| 1. Now I See The Man |
| 2. Sastifaction Guaranteed |
| 3. Passing Through |
| 4. Please,Please |
| 5. From The Start |
| 6. Sail On |
| 7. Lonely Man |
| 8. The World Is A Jungle |
| 9. Second Chance |
| 10. First Morning In Heaven |
Editorial Reviews
Product Description
Christian/Pop
The difference here is Potts himself. His voice is ever so slightly reedy. He does have the timbre and size of voice to pull off his signature tune, "Nessun Dorma", but I'd hate to see him try the entire opera. Unlike say Mario Lanza, when he tackles the more intimate songs, he lets the focus shift away from all-out operatic singing. yet he never gets the "microphone" voice that Boccelli uses at times. Potts is just able to tune his sound to the material at hand. He is always connected emotionally, too, which some greater singers than he is can't say. I have many complete operas in my collection, and yet I bought this album because I found his performing to be quite moving. Pity Paul Potts? Never! He is a real singer and not the product of some over processed sound machine.
I know there will be critics of Potts (each to his or her own) but I think the great strength of this CD is that it may (finally) bring opera to the masses again and perhaps that is why they stuck with so many classic works. Potts does a fine job, at least as well (or better) than his performances on television. For those who are longtime opera lovers, they may find fault with some of his notes or delivery but please consider that this man does not have a long career backed by professional production and that the CD was put out rather quickly.
PLEASE BE AWARE THE SONGS ARE SUNG IN ITALIAN. For me, that makes the CD even more special because I can focus on the emotion and not the lyrics.
Here are my favorites and my thoughts:
Nessun Dorma - the song that stunned the world. It says something that this rather humble man's performance was forwarded to people via email, on video sites and had a record number of viewings - and for opera, not even rock or country music! Definitely a surprise that the average person took to this so well, except that his voice was (and IS) truly stunning. This piece is hauntingly lovely.
Con de Partiro (Time To Say Goodbye) - I wish he'd sung without so much accompaniment but other than that, I have no complaints. A love song that I could listen to again and again.
I will be anxiously awaiting his future CD's.
Can happen in a show
You can make 'em laugh
You can make 'em cry
Anything
Anything can go....
The clown with his pants falling down
Or the dance that's a dream of romance
Or the scene where the villain is mean
That's entertainment!
The lights on the lady in tights
Or the bride with the guy on the side
Or the ball where she gives him her all
That's entertainment!
The plot and the hot simply teeming with $ex
A gay divorcee who is after her ex
It could be Oedipus Rex
Where a chap kills his father
And causes a lot of bother
The clerk who is thrown out of work
By the boss who is thrown for a loss
By the skirt who is doing him dirt
The world is a stage,
The stage is a world of entertainment!
This two CD set amply proves that the musical melodies and lyrics from the golden age of the Hollywood musical remain unsurpassed to this day. This generous two CD set offers 42 incredible songs from Hollywood classic musicals. Most of these fine numbers are indeed from MGM, as Amazon correctly notes; but there are some RKO numbers and even a little from Warner Brothers. Thank goodness, though, that most of these songs came from MGM movies; MGM was the only studio that could boast that it truly had "more stars than there are in the heavens."
I love so many songs on these two CDs. Of course, there's the unforgettable classic "Over The Rainbow" sung by Judy Garland; she also performs "Easter Parade" and "Get Happy" on this two CD set and she carries most of the tune for "I Got Rhythm" even though Mickey Rooney helps her a little. I love "Baby, It's Cold Outside" for its' romantic overtones; and Lena Horne's "The Lady Is A Tramp" is flawless! We also get a rare chance to hear Clark Gable sing in "Puttin' On The Ritz;" and Bing Crosby's "Going Hollywood" may be brief but it's a fun song anyway.
There are two "bonus" tracks on the first CD: "As Time Goes By" from Casablanca and "Lara's Theme" from Doctor Zhivago. "As Time Goes By" is a good choice; it is another unsurpassed classic song that brings back memories and touches even the hardest of hearts. "Lara's Theme," however, is from the mid 1960s and I don't consider this period to be part of the "golden age" of Hollywood musicals.
The liner notes are excellent and they offer wonderful photos of the stars as well. The cover art is well done and the reverse cover art tells which movie each song is from and who is performing each song. Moreover, the quality of the sound is excellent especially when you consider that these numbers were recorded quite a few decades ago.
In short, this superlative two CD highlights the glory of the Hollywood musical when a certain type of sophistication dominated professional movie production. I highly recommend this CD for fans of Hollywood musicals, classic pop vocals and fans of the artists and actors who perform on this two CD set.
The lineup is fantastic and gives the listener a variety of what musicals were all about in the "Golden Age of the Hollywood Musicals"
June Allyson, Kay Armen, Louis Armstrong, Fred Astaire, Ann Blyth, Jack Buchanan, Louis Calhern, Bing Crosby, Vic Damone, Doris Day, Nanette Fabray, Connie Francis, Ava Gardner, Judy Garland, Kathyrn Grayson, Georges Guetary, Lena Horne, Betty Hutton, Louis Jourdan, Howard Keel, Gene Kelly, Grace Kelly, Peter Lawford, Oscar Levant, Ann Miller, Ricardo Montalban, Page Cavanaugh Trio, Debbie Reynolds, Winifred Shaw, Nancy Walker, Ethel Waters, Esther Williams, Dooley Williams and Keenan Wynn.
On Disc One 21 Classic Songs from great musicals with songs in alphabetical order:
AS TIME GOES BY - Dooley Wilson with Elliot Carpenter, pianist (1942)
BABY, IT'S COLD OUTSIDE - Esther Williams & Ricardo Montalban (1949)
BLESS, YORE BEAUTIFUL HIDE - Howard Keel (1954)
EASTER PARADE - Fred Astaire & Judy Garland (1948)
FOR ME AND MY GAL - Gene Kelly & Judy Garland (1942)
GET HAPPY - Judy Garland (1950)
HALLELUJAH! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs (for Russ Tamblyn) (1955)
HONEYSUCKLE ROSE - Lena Horne with Benny Carter & His Orchestra (1943)
LARA'S THEME (MAIN TITLE) - M-G-M Studio Orchestra (1965)
LULLABY OF BROADWAY - Winifred Shaw & Dick Powell (1935)
MILKMAN, KEEP THOSE BOTTLES QUIET - Nancy Walker with Tommy Dorsey & His Orchestra (1944)
NIGHT AND DAY - Fred Astaire (1934)
PUTTIN' ON THE RITZ - Clark Gable & Company (1939)
'S WONDERFUL - Gene Kelly & Georges Guetary (1951)
SINGIN' IN THE RAIN - Gene Kelly (1951)
STRANGER IN PARADISE - Ann Blyth & Vic Damone (1955)
TAKING A CHANCE ON LOVE - Ethel Waters & Eddie "Rochester" Anderson (1943)
THAT'S ENTERTAINMENT - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant (1953)
THERE'S NO BUSINESS LIKE SHOW BUSINESS - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern (1950)
THEY CAN'T TAKE THAT AWAY FROM ME - Fred Astaire (1949)
TRUE LOVE - Bing Crosby & Grace Kelly (1956)
On Disc Two more memorable performances from the Golden Age of Hollywood Musicals:
A KISS TO BUILD A DREAM ON - Louis Armstrong (1951)
ABA DABA HONEYMOON - Debbie Reynolds & Carleton Carpenter (1950)
ALMOST LIKE BEING IN LOVE - Gene Kelly (1954)
BE A CLOWN - Judy Garland & Gene Kelly (1948)
BEST THINGS IN LIFE ARE FREE - June Allyson & Peter Lawford (1947)
CAN'T HELP LOVIN' DAT MAN - Ava Gardner (beautiful woman, who my youngest grandaughter is named after...Avalon) (1951)
CHEEK TO CHEEK - Fred Astaire (1935)
EMBRACEABLE YOU - Connie Francis (1965)
GIGI - Louis Jourdan (1958)
GOING HOLLYWOOD - Bing Crosby (1933)
I GOT RHYTHM - Judy Garland & Mickey Rooney (1943)
IF SWING GOES, I GO TOO - Fred Astaire (1946)
IT'S A MOST UNUSUAL DAY - Jane Powell (1948)
LADY IS A TRAMP - Lena Horne (1948)
LET'S FACE THE MUSIC AND DANCE - Fred Astaire (1936)
ON THE ATCHISON, TOPEKA AND THE SANTA FE - Judy Garland & Company (1946)
ONE FOR MY BABY (AND ONE MORE FOR THE ROAD) - Fred Astaire (1943)
OVER THE RAINBOW - Judy Garland (became her theme song for the rest of her life) (1939)
PUT 'EM IN A BOX - Doris Day & the Page Cavanaugh Trio (1948)
THE TROLLEY SONG - Judy Garland & MGM Studio Chorus (1944)
WUNDERBAR - Kathryn Grayson & Howard Keel (two of MGM's favorite singing duos) (1953)
It was once said by the songwriters of that era - "There are two artists you want perform your songs on the big screen, they are Fred Astaire and Judy Garland they sing it just the way we wrote it, for which you will have a guaranteed hit on your hands"...well, this collections certainly has some merit to that statement...because with Judy Garland and Fred Astaire performing seven songs each, there must be something to it.
This collection of musicals still has the magic that we remember from those bygone years...but as long as we have the labels and networks who play and show these wonderful films of yesteryear, they will never be forgotten...hats off to Rhino Records, George Feltenstein (producer) and Doug Schwartz (engineer) and Turner Classic Movies for sharing those 42 selections from 42 films...celebrating decades of the tunes and artists that gave it their all...from what it commonly called "The Hollywood Dream Factory"...The Golden Age of Hollywood Musicals is still among us...gotta love it!
Total Time: 2-CD-Set ~ Rhino Records 78323 ~ (6/02/2002)
Jane is an absolute treasure. Her voice is so wonderfully seductive as to make her beauty [almost] unimportant. She takes standard, well known, songs and puts her own unique stamp on them. Some fans don't like "covers", but that's a shortsighted view...the Great American Songbook is considered Great for a reason. Or, to push to a ridiculous extreme, what is an Opera singer doing but covering Mozart, Verdi, etc?
I love Jane, and I love this album. Get it, and you will, too.
This album of songs is another chest of treasures from Ms. Monheit's obviously inexhaustible supply. There are so many notable tracks; it is difficult to lift out particulars on which to comment. "Dancing in the Dark" with its lush production is a particularly stellar vehicle for Ms. Monheit's instrument. This is a youthful, vibrant, embracing voice which sometimes reveals its most pleasing characteristics on subsequent hearings. I was first smitten with it on a lazy afternoon browsing at Borders when I heard a sample song from her 2001 release "Come Dream Me." The song was "Spring Can Really Hang You Up the Most" and I was floored. It was shock and awe to my senses. I was hooked on Monheit.
I highly recommend this album. There is a pleasing duet with Buble that takes Monheit to Vegas (where he mostly lives.) "Do I Love You" makes a mean old fool remember when he first fell in love. On "Bill" the solo piano combined with Monheit outshine any orchestra and strangely, made me badly wish I was named "Bill."
As with any full-length CD, there are a couple of songs I am not as crazy about, but that has to do with the songs themselves, not Ms. Chenoweth's vocal performance. Overall, I love this album and have listened to it several times now, since receiving it as a Christmas gift last month.
This recording is part of a larger set of recordings done in the early 1980's with Gardiner and the English Baroque Soloists, including Bach's Magnificat, St. John's Passion, St. Matthew's Passion, and the Christmas Oratorio. There are many recordings of each of these specific pieces ( try doing a search on "the Mass in B-minor" on Amazon and see the number of hits that are pulled up), and there are divergent opinions as to the "best" of these recordings and performances. Often, there are some PEROFRMANCES that are exceptionally well done while the RECORDING itself may not be, and vice-versa. People (and perhaps with good and defendable reason) spend egregious amounts of time debating the specifics of recordings and performances, and it can certainly be difficult (and, unfortunately, hideously EXPENSIVE) to follow these discussions to their logical conclusions and make up your own mind. Although the Gardiner/English Baroque Soloists certainly represent a non-budget-based series of entries, if you will take the time to browse through the reviews, you will likely find that there are few individuals that have much negative to say about any of them. The works represent outstanding achievement in the field of performance, and Deutsche Grammophon's recording expertise clearly shines through in each set. It's difficult to go "wrong" with these recordings, and you may find, like myself, that they become standards by which other performances are judged.
If you are finding the price a bit steep, check to see if any used versions are available. As long as the discs are not scratched, you shouldn't have any trouble with a used copy, and you can build your library further by adding these wonderful works to your collection. The Mass in B-minor is the perfect recording with which to start.
Of the greatest work
Of the greatest composer
That ever was.
If I am biased
John and Johann have made me so.
The situation concerning the existing recordings of Bach's B Minor Mass is according to me as follows:
Gardiner (ARCHIV): Period instruments version: Choral singing glorious and stunning soloists of much lesser quality and overall feeling very icy and cold.
Herreweghe (HARMONIA MUNDI): Period instrument version. Choral singing is sometimes weak and without great emotional envolvement. Solo singing often of exceptional intense feeling, especially the duet 'Et in unum dominum' (Zomer /Scholl) and the Agnes Dei (Scholl). Often bright brisk tempi,counterpuntal lines clearly demarcated although the back and forth dynamics between the counterpuntal lines it not well done. The overall feeling of this recording is of a warm meditative almost monastic medieval quality, which is not appropriate in my opinion to this great late Baroque work, but which is all the same very pleasing and beautiful and will put you in a state of contemplative rest,an example of how great this Bach work is that it can support so many various interpretations. Buy it for the solo singing.
Klemperer (EMI): Modern instruments. Very slow tempi, often grave and oftentimes too solemn, interpretated as a liturgical work, that is as a mass, which it really is not. (The work as a whole was never labeled as a Mass by Bach, only the earlier Kyrie and Gloria parts were.) The title Mass is a later 19th century publisher's addition since he saw that it was written to the words of the mass. This work is more like a sacred opera, a glorious final statement by Bach praising God and a synthesis of his whole life and of the many perceding periods of musical history. Janet Baker is excellent especially in the Agnes Dei, also the Benedictus is splendid. Buy it if you want a liturgical prayerful intrepretation
Jochim (EMI): Modern instruments.Choral singing splendid at or above the level of the Gardiner recording, all soloists are of exceptional quality, and sing with great warmth and feeling. There are moments when it makes your spine tingle. Performed by a man of great Christian faith and it shows in this interpretation. All things considered it is the best version available, if you can overlook the slightly fussy feeling (but ever so slightly) that the modern instruments create. Buy it if you want one almost perfect modern instrument version.
Rilling (HANNSLER): Modern instruments. It's a toss up between the Jochim version and this splendid version, which one to consider the best. Here the advantage over the Jochim version is that although it's a modern instrument version it is performed by a Bach expert who well knows the differences between a modern instrument version and a period performance and the instuments sound very much like period instruments at the right moments, at musically graphic points and like modern ones at the moments which require fuller tone color(how he did it I really don't know) The solists are a slight notch down compared with the Jochim version. The overall sound is clearer and more transparent than the Jochim version. Buy it if you want one almost perfect modern/period version, with minor flaws in the solo singing.
The Bach B minor Mass is probably the greatest work of music ever written by one of the greatest musicians of Western music and therefore no one version can do this masterpiece justice. It is extremely complex and difficult chorally and architecturally. Here however is on a Scale of 1 to 10 how I would rate the situation:
Jochim 9.7
Rilling 9.5
Herreweghe 9.1
Gardiner 9.0
Klemperer 8.8
Stars: You Are loved, Beautiful Stranger, God Help Me, Love Being Loved by You, Alive
At first it sounds much like James Horner's 'Legends of the Fall,' but it is by no means a repeat of it. It is a beautifull soundtrack on it's own, with many different themes that keep it exciting. The music has the same early 1900's feel as the movie while stil maintaining a variety of music styles; from soaring strings to intense violin pieces to period vocals like "And the Band Played On." Like the movie, it has a very inspirational feel, and I would definately recommend it to anyone, whether fans of the movie or soundtrack lovers.
As I have listened to this soundtrack again and again, I've been captivated by this music. The beauty and power of Brian Tyler's composition is most impressive. As an intent listener, I've been deeply moved by the expansive musical landscape that is covered in this soundtrack. The central motif, a majestic and magnanimous melody which forms the essence of the main title, is woven into tracks throughout the disc, tying everything together as part of a musical (and theatrical) storyline. Indeed, it seems like an incomplete experience if I don't listen to the entire soundtrack, start to finish, in sequential order. If you take the time to do that, you'll find it's a very rewarding listen.
The album picks up with the main title track, and what a great track it is. Some people will say it is Horner reminiscent, and while many themes on this CD do remind me of James Horner's best work, I actually think the closer resemblance is John Debney. I'm serious - this score is in many ways similar to The Passion of the Christ. It has pounding drums and wonderful percussion and isn't afraid to go all out with the string and brass section. It's a thrilling, heroic, melodramatic and operatic score that I've enjoyed listening to repeatedly. A highly recommended score for anyone who enjoys breathtaking and moving and powerful and heroic sometimes lighthearted and always thrilling music.
cheers
KZ
Christian/Pop
Chance,Chris Christian
![Paul Potts [United Kingdom]: One Chance](http://ec1.images-amazon.com/images/I/2147HwsvX0L.jpg)
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Paul Potts [United Kingdom]: One Chance
Manufacturer: Sony / Bmg Import ProductGroup: Music Binding: Audio CD  General
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ASIN: B000SKO0OY Release Date: 2007-07-31 |
Tracks:
- Nessun Dorma
- Time to Say Goodbye [Con Te Partir
- Amapola
- Everybody Hurts [Ognuno Soffre]
- Caruso
- Nella Fantasia
- You Raise Me Up [por Ti Ser
- My Way [A Mi Manera]
- Cavatina
- Music of the Night
Album Description
2007 debut album from the winner of the first season of Britain's Got Talent. Potts' winning performance of Puccini's 'Nessun Dorma' is now one of the most watched clips in You Tube's history (10 million+). The album includes that track as well as the equally captivating 'Time To Say Goodbye', a Spanish version of 'My Way' and Italian version of REM's 'Everybody Hurts'. 12 tracks. RCA.Product Description
This Unassuming Man, a 36 Year Old Phone Salesman from South Wales and Amateur Opera Singer, Stepped Up to the Microphone on Simon Cowell's British Itv Show "Britain's Got Talent" and Literally Stole the Show. Many Anticipated Another William Hung, but Instead Got a Caruso! the Performance Brought the Entire Audience to their Feet, Even Winning High Praise from Cowell Himself. Potts Went on to Resoundingly Win the Competition! his is a Real Rags to Riches Tale, Having Been £30,000 in Debt and Suffering Years of Bullying and Recovering from a Serious Motorbike Accident. His Winning the Competition Got Him Signed to a Lucrative Recording Contract and He Gained Considerable Media Exposure all Over the World. This Debut Album Naturally features the Piece He Auditioned with (Puccini's "Nessun Dorma") as Well as his Heart Stopping Version of "Con Te Partiro/Time to Say Goodbye", the Song He Sang in the Finals, Originally Made Famous by Sarah Brightman and Andrea Bocelli.Customer Reviews:
Astounding debut album.......2007-08-01
The difference here is Potts himself. His voice is ever so slightly reedy. He does have the timbre and size of voice to pull off his signature tune, "Nessun Dorma", but I'd hate to see him try the entire opera. Unlike say Mario Lanza, when he tackles the more intimate songs, he lets the focus shift away from all-out operatic singing. yet he never gets the "microphone" voice that Boccelli uses at times. Potts is just able to tune his sound to the material at hand. He is always connected emotionally, too, which some greater singers than he is can't say. I have many complete operas in my collection, and yet I bought this album because I found his performing to be quite moving. Pity Paul Potts? Never! He is a real singer and not the product of some over processed sound machine.
Love it!.......2007-08-01
Bravo Paul.......2007-08-01
Just got mine today and it was well worth the wait! .......2007-08-01
I know there will be critics of Potts (each to his or her own) but I think the great strength of this CD is that it may (finally) bring opera to the masses again and perhaps that is why they stuck with so many classic works. Potts does a fine job, at least as well (or better) than his performances on television. For those who are longtime opera lovers, they may find fault with some of his notes or delivery but please consider that this man does not have a long career backed by professional production and that the CD was put out rather quickly.
PLEASE BE AWARE THE SONGS ARE SUNG IN ITALIAN. For me, that makes the CD even more special because I can focus on the emotion and not the lyrics.
Here are my favorites and my thoughts:
Nessun Dorma - the song that stunned the world. It says something that this rather humble man's performance was forwarded to people via email, on video sites and had a record number of viewings - and for opera, not even rock or country music! Definitely a surprise that the average person took to this so well, except that his voice was (and IS) truly stunning. This piece is hauntingly lovely.
Con de Partiro (Time To Say Goodbye) - I wish he'd sung without so much accompaniment but other than that, I have no complaints. A love song that I could listen to again and again.
Paul Potts is amazong!.......2007-07-31
I will be anxiously awaiting his future CD's.
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Mamma Mia! The Musical Based on the Songs of ABBA: A Decca Broadway Original Cast Recording (1999 London Cast)
Benny Andersson , Julian Poole , Jenny Galloway , Nicolas Colicos , Paul Clarkson , Bjorn Ulvaeus , Lisa Stokke , Eliza Lumley , Melissa Gibson , Siobhan McCarthy , Louise Plowright , Jenny Galloway , Bjorn Ulvaeus , and Stig Anderson Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD General
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ASIN: B000031WEN Release Date: 2000-10-17 |
Tracks:
- Overture/Prologue
- Honey, Honey
- Money, Money, Money
- Thank You For The Music
- Mamma Mia
- Chiquitita
- Dancing Queen
- Lay All Your Love On Me
- Super Trouper
- Gimme! Gimme! Gimme!
- The Name Of The Game
- Voulez-Vous
- Entr'acte
- Under Attack
- One Of Us
- S.O.S.
- Does Your Mother Know
- Knowing Me, Knowing You
- Our Last Summer
- Slipping Through My Fingers
- The Winner Takes It All
- Take A Chance On Me
- I Do, I Do, I Do, I Do, I Do
- I Have A Dream
Amazon.com
Put together by Abba's own Benny Andersson and Björn Ulvaeus, Mamma Mia! manages to cram over 20 of the Swedish supergroup's songs into a threadbare plot. It goes a little like this: Young Sophie is getting married and she's trying to identify which of three men is her father. That's about it. Wisely, the musical doesn't mess around with the songs, save for the insertion of some dialogue or for having some of them performed by a man (it works amazingly well). Abba fans will jump on this import of the London production, but traditional fans of musical theater should consider it as well. After all, Andersson and Ulvaeus's songs have always felt as if they were more than isolated pop gems and actually belonged to a longer narrative. --Elisabeth VincentelliCustomer Reviews:
Mamma Mia.......2007-03-22
Mamma Mia Musical CD.......2007-03-21
JUST GREAT MUSIC.......2007-03-08
Mamma Mia.......2007-01-29
Not good at all.......2007-01-09
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One Chance
Paul Potts Manufacturer: Sony ProductGroup: Music Binding: Audio CD General
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ASIN: B000UAE87Q Release Date: 2007-09-18 |
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Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
Various Artists Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Vocal Jazz General
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ASIN: B000066RO5 Release Date: 2002-06-04 |
Tracks:
- Singin In The Rain - Gene Kelly
- Theres No Business Like Show Business - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern
- 'S Wonderful - Gene Kelly & Georges Guetary
- Thats Entertainment! - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant
- Stranger In Paradise - Ann Blyth & Vic Damone
- Easter Parade - Judy Garland & Fred Astaire
- Lullaby Of Broadway - Winifred Shaw, Dick Powell & Chorus
- Get Happy - Judy Garland
- Night And Day - Fred Astaire
- True Love - Bing Crosby & Grace Kelly
- Honeysuckle Rose - Lena Horne w/ Benny Carter & His Orchestra
- They Cant Take That Away From Me - Fred Astaire
- Milkman, Keep Those Bottles Quiet - Nancy Walker & The M-G-M Studio Chorus w/ Tommy Dorsey & His Orchestra
- Baby, Its Cold Outside - Esther Williams & Ricardo Montalban
- For Me And My Gal - Gene Kelly & Judy Garland
- Puttin On The Ritz - Clark Gable & Co.
- Hallelujah! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs & Co.
- Bless Yore Beautiful Hide - Howard Keel
- Taking A Chance On Love - Ethel Waters & Eddie "Rochester" Anderson
- As Time Goes By - Dooley Wilson w/ Elliot Carpenter (Bonus Track)
- Laras Theme (Main Title) - The M-G-M Studio Orchestra (Bonus Track)
Tracks:
- Over The Rainbow - Judy Garland
- Its A Most Unusual Day - Jane Powell
- Wunderbar - Kathryn Grayson & Howard Keel
- Cant Help Lovin Dat Man - Ava Gardner
- Going Hollywood - Bing Crosby
- The Trolley Song - Judy Garland, The M-G-M Studio Chorus
- Gigi - Louis Jourdan
- I Got Rhythm - Judy Garland, Mickey Rooney & Co.
- Aba Daba Honeymoon - Debbie Reynolds, Carleton Carpenter & M-G-M Studio Chorus
- The Lady Is A Tramp - Lena Horne
- The Best Things In Life Are Free - June Allyson & Peter Lawford
- Cheek To Cheek - Fred Astaire
- A Kiss To Build A Dream On - Louis Armstrong
- Put 'Em In A Box - Doris Day & The Page Cavanaugh Trio
- If Swing Goes, I Go Too - Fred Astaire
- Almost Like Being In Love - Gene Kelly
- Lets Face The Music And Dance - Fred Astaire
- Be A Clown - Gene Kelly & Judy Garland
- Embraceable You - Connie Francis
- On The Atchison, Topeka And The Santa Fe - Judy Garland & Co.
- One For My Baby (And One More For The Road) - Fred Astaire
Amazon.com
The "Golden Age" referred to here spans The Jazz Singer and the advent of the talkies to the death throes of the old studio system in the 1960s. So vast was the era's musical landscape that even this 42-track, double-disc anthology can't encompass all its peaks. Not surprisingly, the bulk of this collection originated with the Tiffany's of the screen musical, M-G-M, a body of work whose riches here encompass both pop-cultural bedrock ("Over the Rainbow," "Singin' in the Rain," "There's No Business Like Show Business," etc.) and some less familiar, if equally delightful star turns: Clark Gable gamely "Puttin' On the Ritz"; the sassy, 1948 original of "The Lady Is a Tramp" by Lena Horne; and a loopy duet of "Baby, It's Cold Outside" by Esther Williams and Ricardo Montalban. Fred Astaire's elegant, epochal reign at RKO and M-G-M is represented by "Night and Day," "Let's Face the Music and Dance," and three others, while Metro mainstays Gene Kelly and Judy Garland share equal time and billing. It's not perfect--Cagney's "Yankee Doodle Boy" and/or some Sinatra seem more logical choices than the odd "bonus" duet of Casablanca's "As Time Goes By" and "Lara's Theme" from Dr. Zhivago that close out disc one--but it's a stunning, surprisingly comprehensive primer on the Hollywood film musical nonetheless. --Jerry McCulleyCustomer Reviews:
They were right--there is NO business like the show business they did way back when !!!.......2006-11-18
Can happen in a show
You can make 'em laugh
You can make 'em cry
Anything
Anything can go....
The clown with his pants falling down
Or the dance that's a dream of romance
Or the scene where the villain is mean
That's entertainment!
The lights on the lady in tights
Or the bride with the guy on the side
Or the ball where she gives him her all
That's entertainment!
The plot and the hot simply teeming with $ex
A gay divorcee who is after her ex
It could be Oedipus Rex
Where a chap kills his father
And causes a lot of bother
The clerk who is thrown out of work
By the boss who is thrown for a loss
By the skirt who is doing him dirt
The world is a stage,
The stage is a world of entertainment!
This two CD set amply proves that the musical melodies and lyrics from the golden age of the Hollywood musical remain unsurpassed to this day. This generous two CD set offers 42 incredible songs from Hollywood classic musicals. Most of these fine numbers are indeed from MGM, as Amazon correctly notes; but there are some RKO numbers and even a little from Warner Brothers. Thank goodness, though, that most of these songs came from MGM movies; MGM was the only studio that could boast that it truly had "more stars than there are in the heavens."
I love so many songs on these two CDs. Of course, there's the unforgettable classic "Over The Rainbow" sung by Judy Garland; she also performs "Easter Parade" and "Get Happy" on this two CD set and she carries most of the tune for "I Got Rhythm" even though Mickey Rooney helps her a little. I love "Baby, It's Cold Outside" for its' romantic overtones; and Lena Horne's "The Lady Is A Tramp" is flawless! We also get a rare chance to hear Clark Gable sing in "Puttin' On The Ritz;" and Bing Crosby's "Going Hollywood" may be brief but it's a fun song anyway.
There are two "bonus" tracks on the first CD: "As Time Goes By" from Casablanca and "Lara's Theme" from Doctor Zhivago. "As Time Goes By" is a good choice; it is another unsurpassed classic song that brings back memories and touches even the hardest of hearts. "Lara's Theme," however, is from the mid 1960s and I don't consider this period to be part of the "golden age" of Hollywood musicals.
The liner notes are excellent and they offer wonderful photos of the stars as well. The cover art is well done and the reverse cover art tells which movie each song is from and who is performing each song. Moreover, the quality of the sound is excellent especially when you consider that these numbers were recorded quite a few decades ago.
In short, this superlative two CD highlights the glory of the Hollywood musical when a certain type of sophistication dominated professional movie production. I highly recommend this CD for fans of Hollywood musicals, classic pop vocals and fans of the artists and actors who perform on this two CD set.
One of the best cds I ever bought. .......2006-06-07
Never Sounded Better.......2006-03-16
Somewhere Over The Rainbow.......2006-02-24
"Hollywood Musicals of the Golden Age are still among us".......2005-07-13
The lineup is fantastic and gives the listener a variety of what musicals were all about in the "Golden Age of the Hollywood Musicals"
June Allyson, Kay Armen, Louis Armstrong, Fred Astaire, Ann Blyth, Jack Buchanan, Louis Calhern, Bing Crosby, Vic Damone, Doris Day, Nanette Fabray, Connie Francis, Ava Gardner, Judy Garland, Kathyrn Grayson, Georges Guetary, Lena Horne, Betty Hutton, Louis Jourdan, Howard Keel, Gene Kelly, Grace Kelly, Peter Lawford, Oscar Levant, Ann Miller, Ricardo Montalban, Page Cavanaugh Trio, Debbie Reynolds, Winifred Shaw, Nancy Walker, Ethel Waters, Esther Williams, Dooley Williams and Keenan Wynn.
On Disc One 21 Classic Songs from great musicals with songs in alphabetical order:
AS TIME GOES BY - Dooley Wilson with Elliot Carpenter, pianist (1942)
BABY, IT'S COLD OUTSIDE - Esther Williams & Ricardo Montalban (1949)
BLESS, YORE BEAUTIFUL HIDE - Howard Keel (1954)
EASTER PARADE - Fred Astaire & Judy Garland (1948)
FOR ME AND MY GAL - Gene Kelly & Judy Garland (1942)
GET HAPPY - Judy Garland (1950)
HALLELUJAH! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs (for Russ Tamblyn) (1955)
HONEYSUCKLE ROSE - Lena Horne with Benny Carter & His Orchestra (1943)
LARA'S THEME (MAIN TITLE) - M-G-M Studio Orchestra (1965)
LULLABY OF BROADWAY - Winifred Shaw & Dick Powell (1935)
MILKMAN, KEEP THOSE BOTTLES QUIET - Nancy Walker with Tommy Dorsey & His Orchestra (1944)
NIGHT AND DAY - Fred Astaire (1934)
PUTTIN' ON THE RITZ - Clark Gable & Company (1939)
'S WONDERFUL - Gene Kelly & Georges Guetary (1951)
SINGIN' IN THE RAIN - Gene Kelly (1951)
STRANGER IN PARADISE - Ann Blyth & Vic Damone (1955)
TAKING A CHANCE ON LOVE - Ethel Waters & Eddie "Rochester" Anderson (1943)
THAT'S ENTERTAINMENT - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant (1953)
THERE'S NO BUSINESS LIKE SHOW BUSINESS - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern (1950)
THEY CAN'T TAKE THAT AWAY FROM ME - Fred Astaire (1949)
TRUE LOVE - Bing Crosby & Grace Kelly (1956)
On Disc Two more memorable performances from the Golden Age of Hollywood Musicals:
A KISS TO BUILD A DREAM ON - Louis Armstrong (1951)
ABA DABA HONEYMOON - Debbie Reynolds & Carleton Carpenter (1950)
ALMOST LIKE BEING IN LOVE - Gene Kelly (1954)
BE A CLOWN - Judy Garland & Gene Kelly (1948)
BEST THINGS IN LIFE ARE FREE - June Allyson & Peter Lawford (1947)
CAN'T HELP LOVIN' DAT MAN - Ava Gardner (beautiful woman, who my youngest grandaughter is named after...Avalon) (1951)
CHEEK TO CHEEK - Fred Astaire (1935)
EMBRACEABLE YOU - Connie Francis (1965)
GIGI - Louis Jourdan (1958)
GOING HOLLYWOOD - Bing Crosby (1933)
I GOT RHYTHM - Judy Garland & Mickey Rooney (1943)
IF SWING GOES, I GO TOO - Fred Astaire (1946)
IT'S A MOST UNUSUAL DAY - Jane Powell (1948)
LADY IS A TRAMP - Lena Horne (1948)
LET'S FACE THE MUSIC AND DANCE - Fred Astaire (1936)
ON THE ATCHISON, TOPEKA AND THE SANTA FE - Judy Garland & Company (1946)
ONE FOR MY BABY (AND ONE MORE FOR THE ROAD) - Fred Astaire (1943)
OVER THE RAINBOW - Judy Garland (became her theme song for the rest of her life) (1939)
PUT 'EM IN A BOX - Doris Day & the Page Cavanaugh Trio (1948)
THE TROLLEY SONG - Judy Garland & MGM Studio Chorus (1944)
WUNDERBAR - Kathryn Grayson & Howard Keel (two of MGM's favorite singing duos) (1953)
It was once said by the songwriters of that era - "There are two artists you want perform your songs on the big screen, they are Fred Astaire and Judy Garland they sing it just the way we wrote it, for which you will have a guaranteed hit on your hands"...well, this collections certainly has some merit to that statement...because with Judy Garland and Fred Astaire performing seven songs each, there must be something to it.
This collection of musicals still has the magic that we remember from those bygone years...but as long as we have the labels and networks who play and show these wonderful films of yesteryear, they will never be forgotten...hats off to Rhino Records, George Feltenstein (producer) and Doug Schwartz (engineer) and Turner Classic Movies for sharing those 42 selections from 42 films...celebrating decades of the tunes and artists that gave it their all...from what it commonly called "The Hollywood Dream Factory"...The Golden Age of Hollywood Musicals is still among us...gotta love it!
Total Time: 2-CD-Set ~ Rhino Records 78323 ~ (6/02/2002)
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Taking a Chance on Love
Jane Monheit Manufacturer: Sony ProductGroup: Music Binding: Audio CD General
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ASIN: B0002JP4K0 Release Date: 2004-09-07 |
Tracks:
- Honeysuckle Rose
- In The Still Of The Night
- Taking a Chance on Love
- Bill
- I Won't Dance
- Too Late Now
- Why Can't You Behave?
- Do I Love You?
- Love Me Or Leave Me
- Embraceable You
- Dancing in the Dark from "The Band Wagon"
- Over the Rainbow
Amazon.com
On her fourth album, Taking A Chance On Love, singer Jane Monheit makes her leap to the majors and the fit is a good one. As she's proven on past efforts, Monheit is a traditional stylist who expertly mines American standards by balancing pop's accessible sensibility and jazz's rich complexity. The material could be, and has been, in worse hands than Monheit's--her exceptional technique again brings these songs to life without taking liberties with structure, melody or odd arrangements. It's her exceptional execution, tonal palette, and phrasing that gives these songs a sense of artistry. She also gets subtle support from an impressive cast of sidemen (including guest singer Michael Buble, bassists Ron Carter and Christian McBride, and guitarist Romero Lubambo) in a variety of contexts, ranging from jazz combos to orchestra to vocal-and-single-instrument duets. Highlights include the tender "Embraceable You," the lushly orchestrated "Dancing in Dark" and the jaunty bebop version of "Honeysuckle Rose." --Tad HendricksonCustomer Reviews:
I'll Dance in the Dark with her...............2007-07-28
Jane is an absolute treasure. Her voice is so wonderfully seductive as to make her beauty [almost] unimportant. She takes standard, well known, songs and puts her own unique stamp on them. Some fans don't like "covers", but that's a shortsighted view...the Great American Songbook is considered Great for a reason. Or, to push to a ridiculous extreme, what is an Opera singer doing but covering Mozart, Verdi, etc?
I love Jane, and I love this album. Get it, and you will, too.
R_Urdiales.......2006-11-03
if you were ever going to buy a CD for just one song... .......2006-08-30
Wanna fall in love?.......2006-08-08
This album of songs is another chest of treasures from Ms. Monheit's obviously inexhaustible supply. There are so many notable tracks; it is difficult to lift out particulars on which to comment. "Dancing in the Dark" with its lush production is a particularly stellar vehicle for Ms. Monheit's instrument. This is a youthful, vibrant, embracing voice which sometimes reveals its most pleasing characteristics on subsequent hearings. I was first smitten with it on a lazy afternoon browsing at Borders when I heard a sample song from her 2001 release "Come Dream Me." The song was "Spring Can Really Hang You Up the Most" and I was floored. It was shock and awe to my senses. I was hooked on Monheit.
I highly recommend this album. There is a pleasing duet with Buble that takes Monheit to Vegas (where he mostly lives.) "Do I Love You" makes a mean old fool remember when he first fell in love. On "Bill" the solo piano combined with Monheit outshine any orchestra and strangely, made me badly wish I was named "Bill."
3 STARS ONLY BECAUSE I ONLY LIKED ONE SONG........2006-03-25
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Let Yourself Go
Kristin Chenoweth , Jule Styne , George Gershwin , Richard Rodgers , Jeanine Tesori , Kurt Weill , Jerome Kern , Vincent Youmans , Ricky Ian Gordon , Richard Dworsky , Lawrence Ellington Duke / Brown , Harry Warren , Bobby Troup , Jason Alexander , Irving Berlin , Rob Fisher , and The Coffee Club Orchestra Manufacturer: Sony ProductGroup: Music Binding: Audio CD All Works by Gershwin
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ASIN: B000059T4T Release Date: 2001-05-29 |
Tracks:
- Let Yourself Go
- If
- How Long Has This Been Going On?
- My Funny Valentine
- Hanging Around with You (with Jason Alexander)
- The Girl in 14G
- I'll Tell the Man in the Street
- I'm a Stranger Here Myself
- Nobody Else But Me
- Nobody's Heart Belongs to Me/Why Can't I?
- Should I Be Sweet?
- He's Just an Ordinary Guy
- Going to the Dance with You
- On a Turquoise Cloud
- You'll Never Know
- Daddy
Amazon.com
Kristin Chenoweth won a Tony for the supporting role of Sally Brown in the 1999 revival of You're a Good Man, Charlie Brown, made a memorably vampy Lily in the 1999 television film of Annie, and had an NBC sitcom created for her, Kristin! Now she grabs the spotlight in Let Yourself Go, her first solo recording. She mixes torchy standards ("My Funny Valentine," "How Long Has This Been Going On?") with Faith Prince-style sauciness ("If"), gets to show off her operatic and scat chops in the miniplay "The Girl in 14G," and shares a light duet with Jason Alexander (reviving his musical theater career post-Seinfeld). Perhaps her "Stranger Here Myself" isn't the weightiest you've ever heard, but this is an enjoyable album with a good deal of old-fashioned class, expertly accompanied by Rob Fisher and the Coffee Club Orchestra. --David HoriuchiCustomer Reviews:
One of the best ever!.......2007-04-24
Kristen Chenowith.......2007-02-26
Has its moments.......2007-02-19
Great CD!.......2007-01-19
As with any full-length CD, there are a couple of songs I am not as crazy about, but that has to do with the songs themselves, not Ms. Chenoweth's vocal performance. Overall, I love this album and have listened to it several times now, since receiving it as a Christmas gift last month.
This woman has what it takes, and then some..........2007-01-12
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Bach - Mass in B minor / Argenta, Nichols, Chance, Stafford, Milner, W. Evans, Gardiner
Johann Sebastian Bach , John Eliot Gardiner , Nancy Argenta , Michael Chance , The English Baroque Soloists , The Monteverdi Choir , Mary Nichols , Wynford Evans , and Howard Milner Manufacturer: Archiv Produktion ProductGroup: Music Binding: Audio CD All Works by J.S. Bach
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ASIN: B0000057CN Release Date: 1990-10-25 |
Tracks:
- Kyrie: Chorus: Lord, Have Mercy On Us.
- Kyrie: Duet (Soprano - Mezzo-Soprano): Christ, Have Mercy On Us.
- Kyrie: Chorus: Lord, Have Mercy On Us.
- Gloria: Chorus: Glory Be To God On High.
- Gloria: Chorus: And On Earth Peace To Men Of Good Will.
- Gloria: Aria (Soprano): We Praise Thee; We Bless Thee; We Adore Thee; We Glorify Thee.
- Gloria: Chorus: We Give Thee Thanks For Thy Great Glory.
- Gloria: Duet (Soprano - Tenor): Lord God, Heavenly King, God The Almighty Father. O Lord, The Only-Begotten Son, Jesus Christ, Most High Lord God, Lamb Of God, Son Of The Father.
- Gloria: Chorus: Thou Who Takest Away The Sins Of The World, Have Mercy Upon Us. Thou Who Takest Away The Sins Of The World, Receive Our Prayer.
- Gloria: Aria (Alto): Thou Who Sittest At The Right Hand Of The Father, Have Mercy Upon Us.
- Gloria: Aria (Bass): For Thou Alone Art The Holy One. Thou Alone Art The Lord. Thou, Jesus Christ, Alone Art The Most High.
- Gloria: Chorus: With The Holy Ghost In The Glory Of God The Father. Amen.
Tracks:
- Credo: Chorus: I Believe In One God.
- Credo: Chorus: I Believe In One God, The Father Almighty...
- Credo: Duet (Soprano - Mezzo-Soprano): All In One Lord Jesus Christ...
- Credo: Chorus: And Was Incarnate By The Holy Ghost Of The Virgin Mary And Was Made Man.
- Credo: Chorus: And Was Crucified Also For Us Under Pontius Pilate...
- Credo: Chorus: And The Third Day He Rose Again According To The Scriptures...
- Credo: Aria (Bass): And I Believe In The Holy Ghost...
- Credo: Chorus: I Acknowledge One Baptism For The Remission Of Sins.
- Credo: Chorus: And I Look For The Ressurection Of The Dead...
- Sanctus: Chorus: Holy, Holy, Holy Lord God Of Hosts...
- Sanctus: Chorus: Hosanna In The Highest.
- Sanctus: Aria (Tenor): Blessed Be He That Cometh In The Name Of The Lord.
- Sanctus: Chorus (da capo): Hosanna In The Highest.
- Agnus Dei: Aria (Alto): Lamb Of God...
- Agnus Dei: Chorus: Grant Us Peace.
Amazon.com essential recording
One of the most frequently mentioned "favorite" works of Bach, the B Minor Mass is not really a functional liturgical work, but an assemblage of movements written over a period of many years. Its grand scale is certainly awesome, but its musical and spiritual unity is more remarkable, considering its origin and the fact that it contains several different compositional styles--not to mention some of Bach's most profound and beautiful music. Performing this work and preserving a sense of its grand design while bringing out the considerable musical details is a challenge that most choirs, orchestras, and conductors are not up to. Almost by consensus, however, John Eliot Gardiner's version is the most successful--and it is indeed a phenomenal recording--at once sumptuous and penetrating, with gorgeous choral and solo singing, and spacious, vibrant sound. --David VernierCustomer Reviews:
Get It While the Recording is Still Available..........2007-04-21
This recording is part of a larger set of recordings done in the early 1980's with Gardiner and the English Baroque Soloists, including Bach's Magnificat, St. John's Passion, St. Matthew's Passion, and the Christmas Oratorio. There are many recordings of each of these specific pieces ( try doing a search on "the Mass in B-minor" on Amazon and see the number of hits that are pulled up), and there are divergent opinions as to the "best" of these recordings and performances. Often, there are some PEROFRMANCES that are exceptionally well done while the RECORDING itself may not be, and vice-versa. People (and perhaps with good and defendable reason) spend egregious amounts of time debating the specifics of recordings and performances, and it can certainly be difficult (and, unfortunately, hideously EXPENSIVE) to follow these discussions to their logical conclusions and make up your own mind. Although the Gardiner/English Baroque Soloists certainly represent a non-budget-based series of entries, if you will take the time to browse through the reviews, you will likely find that there are few individuals that have much negative to say about any of them. The works represent outstanding achievement in the field of performance, and Deutsche Grammophon's recording expertise clearly shines through in each set. It's difficult to go "wrong" with these recordings, and you may find, like myself, that they become standards by which other performances are judged.
If you are finding the price a bit steep, check to see if any used versions are available. As long as the discs are not scratched, you shouldn't have any trouble with a used copy, and you can build your library further by adding these wonderful works to your collection. The Mass in B-minor is the perfect recording with which to start.
The Best.......2007-01-29
Gardiner's Masterpiece.......2006-10-26
Of the greatest work
Of the greatest composer
That ever was.
If I am biased
John and Johann have made me so.
My Opinion In Brief.......2006-09-20
The situation concerning the existing recordings of Bach's B Minor Mass is according to me as follows:
Gardiner (ARCHIV): Period instruments version: Choral singing glorious and stunning soloists of much lesser quality and overall feeling very icy and cold.
Herreweghe (HARMONIA MUNDI): Period instrument version. Choral singing is sometimes weak and without great emotional envolvement. Solo singing often of exceptional intense feeling, especially the duet 'Et in unum dominum' (Zomer /Scholl) and the Agnes Dei (Scholl). Often bright brisk tempi,counterpuntal lines clearly demarcated although the back and forth dynamics between the counterpuntal lines it not well done. The overall feeling of this recording is of a warm meditative almost monastic medieval quality, which is not appropriate in my opinion to this great late Baroque work, but which is all the same very pleasing and beautiful and will put you in a state of contemplative rest,an example of how great this Bach work is that it can support so many various interpretations. Buy it for the solo singing.
Klemperer (EMI): Modern instruments. Very slow tempi, often grave and oftentimes too solemn, interpretated as a liturgical work, that is as a mass, which it really is not. (The work as a whole was never labeled as a Mass by Bach, only the earlier Kyrie and Gloria parts were.) The title Mass is a later 19th century publisher's addition since he saw that it was written to the words of the mass. This work is more like a sacred opera, a glorious final statement by Bach praising God and a synthesis of his whole life and of the many perceding periods of musical history. Janet Baker is excellent especially in the Agnes Dei, also the Benedictus is splendid. Buy it if you want a liturgical prayerful intrepretation
Jochim (EMI): Modern instruments.Choral singing splendid at or above the level of the Gardiner recording, all soloists are of exceptional quality, and sing with great warmth and feeling. There are moments when it makes your spine tingle. Performed by a man of great Christian faith and it shows in this interpretation. All things considered it is the best version available, if you can overlook the slightly fussy feeling (but ever so slightly) that the modern instruments create. Buy it if you want one almost perfect modern instrument version.
Rilling (HANNSLER): Modern instruments. It's a toss up between the Jochim version and this splendid version, which one to consider the best. Here the advantage over the Jochim version is that although it's a modern instrument version it is performed by a Bach expert who well knows the differences between a modern instrument version and a period performance and the instuments sound very much like period instruments at the right moments, at musically graphic points and like modern ones at the moments which require fuller tone color(how he did it I really don't know) The solists are a slight notch down compared with the Jochim version. The overall sound is clearer and more transparent than the Jochim version. Buy it if you want one almost perfect modern/period version, with minor flaws in the solo singing.
The Bach B minor Mass is probably the greatest work of music ever written by one of the greatest musicians of Western music and therefore no one version can do this masterpiece justice. It is extremely complex and difficult chorally and architecturally. Here however is on a Scale of 1 to 10 how I would rate the situation:
Jochim 9.7
Rilling 9.5
Herreweghe 9.1
Gardiner 9.0
Klemperer 8.8
Beautiful.......2006-07-31
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If I Had One Chance to Tell You Something
Rebecca St. James Manufacturer: Forefront ProductGroup: Music Binding: Audio CD General
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ASIN: B000BRD7D4 Release Date: 2005-11-22 |
Tracks:
- God Help Me
- Alive
- You Are Loved
- Shadowlands
- Love Being Loved By You
- I Need You
- Beautiful Stranger
- Thank You
- Take All Of Me
- Forgive Me
- I Can Trust You
- Lest I Forget
Amazon.com
From the early days of her career when an energetic teen-aged Rebecca St. James burst on the Christian music market, she defied conventional wisdom. The voice was unlike any other, the music sported styles from classical to 80's new wave to techno-pop, and the net effect was like a breath of fresh air to casual listeners and fans alike. After a worship- focused release and extensive touring, this likeable Aussie is back with her best effort to date: If I Had One Chance To Tell You Something. The overall mood is transparent, open, and a revealing set of songs that chronicle the highs and lows of a woman embracing her faith. "God Help Me" is a great starter, a dark and smoldering rocker with a sense of urgency and RSJ sings "I'm running out of time to live/Running out of love to give/Running out of life within/God help me." "Shadowlands" and "Alive" also are lively, rock-tinged tracks showing she has plenty of spunk left. Ms. St. James also shifts gears smoothly to a more reflective, quieter mood on "I Need You" and "Forgive Me," the latter featuring nice supporting vocals from Barlowgirl. Another highlight is the magnificent worship cover of Hillsong United's "Take All Of Me" as RSJ's powerful vocals soar like an eagle above the richly orchestrated music. The diversity that flavors this release is noteworthy, but don't call Ms. St. James a chameleon. A chameleon changes its colors to suit the environment. No, this is an artist who wears a coat of many colors and on If I Had those colors shine brighter than ever before. --Michael LyttleCustomer Reviews:
Stellar!!.......2007-05-23
You Can Trust Her Music.......2007-01-22
Stars: You Are loved, Beautiful Stranger, God Help Me, Love Being Loved by You, Alive
Eclectic sounds sprinkled into rock.......2007-01-08
Wonderful.......2007-01-03
AWESOME! ONE OF THE BEST CD'S!.......2006-12-29
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The Greatest Game Ever Played
Brian Tyler Manufacturer: Hollywood Records ProductGroup: Music Binding: Audio CD Movie Scores
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ASIN: B000ASDGHQ Release Date: 2005-09-27 |
Tracks:
- Main Title Overture
- Immigrant's Theme
- Determination
- The Amateur
- Broken Dreams
- A Call To Arms
- The Greatest Game Ever Played
- Dog Leg
- Angel
- Invitation
- Broken Dreams Reprise
- Ouimet Trails By One
- Ride The High Country
- Indecision
- Heads Turn
- The Game Is Afoot
- An Unlikely Outcome
- A Chance Encounter
- And Then There Were Three
- Ride The High Country Reprise
- True Valor
- A Quiet Dignity
- Duel
- Showdown
- Sunset
- Angel - Dawn Upshaw
- The Band Played On - Amick Byram
- Hello Hello Who's Your Lady Friend? - Joe Jackson
- End Title Overture
Customer Reviews:
Fantastic!.......2007-01-09
At first it sounds much like James Horner's 'Legends of the Fall,' but it is by no means a repeat of it. It is a beautifull soundtrack on it's own, with many different themes that keep it exciting. The music has the same early 1900's feel as the movie while stil maintaining a variety of music styles; from soaring strings to intense violin pieces to period vocals like "And the Band Played On." Like the movie, it has a very inspirational feel, and I would definately recommend it to anyone, whether fans of the movie or soundtrack lovers.
Loved the movie, love the score.......2006-03-17
As I have listened to this soundtrack again and again, I've been captivated by this music. The beauty and power of Brian Tyler's composition is most impressive. As an intent listener, I've been deeply moved by the expansive musical landscape that is covered in this soundtrack. The central motif, a majestic and magnanimous melody which forms the essence of the main title, is woven into tracks throughout the disc, tying everything together as part of a musical (and theatrical) storyline. Indeed, it seems like an incomplete experience if I don't listen to the entire soundtrack, start to finish, in sequential order. If you take the time to do that, you'll find it's a very rewarding listen.
4.5 Stars for The Greatest Game Ever Played.......2006-03-11
The album picks up with the main title track, and what a great track it is. Some people will say it is Horner reminiscent, and while many themes on this CD do remind me of James Horner's best work, I actually think the closer resemblance is John Debney. I'm serious - this score is in many ways similar to The Passion of the Christ. It has pounding drums and wonderful percussion and isn't afraid to go all out with the string and brass section. It's a thrilling, heroic, melodramatic and operatic score that I've enjoyed listening to repeatedly. A highly recommended score for anyone who enjoys breathtaking and moving and powerful and heroic sometimes lighthearted and always thrilling music.
cheers
KZ
One of Brian Tyler's best.......2005-10-01
Average customer rating:
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Monteverdi - L'Orfeo / Rolfe Johnson, Dawson, von Otter, Argenta, M. Nichols, Tomlinson, Chance, Baird; Gardiner
Claudio Monteverdi , John Eliot Gardiner , Anthony Rolfe Johnson , Lynne Dawson , His Majesty's Sackbutts and Cornetts , English Baroque Soloists , Monteverdi Choir , Nancy Argenta , Anne Sofie von Otter , Julianne Baird , Mary Nichols , Simon Birchall , John Tomlinson , Michael Chance , Mark Turner , and Howard Milner Manufacturer: Archiv Produktion ProductGroup: Music Binding: Audio CD All Works by Monteverdi
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ASIN: B0000057CV Release Date: 1990-10-25 |
Tracks:
- L'Orfeo: Toccata
- L'Orfeo: 'Dal mio Permesso' (La Musica)
- L'orfeo: Act I: 'In questo lieto e fortunato giorno'
- L'orfeo: Act I: 'Lasciate i monti'
- L'orfeo: Act I: 'Rosa del ciel'
- L'orfeo: Act I: 'Ma se il nostro gioir'
- L'orfeo: Act II: 'Ecco pur ch'a voi ritorno'
- L'orfeo: Act II: 'Mira ch s'alletta'
- L'orfeo: Act II: 'Vi ricorda, o bosch'ombrosi'
- L'orfeo: Act II: 'Ahi, caso acerbo'
- L'Orfeo: 'Ahi, caso acerbo'
- L'orfeo: Act II: 'Chi ne consola, ahi lassi?'
Tracks:
- L'orfeo: Act III: 'Scorto da te, mio Nume'
- L'orfeo: Act III: 'O tu, ch'inanzi morte'
- L'orfeo: Act III: 'Possente spirto'
- L'orfeo: Act III: 'Ben mi lusinga'
- L'orfeo: Act III: 'Nulla impresa per uom'
- L'orfeo: Act IV: 'Signor, quel infelice'
- L'orfeo: Act IV: 'Pietade, oggi, e amore'
- L'orfeo: Act IV: 'Qual onor di te'
- L'orfeo: Act IV: 'Ahi, vista troppo dolce'
- L'orfeo: Act IV: 'E la virtute un raggio'
- L'orfeo: Act V: 'Questi i campi di Tracia'
- L'orfeo: Act V: 'Perch lo sdengo'
- L'orfeo: Act V: 'Vanne Orfeo'
- L'orfeo: Act V: Moresca
Amazon.com essential recording
History's first great opera--the story of Orpheus descending to Hades to retrieve his bride Eurydice from the dead, only to lose her again--gets a fine performance (the best overall version currently available) from John Eliot Gardiner and his musicians. Anthony Rolfe Johnson performs the title role with all the beautiful sound you'd expect from an Orfeo; he negotiates virtuoso passages flawlessly and sings passionately without overwhelming Monteverdi's music with too much voice. Julianne Baird as Eurydice and Anne Sofie Von Otter in a gripping appearance as the Messenger are the standouts in a cast without a weak link. Everyone involved, including the chorus and orchestra, performs with such energy, beauty, and precision that even long stretches of recitative never pall. --Matthew WestphalCustomer Reviews:
Great recording of a beautiful opera.......2007-03-29
a voice teacher and early music fan.......2006-05-13
Gardiner and crew are amazing!.......2005-09-17
One of the most beautiful operas of all time.......2005-09-10
My favourite recording of any Opera.......2003-08-21
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