| 1. If No One Fell |
| 2. Make Me Believe |
| 3. Niagara Falls |
| 4. It's Fun (To Be in Love) |
| 5. Somebody in the USA |
| 6. Young Boys |
| 7. Make Me Believe [Acoustic Mix] |
| 8. It's Fun [Acoustic Mix] |
| 9. Niagara Falls [Acoustic Mix] |
| 10. If No One Fell [Acoustic Mix] |
| 11. Somebody in the USA [MTV Mix] |
| 12. Message from the Archbishop |
Editorial Reviews
About the Artist
What do Britney Spears, J Lo, and Pink have in common with The Catholic Girls? Except for the fact that they're female, absolutely nothing. The Catholic Girls are an all girl band – four musicians – Gail Petersen, Roxy Andersen, Jen Bond, and Stephanie Koles who write, play, and perform their own music. No lip-synching, no sfX, no overblown Vegas show behind them.
This collection includes many of Rutter's church hymns recorded over a period of 20 years performed by The Cambridge Singers, a group of Brits, that are conducted by the composer. Ergo, these performances must be considered definitive.
Many of Rutter's popular hymns are included here. "O be joyful to the Lord" and "All things bright and beautiful", a popular children's hymn done here by adults, follow "Wings of the morning" on tracks 5-7. Others you may have performed in church represented here are "O clap your hands", "Lord make me an instrument of your peace", "For the beauty of the earth", "Look at the world" and "The Lord bless you and keep you" among the 21 assembled hymns.
While The Cambridge Singers, on their Web site, identify themselves principally as an a capella group, I was pleased when I received this CD to find all the hymns supported by a full orchestra, the esteemed City of London Sinfonia. The renditions are uniformly lovely although some listeners may find the singing a bit on the white side lacking brilliance and individuality. Everything is done in keeping with Rutter's score markings and style.
The recording tends to be a little variable given the 20-plus year difference in performances. The most recent copyright listing is 2003, the same year "Wings of the morning" was published. I don't hear an appreciable difference in that recording than the others but still hear some age in older works.
If you seek a Rutter hymn collection you can't go wrong here. You have wonderful English performers mated to the composer in his more popular works. I'd recommend this without reservation to anyone seeking this collection.
I defy anyone to come up with another Broadway production that has three songs in a row better than Make Believe, Ol' Man River and Can't Help Lovin' Dat Man (West Side Story's Maria, America and Tonight are the best three in a row of a movie musical) and it's a shame that no movie version of Showboat can compare to this version. The first act is full of songs that are as good as any ever sung on a stage and I can't think of another production with a first act that compete against the big 3 plus Cotton Blossom, Where's The Mate For Me, Life On The Wicked Stage, Till Good Luck Comes My Way, Misry's Comin' Aroun', You are Love, Act One finale and Why Do I Love You?. You just don't want to have the music stop.
If you don't like opera you won't like this version. Sung the way Kern and Hammerstein wrote them, you can't help but feel the operatic nature of these songs. Tough noogies because Showboat is above all an opera disguised as a Broadway play and no sweetening should be allowed.
The four leads are all superb, Frederica von Stade as Nola especially. The booklet contains the complete libretto and allows a different way to appreciate the music.
If you buy just one version of Showboat you need this one. If you have other versions of Showboat you need this one. As a matter of fact, anyone with ears to hear needs this version. A true American treasure.
Thank you, EMI.
I would hope other labels would follow suit and remaster and reissue other examples of classic American musical theater. It would be a pity if our children, grandchildren, and future generations were unable to savor "110 in the Shade" or "Little Mary Sunshine" or . . . . . . . . . (fill in the blanks.)
M. J. Conrades
--Music--
'The Te Deum' is a piece that is standard for liturgy in Catholic and Anglican services. It is a song of praise, and here is it bright and powerful. 'Be Thou My Vision' is an Irish folk hymn, gentle and graceful, but Rutter has added something quite new to the rendition with his arrangement. The initial flourishes and fanfare for the standard piece 'All Creatures of Our God and King' lead to a triumphant song experience. 'The Lord is My Light and My Salvation' is once again a meditative and gentle moving piece, with good spirit.
The songs here are familiar for the most part, but Rutter's arrangements and compositions make this a thoroughly new experience in many ways.
--Liner Notes--
The notes include an introduction to the CD by Rutter describing some of the influences and expressions in his composition. Lyrics are included, all of which are in English on this collection. There is no listing of the performers of the Cambridge Singers, no description of the group, nor biographical information about John Rutter.
--John Rutter--
Rutter was born in London and educated at Clare College, Cambridge. This was where his career as a composer, arranger and conductor began. His early work was with groups at King's College Chapel at Cambridge as well as the Bath Choir and Philharmonic Orchestra. He has worked for the BBC providing music for educational series such as 'The Archaeology of the Bible Lands', until in 1979 he began forming the Cambridge Singers, and has continued a remarkable career of performance and recording as their director ever since.
--The Cambridge Singers--
The Cambridge Singers are a mixed choir of voices, many of whom were members of choir of Rutter's college, Clare College, Cambridge. While they specialise in English and Latin liturgical pieces, they have a wide range of recordings that span from modern compositions (including a remarkable requiem by Rutter) to English folk songs of the Middle Ages. Many are former members of the choir of Clare College and other Cambridge collegiate choirs (hence the name, Cambridge Singers). In the quarter-century since the founding, the Cambridge Singers have produced an impressive body of recordings.
This is a wonderful collection.
It was worth the wait.
The concept is great. The packaging is great. The recording is great. Disc five is really cool for an ALW aficionado. There are a few real gems on it; my favorites are Petula Clark's "I Could Have Given You More" and "Benedicite."
I've always thought "Gus the Theatre Cat" made a great medley on the piano with "Unexpected Song" and "I DOn't Know How to Love Him," but wished there was an alternate lyric to match the other two songs. Now that I know there *is*, and it's a good lyric, it's a dream come true.
The melody of "Benedicite" is one of my favorites from _Sunset_ (the book mis-identifies it as "SUrrender"; it's actually "The Lady's Paying" and "Eternal Youth is Worth a Little Suffering"). The lyrics are the canticle from Daniel 3, which comes up every odd Sunday in the Divine Office, so it's nice to have cool music to sing it with.
I haven't bought _By Jeeves_ or _THe Beautiful Game_ yet, to it was great to sample them.
There are other parts of the CD taht aren't found in my collection. I like CD 4 "The Hits."
But the selections on CDs 1-3 don't make sense.
First, any self-respecting ALW fan has the Original London Cast of _Phantom_, so six tracks are totally useless. Why not draw from the Canadian cast with Colm Wilkinson? Or pull out some obscure recordings never published.
Why two different tracks with Michael Ball singing "Love Changes Everything", yet they're hardly any different?
On Disc 5 is "It's Only Your Lover Returning," sung by Julie Covington. It's an early draft of the song (Lloyd Webber and Rice went through several suggested titles) and quite nice. The very thing one expects on a Boxed Set.
So why have the Julie Covington "Don't Cry for Me" on disc 1?? The only difference is a few words, but it's otherwise identical. Why not Elaine Paige or Patti Lupone or Madonna?
The _Evita_ section is otherwise the best, choosing a sample from each major recording, though I'd have chosen slightly differently (as above).
There is a great selection of "Mungojerrie and Rumpleteazer" from the Sydmonton festival, using the original music that was changed when _Cats_ went to Broadway_. It would have been nice if they'd included more recordings from Sydmonton, like the original lyric of "All I Ask of You" shown on the second DVD to the _Phantom_ movie.
With so many great actress-singers who've played Norma Desmond, why does the collection beat us over the head with Glenn Close?
Paul Miles Kingston must be set for life in royalties, for the number of albums the original recording of "Pie Jesu" has appeared on. "Amigos Para Siempre" is nice, but it reminds me of Shari Lewis's "The Song that Doesn't End," especially when it's been used on so many compilations.
In short, this is a great collection for the obscure material, if you can get it cheap. But for a boxed set, it's a poor sampling, drawn mostly from the most familiar recordings.
Over the years many compilations of his work have emerged. In the late 80-is and early 90-is it was the "Encore" series and lately the one-disc collection called "Gold". The one in question here can be considered one of the best currently on the market. First, it includes a 3-disc selections from all of his shows, minus the latest one, i.e., "The Woman in White", which, considering the triviality of the score, is no great lost. The fourth disc covers some of his most known songs sung by the famous artists. Then, there is the fifth disc with previously unreleased material, most of which are the songs ALW wrote with Tim Rice for various artists during the 70-is. The disks are all neatly packed in a hardcover book that features 67 pages of pictures and text with information about each of ALW's shows. One of the other assets here is the perfect sound quality, since all of the tracks have been digitally remastered.
Here are my basic impressions and comments regarding the material on the discs:
* Disc #1 has the selections from "Jesus Christ Superstar", "Evita", "Cats" and "Song & Dance". The Superstar material mostly comes from the Concept Recording. Although the songs sound beautiful as always, their orchestration is a bit dated now. Only Steve Balsamo's "Gethsemane" from the 1996 revival cast has a modern rock sound. "Evita" comes with the material from all of the major recordings: London, Broadway and the movie productions, as well as the Concept album. No objections here; since this is one of ALW's most satisfying works, every song is just perfect, although Patti LuPone, the Broadway and overall the best Evita, is left with only a couple of lines. With the selections from "Cats", however, I have some doubts. A plus to the choice of the "Jellicle ball" impressive orchestral sequence from the 1998 movie version and "Mister Mistoffelees" from the 1981 London cast. One of the best known ALW's songs, "Memory", also comes from that album. It's a pretty version and Elaine Paige's rendition cannot be matched, but why include this when the definite version, featuring an 80-piece orchestra and Elaine Paige with much better interpretation, can be found in the same movie version. Thusly, one has to buy Elaine Paige's latest 2-disc compilation "Centre Stage: The very best of Elaine Paige" to get that one. And "Gus the theatre cat" is more a recital than a song, so there was not much point in including that. Marti Webb brings her vocal charm to the "Song & Dance" sequence, Sarah Brightman sings "Unexpected song" with her famous soprano, but as much as I like her version, Bernadette Peters, who was in this show on Broadway is strangely left out here.
* Disc # 2 starts with "Starlight Express". This was never one of my favorite ALW's shows; the plot is even lighter than in "Cats" and the 1984 original cast recording is terribly dated. Yet, here we have one terrific duet, "I am starlight" from the original together with three songs from the later revivals and it seems that fresh orchestrations were just the thing Starlight needed. My favorite remains a touchy ballad, "Next time you fall in love". "Requiem" is the most solemn of all ALW's compositions, written in 1985 to commemorate the death of his father. Placido Domingo's tenor rides together with the chorus all the way through the strong "Hosanna", only to be joined by Sarah Brightman in the final moments of this song. She then gives an echoing deliverance of "Pie Jesu". What can be said of ALW's next show, "The Phantom of the Opera"? A phenomenon in its own right, it's easy to see from the six numbers included here why this is one of the best and most beloved musicals of all time. The cast, the music, the story - everything is perfect. Although "Aspects of love" was never a popular hit, it does have some of the most beautiful love melodies ALW has ever written. "Love changes everything" sung by Michael Ball is probably one of the best tunes ever about love. The rest of the selected material here has a dreamy love flavor and the melodies find their way into your brain in the best Lloyd Webber way.
* ALW's first musical, "Joseph and the amazing Technicolor dreamcoat" was more successful in its revival form than the original from the 70-is. The three songs included here are sung by the show stars, Jason Donovan and Donny Osmond. Maria Friedman was not a lucky choice to play the narrator, as the track from the 1998 movie version shows. "By Jeeves" was ALW's only big flop when it came to the stage in the 70-is. The 1995 revival sounds much better though, full of funny numbers in the best manner of the musical comedy. "Travel hopefully" remains one of the show's highlights on this compilation. "Sunset Boulevard" comes next. "Sunset" remains for me one of Webber's best scores; lush and beautiful. I listen to the original cast recording with Patti LuPone all the time. However, here most of the songs are performed by Glenn Close. A big mistake. If you've ever listened the American premiere recording with her, you'll know what I am talking about. She may have a strong stage presence, but her vocal abilities are too limited, and her aggressive approach to the role lacks any subtlety. Therefore, the two big numbers from this show, "With one look" and "As if we never said goodbye" are ruined by the fact she can't sing. The same goes for the American Joe Gillis, who was played by Alan Campbell. Luckily, Patti LuPone and Kevin Anderson, the original Norma and Joe from the London production, make their brief entrance here with the "Perfect year"; enough to show how better they are. The funny thing is, on the jacket and inside of it, Glenn Close and Alan Campbell are credited as performers in this song as well. If this was a mistake on ALW's part, it was a good one. The next ALW's show, "Whistle down the wind" was never a critic's dear and yet the audiences rushed in to see it in London. The score brings back ALW to his rock and roll roots of the seventies and the story is quite interesting. But the selections here are not the happiest, since the cast recording boasts with much better songs. And finally, "The Beautiful Game". Again, we have one of those ALW's shows that is worth in its individual parts rather than as a whole. "Our kind of love" and "Let us love in peace" are two catchy ballads. The latter is a nice amalgam version not available elsewhere. The two other tracks here I could live without.
* Disc # 4 has the songs from all the above shows performed by different artists. The assembled tracks have their pros and cons. For example, we have some previously unreleased stuff, like Dame Kiri Te Kanawa's operettic rendition of "The heart is slow to learn", or a stunning and epic "A kiss is a terrible thing to waste" from "Whistle down the wind", performed by The Metal Philharmonic Orchestra. Then again, what was the point in including almost identical tracks as the ones on the previous disks? So we have Michael Ball again singing "Love changes everything" with only a bit different orchestration; Sarah Brightman comes out again with the same Phantom duets, but only with the different male singers. It would be much more appropriate to include tracks from the Toronto Cast of the Phantom, with Colm Wilkinson. Other pop deliverances (Tina Arena's "Whistle down the wind", Barbra Streisand's "As if we never said goodbye", Boyzone's "No matter what" and many more) were wisely chosen. Patti LuPone is again nowhere to be found and Petula Clark's "With one look" sounds too worn-out.
* The last disc is probably the one that will be of most interest to Lloyd Webber aficionados. It consists of entirely previously unreleased material ALW for the most part wrote for various artists during his early years, with Tim Rice. Some of these tunes, not successful as a singles, were later used in his shows. Thus "Down thru' summer" became "Buenos Aires"in Evita, "Try it and see", an unsuccessful attempt for the Eurovision was used for "King Herod's song" in "Superstar" and so on. Some of these songs are nicely made pop songs: "Make believe love", ALW's first recorded composition, for which he provided the lyrics; "Goodbye Seattle", sung by Paul Raven, who later became Gary Glitter; "Come back Richard, your country needs you", from a never made musical, sung here by Tim Rice, or Latin flavored "Magdalena", with Tony Christie singing. My all time favorite here is a song called "It's easy for you", sung by none other than Elvis Presley himself. Lloyd Webber and Rice sent him a demo recording that he accepted and recorded this live version a couple of weeks before he died. It's amazing to hear how his voice remained in the perfect shape. Also, there is a track of Andrew Lloyd Webber singing "Policle dogs and Jellicle cats" while plying the piano. His voice doesn't sound bad at all.
Taken as a whole, this compilation makes a perfect birthday or Christmas present to any fan of Andrew Lloyd Webber shows, or just anybody interested in some of the best tunes from the modern era of the musical theatre; despite the flaws I mentioned above. To the former, it may just be the final addition for the Andrew Lloyd Webber collection.
Opera") and the longest-running show of all time ("Cats"), the man whose homes are filled with three Grammys, five Oliviers, a Golden Globe, and Oscar and too many other honors and hosannas to mention, the man knighted in 1992 certainly doesn't need an introduction. Now Decca Broadway pays tribute to Sir Andrew Lloyd Webber with "Now and Forever," a spectacular 5-CD set compiled and produced by Sir Andy himself. It's cheaper than a
ticket to "The Producers" ... and more much exciting. This treasure trove contains highlights from all of Webber's shows, and a bonus disc of tunes sung by Betty Buckley, Barbara
Streisand, Jose Carreras, Boy George, Charlotte Church, Madonna, Tom Jones, Petula Clark, even Elvis! A must for lovers of theatre---and good music.
The cuts from the musicals are great but are likely owned by ALW fans as they are on the original cast albums. And I'm glad that there were tunes included from the composers most recent efforts which have yet to make it beyond London (Whistle Down the Wind, Beautiful Game).
My only complaint is the inclusion of way too many tracks by Sarah Brightman. She must've received a great divorce settlement that included having tunes on any ALW collection until the end of time!! Her interpretations of some of the tunes were limp and uninspired. I would've much rather heard casts from around the world rather than yet another song by this disdainful soprano! How about Colm Wilkinson's version of "Music of the Night" from the original Canadian cast of "Phantom"? Or Michael Crawford's version of "Unexpected Song"? What? No Betty Buckley from "Sunset Blvd."? And of course there are songs you KNOW are going to be on the collection before you even listen to it as they have been on EVERY ALW collection for the past decade or so.
A great collection but too much Sarah Brightman!
Generally I find myself unable to appreciate the work of classical singers who do crossover albums, but Ian is an exception. It has been said elsewhere that he may lack a robustness in his voice, but here in fact, one would not wish for an overpowering tenor. He isn't at all overblown, unlike many other singers in crossovers. The lightness of his voice lends a kind of intimacy to these recordings, as if he were singing in a café or an at-home musical evening.
The material is, of course, a departure from Schubert, &c., but he handles it well. However, I do think that he has a better emotional feel for the 19th century German romanticists and the 20th century British classical composers (i.e. Britten). This recording is pleasant but it seems to me to lack the emotional depth of Ian's Schumann in particular - a perceived deficiency that might lie with the composer Coward rather than the performer.
I like to listen to this CD when I want to listen to Ian sing, but am not in the mood for his more serious/depressing recordings (a la Schubert & Britten). The lyrics are pretty inane, the same goes for the songs themselves - melodically speaking - but Ian makes them special. So four stars.
What do Britney Spears, J Lo, and Pink have in common with The Catholic Girls? Except for the fact that they're female, absolutely nothing. The Catholic Girls are an all girl band – four musicians – Gail Petersen, Roxy Andersen, Jen Bond, and Stephanie Koles who write, play, and perform their own music. No lip-synching, no sfX, no overblown Vegas show behind them.
4 Females: guitars, bass, drums, vocals
Songs: melodic hooks, a rock beat that you can dance to, pop tunes you can remember, soaring harmonies, great guitar riffs
Lyrics: that actually mean something and make you want to know the words to the songs
Creativity: Energetic, Dynamic and all their own
Their new CD "Make Me Believe" is their first all new record since their original release on MCA Records and it’s re-release on Renaissance Records/Polygram/Ryco in 1999. The band’s music has always had a certain cinematic style with melodies that stay in your head long after the song is over, and lyrics that leave images embedded in your brain just like the movies. Make Me Believe continues in that tradition. It’s The Beatles meet The Byrds meet Alfred Hitchcock meet Lauren Bacall versus Mothra, Gamara and Leslie Gore. There’s a subtle mix of genres on the CD – the way the great albums of the sixties and seventies had - but which the cookie-cutter recordings of today lack. In other words, every song doesn't sound the same and every one tells a story with a beginning, a middle, and an end.
Does this band wear rosary beads and plaid skirts sometimes? Sure, why not? All the band members went to Catholic School and they have their catechism memorized enough to prove it. But nothing is there to take away from the pure power of the songs or the musicians who play them. The band has toured nationally on several occasions, has received national, college and local airplay on radio and have had their video on MTV, VH-1, M-TV2 and most other video channels at one time or another. They have appeared on national and cable TV in performance and interviews and have been released internationally and are currently featured in Germany and other parts of Europe. Currently, they are touring The East Coast in Support of their new CD, and are being heard on college and internet radio.
It’s 2002 and music needs a kick in the ass again, a reminder of what music is supposed to be all about – not just teen idols, flash, designer clothes, and mass production. But real feelings, real meaning, and real magic.
Product Description
"Back in the eighties there were four Jersey gals dressing up in Catholic School girl uniforms and playing raunchy new-wavey pop and now they’re back. There’s a little more Joan Osborne than Joan Jett in their sound now but Make Me Believe is far from new-wave nostalgia. Petersen’s quavery vocals and the rest of the band’s musical gifts have matured gracefully. There’s a more full-on pop sound now, and more introspective songwriting, but that old punky, fun-loving spirit is still there too… and to prove that those hot-headed Lolitas from the 80s still live inside The Catholic Girls hearts, there’s a bouncy rockabilly tune extolling the virtues of "Young Boys". – Jim Testa – "The Jersey Journal"
Make Me Believe,The Catholic Girls,Skymarshall Productions,The second release by this critically acclaimed all girl band. Solid songs with lot's of hooks make this a winner.
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Be Thou My Vision
Manufacturer: Collegium ProductGroup: Music Binding: Audio CD  All Works by Rutter
| Rutter, John
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ASIN: B00030ES2S Release Date: 2004-10-01 |
Tracks:
- Be Thous My Vision
- Open thou mine eyes
- I will sing with the spirit
- A gaelic Blessing
- Wings of the morning
- O be Joyful in the Lord
- All things bright and beautiful
- I will lift up mine eyes
- As the bride groom to his chosen
- A prayer of Saint Patrick
- Loving Shepherd of thy sheep
- Look at the world
- O clap your hands
- The Lord is my light and my salvation
- Lord, make me an instrument of thy peace
- I believe in springtime
- God be in my head
- A Clare Benediction
- For thy beauty of the earth
- Thy perfect love
- The Lord bless you and keep you
Customer Reviews:
A Listening Treat .......2007-03-08
Be Thoy My Vision CD.......2007-02-19
Really good, but don't listen to it all at once........2007-01-07
A must for choral music fans.......2006-09-19
An outstanding collection of Rutter's hymns.......2005-11-22
This collection includes many of Rutter's church hymns recorded over a period of 20 years performed by The Cambridge Singers, a group of Brits, that are conducted by the composer. Ergo, these performances must be considered definitive.
Many of Rutter's popular hymns are included here. "O be joyful to the Lord" and "All things bright and beautiful", a popular children's hymn done here by adults, follow "Wings of the morning" on tracks 5-7. Others you may have performed in church represented here are "O clap your hands", "Lord make me an instrument of your peace", "For the beauty of the earth", "Look at the world" and "The Lord bless you and keep you" among the 21 assembled hymns.
While The Cambridge Singers, on their Web site, identify themselves principally as an a capella group, I was pleased when I received this CD to find all the hymns supported by a full orchestra, the esteemed City of London Sinfonia. The renditions are uniformly lovely although some listeners may find the singing a bit on the white side lacking brilliance and individuality. Everything is done in keeping with Rutter's score markings and style.
The recording tends to be a little variable given the 20-plus year difference in performances. The most recent copyright listing is 2003, the same year "Wings of the morning" was published. I don't hear an appreciable difference in that recording than the others but still hear some age in older works.
If you seek a Rutter hymn collection you can't go wrong here. You have wonderful English performers mated to the composer in his more popular works. I'd recommend this without reservation to anyone seeking this collection.
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Show Boat (1988 Studio Cast): Von Stade; Hubbard; Hadley; McGlinn
Frederica von Stade , Jerome Kern , Jerry Hadley , Bruce Hubbard , Teresa Stratas , David Garrison , Leslie Fyson , John McGlinn , and London Sinfonietta Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Chamber Music
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ASIN: B000002SJL Release Date: 1990-10-25 |
Tracks:
- Overture
- Show Boat: Act One, Scene One - Cotton Blossom: Niggers all work on d Mississippi... (Stevedores, Gals, Queenie, Steve, Pete, 1st Mincing Miss, 2nd Mincing Miss, Beaux, Girls & Boys)
- Show Boat: Act One, Scene One - Cotton Blossom: 'Andy!!!...' (Parthy, Windy, 1st Mincing Miss, 2nd Mincing Miss)
- Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'Here comes the Show Boat parade!...' (Boy, Girls, Boys, Andy, Parthy)
- Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'Hey Julie...' (Pete, Julie, Steve, Parthy, Andy, Ellie)
- Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'It's a man...' (Ellie, Ravenal, Vallon)
- Show Boat: Act One, Scene One - Where's the Mate for Me?: Who cares if my boat goes upstream... (Ravenal, Magnolia)
- Show Boat: Act One, Scene One - Make Believe: Only make believe I love you... (Ravenal, Magnolia, Vallon)
- Show Boat: Act One, Scene One - Ol' Man River: 'Oh, Joe!...' (Magnolia, Joe, Men)
- Show Boat: Act One, Scene Two - Can't Help Lovin' Dat Man: 'What cher doin' all by yourself, Miss Nola?...' (Queenie, Magnolia, Julie, Joe, Servants)
- Show Boat: Act One, Scene Three - Life on the Wicked Stage: Why do stage struck maidens clamor... (Ellie, Girls)
- Show Boat: Act One, Scene Three - Till Good Luck Comes My Way: The man who ventures with chance... (Ravenal, Men)
- Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': Mis'ry's comin' aroun'... (Queenie, Women, Joe Magnolia, Julie, Men, Solo Bass)
- Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Take her up, Rubberface!...' (Andy, Julie, Steve, Magnolia, Parthy, Ellie, Windy)
- Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Hello, Windy...' (Vallon, Andy, Magnolia, Steve, Julie, Windy, Ellie, Parthy)
- Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'You needn't all look at us...' (Steve, Colored Chorus, Andy, Parthy, Magnolia, Ellie, Frank)
- Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Looks like a swell...' (Andy, Parthy, Frank, Ravenal, Julie, Magnolia, Steve, Joe)
Tracks:
- Show Boat: Act One, Scene Five - I Would Like to Play a Lover's Part: Her face is fair to look upon... (Boys, Girls, Ellie, Frank)
- Show Boat: Act One, Scene Five - I Might Fall Back on You: Little girl, you are safe with me... (Frank, Ellie, Girls)
- Show Boat: Act One, Scene Five - Queenie's Ballyhoo: 'Is de theatre fillin' up, Cap'n Andy?...' (Queenie, Andy, Colored Chorus)
- Show Boat: Act One, Scene Six - Villain Dance
- Show Boat: Act One, Scene Seven - You Are Love: 'That you, Nola?...' (Ravenal, Windy, Magnolia, Parthy)
- Show Boat: Act One, Scene Eight - Finale Act One: Oh tell me, did you ever!... (Firls, Boys, Chorus, Andy, Women, Men, Negro Women, Magnolia, Parthy, Vallon, Pete)
- Show Boat: Act Two, Scene One - At the Fair: When we tell them about it all... (All, 1st Barker, Boys, Girls, Chorus, 2nd Barker, Men, 3rd Barker)
- Show Boat: Act Two, Scene One - Why Do I Love You?: I'm walking on the air, dear... (Magnolia, Ravenal, Chorus, Andy)
- Show Boat: Act Two, Scene One - In Dahomey: Dyunga doe!... (Dahomey Villagers, White Chorus)
- Show Boat: Act Two, Scene Three - Convent Scene: Alma Redmptoris Mater... (Nuns, Mother Superior, Ravenal, Kim)
- Show Boat: Act Two, Scene Four: 'All right, Jake...' (Jim, Jake, Julie)
- Show Boat: Act Two, Scene Four - Bill: I used to dream... (Julie)
- Show Boat: Magnolia's Audition - Can't Help Lovin' Dat Man (Reprise): Fish gotta swim, birds gotta fly... (Magnolia)
- Show Boat: Magnolia's Audition - Can't Help Lovin' Dat Man (Reprise): 'Whaddaya say, boss?...' (Frank, Jim, Magnolia, Jake)
- Show Boat: Act Two, Scene Six - Trocadero Opening Chorus: Let's make the new year... (Chorus)
- Show Boat: Act Two, Scene Six - Apache Dance
- Show Boat: Act Two, Scene Six - Goodbye, My Lady Love: So you're going away... (Frank, Ellie)
- Show Boat: Act Two, Scene Six - After the Ball: 'Ladies and Gentlemen...' (Jim, Drunk, Andy, Magnolia, A Man, All)
- Show Boat: Act Two, Scene Seven - Ol' Man River (Reprise): Ol' Man River... (Joe)
- Show Boat: Act Two, Scene Seven - Hey, Feller!: When you yen for a gent... (Queenie, Chorus)
- Show Boat: Act Two, Scene Eight - You Are Love (Reprise): 'That you, Nola?...' (Ravenal)
Tracks:
- Show Boat: Act Two, Scene Nine: Cottom Blossom (Reprise): Cotton Blossom... (Chorus)
- Show Boat: Act Two, Scene Nine - It's Getting Hotter in the North: Now up in the northern land... (Kim, Chorus)
- Show Boat: Act Two, Scene Nine - It's Getting Hotter in the North: 'Say, Cap'n Andy...' (Frank, Ellie, Andy)
- Show Boat: Act Two, Scene Nine - Finale Ultimo: 'Hello, Gay...' (Andy, Hope, Ravenal, Girl, Man, Magnolia, Old Lady, Chorus)
- Show Boat: Appendix - Pantry Scene (Act One, Scene Two; deleted - 1927): 'What cher doin' all by yourself, Miss Nola?...' (Queenie, Magnolia, Julie, Joe, Servants)
- Show Boat: Appendix - Waterfront Saloon Scene (Act One, Scene Three; deleted - 1927): 'Number four, black!...' (Voice (off), Ravenal, Loungers, Gambler)
- Show Boat: Appendix - Yes, Ma'am (Act One, Scene Three; unused - 1927): Bet your hat... (Girls, Ellie)
- Show Boat: Appendix - Kim's Imitations (Why Do I Love You?): (Act Two, Scene Nine; Ziegfeld Production - 1927): Why do I love you?... (Kim, Chorus)
- Show Boat: Appendix - Dance Away the Night (Act Two, Scene Nine; London - 1928): Music in the air... (Kim, Girls, Boys)
- Show Boat: Appendix - A Pack of Cards (Act One, Scene Six?; unused - 1927): One night as I sat by my fireside so weary... (Magnolia)
- Show Boat: Appendix - The Creole Love Song (Act One, Scene Seven; unused - 1927): 'That you, Nola?...' (Ravenal, Windy, Magnolia)
- Show Boat: Appendix - Out There in an Orchard (Act Two, Scene Four; unused - 1927): There was a sun sinking slowly in the west... (Julie)
- Show Boat: Appendix - Gallivantin' Aroun' (Universal Film - 1936): Liza Matilda HIll... (Magnolia, Chorus)
- Show Boat: Appendix - I Have the Room Above Her (Universal Film - 1936): 'Seems to me I've seen that stocking someplace...' (Ravenal, Magnolia)
- Show Boat: Appendix - Ah Still Suits Me (Universal Film - 1936): 'Joe! Dere you go again!...' (Queenie, Joe)
- Show Boat: Appendix - Nobody Else But Me (Act Two, Scene Nine; 1946 Revival): I was a shy, demure type... (Kim, Chorus)
Amazon.com
John McGlinn's sprawling, monumental three-CD set is about all the Show Boat any listener could ever ask for. In an obvious labor of love, McGlinn reconstructs the show as it ran on opening night, November 15, 1927, including every song, the original orchestrations, and all underscored dialogue. The most significant restoration is the dark choral number "Mis'ry's Comin' Aroun'," as Show Boat's serious subject matter helped establish its place as the most important turning point in the history of American musical theater. McGlinn also adds an appendix that includes songs cut before opening night and every song subsequently written for the show's many productions, most notably the love duet "I Have the Room Above Her," written for the 1936 film. (The recording is also available in a one-disc reduction called the "Broadway Show Album.")Rest assured this 221-minute blockbuster is not just dry scholarship; it's also terrific listening, with McGlinn conducting a dynamic London Sinfonietta and a strong cast including Frederica von Stade as Magnolia, Jerry Hadley as Ravenal, Teresa Stratas as the tragic Julie, Bruce Hubbard as the worldly wise Joe, Karla Burns as Queenie, and David Garrison and Paige O'Hara as the comic couple Frank and Ellie. And of course the songs by Jerome Kern and Oscar Hammerstein II are among the most glorious ever written: "Ol' Man River," "Can't Help Lovin' Dat Man," "Make Believe," "Why Do I Love You," "Bill," "You Are Love," and "Life upon the Wicked Stage." Also included are exhaustive production notes, a history of the show, a detailed synopsis, and a libretto. John McGlinn's Show Boat is a staggering achievement and a recording for the ages. --David Horiuchi
Customer Reviews:
The Best American Musical .......2007-07-29
An American Treasure.......2007-03-03
I defy anyone to come up with another Broadway production that has three songs in a row better than Make Believe, Ol' Man River and Can't Help Lovin' Dat Man (West Side Story's Maria, America and Tonight are the best three in a row of a movie musical) and it's a shame that no movie version of Showboat can compare to this version. The first act is full of songs that are as good as any ever sung on a stage and I can't think of another production with a first act that compete against the big 3 plus Cotton Blossom, Where's The Mate For Me, Life On The Wicked Stage, Till Good Luck Comes My Way, Misry's Comin' Aroun', You are Love, Act One finale and Why Do I Love You?. You just don't want to have the music stop.
If you don't like opera you won't like this version. Sung the way Kern and Hammerstein wrote them, you can't help but feel the operatic nature of these songs. Tough noogies because Showboat is above all an opera disguised as a Broadway play and no sweetening should be allowed.
The four leads are all superb, Frederica von Stade as Nola especially. The booklet contains the complete libretto and allows a different way to appreciate the music.
If you buy just one version of Showboat you need this one. If you have other versions of Showboat you need this one. As a matter of fact, anyone with ears to hear needs this version. A true American treasure.
DON'T DESPAIR. IT'S BEEN REISSUED!!!!!.......2006-11-16
Thank you, EMI.
I would hope other labels would follow suit and remaster and reissue other examples of classic American musical theater. It would be a pity if our children, grandchildren, and future generations were unable to savor "110 in the Shade" or "Little Mary Sunshine" or . . . . . . . . . (fill in the blanks.)
An American tragedy...........2006-02-06
Gorgeous!.......2005-08-26
M. J. Conrades
Average customer rating:
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Show Boat (1988 Studio Cast Highlights)
Jerome Kern , Jerry Hadley , Bruce Hubbard , Teresa Stratas , David Garrison , Frederica von Stade , John McGlinn , and London Sinfonietta Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD General
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ASIN: B000002RR9 Release Date: 1990-05-08 |
Tracks:
- Show Boat: Overture
- Show Boat: Cotton Blossom
- Show Boat: Where's The Mate For Me?/Make Believe
- Show Boat: Ol' Man River
- Show Boat: Can't Help Lovin' Dat Man
- Show Boat: Life On The Wicked Stage
- Show Boat: Till Good Luck Comes My Way
- Show Boat: I Might Fall Back On You
- Show Boat: Queenie's Ballyhoo
- Show Boat: You Are Love
- Show Boat: Finale Act One
- Show Boat: At The Fair
- Show Boat: Why Do I Love You?
- Show Boat: Bill
- Show Boat: Goodbye, My Lady Love
- Show Boat: After The Ball
- Show Boat: Hey, Feller!
- Show Boat: Finale Ultimo
Amazon.com
This one-disc reduction of John McGlinn's monumental three-CD version of Show Boat provides 75 minutes of highlights in a package dubbed the "Broadway Show Album." McGlinn reconstructs the show as it ran on opening night, November 15, 1927, including the original orchestrations, and conducts a dynamic London Sinfonietta and a strong cast including Frederica von Stade as Magnolia, Jerry Hadley as Ravenal, Teresa Stratas as the tragic Julie, Bruce Hubbard as the worldly-wise Joe, Karla Burns as Queenie, and David Garrison and Paige O'Hara as the comic couple Frank and Ellie. And of course the songs by Jerome Kern and Oscar Hammerstein II are among the most glorious ever written: "Ol' Man River," "Can't Help Lovin' Dat Man," "Make Believe," "Why Do I Love You," "Bill," "You Are Love," and "Life upon the Wicked Stage." John McGlinn's full version is a staggering achievement and a recording for the ages, but this single disc is also splendid listening. --David HoriuchiCustomer Reviews:
Fabulous.......2002-10-03
Since Show Boat does not have an official original cast album, I suppose that this one suffices quite well. All original orchestrations are used here and the music is as it was on opening night in 1927. This is the most complete version available (whether you go with the full set or just this disc). The 1946 revival cast album is the oldest 'complete' album and is nice when paired with this disc to give one a sense of how Show Boat sounded in the early days.
I really didn't care much for this CD at first, but after listening to it a couple more times, I like it better and better each time. McGlinn certainly did right by this one! I'm not too familiar with most of the cast (save for Frederica Von Stade and Paige O'Hara), but they're all great. You'd think that this is a recording of a live performance, not just a studio album. Fantastic singing is had thoughout. McGlinn also did a great job with Brigadoon 3 years later, and did he not have a similar effort with Annie Get Your Gun as well?
I still think that the MGM movie version and its soundtrack album are the best but this rendition is definately not bad! Highly recommended. But if you can, pick up a copy of the movie soundtrack or of the 1946 revival album for comparison.
Dream Come True.......2002-08-22
IT DESERVES 6 STARS.......2001-06-29
Show Boat.......2000-09-10
Average customer rating:
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John Rutter: Te Deum and Other Church Music
Manufacturer: Collegium ProductGroup: Music Binding: Audio CD All Works by Rutter
| Rutter, John
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ASIN: B0000031HH Release Date: 1993-09-11 |
Tracks:
- Te Deum
- Be Thou My Vision
- I Believe In Springtime
- Lord, Make Me An Instrument Of Thy Peace
- O Be Joyful In The Lord
- All Creatures Of Our God And King
- A Choral Fanfare
- As The Bridegroom To His Chosen
- Christ The Lord Is Risen Again
- They Perfect Love
- The Lord Is My Light And My Salvation
- Go Forth Into The World In Peace
- Now Thank We All Our God
Amazon.com
Englishman John Rutter is today's most popular composer of church music, primarily owing to his accessible style and purposeful commitment to both professional and amateur choirs. This recording features some of Rutter's most popular sacred choral works from the 1980s--definitively performed by Rutter's own Cambridge Singers, conducted by the composer himself. --David VernierCustomer Reviews:
John Rutter: Te Deum .......2007-05-14
Absolutely amazing.......2006-08-21
Up to the usual high standard.......2006-07-13
Beautiful, excellent album.......2006-02-19
A new experience in familiar pieces.......2005-10-05
--Music--
'The Te Deum' is a piece that is standard for liturgy in Catholic and Anglican services. It is a song of praise, and here is it bright and powerful. 'Be Thou My Vision' is an Irish folk hymn, gentle and graceful, but Rutter has added something quite new to the rendition with his arrangement. The initial flourishes and fanfare for the standard piece 'All Creatures of Our God and King' lead to a triumphant song experience. 'The Lord is My Light and My Salvation' is once again a meditative and gentle moving piece, with good spirit.
The songs here are familiar for the most part, but Rutter's arrangements and compositions make this a thoroughly new experience in many ways.
--Liner Notes--
The notes include an introduction to the CD by Rutter describing some of the influences and expressions in his composition. Lyrics are included, all of which are in English on this collection. There is no listing of the performers of the Cambridge Singers, no description of the group, nor biographical information about John Rutter.
--John Rutter--
Rutter was born in London and educated at Clare College, Cambridge. This was where his career as a composer, arranger and conductor began. His early work was with groups at King's College Chapel at Cambridge as well as the Bath Choir and Philharmonic Orchestra. He has worked for the BBC providing music for educational series such as 'The Archaeology of the Bible Lands', until in 1979 he began forming the Cambridge Singers, and has continued a remarkable career of performance and recording as their director ever since.
--The Cambridge Singers--
The Cambridge Singers are a mixed choir of voices, many of whom were members of choir of Rutter's college, Clare College, Cambridge. While they specialise in English and Latin liturgical pieces, they have a wide range of recordings that span from modern compositions (including a remarkable requiem by Rutter) to English folk songs of the Middle Ages. Many are former members of the choir of Clare College and other Cambridge collegiate choirs (hence the name, Cambridge Singers). In the quarter-century since the founding, the Cambridge Singers have produced an impressive body of recordings.
This is a wonderful collection.
Average customer rating:
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Bless Yore Beautiful Hide
Manufacturer: Asv Living Era ProductGroup: Music Binding: Audio CD All Works by Porter
| Porter, Cole
| ( P )
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Romberg, Sigmund
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ASIN: B0007KTBH6 Release Date: 2005-03-08 |
Tracks:
- My Defences Are Down - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
- Girl That I Marry [From Annie, Get Your Gun] - Adolph Deutsch, Betty Hutton, Howard Keel, MGM Studio Orchestra
- They Say It's Wonderful [From Annie, Get Your Gun] - Adolph Deutsch, Betty Hutton, Howard Keel, MGM Studio Orchestra
- Anything You Can Do [From Annie, Get Your Gun] - Adolph Deutsch, Betty Hutton, Howard Keel, MGM Studio Orchestra
- Pagan Love Song [From Pagan Love Song] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
- House of the Singing Bamboo [From Pagan Love Song] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
- Tahiti [From Pagan Love Song] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
- Make Believe [From Show Boat] - Adolph Deutsch, Kathryn Grayson, Howard Keel, MGM Studio Orchestra
- You Are Love [From Show Boat] - Adolph Deutsch, Kathryn Grayson, Howard Keel, MGM Studio Orchestra
- Why Do I Love You? [From Show Boat] - Adolph Deutsch, Kathryn Grayson, Howard Keel, MGM Studio Orchestra
- Young Folks Should Get Married [From Texas Carnival] - Howard Keel, MGM Studio Orchestra,
- Lovely to Look At [From Lovely to Look At] - Carmen Dragon, Howard Keel, MGM Studio Orchestra
- You're Devastating [From Lovely to Look At] - Carmen Dragon, Kathryn Grayson, Howard Keel, MGM Studio Orchestra
- Touch of Your Hand [From Lovely to Look At] - Carmen Dragon, Kathryn Grayson, Howard Keel, MGM Studio Orchestra
- Higher Than a Hawk [From Calamity Jane] - Ray Heindorf, Howard Keel,
- I Can Do Without You [From Calamity Jane] - Doris Day, Ray Heindorf, Howard Keel,
- So in Love [From Kiss Me, Kate] - Kathryn Grayson, Howard Keel, MGM Studio Orchestra, Andrrevin,
- Were Thine That Special Face [From Kiss Me, Kate] - Howard Keel, MGM Studio Orchestra, Andrrevin,
- Wunderbar - Kathryn Grayson, Howard Keel, MGM Studio Orchestra, Andrrevin,
- I've Come to Wive It Wealthily in Padua [From Kiss Me, Kate] - Howard Keel, MGM Studio Orchestra, Andrrevin,
- Where Is the Life That Late I Led? [From Kiss Me, Kate] - Howard Keel, MGM Studio Orchestra, Andrrevin,
- Right Place for a Girl [From Rose Marie] - Howard Keel, MGM Studio Orchestra, Georgie Stoll's Trio
- Rose Marie [From Rose Marie] - Howard Keel, MGM Studio Orchestra, Georgie Stoll's Trio
- Bless Yore Beautiful Hide [From Seven Brides for Seven Brothers] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
- Sobbin' Women [From Seven Brides for Seven Brothers] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
- When You're in Love [From Seven Brides for Seven Bothers] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra, Jane Powell
- Your Land and My Land [From Deep in My Heart] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
Customer Reviews:
Bravos belong to beloved baritone Howard Keel.......2005-08-30
Average customer rating: 
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Life Upon the Wicked Stage
Carole Cook , Jerome Kern , Grant Geissman , David Stout [trombone] , Dan Fornero , John Fumo , Brock Peters , James Anderson , Jane Lanier , Lauren Kennedy , Linda Michele , Marissa Jaret Winokur , Melissa Errico , Reece Holland , Robert Morse , Rod McKuen , Roger Rees , Ronnie Franklin , and Steve Orich Manufacturer: Lml Music ProductGroup: Music Binding: Audio CD General
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ASIN: B0000658H9 Release Date: 2002-05-07 |
Tracks:
- The Song Is You - Jamie Anderson
- How'd You like To Spoon With Me? - Jane Lanier
- The Land Where The Good Songs Go - Pamela Myers
- All The Things You Are - Alan Campbell
- The Folks Who Live On The Hill - Lee Lessack
- She Didn't Say Yes - Marissa Jaret Winokur
- Pick Yourself Up - Street Sounds
- You Couldn't Be Cuter - Marsha Kramer
- Shimmy With Me - Lea Thompson
- They All Look Alike - Bruce Vilanch
- There It Is Again - David Holladay
- Remind Me - Ron Rifkin
- In Love In Vain - Melissa Errico
- Make Believe - Linda Michele
- Ol' Man River - Brock Peters
- You Are Love - Dale Kristien
- I Won't Dance - Bonnie Franklin
Tracks:
- The Last Time I Saw Paris - Charles Busch
- Long Ago (And Far Away) - Pam Dawber
- They Didn't Believe Me - Pat Marshall
- Look For The Silver Lining - Rod McKuen
- A Fine Romance - Jane Carr
- Sure Thing - Sally Kellerman
- Don't Ever Leave Me/Why Was I Born - Joely Fisher
- I'm Old Fashioned - Robert Morse
- Yesterdays - Joan Ryan
- Smoke Gets In Your Eyes - Dorian Harewood
- In The Heart Of The Dark - Dale Kristien
- Can't Help Lovin' Dat Man - Valarie Pettiford
- The Way You Look Tonight - Hugh Panaro
- Life On The Wicked Stage - Carole Cook
- I've Told Every Little Star - Carole Cook
- Till The Clouds Roll By - The Company
Average customer rating:
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Andrew Lloyd Webber: Now & Forever
Various Artists Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD Requiems
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ASIN: B00005R5UJ Release Date: 2001-11-20 |
Tracks:
- Jesus Christ Superstar: Overture - Andrew Lloyd Webber
- Jesus Christ Superstar: Everything's Alright - Yvonne Elliman/Murray Head/Ian Gilllan
- Jesus Christ Superstar: I Don't Know How To Love Him - Yvonne Elliman
- Jesus Christ Superstar: Gethsemane (I Only Want To Say) - Steve Balsamo
- Jesus Christ Superstar: Superstar - Murray Head
- Evita: Oh What A Circus/Sing You Fools - Antonio Banderas
- Evita: I'd Be Surprisingly Good For You - Elaine Paige/Joss Ackland
- Evita: Another Suitcase In Another Hall - Barbara Dickson
- Evita: Don't Cry For Me Argentina - Julie Covington
- Evita: High Flying, Adored - Mandy Patinkin/Patti LuPone
- Cats: The Jellicle Ball - Andrew Lloyd Weber
- Cats: Memory - Elaine Paige
- Cats: Gus: The Theatre Cat - Susan Jane Tanner/John Mills
- Cats: Mr Mistoffelees - Paul Nicholas
- Song And Dance: Take That Look Off Your Face - Marti Webb
- Song And Dance: Tell Me On A Sunday - Marti Webb
- Song And Dance: Unexpected Song - Sarah Brightman
- Song And Dance: Nothing Like You've Ever Known - Sarah Brightman
- Song And Dance: Introduction - Andrew Lloyd Webber
- Song And Dance: Variations 1 -4 - Andrew Lloyd Webber
Tracks:
- Starlight Express: Starlight Express - El Debarge
- Starlight Express: Crazy - Greg Ellis/Reva Rice/Caron Cardelle/Samantha Lane/Voyd
- Starlight Express: Next Time You Fall In Love - Reva Rice/Greg Ellis
- Starlight Express: I Am The Starlight - Lon Satton/Ray Shell
- Starlight Express: Light At The End Of The Tunnel - The Company
- Requiem: Hosanna - Placido Domingo
- Requiem: Pie jesu - Sarah Brightman/Paul Miles-Kingston
- The Phantom Of The Opera: The Phantom Of The Opera - Michael Crawford/Sarah Brightman
- The Phantom Of The Opera: The Music Of The Night - Michael Crawford
- The Phantom Of The Opera: All I Ask Of You - Sarah Brightman/Steve Barton
- The Phantom Of The Opera: Entr'acte - Andrew Lloyd Webber
- The Phantom Of The Opera: Masquerade - The Company
- The Phantom Of The Opera: Wishing You Were Somehow Here Again - Sarah Brightman
- Aspects Of Love: Aspects Of Aspects - Orchester Der Vereinigten Buehnen Wien
- Aspects Of Love: Love Changes Everything - Michael Ball
- Aspects Of Love: Seeing Is Believing - Michael Ball/Ann Crumb
- Aspects Of Love: The First Man You Remember - Kevin Colson/Diana Morrison
- Aspects Of Love: Anything But Lonely - Sarah Brightman
- Aspects Of Love: Chanson D'Enfance - Sarah Brightman
Tracks:
- Joseph And The Amazing Technicolor Dreamcoat: Any Dream Will Do - Jason Donovan
- Joseph And The Amazing Technicolor Dreamcoat: Joseph's Coat - Maria Friedman/Richard Attenborough/Donny Osmond
- Joseph And The Amazing Technicolor Dreamcoat: Close Every Door - Donny Osmond
- By Jeeves: Travel Hopefully - John Scherer/Martin Jarvis/Don Stephenson
- By Jeeves: When Love Arrives - Steven Pacey/Diana Morrison
- By Jeeves: Half A Moment - Sarah Brightman
- Sunset Boulevard: With One Look - Glenn Close
- Sunset Boulevard: New Ways To Dream - Glenn Close/Alan Campbell
- Sunset Boulevard: The Perfect Year - Glenn Close/Alan Campbell
- Sunset Boulevard: Sunser Boulevard - Alan Campbell
- Sunset Boulevard: As If We Never Said Goodbye - Glenn Close
- Whistle Down The Wind: Whistle Down The Wind - James Graeme/Lottie Mayor
- Whistle Down The Wind: Cold - Everly Brothers
- Whistle Down The Wind: No Matter What - Children/Adult Chorus
- Whistle Down The Wind: The Nature Of The Beast - Marcus Lovett/Lottie Mayor
- The Beautiful Game: Overture - Andrew Lloyd Webber
- The Beautiful Game: The Beautiful Game - The Company
- The Beautiful Game: Our Kind Of Love - Hannah Waddingham
- The Beautiful Game: Dont Like You - Josie Walker/David Shannon
- The Beautiful Game: Let Us Love In Peace - Josie Walker/Omagh Youth Community Choir
Tracks:
- Oh What A Circus - David Essex
- Memory - Betty Buckley
- The Phantom Of The Opera - Sarah Brightman/Steve Harley
- All I Ask Of You - Sarah Brightman/Cliff Richard
- Love Changes Everything - Michael Ball
- Any Dream Will Do - Donny Osmond
- Amigos Para Siempre (Friends For Life) - Sarah Brightman/Jose Carreras
- As If We Never Said Goodbye - Barbra Streisand
- The Perfect Year - Dina Carroll
- With One Look - Petula Clark
- You Must Love Me - Madonna
- The Heart Is Slow To Learn - Kiri Te Kanawa
- A Kiss Is A Terrible Thing To Waste - The Metal Philharmonic Orchestra
- Whistle Down The Wind - Tina Arena
- No Matter What - Boyzone
- The Vaults Of Heaven - Tom Jones
- Try Not To Be Afraid - Boy George
- Pie Jesu - Charlotte Church
Tracks:
- Make Believe Love - Wes Sands
- Down Thru' Summer - Ross Hannaman
- I'll Give All My Love To Southend - Ross Hannaman
- Believe Me I Will - Sacha Distel
- Joseph And The Amazing Technicolor Dreamcoat (1969 Radio Luxembourg Commercial) - Joseph Consortium/Pete Murray
- Try It And See - Rita Pavone
- Come Back Richard Your Country Needs You - Time Rice And The Webber Group
- Goodbye Seattle - Paul Raven
- John 19:41 - The Andrew Lloyd Webber Orchestra
- What A Line To Go Out On - Yvonne Elliman
- Disillusion Me - Gary Band
- The Ballad Of Robert And Peter - Tim Rice
- Christmas Dream - Maynard Williams
- It's Only Your Lover Returning/All Through My Crazy And Wild Days/Don't Cry For Me Argentina - Julie Covington
- It's Easy For You (1977 Jungle Room Session Version) - Elvis Presley
- Magdalena - Tony Christie
- Buenos Aires - The Roja Rockers
- Pollicle Dogs And Jellicle Cats - Andrew Lloyd Webber
- Mungojerrie And Rumpleteazer (Live At The Sydmonton Festival 1980) - Gemma Craven
- I Could Have Given You More - Petula Clark
- I've Been In Love Too Long - Marti Webb
- Benedicite - The Stephen Hill Singers
Album Description
Disc 1: Selections from Jesus Christ Superstar, Evita, Cats, and Song and DanceDisc 2: Selections from Starlight Express, Requiem, Phantom of the Opera, and Aspects of Love
Disc 3: Selections from Joseph nad the Amaziong Technicolor Dreamcoat, By Jeeves, Sunset Boulevard, Whistle Down the Wind, and The Beautiful Game
CD 4: 1. "Oh What a Circus" --David Essex 2. "Memory" - Betty Buckleey 3. "The Phantom of the Opera" -Sarah Brightman, Steve Harley 4. "All I Ask of You" --Sarah Brightman, Cliff Richard 5. "Love Changes Everything"--Michael Ball 6. "Any Dream Will Do"--Donny Osmond 7. "Amigos Para Siempre (Friends for Life)"--Sarah Brightman, Jose Caerras 8. "As if We Never Said Goodbye"--Barbra Streisand 9. "The Perfect Year"--Dina Carroll 10. "With One Look" --Petula Clark 11. "You Must Love Me" 12. "The Heart Is Slow To Learn" --Kiri Te Kanawa 13. "Whistle Down the Wind"--Tina Arena 14. "A Kiss Is a Terrible Thing To Waste"--The Metal Philharmonic 15. "No Matter What"--Boyzone 16. "The Vaults of Heaven"--Tom Jones and Sounds of Blackness 17. "Try Not To Be Afraid"--Boy George 18. "Pie Jesu"--Charlotte Church
Disc 5: (All tracks available for the first time) 1. "Make Believe Love"--Wes Sands 2. "Down Thru' Summer"--Ross Hannaman 3. "I'll Give All My Love to Southend"--Ross Hannaman 4. "Believe Me I Will"--Sacha Distel 5. "Joseph and the Amazing Technicolor Dreamcoat: 1969 Luxembourg Radio Commercial--The Jospeh Consortium, Pete Murray 6. "Try It and See"--Rita Pavone 7. "Come Back Richard Your Country Needs You"--Tim Rice and the Webber Group 8. "Goodbye Seattle"-- Paul Raven 9. "John 19:41"--The Andrew Lloyd Webber Orchestra 10. "What a Line To Go Out On"--Yvonne Elliman 11. "Disillusion Me" --Gary Bond 12. "The Ballad of Robert and Peter"--Tim Rice 13. "Christmas Dream" --Maynard Williams 14. "It's Only Your Lover Returning/All through My Wild and Crazy Days/Don't Cry for Me Argentina--Julie Covington 15. "It's Easy for You" (1977 Jungle Room Session version)--Elvis Presley 16. "Magdalena"--Tony Christie 17. "Buenos Aires"--The Rioja Rockers 18. "Pollicle Dogs and Jellicle Cats"--Andrew Lloyd Webber original demo 19. "Mungojerrie and Rumpleteazer" (Live at Sydmonton Festival 1980)-Gemma Craven 20. "I Could Have Given You More"--Petula Clark 21. "I've Been in Love Too Long"--Marti Webb 22. "Benedicte"-- Stephen Hill Singers
Customer Reviews:
I waited for this for five years.......2006-06-30
It was worth the wait.
The concept is great. The packaging is great. The recording is great. Disc five is really cool for an ALW aficionado. There are a few real gems on it; my favorites are Petula Clark's "I Could Have Given You More" and "Benedicite."
I've always thought "Gus the Theatre Cat" made a great medley on the piano with "Unexpected Song" and "I DOn't Know How to Love Him," but wished there was an alternate lyric to match the other two songs. Now that I know there *is*, and it's a good lyric, it's a dream come true.
The melody of "Benedicite" is one of my favorites from _Sunset_ (the book mis-identifies it as "SUrrender"; it's actually "The Lady's Paying" and "Eternal Youth is Worth a Little Suffering"). The lyrics are the canticle from Daniel 3, which comes up every odd Sunday in the Divine Office, so it's nice to have cool music to sing it with.
I haven't bought _By Jeeves_ or _THe Beautiful Game_ yet, to it was great to sample them.
There are other parts of the CD taht aren't found in my collection. I like CD 4 "The Hits."
But the selections on CDs 1-3 don't make sense.
First, any self-respecting ALW fan has the Original London Cast of _Phantom_, so six tracks are totally useless. Why not draw from the Canadian cast with Colm Wilkinson? Or pull out some obscure recordings never published.
Why two different tracks with Michael Ball singing "Love Changes Everything", yet they're hardly any different?
On Disc 5 is "It's Only Your Lover Returning," sung by Julie Covington. It's an early draft of the song (Lloyd Webber and Rice went through several suggested titles) and quite nice. The very thing one expects on a Boxed Set.
So why have the Julie Covington "Don't Cry for Me" on disc 1?? The only difference is a few words, but it's otherwise identical. Why not Elaine Paige or Patti Lupone or Madonna?
The _Evita_ section is otherwise the best, choosing a sample from each major recording, though I'd have chosen slightly differently (as above).
There is a great selection of "Mungojerrie and Rumpleteazer" from the Sydmonton festival, using the original music that was changed when _Cats_ went to Broadway_. It would have been nice if they'd included more recordings from Sydmonton, like the original lyric of "All I Ask of You" shown on the second DVD to the _Phantom_ movie.
With so many great actress-singers who've played Norma Desmond, why does the collection beat us over the head with Glenn Close?
Paul Miles Kingston must be set for life in royalties, for the number of albums the original recording of "Pie Jesu" has appeared on. "Amigos Para Siempre" is nice, but it reminds me of Shari Lewis's "The Song that Doesn't End," especially when it's been used on so many compilations.
In short, this is a great collection for the obscure material, if you can get it cheap. But for a boxed set, it's a poor sampling, drawn mostly from the most familiar recordings.
Excellent collection but BIG PUBLISHING MISTAKE! .......2006-01-10
ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS.......2005-03-21
Over the years many compilations of his work have emerged. In the late 80-is and early 90-is it was the "Encore" series and lately the one-disc collection called "Gold". The one in question here can be considered one of the best currently on the market. First, it includes a 3-disc selections from all of his shows, minus the latest one, i.e., "The Woman in White", which, considering the triviality of the score, is no great lost. The fourth disc covers some of his most known songs sung by the famous artists. Then, there is the fifth disc with previously unreleased material, most of which are the songs ALW wrote with Tim Rice for various artists during the 70-is. The disks are all neatly packed in a hardcover book that features 67 pages of pictures and text with information about each of ALW's shows. One of the other assets here is the perfect sound quality, since all of the tracks have been digitally remastered.
Here are my basic impressions and comments regarding the material on the discs:
* Disc #1 has the selections from "Jesus Christ Superstar", "Evita", "Cats" and "Song & Dance". The Superstar material mostly comes from the Concept Recording. Although the songs sound beautiful as always, their orchestration is a bit dated now. Only Steve Balsamo's "Gethsemane" from the 1996 revival cast has a modern rock sound. "Evita" comes with the material from all of the major recordings: London, Broadway and the movie productions, as well as the Concept album. No objections here; since this is one of ALW's most satisfying works, every song is just perfect, although Patti LuPone, the Broadway and overall the best Evita, is left with only a couple of lines. With the selections from "Cats", however, I have some doubts. A plus to the choice of the "Jellicle ball" impressive orchestral sequence from the 1998 movie version and "Mister Mistoffelees" from the 1981 London cast. One of the best known ALW's songs, "Memory", also comes from that album. It's a pretty version and Elaine Paige's rendition cannot be matched, but why include this when the definite version, featuring an 80-piece orchestra and Elaine Paige with much better interpretation, can be found in the same movie version. Thusly, one has to buy Elaine Paige's latest 2-disc compilation "Centre Stage: The very best of Elaine Paige" to get that one. And "Gus the theatre cat" is more a recital than a song, so there was not much point in including that. Marti Webb brings her vocal charm to the "Song & Dance" sequence, Sarah Brightman sings "Unexpected song" with her famous soprano, but as much as I like her version, Bernadette Peters, who was in this show on Broadway is strangely left out here.
* Disc # 2 starts with "Starlight Express". This was never one of my favorite ALW's shows; the plot is even lighter than in "Cats" and the 1984 original cast recording is terribly dated. Yet, here we have one terrific duet, "I am starlight" from the original together with three songs from the later revivals and it seems that fresh orchestrations were just the thing Starlight needed. My favorite remains a touchy ballad, "Next time you fall in love". "Requiem" is the most solemn of all ALW's compositions, written in 1985 to commemorate the death of his father. Placido Domingo's tenor rides together with the chorus all the way through the strong "Hosanna", only to be joined by Sarah Brightman in the final moments of this song. She then gives an echoing deliverance of "Pie Jesu". What can be said of ALW's next show, "The Phantom of the Opera"? A phenomenon in its own right, it's easy to see from the six numbers included here why this is one of the best and most beloved musicals of all time. The cast, the music, the story - everything is perfect. Although "Aspects of love" was never a popular hit, it does have some of the most beautiful love melodies ALW has ever written. "Love changes everything" sung by Michael Ball is probably one of the best tunes ever about love. The rest of the selected material here has a dreamy love flavor and the melodies find their way into your brain in the best Lloyd Webber way.
* ALW's first musical, "Joseph and the amazing Technicolor dreamcoat" was more successful in its revival form than the original from the 70-is. The three songs included here are sung by the show stars, Jason Donovan and Donny Osmond. Maria Friedman was not a lucky choice to play the narrator, as the track from the 1998 movie version shows. "By Jeeves" was ALW's only big flop when it came to the stage in the 70-is. The 1995 revival sounds much better though, full of funny numbers in the best manner of the musical comedy. "Travel hopefully" remains one of the show's highlights on this compilation. "Sunset Boulevard" comes next. "Sunset" remains for me one of Webber's best scores; lush and beautiful. I listen to the original cast recording with Patti LuPone all the time. However, here most of the songs are performed by Glenn Close. A big mistake. If you've ever listened the American premiere recording with her, you'll know what I am talking about. She may have a strong stage presence, but her vocal abilities are too limited, and her aggressive approach to the role lacks any subtlety. Therefore, the two big numbers from this show, "With one look" and "As if we never said goodbye" are ruined by the fact she can't sing. The same goes for the American Joe Gillis, who was played by Alan Campbell. Luckily, Patti LuPone and Kevin Anderson, the original Norma and Joe from the London production, make their brief entrance here with the "Perfect year"; enough to show how better they are. The funny thing is, on the jacket and inside of it, Glenn Close and Alan Campbell are credited as performers in this song as well. If this was a mistake on ALW's part, it was a good one. The next ALW's show, "Whistle down the wind" was never a critic's dear and yet the audiences rushed in to see it in London. The score brings back ALW to his rock and roll roots of the seventies and the story is quite interesting. But the selections here are not the happiest, since the cast recording boasts with much better songs. And finally, "The Beautiful Game". Again, we have one of those ALW's shows that is worth in its individual parts rather than as a whole. "Our kind of love" and "Let us love in peace" are two catchy ballads. The latter is a nice amalgam version not available elsewhere. The two other tracks here I could live without.
* Disc # 4 has the songs from all the above shows performed by different artists. The assembled tracks have their pros and cons. For example, we have some previously unreleased stuff, like Dame Kiri Te Kanawa's operettic rendition of "The heart is slow to learn", or a stunning and epic "A kiss is a terrible thing to waste" from "Whistle down the wind", performed by The Metal Philharmonic Orchestra. Then again, what was the point in including almost identical tracks as the ones on the previous disks? So we have Michael Ball again singing "Love changes everything" with only a bit different orchestration; Sarah Brightman comes out again with the same Phantom duets, but only with the different male singers. It would be much more appropriate to include tracks from the Toronto Cast of the Phantom, with Colm Wilkinson. Other pop deliverances (Tina Arena's "Whistle down the wind", Barbra Streisand's "As if we never said goodbye", Boyzone's "No matter what" and many more) were wisely chosen. Patti LuPone is again nowhere to be found and Petula Clark's "With one look" sounds too worn-out.
* The last disc is probably the one that will be of most interest to Lloyd Webber aficionados. It consists of entirely previously unreleased material ALW for the most part wrote for various artists during his early years, with Tim Rice. Some of these tunes, not successful as a singles, were later used in his shows. Thus "Down thru' summer" became "Buenos Aires"in Evita, "Try it and see", an unsuccessful attempt for the Eurovision was used for "King Herod's song" in "Superstar" and so on. Some of these songs are nicely made pop songs: "Make believe love", ALW's first recorded composition, for which he provided the lyrics; "Goodbye Seattle", sung by Paul Raven, who later became Gary Glitter; "Come back Richard, your country needs you", from a never made musical, sung here by Tim Rice, or Latin flavored "Magdalena", with Tony Christie singing. My all time favorite here is a song called "It's easy for you", sung by none other than Elvis Presley himself. Lloyd Webber and Rice sent him a demo recording that he accepted and recorded this live version a couple of weeks before he died. It's amazing to hear how his voice remained in the perfect shape. Also, there is a track of Andrew Lloyd Webber singing "Policle dogs and Jellicle cats" while plying the piano. His voice doesn't sound bad at all.
Taken as a whole, this compilation makes a perfect birthday or Christmas present to any fan of Andrew Lloyd Webber shows, or just anybody interested in some of the best tunes from the modern era of the musical theatre; despite the flaws I mentioned above. To the former, it may just be the final addition for the Andrew Lloyd Webber collection.
SUCH MAGICAL MUSIC OF THE NIGHT!.......2003-01-19
Opera") and the longest-running show of all time ("Cats"), the man whose homes are filled with three Grammys, five Oliviers, a Golden Globe, and Oscar and too many other honors and hosannas to mention, the man knighted in 1992 certainly doesn't need an introduction. Now Decca Broadway pays tribute to Sir Andrew Lloyd Webber with "Now and Forever," a spectacular 5-CD set compiled and produced by Sir Andy himself. It's cheaper than a
ticket to "The Producers" ... and more much exciting. This treasure trove contains highlights from all of Webber's shows, and a bonus disc of tunes sung by Betty Buckley, Barbara
Streisand, Jose Carreras, Boy George, Charlotte Church, Madonna, Tom Jones, Petula Clark, even Elvis! A must for lovers of theatre---and good music.
A Must Have for Sir Andrew fans.......2002-05-21
The cuts from the musicals are great but are likely owned by ALW fans as they are on the original cast albums. And I'm glad that there were tunes included from the composers most recent efforts which have yet to make it beyond London (Whistle Down the Wind, Beautiful Game).
My only complaint is the inclusion of way too many tracks by Sarah Brightman. She must've received a great divorce settlement that included having tunes on any ALW collection until the end of time!! Her interpretations of some of the tunes were limp and uninspired. I would've much rather heard casts from around the world rather than yet another song by this disdainful soprano! How about Colm Wilkinson's version of "Music of the Night" from the original Canadian cast of "Phantom"? Or Michael Crawford's version of "Unexpected Song"? What? No Betty Buckley from "Sunset Blvd."? And of course there are songs you KNOW are going to be on the collection before you even listen to it as they have been on EVERY ALW collection for the past decade or so.
A great collection but too much Sarah Brightman!
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Theatre Organ: Wurlitzer & Compton Organs
Manufacturer: Saydisc ProductGroup: Music Binding: Audio CD All Works by Herbert
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ASIN: B000004537 Release Date: 1995-04-16 |
Tracks:
- Whispering - Ronald Curtis
- Lullaby of the Leaves - Ronald Curtis
- Alone - Ronald Curtis
- Five Foot Two, Eyes of Blue - Ronald Curtis
- Autumn Concerto - Ronald Curtis
- Lover - Ronald Curtis
- Only Make Believe/Why Do I love You - Ronald Curtis
- Caribbean Honeymoon - Ronald Curtis
- Nightingale Sang in Berkeley Square - Ronald Curtis
- Only a Rose - Ronald Curtis
- Top Hat, White Tie and Tails - Ronald Curtis
- FuniculFunicul Ronald Curtis
- What a Perfect Combination - Ronald Curtis
- Over the Rainbow - Ronald Curtis
- Falling in Love With Love - Laurence James
- Bye Bye Blues - Laurence James
- I Know That You Know - Laurence James
- It's the Talk of the Town - Laurence James
- Goody Goody - Laurence James
- Kiss in the Dark - Laurence James
- Lazy River - Laurence James
- Glen Miller Selection: I Know Why/Tuxedo Junction - Laurence James
- I Won't Dance - Laurence James
- All the Things You Are - Laurence James
- Alley Cat - Laurence James
- Love's Last Word Is Spoken - Laurence James
- Walkin' My Baby Back Home - Laurence James
- After You've Gone - Laurence James
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Make Believe: Hollywood Baritones
Manufacturer: Silva America ProductGroup: Music Binding: Audio CD All Works by Porter
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ASIN: B00004SC0P Release Date: 2000-05-23 |
Tracks:
- Oklahoma: Oh, What A Beautiful Morning
- Seven Brides For Seven Brothers: Bless Your Beautiful Hide
- Seven Brides For Seven Brothers: When Your In Love
- Kiss Me Kate: Where Is The Life That Late I Led?
- Annie Get Your Gun: The Girl That I Marry
- Annie Get Your Gun: My Defences Are Down
- Annie Get Your Gun: Anything You Can Do
- Annie Get Your Gun: They Say It's Wonderful
- Pagan Love Song: Why Is Love So Crazy?
- Gordon MacRae Film Medley: Look For The Silver Lining: Time On My Hands/Tea For Two...
- Showboat: Make Believe
- Carousel: If I Loved You
- Carousel: Soliloquy
- Carousel: You'll Never Walk Alone
- Rose Marie: Rose Marie
- Kismet: Stranger In Paradise
- Lovely To Look At: Lovely To Look At
- Oklahoma!: The Surrey With The Fringe On Top
- Oklahoma!: Oklahoma!
Customer Reviews:
Jason Howard does the Hollywood musical--and very well!!.......2000-10-30
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Noel Coward Songbook
Ian Bostridge Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD General
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ASIN: B00006HM8Z Release Date: 2002-09-17 |
Tracks:
- I Travel Alone
- Parisian Pierrot
- Poor Little Rich Girl
- World Weary
- Mary Make-Believe
- A Room With A View
- Dance, Little Lady
- If You Could Only Come With Me
- I'll See You Again
- Zigeuner
- The Dream Is Over
- Any Little Fish
- Twentieth Century Blues
- Mad Dogs And Englishmen
- Let's Say Good-bye
- Something To Do With Spring
- The Party's Over Now
- Someday I'll Find You
- Never Again
Customer Reviews:
a voice teacher and early music fan.......2006-03-25
Mad dogs and an Englishman called Ian .......2005-09-02
Generally I find myself unable to appreciate the work of classical singers who do crossover albums, but Ian is an exception. It has been said elsewhere that he may lack a robustness in his voice, but here in fact, one would not wish for an overpowering tenor. He isn't at all overblown, unlike many other singers in crossovers. The lightness of his voice lends a kind of intimacy to these recordings, as if he were singing in a café or an at-home musical evening.
The material is, of course, a departure from Schubert, &c., but he handles it well. However, I do think that he has a better emotional feel for the 19th century German romanticists and the 20th century British classical composers (i.e. Britten). This recording is pleasant but it seems to me to lack the emotional depth of Ian's Schumann in particular - a perceived deficiency that might lie with the composer Coward rather than the performer.
I like to listen to this CD when I want to listen to Ian sing, but am not in the mood for his more serious/depressing recordings (a la Schubert & Britten). The lyrics are pretty inane, the same goes for the songs themselves - melodically speaking - but Ian makes them special. So four stars.
Coward the Composer, Quite Charming without the Camp.......2002-11-18
COWARD'S THEATRE SONGS.......2002-09-30
The theatre songs of Noel Coward take a very different kind of approach than Bostridge gives them. They need an actor who happens to be singing. Except for a very few of the songs on this CD (written by Coward for operettas instead of musical comedies) Bostridge's approach is absolutely without any character. All of these numbers are impeccably sung by Bostridge, but none of them are ever really acted. Coward's songs MUST be acted whether they were written in a comic or sentimental vein. The result is another misfired cross-over album in what otherwise is a splendid career.
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