An ideal vehicle for teaching the art of songs as national stories, Sing America is both enjoyable for its musical selections and educational for kids and those who aren't. The standard fare is here in the form of Copland's "Fanfare for the Common Man," LeAnn Rimes singing "God Bless America," and Cher singing the national anthem. Each song is compellingly rendered and entertaining enough to enchant and instruct, as are the range of other pop items. Frank Sinatra's here, as is Paul Simon, the latter singing "Graceland," which, with Stevie Wonder's "Sir Duke," serves up a lesson in American popular culture as history. An inclusive collection, Sing America also encourages an open-minded look at American history, including O'Landa Draper's Associates singing a medley of "American the Beautiful" and "We Shall Overcome" and Peter, Paul & Mary piping in with "This Land Is Your Land." If nothing more, Sing America provides an excellent opportunity to consider and discuss the way America tells its stories through songs, and adults and children alike will benefit from that. --Andrew Bartlett
Sing America,Various Artists,Warner Bros / Wea,Adult Contemporary,Folk-Rock,Pop,Pop/Rock,Popular Music,Rock,Rock/Pop Collections,Singer/Songwriter,Soft Rock,Traditional Pop
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Here Come the ABCs [CD/DVD Combo]
They Might Be Giants Manufacturer: Disney ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000BEZPSC Release Date: 2005-10-25 |
Tracks:
- Here Come The ABC's
- Alphabet Of Nations
- E Eats Everything
- Flying V
- Q U
- Gor For G!
- Pictures Of Pandas Painting
- D & W
- Fake - Believe
- Can You Find It?
- The Vowle Family
- Letter / Not A Letter
- Alphabet Lost And Found
- I C U
- Letter DHapes
- Who Put The Alphabet In Alphabetical Order
- Rolling O
- L M N O
- C Is For Conifers
- Fake Believe (Type B)
- D Is For Drums
- Z Y X
- Goodnight My Friends
- Clap Your Hands
- Here In Higglytown (Theme To Disney's Higglytown Hero's)
- Hovering Sombrero '05
- I Never Go To Work
Amazon.com
No stranger to the realm of children's records, They Might Be Giants have seen success with their CD No! and the book-and-CD combo Bed, Bed, Bed. Their latest CD, Here Come the ABCs, offers up 25 alphabetically themed songs. However, as is their charming way, the two Johns (Flansburgh and Linnell), use the letters as merely the connective tissue, allowing them to pursuit intriguing flights of fancy that consider everything from the relative power of letters and sounds to animal hijinks. Just as they've always done, there are wistful ballads and high octane rockers. TMBG have always been a family-friendly band, and this disc works just fine for adult fans, who can rightfully consider this simply their newest release. --David GreenbergerCustomer Reviews:
F is for Fantastic!.......2007-07-27
My favorite track is Fake-Believe, while my children heartily enjoy E Eats Everything. This is much more than typical children's music or corny songs about the alphabet -- it is They Might Be Giants in everyway. Blending silliness with sophistiaction is the m.o. of tmbg, and the two Johns definitely hit the mark with this dvd/cd. You and your children will come back to this over and over, you might even beg for more!
Pretty Good.......2007-07-23
Dan
All-time favorite DVD for kids.......2007-07-18
Fun for Kids and their Grown-ups!.......2007-06-10
My daughter loves it!!!!.......2007-05-30
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Sing the Sorrow
A.F.I. Manufacturer: Dreamworks ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008GQVU Release Date: 2003-03-11 |
Tracks:
- Miseria Cantare (The Beginning)
- The Leaving Song Pt. 2
- Bleed Black
- Silver and Cold
- Dancing Through Sunday
- Girl's Not Grey
- Death of Season
- The Great Disappointment
- Paper Airplanes (Makeshift Wings)
- The Celluloid Dream
- The Leaving Song
- ...But Home Is Nowhere
Amazon.com
Starting life as the most competent Misfits tribute band to not actually play Misfits songs, San Francisco Bay Area punks A.F.I. have not only discovered how to write their own snarling melodies, but have developed the confidence to play them without a cloak. Sing the Sorrow marks the band's first major-label release and the difference from their indie albums is in the details: songs freely shift gears and tempos, singer Davey Havoc flexes his pristine vocal abilities by breaking into the occasional falsetto, and sugary tracks like "The Leaving Song" and "The Great Disappointment" now take a place next to more standard nuclear-charged mosh-pit fare like "Bleed Black" and "Dancing Through Sunday." Longtime fans might take it like a kick to the head, but this band is clearly moving toward bigger things. --Aidin VaziriCustomer Reviews:
"There are no flowers, no not this time.".......2007-04-19
It could have been front loaded, with all of the singles in the first half, but it maintains quality throughout. The songs do kind of blend together as it goes on, but it's catchy enough that it's hard to care too much. It ends strongly, with the second to last track (which is oddly the first part of the two-part song that ends on the second track), which is a nice softer song, before the epic finale "...But Home Is Nowhere". It has one of the better anthems in it, than after it ends, there's a short silence before a sequence of voices progressing in age tell a creepy story backed up by a minimal piano tune. It then finishes with a stripped-down, well performed capper of a hidden track. Sing the Sorrow is a pretty good punk album helped out by elements that go deeper than the music.
Maturity in the Misery.......2007-03-27
Guitarist Puget often slows the tempo into aggressive but steady marches of what could only be described as anthetmic melancholy, his warm riffs and atmospheric melodies absent of blazing heroics but no less memorable and distinctive. His work more or less providing a dense backdrop for the band's emotional center, vocalist Davey Havok. Evolving into one of the best and most unique song writers around, Davey's poetic lyrics are mysterious, romantic, catchy, and heavy on gothic imagery without falling into cheesy cliche . His vocal melodies are often at the forefront as he plays off backing chants and vocals as well as his own different personas to create memorable sing a longs. Though not blessed with the strongest of voices, his frail nasal wail is convincly vunerable and at times even deeply moving, his emotional belts are full of fire without tough guy posing, and his spaciously used low breathy singing voice is sincere and seductive.
The melancholy but upbeat anthems "Leaving Song II" and "Silver and Cold" are superb introductions to the band's unique blend of autumn day atmosphere, pop appeal, and punk energy. The big mainstream single "Girls Not Grey" and "Bleed Black" would almost be catchy pop punk if it wasn't for the mature restraint of the performances, smooth dynamics, and the incredibly dense haunting sound. The experimental "Death of Seasons" not only features what may be the band's first venture into hardcore of the metal kind, but dance music and string arrangements. The beautiful lyrics of "This Celluloid Dream" climaxes the album with a triumphant stuttering gallop that isn't easy to get out of one's head. The hidden track that follows "..But Home is Nowhere" is the band at there most experimental and successful. Spoken word poetry, light piano and heavy studio effects gradually shimmer away to unveil the band's most naked and revealing ballad. Davey gives the best vocal performance of his career as he quietly croons with convincing regret in his real voice. The song gradually soars to a powerful climatic high before fading away into a droning sea of what sounds like backwards violin/guitar loops. This is the band at the height of the their huge potential and hopefully not the peak of their powers.
A good CD, but its just not AFI........2007-01-29
Masterpiece.......2007-01-21
Miseria Cantare-Starts the album off with haunting and dark tones and chanting.
The Leaving Song Part II.-Picks up the pace and adds great guitar sounds.
Bleed Black-Another great guitar song with great back-up vocals.
Silver and Cold-An album favorite, this song with amazing lyrics and vocals.
Dancing Through Sunday-Great guitar solo and vocals.
Girl's Not Grey-Very catchy singing and nice drums.
Death of Seasons-Amazing bass intro, a lot of good screaming.
The Great Disappointment-Best guitar on the album, good drumming, amazing vocals.
Paper Airplanes (Makeshift Wings)-Very catchy guitar riffs, unique sounding.
This Celluloid Dream-Amazing harmony between all the instuments and vocals, some of the best lyrics.
The Leaving Song-A ballad, and it fits right in. Vocalist sings while only the guitar plays, very powerful.
...But Home Is Nowhere-Great high vocals, interesting chanting and screaming, agian great harmony between band members.
Spoken Word Poem-I skip this sometimes, because sometimes I'm not in the right mood to hear it, but I still appreciate it for its beauty.
This Time Imperfect-The deepest song with powerful lyrics with great vocal and instrumental value.
I have listened to this album for a solid 3 years, and don't plan on stopping any time soon, as it's my favorite album. It really is an amazing CD with great variety and no weak points. All of these songs belong with classics like God Called in Sick Today and The Days of the Phoenix. This is basically a Greatest Hits Album.
my favorite.......2007-01-09
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Songs We Sing
Matt Costa Manufacturer: Brushfire Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000EGFV4A Release Date: 2006-03-28 |
Tracks:
- Cold December
- Astair
- Sweet Thursday
- Sunshine
- These Arms
- Ballad Of Miss Kate
- Sweet Rose
- Songs We Sing
- Yellow Taxi
- I Tried
- Behind The Moon
- Oh Dear
- Wash Away
Amazon.com
Sincere but not too sincere, cute but not gorgeous, and smart enough to know to steal from the very best, former skateboard pro Matt Costa signed to surfer Jack Johnson's label on the strengths of some very workman-like pop songs and a smooth, appealing voice. Goldilockses of the world are bound to find Costa's unassuming songs just right--and if his work fails to find its way onto the soundtracks of all the hottest television shows, there is little justice in the world. Costa may croon that "These are the songs that I sing/To make the day better," but these really aren't songs so much as they're rock & roll equations. The dude combines the anglophilic sonority of Belle & Sebastian and Donovan with a taste of Elliott Smith's gorgeous downer vibe, heaping doses of the Beatles thrown in throughout. It's pleasantly chiming enough stuff to be sure: it'll just be far more interesting to see what happens once Costa has worked his way through his influences. --Mike McGonigalCustomer Reviews:
much better than anticipated.......2007-06-18
Similar Sounds.......2007-04-11
not what i was expecting.......2007-02-06
if you are into folkish music this cd is for you..for me it was not
Best album I bought last year.......2007-01-10
# 1 Costa fan in Vegas.......2006-12-19
I would try to compare to other groups/artists - but really it is too original (unlike the vibe you get from the Amazon review) and this album deserves an objective listen - just get it!
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Beethoven's Wig 3: Many More Sing-Along Symphonies
Manufacturer: Rounder / Umgd ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000F1IPPQ Release Date: 2006-05-02 |
Tracks:
- Bull in a China Shop
- Chap in a Cap
- Play My Song
- A Manly Man
- Whistling Happily
- Where Oh Where
- Silver Winds
- They're There
- Here Lies Homer Jones
- How to Succeed as Royalty
- King Henry
- Sawdust
- Ramona
- When the Angels Play
- Anybody In There?
- Take Me to Your Leader
- Toreador Song from Carmen
- Horn Concerto No. 4 in E flat major
- Work for Mandolin WoO 44a
- Elephant from Carnival of the Animals
- William Tell Overture
- Funeral March of a Marionette
- Dance of the Reed Flutes from The Nutcracker Suite
- The Sorcerer's Apprentice
- Fossils from Carnival of the Animals
- The Trophy from 4th Book of Harpsichord Pieces
- Recorder Concerto in C major
- Gavotte from Cello Suite No. 6 in D major, BWV 1012
- Minuet & Trio from Concerto in D Major
- Harp Concerto in Bb
- Toccata and Fugue in D minor, BWV 565
- Also Sprach Zarathustra
Product Description
This CD is a Grammy Award nominee and winner of 40 national awards for the series, Beethoven's Wig. Beethoven's Wig celebrates the instruments! With more zany lyrics set to the greatest hits of classical music, these Sing Along Symphonies feature a variety of different instruments from the familiar to the fascinating. The instrument performance of each piece is also included without lyrics. A fun foundation for classical music that will last a lifetime. Includes songs such as Bull in a China Shop (Cornet: Toreador Song from Carmen), Chap in a Cap (French Horn: Horn Concerto No. 4 in E flat major), and Whistling Happily (English Horn and Flute: William Tell Overture).Amazon.com
Outside of Kidz Bop and Disneymania!, you won't find a lot of kids' series racking up the kind of sales that merit three installment, which is why the creators of Beethoven's Wig ought to step out of the orchestra pit and take a bow. Not only have they made it to No. 3, they've done it with a concept that veers sharply and unswervingly into educational territory. From the toot of the first cornet to the timpani's final thump, not a tired note has surfaced yet. For newcomers, here's a primer: Head wig-flipper Richard Perlmutter leads a respectable-sounding ensemble of singers and musicians in the loopy lyricizing of classic symphonic pieces. Everything from Handel to Rossini gets the word treatment. Instead of random witticisms, though, the lyrics he ascribes are meant to impart something memorable about the music. Thus, Mozart's Horn Concerto No. 4 is wedded to a charming ditty called "Chap in a Cap" and Bizet's "Toreador" song from Carmen comes to life with images of a bull in a China shop. Where Beethoven's Wig 3 differs from the others is in its focus on individual instruments--clarinets, mandolins, bassoons and basses all get the Wig equivalent of a shout-out. Otherwise, it's a return to form: Liner notes crammed not only with lyrics, but with fun questions and answers (How many fingers do harpists use when they play? Eight), a second half devoted to unsullied versions of the sung symphonies, and blasts of familiar sound leeched of stuffiness. Cue it up for anybody under 12 and keep your fingers crossed. With any luck, Perlmutter and company will come through with a fourth volume. --Tammy La GorceCustomer Reviews:
Worse than BW 1 and 2.......2007-05-21
Looks more like leftovers compiled from failed BW 1 and 2 songs to me. I gave even 3 starts mostly out of respect to the artist. BW 1 and 2 are always in CD holder of our family van. Number three will not be there (However, if I decide to make them mp3, I would add one on two songs from BW3 to the playlist).
We love it!.......2007-03-09
I would not choose this exclusively to teach classical music and such - our kids first listened to a lot of classical music and opera before adding this for fun.
Beethoven's Wig 3.......2007-01-05
Good overview of orchestral instruments.......2007-01-03
Fun exposure to classical music.......2006-08-30
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God Bless the U.S.A.: Kids Sing Songs for America
The St. John's Childrens Choir Manufacturer: Madacy Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005QVZF Release Date: 2001-09-16 |
Tracks:
- God Bless The U.S.A.
- America The Beautiful
- You're A Grand Old Flag
- God Bless America
- This Land Is Your Land
- America, My Country 'Tis Of Thee
- Yankee Doodle
- Home On The Range
- Battle Hymn Of The Republic
- This Is My Country
- The old Red White & Blue
- Pledge Of Allegiance/The Star Spangled Banner
Customer Reviews:
Buy This CD!.......2007-07-13
Great.......2007-01-09
Wonderful Traditional CD - A Must Have.......2005-09-30
Love It!.......2002-12-01
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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Sing, Sing, Sing
Benny Goodman Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002W8S Release Date: 1990-10-25 |
Tracks:
- King Porter Stomp
- Sometimes I'm Happy
- Basin Street Blues
- If I Could Be With You
- Goody Goody
- Christopher Columbus
- Sing Me A Swing Song
- Anything For You
- These Foolish Things Remind Me Of You
- Down South Camp Meeting
- Bugle Call Bag
- Goodnight My Love
- He Ain't Got Rhythm
- I Want To Be Happy
- Ron Em'
- Thanks For The Memory
- Don't Be That Way
- One O'clock Jump
- Ti-Pi-Tin
- Sing, Sing, Sing
- Goodbye
Customer Reviews:
The Best Single Disc To Get.......2007-07-03
There are no trio or quartet sides, but there are several good collections of those available and you need to get them anyways to have a reasonable big band collection.
Benny's Apex.......2004-06-07
What a marvelous collection this is, showcasing Benny Goodman's golden years, 1935-1937. All of his greatest swing classics are included on this compilation, including some non-hit songs like "Bugle Call Rag," one of the best-ever Goodman recordings. Listen to "Roll 'Em", one of Goodman's absolutely mesmerizing standards. The arrangement and instrumentation here are awesome. This is a song you can listen to 1,000 times and never weary of it. Benny's primary vocalist of these years was Liltin' Martha Tilton, and she sings her great hit Goody Goody. Her rendition of this classic should be the standard by which all others are judged.
Goodman fans will have all these songs on other compilations, but if you're just getting into Benny's band, this is an excellent first disc purchase. When you hear Benny, Gene, Teddy, Harry and the boys really kickin' it, you'll fall in love. A stellar album!
Is the Pope Catholic?.......2003-01-11
So, buy it!
Great collection; Hall of fame band.......2000-10-31
That said, I would strongly recommend this to anyone wanting an introduction to Goodman. The songs are well selected ('King Porter Stomp', 'Roll Em' and several others are Goodman staples, and 'Sing, Sing, Sing' qualifies as a Big Band Era anthem.) More importantly, the roster of musicians is like a Big Band hall of fame. Harry James (trumpet), Gene Krupa (drums), Ziggy Elman (trumpet), Zeke Zarchy (trumpet), Vido Musso (saxophone) and of course Goodman's clarinet -- James and Krupa went on to start their own bands, with some success. Vocalists? A very young Ella Fitzgerald and Jimmy Rushing, as well as Helen Ward, are pleasant surprises.
The music, if you can get past the low fidelity, is superb. Benny Goodman is credited with launching the Big Band Era by playing music that swung. While a lot of 1930s music has not aged well, the selections here sound great 60+ years later. Aside from the previously mentioned classics, there are standards such as 'Don't Be That Way', 'These Foolish Things Remind Me of You' and the Basie classic 'One O'Clock Jump'.
My advice: put away all of the modern techno-beat music for a day and play this CD. Focus on the remarkable solos and the way the ensemble just swings together and has a great time. Once your ears are accustomed to monaural, the rest is a a real treat.
If you buy only 1 Benny Gooman CD, this is the one.......1999-12-09
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Three Mo' Tenors
Thomas Young , Roderick Dixon , and Victor Trent Cook Manufacturer: RCA Victor ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005LVVC Release Date: 2001-07-24 |
Tracks:
- La Donna e Mobile
- Let the Good Times Roll
- Make Them Hear You
- Ah! Mes Amis.
- Ellington Medley
- The Jazz Cat & Minnie the Moocher
- Twisted
- Nessun Dorma
- Today I Sing the Blues
- Soul Medley
- Have You Heard / Glory
- Were You There
- America The Beautiful
- Gospel Medley
Amazon.com
Inspired by the astoundingly popular The Three Tenors series, Broadway director Marion J. Caffey conceived and directed Three Mo' Tenors, bringing greater visibility to the classically trained African American voice. Starring seasoned tenors Roderick Dixon, Thomas Young, and Victor Trent Cook, Three Mo' Tenors is a theatrically staged concert set taped for public television's Great Performances. A companion to the taped show, the disc features just over an hour of live music from it. The phenomenal showmanship of Dixon, Young, and Trent Cook takes shape in the styles of opera, Broadway, blues, jazz, soul, spirituals, and gospel. The three virtuosos hit high C's with clarity and brilliance; scat with grace and grit; belt, bend and hold a note to beat the band. They move the audience to a state of near-ecstasy performing the traditional "Were You There (When They Crucified My Lord)" and Puccini's glorious "Nessum Dorma." Other standouts include the jazz classic "Twisted," a rollicking version of "Today I Sing the Blues," and the salty "Minnie the Moocher." Boisterous, bold, and bountiful, Three Mo' Tenors is a modern classic. --Paige LaGroneCustomer Reviews:
Bravo! Mo' Mo' Mo'.......2006-05-13
This is a must have for any music lover!.......2006-01-07
wonderful collection of music.......2005-08-23
awesome music selection.......2005-08-02
They Left Out The Best Song.......2004-11-11
Put it in, and it's a "five."
Average customer rating:
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Learn to Sing Like a Star
Kristin Hersh Manufacturer: Yep Roc Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000JJRXGG Release Date: 2007-01-23 |
Tracks:
- In Shock
- Nerve Endings
- Day Glow
- Christian Hearse
- Ice
- Under The Gun
- Piano 1
- Sugar Baby
- Peggy Lee
- Piano 2
- Vertigo
- Winter
- Wild Vanilla
- The Thin Man
Amazon.com
Her seventh solo album in the books, Kristin Hersh now has a body of work stretching back two decades to when her band Throwing Muses tossed the angst-ridden teenager directly into the indie-rock spotlight. Hersh has made great personal strides since branching off on her own, each record of engaging pop music serving as a reflective document of her impulsive lifestyle, each song allowing her voice to grow from young and girlish to broadly mature. She plays most of the instruments on all 14 songs, several of which deal with the aftermath of Hurricane Katrina (Hersh once lived in New Orleans) and a personal misfortune in her own home. Heartbreak practically drips from Hersh's voice when she vows that "getting up is what hurts" in the commanding rocker "Day Glow" or admits that "nervous energy keeps us busy" in the pensive "Ice." As usual, the turbulently talented musician picks herself off the mat with the self-deprecating instrumental "Christian Hearse," the Nirvana-like "Under the Gun," and "Winter," complete with tubular bells, strings, and an Irish-tinged chorus that is as triumphant as the artist herself. --Scott HolterCustomer Reviews:
Another masterpiece by Kristin.......2007-04-26
DIZZY MISS KRISTI.......2007-04-20
"Learn To Sing..." has proven to be the most difficult listening in Hersh's canon, for me. It's bleak & depressing. That's nothing new for her, I realize...but it was always bathed in a radiant swirl before. The emotions conjured here end up feeling like a noxious hangover.
I don't expect her to regurgitate "The Real Ramona" time & again, but the gentle beauty of "Hips & Makers" has turned into a dizzying stream of mournful dirges. There is a very ugly sound here that even the exquisite strings on the first track cannot cover-up. Her voice, also seems immersed in muck.
After several listenings I've found only "Vertigo" to be bearable. It would've been a perfect title for this disc. It's disorienting, and not in a good way.
I wish I could feel as positive about this as some of the other reviewers here, but this one will be collecting dust on my shelf.
Kristin Hersh Sings Like a Star.......2007-03-16
A carefully crafted yet compulsively delivered gem........2007-03-10
It is never more eloquently done than on "Nerve Endings", the agonised lyrics set against uncomfortable chord changes, with only the elegant string arrangement to provide any balm.
"Getting up is what hurts," she wails on "Day Glo", and sings of being "twisted in slo-mo by angry water". (Having had the misfortune to name her last band 50 Foot Wave just before the Asian tsunami, and then mourning the flood disaster in New Orleans, Hersh's own home suffered a burst pipe so destructive that it used up the family savings and forced her to sell up.)
As Hersh's spiky work goes, this is less fraught, the sourness of that cracked voice balanced by the sweetness off the strings.
Still, it's never exactly easy listening.
I am in love!.......2007-03-10
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My Best Day
Trout Fishing in America Manufacturer: Trout Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000H2M2AW Release Date: 2006-09-12 |
Tracks:
- I've Got A Friend (and He Wont Be Quiet)
- My Hair Had a Party Last Night
- My Best Day
- Simon Says
- Sailing
- It's a Puzzle
- Fill it up
- Alberta Postcard
- Bob and Bob
- Day Care Blues
- Alien In My Nose
- Something Sweet
- My Pants Fell Down
- Murrell's
- Beans and Weenies
Album Description
My Best Day captures the fun and energy of a live Trout concert covering a range of topics and themes, from odes to friends whom we love despite the fact that they talk too much, to alien nose invasions and snowflakes named Bob. The songs are kid friendly, but smart and musically sophisticated.Customer Reviews:
A great duo!.......2007-03-21
It is as if you are there.......2006-12-14
"My Best Day" changes all of that. I have no idea how he did it, but somehow Fred Bogert has managed to bottle the excitement and exuberance of this performance and made it available to all of us on demand with this album. Amazing job.
You should still take your kids to see a live performance if you get a chance. The whole family will come out smiling.
Simply outstanding and highly recommended .......2006-11-06
Go to a concert ,already, but if you can't buy this CD............2006-09-15
Live concerts are absolutely what they do best.
If you are anywhere close to where they are performing-GO SEE THEM. We have driven 15 hours, walked three miles in the snow and braved 100 degree Texas heat to see them live.
I don't care if you are 4 or 40 -you'll have a great time.. They'll have you quacking like a duck, spinning around by your seat, craving Mexican condiments, putting up your Little Bunny Foo Foo ears, wishing you could juggle, saying tongue twisters, hugging your kids to sleep and counting in roman numerals (I am going to make my youngest a T-Shirt that says "I can count to 18 in Roman numberals and I'm only VI)."
So Grammy gods, are you listening.. this is a another great CD...
Fred Bogart plays with Keith and Ezra and adds a wonderful dimension to the music- a fullness and richness that enhances the fun.
"Fill It Up" is especially gorgeous with his guitar playing adding to an already lovely song. And who can imagine "Murrel's" without his jazzy piano?
Listening to the CD, it is obvious that the audience is having a blast-laughing, clapping, singing along. Don't forget later, you'll be able to buy the concert DVD and SEE that the audience is having a blast). The intros to the songs are very funny and get a great responses. I especially love the intro to "Day Care Blues". You'll have to buy it to see what Keith says.
There are two new songs on the CD which show that they haven't lost their touch. The songs are as funny and clever as their previous offerings. Of course, this just tantalizes us a little bit- an offering of completely new material would be wonderful. Or how about a dual kids/adult release?
Do not let the fact that some of the songs are on previous releases deter you from buying this- they have many new takes on the old favorites. "Day Care Blues" particulary stands out in this regard- it is a wonderful rendition. You can feel that kid's pain. "Sailing" is also a lot of fun with an audience and "Simon Says" is a quintessential audience participation song. We were having a great time getting very dizzy.
As usual, I am giving a shout-out to their wonderful musicianship. I defy you to listen to "Beans and Weenies" and tell me that's just three guys playing. Ezra's guitar playing rocks on "Day Care Blues" and Keith's voice sounds particularly nice on "Something Sweet".
So, all in all, a nice selection of songs. A nice way to catch a Trout concert and a fun time was had by all.
UPDATE DEC. 2006...
This has indeed been nominated for a Grammy. Congrats to the guys- they deserve it.
Meditation Music:
- Songs for the Spirit
- Spin [Enhanced] [Import]
- Spirit Pop [Enhanced]
- Star Wars Party
- Start the Machine
- Stinky Feet
- Sweet Sounds of the Sixties
- Take My Breath Away/Fly [CD-single]
- The Annoying Music Show's The Annoying Music Show CD [Import]
- The Family Way - Original Sound Track [Soundtrack] [Import]
Meditation Music
Choral Music of Morton Feldman & Stefan Wolpe
Bach: Suite Nr. 1 G-Dur für Violoncello Solo
Music: Tanz Mit Mir-Das Partyalbum
Dead Cities, Red Seas & Lost Ghosts [Enhanced] [Import]
Celtic Colours International Festival 2000
Coquelicot Asleep in the Poppies: A Variety of Whimsical Verse