERIOD performances by illustrious units of the Imperial German Navy and leading military- and civilian ensembles of the German Empire. "Hoch Deutschlands Flotte!" features not only the most famous parade- and presentation marches from the core repertoire of the Kaiser s "High Seas Fleet", but also many forgotten treasures of nautically flavored German martial- and patriotic music. Included here are period pieces celebrating the First World War-era exploits of the SMS Emden, Otto Weddigen s U-9 and the raider SMS Moewe; a 1907 recording of the "Flag Parade" of the Imperial German Navy (complete with drill commands and including the "Hollaendischer Ehrenmarsch", which was designated as the presentation march for all naval units by Kaiser Wilhelm II in 1901); and a super-rare 1915 version of Hermann Loens battle song, "Wir fahren gegen Engelland", set to a score that has been completely overshadowed by Herms Niel's famous setting of that song from 1940. In addition to these rarities, the album features numerous German naval marches and concert band pieces of the Imperial era that are endowed with a distinctive maritime ambience, but are virtually unknown to today's listeners The performances assembled in this compilation were originally recorded between 1907 and 1917, and though the extremely rare early discs from which they have been transcribed date from the acoustic age of recording (that is, before the invention of electric microphones and pick-ups), they have been laboriously restored and reengineered to maximize the considerable fidelity already inherent to them without altering their historical authenticity in any way whatsoever. "Hoch Deutschlands Flotte!" is accompanied by a TWENTY-FOUR PAGE BOOKLET (lavishly illustrated with many rare, never-before published photographs) which features detailed historical notes on the development of the Imperial German Navy during the reign of Kaiser Wilhelm II, its musical traditions and the background of the featured musical selections.

Customer Reviews:

A Valuable Release.......2007-07-12

Brandenburg Historica deserves much credit for releasing this and other historical CDs. The music sounds great and the booklet is very well-done and informative. Anyone with an interest in military music should certainly get this. Bravo!

Enjoyable trip into history.......2007-07-03

This is a very creditable work that preserves music of a bygone era. Original recordings are used to give an exact reproduction of the sounds of military music of the Kaiser's navy. Particularly interesting was the track where the U-9 march went off into a verbal reenactment of the U-boat attack.

It doesn' t come any better than this.......2007-06-26

The folks at Brandenburg Historica have done it again with Hoch Deutschlands Flotte. Twenty five (25) exceptionally re-mastered original 78 rmp recordings of navy marches, songs and other music, many by naval and seebattalion(marines)bands of the Kaiser's Navy. As with Brandenburg Historica's prior albums,the 19 pages of album notes and photographs are outstanding and second to none I have seen. It's a class act and does not get any better than this.

Hoch Deutschlands Flotte, a musical journey in to the past .......2007-06-17

I just finished listening to this CD and it is a real gem. A rare look back at what the German navy was like in the Glory days of Kaiser Wilhelm's Germany. Any one that is a Military Music enthustiast and/or interested in the history of this time period should not pass up this treasure. All the selections on this CD are first rate.

Mario Ancona: The Complete Victor Recordings, 1907-08

Average customer rating:

Mario Ancona: The Complete Victor Recordings, 1907-08

Manufacturer: Romophone
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music
ASIN: B00000JLL7
Release Date: 1999-07-13

Average customer rating:

Vienna - The Mahler Years, 1897-1907

Manufacturer: Symposium
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

Czech | Languages | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music
ASIN: B0001IW4LE
Release Date: 2004-09-28

Florent Schmitt: The Tragedy of Salome - Ballet in Seven Scenes (Complete Version, 1907) - Rheinland-Pfalz Philharmonic

Average customer rating:

Excellent score!!
Better alternatives elsewhere
Wonderful interpretation of Florent Schmitt's ballet

Florent Schmitt: The Tragedy of Salome - Ballet in Seven Scenes (Complete Version, 1907) - Rheinland-Pfalz Philharmonic
Florent Schmitt , Patrick Davin , Marie-Paule Fayt , and Rheinland-Pfalz Philharmonic
Manufacturer: Marco Polo
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

General | Classical | Styles | Music
ASIN: B0000045YK
Release Date: 1994-08-09

Tracks:

Ballet in 7 Scenes, Complete Version: Scene I
Ballet in 7 Scenes, Complete Version: Scene II
Ballet in 7 Scenes, Complete Version: Scene III
Ballet in 7 Scenes, Complete Version: Scene IV
Ballet in 7 Scenes, Complete Version: Scene V
Ballet in 7 Scenes, Complete Version: Scene VI
Ballet in 7 Scenes, Complete Version: Scene VII

Customer Reviews:

Excellent score!!.......2006-04-04

This is the first, and to my knowledge, the ONLY recording of the 1907 ballet score Schmitt composed for a chamber orchestra: comparison with other recordings of "La Tragédie de Salomé" are beside the point, as the score Martinon, Paray, Almeida and others recorded is that of the symphonic poem Schmitt prepared from the ballet score, four years later. While the more familiar symphonic poem for full orchestra lasts around 27 minutes, the complete ballet for a smaller group of players lasts nearly an hour. What we get here, then, is some wonderful music that had never been recorded before, performed with commitment and infectious enthusiasm. While I do love the symphonic poem, I confess I prefer this ballet score, which loses nothing in opulence or energy for being written for a smaller orchestra. The only points of reservation are the less-than-seductive soprano solo and, only occasionally, less than secure string playing. But that should not deter the curious from acquainting themselves with this fascinating score: it deserves to be far more popular than it is!!

Better alternatives elsewhere.......2001-04-24

While I admire and appreciate so much of Marco Polo's work in bringing new and/or forgotten works to us, this isn't among the best releases.

The competing Paray, of course, and to a lesser-extent, the Martinon leave this Teutonic, provincial effort in the shade. It's not bad, but viewed in light of it costing $2.00 more than the Paray, it questions the need of a relase like this.

While the ensemble is not exactly a scrub team and the maestro far from a hack, they lurch and lunge, swoon and surge in a chocolate ganache that bespeaks Franz Schmitt's Ringstrasse (and excellent) symphonies and not the Gallic effervesence essential to the presentation of the Alsatian Florent Schmitt.

As a routine Sunday afternoon presentation, this would suffice, but to perpetuate it on CD begs some analysis of purpose. On top of this, the bathos of the notes do a type of injustice to the composer that is remniscent of bad "music appreciation" courses that have gone too far beyond the considerations they attempt to handle.

Nonpareil is Paray, but don't pass us the beauties of the Martinon in quest to add this outstanding dance work to your recorded collection. In the meantime, I'd suggest Marco Polo redirect the explorations of the performers.

Wonderful interpretation of Florent Schmitt's ballet.......1999-11-10

It is very difficult to find out a recording of Florent Schmitt's ballet: La tragedié de Salomé. The present version is so emotive, that the interest of the listener increases through all the play. The climax of the play was reached by the performers with such emotion, who reminded to whom is writting this review the first time he saw the ballet at the Teatro Colon of Buenos Aires interpreted by Norma Fontenla on 1971, a wonderful first ballerina who died tragically on a plain crash. Congratulations to the Recording Company who allow people to enjoy this kind of music.