| 1. The Feather Theme (Forrest Gump) |
| 2. The Days of Wine and Roses |
| 3. The Green Leaves of Summer |
| 4. Looking Through the Eyes of Love |
| 5. Theme From M*A*S*H |
| 6. Moonlight Becomes You |
| 7. Theme From Schindler's List |
| 8. My Heart Will Go On (Titanic) |
| 9. The Impossible Dream |
| 10. Claudia's Theme (Unforgiven) |
| 11. Raindrops Keep Falling On My Head |
| 12. Misty |
| 13. New York, New York |
| 14. Buongiorno Principessa (Life is Beautiful) |
| 15. Anne's Theme (Anne of Green Gables) |
Editorial Reviews
About the Artist
Bronn Journey, gentle master of the classical harp. Encouraged by his Welsh mother, he began studying harp, the national instrument of Wales, together with piano at an early age. Although he can play almost any instrument, he admits that “Harp is the only instrument I’d dare to play for anyone,” and adds that in choosing music to play, “It’s important to put the listener’s feelings first. I try to do things that others want to hear.”
Product Description
Life is Beautiful consists of songs of romance from the Silver Screen. It is a follow-up to Bronn Journey's successful CD A Time For Us. These are favorites from Hollywood including favorites such as My Heart Will Go On and Misty. Tender accompaniment to the harp is througout the CD, but never hiding the warmth of the harp.
Can happen in a show
You can make 'em laugh
You can make 'em cry
Anything
Anything can go....
The clown with his pants falling down
Or the dance that's a dream of romance
Or the scene where the villain is mean
That's entertainment!
The lights on the lady in tights
Or the bride with the guy on the side
Or the ball where she gives him her all
That's entertainment!
The plot and the hot simply teeming with $ex
A gay divorcee who is after her ex
It could be Oedipus Rex
Where a chap kills his father
And causes a lot of bother
The clerk who is thrown out of work
By the boss who is thrown for a loss
By the skirt who is doing him dirt
The world is a stage,
The stage is a world of entertainment!
This two CD set amply proves that the musical melodies and lyrics from the golden age of the Hollywood musical remain unsurpassed to this day. This generous two CD set offers 42 incredible songs from Hollywood classic musicals. Most of these fine numbers are indeed from MGM, as Amazon correctly notes; but there are some RKO numbers and even a little from Warner Brothers. Thank goodness, though, that most of these songs came from MGM movies; MGM was the only studio that could boast that it truly had "more stars than there are in the heavens."
I love so many songs on these two CDs. Of course, there's the unforgettable classic "Over The Rainbow" sung by Judy Garland; she also performs "Easter Parade" and "Get Happy" on this two CD set and she carries most of the tune for "I Got Rhythm" even though Mickey Rooney helps her a little. I love "Baby, It's Cold Outside" for its' romantic overtones; and Lena Horne's "The Lady Is A Tramp" is flawless! We also get a rare chance to hear Clark Gable sing in "Puttin' On The Ritz;" and Bing Crosby's "Going Hollywood" may be brief but it's a fun song anyway.
There are two "bonus" tracks on the first CD: "As Time Goes By" from Casablanca and "Lara's Theme" from Doctor Zhivago. "As Time Goes By" is a good choice; it is another unsurpassed classic song that brings back memories and touches even the hardest of hearts. "Lara's Theme," however, is from the mid 1960s and I don't consider this period to be part of the "golden age" of Hollywood musicals.
The liner notes are excellent and they offer wonderful photos of the stars as well. The cover art is well done and the reverse cover art tells which movie each song is from and who is performing each song. Moreover, the quality of the sound is excellent especially when you consider that these numbers were recorded quite a few decades ago.
In short, this superlative two CD highlights the glory of the Hollywood musical when a certain type of sophistication dominated professional movie production. I highly recommend this CD for fans of Hollywood musicals, classic pop vocals and fans of the artists and actors who perform on this two CD set.
The lineup is fantastic and gives the listener a variety of what musicals were all about in the "Golden Age of the Hollywood Musicals"
June Allyson, Kay Armen, Louis Armstrong, Fred Astaire, Ann Blyth, Jack Buchanan, Louis Calhern, Bing Crosby, Vic Damone, Doris Day, Nanette Fabray, Connie Francis, Ava Gardner, Judy Garland, Kathyrn Grayson, Georges Guetary, Lena Horne, Betty Hutton, Louis Jourdan, Howard Keel, Gene Kelly, Grace Kelly, Peter Lawford, Oscar Levant, Ann Miller, Ricardo Montalban, Page Cavanaugh Trio, Debbie Reynolds, Winifred Shaw, Nancy Walker, Ethel Waters, Esther Williams, Dooley Williams and Keenan Wynn.
On Disc One 21 Classic Songs from great musicals with songs in alphabetical order:
AS TIME GOES BY - Dooley Wilson with Elliot Carpenter, pianist (1942)
BABY, IT'S COLD OUTSIDE - Esther Williams & Ricardo Montalban (1949)
BLESS, YORE BEAUTIFUL HIDE - Howard Keel (1954)
EASTER PARADE - Fred Astaire & Judy Garland (1948)
FOR ME AND MY GAL - Gene Kelly & Judy Garland (1942)
GET HAPPY - Judy Garland (1950)
HALLELUJAH! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs (for Russ Tamblyn) (1955)
HONEYSUCKLE ROSE - Lena Horne with Benny Carter & His Orchestra (1943)
LARA'S THEME (MAIN TITLE) - M-G-M Studio Orchestra (1965)
LULLABY OF BROADWAY - Winifred Shaw & Dick Powell (1935)
MILKMAN, KEEP THOSE BOTTLES QUIET - Nancy Walker with Tommy Dorsey & His Orchestra (1944)
NIGHT AND DAY - Fred Astaire (1934)
PUTTIN' ON THE RITZ - Clark Gable & Company (1939)
'S WONDERFUL - Gene Kelly & Georges Guetary (1951)
SINGIN' IN THE RAIN - Gene Kelly (1951)
STRANGER IN PARADISE - Ann Blyth & Vic Damone (1955)
TAKING A CHANCE ON LOVE - Ethel Waters & Eddie "Rochester" Anderson (1943)
THAT'S ENTERTAINMENT - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant (1953)
THERE'S NO BUSINESS LIKE SHOW BUSINESS - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern (1950)
THEY CAN'T TAKE THAT AWAY FROM ME - Fred Astaire (1949)
TRUE LOVE - Bing Crosby & Grace Kelly (1956)
On Disc Two more memorable performances from the Golden Age of Hollywood Musicals:
A KISS TO BUILD A DREAM ON - Louis Armstrong (1951)
ABA DABA HONEYMOON - Debbie Reynolds & Carleton Carpenter (1950)
ALMOST LIKE BEING IN LOVE - Gene Kelly (1954)
BE A CLOWN - Judy Garland & Gene Kelly (1948)
BEST THINGS IN LIFE ARE FREE - June Allyson & Peter Lawford (1947)
CAN'T HELP LOVIN' DAT MAN - Ava Gardner (beautiful woman, who my youngest grandaughter is named after...Avalon) (1951)
CHEEK TO CHEEK - Fred Astaire (1935)
EMBRACEABLE YOU - Connie Francis (1965)
GIGI - Louis Jourdan (1958)
GOING HOLLYWOOD - Bing Crosby (1933)
I GOT RHYTHM - Judy Garland & Mickey Rooney (1943)
IF SWING GOES, I GO TOO - Fred Astaire (1946)
IT'S A MOST UNUSUAL DAY - Jane Powell (1948)
LADY IS A TRAMP - Lena Horne (1948)
LET'S FACE THE MUSIC AND DANCE - Fred Astaire (1936)
ON THE ATCHISON, TOPEKA AND THE SANTA FE - Judy Garland & Company (1946)
ONE FOR MY BABY (AND ONE MORE FOR THE ROAD) - Fred Astaire (1943)
OVER THE RAINBOW - Judy Garland (became her theme song for the rest of her life) (1939)
PUT 'EM IN A BOX - Doris Day & the Page Cavanaugh Trio (1948)
THE TROLLEY SONG - Judy Garland & MGM Studio Chorus (1944)
WUNDERBAR - Kathryn Grayson & Howard Keel (two of MGM's favorite singing duos) (1953)
It was once said by the songwriters of that era - "There are two artists you want perform your songs on the big screen, they are Fred Astaire and Judy Garland they sing it just the way we wrote it, for which you will have a guaranteed hit on your hands"...well, this collections certainly has some merit to that statement...because with Judy Garland and Fred Astaire performing seven songs each, there must be something to it.
This collection of musicals still has the magic that we remember from those bygone years...but as long as we have the labels and networks who play and show these wonderful films of yesteryear, they will never be forgotten...hats off to Rhino Records, George Feltenstein (producer) and Doug Schwartz (engineer) and Turner Classic Movies for sharing those 42 selections from 42 films...celebrating decades of the tunes and artists that gave it their all...from what it commonly called "The Hollywood Dream Factory"...The Golden Age of Hollywood Musicals is still among us...gotta love it!
Total Time: 2-CD-Set ~ Rhino Records 78323 ~ (6/02/2002)
Mario Frangoulis, faithful to the Romantic traditin, this young raising talent made his international debut in the beautiful outdoor Theatre of Thessaloniki, with a vivd and charismatic presence, an absolute domain about every piece he sang, conferring them an imaginative lyric flight with that special candor and sublime expressiveness.
Particularly emotive was the nice surprise he had reserved the viewer and spectators when just in the final coda of Nights in white stain, he Justin Hayward, the original member of Moody Blues making with Mario a very emotive duo, loaded of vibrant emotion and rewarding memories.
The orchestra, support accompaniment, and enlightenment was superb. The repertoire included three recital!well known pieces of Mecano: the sensitive A la luna de Valencia, Hijo de la luna and Naturaleza muerta, sung with passionate ardor, but there were admirable entries such as Buongiorno Principesca from the film "Life is beautiful", the classic Luna Rossa and Night wants to forget was croned with a adaptation of Tosca "sometimes I dream."
The Italian people have a smart word when they are happy and wish you the best they can; they say Auguri , so I would wish from this humble position, the same hopes for this new promise of the song; Mario Frangoulis.
What a find. Mario Frangoulis is an outstanding performer with an incredible voice. The quality of his concert is excellent with a full orchestra and top notch audio quality. I have watched this performance 7 times and can't wait to see it again.
*BUON GIORNO PRINCIPESSA shows a lethargic, romantic and beautiful theme for the movie, the solo of guitar are really nice. This is one of my favorites.
*LA VITTA E BELLA, well this track is a masterpiece, the main theme of the movie. It shows a colorful atmosphere, it demonstrates a pretty sense of the italic provinces of that time. It is wonderful, and it is one of my favorites.
*VIVA GIOSUE is a really nice variation of the main theme, with a little bit of innocence feeling. This variation appears also in IL GIOCO DI GIOSUE and GUIDO E FERRUCCIO, this second with a piano addition really nice.
*GRAND HOTEL VALSE, this is the first dancing track of the CD. This waltz uses an orchestra, so the music is more colorful, also it has a bit of magnificence. The track has a very good rhythm, and it is one of my favorites.
*GRAND HOTEL FOX, the second dancing track, a really good fox trot. This melody initiates the dance in the Grand Hotel. Is a really nice piece, it has all the elements to be an excellent track. This is another of my favorites.
*ARRIVA IL CARRO ARMATO is a piece that gives a winner feeling. It is a march variation of the main theme. Also it serves as a tribute to the American soldiers that ended the cruelty of the fascism. The innocence feeling appears again, one of my favorites.
*VALSE LARMOYANTE is another masterpiece of the CD. It is a more lethargic and romantic variation of GRAND HOTEL VALSE, with more string instruments. The opening with the violins is really beautiful and romantic. It is marvelous and beautiful, one of my favorites.
*L'UOVO DI STRUZZO (DANZA ETIOPE) this track makes a really oriental atmosphere. It is so colorful and beautiful, and the magnificence appears again. It is one of my favorites.
*KRAUTENTANG, this track shows a German march. It makes a really Germanic atmosphere. It is a really good track, and one of my favorites.
*BARCAROLLE, the Offenbach's piece has a good arrangement.
*ABBIAMO VINTO, the final track in the CD and in the film. It is a variation of the main theme with a peaceful and hope sense. The first part is really moving, and the second part is the main theme. It is a masterpiece and one of my favorites.
[...]
Overall I rate this album 4 stars.
5 Stars~Classic/Trend setting
4 Stars~Strong Album worth the $[...]plus dollars
3 Stars~Strong Album that will be replayed over and over.
2 Stars~Buy it used for under $[...]or find on clearance.
1 Star ~Just buy single songs or D/L songs from online.
It is a good collection for inexpensively getting a lot of Andrew Lloyd Webber's most popular songs in one place and having them there to be able to listen to get the idea of what a certain song sounds like and is about. It isn't the collection of definitive recordings for certain roles. In fact in a couple examples, I wonder if the performer fully understood the context of the song he or she was singing &/or what it was about. Overall, the album is good, for the most part, if not excellent.
However, the liner notes for "The Essential Songs of Andrew Lloyd Webber" is another matter. I don't mean to be unkind, but the author of the comments on the different tracks (one Rexton S. Bunnett) is blatantly WRONG in multiple instances. I don't mean just in nit-picky details, but in major plot details/context of songs, like the fact that Bunnett identifies "Wishing You Were Somehow Here Again" as being sung by "our heroine" (who he does not even identify by name as Christine Daae) as she thinks about her lover, not as being sung about Christine's dead father. He also says that the Phantom has found his perfect love and "Angel of Music" in Christine... because HE is the Angel of Music who Christine believes has been sent to her by her dead father, and because although the Phantom is obsessed with Christine, that relationship is far from "loving" (even if Christine shows him compassion. I feel like these (and a couple other mistakes) are major plot points to get wrong. A good amount of the commentary reads as if Bunnett might have written it at the last minute, fudging his way through entries on musicals of which he had little knowledge; like what an essay I might write on a book I never read for my college class but had quickly looked up on Cliff's Notes would sound like. In terms of sheer editing, there are spelling mistakes, run-on sentences and spacing errors ("Any DreamWill Do")in the liner notes. Where was the copy editor?
And the most frightening fact of all, under Bunnett's credentials, it says "Harper Collins has just published his revision and updating of the Collins Book of the Musical."
I am being very critical, but I think that for a widely-released CD it is reasonable to expect the liner notes to be at a professional level, as they were most likely supposed to be.
Pros:
Two classic songs that are performed excellently are Phantom of the Opera and I Don't Know How to Love Him.
Of course you want to compare Phantom to the classic Michael Crawford/ Sarah Brightman version. Well, guess what? This version is BETTER. The woman has a deeper voice than Brightman, and her singing style is just awesome. The ending of this version (you know, the "Sing, my angel of music, sing for me!") is different, but in a good way... I think.)
And of course, the standard for I Don't Know How to Love Him is Yvonne's version. This version is different, but it grew on me quickly. This version has a country feel to it, almost. Somehow it works and sounds great.
There are a lot of great performances in this collection. My favorites include: Heaven on Their Minds, Everything's Alright, Could We Start Again Please, Another Suitcase in Another Hall, Buenos Aires, Rainbow High, Only You, Starlight Express, Angel of Music, Masquerade, All I Ask of You, Half a Moment, and Whistle Down the Wind. I think they're all great versions of their more famous counterparts.
Cons:
First of all, there are some technical problems that are kind of disappointing. A few of the songs have a very echoey sound. Any Dream Will Do, Another Suitcase in Another Hall, Wishing You Were Somehow Here Again, and There's Me are the songs that come to mind that are the worst in this regard. It isn't really bad, just enough to be slightly annoying, more so when the volume is turned way up on your CD player.
A few songs are worthy of skipping over when listening to this collection. In my opinion, Superstar, Sunset Boulevard, and Gethesmane are the biggest disappointments.
Superstar just doesn't cut it for me. The singer really overdoes it, making it overstylized... really makes you yearn for Murray Head. I can't stand listening to it. Just my opinion.
Sunset Boulevard is one of my very favorite musicals, so I was really hoping that the singer would do justice to its title song. Unfortunately I don't think he did. You can't help but compare it to Alan Campbell's fantastic version. This guy has a very choppy way of singing, when I'm used to it being sung so smoothly. Maybe it would grow on me, but I don't think I'll give it a chance to. However, that last note is much stronger than Alan Campbell's. It doesn't make up for the rest of the song, though.
Finally, Gethsemane. The inevitable fact is that NO ONE can sing this song like Michael Ball. This guy tries, he really does. But he doesn't have the right voice or the right style. So please listen to Michael Ball's performance of Gethsemane if you want to know how breathtaking of a song it can be. It's on the Royal Albert Hall DVD, and I'm sure he's got it on one of his CDs.
Anyway, overall, this is a good CD if you like quantity over quality. Don't buy it for the classics, you'll probably end up disappointed with many of them. Buy it for the lesser known songs. You probably won't like every song, especially if you're a big ALW fan, but for the price, it's worth it.
If you want classic versions of classic ALW songs, you might prefer something like "The Very Best of Andrew Lloyd Webber: The Broadway Collection".
As for the program, it's of a decidedly monochromatic blue hue--owing much to the influence of Joni Mitchell, Melissa Manchester, Tori Amos, Carly Simon, and singers in that eclectic area outside of the "Great American Songbook." Nothing necessarily wrong with that. Sinatra could put out albums made up exclusively of "suicide songs" ("Only the Lonely," "In the Wee Small Hours," "No One Cares," "September of My Years") and transform them into breathtaking elegy. But he was also served by the ingenious harmonic ambivalence of Cole Porter and Harold Arlen, the lyric poetry of Lorenz Hart and John Mercer, the orchestral expressiveness of Nelson Riddle and Gordon Jenkins. Consequently, the mood did not begin to wear on me as I confess it does on the present collection, where modality replaces shifting harmonies and recitative supplants verse.
In all fairness, Jackie does include a couple of genuine standards ("Lazy Afternoon" and "I'll Be Around") and a couple that probably don't deserve to be ("Love Is Blue" and "Taste of Honey"). But the arrangements, orchestrations, and approach tend to minimize differences, contrasts and tensions in the material.
There's a jazz sensibility about her approach to all of the songs, as rightly recognized by those reviewers familiar with her previous work. But perhaps in the interest of catching the attention of new and younger ears, it's best not to tell.
Now here is a Pop Jazz Vocal that draws me in. Sensual. Sexy. I think it's Jazz! Now why did she say that?
Really a concept album, but it's hard to say what the concept is - relationships gone wrong? Love the first track, about love in the afternoon, it's warm and sunny like brandy. The mood seems to get darker throughout. "Moon of Deception" is moody, By "Turnin Round" she sounds obsessive, almost like Patricia Barber. A slowed down "Taste of Honey", miles from the Beatles. Ends with a torchy rendition of the ultimate torch song, "I'll be Around".
For the life of me I can't understand why this album isn't more popular. I guess people haven't heard it and it doesn't get airplay. So it's a vicious circle.
Contrary to what's said below, this CD is a much more energy, more involving and captivating album than Diana Krall's listless "Girl in the Other Room". In fact, it has everything DK's new album is missing. Slowed, without dropping off. Has a lot more heart!
4 1/2 to 5 stars performance, on my tough grading system. well recorded. Would get 5 stars, if it were more popular. One of the best of the year. It grows on you. A find! See my recommended list!
This album straddles the same thin line. But I'm no purist: I really like the Ginger Baker and Joni Mitchell albums; and I really like this one, too.
Jackie Allen is a singer who usually sounds like Sheryl Crow, but when in her upper register, sounds purer than that. Her performance is enhanced by her band, a group of superb musicians. In "Men in My Life", John Moulder (g), Hans Sturm (b) and Dane Richeson (per) proved themselves to be very proficient jazz musicians. Here, they prove themselves to be very proficient rock musicians. Let's just say they are very proficient.
And whereas the pianist in "Men" was the wonderful Ben Lewis, here the pianist is the wonderful Laurence Hobgood, ordinarily Kurt Elling's accompanist. He provides the highlight of the album, an arrangement of the title track complete with his wispy solo. The original popular version was that soupy thing done by the Paul Mariat Orchestra, ca. 1968. This version is so dark that it takes awhile to figure out the song; but the darkness fits the words to a tee. To say the least, it is a vast improvement over the popular original.
Other highlights: a similar treatment of "A Taste of Honey", which is likewise a quantum improvement over the familiar version done in the '60's by Herb Alpert & the Tijuana Brass; Hans Sturm's "Turnin' Round," a Wallace Stephens type of poem with variations on the word and syllable "turn" in just about every imaginable concept to a heavy bass backbeat in A minor; the one jazz standard, Alec Wilder's wonderful "I'll Be Around," complete with some very tasteful guitar licks from Moulder; and a terrific original, Jackie Allen's "Moon of Deception." The more I listen to this album, the more I may be convinced that this is actually its highlight: it ought to be a "standard in the making."
Truthfully, this whole album initially hit me at 4 and 1/2. But I like it the more I hear it; and until Ms. Allen becomes better known, I'll upgrade her to 5. If you liked Diana Krall's recent "The Girl in the Other Room", you'll probably like this album even more, given the similarities between the two. One thing I guarantee you: if you play this c.d. for someone who has never heard it and never heard of Jackie Allen, they'll never guess it in a million years. RC
My favorites are "Whenever the Time is Now", "The Circle of Fire Prayer" and "The Lord's Prayer", though all others are wonderful as well. All songs are mellow yet suthing.
For "Whenever the Time is Now", I especially like the part about "Whoever you are is enough, Whatever you have is perfection, Whoever you are with is the one". These are the words we need to be reminded when turbulent times come when we always need to have more and better. For "The Circle of Fire", I will always remember the four words we want to bear in mind, which is gratitude, love, loyalty and justice... and these words begin with us.
Some songs are beautiful in melodies but not in words. However, these 10 songs are beautiful in melodies and artistic in words. May you experience love and peace while listening to this CD as well?
Bronn Journey, gentle master of the classical harp. Encouraged by his Welsh mother, he began studying harp, the national instrument of Wales, together with piano at an early age. Although he can play almost any instrument, he admits that “Harp is the only instrument I’d dare to play for anyone,” and adds that in choosing music to play, “It’s important to put the listener’s feelings first. I try to do things that others want to hear.”
Product Description
Life is Beautiful consists of songs of romance from the Silver Screen. It is a follow-up to Bronn Journey's successful CD A Time For Us. These are favorites from Hollywood including favorites such as My Heart Will Go On and Misty. Tender accompaniment to the harp is througout the CD, but never hiding the warmth of the harp.
Life Is Beautiful,Bronn Journey
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Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
Various Artists Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD  Vocal Jazz General
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ASIN: B000066RO5 Release Date: 2002-06-04 |
Tracks:
- Singin In The Rain - Gene Kelly
- Theres No Business Like Show Business - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern
- 'S Wonderful - Gene Kelly & Georges Guetary
- Thats Entertainment! - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant
- Stranger In Paradise - Ann Blyth & Vic Damone
- Easter Parade - Judy Garland & Fred Astaire
- Lullaby Of Broadway - Winifred Shaw, Dick Powell & Chorus
- Get Happy - Judy Garland
- Night And Day - Fred Astaire
- True Love - Bing Crosby & Grace Kelly
- Honeysuckle Rose - Lena Horne w/ Benny Carter & His Orchestra
- They Cant Take That Away From Me - Fred Astaire
- Milkman, Keep Those Bottles Quiet - Nancy Walker & The M-G-M Studio Chorus w/ Tommy Dorsey & His Orchestra
- Baby, Its Cold Outside - Esther Williams & Ricardo Montalban
- For Me And My Gal - Gene Kelly & Judy Garland
- Puttin On The Ritz - Clark Gable & Co.
- Hallelujah! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs & Co.
- Bless Yore Beautiful Hide - Howard Keel
- Taking A Chance On Love - Ethel Waters & Eddie "Rochester" Anderson
- As Time Goes By - Dooley Wilson w/ Elliot Carpenter (Bonus Track)
- Laras Theme (Main Title) - The M-G-M Studio Orchestra (Bonus Track)
Tracks:
- Over The Rainbow - Judy Garland
- Its A Most Unusual Day - Jane Powell
- Wunderbar - Kathryn Grayson & Howard Keel
- Cant Help Lovin Dat Man - Ava Gardner
- Going Hollywood - Bing Crosby
- The Trolley Song - Judy Garland, The M-G-M Studio Chorus
- Gigi - Louis Jourdan
- I Got Rhythm - Judy Garland, Mickey Rooney & Co.
- Aba Daba Honeymoon - Debbie Reynolds, Carleton Carpenter & M-G-M Studio Chorus
- The Lady Is A Tramp - Lena Horne
- The Best Things In Life Are Free - June Allyson & Peter Lawford
- Cheek To Cheek - Fred Astaire
- A Kiss To Build A Dream On - Louis Armstrong
- Put 'Em In A Box - Doris Day & The Page Cavanaugh Trio
- If Swing Goes, I Go Too - Fred Astaire
- Almost Like Being In Love - Gene Kelly
- Lets Face The Music And Dance - Fred Astaire
- Be A Clown - Gene Kelly & Judy Garland
- Embraceable You - Connie Francis
- On The Atchison, Topeka And The Santa Fe - Judy Garland & Co.
- One For My Baby (And One More For The Road) - Fred Astaire
Amazon.com
The "Golden Age" referred to here spans The Jazz Singer and the advent of the talkies to the death throes of the old studio system in the 1960s. So vast was the era's musical landscape that even this 42-track, double-disc anthology can't encompass all its peaks. Not surprisingly, the bulk of this collection originated with the Tiffany's of the screen musical, M-G-M, a body of work whose riches here encompass both pop-cultural bedrock ("Over the Rainbow," "Singin' in the Rain," "There's No Business Like Show Business," etc.) and some less familiar, if equally delightful star turns: Clark Gable gamely "Puttin' On the Ritz"; the sassy, 1948 original of "The Lady Is a Tramp" by Lena Horne; and a loopy duet of "Baby, It's Cold Outside" by Esther Williams and Ricardo Montalban. Fred Astaire's elegant, epochal reign at RKO and M-G-M is represented by "Night and Day," "Let's Face the Music and Dance," and three others, while Metro mainstays Gene Kelly and Judy Garland share equal time and billing. It's not perfect--Cagney's "Yankee Doodle Boy" and/or some Sinatra seem more logical choices than the odd "bonus" duet of Casablanca's "As Time Goes By" and "Lara's Theme" from Dr. Zhivago that close out disc one--but it's a stunning, surprisingly comprehensive primer on the Hollywood film musical nonetheless. --Jerry McCulleyCustomer Reviews:
They were right--there is NO business like the show business they did way back when !!!.......2006-11-18
Can happen in a show
You can make 'em laugh
You can make 'em cry
Anything
Anything can go....
The clown with his pants falling down
Or the dance that's a dream of romance
Or the scene where the villain is mean
That's entertainment!
The lights on the lady in tights
Or the bride with the guy on the side
Or the ball where she gives him her all
That's entertainment!
The plot and the hot simply teeming with $ex
A gay divorcee who is after her ex
It could be Oedipus Rex
Where a chap kills his father
And causes a lot of bother
The clerk who is thrown out of work
By the boss who is thrown for a loss
By the skirt who is doing him dirt
The world is a stage,
The stage is a world of entertainment!
This two CD set amply proves that the musical melodies and lyrics from the golden age of the Hollywood musical remain unsurpassed to this day. This generous two CD set offers 42 incredible songs from Hollywood classic musicals. Most of these fine numbers are indeed from MGM, as Amazon correctly notes; but there are some RKO numbers and even a little from Warner Brothers. Thank goodness, though, that most of these songs came from MGM movies; MGM was the only studio that could boast that it truly had "more stars than there are in the heavens."
I love so many songs on these two CDs. Of course, there's the unforgettable classic "Over The Rainbow" sung by Judy Garland; she also performs "Easter Parade" and "Get Happy" on this two CD set and she carries most of the tune for "I Got Rhythm" even though Mickey Rooney helps her a little. I love "Baby, It's Cold Outside" for its' romantic overtones; and Lena Horne's "The Lady Is A Tramp" is flawless! We also get a rare chance to hear Clark Gable sing in "Puttin' On The Ritz;" and Bing Crosby's "Going Hollywood" may be brief but it's a fun song anyway.
There are two "bonus" tracks on the first CD: "As Time Goes By" from Casablanca and "Lara's Theme" from Doctor Zhivago. "As Time Goes By" is a good choice; it is another unsurpassed classic song that brings back memories and touches even the hardest of hearts. "Lara's Theme," however, is from the mid 1960s and I don't consider this period to be part of the "golden age" of Hollywood musicals.
The liner notes are excellent and they offer wonderful photos of the stars as well. The cover art is well done and the reverse cover art tells which movie each song is from and who is performing each song. Moreover, the quality of the sound is excellent especially when you consider that these numbers were recorded quite a few decades ago.
In short, this superlative two CD highlights the glory of the Hollywood musical when a certain type of sophistication dominated professional movie production. I highly recommend this CD for fans of Hollywood musicals, classic pop vocals and fans of the artists and actors who perform on this two CD set.
One of the best cds I ever bought. .......2006-06-07
Never Sounded Better.......2006-03-16
Somewhere Over The Rainbow.......2006-02-24
"Hollywood Musicals of the Golden Age are still among us".......2005-07-13
The lineup is fantastic and gives the listener a variety of what musicals were all about in the "Golden Age of the Hollywood Musicals"
June Allyson, Kay Armen, Louis Armstrong, Fred Astaire, Ann Blyth, Jack Buchanan, Louis Calhern, Bing Crosby, Vic Damone, Doris Day, Nanette Fabray, Connie Francis, Ava Gardner, Judy Garland, Kathyrn Grayson, Georges Guetary, Lena Horne, Betty Hutton, Louis Jourdan, Howard Keel, Gene Kelly, Grace Kelly, Peter Lawford, Oscar Levant, Ann Miller, Ricardo Montalban, Page Cavanaugh Trio, Debbie Reynolds, Winifred Shaw, Nancy Walker, Ethel Waters, Esther Williams, Dooley Williams and Keenan Wynn.
On Disc One 21 Classic Songs from great musicals with songs in alphabetical order:
AS TIME GOES BY - Dooley Wilson with Elliot Carpenter, pianist (1942)
BABY, IT'S COLD OUTSIDE - Esther Williams & Ricardo Montalban (1949)
BLESS, YORE BEAUTIFUL HIDE - Howard Keel (1954)
EASTER PARADE - Fred Astaire & Judy Garland (1948)
FOR ME AND MY GAL - Gene Kelly & Judy Garland (1942)
GET HAPPY - Judy Garland (1950)
HALLELUJAH! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs (for Russ Tamblyn) (1955)
HONEYSUCKLE ROSE - Lena Horne with Benny Carter & His Orchestra (1943)
LARA'S THEME (MAIN TITLE) - M-G-M Studio Orchestra (1965)
LULLABY OF BROADWAY - Winifred Shaw & Dick Powell (1935)
MILKMAN, KEEP THOSE BOTTLES QUIET - Nancy Walker with Tommy Dorsey & His Orchestra (1944)
NIGHT AND DAY - Fred Astaire (1934)
PUTTIN' ON THE RITZ - Clark Gable & Company (1939)
'S WONDERFUL - Gene Kelly & Georges Guetary (1951)
SINGIN' IN THE RAIN - Gene Kelly (1951)
STRANGER IN PARADISE - Ann Blyth & Vic Damone (1955)
TAKING A CHANCE ON LOVE - Ethel Waters & Eddie "Rochester" Anderson (1943)
THAT'S ENTERTAINMENT - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant (1953)
THERE'S NO BUSINESS LIKE SHOW BUSINESS - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern (1950)
THEY CAN'T TAKE THAT AWAY FROM ME - Fred Astaire (1949)
TRUE LOVE - Bing Crosby & Grace Kelly (1956)
On Disc Two more memorable performances from the Golden Age of Hollywood Musicals:
A KISS TO BUILD A DREAM ON - Louis Armstrong (1951)
ABA DABA HONEYMOON - Debbie Reynolds & Carleton Carpenter (1950)
ALMOST LIKE BEING IN LOVE - Gene Kelly (1954)
BE A CLOWN - Judy Garland & Gene Kelly (1948)
BEST THINGS IN LIFE ARE FREE - June Allyson & Peter Lawford (1947)
CAN'T HELP LOVIN' DAT MAN - Ava Gardner (beautiful woman, who my youngest grandaughter is named after...Avalon) (1951)
CHEEK TO CHEEK - Fred Astaire (1935)
EMBRACEABLE YOU - Connie Francis (1965)
GIGI - Louis Jourdan (1958)
GOING HOLLYWOOD - Bing Crosby (1933)
I GOT RHYTHM - Judy Garland & Mickey Rooney (1943)
IF SWING GOES, I GO TOO - Fred Astaire (1946)
IT'S A MOST UNUSUAL DAY - Jane Powell (1948)
LADY IS A TRAMP - Lena Horne (1948)
LET'S FACE THE MUSIC AND DANCE - Fred Astaire (1936)
ON THE ATCHISON, TOPEKA AND THE SANTA FE - Judy Garland & Company (1946)
ONE FOR MY BABY (AND ONE MORE FOR THE ROAD) - Fred Astaire (1943)
OVER THE RAINBOW - Judy Garland (became her theme song for the rest of her life) (1939)
PUT 'EM IN A BOX - Doris Day & the Page Cavanaugh Trio (1948)
THE TROLLEY SONG - Judy Garland & MGM Studio Chorus (1944)
WUNDERBAR - Kathryn Grayson & Howard Keel (two of MGM's favorite singing duos) (1953)
It was once said by the songwriters of that era - "There are two artists you want perform your songs on the big screen, they are Fred Astaire and Judy Garland they sing it just the way we wrote it, for which you will have a guaranteed hit on your hands"...well, this collections certainly has some merit to that statement...because with Judy Garland and Fred Astaire performing seven songs each, there must be something to it.
This collection of musicals still has the magic that we remember from those bygone years...but as long as we have the labels and networks who play and show these wonderful films of yesteryear, they will never be forgotten...hats off to Rhino Records, George Feltenstein (producer) and Doug Schwartz (engineer) and Turner Classic Movies for sharing those 42 selections from 42 films...celebrating decades of the tunes and artists that gave it their all...from what it commonly called "The Hollywood Dream Factory"...The Golden Age of Hollywood Musicals is still among us...gotta love it!
Total Time: 2-CD-Set ~ Rhino Records 78323 ~ (6/02/2002)
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ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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Sometimes I Dream
Mario Frangoulis Manufacturer: Sony ProductGroup: Music Binding: Audio CD General
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ASIN: B00006FRN6 Release Date: 2002-09-17 |
Tracks:
- Vincero, Perdero
- Buongiorno Principessa
- Sometimes I Dream
- Luna Rossa
- Naturaleza Muerta
- Nights in White Satin (Notte Di Lucce)
- Ton Eafto Tou Paidi
- Non Sara'
- Hijo De La Luna
- Night Wants To Forget
- Canzone Arrabbiata
- A La Luna De Valencia
- Vincero, Perdero
Amazon.com
Forget the age of battling boy bands, the era of dueling young tenors is upon us. Hot on the heels of Josh Groban's dizzyingly successful, Ally McBeal-fueled debut comes this first international release from African-born, Greek-raised tenor Mario Frangoulis. There are some clear parallels between Groban's debut and this Frangoulis release, but some distinctive differences as well. While Groban coated his slick, David Foster-molded pop sense with a veneer of classical respectability, Frangoulis has effectively turned the formula inside out. With similar classical training--but a few crucial years of experience on his American rival--Frangoulis treats the classics reverently but not slavishly, with the title track effectively turning an aria from Puccini's Tosca into romantic Europop. Elsewhere, the international flavor is further expanded by three melody-rich songs ("Hijo de la Luna," "La Luna de Valencia," and "Naturaleza Muerta") by Spanish singer-songwriter Jose Maria Cano and a sing-along-ready take on the 1950s Neapolitan chestnut "Luna Rossa."Like Groban, Frangoulis and producer Steve Woods also plumb the music of la cinema italiana for inspiration, turning Nicola Piovani's bittersweet Life Is Beautiful theme into the ponderous "Buongiorno Principessa," but faring better with a moody, dramatic take on Rota-Wertmuller's "Canzone Arribiata." The obligatory rock-pop cover here is the flamenco-inflected "Nights in White Satin", with Frangoulis joined in a bilingual duet with original Moody Blue Justin Hayward that's surprisingly effective. Less showy perhaps than Groban's debut, but a more nuanced and emotionally satisfying album overall. --Jerry McCulley
Customer Reviews:
One just isn't enough.......2007-08-01
A first - rate recital!.......2007-07-28
Mario Frangoulis, faithful to the Romantic traditin, this young raising talent made his international debut in the beautiful outdoor Theatre of Thessaloniki, with a vivd and charismatic presence, an absolute domain about every piece he sang, conferring them an imaginative lyric flight with that special candor and sublime expressiveness.
Particularly emotive was the nice surprise he had reserved the viewer and spectators when just in the final coda of Nights in white stain, he Justin Hayward, the original member of Moody Blues making with Mario a very emotive duo, loaded of vibrant emotion and rewarding memories.
The orchestra, support accompaniment, and enlightenment was superb. The repertoire included three recital!well known pieces of Mecano: the sensitive A la luna de Valencia, Hijo de la luna and Naturaleza muerta, sung with passionate ardor, but there were admirable entries such as Buongiorno Principesca from the film "Life is beautiful", the classic Luna Rossa and Night wants to forget was croned with a adaptation of Tosca "sometimes I dream."
The Italian people have a smart word when they are happy and wish you the best they can; they say Auguri , so I would wish from this humble position, the same hopes for this new promise of the song; Mario Frangoulis.
A Star Performance.......2007-02-28
What a find. Mario Frangoulis is an outstanding performer with an incredible voice. The quality of his concert is excellent with a full orchestra and top notch audio quality. I have watched this performance 7 times and can't wait to see it again.
Sometimes I Dream.......2007-01-19
Add this to your Andrea/Josh collection!.......2007-01-16
Average customer rating:
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Life Is Beautiful (La Vita E Bella)
Nicola Piovani Manufacturer: Virgin Records Us ProductGroup: Music Binding: Audio CD Movie Scores
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ASIN: B00000DCES Release Date: 1998-10-20 |
Tracks:
- Buon Giorno Principessa
- La Vita E Bella
- Viva Giosue
- Grand Hotel Valse
- La Notte Di Favola
- La Notte Di Fuga
- Le Uova Nel Cappello
- Grand Hotel Fox
- Il Treno Nel Buio
- Arriva Il Carro Armato
- Valse Larmoyante
- L'Uovo Di Struzzo-Danza Etiope
- Krautentang
- Il Gioco Di Giosue
- Barcarolle
- Guido E Ferruccio
- Abbiamo Vinto
Amazon.com
One of 1998's better soundtracks also follows the most simple of formulas. Nicola Piovani's score for Life Is Beautiful is an impressionistic soundtrack at its finest--a delicious mix that sounds inspired by both simple folk melodies and Morricone's Cinema Paradiso score. Throughout, Piovani's themes are like a kid in candy store: bright-eyed and innocent. Tension is gradually introduced on tracks like "Il Treno Nel Buio," but ultimately this score is light and pleasant. The lone vocal cut, Monserrat Caballe singing on "Barcarolle," just makes this disc seem all the more Italian. Piovani hasn't created an epic score, but he has accentuated the difficult themes of Life Is Beautiful exceptionally well. --James HendricksonCustomer Reviews:
La Musica E Bella.......2005-07-01
*BUON GIORNO PRINCIPESSA shows a lethargic, romantic and beautiful theme for the movie, the solo of guitar are really nice. This is one of my favorites.
*LA VITTA E BELLA, well this track is a masterpiece, the main theme of the movie. It shows a colorful atmosphere, it demonstrates a pretty sense of the italic provinces of that time. It is wonderful, and it is one of my favorites.
*VIVA GIOSUE is a really nice variation of the main theme, with a little bit of innocence feeling. This variation appears also in IL GIOCO DI GIOSUE and GUIDO E FERRUCCIO, this second with a piano addition really nice.
*GRAND HOTEL VALSE, this is the first dancing track of the CD. This waltz uses an orchestra, so the music is more colorful, also it has a bit of magnificence. The track has a very good rhythm, and it is one of my favorites.
*GRAND HOTEL FOX, the second dancing track, a really good fox trot. This melody initiates the dance in the Grand Hotel. Is a really nice piece, it has all the elements to be an excellent track. This is another of my favorites.
*ARRIVA IL CARRO ARMATO is a piece that gives a winner feeling. It is a march variation of the main theme. Also it serves as a tribute to the American soldiers that ended the cruelty of the fascism. The innocence feeling appears again, one of my favorites.
*VALSE LARMOYANTE is another masterpiece of the CD. It is a more lethargic and romantic variation of GRAND HOTEL VALSE, with more string instruments. The opening with the violins is really beautiful and romantic. It is marvelous and beautiful, one of my favorites.
*L'UOVO DI STRUZZO (DANZA ETIOPE) this track makes a really oriental atmosphere. It is so colorful and beautiful, and the magnificence appears again. It is one of my favorites.
*KRAUTENTANG, this track shows a German march. It makes a really Germanic atmosphere. It is a really good track, and one of my favorites.
*BARCAROLLE, the Offenbach's piece has a good arrangement.
*ABBIAMO VINTO, the final track in the CD and in the film. It is a variation of the main theme with a peaceful and hope sense. The first part is really moving, and the second part is the main theme. It is a masterpiece and one of my favorites.
This is a great cd for a great movie!.......2002-02-07
Absolutely Charming and Memorable.......2001-12-27
Lo mejor de las BSO.......2001-10-09
Muy recomendado
Exceptional soundtrack!.......2001-08-16
Average customer rating:
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André Rieu - La vie est belle (Life is Beautiful)
Manufacturer: Sin-Drome Records ProductGroup: Music Binding: Audio CD General
| Lehár, Franz
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ASIN: B00005NNOW Release Date: 2001-09-04 |
Tracks:
- La Vie Est Belle
- You Are My Hearts Desire
- Juliska From Budapest
- Danube Love
- Ole Guapa
- Kalinka
- Ramona
- Heia In The Mountains
- Stenka Rasin
- I Want To Dream Of You, My Darling
- Lara's Theme
- Snowwhite
- Amazing Grace
- Poliushko Polka
- Glenn Miller Melody
- The Andre Sisters
- Bolero
Amazon.com
The Viennese waltz is never far from violinist Andre Rieu's heart, but you won't find a single work from Johann Strauss on Life Is Beautiful. This time around, Rieu is globetrotting for his hummable, danceable melodies--to solid results. "Ole Guapa" is a tango featuring accordion; "Kalinka" is a familiar Russian tune; and "Amazing Grace," "Snow White," and Rieu's "Glenn Miller Melody" are tried-and-true American. Throughout, Rieu and his orchestra perform these works with plenty of style and polish; it's easy to see why he's such a hit with public-television audiences. His shortened version of Bolero may not be the sexiest available, but it is fun. --Jason VerlindeCustomer Reviews:
Romantic.......2003-09-10
I feel the best tracks on this album are the russian-themed ones, like the title track (which I listen to on REPEAT when I am looking through my russian countryside or Romanov family album books). I feel that this and "Lara's Theme" (Maurice Jarre's love theme from the film DR. ZHIVAGO (a wonderful book and DVD)! conveys the passion for homeland which I strongly feel beats strongest in the hearts of all russians, more than than any other people). These compositions are so beautiful that it brings tears to the eyes if one surrenders oneself to them.
andre rieu.......2002-09-04
Andre Rieu.......2001-09-28
Music is beautiful.......2001-09-11
Average customer rating:
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Bless Yore Beautiful Hide
Manufacturer: Asv Living Era ProductGroup: Music Binding: Audio CD All Works by Porter
| Porter, Cole
| ( P )
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Romberg, Sigmund
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ASIN: B0007KTBH6 Release Date: 2005-03-08 |
Tracks:
- My Defences Are Down - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
- Girl That I Marry [From Annie, Get Your Gun] - Adolph Deutsch, Betty Hutton, Howard Keel, MGM Studio Orchestra
- They Say It's Wonderful [From Annie, Get Your Gun] - Adolph Deutsch, Betty Hutton, Howard Keel, MGM Studio Orchestra
- Anything You Can Do [From Annie, Get Your Gun] - Adolph Deutsch, Betty Hutton, Howard Keel, MGM Studio Orchestra
- Pagan Love Song [From Pagan Love Song] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
- House of the Singing Bamboo [From Pagan Love Song] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
- Tahiti [From Pagan Love Song] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
- Make Believe [From Show Boat] - Adolph Deutsch, Kathryn Grayson, Howard Keel, MGM Studio Orchestra
- You Are Love [From Show Boat] - Adolph Deutsch, Kathryn Grayson, Howard Keel, MGM Studio Orchestra
- Why Do I Love You? [From Show Boat] - Adolph Deutsch, Kathryn Grayson, Howard Keel, MGM Studio Orchestra
- Young Folks Should Get Married [From Texas Carnival] - Howard Keel, MGM Studio Orchestra,
- Lovely to Look At [From Lovely to Look At] - Carmen Dragon, Howard Keel, MGM Studio Orchestra
- You're Devastating [From Lovely to Look At] - Carmen Dragon, Kathryn Grayson, Howard Keel, MGM Studio Orchestra
- Touch of Your Hand [From Lovely to Look At] - Carmen Dragon, Kathryn Grayson, Howard Keel, MGM Studio Orchestra
- Higher Than a Hawk [From Calamity Jane] - Ray Heindorf, Howard Keel,
- I Can Do Without You [From Calamity Jane] - Doris Day, Ray Heindorf, Howard Keel,
- So in Love [From Kiss Me, Kate] - Kathryn Grayson, Howard Keel, MGM Studio Orchestra, Andrrevin,
- Were Thine That Special Face [From Kiss Me, Kate] - Howard Keel, MGM Studio Orchestra, Andrrevin,
- Wunderbar - Kathryn Grayson, Howard Keel, MGM Studio Orchestra, Andrrevin,
- I've Come to Wive It Wealthily in Padua [From Kiss Me, Kate] - Howard Keel, MGM Studio Orchestra, Andrrevin,
- Where Is the Life That Late I Led? [From Kiss Me, Kate] - Howard Keel, MGM Studio Orchestra, Andrrevin,
- Right Place for a Girl [From Rose Marie] - Howard Keel, MGM Studio Orchestra, Georgie Stoll's Trio
- Rose Marie [From Rose Marie] - Howard Keel, MGM Studio Orchestra, Georgie Stoll's Trio
- Bless Yore Beautiful Hide [From Seven Brides for Seven Brothers] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
- Sobbin' Women [From Seven Brides for Seven Brothers] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
- When You're in Love [From Seven Brides for Seven Bothers] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra, Jane Powell
- Your Land and My Land [From Deep in My Heart] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
Customer Reviews:
Bravos belong to beloved baritone Howard Keel.......2005-08-30
Average customer rating:
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Life: Living in Fearless Emotion
Havana Manufacturer: Skoolcraft Music ProductGroup: Music Binding: Audio CD General
| Dance & DJ
| Styles
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ASIN: B000BGQXPE Release Date: 2005-09-27 |
Tracks:
- Intro/Free to Be Me
- Shine
- A Few Words
- Yeah
- Life
- Search In
- Prelude to...
- Feel My Love
- Caught Up
- True Luv
- Tangled
- Shine (Nic's Remix)
Product Description
INDEPENDANTLY Selling over 3,500 copies of her debut single Shine', soul vocalist, Havana, is set to release her debut album Life: Living in Fearless Emotion' (Skoolcraft Music) on September 20th, 2005. This much anticipated release showcases production from some of the underground's illest beatsmith's including Nicolay (Foreign Exchange), Symbolic One (Strange Fruit, Onemind) & Waajeed (Bling 47, Platinum Pied Pipers). Life', touches on situations we can all relate too and also offers inspirational tunes that are based on overcoming adversity and living life to the fullest. Raised by her Grandmother in a gang infested area of Southern California, Havana, used her love of music to zone out the negative aspects of her childhood. A new staple in Cali's underground soul culture, HAVANA, has performed live shows alongside other soul acts such as Adriana Evans, Dwele, Slum Village, Platinum Pied Pipers and The Rebirth. A project that is destined to shine,Life will give you musical pleasure and open your soul to the sounds of Havana. Make sure to pick up this album, it will be one of the top choices of 2005.Customer Reviews:
Great NeoSoul.......2006-04-18
[...]
Overall I rate this album 4 stars.
5 Stars~Classic/Trend setting
4 Stars~Strong Album worth the $[...]plus dollars
3 Stars~Strong Album that will be replayed over and over.
2 Stars~Buy it used for under $[...]or find on clearance.
1 Star ~Just buy single songs or D/L songs from online.
Average customer rating:
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The Essential Songs of Andrew Lloyd Webber
Manufacturer: Metro Music ProductGroup: Music Binding: Audio CD Requiems
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ASIN: B00005Y47E Release Date: 2002-02-22 |
Tracks:
- Any Dream Will Do
- Close Every Door
- Heaven On Their Minds
- Everything's Alright
- Gethsemane
- I Don't Know How To Love Him
- Jesus Christ Superstar
- Could We Start Again Please?
- Don't Cry For Me Argentina
- Another Suitcase In Another Hall
- Buenos Aires
- Rainbow High
- High Flying Adored
- Memory
- Jellicle Cats
- Mister Mistofeles
- Unexpected Song
- Last Man In My Life
- Rolling Stock
- U-N-C-O-U-P-L-E-D
Tracks:
- Only You
- Starlight Express
- There's Me
- Pie Jesu
- Angel Of Music
- Masquerade
- Wishing Somehow You Were Here Again
- All I Ask Of You
- The Phantom Of The Opera
- Music Of The Night
- Love Changes Everything
- The First Man You Remember
- Seeing Is Believing
- As If We Never Said Goodbye
- Sunset Boulevard
- With One Look
- Too Much In Love To Care
- Half A Moment
- Whistle Down The Wind
- Our Kind Of Love
Album Description
Full title, 'Essential Songs Of Andrew Lloyd Webber'. UK budget-price compilation. 40 superlative performances featuring songs from every one of Andrew Lloyd Webber's hit musicals. Guest artists include John Barrymore, Issy Van Randwyck, Dave Willetts, Maria Friedman, Kim Criswell, Graham Bickley and the National Symphony Orchestra. Housed in a slipcase. 2002.Customer Reviews:
Okay, but kind of disappointing.......2006-04-17
It is a good collection for inexpensively getting a lot of Andrew Lloyd Webber's most popular songs in one place and having them there to be able to listen to get the idea of what a certain song sounds like and is about. It isn't the collection of definitive recordings for certain roles. In fact in a couple examples, I wonder if the performer fully understood the context of the song he or she was singing &/or what it was about. Overall, the album is good, for the most part, if not excellent.
However, the liner notes for "The Essential Songs of Andrew Lloyd Webber" is another matter. I don't mean to be unkind, but the author of the comments on the different tracks (one Rexton S. Bunnett) is blatantly WRONG in multiple instances. I don't mean just in nit-picky details, but in major plot details/context of songs, like the fact that Bunnett identifies "Wishing You Were Somehow Here Again" as being sung by "our heroine" (who he does not even identify by name as Christine Daae) as she thinks about her lover, not as being sung about Christine's dead father. He also says that the Phantom has found his perfect love and "Angel of Music" in Christine... because HE is the Angel of Music who Christine believes has been sent to her by her dead father, and because although the Phantom is obsessed with Christine, that relationship is far from "loving" (even if Christine shows him compassion. I feel like these (and a couple other mistakes) are major plot points to get wrong. A good amount of the commentary reads as if Bunnett might have written it at the last minute, fudging his way through entries on musicals of which he had little knowledge; like what an essay I might write on a book I never read for my college class but had quickly looked up on Cliff's Notes would sound like. In terms of sheer editing, there are spelling mistakes, run-on sentences and spacing errors ("Any DreamWill Do")in the liner notes. Where was the copy editor?
And the most frightening fact of all, under Bunnett's credentials, it says "Harper Collins has just published his revision and updating of the Collins Book of the Musical."
I am being very critical, but I think that for a widely-released CD it is reasonable to expect the liner notes to be at a professional level, as they were most likely supposed to be.
Not quite what I expected..........2005-04-23
Some great performances, some not so great..........2005-04-18
Pros:
Two classic songs that are performed excellently are Phantom of the Opera and I Don't Know How to Love Him.
Of course you want to compare Phantom to the classic Michael Crawford/ Sarah Brightman version. Well, guess what? This version is BETTER. The woman has a deeper voice than Brightman, and her singing style is just awesome. The ending of this version (you know, the "Sing, my angel of music, sing for me!") is different, but in a good way... I think.)
And of course, the standard for I Don't Know How to Love Him is Yvonne's version. This version is different, but it grew on me quickly. This version has a country feel to it, almost. Somehow it works and sounds great.
There are a lot of great performances in this collection. My favorites include: Heaven on Their Minds, Everything's Alright, Could We Start Again Please, Another Suitcase in Another Hall, Buenos Aires, Rainbow High, Only You, Starlight Express, Angel of Music, Masquerade, All I Ask of You, Half a Moment, and Whistle Down the Wind. I think they're all great versions of their more famous counterparts.
Cons:
First of all, there are some technical problems that are kind of disappointing. A few of the songs have a very echoey sound. Any Dream Will Do, Another Suitcase in Another Hall, Wishing You Were Somehow Here Again, and There's Me are the songs that come to mind that are the worst in this regard. It isn't really bad, just enough to be slightly annoying, more so when the volume is turned way up on your CD player.
A few songs are worthy of skipping over when listening to this collection. In my opinion, Superstar, Sunset Boulevard, and Gethesmane are the biggest disappointments.
Superstar just doesn't cut it for me. The singer really overdoes it, making it overstylized... really makes you yearn for Murray Head. I can't stand listening to it. Just my opinion.
Sunset Boulevard is one of my very favorite musicals, so I was really hoping that the singer would do justice to its title song. Unfortunately I don't think he did. You can't help but compare it to Alan Campbell's fantastic version. This guy has a very choppy way of singing, when I'm used to it being sung so smoothly. Maybe it would grow on me, but I don't think I'll give it a chance to. However, that last note is much stronger than Alan Campbell's. It doesn't make up for the rest of the song, though.
Finally, Gethsemane. The inevitable fact is that NO ONE can sing this song like Michael Ball. This guy tries, he really does. But he doesn't have the right voice or the right style. So please listen to Michael Ball's performance of Gethsemane if you want to know how breathtaking of a song it can be. It's on the Royal Albert Hall DVD, and I'm sure he's got it on one of his CDs.
Anyway, overall, this is a good CD if you like quantity over quality. Don't buy it for the classics, you'll probably end up disappointed with many of them. Buy it for the lesser known songs. You probably won't like every song, especially if you're a big ALW fan, but for the price, it's worth it.
If you want classic versions of classic ALW songs, you might prefer something like "The Very Best of Andrew Lloyd Webber: The Broadway Collection".
Disappointed.......2005-03-11
Musical Talent at Its Best.......2003-01-03
Average customer rating:
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Love Is Blue
Jackie Allen Manufacturer: A440 Records ProductGroup: Music Binding: Audio CD Bebop General
| Bebop
| Jazz
| Styles
| Music
General
| Jazz
| Styles
| Music
Vocal Jazz General
| Vocal Jazz
| Jazz
| Styles
| Music
Traditional Vocal Pop
| Broadway & Vocalists
| Styles
| Music
General
| Vocal Pop
| Pop
| Styles
| Music
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ASIN: B00025ET82 Release Date: 2004-06-08 |
Tracks:
- Lazy Afternoon
- Go
- The Performer
- Love Is Blue
- Moon of Deception
- Pavement Cracks
- Here Today
- Turnin' Round
- Taste of Honey
- You Become my Song
- I'll Be Around
Customer Reviews:
Decidedly Dorian.......2005-10-23
As for the program, it's of a decidedly monochromatic blue hue--owing much to the influence of Joni Mitchell, Melissa Manchester, Tori Amos, Carly Simon, and singers in that eclectic area outside of the "Great American Songbook." Nothing necessarily wrong with that. Sinatra could put out albums made up exclusively of "suicide songs" ("Only the Lonely," "In the Wee Small Hours," "No One Cares," "September of My Years") and transform them into breathtaking elegy. But he was also served by the ingenious harmonic ambivalence of Cole Porter and Harold Arlen, the lyric poetry of Lorenz Hart and John Mercer, the orchestral expressiveness of Nelson Riddle and Gordon Jenkins. Consequently, the mood did not begin to wear on me as I confess it does on the present collection, where modality replaces shifting harmonies and recitative supplants verse.
In all fairness, Jackie does include a couple of genuine standards ("Lazy Afternoon" and "I'll Be Around") and a couple that probably don't deserve to be ("Love Is Blue" and "Taste of Honey"). But the arrangements, orchestrations, and approach tend to minimize differences, contrasts and tensions in the material.
There's a jazz sensibility about her approach to all of the songs, as rightly recognized by those reviewers familiar with her previous work. But perhaps in the interest of catching the attention of new and younger ears, it's best not to tell.
the afternoon starts sunny, then gets dark.......2004-09-09
Now here is a Pop Jazz Vocal that draws me in. Sensual. Sexy. I think it's Jazz! Now why did she say that?
Really a concept album, but it's hard to say what the concept is - relationships gone wrong? Love the first track, about love in the afternoon, it's warm and sunny like brandy. The mood seems to get darker throughout. "Moon of Deception" is moody, By "Turnin Round" she sounds obsessive, almost like Patricia Barber. A slowed down "Taste of Honey", miles from the Beatles. Ends with a torchy rendition of the ultimate torch song, "I'll be Around".
For the life of me I can't understand why this album isn't more popular. I guess people haven't heard it and it doesn't get airplay. So it's a vicious circle.
Contrary to what's said below, this CD is a much more energy, more involving and captivating album than Diana Krall's listless "Girl in the Other Room". In fact, it has everything DK's new album is missing. Slowed, without dropping off. Has a lot more heart!
4 1/2 to 5 stars performance, on my tough grading system. well recorded. Would get 5 stars, if it were more popular. One of the best of the year. It grows on you. A find! See my recommended list!
It's not jazz; but it's really good.......2004-08-12
This album straddles the same thin line. But I'm no purist: I really like the Ginger Baker and Joni Mitchell albums; and I really like this one, too.
Jackie Allen is a singer who usually sounds like Sheryl Crow, but when in her upper register, sounds purer than that. Her performance is enhanced by her band, a group of superb musicians. In "Men in My Life", John Moulder (g), Hans Sturm (b) and Dane Richeson (per) proved themselves to be very proficient jazz musicians. Here, they prove themselves to be very proficient rock musicians. Let's just say they are very proficient.
And whereas the pianist in "Men" was the wonderful Ben Lewis, here the pianist is the wonderful Laurence Hobgood, ordinarily Kurt Elling's accompanist. He provides the highlight of the album, an arrangement of the title track complete with his wispy solo. The original popular version was that soupy thing done by the Paul Mariat Orchestra, ca. 1968. This version is so dark that it takes awhile to figure out the song; but the darkness fits the words to a tee. To say the least, it is a vast improvement over the popular original.
Other highlights: a similar treatment of "A Taste of Honey", which is likewise a quantum improvement over the familiar version done in the '60's by Herb Alpert & the Tijuana Brass; Hans Sturm's "Turnin' Round," a Wallace Stephens type of poem with variations on the word and syllable "turn" in just about every imaginable concept to a heavy bass backbeat in A minor; the one jazz standard, Alec Wilder's wonderful "I'll Be Around," complete with some very tasteful guitar licks from Moulder; and a terrific original, Jackie Allen's "Moon of Deception." The more I listen to this album, the more I may be convinced that this is actually its highlight: it ought to be a "standard in the making."
Truthfully, this whole album initially hit me at 4 and 1/2. But I like it the more I hear it; and until Ms. Allen becomes better known, I'll upgrade her to 5. If you liked Diana Krall's recent "The Girl in the Other Room", you'll probably like this album even more, given the similarities between the two. One thing I guarantee you: if you play this c.d. for someone who has never heard it and never heard of Jackie Allen, they'll never guess it in a million years. RC
One of Best Jazz Singers You Never Heard Of.......2004-06-28
A Concept Album with Emotional Impact.......2004-06-26
Average customer rating:
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Circle of Fire
Manufacturer: Amber Allen Publishing ProductGroup: Music Binding: Audio CD General
| Folk
| Styles
| Music
General
| Pop
| Styles
| Music
General
| Vocal Pop
| Pop
| Styles
| Music
General
| Pop
| Indie Music
| Stores
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ASIN: B00006JKZ7 Release Date: 2002-08-15 |
Tracks:
- Beautiful Life
- Whenever the Time is Now
- The Circle of Fire Prayer
- Teo
- A Million Kisses
- Heaven
- There is Love in You
- Only Truth Knows
- I'm Ready
- The Lord's Prayer
Album Description
Inspired by the teachings of don Miguel Ruiz, singer/songwriter Cari Cole infuses her music with a spiritual message to create a powerful, transformative effect. Featured on this compact disc are ten original songs, including a musical version of The Circle of Fire prayer written by Ruiz, and a beautiful rendition of The Lord's Prayer.Customer Reviews:
Lilting, Lovely, Inviting and Hopeful.......2007-05-06
Very inspired - Eloquent.......2007-02-07
Beautiful.......2007-01-08
A Voice of Heaven.......2004-11-08
My favorites are "Whenever the Time is Now", "The Circle of Fire Prayer" and "The Lord's Prayer", though all others are wonderful as well. All songs are mellow yet suthing.
For "Whenever the Time is Now", I especially like the part about "Whoever you are is enough, Whatever you have is perfection, Whoever you are with is the one". These are the words we need to be reminded when turbulent times come when we always need to have more and better. For "The Circle of Fire", I will always remember the four words we want to bear in mind, which is gratitude, love, loyalty and justice... and these words begin with us.
Some songs are beautiful in melodies but not in words. However, these 10 songs are beautiful in melodies and artistic in words. May you experience love and peace while listening to this CD as well?
DANCE YOUR WAY TO LOVE , HEALING, CELEBRATION.......2004-06-18
Meditation Music:
- Listen to What the Man Said: Popular Artists Tribute to Paul McCartney
- Lose My Breath/Game Over [CD-single]
- Maximum Maroon 5
- Mmmbop: the Collection [Import]
- Musique de Paradiso
- No Easy Answers
- Not Today
- Now the Christmas Album [Import]
- On This Night
- One in a Million [Import]
Meditation Music
Song Cycles for Bass and Piano
The Last Assassin feat. Chace Infinite [Explicit Lyrics]
Tug of War [Original recording remastered] [Import]