| Disc: 1 |
|---|
| 1. I Want to Tell You |
| 2. Old Brown Shoe |
| 3. Taxman |
| 4. Give Me Love (Give Me Peace on Earth) |
| 5. If I Needed Someone |
| 6. Something |
| 7. What Is Life |
| 8. Dark Horse |
| 9. Piggies |
| 10. Got My Mind Set on You |
| Disc: 2 |
| 1. Cloud 9 |
| 2. Here Comes the Sun |
| 3. My Sweet Lord |
| 4. All Those Years Ago |
| 5. Cheer Down |
| 6. Devil's Radio |
| 7. Isn't It a Pity |
| 8. While My Guitar Gently Weeps |
| 9. Roll Over Beethoven |
Live in Japan,George Harrison,Eric Clapton & Band,Warner Bros / Wea,Album Rock,England,Pop/Rock,Popular Music,Psychedelic,Rock,Singer/Songwriter
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Live in Japan
Enrico Pieranunzi Manufacturer: Cam Jazz ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000P46QHC Release Date: 2007-06-12 |
Tracks:
- Aurora Giapponese
- Impronippo
- How Can You Not?
- If Only For A Time
- Mio Caro Dottor Grasler
- Musashi
- Improleaves
- Winter Moon
- Broken Time
- Tokyo Reflections
- Nuovo Cinema Paradiso
- Ninfa Plebea
- When I Think Of You
- Improminor
Amazon.com
Some piano trios bear the personality of the pianist; the bassist and drummer are there to lend support. Other piano trios draw personality from each of its principals, and the special, interactive way they go together. The latter definition fits the combination of pianist Enrico Pieranunzi, bassist Marc Johnson and drummer Joey Baron, who have melded into a unit that provides special pleasures on a par with those of Keith Jarrett's standards trio. As revealed on this double-disc live set, recorded during a tour of Japan in 2004, it's a highly flexible trio that shifts with ease from lyrical Pieranunzi originals to extended free-style improvisations to the film music of Ennio Morricone (which the pianist recorded when regularly working in Rome film studios). Pieranunzi is distinguished by his unerring touch, fast or slow, Johnson by his deep, resonating melodicism, Baron by his ability to energize the music even in the quiet spots. --Lloyd Sachs--Product Description
Live In Japan continues Pieranunzi s encounter with the works of Italy s great film composer, Ennio Morricone. Pieranunzi worked in Roman film studios in the 70s and 80s and played on dozens of Morricone soundtracks. He has revealed a rich, mostly unexplored source for jazz in the hypnotic melodies of Morricone. Two of them here, Musashi and Nuovo Cinema Paradiso, were arranged for the Japan tour. Mio Caro Dottor Gräsler and Ninfa Plebea come from Pieranunzi's two CamJazz albums, Play Morricone 1 and 2 . Ninfa Plebea (a secondary theme from Lina Wertmüller's film of that name) demonstrates the nuances of emotion that Morricone can evoke with a simple snatch of melody (its core is three notes). Pieranunzi is exactly the pianist to take it up and wonder over it. Marc Johnson's solo is like prayer, if prayers can be so sensual.The recorded sound of this album deserves mention. Working in concert venues of medium size (three of the performances took place at the Asahi Shimbum Hall in Tokyo), engineer Danilo Rossi achieves sonic quality as vivid and detailed as the best studio recordings, yet captures the in-the-moment electricity of these live events.
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Live in Japan
Roy Buchanan Manufacturer: Repertoire ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000AVF28 Release Date: 2003-09-12 |
Tracks:
- Soul Dressing
- Sweet Honey Dew
- Hey Joe
- Slow Down
- Lonely Days Lonely Nights
- Blues Otani
- My Baby Says She's Gonna Leave Me
- Sweet Dreams
Album Description
2003 live release for the late blues rock guitarist features 8 tracks. Digipak. Repertoire.Album Details
The Late Blues Guitarist Captured Live on Tour in the Land of the Rising Sun.Customer Reviews:
live.......2007-06-14
The Supreme Tele-Master.......2006-02-08
More Great Live Roy Buchanan!.......2003-10-26
Roy's Favorite.......2003-10-21
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Live in Japan
George Harrison , and Eric Clapton & Band Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00014TJU2 Release Date: 2004-02-24 |
Tracks:
- I Want To Tell You
- Old Brown Shoe
- Taxman
- Give Me Love (Give Me Peace On Earth)
- If I Needed Someone
- Something
- What Is Life
- Dark Horse
- Piggies
- Got My Mind Set On You
Tracks:
- Cloud Nine
- Here Comes The Sun
- My Sweet Lord
- All Those Years Ago
- Cheer Down
- Devil's Radio
- Isn't It A Pity
- While My Guitar Gently Weeps
- Roll Over Beethoven
Customer Reviews:
Correction to last review..........2006-12-31
Which does beg the question...where's the commercially-released pro-shot DVD that should be out from this tour? Musically and visually, this tour was a highlight of George's solo career.
Every Career Should End Like This.......2006-07-13
Coming off a five-year hiatus in 1987, George re-enters the limelight with "Cloud Nine". The years 1987 - 1991 were one of those post-breakup golden eras of the Fab Four. The three surviving Beatles were beginning to reconnect with each other, Yoko puts out "Imagine". The ice was thawing rapidly now, and Beatles fans were deliciously treated.
From Cloud Nine to the Traveling Wilbury albums, George is having a blast, and shows that of all rock icons, he has perhaps the coolest and perhaps most numerous group of iconic friends. Everybody is jamming with George these days. In the pantheon of the Beatles legend, 1987 - 1991 were George's years.
The quiet Beatle, who shunned the limelight, agrees to do this concert and album in Japan. His music covers the gamut - only about half love songs, the remainder are his commentary on life, the environment, spirituality, his love for John Lennon and all of his friends. On this album, George Harrison is where he was not often found while in the Fabs: front and center, and he masterfully commands the stage.
To the side, Harrison's devoted friend Eric Clapton treats Beatles music with respect and love.
Live In Japan is released, and within a few years George is first diagnosed with cancer. But in the meantime, he reunites with the Beatles for the Anthology, then records some tracks that are to become "Brainwashed". Each brick of the Harrison edifice is carefully put in place as his career comes first circle.
Finally - the Concert for George closes the final chapter in the saddest and most joyful of ways. But that's another review.
George covers all of his bases as he exits the stage . . . perfect!
This CD belongs in every Beatles and classic rock collection.
A must for collectors.......2006-03-10
The first time was 1973 when he lost his voice about midway through the tour. The other time is captured on this CD.
George uses Eric Claptons' band. Clapton has an excellant entourage of musicians.
George plays his best songs and greatest hits not only from his solo days but also from his Beatles days.
Harrison seems comfortable with Eric Clapton and they exchange some very nice lead guitar during the set.
My favorite songs on the album tend to be the songs from his Beatles days.
If I Needed Someone, I Want to Tell You, Here Comes the Sun, Something, Taxman and others.
I have been a lifelong Beatles fan and like a sponge try to collect Beatles albums.
George Harrison after the Beatles broke up in my mind wrote the best songs of all the former Beatles, with the exception of possibly John Lennon.
This is a real treat for Beatles fans, and a very historical tour of one of the icons of the 60's and Rock music in general.
The missing piece.......................2005-07-18
I Want to Tell You it's Time For George!.......2005-01-15
When you listen to "Piggies," George gives this 1968 gem an added bonus section, which is mentioned in his book, "I Me Mine." The high point of the collection for me was his doing two of my favorite Harrison Beatle classics, the 1969 gem "Here Comes the Sun" and the 1966 gem "I Want to Tell You," wherein he amends one line. This "change" is mentioned in his book "I Me Mine" as well.
Eric Clapton's band does a stellar job of performing with George. This combination works and flows with each other brilliantly and the guitar playing is superb. Just LISTEN to the 1968 magnum opus "While My Guitar Gently Weeps...." that is such a worthwhile treat!
This is such a delightful collection and people ranging from those just becoming familiar with Harrison, the Beatles and Clapton to inveterate fans. Be sure to check this out - it is excellent!
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At Budokan [Live In Japan, February, 1978]
Bob Dylan Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000025GP Release Date: 1990-10-25 |
Tracks:
- Mr. Tambourne Man
- Shelter From The Storm
- Love Minus Zero/No Limit
- Ballad Of A Thin Man
- Don't Think Twice, It's All Right
- Maggie's Farm
- One More Cup Of Coffee (Valley Below)
- Like A Rolling Stone
- I Shall Be Released
- Is Your Love In Vain
- Going, Going, Gone
Tracks:
- Blowin' In The Wind
- Just Like A Woman
- Oh, Sister
- Simple Twist Of Fate
- All Along The Watchtower
- I Want You
- All I Really Want To Do
- Knockin' On Heaven's Door
- It's Alright, Ma (I'm Only Bleeding)
- Forever Young
- The Times They Are A-Changin'
Amazon.com
It was Dylan himself who said "the present now will later be past" and there's no better proof of it than this bizarre live collection of his old hits performed in big band versions where nothing seems to mean what it originally did. There's something going on here and even Dylan doesn't know what it is. Following the success of Cheap Trick and Neil Diamond--who both scored with Japanese live albums--Dylan took his Las Vegas revue with him and handed up "Don't Think Twice, It's All Right," "Mr. Tambourine Man," "Shelter from the Storm," and even "The Times They Are A-Changin'" without the vehemence that made them anthems for a past generation. Weird. --Rob O'ConnorCustomer Reviews:
unfolding surprising beauties and power.......2007-03-29
Gerd
breath of fresh air perhaps.......2007-01-11
It also might be the most accessible to new/ non fans with it's slickness and emphasis on melody, in contrast to his more recent performances.
Truly sad..........2006-12-28
Some necessary Budokan revisionism.............2006-02-01
"Live at Budokan" was my first Dylan album, miraculously discovered twenty five years ago as a window into a magic world.
Ever since I've heard bile and venom from innumerable sources about it's 'Vegasy' feel, and its 'commercialism'.
But Dylan is a song and dance man, mercurial and a mystery -
the minute you define him and place expectations on him he will inevitably disappoint.
Above all he is a true entertainer, who paradoxically brings everything to his performances and yet nothing, like it's always gonna be new.
The songs on this album are all like that, all stone cold classics, but elastic, sweet, wry, still timeless.
After twenty five years of listening to all the rubbish reviews, I still recommend this album for any newcomer to Dylan.
For one thing, there is booklet of lyrics to the great songs which is really helpful for new fans, as it was for me so many years ago, and the album photos still talk of the irresistible mystery that is Dylan.
'Budokan'is like an old road map on which the street signs are still right.
It truly gets better like old wine.
Every Song Different than Before.......2005-11-09
Reviewed by Stephanie Sane
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Live in Japan
John Coltrane Manufacturer: Grp Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003N61 Release Date: 1991-05-14 |
Tracks:
- Afro Blue
- Peace On Earth
Tracks:
- Crescent
Tracks:
- Peace On Earth
- Leo
Tracks:
- My Favorite Things
Customer Reviews:
Surprisingly beautiful.......2006-07-12
Well, I was very surprised, in many ways. I have so far only listened to Disc 1 and Disc 4, but both have been a revelation.
From the beginning of 1966, Coltrane toured with a new band, the Second Quartet, featuring Garrison from his old band, drummer Rashied Ali, pianist Alice Coltrane, and (sometimes) Pharoah Sanders on tenor.
The new band caused outrage and controversy wherever they went. Stanley Crouch visited a Coltrane concert in 1966, and saw Coltrane and Sanders, both with tenor saxophones, just screaming at each other eternally. There were three people in the audience, including himself. Great saxophonist Dave Liebman was a teenager in 1966. He wandered into a Coltrane concert, and found himself confronted with a half hour version of My Favorite Things in which the band members chanted "Om Mani Padme Om" while shaking tambourines and hitting bells. Liebman says that, after the theme was stated once, there was literally nothing recogniseable - just screaming.
This period of Coltrane's music is puzzling even to many great musicians. It is doubly puzzling to us now, because almost no recordings were made by the band in 1966. During that year, for some reason, no recordings were made - not even bootlegs or radio broadcasts - except for the Village Vanguard performance, and two concerts recorded by Japanese radio in July 1966.
Coltrane and his band recorded an enormous amount in 1965 and 1967. The vital, controversial year of 1966 is a howling void.
I was unimpressed by Live at the Village Vanguard Again, which I regard as being supremely overrated. The version of "My Favorite Things" seemed sluggish, the soloes somtimes verging on the banal, and the band often lacking co-ordination. It was therefore with great interest that I bought these Japanese concerts.
I have been disappointed before with Coltrane concerts. "Live in Seattle" is still probably the Coltrane recording I dislike most. But I was hoping for something with the majesty and power of the Olatunji Concert. What I did not expect was wonderful peace and joy.
The Penguin Guide describes the version of My Favorite Things on this album as "the equivalent of bombing Nagasaki just days after laying waste to Hiroshima". It goes on to wonder as to the musical worth of "music as humourless and God-bothering as this".
I must say I found the opposite to be the case. Coltrane may not be a laugh a minute, but I found the atmosphere on this recording to be surprisingly cordial and light. Whereas you could justifiably call "Live in Seattle" humourless and God-bothering (as well as "trippy" and "blatantly inept") I found the Japanese concerts to completely change my view of Coltrane's later period.
After reading articles by eyewitnesses to Coltrane's 1966 style, I was expecting something harsher and weirder. Instead, we have here completely sane and engaging sample of music.
"Afro-Blue" begins with Coltrane playing the theme, as always, and launching on a three minute solo. Then Pharoah Sanders squawks, farts and quacks for ten minutes (I must say, I still cannot get used to Sanders' style at all). Alice Coltrane plays a rare solo after that; then Coltrane blows everything out of the water with a raging soprano solo that cuts up the tune in every way possible. At one stage he plays screeching, toneless phrases obviously inspired by Sanders, though with far more musical judgement. The atmosphere is fierce and bloody, but there is a certain classical tidiness to it, which is a stark contrast to the version on Live in Seattle, which I would rate the worst thing on that album.
"Peace on Earth" (written, of course, during the Vietnam War) is a stunningly beautiful theme I have never heard before. Coltrane's solo is heartfelt and a voice of protest in a world of violence. Sanders' solo after this is also surprisingly beautiful, thus showing that he can solo without screaming after all. A very beautiful performace.
"My Favorite Things" is, of course, a piece that Coltrane played every night. He played it even when he went avant garde. Coltrane starts off with alto-saxophone, an instrument he last played with Dizzy Gillespie in the 1940s. He takes full advantage of the horn, making it a pity he never played the instrument much. The sound takes advantage of the lighter sound of the horn, while the low-register honks show you what a soprano couldn't do. Pharoah Sanders' solo is again not worth talking about. Alice Coltrane then enters, playing the My Favorite Things theme in such a harmonically altered way that it is literally unrecogniseable unless you are actively listening for it. Then Coltrane comes in on soprano in a thrilling solo that always touches base with the atmosphere of the original. It is a world away from the tepid version from the Village Vamguard, and also from the ferocious version on Olatunji Concert.
The sound quality, by the way, is incredible. While it is mono, and there is too much tape hiss, the sound of the two horn players comes through stunningly clear and wonderful. The timbre of Coltrane's horn (especially his alto) is actually better here than on most Impulse recorded live stuff. It is certainly better than the echo-y sound from most of his European concerts. I dont know if the Japanese used better microphones, but there is a silky sound to the horns that I've not heard elsewhere.
Overall, the Live in Japan concerts (at least the two discs I've heard) are a surprisingly beautiful recording that should be more widely available. I would vote it as second only to Olatunji Concert in documenting this band live.
Coltrane in Japan - Epic and Majestic........2005-10-10
As for the music itself, it is loaded with fierce improvisational chops with the ensemble stretching the music to its outer limits. The idea of releasing an album of this material was not initially planned in 1966 so, Coltrane and his group of players took the music into an area of no boundaries or limits whatsoever. Although this set may take a few listens to fully digest, it doesn't take long before the listener is completely emmersed in the music.
Musical standouts in this 4-disc set are as follows:
Afro Blue: Pharoah Sanders' shrieking tenor solo and Coltrane's nearly 20-minute solo on soprano sax which closes the piece.
Peace on Earth (Version 1): Alice Coltrane's beautiful piano solo and John and Pharoah's tenor duet.
Crescent: Jimmy Garrison's extended bass introduction and another standout piano lead from Alice.
Peace on Earth (Version 2): Pharaoh's excellent alto sax spotlight.
Leo: Pharoah's ferocious alto solo, Rashied Ali's extended drum feature, John and Pharoah's catfighting alto duel.
My Favorite Things: Another great extended Garrison bass intro, John performing the melody on alto sax as well as an extended soprano solo in the middle, a flowing piano solo from Alice and another sax duel from John and Pharoah.
"Live In Japan" isn't recommended for a first-time Coltrane listener. However, this is definitely an essential purchase once you've studied his other musical periods and have made it to this, his final period of pure musical exploration. It also should be noted that all of the music in this set was recorded in mono. Despite this, the sound quality is excellent and every musician comes through sharp and clear.
This is late-period Coltrane at its very best!!!
LIVE IN JAPAN: epic live.......2005-09-21
Explorations from Coltrane's last band........2005-04-04
Now mind you, you need to be ready for things like fourteen minute bass solos or twenty minute sax solos to be able to digest this stuff, and thats not for everyone-- considering that much of jazz was still in the three minute vein (and many of Trane's contemporaries were playing eight or nine minute pieces as extended), this may be a bit much, but there's a lot to hear on these.
Whats interesting is to see how far Coltrane is reaching with his playing, his solos (particularly on tenor, although he also solos on alto and soprano) have a quality of almost incompleteness to them as though he isn't quite where he wants to be yet-- comparing these to the urgency and power of his 1967 recordings, you get the impression that he found it then. But on extended solos on "Afro Blue" and "Crescent", Coltrane is looking. Joining him in this exploration is the mighty Pharoah Sanders, whose playinig is no doubt inspiring, check the alto solo on "Peace on Earth" for a good example of this. The rhythm section is also interesting, although the sound quality tends to force Garrison out when the other instruments get aggressive, he's already developed a rappport with Rashied Ali (who to my ears was a better partner for Trane's exploratory phase than Jones was-- and I've always felt that Trane sought his most sympathetic support from his drummers). Ali's playing is actually breathtaking, his stylistic developments after Elvin Jones left the band is pretty incredible. Coltrane's second wife, Alice, adds a unique touch to the piano-- also a harpist, there's a sparseness to her playing on this recording that I suspect comes from her harp background, that nicely offsets the density of Trane and Pharoah's playing.
The recordings are interesting, certainly worth hearing. Maybe not for everyone, but if you're a fan of Trane's later work, this is essential.
God Speaks Again!.......2005-03-31
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Live In Japan '65
The Ventures Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002TX2 Release Date: 1995-05-30 |
Tracks:
- Introduction
- The Cruel Sea (The Cruel Surf)
- Penetration
- Bulldog
- I Feel Fine
- Band Member Introductions
- The House Of The Rising Sun
- Out Of Limits
- Slaughter On Tenth Avenue
- Besame Mucho Twist
- Love Potion No. 9
- Walk Don't Run
- When You Walk In The Room
- Rap City
- Wipe Out
- The Ventures Medley:A. Walk-Don't Run; B. Lullaby Of The Leaves; C. Perfidia
- The Lonely Bull
- Telstar
- Driving Guitars
- Mariner #4
- The Pink Panther Theme
- Yellow Jacket
- Apache
- Pipeline
- Surf Rider (Spudnik)
- Journey To The Stars
- Bumble Bee Twist (The Wasp). Rimsky-Korsakov's 'The Flight Of The Bumble Bee'
- Diamond Head
- Caravan
Amazon.com
Recorded at the peak of the band's '60s popularity, this album is a collection of previously unreleased live tracks from Japan, where the Ventures have been stars for nearly 40 years; instrumental rock transcends every language barrier. The 29 songs collected here represent a virtual live greatest-hits package, cut on ancient, Buddy Holly-vintage three-track tape machines, including: "Caravan," "Pipeline," "Slaughter on Tenth Avenue" and "Journey to the Stars." A cover of the Searchers' version of Jackie DeShannon's "When You Walk in the Room" is a generous tip of the hat to the British invasion groups who all but buried surf music in the mid-'60s. Fun, lo-fi and best of all--live Ventures! --Dave ProvostCustomer Reviews:
Good evening, ladies and gentlemen, and welcome to the best show in town........2007-01-27
Man, this cooks!!!!!!!!!!!!!!!.......2006-12-16
GREAT LIVE ALBUM!!!!!!!!.......2004-03-24
The Ventures Knock Out Japan!.......2003-08-05
The sound is punchy and super clean with plenty of stereo separation between the instruments (good for learning parts). About the only thing I didn't like is the intrusive Japanese announcements between each song. I wind up fast forwarding to get to the next song, and I wish they were edited out for us english speaking fans. But they were part of this historical performance.
Any fan of instrumental rock (including those uptight UK Shadows fans - Hank & Bruce couldnt rock this hard if they tried!) who thinks the Ventures wern't a great band in the early-mid 60's should pick this CD up because the group's performance is the hottest I have ever heard them. Many tracks surpass the studio versions. The group sounds like they were having a good time playing for the Japanese fans. No wonder why they have stayed loyal to the group for over 40 years!
The ULTIMATE instrumental rock record.......2002-08-21
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Live in Japan
The Runaways Manufacturer: Cherry Red UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000DZGTZ Release Date: 2004-01-23 |
Tracks:
- Queens Of Noise
- California Paradise
- All Right You Guys
- Wild Thing
- Gettin Hot
- Rock N Roll
- You Drive Me Wild
- Neon Angels On The Road To Ruin
- I Wanna Be Where The Boys Are
- Cherry Bomb
- American Nights
- Cmon
Album Details
Although by this Time the Runaways Had Lost Both Cherie Currie and Jackie Fox, it was by No Means Fatal as Joan Jett Took Over the Lead Vocals. With Snarling Vocals from Joan and in Your Face Rock Guitar from Lita Ford, this was a Fantastic Album from the Runaways. Tracks Like the Jaded `little Sister' and the Catchy `wait for Me' Proved There was Plenty of Life in the Girls Yet!! Critically Acclaimed but Never Receiving their Due, the Runaways were Formed in Hollywood in 1975, with the Help of Music Svengali / Producer Kim Fowley, Becoming the First all Female Rock and Roll Band to Actually Make an Impression on the Record Buying Public and Musicians Alike - Although More So Now Than Then! Respected in their Day by Bands Such as Blondie and the Ramones, and Now Cited as a Major Influence by Bands Such as Courtney Love, Bikini Kill, L7, the Donnas and Babes in Toyland the Runaways Time Has Finally Come!Customer Reviews:
In honor of Sandy West and because The Runaways rock!.......2006-10-26
For Sandy West - this album rocks!.......2006-10-24
Buy This NOW!.......2006-03-07
On the Road..........2005-02-22
Stars: Cherry Bomb, Queens of Noise, I Wanna Be Where the Boys Are, Rock-n-roll, Neon Angels on the Road to Ruin
The essense of rock!.......2005-01-11
There is nothing better.
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Live in Japan
Laura Nyro Manufacturer: EMI Special Products ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008YJHW Release Date: 2003-04-01 |
Tracks:
- Dedicated To The One I Love
- Ooh Baby Baby
- And When I Die
- Save The Country
- Wedding Bell Blues
- Walk On By
- Let It Be Me
- Light A Flame (The Animal Rights Song)
- Louise's Church
- Woman Of The World
Customer Reviews:
Ours is not to wonder why..........2006-11-28
With that cavaet, let me say that the ten songs collected here are very well recorded and very well performed. The first six songs represent some of the finest compositions of the 1960's, among them the opener, 'Dedicated To the One I Love'. Although covered by artists such as The Shirelles and The Mama's and the Papa's, and despite it's engaging melody, don't assume this is a Laura original. The track was penned by Ralph Bass and Lowman Pauling. The second number, 'Ooh Baby Baby' was written by Smokey Robinson, and 'Let It Be Me' (covered by artists as diverse as Bob Dylan and David Hasselhoff) is originally a French song from the 1950's. The three remaining tracks, representing nearly one-third of the setlist (and more than one-third of the total running time), give undue weight to Laura'a late-career productions. Conspicuously absent are selections from Laura's mid-career releases, 'Smile', 'Nested', and 'Mother's Spiritual', the latter two of which appear to be quagmired in legal limbo. Live releases could serve as a way to reintroduce some of this material, but that apparently wasn't a motivation in releasing this disc either. The last three tracks, all of which appear on 'The Loom's Desire', carry considerable political and philosophical weight, favoring women's and animal's rights, and so carry on Laura's favored crusades in her absence.
Aside from the brevity of the recording, and the lack of original material, the most obvious deficiency is the inability of the recording to pick up steam. Be prepared for a beautiful performance, but one that only comes close to bringing you out of your seat (to join our Japanese brethren in support of 'Wedding Bell Blues'). Five numbers are offered with Laura's three member harmony group (tracks one, four, five, nine, and ten), and while those perfomances are richer, they aren't necessarily more scintillating. In fact, the tracks that have some potential for establishing a burning presence, 'And When I Die' (which can be found on three of Laura's four solo-live recordings) and 'Save the Country' (a rare late-career performance) are offered in a subdued format.
If not for 'The Loom's Desire', 'Live In Japan' would help to fill a void in the Nyro catalog, but much of this has been done too many times before to consider the release anything but superfluous. If you're a rabid Laura Nyro fan who must have each and every recording the artist ever produced, then I suppose you'll have to run out and purchase this one. For the more casual fan, unless you absolutely must have that rare, quaint performance of 'Walk On By', ante up a few more George Washington's and cash in on the well-constructed, and well-anotated 'Loom's Desire'. The difference is fulfillment as opposed to wanting more. You can't argue against this one on its merits, but you can argue against it on what has come before. It merits four stars, based on Laura's irrepressible talent, but the fact is you can do better... far too easily.
This Title Is Actually Called "Live In Japan".......2003-05-30
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Maisky & Argerich Live in Japan
Claude Debussy Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005ND48 Release Date: 2001-10-09 |
Tracks:
- Applause
- Son in g, Op.65: 1. Allegro Moderato
- Son in g, Op.65: 2. Scherzo (Allegro Con Brio)
- Son in g, Op.65: 3. Largo
- Son in g, Op.65: 4. Finale. Allegro
- Son in A: 1. Allegretto Moderato
- Son in A: 2. Allegro - Quasi Lento - Tempo I
- Son in A: 3. Recitativo-Fant. moderato
- Son in A: 4. Allegretto Poco Mosso
- Son in d: 1. Prologue. Lent
- Son in d: 2. Ser. Moderement Anime
- Son in d: 3. Finale. Anime
- Polonaise Brillante Op.3: Intro. Lento
- Polonaise Brillante Op.3: Alla Polacca. Allegro
Customer Reviews:
ideal live performance.......2005-03-08
*** Making the sonatas sing.......2005-02-23
But the best thing about this recording is the joy of the music making. At times even playful, but always seriously committed to the score -- these are two of our most visionary and accomplished soloists delivering warmly knit performances. I wouldn't call Maisky an overwhelmingly masculine cellist, and Argerich wouldn't make my top ten for a feminine approach to the piano. But there is a complementarity in the music making that suggests the complementarity of gender -- not gender, but a complementarity of the same power, the same tension, and the same joy. Well, I guess you will just have to listen to the recording, because I cannot describe it any better.
A flawless recording.......2003-06-27
Just when I was feeling that the earlier Argerich/Rostropovich recording of the Chopin was too sloppy and sonically out of balance, I picked up this recording and was amazed. Normally the 'cello ends up being overpowered by the piano, but not here. Due to the ensemble and the quality of recording, I would definitely consider this a "desert island disc."
IMPOSSIBLE TO OVER-RATE!.......2001-10-29
Bravo!
Average customer rating:
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Live in Japan
George Harrison , and Eric Clapton & Band Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002LUA Release Date: 1992-07-14 |
Tracks:
- I Want to Tell You
- Old Brown Shoe
- Taxman
- Give Me Love (Give Me Peace on Earth)
- If I Needed Someone
- Something
- What Is Life
- Dark Horse
- Piggies
- Got My Mind Set on You
Tracks:
- Cloud 9
- Here Comes the Sun
- My Sweet Lord
- All Those Years Ago
- Cheer Down
- Devil's Radio
- Isn't It a Pity
- While My Guitar Gently Weeps
- Roll Over Beethoven
Customer Reviews:
better than the beatles.......2005-11-08
Dark Horse Live.......2005-07-19
Good Live concert overview.......2004-03-23
I don't have a SACD player, but other hybrid disks I've bought sound pretty good on a standard player. However, "Live in Japan" doesn't offer that extra "oomph" on a standard system -- it just sounds, well, standard.
Aside from that, the concert is excellent: Eric Clapton lends his guitar wizardry to some of the set's highlights, such as "What Is Life" and "While My Guitar Gently Weeps." George is in fine voice throughout -- the version here of "Dark Horse" is light years better than the studio cut -- and Harrison isn't afraid to dip deeply into his Beatles catalog. It's kind of a nice surprise to hear "Piggies," alongside his more familiar "Here Comes the Sun" and "Something."
If there is a complaint, it might be that this set is maybe a bit too slick. They don't mess around with the original arrangements of the songs too much, and some of the extra touches might be a bit much at times. For example: the background "doo wop" singers on "While My Guitar Gently Weeps" are totally unnecessary.
All in all, a good set.
A new version may be around soon!.......2003-12-30
Faithful to the original recordings: fabulous!.......2003-12-20
The only small criticism is that George's vocals are sometimes not mixed correctly. This is especially evident in the closing encore song, Roll Over Beethoven. You can scarcely hear George over the female background singers. But this is a minor complaint. If you love George Harrison, this is a must have set. Enjoy it!
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