If ever an artist deserved the tribute-album treatment, it's Leonard Cohen, an intermittently fascinating songwriter but perhaps the worst singer to ever release more than one major-label album. Cohen has never written a song which couldn't be improved by someone else singing it, and it's no coincidence that he's been the subject of three tribute albums. The latest is Tower of Song, which turns Cohen's work over to such middle-brow pop stars as Don Henley, Billy Joel, and Suzanne Vega. The results from this new project are mixed. Melodramatic, angst-ridden vocals by Tori Amos ("Famous Blue Raincoat") and Peter Gabriel ("Suzanne") emphasize Cohen's narcissism and purple poetry. On the other hand, Elton John delivers a delightfully campy, irreverent reading of "I'm Your Man," and Sting joins the Chieftains for a nicely understated, Celtic-folk arrangement of "Sisters of Mercy." --Geoffrey Himes
Tower of Song: Songs of Leonard Cohen,Gore,Vega,Arden,Joel,Amos,Bono,T,T Leonard Cohen,A&M,Folk & Traditional,Pop,Popular Music,Rock
Average customer rating:
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Tower of Song: The Songs of Leonard Cohen
Various Artists Manufacturer: A&M ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001EZK Release Date: 1995-09-26 |
Tracks:
- Everybody Knows - Don Henley
- Coming Back to You - Trisha Yearwood
- Sisters Of Mercy - Sting & The Chieftains
- Halleluiah - Bono
- Famous Blue Raincoat - Tori Amos
- Ain't No Cure For Love - Aaron Neville
- I'm Your Man - Elton John
- Bird On A Wire - Willie Nelson
- Suzanne - Peter Gabriel
- Light As The Breeze - Billy Joel
- If It Be Your Will - Jann Arden
- Story Of Issac - Suzanne Vega
- Coming Back To You - Martin Gore
Amazon.com
If ever an artist deserved the tribute-album treatment, it's Leonard Cohen, an intermittently fascinating songwriter but perhaps the worst singer to ever release more than one major-label album. Cohen has never written a song which couldn't be improved by someone else singing it, and it's no coincidence that he's been the subject of three tribute albums. The latest is Tower of Song, which turns Cohen's work over to such middle-brow pop stars as Don Henley, Billy Joel, and Suzanne Vega. The results from this new project are mixed. Melodramatic, angst-ridden vocals by Tori Amos ("Famous Blue Raincoat") and Peter Gabriel ("Suzanne") emphasize Cohen's narcissism and purple poetry. On the other hand, Elton John delivers a delightfully campy, irreverent reading of "I'm Your Man," and Sting joins the Chieftains for a nicely understated, Celtic-folk arrangement of "Sisters of Mercy." --Geoffrey HimesCustomer Reviews:
Like any collection of covers you take the bad with the good.......2006-05-16
The Good:
Trisha Yearwood puts a bit too much country yodel in "Coming Back To You", but you end up believing her.
Tori Amos's sparse arrangement for "Famous Blue Raincoat" works perfectly and her delicate vocal, breathing in deeply throughout, is beautiful.(I should really think about getting some of her stuff.)
Aaron Neville gets all country on "Ain't No Cure For Love" and makes his great voice plead for a cure, which ain't forthcoming.
Willie does "Bird On A Wire " proud. Softly with guitar then organ and harmonica build up, then drums, but never changing the basic plaintive quality of the vocal.
Peter Gabriel's version of "Suzanne" is haunting and true.
Great Billy Joel on "Light as a Breeze." He makes this one his own.
"Story of Isaac" is a tough song to do convincingly, but Suzanne Vega approaches it with simplicity and intelligence.
The Bad:
Don Henley put more emotion into "Dirty Laundry" than he did on "Everybody Knows."
Sting and The Chieftains make "Sisters of Mercy" sound like an outtake from BELLS OF DUBLIN (I liked that one) this one, not so much.
"Hallelujah" by Bono is absolutely awful. I really thought Bono would make this a classic; instead he transforms this transcendent song into bad techno.
"I'm Your Man"- Elton John Trying waaay too hard.
Jann Arden's take on "If It Be Your Will" isn't really bad, just forgettable, something a Cohen song really shouldn't be.
Martin Gore makes a mistake with the synths on "Coming Back to You" but his vocals almost push it into the good side...almost.
So more good stuff than bad stuff and the good stuff will make it worth your time if your a Cohen fan.
Buy it if you're a Cohen fan, skip it otherwise.......2006-03-17
My favorite track on the album is Suzanne Vega's rendition of Abraham and Isaac. Her voice is simply sublime -- it doesn't have any of the melodramatic affect of Tori Amos's, yet it manages in its subtlety to be incredibly intense and wonderfully conveys the various shades of tone and mood in the song. It's probably the only track on the album that I actually prefer to the Cohen original.
I also like Sting's cover of Sisters of Mercy.
OK, but the source material is so much better...........2005-03-15
Let's face it: a cover version will nearly always entail a shift in meaning from that intended by the artist. At best this will be a mere shift in tone and sentiment (read: Willie Nelson (Bird on a Wire) and Peter Gabriel (Suzanne)) and, at worst, the song is ruined almost beyond repair (read: Elton John (I'm your Man and Don Henley (Everybody Knows)).
The three stars go to Trisha Yearwood (Coming Back to You), Billy Joel (Light as a Breeze) and Peter Gabriel (Suzanne).
famous blue raincoat.......2005-01-08
...yet another take........2004-12-06
Who I liked: Don Henley, Billy Joel, Sting, Susan Vega and Jan Arden. WOW! Great stuff!
Tori Amos sounded like she should have relieved herself before the recording session.
I expected more of Elton John.
Bono did a lucid reading, I am just not sure I like electronica performance art.
Peter Gabriel...What were you thinking?
Aaron Neville this "country" wasnt cool.
Oh, and that last guy that did the second cover of "Coming Back To You. I liked Trisha Yearwoods better...which is still an insult.
But, It's great to hear how universal L. Cohen's words are. I read all the reviews here and EVERYONE liked SOMETHING. The stuff I dissed, others thought it was great and vise versa. I'm glad I bought the CD.
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