One Voice

One Voice

Editorial Reviews

David Foster
"Destined for greatness. One of my favorite girl singers, and I've worked with them all."

Product Description
It is the nature of music to inspire.

Almost every song is a reflection of a fragment of life: joy or sorrow, anger or angst, love or loss, positive or negative and everything in between.

When she set out to create her second CD, Nita Whitaker decided to focus her attention on the positive feelings that songs can inspire. Not to preach or teach, but to reach out and remind the listener that it's okay to dream, it's possible to change, and it's never too late to begin.

One Voice

One Voice,Nita Whitaker,Lml Music,Pop,Pop Vocals,Popular Music,Soul/R & B


25 Classical Favorites
Average customer rating: 4.5 out of 5 stars
  • classic music CD
  • Good for beginners
  • Great mix
  • Good for first-timer
  • 25 Classical Favorites cd
25 Classical Favorites

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

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  1. 25 Romantic Classics
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ASIN: B0000058HT
Release Date: 1996-01-23

Tracks:

  1. Eine Klein Nachtmusik: (I. Allegro)
  2. Nutcracker Suite: (Russian Dance)
  3. The Four Seasons, Op. 8: (Spring: I. Allegro)
  4. Hungarian Dance No. 5 In G Minor
  5. Symphony in D, K. 161 - 163: (III. Presto)
  6. Waltz In D-Flat Major, Op. 64, No. 1
  7. Tritsch-Tratsch Polka, Op. 214
  8. Brandenburg Concerto No. 3 In G, S. 1048: (III. Allegro)
  9. Swan Lake: (Dance Of The Swans)
  10. Carmen Suite No. 2: (Habanera)
  11. Messiah: (Overture)
  12. Wind Serenade 'The Marriage Of Figaro': Overture
  13. Violin Concerto No. 1 In G Minor, Op. 12: (III. Allegro)
  14. Water Music: (Overture)
  15. Sleeping Beauty Ballet Suite, Op. 66: (Panorama)
  16. Symphony No. 26 In E-flat Major, K. 184: (III. Allegro)
  17. Waltz No. 10 In B Minor, Op. 69 No. 2
  18. Violin Concerto No. 1 In A Minor, S. 1041: (III. Allegro)
  19. Water Music: (Lentement)
  20. Brandenburg Concerto No. 4 In G Major, S. 1049: (II. Andante)
  21. Habanera
  22. Horn Concerto No. 3 In E-Flat Major, K. 447: (II. Romanza)
  23. Rhapsody On A Theme By Paganini, Op. 43: (Variation No. 18)
  24. Thunder And Lightning Polka, Op. 324
  25. Stars And Stripes Forever

Customer Reviews:

5 out of 5 stars classic music CD.......2007-06-27

The CD was well represented by the clips on the Amazon website and came in time for our event. We did have a problem with the charge but that was taken care of promptly. Great service.

4 out of 5 stars Good for beginners.......2007-02-15

It is an excellent collection of classical music. I would recommend this CD if you have a friend who don't like classical music, since it has the most beautiful overtures and portions of famous artists. If you are a Classic Music Savvy you probably will not be impressed by it, unless you want to play the CD as background music in a friends gathering.

4 out of 5 stars Great mix.......2007-02-14

All the best composers! Over an hour of music. A samble of the greatest pieces.

5 out of 5 stars Good for first-timer.......2007-01-22

This is the first time I have ever bought a classical music CD and I was very pleased with this one. It has a good variety of selections. I would buy it again.

5 out of 5 stars 25 Classical Favorites cd.......2007-01-06

This CD has so many of my favorite, lively classical music -- love it!!
Grieg: Greatest Hits
Average customer rating: 5 out of 5 stars
  • Wonderful!!!
  • Relaxes your mind.
  • Relaxing music from a great composer
  • Better than just an introduction
  • Great CD
Grieg: Greatest Hits

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002A21
Release Date: 1994-08-09

Tracks:

  1. Peer Gynt Suite No. 1: Morning Mood
  2. Peer Gynt Suite No. 1: Ase's Death
  3. Peer Gynt Suite No. 1: Anitra's Dance
  4. Peer Gynt Suite No.1: In The Hall Of The Mountain King (Peer Gynt Suite #1)
  5. Piano Concerto In A Minor, Op. 16: I Allegro molto moderato
  6. Norwegian Dance, Op. 35 No. 2
  7. Sigurd Jorsalfar: Homage March
  8. Jeg elsker dig, Op. 5: Jeg elsker dig, Op. 5 (Ich liebe dich)
  9. Lyric Suite, Op. 54: No. 3: Norwegian March
  10. Two Elegiac Melodies, Op. 34: No. 1: Heartwounds
  11. Two Elegiac Melodies, Op. 34: No. 2: The Last Spring
  12. Lyric Suite, Op. 54: No. 4: March of the Trolls
  13. Peer Gynt Suite No. 2: I The Abduction of the Bride - Ingrid's Lament (Peer Gynt Suite No. 2
  14. Peer Gynt Suite No. 2: II Arabian Dance
  15. Peer Gynt Suite No. 2: III Solvejg's Lullaby
  16. Peer Gynt Suite No. 2: IV Peer Gynt's Return Home

Customer Reviews:

5 out of 5 stars Wonderful!!!.......2007-05-14

I bought this for my husband but fell in love with it myself. I had never heard of it but now consider Edvard Grieg my favorite composer. It is magnificent.

5 out of 5 stars Relaxes your mind........2005-12-30

The peer gynt suite is very delicate and it relaxes me. Whenever I hear the first movement of Peer Gynt, I feel as if I am walking along the forest at dawn with sunshine passing through the tall trees. It calms me and I usually close my eyes to imagine Grieg's creative masterpiece. What also interests me the fourth movement. It starts with slow and quiet and then slowly the music accelerates with power. Like the title, "Mountain King," says itself, you can feel the grandness of the music toward the end.

The piano concerto in a minor is my favorite. This music seem to convey the full spectrum from quiet and delicate or gracious feel of music to more powerful and magnificent all proportionally adequately. It is very enjoyable. Whenever I listen to this music, I feel as if I am resting in the high mountainn looking at the full panorama. Anyway, that's just my imagination I feel from his music and of course, yours can be very different from mine.

As for the CD quality, I hear no distraction sound and it is recorded well, I think. The little cover booklet can be informative about Grieg. Also nice price from Amazon.

4 out of 5 stars Relaxing music from a great composer.......2005-08-02

I absolutely loved the string music on Track 3. I remembered it from an old PC RPG called Quest for Glory IV. I was disappointed to find out that Track 4 was only a minute and a half long, because I grew up loving that song from the various places I heard it (Fantasia and a kid Detective PC game from the late 80's).
Overall, though, Grieg's greatest hits is a must-have for collectors of classical music. Grieg is revered as Norway's greatest composer of all time and he certainly has a knack for creating imagery of bustling fjords and majestic mountainsides with interlaced river ravines.

5 out of 5 stars Better than just an introduction.......2004-04-28

This CD goes beyond just introducing Grieg. It is a truly beautiful and for me, invaluable collection of this excellent composer. Grieg had an inimitable gift for exploring emotion, often sadness and nostalgia. However, he also had a large touch of the virtuoso, as demonstrated by the famous Piano Concerto. True, the last 2 movements are not included here; however, the first is still stunning. The Peer Gynt Suites are wonderfully played, and Ase's Death and Heartwounds are especially noteworthy - the lush orchestral sounds of these gorgeous pieces unfold exquisitely. Homage March is a nice change of pace, upbeat and with a memorable theme, and Leonard Bernstein moves at a devilish pace in March of the Trolls. This CD will not disappoint you - buy it today!

5 out of 5 stars Great CD.......2002-01-29

For an intro to Greig, this is great. The "hall of the mountain king" is done very well.
Classics for Kids
Average customer rating: 5 out of 5 stars
  • Just for kids?? No way!!
  • The best classical album for kids!
  • Great for Preschool Children
Classics for Kids

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003FE3
Release Date: 1993-06-08

Tracks:

  1. The Nutcracker Excerpts (Tchaikovsky)
  2. The Nutcracker Excerpts (Tchaikovsky)
  3. The Nutcracker Excerpts (Tchaikovsky)
  4. Parade of The Wooden Soldiers (Jessel-MacDonald)
  5. Carnival of The Animals Excerpts (Saint-Saens)
  6. Carnival of The Animals Excerpts (Saint-Saens)
  7. Carnival of The Animals Excerpts (Saint-Saens)
  8. THe Girl With The Flaxen Hair (Debussy)
  9. Hoedown from Rodeo (Copland)
  10. Little Waltz from The Toy Box (Debussy)
  11. Viennese Musical Clock from Hary Janos (Kodaly)
  12. Mother Goose Suite Excerpts (Ravel)
  13. Mother Goose Suite Excerpts (Ravel)
  14. March of the Siamese Children from The King and I (Rogers)
  15. Dreams frin Scenes From Childhood ( Schumann)
  16. March of The Toys from Babes In Toyland (Herbert)
  17. Childhood Games Excerpts (Bizet)
  18. Childhood Games Excerpts (Bizet)
  19. The Toy Trumpet Al Hirt, trumpet (Scott)
  20. The Little Train of Caipira (Villa-Lobos)
  21. The Sorcerer's Apprentice (Dukas)
  22. Waltz from The Sleeping Beauty (Tchaikovsky)
  23. Lullaby (Brahms)

Customer Reviews:

5 out of 5 stars Just for kids?? No way!!.......2005-04-08

This is wonderful classical music. If the kids like it, great! But, make no mistake about it, this is good for anyone. This is wonderful study music, reading music, or just plain relaxing music. Highlights include "Parade of the Wooden Soldiers"; "March of the Toys" (from BABES IN TOYLAND -- the reason I bought this CD); "The Sorcerer's Apprentice"; "The Little Train of Caipira" (no longer little when the music is over); and the audience favorite "Hoedown" (i.e. "Beef, it's what's for dinner!").

If you're into that whole thing of classical music sharpening a youngster's intellect, then this won't disappoint. If you're just into good old fashioned classical music in general, it won't disappoint you either. Also, I highly recommend to both groups the classical CD BUILD YOUR BABY'S BRAIN.

5 out of 5 stars The best classical album for kids!.......2002-12-12

This is a wonderful album. Very high quality, and every selection is beautiful. My daughter (who usually asks me to turn my classical music off) loves to pretend to gallop like a horse during "Rodeo" and march like a soldier during "Parade of the wooden soldiers". This is a pleasure for the whole family!

5 out of 5 stars Great for Preschool Children.......2000-10-12

I use this CD with my preschool music group. The kids love it! This CD enables children learn about classical music without over extending their attention spans.
The Most Relaxing Classical Album In the World Ever, Volume II
Average customer rating: 3.5 out of 5 stars
  • The Most Relaxing Classical Album In the World Eveer, Volume II
  • Great music listein to while you read in bed
  • A must buy for the non-snobbish classical music fan.
  • A bliss of spirit.
  • Boring
The Most Relaxing Classical Album In the World Ever, Volume II
Gabriel Faure , Frederic Chopin , Antonio Vivaldi , Gustav Mahler , Claude Debussy , Sir Neville Marriner , Maris Jansons , Lorin Maazel , Sir Adrian Boult , Miklos Rozsa , Riccardo Muti , Stephen Cleobury , Sir John Barbirolli , New Philharmonia Orchestra , Philharmonia Orchestra & Chorus , Academy of St. Martin in the Fields , and Berlin Philharmonic
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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  1. The Most Relaxing Classical Album in the World...Ever!
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  5. Best of the Millennium: Top 40 Classical Hits

ASIN: B00002439O
Release Date: 2003-03-11

Tracks:

  1. Sheep May Safely Graze - Sir Neville Marriner
  2. Serenade In G 'Eine Kleine Nachtmusik' - Sir Neville Marriner
  3. Violin Concerto No.1 In G Minor, Op.26 - II. Adagio - Yedudi Menuhin
  4. Nocturne No.2 In E Flat Op.9 No.2 - John Ogdon
  5. Miserere Mei, Deus - Stephen Cleobury
  6. Schindler's List - Tasmin Little
  7. Traumerei - Dame Moura Lympany
  8. Dance Of The Sylphs - Sir Neville Marriner
  9. Water Music - Berlin Philharmonic Orchestra
  10. Symphony No.9: II. Largo - Oslo Philharmonic Orchestra
  11. Jean De Florette - Toots Thielemans
  12. Concerto For Lute And Two Violins - II. Largo - Anthony Bailes
  13. Cello Concerto In E Minor Op.85 - III. Adagio - Jacqueline De Pre
  14. Waltz No.15 In A Flat - Dame Moura Lympany
  15. Romance - Piers Lane
  16. Pavane - Maurice Handford
  17. Woodbrook - Micheal O Suilleabhain
  18. Time To Say Goodbye - Orchestra

Tracks:

  1. The Four Seasons - Concerto No.1 In E 'Spring' - Yehundi Menuhin
  2. Dance Of The Blessed Spirits - New Philharmonia Orchestra
  3. Double Violin Concerto In D Minor - II. Largo Ma Non Tanto - Yehudi Menuhin
  4. Prelude No.7 In A Op.28 No.7 - Tzimon Barto
  5. Cantique De Jean Racine - MONKS AND CHOIRBOYS OF DOWNSIDE ABBEY
  6. The Lark Ascending - Hugh Bean
  7. 'Pathetique Sonata Op.13 - II. Adagio Cantabile - Leonard Pennario
  8. Pie Jesu - Choir Of King's College, Cambridge
  9. Salut D'Amour - Richard Hickox
  10. La Fille Aux Cheveux De Lin (The Girl With Flaxen Hair) - Dame Moura Lympany
  11. The Coventry Carol - Medeval Babes
  12. Pavane For A Dead Princess - New Philharmonia Orchestra
  13. Liebestraum No.3 In A Flat - John Ogdon
  14. Panis Angelicus - Elisabeth Schwarzkopf
  15. Piano Concerto No.2 In F Op.102 - II. Andante - Dmitri Alexeev
  16. Agnus Dei - Peter Barley
  17. Symphony No.5 In C Sharp Minor - IV. Adagietto - New Philharmonia Orchestra
  18. My Heart Will Go On - Orchestra

Customer Reviews:

1 out of 5 stars The Most Relaxing Classical Album In the World Eveer, Volume II.......2006-08-28

Good selection of music, poorly performed and badly arranged. Good album for a tag sale. Same comment applies for Volume I.

5 out of 5 stars Great music listein to while you read in bed.......2005-08-21

I have listened to this CD for the last several years before going to sleep at night. I love classical music, and this is great music to help make my soul feel at peace and unwind after a taxing day.

5 out of 5 stars A must buy for the non-snobbish classical music fan........2004-10-22

I bought Vol. 1 of this series and was quite satisfied, but I have to say I'm more than satisfied with this one. If you can just mellow out and enjoy some great pieces, you'll love this CD. #15 on Disc 2 is almost worth the price alone!

5 out of 5 stars A bliss of spirit........2004-09-18

That's disc will open You a wonderful, beautiful world of sounds, their harmony & emotion : you'll feel your heart full of
Joy, Tears, Love.
Good LUCK!

2 out of 5 stars Boring.......2004-05-11

Yes this CD will put you to sleep in minutes. Its the most boring uninspiring classical music. The first CD was very good but this Vol. 2 is like most movie sequels....AWFUL !
Jerry Hadley - Golden Days - Tenor hits from the Golden Age of Operetta
Average customer rating: Not rated
    Jerry Hadley - Golden Days - Tenor hits from the Golden Age of Operetta

    Manufacturer: RCA
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000003FQQ
    Release Date: 1994-08-16

    Tracks:

    1. Song of the Vagabonds
    2. I'm Falling in Love With Someone
    3. Streets of New York
    4. Neapolitan Love Song
    5. Desert Song/One Alone
    6. Every Day Is Ladies' Day with Me
    7. Donkey Serenade
    8. Softly, As in a Morning Sunrise
    9. Drinking Song
    10. When You're Away
    11. I Love to Go Swimmin' With Wimmin
    12. I Might Be Your Once-In-A-While
    13. Marianne
    14. Serenade
    15. Indian Summer
    16. When I Grow Too Old to Dream
    17. Gypsy Love Song
    18. Golden Days - Jerry Hadley, Mario Lanza
    Let Yourself Go
    Average customer rating: 4.5 out of 5 stars
    • One of the best ever!
    • Kristen Chenowith
    • Has its moments
    • Great CD!
    • This woman has what it takes, and then some...
    Let Yourself Go
    Kristin Chenoweth , Jule Styne , George Gershwin , Richard Rodgers , Jeanine Tesori , Kurt Weill , Jerome Kern , Vincent Youmans , Ricky Ian Gordon , Richard Dworsky , Lawrence Ellington Duke / Brown , Harry Warren , Bobby Troup , Jason Alexander , Irving Berlin , Rob Fisher , and The Coffee Club Orchestra
    Manufacturer: Sony
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000059T4T
    Release Date: 2001-05-29

    Tracks:

    1. Let Yourself Go
    2. If
    3. How Long Has This Been Going On?
    4. My Funny Valentine
    5. Hanging Around with You (with Jason Alexander)
    6. The Girl in 14G
    7. I'll Tell the Man in the Street
    8. I'm a Stranger Here Myself
    9. Nobody Else But Me
    10. Nobody's Heart Belongs to Me/Why Can't I?
    11. Should I Be Sweet?
    12. He's Just an Ordinary Guy
    13. Going to the Dance with You
    14. On a Turquoise Cloud
    15. You'll Never Know
    16. Daddy

    Amazon.com

    Kristin Chenoweth won a Tony for the supporting role of Sally Brown in the 1999 revival of You're a Good Man, Charlie Brown, made a memorably vampy Lily in the 1999 television film of Annie, and had an NBC sitcom created for her, Kristin! Now she grabs the spotlight in Let Yourself Go, her first solo recording. She mixes torchy standards ("My Funny Valentine," "How Long Has This Been Going On?") with Faith Prince-style sauciness ("If"), gets to show off her operatic and scat chops in the miniplay "The Girl in 14G," and shares a light duet with Jason Alexander (reviving his musical theater career post-Seinfeld). Perhaps her "Stranger Here Myself" isn't the weightiest you've ever heard, but this is an enjoyable album with a good deal of old-fashioned class, expertly accompanied by Rob Fisher and the Coffee Club Orchestra. --David Horiuchi

    Customer Reviews:

    5 out of 5 stars One of the best ever!.......2007-04-24

    Do I mean the best album or the best singer? You are correct if you said both! I saw Kristin Chenoweth on a PBS show "Broadway's Best at the Pops," (though it was not the first time I had heard her) and decided to check out the offerings here. This is a collection of the kind of music and performances I love. She has a great range, a precise pitch, and a great style that is at the same time true to the music and to herself. In an era when singers try to outdo each other re-interpreting the composer's original work, not usually with great success, she is a blessing!

    5 out of 5 stars Kristen Chenowith.......2007-02-26

    I bought this CD for the Girl in 14G. Yes, it's that good...

    4 out of 5 stars Has its moments.......2007-02-19

    After watching Candide endlessly and going to see Ms. Chenoweth in The Apple Tree, I was hungry for something more portable to listen to. At times this fits the bill, but what surprised me the most is how thin her voice comes across on this recording. Perhaps it was the joy of seeing her live that has ruined this listener; perhaps I need to upgrade my aging music system. Then again, maybe the recording is just not as good as Ms. C singing Bernstein or as good as staring at Ms. C command a Broadway stage.

    4 out of 5 stars Great CD!.......2007-01-19

    I truly enjoy listening to this CD. Kristin Chenoweth's vocal style and abilities are very well-matched to the songs selected for this album. If you enjoy classic, older-style Broadway/popular tunes, I would highly recommend this CD. Ms. Chenoweth has a bright, expressive voice and does a fantastic job with this material.

    As with any full-length CD, there are a couple of songs I am not as crazy about, but that has to do with the songs themselves, not Ms. Chenoweth's vocal performance. Overall, I love this album and have listened to it several times now, since receiving it as a Christmas gift last month.

    5 out of 5 stars This woman has what it takes, and then some..........2007-01-12

    Kristin Chenoweth brings new life to some timeless Broadways tunes while introducing a few wonderful new ones. This high pitched vocal goddess effortlessly provides for a nearly flawless and easy listening experience. I definitly recommend this CD for anyone who enjoys jazz vocals, showtunes, or just a new spin on some old classics.
    Instruments of the Orchestra
    Average customer rating: 4.5 out of 5 stars
    • Instruments of the Orchestra - Great Reference Material!
    • Beginner or Expert
    • Very Informative and Enjoyable
    • Frank's view
    • Excellent Intro for Those Not Familiar with the Orchestra
    Instruments of the Orchestra
    Various Artists
    Manufacturer: Naxos
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00006O0NT
    Release Date: 2002-12-03

    Tracks:

    1. Overture To 'Tannhauser'
    2. Domna, Pos Vos Ay Chausida
    3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
    4. Hungarian Dance No.7
    5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
    6. Violin Concerto In D Major (Adagio)
    7. But For A Long Time It Was Seen As The Instrument Of The Devil.
    8. The Soldier's Tale: Triumphal March Of The Devil
    9. The Manipulative Seductiveness Of The Gypsy Violin.
    10. Csardas Music
    11. The Violin And The Initiation Of Nature
    12. The Four Seasons (Spring, Mvt 1)
    13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
    14. The Four Seasons (Summer, Mvt 1)
    15. Like The Devil, The Violin Is A Master Of Disguise.
    16. Old Viennese Dance No.3 'Schon Rosmarin'
    17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
    18. Tzigane
    19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
    20. Caprice No.24
    21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
    22. Variations On A Theme Of Frank Bridge (No.7)
    23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
    24. Romeo And Juliet: Act IV
    25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
    26. The Four Seasons (Winter, Mvt 1)
    27. The Violin Muted
    28. Clair De Lune
    29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
    30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
    31. The Pizzicato Violin
    32. Pizzicato Polka
    33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
    34. Violin Concerto No.2 In G Minor (Slow Mvt)
    35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
    36. The Planets (Mars - The Bringer Of War)
    37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
    38. Hungarian Dance No.4
    39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
    40. The Four Seasons (Autumn, Mvt 1)
    41. Now The Same Technique, But The Sound Might Have Come From Another World.
    42. Bolero
    43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
    44. Cadenza To The Violin Concerto By Brahms
    45. Now Compare That With A Real Violin Duet.
    46. Forty-Four Duos (No. 1: Teasing Song)
    47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
    48. Forty-Four Duos (No.2: Maypole Dance)
    49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
    50. Concerto In D Minor For Two Violins (Largo)
    51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
    52. Violin Concerto No.1 In D Major (Mvt 2)
    53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
    54. Symphony No.1 'Titan' (Mvt 1, Opening)
    55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
    56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
    57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
    58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
    59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
    60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
    61. Also Sprach Zarathustra (Of The Afterworldsmen)
    62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
    63. Variations On A Theme Of Frank Bridge (No. 4)
    64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
    65. Four Sea Interludes (Dawn) From 'Peter Grimes'
    66. To End This Outing With The Violins, A Charming Little Elfin Dance
    67. Elfenreigen

    Tracks:

    1. Introduction To The Viola
    2. Viola Concerto (Mvt 1)
    3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
    4. Gayane Suite No.1 (Armen's Solo)
    5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
    6. Passacaglia, Op.33b From 'Peter Grimes'
    7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
    8. Harold In Italy (Mvt 4)
    9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
    10. Cypresses (No.9)
    11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
    12. Symphony No.4 (Mvt 3)
    13. The 'Period' Viola In Bach
    14. Brandenburg Concerto No.6 (Last Mvt)
    15. The Cello: A Voice Of Unique Nobility
    16. Suite No.1 For Unaccompanied Cello (Prelude)
    17. Brahms And The 'Soul' Of The Cello
    18. Piano Concerto No.2 In B Flat Major (Mvt 3)
    19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
    20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
    21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
    22. Symphony No.3 'Eroica' (Finale)
    23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
    24. Elfentanz, Op.39
    25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
    26. The Protecting Veil (Opening)
    27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
    28. Flamenco
    29. Double-Stopping In The Lower Reaches Of The Cello's Range
    30. Solo Suiet For Cello And Piano (Sardana)
    31. It's In The Middle Register That The Cello Really Comes Into Its Own.
    32. Oriental Dance, Op.2 No.2
    33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
    34. Symphony No.9 (Finale)
    35. Introduction To The Double-Bass
    36. The Carnival Of The Animals (The Elephant)
    37. But The Double-Bass Can Be Intensely Expressive And Graceful.
    38. Elegy No.1 In D Major
    39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
    40. Capriccio Di Bravura
    41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
    42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
    43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

    Tracks:

    1. The Antiquity And Magic Of The Flute
    2. Prelude A L'Apres-Midi D'Un Faune
    3. The Versatility And Agility Of The Flute
    4. Orchestral Suite No.2 In B Minor (Badinerie)
    5. The Flute In Fifteenth-Century Spain
    6. Sa'Dawi
    7. Other Flutes: The Bass And Alto
    8. Chamber Music No.II
    9. The Piccolo - Aptly Named
    10. La Naissance D'Osiris (Mvt 6)
    11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
    12. Suite No.1 For Small Orchestra (Valse)
    13. A Variety Of Techniques
    14. Chamber Music No.II
    15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
    16. The Nutcracker (Act II, No.2: Scene)
    17. From The Transverse To The Vertical: The Baroque Recorder
    18. Recorded Suite In A Minor (Menuet II)
    19. An Unfamiliar, Early Vision Of The Instrument
    20. Naelden, Naelden
    21. The Bachian Oboe
    22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
    23. Introduction To The Cor Anglais Or 'English Born'
    24. Symphony No.9 'From The New World' (Mvt 2)
    25. The Loneliness Of The Cor Anglais
    26. The Swan Of Tuonela
    27. The Cor Anglais Joins The French Horn In Haydn.
    28. Symphony No.22 'The Philosopher' (Opening)
    29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
    30. Bolero
    31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
    32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
    33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
    34. Gayane Suite No. 1 (Mvt 5)
    35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
    36. The Range Of The Normal Clarinet Parts Goes Quite High...
    37. The Snow Maiden (Scene 5: Melodrama)
    38. ...And Quite Low.
    39. Peter And The Wolf (The Cat)
    40. The Clarinet As Concerto Soloist
    41. Clarinet Concerto In A Major (Rondo)
    42. But That's Not The Instrument Mozart Wrote It For; This Is:
    43. Clarinet Concerto In A Major (Rondo)
    44. Introduction To The Saxophone
    45. Hary Janos Suite (Mvt 4)
    46. The Soprano Saxophone Has Quite A Different Feel To It.
    47. L'Arlesienne Suite No.1 (Minuet)
    48. The Little Sopranino Sax Goes Even Higher.
    49. Bolero
    50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
    51. Pictures At An Exhibition (The Old Castle)
    52. The Saxophone Can Be Quite Contagiously Good-Humoured.
    53. Sax-O-Phun
    54. The Puffa-Puffa Image Of The Bassoon
    55. Peter And The Wolf (Grandfather)
    56. The Bachian Bassoon, In Accompanimental Mode
    57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
    58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
    59. And Ravel, Also In Spanish Mode, Does Likewise.
    60. Bolero
    61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
    62. Symphony No.3 (Opening)
    63. The Eerie Bassoon In Its Highest Register
    64. The Rite Of Spring (Opening)
    65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
    66. The Firebird Suite (1919, Berceuse)
    67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
    68. Bassoon Concerto In G Minor (Finale)
    69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
    70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
    71. The French Horn Under Its Woodwind Hat
    72. Wind Quintet, Op.43 (Last Mvt)
    73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
    74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
    75. The Horn In Harmonious Blend With Strings In Another Quintet
    76. Horn Quintet, K.407 (Finale)

    Tracks:

    1. The Trumpet As Virtuoso Soloist
    2. Brandenburg Concerto No.2 (Last Mvt)
    3. The Special Brillance Of Paired Trumpets
    4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
    5. The Ceremonial Trumpet
    6. Fanfare For The Common Man
    7. Trumpets And Drums - An Incomparable Alliance
    8. Messiah (The Trumpet Shall Sound)
    9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
    10. Piano Concerto In F (Slow Mvt)
    11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
    12. Carmen Suite No.2 (Habanera)
    13. The Trumpet As The Voice Of Strength And Courage
    14. Carmet Suite No.2 (Toreador's Song)
    15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
    16. Billy The Kid
    17. The Trumpet As Character Actor
    18. Pictures At An Exhibition (No.6)
    19. The Trumpet As The Voice Of God
    20. Mass In B Minor ('Et Exspecto')
    21. The Birth Of The Trombone
    22. Aenmerckt Nu Hier
    23. The Birth Of The Brass As A Family
    24. Canzon 12 In Double Echo
    25. The Trombone In The Eighteenth Century
    26. Trombone Concerto In B Flat Major (Finale)
    27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
    28. Hosannah
    29. The Trombones Become Part Of The Orchestra.
    30. Symphony No.5 (Finale)
    31. The Wagnerian Trombone:/Overture To 'Tannhauser'
    32. The Trombone As Caricaturist
    33. Pulcinella (No.19: Vivo)
    34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
    35. The Horn And The Hunt
    36. Horn Concerto No.4 In E Flat, K.495 (Finale)
    37. The Challenging Horn Of The Baroque
    38. Abaris Ou Les Boreades (Menuet)
    39. The Scarcity Of First-Rate Players In Handel's Time
    40. Walter Music (Minuet 1)
    41. The Horn As Magician/The Firebird Suite (1919, Finale)
    42. Horns And The Sound Of Nobility
    43. Overture To 'Tannhauser' (Opening)
    44. The Special Sound Of The Horn In Its Higher Register
    45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
    46. The Trumpet-Like Sound Of Massed Horns
    47. Symphony No.3 (Mvt 1, Opening)
    48. The Tuba - Unfairly Maligned?
    49. Symphony No.6 (Mvt 3)
    50. The Tuba Perfectly Cast By Ravel
    51. Pictures At An Exhibition (Bydlo)

    Tracks:

    1. Introduction. And We Begin With A Bang.
    2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
    3. At The Opposite Extreme Is The Triangle.
    4. Piano Concerto No.1 In E Flat (Scherzo)
    5. Categories Of Percussion: Tuned And Untuned. The Side Drum
    6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
    7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
    8. The Tambourine. One Of The Oldest Instruments In The World
    9. Den Hoboecken Dans
    10. Even Older Is The Originally Oriental Gong.
    11. Ma Mere L'Oye - Mother Goose (Laideronette)
    12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
    13. Gymnopedie No.2
    14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
    15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
    16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
    17. Rodeo (Hoe-Down)
    18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
    19. Scherzi Musicali (Damigella Tutta Belle)
    20. A Still Earlier Example From Fifteenth-Century Spain
    21. Yo M'Enamori D'Un Aire
    22. The Birth Of The Bongo
    23. Symphonic Dances From 'West Side Story'
    24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
    25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
    26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
    27. Onwards To The Tuned Percussion. First, The Timpani
    28. Also Sprach Zarathustra (Introduction)
    29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
    30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
    31. Taking Advantage Of Tunability
    32. Music For Strings, Percussion And Celeste (Mvt 2)
    33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
    34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
    35. Saint-Saens And The Xylophone
    36. The Carnival Of The Animals (Fossils)
    37. Ravel And The Xylophone
    38. Ma Mere L'Oye - Mother Goose (Laideronette)
    39. Introducing The Marimba/Carmen Suite (First Intermezzo)
    40. Introducing The Vibraphone
    41. The Treasure Of The Sierra Madre (Narange Dolce)
    42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
    43. Introducing The Hungarian Cimbalom
    44. Folk Dances
    45. The Cimbalom And The Symphony Orchestra
    46. Hary Janos Suite (Mvt 3)
    47. Introducing The Tubular Bells
    48. Hary Janos Suite (Viennese Musical Clock)
    49. A More 'Up-Front' Approach From Rodion Shchedrin
    50. Carmen Suite (Introduction)
    51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
    52. Introducing The Celeste
    53. The Nutcracker (Dance Of The Sugar Plum Fairy)
    54. Magic, In The Use Of Collective Percussion
    55. Miroirs (La Vallee Des Cloches)
    56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
    57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
    58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
    59. Brandenburg Concerto No.2 (Slow Mvt)
    60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
    61. Petrushka (Russian Dance)
    62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
    63. Music For Strings, Percussion And Celeste (Last Mvt)

    Tracks:

    1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
    2. Symphony No.3 'Organ' (Finale)
    3. But Things In Handel's Day Were Very Different.
    4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
    5. The Organ Is Difficult To Classify.
    6. An Unexpected, Organ-related Guest
    7. Concerto Pour Zampogna (Last Mvt)
    8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
    9. Les Miserables (Drink With Me)
    10. Outside Artefacts And The Power Of Association
    11. Mahler's Sleighbells
    12. Symphony No.4 (Opening)
    13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
    14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
    15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
    16. Don Quixote (Variation VIII)
    17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
    18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
    19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
    20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
    21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
    22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
    23. The Sitar Of India/Evening Raga: Bhapoli
    24. The Accordion For France (Especially Paris)/Paris Canaille
    25. The Zither For Vienna/The Third Man (Theme)
    26. The Cimbalom For Hungary/Folk Dances
    27. The Guitar As An Integral Part Of The Orchestra/Rondena
    28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
    29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
    30. Nocturnes
    31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
    32. The Carnival Of The Animals (The Cuckoo)
    33. The Flute As An All-purpose Aviary
    34. The Carnival Of The Animals (The Aviary)
    35. The Oboe As Duck
    36. Peter And The Wolf (The Duck)
    37. The Recording Of Reality. Does It Work As Well?
    38. The Pines Of Rome (The Pines Of The Janiculum)
    39. The Recording Of Reality Electronically Reborn In New Guises
    40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
    41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
    42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
    43. Some Improbable Casting: The Violin As Braying Donkey
    44. The Carnival Of The Animals (Persons With Long Ears)
    45. A Truly Orchestral Hee-haw To Be Reckoned With
    46. Overture To 'A Midsummer Night's Dream'
    47. A Thunderstorm In A Million
    48. Symphony No.6 'Pastoral (Allegro-Allegretto)
    49. the Instrumental Depiction Of A Silent World
    50. The Carnival Of The Animals (The Aquarium)
    51. Saint-Saens' Menagerie Takes A Curtain Call.
    52. The Carnival Of The Animals (Finale)

    Tracks:

    1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
    2. Forty-Four Duos (No.4)
    3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
    4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
    5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
    6. String Trio In B Flat (Menuetto)
    7. The String Quartet: Two Violins, Viola, And Cello
    8. String Quartet In F, Op.18 No.1 (Mvt 3)
    9. The String Quintet - When The Extra Instrument Is A Second Viola
    10. String Quartet No.5 In D, K.593 (Adagio)
    11. The String Quintet - When The Extra Instrument Is A Second Cello
    12. String Quintet In C (Mvt 3)
    13. The String Sextet: Two Violins, Two Violas, And Two Cellos
    14. String Sextet In B Flat (Mvt 2)
    15. The String Octet: The Standard String Quaret Times Two
    16. Octet In E Flat, Op.20 (Mvt 1)
    17. Double The String Octet: A Fully Fledged String Orchestra
    18. String Symphony No.2 (Finale)
    19. The Massed Strings Of A Symphony Orchestra
    20. Fantasia On A Theme Of Thomas Tallis
    21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
    22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
    23. In The First Variation It's The Horn That Gets The Lion's Share.
    24. Wind Quintet In A Minor, Variation 1
    25. In Variation Two The Torch Is Handed To The Bassoon.
    26. Wind Quintet In A Minor, Variation 2
    27. In Variation Three The Oboe Leads.
    28. Wind Quintet In A Minor, Variation 3
    29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
    30. Wind Quintet In A Minor, Variation 4
    31. And Variation Five is Dominated By The Clarinet.
    32. Wind Quintet In A Minor, Variation 5
    33. The Next To Be Featured Is The Virtuoso Flute.
    34. Wind Quintet In A Minor, Variation 6
    35. Individual Farewells And A Closing Chorus
    36. Wind Quintet In A Minor, Variation 7
    37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
    38. Octet In F (Mvt 3)
    39. The Early Classical Symphony Orchestra Of Haydn And Mozart
    40. Symphony No.29 In A, K.201 (Finale)
    41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
    42. Canzon 28
    43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
    44. Symphony No.5 (Finale)
    45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
    46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
    47. Symphoy No.6 'Tragic' (Mvt 1)
    48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
    49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
    50. When Large Doesn't Necessarily Mean Loud: Debussy
    51. Images (Gigues)
    52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
    53. Turangalila Symphony (Chant D'amour 1)
    54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
    55. Balle De Xerxes (Gavotte En Rondeau)
    56. Computer And Synthesiser: Friends Or Foes?
    57. Concerto In D Minor For Two Violins (Largo)
    58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

    Customer Reviews:

    5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

    This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

    5 out of 5 stars Beginner or Expert.......2007-03-12

    This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

    5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

    Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

    3 out of 5 stars Frank's view.......2006-08-19

    This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

    5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

    I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

    The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

    I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

    The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
    Chopin: The Piano Works
    Average customer rating: 4.5 out of 5 stars
    • My experience of this CD
    • Beautiful!
    • Well worth the money. Wonderful! Wonderful!
    • Best investment to make
    • A great pianist interpreting the most inspired composer ever !
    Chopin: The Piano Works

    Manufacturer: Decca
    ProductGroup: Music
    Binding: Audio CD

    BoureesBourees | Ballets & Dances | Classical | Styles | Music
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    PreludesPreludes | Forms & Genres | Classical | Styles | Music
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    ImpromptusImpromptus | Short Forms | Forms & Genres | Classical | Styles | Music
    NocturnesNocturnes | Short Forms | Forms & Genres | Classical | Styles | Music
    SonatinasSonatinas | Sonatas | Forms & Genres | Classical | Styles | Music
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    Similar Items:
    1. Liszt: Piano Works
    2. Brahms: Works for Solo Piano
    3. Schubert: The Piano Sonatas
    4. Works for Solo Piano
    5. Mozart: The Piano Concertos

    ASIN: B0000041KB
    Release Date: 1997-06-24

    Tracks:

    1. 24 Preludes, Op.28: I - C Major
    2. 24 Preludes, Op.28: II - A Minor
    3. 24 Preludes, Op.28: III - G Major
    4. 24 Preludes, Op.28: IV - E Minor
    5. 24 Preludes, Op.28: V - D Major
    6. 24 Preludes, Op.28: VI - B Minor
    7. 24 Preludes, Op.28: VII - A Major
    8. 24 Preludes, Op.28: VIII - F Sharp Minor
    9. 24 Preludes, Op.28: IX - E Major
    10. 24 Preludes, Op.28: X - C Sharp Minor
    11. 24 Preludes, Op.28: XI - B Major
    12. 24 Preludes, Op.28: XII - G Sharp Minor
    13. 24 Preludes, Op.28: XIII - F Sharp Major
    14. 24 Preludes, Op.28: XIV - E Flat Minor
    15. 24 Preludes, Op.28: XV - D Flat Major 'Raindrop'
    16. 24 Preludes, Op.28: XVI - B Flat Minor
    17. 24 Preludes, Op.28: XVII - A Flat Major
    18. 24 Preludes, Op.28: XVIII - F Minor
    19. 24 Preludes, Op.28: XIX - E Flat Major
    20. 24 Preludes, Op.28: XX - C Minor
    21. 24 Preludes, Op.28: XXI - B Flat Major
    22. 24 Preludes, Op.28: XXII - G Minor
    23. 24 Preludes, Op.28: XXIII - F Major
    24. 24 Preludes, Op.28: XXIV - D Minor
    25. Prelude In C Sharp Minor, Op.45
    26. Prelude In A Flat Major
    27. Impromptu In A Flat Major, Op.29
    28. Impromptu In F Sharp Major, Op.36
    29. Impromptu In G Flat Major, Op.51
    30. Fantaisie-Impromptu In C Sharp Minor, Op.66

    Tracks:

    1. Ballade No.1 In G Minor, Op.23
    2. Ballade No.2 In F Major, Op.38
    3. Ballade No.3 In A Flat Major, Op.47
    4. Ballade No.4 In F Minor, Op.52
    5. Scherzo No.1 In B Minor, Op.20
    6. Scherzo No.2 In B Flat Minor, Op.31
    7. Scherzo No.3 In C Sharp Minor, Op.39
    8. Scherzo No.4 In E Minor, Op.54

    Tracks:

    1. 3 Nocturnes, Op.9: I - B Flat Minor
    2. 3 Nocturnes, Op.9: II - E Flat Major
    3. 3 Nocturnes, Op.9: III - B Major
    4. 3 Nocturnes, Op.15: I - F Major
    5. 3 Nocturnes, Op.15: II - F Sharp Major
    6. 3 Nocturnes, Op.15: III - G Minor
    7. 2 Nocturnes, Op.27: I - C Sharp Minor
    8. 2 Nocturnes, Op.27: II - D Flat Major
    9. 2 Nocturnes, Op.32: I - B Major
    10. 2 Nocturnes, Op.32: II - A Flat Major
    11. 2 Nocturnes, Op.37: I - G Minor
    12. 2 Nocturnes, Op.37: II - G Major

    Tracks:

    1. 2 Nocturnes, Op.48: I - C Minor
    2. 2 Nocturnes, Op.48: II - F Sharp Minor
    3. 2 Nocturnes, Op.55: I - F Minor
    4. 2 Nocturnes, Op.55: II - E Flat Major
    5. 2 Nocturnes, Op.62: I - B Major
    6. 2 Nocturnes, Op.62: II - E Major
    7. Nocturne In E Minor, Op.72 No.1
    8. Nocutrne In C Sharp Minor
    9. Nocturne In C Minor

    Tracks:

    1. 12 Etudes, Op.10: I - C Major
    2. 12 Etudes, Op.10: II - A Minor
    3. 12 Etudes, Op.10: III - E Major
    4. 12 Etudes, Op.10: IV - C Sharp Minor
    5. 12 Etudes, Op.10: V - G Flat Major 'Black Key'
    6. 12 Etudes, Op.10: VI - E Flat Minor
    7. 12 Etudes, Op.10: VII - C Major
    8. 12 Etudes, Op.10: VIII - F Major
    9. 12 Etudes, Op.10: IX - F Minor
    10. 12 Etudes, Op.10: X - A Flat Major
    11. 12 Etudes, Op.10: XI - E Flat Major
    12. 12 Etudes, Op.10: XII - C Minor 'Revolutionary'
    13. 12 Etudes, Op.25: I - A Flat Major
    14. 12 Etudes, Op.25: II - F Minor
    15. 12 Etudes, Op.25: III - F Major
    16. 12 Etudes, Op.25: IV - A Minor
    17. 12 Etudes, Op.25: V - E Minor
    18. 12 Etudes, Op.25: VI - G Sharp Minor
    19. 12 Etudes, Op.25: VII - C Sharp Minor
    20. 12 Etudes, Op.25: VIII - D Flat Major
    21. 12 Etudes, Op.25: IX - G Flat Major
    22. 12 Etudes, Op.25: X - B Minor
    23. 12 Etudes, Op.25: XI - A Minor 'Winter Wind'
    24. 12 Etudes, Op.25: XII - C Minor

    Tracks:

    1. 2 Polonaises, Op.26: I - C Sharp Minor
    2. 2 Polonaises, Op.26: II - E Flat Minor
    3. 2 Polonaises, Op.40: I - A Major
    4. 2 Polonaises, Op.40: II - C Minor
    5. Polonaise In F Sharp Minor, Op.44
    6. Polonaise In A Flat Major, Op.53
    7. Polonaise-fantaisie In A Flat Major, Op.61

    Tracks:

    1. 3 Polonaises, Op.71: I - D Minor
    2. 3 Polonaises, Op.71: II - B Flat Major
    3. 3 Polonaises, Op.71: III - F Minor
    4. Polonaise In B Flat Minor
    5. Polonaise In G Flat Major
    6. Polonaise In G Minor
    7. Polonaise In B Flat Major
    8. Polonaise In A Flat Major
    9. Polonaise In G Sharp Minor

    Tracks:

    1. Waltz In E Flat Major, Op.18
    2. 3 Waltzes, Op.34: I - A Flat Major
    3. 3 Waltzes, Op.34: II - A Minor
    4. 3 Waltzes, Op.34: III - F Major
    5. Waltz In A Flat Major, Op.42
    6. 3 Waltzes, Op.64: I - D Flat Major
    7. 3 Waltzes, Op.64: II - C Sharp Minor
    8. 3 Waltzes, Op.64: III - A Flat Major
    9. 2 Waltzes, Op.69: I - A Flat Major
    10. 2 Waltzes, Op.69: II - B Minor
    11. 3 Waltzes, Op.70: I - G Flat Major
    12. 3 Waltzes, Op.70: II - F Minor
    13. 3 Waltzes, Op.70: III - D Flat Major
    14. Waltz In E Minor (1830)
    15. Waltz In E Major (1829)
    16. Waltz In A Minor (?1843)
    17. Waltz In A Flat Major (1827)
    18. Waltz In E Flat Major ('Sostenuto', 1840)
    19. Waltz In E Flat Major (1829 - 1830)

    Tracks:

    1. 4 Mazurkas, Op.6: I - F Sharp Minor
    2. 4 Mazurkas, Op.6: II - C Sharp Minor
    3. 4 Mazurkas, Op.6: III - E Major
    4. 4 Mazurkas, Op.6: IV - E Flat Minor
    5. 5 Mazurkas, Op.7: I - B Flat Major
    6. 5 Mazurkas, Op.7: II - A Minor
    7. 5 Mazurkas, Op.7: III - F Minor
    8. 5 Mazurkas, Op.7: IV - A Flat Major
    9. 5 Mazurkas, Op.7: V - C Major
    10. 4 Mazurkas, Op.17: I - B Flat Major
    11. 4 Mazurkas, Op.17: II - E Minor
    12. 4 Mazurkas, Op.17: III - A Flat Major
    13. 4 Mazurkas, Op.17: IV - A Minor
    14. 4 Mazurkas, Op.24: I - G Minor
    15. 4 Mazurkas, Op.24: II - C Major
    16. 4 Mazurkas, Op.24: III - A Flat Major
    17. 4 Mazurkas, Op.24: IV - B Flat Minor
    18. 4 Mazurkas, Op.30: I - C Minor
    19. 4 Mazurkas, Op.30: II - B Minor
    20. 4 Mazurkas, Op.30: III - D Flat Major
    21. 4 Mazurkas, Op.30: IV - C Sharp Minor
    22. 4 Mazurkas, Op.33: I - G Sharp Minor
    23. 4 Mazurkas, Op.33: II - D Major
    24. 4 Mazurkas, Op.33: III - C Major
    25. 4 Mazurkas, Op.33: IV - B Minor
    26. 4 Mazurkas, Op.41: I - C Sharp Minor
    27. 4 Mazurkas, Op.41: II - E Minor
    28. 4 Mazurkas, Op.41: III - B Major
    29. 4 Mazurkas, Op.41: IV - A Flat Major

    Tracks:

    1. 3 Mazurkas, Op.50: I - G Major
    2. 3 Mazurkas, Op.50: II - A Flat Major
    3. 3 Mazurkas, Op.50: III - C Sharp Minor
    4. 3 Mazurkas, Op.56: I - B Major
    5. 3 Mazurkas, Op.56: II - C Major
    6. 3 Mazurkas, Op.56: III - C Minor
    7. 3 Mazurkas, Op.59: I - A Minor
    8. 3 Mazurkas, Op.59: II - A Flat Major
    9. 3 Mazurkas, Op.59: III - F Sharp Minor
    10. 3 Mazurkas, Op.63: I - B Major
    11. 3 Mazurkas, Op.63: II - F Minor
    12. 3 Mazurkas, Op.63: III - C Sharp Minor
    13. 4 Mazurkas, Op.67: I - G Major
    14. 4 Mazurkas, Op.67: II - G Minor
    15. 4 Mazurkas, Op.67: III - C Major
    16. 4 Mazurkas, Op.67: IV - A Minor
    17. 4 Mazurkas, Op.68: I - C Major
    18. 4 Mazurkas, Op.68: II - A Minor
    19. 4 Mazurkas, Op.68: III - F Major
    20. 4 Mazurkas, Op.68: IV - F Minor
    21. Mazurka In A Minor ('a Emile Gaillard', 1840)
    22. Mazurka In A Minor ('Notre temps', 1840)
    23. Mazurka In B Flat Major (1826)
    24. Mazurka In G Major (1826)
    25. Mazurka In A Flat Major (1834)
    26. Mazurka In C Major (1833)
    27. Mazurka In B Flat Major (For Alexandra Wolowska, 1832)
    28. Mazurka In D Major (1832)
    29. Mazurka In D Major (?1820)
    30. Mazurka In F Minor, Op.68 No. 4 - Vladimir Ashkenazy

    Tracks:

    1. Piano Sonata No.2 In B Flat Minor, Op.35: I - Grave - Doppio movimento
    2. Piano Sonata No.2 In B Flat Minor, Op.35: II - Scherzo
    3. Piano Sonata No.2 In B Flat Minor, Op.35: III - Marche funebre
    4. Piano Sonata No.2 In B Flat Minor, Op.35: IV - Finale: Presto
    5. Piano Sonata No.3 In B Minor, Op.58: I - Allegro maestoso
    6. Piano Sonata No.3 In B Minor, Op.58: II - Scherzo: Molto vivace
    7. Piano Sonata No.3 In B Minor, Op.58: III - Largo
    8. Piano Sonata No.3 In B Minor, Op.58: IV - Finale: Presto, non tanto
    9. Fantaisie In F Minor, Op. 49

    Tracks:

    1. Piano Sonata No.1 In C Minor, Op.4: I - Allegro maestoso
    2. Piano Sonata No.1 In C Minor, Op.4: II - Minuetto - Trio
    3. Piano Sonata No.1 In C Minor, Op.4: III - Larghetto
    4. Piano Sonata No.1 In C Minor, Op.4: IV - Finale: Presto
    5. Variations sur un air national allemand - E Major (1826)
    6. Rondo In C Minor, Op.1
    7. 3 Ecossaises, Op.72 No.3: I - D Major; II - G Major; III - D Flat Major
    8. Rondo 'a la Mazur' In F Major, Op.5
    9. Marche funebre In C Minor, Op.72 No.2
    10. Contredanse In G Flat Major (?1827) - Vladimir Ashkenazy
    11. Rondo In C Major, Op.73 - Vladimir Ashkenazy
    12. Variations In D Major For Piano Duet (1826) - Vladimir Ashkenazy

    Tracks:

    1. Variations In A Major ('Souvenir de Paganini', 1829)
    2. Variations brillantes In B Flat Major, Op.12
    3. Rondo In E Flat Major, Op.16
    4. Bolero In A Minor, Op.19
    5. Cantabile In B Flat Major
    6. Variation In E Major
    7. Largo In E Flat Major
    8. Allegro de concert In A Major, Op.46
    9. 3 Nouvelles Etudes (1837): I - F Minor
    10. 3 Nouvelles Etudes (1837): II - A Flat Major
    11. 3 Nouvelles Etudes (1837): III - D Flat Major
    12. Tarentelle In A Flat Major, Op.43
    13. Fugue In A Minor (1841 - 42)
    14. Albumblatt in E Major (1843)
    15. Op.74 No.2: Wiosna - Spring
    16. 2 Bourrees (1846): I - G Minor; II - A Major
    17. Galop Marquis
    18. Berceuse In D Flat Major, Op.57
    19. Barcarolle In F Sharp Major, Op.60

    Customer Reviews:

    5 out of 5 stars My experience of this CD.......2007-04-04

    My hats off to this CD collection! It was worth it!!! Chopin is a true genius for the piano, on this collection.

    5 out of 5 stars Beautiful!.......2006-08-18

    This is a beautifully played collection of Chopin's work. It was a birthday gift,
    and I listen to bits of it every day. I have yet to find a favorite
    CD, as each is so lovely. It is well worth the price.

    5 out of 5 stars Well worth the money. Wonderful! Wonderful!.......2006-06-10

    I am not a classical music expert but I am an expert when it comes to a great product. I have listened to the works of rubenstein and Horowitz, but nothing is comparable to this great collection of polands favorite son. The nocturnes are dreamy and romantic. The other pieces though not as mesmerizing have plenty of depth and feeling. This is a collection that you will listen to over and over again. Although this music is great anytime, it's especially meaningful during a light rainfall. Go ahead and make this investment. It's only $100.00. For the next 100 days save a dollar and you will have it paid for. I promise you won't be sorry. Excellent! Excellent!

    5 out of 5 stars Best investment to make.......2006-05-21

    In my opinion, this is the apex of classical music. You will not find a better CD for Chopin or any piano recordings. There may be plenty of comparable CDs, but nothing can claim to surpass this.

    Although some pieces are not as good as those by other artists, Ashkenazy's interpretations of Chopin are the best I've ever heard. Add in his amazing technical performance and you've got some sublime music.

    Listening to these pieces have immensely helped my own Chopin reportoire. I don't play to mimic Ashkenazy, but I use his insights and apply my own style over that and end up with something exponentially better than what I could produce on my own.

    The price is something you have to seriously consider. A hundred bucks. Yeah, that's a lot of money, but that's 48 cents per song. And you'll listen to these songs dozens of times, at least, I guarantee. Plus it's a great deal... if you were to get all the Ashkenazy-Chopin CDs available on Amazon, overlapping pieces as little as possible, you'd pay $30 more and still not have everything.

    This is an investment for life and will definitely remain one of my favorite CD sets for decades. Decades. A hundred bucks for decades of amazing music. This stuff is larger than today, larger than life.. music this good is something you can't afford to pass up because of temporary financial difficulties.

    5 out of 5 stars A great pianist interpreting the most inspired composer ever !.......2005-09-15

    Lets imagine that Chopin himself has recorded his own compositions in a perfectly clear CD. I am sure that some classical music reviewers would say "This is not the way Chopin is meant to be played". These classical music "pundits" are very intolerant.

    Interpretation and emotion feeling is also a matter of taste, so that the only one who can give a final answer is Franois (Frederic).

    Ashkenazy is gifted with a phenomenal technique, a great pianist. So that this collection is for sure 5 stars. Enjoy it.

    Ah, if you like to see piano technique in action, listen to Georgy Cziffra's interpretation of Etude op. 10 no. 4. (Search the album in my reviews.)
    Ravel: Greatest Hits
    Average customer rating: 5 out of 5 stars
    • Ravels Greatest hits
    Ravel: Greatest Hits

    Manufacturer: Sony
    ProductGroup: Music
    Binding: Audio CD

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